In_Collision Buildings have speed. People have speed within buildings. People experience architecture at a speed. In the Phoenix Metropolitan Area our lives are largely spent traveling, always in transition from one place to another. Within our freeway system, observed absences reveal that the moment of a collision is where our mental-absence is interrupted. People are made aware, not only of themselves and their mortality, but also of the absence of the freeway and the absence that defines Phoenix’s urban environment. The freeway is the most existential space in our urban environment. Every time we drive on the freeway we risk death, but it is a necessary infrastructure for living.
1. Program (Left to Right): Living Freeway Maintenance Drive-In/Media Performance
2. Collision potentials
3. Combine with infrastructure + circulation
4. “The Colliders”
MOTHER E H T
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Part y
THE LO
S R VE
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A colliding architecture is designed to keep us alive, engaged, and living in Phoenix’s most scenographic and existential locations: the freeway.
Dou Intible F mat ea e G tu at re he ri ng
Festival Double-Fe Muilti-Medsture ia E xhi bit io n
THE DI RE CT O
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Through this collision,the new infrastructure informs connections between the urban environment, the identified characters, and their personal relationships between each other and the potential for a culture developing around “the colliders”.
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FI TRAF C
3
Living
Performance
E4X EC
THE GR AN
2
Reu Intimate Gather ing
CORPORAT E H T E
THER A DF
Rehnaiboinlitation
g atherin te G a m i Inetuniogn R vin Li
Maintenance
Drive-In
E IV UT
Speed is registered / felt in the change from one to the other. An acceleration . Architecture must begin to accelerate to match our culture , technology , and space.
the project manager
1 Mechanic
Rehabilitation
Academic + Classrooms
Meditation
the corporate executive
the director
2 Living
Rehabilitation
Reunion
Party !
the student
Intimate Gathering
the retiree
3 Performance
the mother Meditation
Party !
Festival
Multi-Media Exhibition
the lovers
4 Drive-In
ng heri Gat
E EMP H T
te ma ti ng In ivi L
The project creates a new typology of architecture and urban engagement based on speed and the collision 1 of architectures:
Maintenance
+ n io at uc Ed
Programs intended for cars collide and create new uses. Users of the device are never to leave their vehicles, but certain characters and people will use the device differently according to their relative use of the freeway and place within the community.
the art collector Academic + Classrooms
Living: Work + Sleep
Intimate Gathering
Maintenance: Car + Body
ADE 622: Spring 2017 Advanced Architectural Studio IV
Multi-Media Exhibition
360° Drive-In
Double Feature
Performance
Student: Nicholas Shekerjian Instructor: Elena Rocchi
REDEFINING THE TYPOLOGY OF DESERT RESIDENCES THROUGH THE “FAMILY ENERGY ROOM”
INDIGENOUS DESERT RESIDENCES evolved purely out of necessity to address their immediate context and climate while including an interior-exterior room shaped by support spaces
MARKET-DRIVEN DEVELOPER HOMES are not contextual in terms of topography, orientation, and integration into the more natural or existing environment which have been permitted by technological and material innovations
MARYVALE PRESENTLY: DISCONNECTED LOW-DENSITY
KB HOMES PRESENTLY: DISCONNECTED HIGH-DENSITY
THE FAMILY ENERGY ROOM embodies the contemporary atmosphere of the indigenous case studies in response to technological and material innovations Everything that uses or produces energy is part of the thickened threshold. These components become the infrastructural core walls surrounding the Family Energy Room which mitigate temperatures, recover energy, and incorporate new technologies. This connectivity to the threshold is how other rooms are cooled. This threshold also acts as a porous and seamless framing device to the interior and exterior environments. Although the Family Energy Room is made up of components, it functions as a single component. Interior and exterior environments not only reunite individuals with their desert surroundings, but also improve their well-being through infused biophilic benefits.
THE POTENTIAL OF MARYVALE: RECONNECTION THROUGH EXTENSION
2
THE POTENTIAL OF KB HOMES: RECONNECTION THROUGH INTERNAL COURTYARDS
ADE 622: Spring 2017 Advanced Architectural Studio IV
1
Student: Cathleen Kebert Instructors: Renata Hejduk, Darren Petrucci
CIENEGA TREATMENT CENTER Cienega Treatment center responds to the pre-existing urban conditions of los angeles in a variety of ways. water quality, and the health and wellbeing of its citizens, are the primary focuses of CTC. these conditions are remedied with the integration of a constructed wetland system and a detoxification system About 75% of the stormwater ends up flowing down the Los Angeles canals in a typical rainstorm and is lost to Santa Monica Bay and Long Beach Harbor. In Los Angeles, the homeless population has jumped 12% in the last 2 years. 44,000 homeless people were tallied in January 2015, up from more than 39,000 in 2013.
