NO.765 AUGUST 2020
MENU DEVELOPMENT • BARREL ONE COFFEE ROASTERS • BOOKINGS
CONTENTS // August
Contents AUGUST 2020
14
Regulars 4 // IN FOCUS Josh Niland on Saint Peter rebooted. 8 // NEWS The latest openings, books, products and more. 10 // PRODUCE Rosella is native across parts of Australia. 12 // BEST PRACTICE Café trends for the next five years. 14 // COLUMN The National Indigenous Culinary Institute is working to address underrepresentation in the industry.
2 | Hospitality
24
16 // DRINKS Bars are back — so what did bartenders miss the most during shutdown? 24 // BUSINESS PROFILE Barrel One Coffee Roasters went from a label to a multi-venue concept. 52 // BEHIND THE SCENES E’cco Bistro’s fine apple tart. 54 // EQUIPMENT Squeeze bottles — can you ever have too many? 56 // 5 MINUTES WITH … Chef Rosheen Kaul.
28
Features 28 // STAFFING Retaining, maintaining and retraining key staff. 32 // CLEANING A COVID-Safe plan includes a comprehensive cleaning routine. 38 // MENU DEVELOPMENT Three case studies in changing things up. 46 // BOOKINGS The industry is facing a new era where bookings are a must.
EDITOR’S NOTE // Hello
Social
Keep up with the Hospitality team
TOKYO TREAT Koko Black teamed up with Tokyo Lamington to create three treats for World Chocolate Day. @hospitalitymagazine
MONTE-FAILO My only attempt at iso-baking and, honestly, not as good as store bought. @madeline.woolway
Proceeding with caution DESPITE RESTRICTIONS LOOSENING
a timely reminder for operators to remain
around the country, it’s far from business as
vigilant.
usual. While things are looking a little more
find a profile on Barrel One Coffee Roasters,
it’s unfortunately not the case for parts
which started as a label before growing
of Victoria.
into a multi-venue café. We also look at the
The recent spike of COVID-19 cases has
ROLL ON Chicken meatballs at local spot Toriciya take me back to Japan. @annabellecloros
Follow us
This issue, Hospitality is back to print. You’ll
familiar in venues across most of the country,
increasingly important role of bookings with
seen venues revert back to takeaway and
The Grounds and Hartsyard, how to step up
delivery after just a few weeks of resuming
cleaning procedures, menu development and
dine-in trade. I am heartened by the spirit
retaining and motivating staff. I hope you enjoy this issue.
of Victorian operators who continue to forge ahead and serve the communities they operate within. What’s happening in Victoria
Annabelle Cloros
could easily occur in other states, and is
Editor
@hospitalitymagazine #hospitalitymagazine PUBLISHER Paul Wootton pwootton@intermedia.com.au EDITOR Annabelle Cloros T: 02 8586 6226 acloros@intermedia.com.au JOURNALIST Madeline Woolway T: 02 8586 6194 mwoolway@intermedia.com.au
ADVERTISING NATIONAL Simon York T: 02 8586 6163 F: 02 9660 4419 syork@intermedia.com.au GRAPHIC DESIGNER Ryan Vizcarra ryanv@intermedia.com.au PRODUCTION MANAGER Jacqui Cooper jacqui@intermedia.com.au
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August 2020 | 3
IN FOCUS // Saint Peter Photography by Jason Loucas
Saint Peter 2.0 Josh Niland has built the restaurant of his dreams, again. WORDS Madeline Woolway IN HIS OWN words, Josh Niland is a
reticent to leave their Oxford Street
six-day week. All the chefs were doing four
and his wife Julie two months to choose
the site has everything the Saint Peter
40 hours. That’s just how many chefs you
“sucker for punishment”. It took the chef chairs for the revamped iteration of their
Paddington restaurant Saint Peter, where the team will hand cut shoestring fries.
premises. The decision was practical — team needed and it’s just down the road from sister venue Fish Butchery — but
days on, three days off and no more than need, even to run a 34-seat business.”
While Niland used to cook alongside
emotional, too.
two other chefs, there are now three in the
With almost four years under its belt,
past three years has really been poured
and sometimes a prep chef, too.
after a 120-day hiatus. Yes, the break
we’re doing or the service we’re giving or
the fish eatery reopened on 17 July was pandemic induced, but Niland
doesn’t mention that — a change was
“A lot of my effort and energy over the
into this place, not just into the food anything like that,” says Niland.
coming anyway.
