The Gate Music Magazine Online March 2010 by Colleen Radford

INTERVIEWS 4

Kick axe

Burning Black

Chaos Theory

Powerage

Brian Cade

Doobie Whitehorn

MUSIC NEWS 44 45

Omega Crom Special Ops

CHAOTIC SHOWCASE

CD REVIEWS 47 48

SBU Chaos Theory

As you all are aware, we love to cross promote with everyone. We have recently added to the mix, several new affiliations. First is Rock U Review. Welcome writer Bonnie Patione. She will be submitting articles and this month, she has sent us the awesome write up on Canada‟s Kick Axe. The Gate is also an “in kind” sponsor of Warriors of Metal Fest coming this June in Ohio, USA. So look for the flyer ad in the mag and on the website.

Want your music reviewed or an interview? Send us your CD, press kit/bio, regular email address and other materials to: The Gate Music Magazine Online 722 Ingleside Flint, MI 48507 Or Email us a zip file containing your CD, album art, press kit/bio, and several pictures with a regular email address to contact you to: colleen@thegatemusicmagazine.com The Gate Staff Colleen Radford-Editor, Writer, Graphics & layout colleen@thegatemusicmagazine.com Chris Dumas-Writer & Interviewer dumas@thegatemusicmagazine.com Jennifer Lee-Writer & Interviewer Jennifer@thegatemusicmagazine.com Sick Puppy Beau-Writer & Interviewer sickpuppy@thegatemusicmagazine.com Shaz Millar-Writer & Interviewer shaz@thegatemusicmagazine.com

KICK AXE – Still on the “Road To Rock” One band that never received all of the notoriety that they truly deserved, is Kick Axe – a metal group originating on the flat Saskatchewan prairies...whose full-bodied, five-piece sound is driven by guitar melody & arena style chants. They released three albums (& videos) during the eighties, sharing the stage with such hardcore giants as Judas Priest, Iron Maiden, The Scorpions, Metallica, Rush, Quiet Riot, & Whitesnake. In 1985, the group strayed away from their heavier style of songwriting to release “Welcome to the Club”. But by the end of that decade, the metal wave was slowly declining, & their third album “Rock the World” did not have near the impact that the band had anticipated. THEN...like a proverbial “kick to the teeth”, extreme mismanagement of the group‟s finances (unbeknownst to the members at the time) left them “literally” without a career...even though there was STILL a record deal on the table.

Kick Axe at Casino Regina

Despite the extensive break-up which was forced upon them, Kick Axe have prevailed, & continue to MASTER the stage with as much charisma as they had “back in the day”. I wouldn‟t describe them as a mere band, but more of a “brotherhood” when the spotlights begin to shine. They revel in what they do, & share a distinct passion to combine their various musical influences (& personalities) to initiate one of the most bona fide performances you‟ll ever see.

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Canadian Metal Group - KICK AXE 4

Kick Axe is aspiring to get back to their roots of hard, metal rock...which was a determinant in holding three recent shows in Winnipeg, Regina, & Calgary. With talks of new material being released, it was a chance for the musicians to reconnect with their fans, harnessing the extensive power that can only be produced during a LIVE act. According to the group, this is the key element that they thrive upon to keep their creative embers burning. The metal memories came flooding back with the onset of growling riffs, long hair, clanging cymbals, & studded leather. The energy on the stage was astounding for a group of musicians who are well into their middle ages. By playing a full tone down, with even beefier strings, Kick Axe‟s sound is deeper & richer than ever before. Influenced by artists like Jimi Hendrix, The Beatles, Alice Cooper, Black Sabbath, Pink Floyd, The Who, Deep Purple, & Led Zeppelin...the group believes in capturing a style of music that carries a mass build of intensity. Larry Gillstrom is a wizard on the guitar, as is Raymond Harvey, & their massive licks blend perfectly with Victor Langen‟s throaty, axe-shaped bass. Brian Gillstrom‟s brash drumming rests nicely against Daniel Nargang‟s classical strums on acoustic guitar, & there‟s a wealth of productivity that flows generously between ALL members of the band.

Larry Gillstrom - Guitarist

The quintet pelted through the twelve song set list without reservation, & although some spectators felt that one of their OWN singles would’ve been a better choice as an encore, I believe that Daniel Nargang did justice when covering Led Zeppelin’s Whole Lotta’ Love. George Criston is the most notable frontman for the group, but Daniel succeeded in filling those lofty shoes. One of the things that I love most about Kick Axe is the use of a wide array of vocal harmony, & the bandmates tell me that Raymond’s backing vocals are second to none. The crescendo of the evening came with not only one, but TWO, standing ovations – which proved that they have not lost their skills to enrapture the fans. Favorite songs included Alive & Kickin’, On The Road To Rock, Heavy Metal Shuffle, The Chain, Hunger, & Welcome To The Club.

“It seems like a natural thing...you‟re drawn to an instrument. I was drawn to the guitar.” - Raymond Harvey (Guitarist)

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While some of the members stayed in the music industry, during the band‟s long hiatus, others had to come up with “creative methods” just to keep off of the streets. It was a devastating waste of musical genius, because there was still so much ingenuity left in the group on which they could never collaborate. “It really hurts, & it hurt the fans.” - reflects Brian Gillstrom on a tainted past that they learned so painfully from. After an eighteen year separation, the group finally released Kick Axe IV, which was inspired by the band‟s demise. Rockin’ Daze is one track you‟ll need to hear to truly appreciate the group‟s perspective on an unfortunate set of circumstances, & it is one of my personal favorites.

Brian Gillstrom - Drummer

“You can turn off the tap, or it can be turned off for you.” – Daniel Nargang (Vocalist) Jokingly stating that their inspiration came from “girls” & “being under the influence”, I asked the members of Kick Axe what they think will be the next frontier in the music industry. It was agreed that the scene will stay more independently focused. Artists are tired of critics & record companies dictating what they will write, so a sense of “rebellion” may be just what‟s around the corner. “The BIG SHOW is coming back!” they tell me, so we could see a re-emergence of the vigorous musical palette that we experienced back in the eighties. Kick Axe is hoping to contribute to this renaissance by recording a heavier & quicker form classic rock, with an abundance of new innovation & fresh unpredictability. Whatever they do end up releasing, the band wants it to speak of “faith & truth” to their listeners.