Southern California has long been an area where drug abuse and addiction has flourished, due to its location near the usmexico border. heroin • 2002 - 2013: • 2002 - 2013: •
2013:
heroin use increased 63% overdose deaths increased 300% 517,000 people reported that they had used heroin in the last year, a 150% increase from 2007.
perscription • 2014:
23,500 overdose deaths
meth • 2009-2014:
meth seizures increased 300%
stage 1: canal
stage 2: cistern storage
greywater ↓ GREYWATER storage tank
stage 3: baffle system
greywater storage tank ↓ Unit planter boxes
stage 4: limestone
stage 5: Aquaponics
Unit planter boxes ↓ S.O.A.P. PANELS
S.O.A.P. Panels ↓ hot water storage
stage 6: Aquaponics
Hot water storage ↓ radiant heating floor coils
stage 7: oyster
RADIANT HEATING FLOOR COILS ↓ STORAGE TANK
stage 8: Retention
storage tank ↓ VEGETATION WALL
ADE 522: Spring 2017 Advanced Architectural Studio II
Students: Zachary Howser, Sami Nabaty, Chris Woosley Instructor: Thomas Hartman
Level 1: ground
Level 2
Section through work space
Level 3 & 4
Level 5
Section through south of building
Level 6-15 without atrium
Level 6-15 with atrium
Section through lobby
EGRESS
STRUCTURE
HVAC
Atmospheric section through free event space
ADE 522: Spring 2017 Advanced Architectural Studio II
Students: A. Carlson , J. Childress, A. Leavens, M. Nevarez Instructor: Philip Horton
Project Concept
Our concept for this project is to re-imagine the typology for a community space. One that is inserted into an area of need. The typology change is needed to reflect the ever changing nature of Los Angeles and promote a sense of awareness. We believe that accompanying an awareness space with mixed use and business, we can create a dynamic space for the diverse community. We propose to implement this concept with 3 manifestations of our idea. The first: Creation of “the machine Wall” A vertical mass intended to provide the life and support for the building. The second: Street Scaping for a car driven city to promote walkability. The Third: is this idea of a future implementation. these three core ideas begin to re-think the way that Los Angeles plans for the future. our hope is that this can become an urban model for re-thinking the way large urban cities progress in the future.
View from Jefferson Blvd
1
2
manifestations
3
Billboard solar thermal hvac structure egress circulation natural ventilation thermal mass drainage radiant cooling chase
the machine wall
Capturing the street
future urban implementation
site context
performance space outdoor terrace
a
a coffee bar
hourly co-work
the ‘street’ - plaza space
machine wall + Billboard
level
co-work + Community interior
5
Weekly co-work
a
capturing the street: to promote walkability and re-imagine the urban scene in Los Angeles. The street now becomes a plaza for program to spill out and engage the context.
a
community rooftop garden
digital library
solar thermal facade collects the solar heat stores it then converts that energy into electricity to power the building + radiant cooling panels
level sectional model + Context
3
Short term co-work + coffee - bar
co-work + digital library studio space + co-work informal library performance co-work
west Building - ‘street’ facade
roof top garden monthly co-work rentable space
rentable space
backstage
east Building - ‘street’ facade performance space
a
west facade elevation
a
rentable space
plaza
Entry to the street Elevation
rentable space
Co-work
hourly co-work + coffee
level
daily co-work Digital library
walkway
1
rooftop garden long term co-work
performance space plaza
rentable space
parking
section a-a
ADE 422: Spring 2017 Advanced Architectural Studio II
Student: Brittany Bailey, Jasmine Ballard, Miles Foster Instructor: Amit Upadhye
Site analysis
Volume analysis SITE: 23'*150'
ado
business
pkw
6t
h
y.
tourist
Mill Ave.
Sal
back alley
Rio
St
ve. A l il
.
M
UP
ROUGHLY AREA REQUIREMENT: 10000SFT
homeless University Dr.
23'
6t
h
150'
St
e. v A ill
.
M
Mill Ave.
resident
6th St.
student & faulcty
Concept diagram As the building needs go up, emphasize the vertical experience A open storage display entrance services for Mill Ave. 24/7
4th floor
coffee bar terrace
3rd floor
close storage
2nd floor
gallery
ground floor
basement
so, the new design need service for Mill Ave. 24/7
coffee education meeting room
gallery /event
15' 3"
16' 4"
13' 9" 12' 9 "
ceramic staircase
12' 9 " 17' 0"
roof garden gallery
library/ archive
18' 1/2"
13' 3"
office
loading studio
freight core light shaft and elevator
gallery
close storage close storage
N
11' 3"
gallery gallery
gift shop/ reception open storage
entrance / open storage
14' 0"
12' 2"
8' 7"
open storage entrance
garden class room
Patricia Sannit's art installation
event & gallery terrace 4F
Wayne Higby's art installation
library/ archive 3F 4th floor
3rd floor
entrance /open storage 1F
2nd floor
open storage BF ground floor
basement floor
classroom BF
Facade
60' 0" 49' 6" 43' 0" south wall
Mill Ave. 5th St.