When Saint Peter first opened in
the next step for us would be; what the
made. They were “good compromises” in
“Julie and I were always wondering what
evolution would be,” says Niland. “There were a number of different things we could have done.”
There was the option to find a new
space, of course, but the Nilands were 4 | Hospitality
September 2016, compromises were
Niland’s eyes, and he’s proud of what the
main kitchen, one on the pass, one upstairs “There were many challenges having the
team split across two floors,” says Niland. “It turned into a bit of a free for all. We
need a bigger space for all the wonderful chefs we’ve got working for us. We need roles for them and we need greater opportunity for them.”
team accomplished.
Standing in front of the new Saint Peter,
up with seven,” says Niland. “The last
wanted. One built equally for chefs and
“We started with three chefs and ended
roster I wrote had nine chefs on it for a
Niland has the restaurant he always
diners. The space is split in two; one half
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IN FOCUS // Saint Peter
Saint Peter has gone
The new
from a 34-seat
menu will be
capacity to 20
à la carte only
The team now consists of nine chefs
San Francisco restaurants Swan Oyster Depot & Angler are major inspirations
kitchen, one half dining room. “Rather
than getting a little bit bigger, we thought let’s get a little bit smaller and refine the product,” explains Niland.
By smaller, Niland means reducing the
number of covers to 20 and making more room for cooking in the process. In the
Food photography by Josh Niland
past, five to six chefs (all under 30), would be jostling for a place on the pans. Now,
there are defined sections and more space
— physically and mentally — for learning. “Back then, we were all fighting it out
to try to get on the stove and cook fish in a pan because when you’re a chef, when you’re a ‘real chef’, you’re cooking on
fire,” says Niland. “I don’t know, it’s this
“We need a bigger space for all the wonderful chefs we’ve got working for us. We need roles for them and we need greater opportunity for them.” – Josh Niland
ego bullsh*t.”
Now, with defined sections, there’s cross-
“I just feel like the dynamic is very
learning. “The person who’s on oysters is
unique,” he says. “Clearly, we’re not
person on the larder is now making all
revenue a week, but the whole reason
now baking bread,” says Niland. “And the
trying to fetch a larger amount of
the desserts. There’s a bit more scope and
for doing this is to bring some visibility
maturity in the roles that are required.”
and context to the work and to the level of care and attention that gets paid to
From the beginning, the restaurant was
the food and everything chefs do all
meant to showcase Australian seafood and
over the city. It’s just trying to showcase
produce, and it’s done just that. But Niland
Australian seafood.”
thinks they can do better.
The new fit out should help the team
“It’s a very different feeling in here now,”
accomplish just that. Niland may have
says Niland. “It feels really good, it feels
160,000-plus followers on Instagram, but
grown up. It’s got a really wonderful long
the chance to slice a prosciutto of tuna
marble counter in the middle of the room
in front of 20 diners is worth more in
and these beautiful leather chairs go down one side. I suppose some people refer to it as a bar … I’m trying to steer away from
some ways. Acknowledging it’s a big call, Niland
the term ‘bar’. I know it’s bar-style seating,
says he doesn’t think there’s a restaurant
the counter.”
in Australia.