Victor Langen & Raymond Harvey - Rockin‟ Harmony

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From a small Canadian back alley with some longhaired pre-teens & a Hofner Beatle bass, through the climax of metal‟s most triumphant years, then to no career at all, & back to reuniting with a new front man...Kick Axe are alive & kickin’, & ready to test the grounds of a new musical fate. “You never want to preconceive what you’re going to sound like.” – says Raymond Harvey, speaking of the music that is yet to come. But, one thing is for certain...it will be GREAT, because they have a genuine commitment to make it up to the fans, for all the music that was lost along the way. Kick Axe was formed in Regina, Saskatchewan during 1976. They‟ve released FOUR albums in a twenty year period, the highest selling album continuing to be “Vices” - their first release on Pasha Records. The band‟s songs have been featured on the movie soundtracks for “Up The Creek” & “Transformers: The Movie”. Current members are: Larry Gillstrom (Guitar) Brian Gillstrom (Drums) Victor Langen (Bass) Raymond Harvey (Guitar) Daniel Nargang (Vocals)

Former members include Gary Langen & George Criston. For more information on the band, or to purchase music, please visit: www.kickaxe.net or www.myspace.com/kickaxenet KICK AXE - "Worthy of an Encore" B. Patoine – January, 2010

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By: Sick Puppy Beau Burning Black Bio: Wikipedia on the term "Power Metal": "Several subgenres of Metal are called Power Metal, the main two prongs being "European" and "American" Power Metal. European Power Metal is mostly referred to as simply "Power Metal" due to its bigger popularity." Apart from this definition, Power Metal also implies a certain attitude, which is displayed by many bands of this genre. "MechanicHell", BURNING BLACK's new album, makes a statement: we live, love, and play US Power Metal - no compromises here. Of course, you can not invent the wheel a second time in this area - you just have to be better than your competitors: that's the approach of BURNING BLACK. With "MechanicHell", they definitely kill two birds with one stone, catering to the traditionalists as well as the US Power Metal aficionados. The sharp yet smooth style somehow reminds you of US West Coast Metal in its heyday: a perfect combination of aggressive riffing and those trademark vocals parts. 2004, John Morris (guit) and Dan Ainlay (voc) establish BURNING BLACK - they manage to attract the attention of the worldwide Metal underground just shortly after with their two demo CDs "Smell The Fire" (2005) and "Fight To Dream" (2006). The demos are the perfect door openers - very soon, the boys have a record contract. In the meantime, while the line-up has become a steady one, with AJ Simons (bass) and Will Oswin (drums), first gigs are played. In the summer of 2007, the band records their first album "Prisoners Of Steel", an epitome of uncompromising Heavy Metal. After the release of this debut in April 2008, great reviews are almost everyday routine, they are offered to tour with national and international acts, and the 10 10 10

experience turns them into seasoned musicians who have already played with U.D.O., Primal Fear, Volbeat, Bonfire, White Skull, Rage, etc (to name just a few)... Besides all these activities, they record some demos for the second album, demonstrating their maturity regarding songwriting and arrangements. At the end of 2008, they start recording, and finish in January 2009: a new album including fresh elements, and considerably more rough & tough sounds than before is ready. Before the release of the new album, BURNING BLACK get the chance to go on a European tour with Circle II Circle and Manticora. Another line-up change, a smooth and easy one with the new entry Eric Antonello (guit), and they are on their way. Somewhere in between all this, the band has signed a deal with LIMB MUSIC - the label will release the new BURNING BLACK album internationally. BURNING BLACK add some spice to the remainder of 2009 with this excellent Power Metal album. "MechanicHell" consists of brilliantly arranged Power Metal with the necessary melodies - without being too kitschy. Stylistically, fast up-tempo songs such as "Hero Of The Century" or "Our Sentence" sound like a mixture of Judas Priest, Malice, Hammerfall and Brainstorm, and the catchy melody lines sail on the sharp riffs with gracious ease. This Power Metal output bristles with Metal power (sic!), emotion and energy, and turns versatile songs like the title track ("MechanicHell" reminding you of Malice now and then), or aggressive, double bass-laden "Messengers Of Hell" into genuine, pure Metal anthems. Vocalist Dan Ainlay is lucky to have all the assets of a pure, unaffected Metal voice - imagine his voice being a love child of Lionâ&#x20AC;&#x;s Kai Swan and Malice's James Neal: just check out epic "Victims And Torturers"... Powerful "Purgatory Child" overwhelms you with a mighty dramatic riff and a classy melody, reminding you of the early days of short-lived USMetal legends Lion. "Secrets To Hide" is a melting pot of anthemic, "European" sounding melodies with those tight and hefty riff barrages US Power Metal is known for. With "MechanicHell", BURNING BLACK have created a gem: an exciting compromise of melody and power. Sick Puppy Beau: Well I am again, honored to bring you Metal Heads another great band this month. As you know, I love my metal, but especially the old school type, and this band is truly one of those. When I first popped in the cd, I was instantly taken back to my 80â&#x20AC;&#x;s headbanging days. And I have the honor of chatting with John Morris, Dan Ainlay and AJ Simons, guitarist, singer and bass player for the band Burning Black. Welcome to The Gate, and I first must tell you, I have already worn out the cd, as has my radio affiliates. This album is one of the best I have heard in awhile. I guess first, tell the readers where the band hails from and how it came together.

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John: Thank you very much for your support, we are glad you appreciated the album! The band is active since 2004 and after some time spent in the underground, during which we recorded two demos (“Smell the Fire”, 2005 and “Fight to Dream”, 2006), we managed to sign a distribution deal for our first full length album “Prisoners of Steel” (2008). The album got great reviews everywhere, and this very positive feedback pushed us to release the second one, “MechanicHell” (2009) this time under Limb Music. Sick Puppy Beau: Now in reading up on the band, you guys have gone through a lot of changes over the past few years, as tight as the album is, and as well it is put together, was that a struggle, or is the chemistry there with the current line up? John: Besides changing our lead guitarist a couple of times, our line up has always been pretty solid, even though this has not always been so easy. Anyway, these slight changes did not influence our sound much, because I am, together with our singer Dan, in charge of the songwriting process, and working together has always been completely natural. Sick Puppy Beau: I have to say man, not only is the music arrangement amazing, but Dan‟s voice, absolutely blew me away brother. You rarely hear a vocalist that can carry his type of tone, I dare compare him to Halford, but he truly is a screaming front man. Dan, did you have any training? Or are you just a natural, and is it difficult for you to continue your range show after show? Dan: Thanks a lot for your appreciation Beau! What you hear is just my personal way to sing this kind of music, and it flows naturally for me. Obviously, being a “special” instrument, you must always have good care of your voice: luckily I have a pretty good stamina, so I never had big problems on tour, until now. Sick Puppy Beau: Being that the band in industry standards is fairly new, tell us some of your most memorable moments as far as shows or bands you have been able to share the stage with. And what is in the future as far as touring and gigs with Burning Black? John: Touring Europe with Circle II Circle has been fantastic, we have wonderful memories about those shows…and aftershows! Also playing with Udo and Primal Fear touched my metal heart… Regarding our future, we are trying to organize another tour, because we are getting an overwhelming amount of requests from the fans, asking when we will hit the road again.