EAST
plan
4F
3F
2F
1F
GF
N
N BF
ADE 512: Spring 2017 Core Architectural Studio II
Student: Yan Wang Instructor: John Meunier
nexus
establishing a series of moments through connections and links, while celebrating instances of self reflection through disconnect and withdrawal
disconnect connect site
downtown tempe
asu campus
expansion example
central tempe gateway aerial
temporary components: boxed vegetation for easy relocation, painted pathways, temporary shade structures, etc.
ripple effect
casey rowden | ade422 | murff
n.t.s.
n.t.s.
n.t.s.
n.t.s.
n.t.s.
ADE 422: Spring 2017 Architectural Studio IV
Student: Casey Rowden Instructor: Scott Murff
PROTEUS: THE MIGRATING NEO-NOMADIC MEMORIAL WHERE MEMORIAL IS DEFINED AS A PLACE OF REMEMBERANCE FOR THE HYBRIDIZED NEO-NOMADS AND THEIR STRUGGLE TO CULTURALLY ADAPT TO A PHYSICAL LOCATION.
HYBRIDIZED NEO-NOMAD : someone belonging to two or more cultures but does not feel like they truly fit in any and, as a result, retreat inwards mentally to make up for the identity gap that they have developed; additionally, they will try to change their characteristics and/or personalities in such a way that they can better to adapt to the place that they are in and to fit in. La Carta: A Memory from the FIrst Hybridized Neo-nomad
The Models: 3D Representations of La Carta and The Map
The Map: A Graphic Representation of La Carta
Journey: Overlay Result of Several Spatial Prototypes of How To Experience Virtual or Imaginary Space
Within Proteus: Interacting With The Walls
Proteus is a migrating, neo-nomadic memory tool. It migrates at one hundred percent capacity, but likes to shed seventy-five percent of its adopted traits and retain twenty-five percent in order to reshift itself within new environments. Proteus does not remember where it came from, so its caretakers take it around the world to try and help it remember. They ask neo-nomads to share their memories with Proteus on a piece of fabric that they can attach to its colorful walls in order to share in that cultural tension...to comemmorate the inability to fit in to an environment. Proteus is trying to re-root...to re-align with its past. Thus, it leaves behind relics in the form of journals for people to continue to record their thoughts and memories so that, when it returns, it can share in their experiences. It is always searching or the answer to its origins and, in the process, teaches its followers, the Proteans, to cherish their roots and always come back to who they are and where they came from.
Approaching The Site and Proteus
Exploring The Vault Above Hanny’s Used by Proteus’ Caretakers
Program Distribution
Pre-Proteus
Circulation
Hardscape
Topography
Vault
Walls and Roof
Retail
Section A
Section B
Connection Detail B: Fabric To Steel Framing
Connection Detail A: Walls Plugging Into Foundations
B
A
ADE 422: Spring 2017 Architectural Studio IV
Student: Bruna Nakhle Instructor: Victor Irizarry
Native Storytelling
Schindler House
The contradiction to the rigidity of the existing architectural form can be found in the stories of the Akimel O’odham and Pee Posh people. A direct contrast to the of the existing house is the traditional stories of the Akimel O’odham and Pee Posh tribes.
Story
Disconnect
Disconnect
revolutionized the American Home in 1921. Described as a “cooperative dwelling for two young couples” A private studio was given to each member of the household. The open studios pinwheel around three distinct courtyards, bridging the threshold between outdoor and indoor.
STORYTELLING EVENT
PINWHEEL
Storytelling culture is disconnected from the everyday. At this storytelling event, large open spaces with movable chairs allowed for storytelling to be told across generations.
In this plan, there is little separation of rooms. Instead of traditional rooms of the house, the Schindler House consists of four studios that overlap and pinwheel around open courtyards. Movement through the house is diagonal, and instead of doors, rooms are separated by compressions and change in direction.
BEDTIME STORIES
RAUMPLAN Schindler seized the potential of Loos’s Raumplan, resulting in interior spaces as three-dimensional puzzles rich in complexity. This is evident not only in plan, but in section.
the telling of native stories. The house is composed of boxes beside boxes, resulting in the disconnection of family members under the same roof.