but it’s a beautiful restaurant that’s set on
6 | Hospitality
like the one he’s just reopened anywhere
“It will bring some real context to the
work,” he says. “I’m excited to interact with our customers more on that level rather than just giving them a wave from afar.” ■
NEWS // Entrée
Entrée
The latest openings, books, events and more. EDITED BY Annabelle Cloros
CicciaBella fires up Nic Wong is now running the kitchen at CicciaBella in Bondi after head chef Mitch Orr exited the eatery in June. The restaurant has since debuted a menu showcasing the venue’s wood-fired oven with nine new mains on offer. Additions include whole sardines with parsley and lemon alongside pork chop with salt and vinegar sauce and Bistecca alla Fiorentina. Owner Maurice Terzini has also announced he’s expanding CicciaBella, and will open a Parramatta location in partnership with Walker Corporation this September. cicciabella.com.au
Bloody Shiraz gin returns Four Pillars have announced the release of the 2020 edition of the distillery’s Bloody Shiraz gin. Mild conditions in Victoria teamed with high rainfall and small bunch weights of Shiraz grapes have resulted in an intensification of fruit flavours alongside “great spice, red berry and natural acidity”, says distiller Cameron Mackenzie. The gin is available at the Four Pillars distillery in Healesville, the new Sydney flagship location, online and at all good retailers and bars. RRP $85 for 700ml. fourpillarsgin.com
Nobu launches at Crown Sydney Chef Nobu Matsuhisa will expand his Australian
presence with a location in Sydney. Matsuhisa’s namesake restaurant, Nobu, is slated to open at Crown Sydney in December 2020. “Sydney is one of my favourite cities and the food scene has always impressed me — the quality of the produce is stand out,” says Matsuhisa. Diners can look forward to Nobu signatures including black cod miso and yellowtail jalapeño and some dishes that will be unique to the Sydney location. The final food and beverage offering will be released in the coming months. 8 | Hospitality
NEWS // Entrée
Henrietta charcoal chicken opens in Sydney Nour restaurateur Ibby Moubadder has opened Henrietta on Crown Street in Surry Hills. The 65-seat casual eatery and bar is serving up charcoal chicken, burgers, salads and sides. “I really wanted to elevate the beloved charcoal chicken that brings such a nostalgic comfort,” says Moubadder. Diners can order a whole, half or quarter charcoal chicken along with hummus, tabbouleh and other dishes such as baba ganoush with miso, pomegranate and herbs. On the drinks front, there’s a range of cocktails along with global wines and beers. Henrietta is open from 11:30am seven days a week.
Saint Peter returns
Josh and Julie Niland have been hard at work over the last few months renovating their award-winning seafood restaurant Saint Peter. The venue has undergone a renovation and now features a single counter with room for 20 diners. The couple penned a letter on the news, commenting: “This layout has long been a dream of ours, to better enable us to share our passion for Australian seafood intimately from just across the counter.” The restaurant is now trading from Wednesday to Saturday and bookings are recommended. (See In Focus, page 4.) saintpeter.com.au
Plant power Vegan With Bite
Shannon Martinez
Andrew McConnell opens Gimlet
Hardie Grant Books; $34.99
Andrew McConnell’s Trader House Restaurants has added a new venue to the
Shannon Martinez from Melbourne’s Smith &
group’s Melbourne portfolio. Gimlet at Cavendish House is described as a
Daughters and Smith & Deli is back with a new
cocktail bar and dining room inspired by historic restaurants found in London and
book. Vegan With Bite includes 80 recipes plus lists
New York. The space encompasses a luxe French marble bar, dining rooms on the
of essential ingredients for vegan cookery, chef
upper and lower levels and a private dining area. Diners can order everything
hacks and waste reduction tips. All the recipes are
from oysters and snacks to seafood salad, dry-aged duck and a signature club
made with budget-friendly ingredients and there’s
sandwich. Gimlet is open seven days from noon (9am on weekends) until late.
also a dedicated chapter on dips, condiments and
gimlet.melbourne
sauces which are described as the “essential glue”
Photography by Sharyn Cairns
of Martinez’s meals. hardiegrant.com/au August 2020 | 9
PRODUCE // Rosella
Flowers can vary in colour from white to pink or yellow
Calyxes grow up to 3 inches
Leaves are also edible
Calyxes should be picked while they are still plump
Used to make
Rosella
everything from beverages to curries
Part of the hibiscus species, Hibiscus heterophyllus is native to parts of Australia.
Origins
in fertile, well-drained soil. It’s a tropical
lobed and dark green and can be rough and
Australia is home to the native rosella,
plant and grows as an annual. Rosellas can
prickly. The red calyxes have a tart/sweet
Hibiscus heterophyllus, which is indigenous
tolerate a range of soils and climates, but
flavour profile, which lend themselves to a
to eastern and central parts of New South
are best suited to warmer environments. The
wide range of dishes.
Wales and Queensland. It has also been
native rosella plant can be propagated from
cultivated in Canberra and Melbourne. The
cuttings or by seed.
native rosella is one of 35 species of hibiscus native to Australia.