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Sick Puppy Beau: As I mentioned before, the bands sound to me is very old school, is that what you guys were shooting for, it did it just come together? And who are some of the bands influences? John: The band has an “old school” direction, that‟s for sure, but there was no real planning about it: the songs simply came out as they are, and we do not guarantee that our next albums will sound the same. You can already hear some differences in “MechanicHell”, where we tried to find less “direct” solutions. My main influences are Judas Priest and Accept, but there are many, many more… Sick Puppy Beau: Not to ring my own bell, but have you had any other exposure here in the states as far as airplay and fan base? And, is there any plans in the future for Burning Black to come to the states? AJ: As a European band, getting any exposure in the States is a pretty hard work. Anyway, “MechanicHell” has been released in USA last January, getting a lot of positive feedback, and our official American Street Team was created shortly after. We would really like to play there sooner or later, just have to take the right chance: meanwhile, we are working on another project that will directly involve the American market. We cannot tell you everything right now, but check out our website occasionally for some updates! Sick Puppy Beau: Not to pick out a tune on the album, because the entire album rocks, but, my favorite tune on the album is “Dust and Rain”, please tell me, how did the song come about, and what is the meaning behind it? John: That song came out in a pretty “magic” way. I joined Dan in the rehearsal room and I played the riff for the first time, he took up the microphone and started singing on it like we had already rehearsed it for a long time. The vocals are exactly as they were the first time he did them. Remember to turn up the volume so the screams will make your ears bleed more! Dan: That tune was written in no more than 10 minutes, I remember very well John playing a riff and me singing over it. That was pure feeling! Sick Puppy Beau: Well I have to tell you AJ, even though Burning Black‟s album is new, I label it as Classic Metal, because you guys truly come across as a seasoned band, and I am proud to be able to expose you to more people. Please tell everyone where they can go check out the band, buy your music, and say hi. 13 12 13

AJ: Our brand new official website is www.burningblack.com . On our MySpace page (www.myspace.com/ burningblackband) there‟s plenty of links to buy or download our album almost everywhere in the world (Amazon, iTunes, PayPal, etc.). You can also find our official pages in all most important networks like Facebook, Ning, ReverbNation and LastFm. As I already mentioned, we have a USA street t e a m (www.myspace.com/ burningblackusastreetteam), American fans can gather there! Sick Puppy Beau: Thanks for hanging out with us and sharing your time my metal brother. I am sure our readers will be turned on to your music, judging by the response we have gotten on your tunes from our broadcasters. Burning Black is definitely a part of my daily dose of music, as I am sure it will be for many more people. Is there anything else you would like to say, promote, or vent about? Let it all out now brother,lol. AJ: Hey, that was our pleasure. Thank you very much to you and your readers for the space you gave us, we really hope to meet you all on the road someday. Keep the metal faith alive! Sick Puppy Beau: As you all know, you can hear this band on my show, The Radiation Sickness Show, as well as on 94.3FM The Butcher Shop Fridays from 9:00PM to Midnight. I want to personally thank AJ for joining our Metal Family, and be sure to go send them some love. Until next month my Pup‟s, Keep Humping them Sofa Cushion‟s, and support our artists!! Buy their stuff!!! Till next month, Sick Puppy says, “Bite Me”

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By Chris Dumas Chaos Theory is a five piece band hailing from Detroit, Michigan. They have been together just over two years and since then have become one of the biggest and most popular hard rock/metal bands in the Metro Detroit area. Chaos Theory has been getting airplay on the local rock stations (WRIF – 101.1fm and 89X 88.7fm), as well as other stations in Northern Michigan and several well known internet radio stations. The hype about the band keeps growing and word is starting to spread. The message is clear for all who have seen them live: THIS BAND ROCKS. The members of this band supply all the crucial elements that a hard rock/metal band needs to become something that people take notice of and support. The talented vocals with the perfect mix of singing and screaming energy, the loud and powerful guitars, the booming bass guitar and a nice backbone of thumping drums all make up the Chaos Theory sound. Combine that with an amazing stage presence and attitude and you‟ve got a winning combination. A typical show consists of mostly originals with a cover song thrown in here and there. A Chaos Theory show is always entertaining. Fan favorites like “Misery”, “Deadbeat” or “God‟s Hand” have the crowds singing all the words. Those who don‟t know the words, or those that just prefer not to sing can be seen head banging along with fists in the air or bouncing around in a crowd pit of energy. They have a versatile fan base including fans of rock, alternative, hard rock, metal and even some hardcore and punk. This band is marketable to many different genres of music fans. This is one of the main things that so many other bands fail to have going for them. Everyone that attends a Chaos Theory show has a great time. That‟s a guarantee. That‟s what makes this band so interesting and unique. Chris: How does the metal scene in Detroit differ from anywhere else? Chaos Theory: We're not sure exactly the differences, we've only played Michigan, Ohio and Indiana to date. We all do agree though that here in Detroit, at least with us and the bands we know, there is a huge comradery between all the bands in the scene. We usually try to make our shows not only a showcase of great local talent, but also a party atmosphere filled with, fans, friends, and family and brother bands. Chris: How and when did you guys get together and how did you come up with the name Chaos Theory? Chaos Theory: The band Chaos Theory has been around just over three years, the current lineup has been together just over two years. The band all started at first when all the members were in between bands and decided to put something together. The latest and hopefully final lineup is part original members with the addition of a new bass player and singer. The name just sounded cool and fit. Creating musical chaos is what we try to accomplish. Chris: You guys are pretty busy with gigs. Who does all your booking? Chaos Theory: Right now Howie from Deluxxe Entertainment, our manager, does all the booking and pretty much everything else when it comes to the behind the scenes duties. It's getting to the point real soon though that Howie is going to look for an actual booking agent so that he can focus on nothing but the management, promoting and marketing of the band. Chris: Dirtbag Records, a bad ass label. What‟s it like being signed? Chaos Theory: Right now it's just a development deal which is mostly just help with promoting the band and helping to get the music out there. It's great for now, but we can't wait until we get the opportunity to have something on a larger scale from a record label or distribution company. 19 19 19

Chris: Who influenced you guys to start jamming? Chaos Theory: All five members pretty much knew early on that music was going to be a part of their lives. We all have a true love and interest in music. The influences between everyone pretty much cover Motown to metal and everything in between. If it‟s good, it's probably been some influence to us in some way or another. Chris: Let everyone know what‟s in store for 2010. Chaos Theory: Well it's been crazy so far this year, which is exactly how we want it. We just submitted a song/video entry for the "April in the D" contest that's getting some great hype and compliments. We are waiting for the semi-finals of the Ritz/WRIF $10,000 band battle. The new album will be out in early June and we are planning a mini tour down to Florida and back in late June. That's what coming up as of now in this first half of 2010. More to come as the year keeps going. Chris: You say a Chaos Theory show is like no other. Explain. Chaos Theory: A Chaos Theory show is just that, A SHOW!! A lot of bands treat this more like a hobbie; we go at it every time like it‟s a way of life. We all love what we do, run around on stage having fun, messing with our fans and each other. We give them something to watch as well as listen to. You have to play every show like it's the biggest one yet. We'll never forget that the fans are why we are able to do this. They deserve the best. Chris: Where do you guys do all your recording? Chaos Theory: We've recorded with several people over the last 2 plus years. Josh @ Dreadcore studios, Mike @ Silver Dragon Studios and Kevin @ Metro Recording have all done a chaos song or two. We really love what Josh is doing now and the sound he is getting. We are going back to Dreadcore to record the new full length album and we are very excited. His latest stuff is amazing!! Chris: April 9th, you‟re playing at the Ritz in Warren, MI with Prong and Green Jelly. Are those the first nationals you played for? If not, who else? Chaos Theory: Unfortunately the Prong, Green Jelly show had to be rescheduled. Hopefully the club gets it worked out soon. Over the past 3 years we have played with many national acts including: Kittie, Drowning Pool, Cold, Taproot, Obituary, Powerman 5000, Flaw, Walls Of Jericho, Skum Of The Earth, Spineshank, M.O.D., Soil, Bobaflex, Ligion, Forever In Terror, Machina and many more. 20