THE STORYTELLING HOUSE “How to become Modern and return to sources; how to revive and old dormant civilization, and take part of universal civilization” - Kenneth Frampton “Architecture that plays a role in the preservation and celebration of ancient traditions, while appropriately serving the needs of today” - Daniel Glenn
Pinwheel Plan
FLOOR PLAN
SECTION
THE STORYTELLING ROOM
THE STORYTELLING ROOM
ViLLAGE DRIFT
STORYTELLING EVENT
Traditional Pima Basket Design
Gila River Graphic
New Parti
chen table, on your parent’s lap, on your aunt’s and uncle’s laps. Storytelling begins there, about who you are… Then it continues from there about who you are in the family; of where you are as a tribal member, as part of the particular nation; then where that nation is in the community; and where that community belongs in the world. There’s always circles upon circles upon circles (225).” Muriel Miguel
ADE 422: Spring 2017 Architectural Studio IV (Honors)
Student: Josh Greene Instructor: R. Hejduk, M. Zingoni, E. Rocchi, C. Vekstein
EROS
ENTRANCE TO SACRED SPACES
designing a building for today and decay
2nd Floor of lecture library Scale: 1/16” = 1‘- 0“
2nd Floor of sacred space
Floor plan
Scale: 1/16” = 1‘- 0“
Scale: 1/16” = 1‘- 0“
Procession towards enlightenment Sacred Architecture/Ruin By looking at architecture of the past you see the sacredness of the space remains long after the structure is gone. Inspiration from this created a project that elevates you as you move through it, literally moving up towards heaven as you seek enlightenment. You feel it’s presence, it’s a living thing that talks to you in it’s massive silence. A building that will be precious and holy long after it’s occupation- a building built to be a ruin.
GALLERY
EAST WEST SECTION THROUGH SACRED SPACES
EAST WEST SECTION
LECTURE IN RUIN
ENTRANCE TO COMPLEX
LECTURE EXIT
THROUGH GALLERY & LECTURE LIBRARY
ENTRANCE TO SPACES
LECTURE EXIT IN RUIN
GALLERY ENTRANCE IN RUIN
LIBRARY LECTURE HALL
SACRED SPACE
EXIT STAIRS
NORTH SOUTH SECTION THROUGH ENTRANCE, LECTURE LIBRARY, & SACRED SPACES
ADE 322: Spring 2017 Architectural Studio II
Student: Monique Paulis Instructor: Joe Pritchard
Eroding Spaces
Site Strategy
Water Movement on Site
Circulation
Air and Light
Diagrams & Fluid Studies
Courtyard
Site Plan 1/16” = 1’-0”`
Gallery Space
Transversal Site Section
Longitudinal Site Section
A
B
Meditation Space Section A B
A
Meditation Space 1/8” = 1’-0”
Meditation Space Section B
Path Between Classrooms and Library
ADE 322: Spring 2017 Architectural Studio II
Student: Maurice Calvendra Instructor: Kasey Josephs
Collective Movement
this project is based on the immigration to the cemetery. the site is working diagonal and natural movement of the people. it is a reflection of the path without restriction that the immigrants took. the history center in located in the middle of the diagonal movement. people going to the cemetery will only get a glance of the building through the large windows so they will be tempted to visit. a cemetery without graves is nothing. to represent the importance of those who are buried there the grave area is above the path.
north elevation
west elevation
section aa
section bb
b
roof diagram
c
c a
a
2
3
40
b
42
site plan 1/16” = 1’-0”
roof plan 1/128” = 1’-0”
section cc
the reflection space is for people to go and have a moment of peace. the roof is 1 foot from the walls to let light come in. there are columns inside the building but only 7 of them are supporting the roof. most of them are 5 or 6 feet in order to create a feeling of presence. the rest are less than 2 feet to be used as seating.
ALA 226: Spring 2017 Design Fundamentals IV
Student: Adrian Castro Martinez Instructor: Claudio Vekstein
SPRUNG FROM THE DESERT
peering into reflection space and columbarium
ORIGINS:
view from entry, facing south
This project commemorates the generations who have come and left their mark on Phoenix by exploring the path our city traversed to become what it is today. Divided into two components, the site guides the visitor on a journey from the lively, transparent history center to the deepest level of reflection: the heart of the memorial space.
diagramming :
programming : protect
1 . history :
a
reflect
a
b
b perceived
open
reality
remember
2 .
concept
users
an experience
enclose
3 .
access
control
s.1
order
8
16
32
s.2
s.1
4
1 / 16 “ = 1 ‘ - 0 “
s.2
section 1
section 2
view of history center, facing northwest
walking through memorial space
ALA 226: Spring 2017 Design Fundamentals IV
Student: Christina Lufkin Instructor: Elizabeth McLean