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Chris: So how is the new CD coming? And when can we expect a release? Chaos Theory: We hit the Studio March 15 and the CD will be done and mastered by late April, early may. The CD will be available in early June. Chris: For your new CD, I know you gotta be planning a killer release party. Can ya give me any hints on whatâ&#x20AC;&#x;s in store? Chaos Theory: Well some of the details are still being worked on, but I can tell you that the CD Release Party is going to be on June 12th. We are getting some of the best bands around to join us and if everything goes as planned it will be an amazing night with other things going on in addition to just the bands CD release. We want to go all out for this one. Chris: Warfare, badass jam. Explain the meaning behind it. Chaos Theory: It's basically a song about coming up in this generation and time where everything seems so messed up and politically corrupt. We try not to get too involved in things of that nature but this one hits home for so many people. This song is about the way it seems from our view. Chris: How can one get a CD, merch and where to go to learn about Chaos Theory? Chaos Theory: Well the first CD, The Art of War EP, is sold out. We may get more down the road but for now we're focusing on the new album. Our merch is available at every show and soon to be on the web as well. Anything you could ever want to know about the band is on the MySpace/website. Between the two you can pretty much find out anything you want about the band. The website is www.chaosdetroit.net and the MySpace is www.myspace.com/chaostheorydetroit

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By Chris Dumas Meet the newest kids on the block! POWERAGE is a modern, high energy rock band consisting of two sets of teenage brothers from Hinton near Newcastle, NSW, Australia. Zac Crawford, lead guitar, lead vocals,15 yrs old, Ben Crawford, drums, vocals, 19 years old, Jeremy Minett, rythm guitar, vocals, 18 years old, and Nikk Minett, bass guitar and vocals, 14 years old. With a unique fresh sound, incorporating influences from the classic rock gods to more current bands, Powerage has been performing in venues and festivals in Newcastle, Sydney and along the East Coast since they formed in early 2005, and more recently expanding their list of achievements to include the world stage. POWERAGE first tasted notoriety in late 2005 winning a talent competition on the National Rugby Leagues‟ “Footy Show” in front of 15,000 screaming fans at the Sydney Entertainment Centre. Although extremely young and inexperienced at the time, Powerage went on to win the entire competition which then whetted their appetite for bigger things. With a range of influences ranging from Led Zeppelin, Deep Purple, The Foo Fighters, Jet and Wolfmother, the band has worked tirelessly not only to establish and grow their own brand of modern and powerful rock but to deliver a consistent, tight high 24

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energy live show for everyone including a whole new generation of fans. With a packed itinerary of gigs and supports for the likes of Matchbox 20, Australian bands, Thirsty Merc, the Screaming Jets and Grinspoon under their belts, including live performances on 2MMM‟s Ugly Phil program and Channel [V], POWERAGE surged to a massive crescendo in December 2008, taking out the title of “Australasian Best New Band” in the internationally-recognized Global Battle of the Bands tournament. Representing their country, the members of Powerage performed in London against bands from 35 other countries, taking out 2 nd place and winning the hearts and souls of all present, including a number of music industry heavyweights. Since that time, Powerage has gone on to play a range of high profile shows including Sydneys Royal Easter Show, National Rugby League football matches and in March 2009 they released their First EP “Get Ready” and music video “Let‟s Jam” to great reviews both in Australia and overseas. Powerage, in a sense are unique in the current musical environment, as they, unlike a range of new bands who have a focus on pop based music, are a young band committed to keeping nofrills rock alive for now and into the future. Chris: How long have you all been playing? Ben: We have been playing together as a band for five years. We were aged 9, 10, 13 and 14 at the time. Chris: Do you think that the music scene in Australia is different than the U.S.? Ben: The scene itself we‟re not too sure, as we haven‟t been to the states before, but we believe there are much greater opportunities in the US for bands who are wanting success.

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Chris: Two sets of brothers is really cool. How did you all get together and form Powerage? Ben: We all attended the same primary school in Hinton and became mates there. We starting having jam sessions at the Crawford‟s house and step by step it all fell into place and here we are now. Chris: Seeing it's a family band…Is there any big brother little brother squabbles? Ben: Haha. Yes from time to time, but I think most brothers have the odd tiff now and then haha. When we‟re playing on stage together though we are very focused and arguments are a rarity. Chris: For being so young and just booming and belting out killer music. What keeps you all motivated and still rocking? Ben: Our unanimous ambition for success, and of course our love for what we do and our enjoyment for songwriting and performing. Chris: What equipment do you all use? Ben – Gretsch Catalina Club Mod Kit with Sabian Cymbals and a Zildjian Ride. Zac – Gibson SG, Gibson ES 335 dot re-issie and a Marshall JCM 2000 Amp Jeremy – Gibson Les Paul, Mesa Boogie Single Rectifier Solo Head Nikk – Music Man Bass, Ampeg Bass Rig Chris: Lets Jam, has got to be my favorite song. What inspires you all to write songs and make the music you do? Ben: My brother Zac and I who are the main songwriters in the band always enjoy the challenge to write a great song as apposed to a good song and we just get a kick out of songwriting in general, no matter what the genre.” Chris: You guys are unsigned and I have no clue why. But, have you been looking or any offers been tossed at ya? Ben: Around this time last year we were contacting various companies for interest but I think we realized that we hadn‟t really found our feet just yet and were unsure about our sound and image, but we feel we‟re on the right track now. Chris: Your achievements are a mile long. What's in store for the future? Ben: An album for sure as we only have “Get Ready” out at the moment, our EP. And hopefully a tour in the US and fingers crossed for some big festivals and support gigs over seas. 26

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Chris: Australian Best New Band. That's gotta feel great to know that. Ben: We were over the moon when that was announced and very overwhelmed. Going to London to compete topped it off and coming 2nd in the World Final out of 37 countries, that was an amazing feeling. Chris: Any plans of coming to the states to blow us all away? Ben: Most definitely, a tour over there is on the cards for sure. Chris: How can we all get a hold of a CD, Merch and any info about Powerage? Ben: You can contact us on our myspace at www.myspace.com/powerageband or facebook or purchase the album from iTunes or CD Baby. Chris: What's it feel like to get on stage and play killer music? Ben: It‟s an amazing feeling; the best kick we get out of it is seeing people‟s reactions and knowing that they are having a good time. Chris: Your fan base must be a wide range of ages. How big would you say your following is? Ben: It‟s hard to really say. We have nearly 35,000 friends on Myspace a loyal fan club locally and most of the time have a great roll up to our shows. Chris: Who influenced you to start playing? Ben and Zac – Our Dad, Ian Jeremy and Nikk – Our Dad, Paul Chris: Between school, writing music, band practice and gigs. Do you guys have any time for a social life? Ben: Yeah we all do, we always make sure there is time for a social life. Some bands get so caught up in the action and don‟t find time to clear their head. Having time away from music every now and then is good because when you do play you then look forward to it a lot more. Chris: Thank you again, and I can't wait to see what comes next from ya! You have a big fan right here in the States!! Ben: Thanks very much for wanting to talk to us it‟s much appreciated. Powerage now have their music available through iTunes, Amazon and CD Baby including the CDs being sold at various outlets and at Powerage gigs. myspace (www.myspace.com/powerageband ) and youtube www.youtube.com/powerage9

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By Colleen Radford Hey, you know all those wicked-ass photos you see of your favorite artists and bands in magazines? Well, photographer, Brian Cade is probably the person who took those shots. I am extremely excited to be able to do this interview. As an amateur photographer, I try to keep up on the who‟s, who‟s in the rock photography world. Brian Cade is one of the guys that I just love his work. Normally, most rock/metal magazines cover the artists and the bands but there is a whole world of people that help keep artists and bands in the spotlight outside of the stage and one of those of worlds is photography. Pictures and images are so important to an artist or band. Those must-have photos are an ever-lasting vision and memory of a moment in time. Colleen: Brian, I have so many questions to ask you, I just don‟t know where to start! Seriously, my first question is one that I know you get asked a million times…but, can you give some background to the people on your connection to the music industry and also how you became a photographer? Brian: Thank you Colleen for such a warm introduction, it‟s an honor to sit and talk with you. Well to answer the second part first, I actually fell into photography quite by accident. Back when I was attending Columbia college as a graphic arts major, I was also working full time at a record company in Chicago, I suffered an injury that took me out of school for what was to be a long time, so to ease the madness from boredom I bought an old Pentax Z10 with 3 lenses from a friend, since I still had use of 1 arm I thought I‟d stay creative with a camera, it didn‟t take long till I was hooked. I was reading everything I could on the subject, looking at the quality of light in images I seen in magazines. I had long admired the work of Annie Liebovitz, Mark Seliger, Richard Avedon, Mary Ellen Mark and of course Jim Marshall the father of rock and roll photography, this and being a mu30 sician myself was a strong influence in what I was about to do in my future. I am self taught with 30 30

the acceptation of when I started to do model and portrait work with the guidance of my 2 mentors Art Ketchum and the late Ronald Anthony. It was Eugene Kimmons that got me to shoot concerts earlier on. Its these early years as a photographer that helped me in becoming the event photographer for CBS broadcasting (US99 radio) in Chicago, The format was all country music, but it was music never the less, a strong passion of mine. I shot for the station for a little over a year and shot some of the greats of the country music scene, like Marty Stuart, Wynonna Judd and Keith Urban to name a few. Later I relocated to Tennessee in the winter of 1997. I did however fly back to Chicago in 1998 to cover the John Anderson and Faith Hill show, but that is another story (laughs) after the birth of my child, I had decided I was going to take a break, it wasn‟t till late 2000 that I started doing some real shooting again after I was approached in submitting some samples to a AC/DC tribute band called “Big Gun” out of Knoxville. Next thing I knew I was their band photographer and did the images for their debut CD “A Tribute to AC/DC”. At this point I had a pretty strong body of work, I feel back into doing model and portrait work when a few leads did not take seed. Late 2007 I started doing concerts again when I had approached Ben Foster (guitarist)of Stereoside to shoot their leg of the “Horns Up and Tops Down” tour when it made a stop in Knoxville, the tour also included Fixer out of NYC, Thourghfare from Knoxville and Lovers and Liars from Ohio, it was an incredible show. Evan Saffer front man for Fixer soon dropped some praise of my work to Tunelab music, the sponsor for the tour, and I was back into what I love the most, concert photography. Colleen: Tell us about your mentors, Art Ketchum and Ronald Anthony… Brian: I had met both Art and Ron back when I had worked at LaSalle photo in Chicago, This was just 1 of 3 places a lot of the pros went to have their work done, great place to network but I‟d say it was early 1993 when I first met them. I would show them my images of the landscapes and cityscapes I‟d taken when they‟d pick up their orders. It didn‟t take long for them to convince me to pursue portrait photography, as they would tell me, I had an eye and I should harness it and explore it to its fullest. I started to take their seminars on lighting and even assisted on shoots with them to gain even more knowledge, it didn‟t take long till I was booking their studio for my own shoots. I just recently got back into contact with Art; I found out that Ron had past away a few years ago. But all they have shown me will always be instilled in me.

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Colleen: When did your big break come in the world of concert photography? Brian: Some people that would look at my older work would say it when I shot Mick Jones (exclash) new band Big Audio Dynamite with Better than Ezra in 1994, but my biggest moment still to this day would be when I shot the legendary blues great Luther Allison when he was making his come back in the states in 1995. Another photographer I greatly admire, Eugene Kimmons (also from Chicago) would always tell me “it‟s about paying your dues” this comes from me asking about getting into the music scene as a photographer. One day Eugene offered to take me under his wing and invited me to come shoot that show. Now Eugene was already an accomplished photographer, not only had he shot for Alligator records, he had also shot such greats as the Rolling Stones and Stevie Ray Vaughn, and here I was in the pit for this stellar event. Later I was able to photograph other blues artist Eddie Campbell, Jimmy Walker and the Otis Rush Band, Eugene took a chance with me to see if I was up for it and I have been moving forward ever since. Colleen: Does your artistic background aid you in getting those fleeting moment shots that you want from an artist or band? Brian: I believe it is the foundation on how I approach each image, I have been an artist in one form or another over the years I have been a musician, cartoonist, I wrote poems, I just always found art as my outlet to express. So when capturing those moments it‟s a deep inside feeling, you feel the emotion in every note and know that moment is coming or is there, then you hit the shutter. I don‟t like being labeled for shooting one type of genre of music, because I have shot most formats in the music scene, but I really enjoy being an underground photographer. Colleen: I am friends with a professional photographer out of the Detroit area and when I am at concerts I see him run in take a few pics and then the photographers are escorted away. My question is how do you get a good shot when you only have a few minutes per band and they are all over the stage? Brian: A lot of photographers would just point the lens in a direction and machine gun it and sort through the images later, the rest of us compose our shots and knock off a bunch of frames, because we know what we are going to get, Sometimes it‟s hard to do, but quick thinking and a good vantage point to get your shot is key, well at least with me. Let‟s take when I shot Marilyn Manson on the 2009 Rockstar Mayhem tour last summer. All we got was 1 song that was it! I knew all the photographers would all go center stage and it would be elbow city (laugh) so I stayed just off stage left a little and threw on my 80-200mm F2.8, went wide open and the camera never left my eye. What has worked for me over the years and it stems from my diverse taste in music, know your artist and have a connection to what you‟re shooting. 32 32 32

Colleen: I am sure that you have a long list of magazines that your work has been in, but can you throw out a few names? Also, where can we go to check out your photo gallery? Brian: I was honored to have made the covers of 2 print magazines in 2009, my image of Alexis Brown of Straight Line Stitch made the cover for “The Lit” out of Texas and my image of Fixer made the cover of SoundMag out of South Carolina. My images have graced many band sites and again I am honored by that, I just don‟t take myself too seriously, I just enjoy doing what I do. I have been a photographer for MUEN magazine for quite some time; they have treated me very well all the while I am given the freedom to do what I do. Colleen: I just have to ask…who is your favorite artist to take photos of? Brian: That is actually a tough choice to make, Luther Allison by far was my favorite, but we lost this blues legend back in 1997 to a brain tumor. I really have 3 bands I will always enjoy shooting, and that would be Straight Line Stitch from Knoxville, Tn. Fixer from NYC and Stereoside from Florida. By far these 3 national touring bands have caught my attention and in the process I have earned their trust and friendship. Colleen: Ok, the obvious question…what brand of camera do you prefer and why? Brian: My choice of weapon has always been Nikon. They can take the abuse, and trust me I beat the daylights out of my gear. The film cameras I have owned were the F3, F4s and my very first Nikon I got in 1991, my trusted N8008s. The one thing I really liked about the Nikon system is you can use virtually any of the earlier lenses on your camera, whether it was a film or digital camera. I have taken a 300mm F4 manual lenses and put it on my auto focus body and used my auto focus lens on my manual camera body, you lose some features, such as the matrix metering Nikon has to offer. But I always select spot metering when I shoot, and a manual lens to an auto focus body you lose the obvious…auto focus, but again I manual focus most the time even with an auto focus body to autofocus camera. I tried a Canon A2 for about 2 weeks at one point, 2 things drove me nuts. One was the fact the Canon offers 2 types of lenses, FD for their manual camera bodies and EF for their auto focus bodies, and guess what? You can not interchange one format to the other because the mounts are not compatible from one to another. The other reason that drove me nuts was the hand grip on the A2 would sqeek when I gripped it (laughs) maybe it‟s just me, but Nikon has always been my choice. I have only switched over to digital for just about 3 or 4 years now, I used the D70 for a spell till I upgraded to a D200 with a vertical grip back in early 2009. 33 33

Colleen: How do you choose your favorite pics to use for publications? Brian: The “ennie, meanie, miny, moe” method (laughing) I am asked to send a series of images and the editor is the one that will make the final cut on what they can use for their publication, due to the limited space to piece the article together, I fully trust my editor and stand by the choices that have to be made. Colleen: For those budding photographers out there…any advice on equipment, lighting, maybe a mentoring note on how to take a great action shot? Inquiring minds wanna know! Brian: The same words that were spoken to me by Eugene Kimmons when I first started shooting shows, “you‟ve got to pay your dues”, you have to be a business person as well as a photographer. So Stop giving your work away for free, there are organizations like the ASMP (American Society of Media Photographers) they have been around since the 1940‟s and have been the advocates for photographers‟ rights since day one. I am essentially self taught and come from the old school of hard knocks, but get your self into a school that will teach you the business side and help in developing your skills, like Brooks institute, Art Institute even Columbia in Chicago are good choices. You know I hear too many aspiring photographers say “if I only had a pro camera” That is such a crock, what you have to remember is the camera is just a mere box that holds the image, we create the image. Also try and stay away from using flash when shooting a band, not only does it take away from the experience, all your images will look like everyone else‟s, there are those that “take” pictures and those that “create” images, I have heard too from photographers wanting to get the big tours, well “flash” is restricted…period. So learn to use the light, we do however paint with light. We as photographers are always at the mercy of the lighting guy, poor lighting causes us as photographers to push the ISO (film speed) and in turn can result in a lot of noise, most your newer cameras chip set are a bit more advanced to handle this now, like the Nikon D90 or the D700. The higher end DSLR‟s such as the D3 or “X” series are very high end in both dollars and what they can do, but unless your sole income is from this field then the latter part of the Nikon line I mentioned should be sufficient. Now a fast lens is an essential Nikon again has great glass, an F2.8 is for the most part is the standard for concerts when selecting a zoom lens, single focal lengths, such as a 24, 50 or an 85mm however differ with some apertures of either F1.8 or F1.4. But with these you have to get in pretty close to get your shot. I shoot with a Nikon 80-200mmF2.8 and a Tokina AT-X Pro 20-35mm F2.8, I know I seem to be pushing the Nikon name but the Tokina I shoot with is built like a tank and gets the job done, and it was cheaper than the Nikon version of the same focal length. Also ask other photographers doing this of their experience and get pointers from them, I know there are a lot out there that will help you, its called “giving back” which by the way what I do and recommend to others to do as they gain experience is to “give back” to anyone that asks for your help. Don‟t get disappointed if you run into a few that will blow you off, and you will meet these types, these are the same ones that are probably more afraid that you will pass them by as you get experience. 34

As I mentioned about “flash” being restricted for the shows I done, here is a look at what I use on location shoots, and I have just recently started to make the move back into doing some portrait work and plan to extend myself into doing music related promo work as well. What I use for location work is the White Lightning Ultra 1800, it‟s a 900 watt second light, very powerful, anything under 600 watt seconds is a hair light or rim light (laughs) Paul C. Buff company makes this unit, though it is one of their older strobes, its built to last, some of the newer units they have are “Alien Bees, Zeus and the “X” series”, they also make power packs for these lights as well, check then out at www.white-lightning.com and www.alienbees.com. I sync everything with” Pocket Wizards” and I always meter my lighting set up with a “Sekonic L-358” with wireless sync, I do use my “Minolta spot meter F” at times, but I have to connect it via sync cord to take my readings. You can get some great results from just using your “on camera” speed lights; check out www.strobist.blogspot.com, there is a load of information on lighting with speed lights there. Lastly, Brian, I just want to thank you for taking the time out of your schedule to sit down and do this interview. Brian: Colleen, again it was an honor and a pleasure, thank you for having me. All images in this article provided by Brian Cade, copyright protected by Brian Cade Photography.

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y Shaz

oobie is the former Bass Player of 80's bands Counterfeit and John Rundle & The Maulers and also became alf of the successful Fred & Doobie project. He was then hand picked and persuaded by Midnight Oils ex anager and the Producer of The Jac Dalton Band to become their Lead Guitarist and is a current member the in demand Boris Loves to Boogie playing over 200 shows a year.

eing talked into doing this album wasn't hard (over a couple of bourbons with a young metal band) and his seemed like a reasonable request, but to make it a bit more challenging Doobie decided to play everyhing himself and record it in his own studio while it was still being built. The result is his first Solo album nd the first released material with Doobie as the only musician.

oday I was stoked to catch up with Doobie on behalf Of The Gate Music Magazine.....Welcome....

haz: Firstly Could you Please Introduce Yourself...

i, I‟m Doobie Whitehorn, I‟m a long haired Australian hippie guitar player who loves getting out there and aying live, I usually do about 200 gigs a year so I‟m lucky enough to be kept pretty busy with it. Apart om my own songs I also write for other people as well as compose music for films and documentaries hen I‟ve got a spare 5 minutes.

haz: What is your Musical background...(Who are you ? Tell your story.)

oobie: I first picked up a guitar when I was 4 and my older brother played a bit so he patiently sat down ith me, by the end of the day he had me playing House Of The Rising Sun, I had no idea what I was doing ut I was hooked. Bands kind of happened for me in the 80‟s and by ‟87 I was touring Australia relentssly. That continued through the 90‟s until I got into session and studio work and started writing for anyne who needed music. The last 6 years I‟ve still been playing live but with shorter tours where I can fly to ther cities do a weekend and I‟m gone, saves days of driving that way, Australia‟s a big place and the disnce between some gigs can be insane.

haz: Where have you performed? What are your favorite and least favorite venues? Do you have any upoming shows?

oobie: I‟ve played everywhere in Australia except for Western Australia,” make mental note” must do hat one day. Every weekend till the end of the year has now been booked so there‟s shows literally comg out of my proverbial, more dates will still come in though as it‟s mainly weekends that have been cked away. My favorite home town shows would be Thebarton Theatre and the Adelaide Festival Theatre ut the best fun pub use to be Lennies which held about 2‟500 people, that was always a hoot. Billboards Melbourne was good as was the old Playpen Cairns in Queensland. My least favourite would be Rio‟s in delaide‟s infamous Hindley Street were I had a gun pulled on me after a show, seriously didn‟t think I ounded THAT bad (Laugh).

haz: What genre of music do you consider your work to be and who are your major influences?

oobie: Purely and simply rock with all that that entails, you‟ll hear a little metal sometimes and other mes a bluesy swing will sneak in. It‟s always what I‟d call rock though, but on the heavy side. My influnces are pretty well everything I grew up with, Zeppelin, Sabbath, ZZ Top, Quo, Floyd and even bands ke Bad Finger and their use of melody. And then there‟s all the Aussie bands over the years that have put ut some awesome music.

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Shaz: How has your music evolved since you first began playing music ? Doobie: That‟s a tough one. It never stops evolving. The better your playing gets and the more you understand music the more the boundaries widen and new realms and influences keep appearing. Shaz:I love your Album "Touché" was it easy to do everything yourself....and what inspired the music for it......

Doobie: The concept of playing everything myself happened years ago when I first heard Mike Oldfields “Tubular Bells”, I thought it was such an insane thing to do I‟ve wanted to try it ever since. The funny thing was “Touché” started by mistake. I was in my home studio working on some music for Sky TV in New Zealand when this young metal band knocked at my door wanting to have a chat, before I knew they were listening to some rough demo‟s of songs I‟d put down, these kids loved „em and it was their idea that I should do an album. That planted the seed so I put the two ideas together, do a solo album and as I had most of the instruments, play it all myself. As for was it easy…. Hell NO… The hardest recording I‟ve ever made and I went insane talking to myself by the end of it. My advise to anyone who wants to try it, get a good Therapist FIRST. Shaz: Are you a member of any music organizations? Doobie: APRA/AMCOS Shaz: Who handles your daily business activities? (Bookings, promotions etc.) Doobie: I go through a couple of Agencies for pub gigs and a couple of Event Promoters for the bigger shows and tours. Shaz: What are your long-term career goals? Doobie: To be able to keep working hard and see where the road leads. I‟ve been lucky for a lot of years doing what I love and got to work with some amazing people. So the plan is to keep doing it, keep pushing and keep enjoying every part of my career. Shaz: Do you have Any Major tour Plans? Doobie: I‟ve got a few quick trips in Australia to do this year and I‟ve had some discussions with a couple of U.S. promoters but it would be nice to get some distribution for the album in the states first. Shaz: If you could tour with another band who would that be and why? Doobie: An old mate Andy Cichon just so we could catch up. We kind of started out in the industry at the same time in Adelaide, then he joined Rose Tattoo and we use to run into each other on the road sometimes. He put a great band together called Judge Mercy that seriously kicked, then Shania Twain grabbed him as her bass player and then Billy Joel did the same thing. He really is an awesome muso and he can rock pretty hard… Andy… beers are on me if you‟re reading this… And your buddy Chris Walker or Johnny Race from New York, that would be some fun jams.. 38 38 40

Shaz: How Big a part has The Internet Played In promoting you as an artist and getting your music Out there? Doobie: The net has been great for getting heard globally and most of the people I‟ve met that way realize I don‟t just rely on a big budget to record and have nice photo‟s done paid for by a day job. They know I actually get out there and work my ass off live and they like it when people are the real deal. It‟s like if you pay for a new car you expect more than just a poster of it. Shaz: Could you tell everyone where they can go to get a hold of your music and check on you to see where and when you’re doing your gigs.....

Doobie: Hard copy‟s of the cd can be bought usin Paypal via my website http://doobiewhitehorn.com/

Or downloaded from iTunes http://itunes.apple.com/us/album/touche/id329809435 Most of my gigs are with a great outfit called Boris Loves to Boogie. My own band to gig in Oz with the album is being pieced together now with a couple of the Boris boys plus some other hot muso‟s. I can‟t wait. Shaz: Is there anything you would Like to add Doobie, for your fans...... Doobie: Just a big thank you to those who have supported “Touché” and to you and all the people and radio stations helping to get it out there and heard. Shaz: and Just for Me ...I LOVE your bike. Do you get to ride a lot and if so where do you love to hit the road the most........ Doobie: I‟ve got 6 bikes but I think your talking about the black 1937 Velocette. I wish I could ride them more. I live on the coast right between the sand of the beach and a wine district, not a bad spot. If I go for a ride I have a choice of following the coast roads or heading off down country roads hedged with vines and up through Shaz: Thank you so much Doobie for this Chance to get the Low down On you and what you do best....ROCK.... Thank YOU Shaz. We Wish you success In all you do and Hope to See you On Tour soon.... Rock n Roll n Ride..... On behalf of The Gate Music Magazine....Shaz x

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Beauty & The Beast Promotions are proud to represent each and every client whether or not the act has a big name in the industry or that of the starting artist. We work hand in hand with our media associates and partners to give the best service possible. We are proud to represent the following labels, management and individuals in presenting publicity around the world. In arranging interviews an having contacts to have their music distributed to the media. The Revolution Music Label Hakori Tension Head Publik Parking The Round Milligram Smile Silverspork Burn Around Unkle Dunk Records Automan Darrell "Dwarf" Millar formerly of Killer Dwarfs, Laidlaw Elfinstone Music Division of Amberinteractive Kick Axe Official Publicity Staff for Al Atkins (Founding vocalist of Judas Priest) Holy Rage Publicist for Global Thunda Network Providing Publicity for Pamela Moore Randy Black Marija James Duncan (Divinity) Warmachine Exciter Barbara Schenker Seventh Rize And Many More ... Find us at www.beautyandthebeastpr.com and at www.myspace.com/revaloutin4all 43

MUSIC NEWS FROM AROUND THE NEWS RELEASE Montreal, QC - March 5, 2010 OMEGA CROM ANNOUNCE BLOOD, STEEL & FIRE TOUR DATES

Unleashing their debut album Blood, Steel & Fire officially on April 5th via Reversed Records, Vancouver's Omega Crom are gearing up for their cross Canada tour in the following cities: Tour Dates: (More to be announced) March 11, 2010 - Canmore AB - The Canmore Hotel March 12, 2010 - Calgary AB -The Distillery March 13, 2010 - Edmonton AB - The New City March 14, 2010 - St. Albert AB - The Taphouse March 15, 2010 - Edmonton AB - Filthy McNasty's March 16, 2010 - Saskatoon SK - The Roxy March 19, 2010 - Brandon MB - The North Hill Inn March 20, 2010 - Thunder Bay, ON - Black Pirates Pub March 24, 2010 - Oshawa, ON - Atria Bar and Grill March 25, 2010 - Toronto ON - Hard Luck Bar April 3, 2010 - Montreal, QC - Club Saphir April 8, 2010 - Winnipeg MB - The Zoo April 10, 2010 - Regina SK - The Gaslight Saloon April 17, 2010 - Kelowna, BC - The Well The Vancouver-based metal lords have been an integral part of the underground scene for many years, building a solid following thanks to their self-created genre of Ripping Metal: a progressive blend of power metal, aggressive death, shred and thrash. Produced in collaboration with Juno award-winning engineer Rob Shallcross who has worked with the likes of (Strapping Young Lad, Zimmers Hole, GWAR, Darkest Hour, Fattooth). Omega Crom‟s debut features their classic, seamless combination of punchy rhythms, melodic guitars, ripping solos, flowing harmonies, intense bass guitar attacks and relentless double kick thrash beats. Brace yourselves to be confronted with “Blood, Steel and Fire.”

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NEWS RELEASE Montreal, QC - Feb 23, 2010 Special Ops Announce New Sponsorship With MRP Drums

Montreal infantry rockers Special Ops and MRP Drums is proud to announce their sponsorship for Special Ops' - "Through The Heart" North American Tour. Well known for making its mission to excel in creating custom drums for countless professional artists. MRP Drums is a company that never looks at the competiti on to only copy what they're doing. This is a drum company that moves to the beat of its own drum. Blazing their own trail of creative designs for drums, drum finishes and other innovative drum products, MRP has helped multiple professional artists get their dream drum equipment.

"I'm really excited to be using MRP drums as I have always been a huge fan of them. I have crossed paths with a few amazing drummers using them while on tour. They're definitely going to give me the sound and feel I want as a drummer." commented Clarence McGillacutty drummer for Special Ops. With hand selected shells, precisely polished bearing edges and machined components. MRP create a great sounding drum that reflects their visual personality covering the entire color spectrum from mild to wild. It's an open palette to both eye and ear when they work with artists toward reaching their dream drum set. They build ONLY made to order instruments and that is the true meaning of custom. Professional Builders of MRP Custom Drums, MRP Hardware, LIGHTSPEED Bass Drum Pedals and MRP EdgeWorks. The MRP Custom Drum Company www.myspace.com/mrpdrums www.mrpdrums.com Special Ops - Upcoming Show Dates Feb 26, 2010 - Toronto, ON - Velvet Underground Feb 27, 2010 - Sherbrooke, QC - Bar Le Magog March 6, 2010 - Toronto, ON - Velvet Underground March 7, 2010 - Ottawa, ON - Rainbow

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Artist: Magnesium Jake Album: Magnesium Jake Genre:Hard Rock Location:Manchester, Connecticut, United States Label: Unsigned This is a true hard rock band through and through. There is an infectious mix of bruising riffs and melodic hooks in the music. The raspy lead vocals seem to mix well with the music. They are influenced by bands such as "Alice in Chains","Pearl Jam","Tool" and "Faith no more". This is a talented band without a doubt. Keep a lookout because i hear they have some new music on the way. Check them out! http://www.myspace.com/mgjake

Artist: Cindergarden Album: Grim Confections Genre: Electronic/Dark-wave/Gothic/Industrial Location: Los Angeles, CA, USA Label: Independent Label This was probably the most unique music i have heard in a long time,and I listen to alot obviously.This is dark electronica with some fabulous female vocals.Their vibe ranges from spooky to psychedelic yet remains uniquely distinct.I definitely noticed the nightmarish,cryptic lyricism.These newest songs may be their best music so far,garnished with intricate layers of beats and saturated with millions of tiny luxurious details.Now i'I'moing to leave it up to you to go and hear for yourself. http://www.cindergarden.com/ http://www.myspace.com/cindergarden http://itunes.apple.com/us/artist/cindergarden/id270013453

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Artist:My Son The Bum Album: Bipola Victrola Genre: Rock Hometown: Long Beach, New York, USA Label: Unsigned As this band would say this is some refreshing no bull rock here. This was upbeat, energetic, and very catchy. This had a great punk rock/ almost 80's metal feel to it. Their music was infectiously entertaining. The music was almost reminiscent of NOFX whom I love. The music was never dull for one moment. What more could you ask for? http://myspace.com/mysonthebum http://www.mysonthebum.com/downloads http://cdbaby.com/cd/MySonTheBum3

Artist : The Ism Album: New World Hometown: Hawthorne, New Jersey, Passaic Genre: Melodic Hard Rock Label: Unsigned This is a band that I got into right away.This was Melodic Hard Rock, with such eclectic influences such as Dream Theatre, Chevelle, Nine Inch Nails, Kings X and Nirvana. The radio-length songs have strong hooks and melodies, rich vocal harmonies and fierce keyboard leads. I highly suggest you guy find these guys and give them a listen. http://www.musicsubmit.com/http;//www.myspace.com/theismtheband http://www.cdbaby.com/Artist/TheIsm http://www.purevolume.com/theism http://www.the-ism.com/ Artist:Nebuleyes Album: "The Universal Being" Genre:Symphonic Progressive Metal Hometown: Paris/Nice, , France Label: Unsigned Nebuleyes is a project between metal and progressive rock with science-fiction universe. After 3 albums, the band delivers a musical and theatrical work of avant-garde.This is dreamy symphonic metal, in the same vein as Tarjaâ&#x20AC;&#x2122;s solo work, mixed with Ayreon, and a touch of Pendragon modern prog".Even of some comparabilities with Therion or Nightwish legacies, Nebuleyes in different manner has threathed vocalizations in its compositions. A female singer sung in classical operetic manner with strong falceto includings, and all of present songs posses a same realizations. This was so extremely unique. Please do not pass up a chance to check this out! http://www.myspace.com/nebuleyes http://www.nebuleyes.com/ http://www.cdbaby.com/Artist/Nebuleyes 45 47

SBU By Chris Dumas Yet, another just plain badass band from Detroit! SBU is that band that keeps you guessing and wanting more. I had a chance to sit down and listen and well, needless to say I wasn't sitting long. I had to get off my fat ass and start headbangin. I can't lie, not many bands get me headbangin. SBU is one that does. This is Detroit at it's finest !! If you haven't had a chance to listen to these amazing guitar solos and riffs, you need to, you dont know what your missing. They are so versitile in what they do. I put SBU in a league of their own. From the slow melodic sound to the hard and heavy, this CD is a well recorded and all around great sounding CD. The best of the best from SBU. I would recommend these guys to anyone and everyone who loves great metal. Once you listen to them, you'll be hooked and a fan for life, I know I am. So get out there and get you an SBU CD and check em out live. 2 thumbs up !!

Chaos Theory - The Art of War By Chris Dumas Straight from the crazy streets of the D is Chaos Theory. The album The Art of War is a very well thought out CD. The recording is fenominal. I've been a fan of Chaos Theory for some years now and this album is top notch. Johnny's vocals are so brutal and in your face. His lyrics are from the heart and layed out perfectly. His voice has so much range! With Joe and Scotty on guitars, these 2 are the perfect match. Between them hitting you with killer riffs and ear piercing solos, you cant deny that these 2 are at the top of their game. Mike and Rick hold the lowend down like champs. You gotta love the bass guitar and bass drum beating your chest like a sledge hammer! This 5 piece band is one of the tightest bands around! The album has you hooked from beginning to end. I just can't get enough. The boys are in the studio again, makin yet another steller album. Can't wait to hear what new head banging metal these boys have for us. Look for Chaos Theory interview coming soon!

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