Harvest is done by hand, with pickers
Culinary uses Rosella calyxes can be used in myriad
using scissors to cut off the calyxes. There
applications from jams to cordials, syrups,
is currently no commercial production of
teas and curries. In Australia, rosella is
with Hibiscus sabdariffa, which is a species
rosella, but it is a possibility in the future if
commonly made into jams and preserves and
of hibiscus with roots in West and East
demand continues to grow.
used as a decorative element in drinks such
Hibiscus heterophyllus is often confused
Africa. The plant was reportedly introduced
as white wines and Champagne.
to Australia by a fisherman from Indonesia
Flavour profile and appearance
and is now naturalised in Australia, but is not
Plants grow up to 2m high as a rounded
flour and the green leaves can also be
native. It is grown across Asia, Latin America
shrub. The flowers can reach 10cm in
consumed. The leaves are used in curries in
and the Caribbean, with China and Thailand
diameter and are white, pink or yellow
Burma and the Philippines, soups in Vietnam
two of the biggest producers.
in colour depending on the growing
and as a green ‘vegetable’ in Senegalese
environment. The calyx is located at the base
cuisine. In the Caribbean, the sepals are
Harvest and production
of the flower and turns red as it matures,
boiled with sugar to make a beverage which
The rosella is a hardy plant that flourishes
which can take up to six months. Leaves are
is chilled before serving. ■
10 | Hospitality
The seeds can be dried and turned into
BEST PRACTICE // Cafés 2025
Forward thinking A projection of the café experience in the next five years.
WORDS Dr Adam Carr SEVEN MILES COFFEE Roasters
need to take advantage of new
15 per cent decline in dairy milk
have recently released a Cafe
manufacturers will be launching
technology to speed up their
volume. The void created by
2025 report, which forecasts
more high-end machines that
service while also maintaining
this decline is expected to be
shifts the café industry is
combine everything into one such
their quality positioning.
filled equally with black coffee
expected to see over the next
as the Eversys Cameo and the
five years.
Scanomat TopBrewer.
From automation to the
In the near future,
This new generation of super-
At the other end of the scale,
sales (7 per cent, including long
larger cafés offering the full sit-
blacks, filter and cold brew) and
down ‘slow coffee’ experience
alternative milk-based coffee sales (8 per cent).
increase of cheap coffee and
automatic machines combine
are increasingly moving into
dairy alternatives, there’s much
the kind of precision brew ratio
restaurant territory through
In terms of non-dairy milks,
to think about.
control that speciality cafés
extended trading hours, an
we expect almond to continue to
expect, along with the ability
expanded menu and everything
dominate the category (about 68
to ‘dial in’ these parameters
that goes with it.
per cent of the sales volume). The
Specialty coffee automation While automated coffee
by themselves. While some cafés will want to
Ultimately, both fast and
fastest growing non-dairy milk in
slow business models have the
cafés is oat milk. We expect it to
machines are nothing new
adopt this technology as their
potential to grow over the next
overtake soy as the second most
in places like hotels and
primary espresso machine, it’s
five years.
preferred option within the next
convenience stores, cafés
likely that many more will use it as
The real danger is for cafés
and espresso bars have
a secondary machine to compete
stuck in the middle — not fast
neutral taste and texture,
long resisted the advance of
for the ‘fast coffee’ customer.
enough to meet increasing
complementing coffee flavours
customer expectations, yet not
nearly as well as dairy milk. ■
robotic assistance.
Fast vs slow coffee
providing the right space and
PuqPress (an automated tamper)
The gap between fast, takeaway
menu to be a destination for the
and the Ubermilk (an automatic
coffee and the full sit-down
slow coffee crowd.
milk steamer), it seems baristas
experience looks certain to keep
and café owners are warming to
getting wider.
However, with devices like the
the potential of these laboursaving devices. When you consider how rising
Rise of milk alternatives
The rise of $1 self-serve
In Australian cafés, dairy milk
coffee is increasingly putting
is still by far the most popular
the pressure on smaller,
variety, with both skim and full
labour costs continue to eat into
convenience-focused cafés
cream varieties contributing
café profits and the ongoing
to lift their game. To stay
to 77 per cent of all coffees
struggle to retain quality staff,
competitive, cafés in this
served. However, across the next
the shift seems inevitable.
segment of the market will
five years we expect to see a
12 | Hospitality
five years, owing to its relatively
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COLUMN // National Indigenous Culinary Institute
Onwards and upwards The National Indigenous Culinary Institute is addressing underrepresentation of Aboriginal and Torres Strait Islander peoples in Australia’s fine dining scene. WORDS Nathan Lovett
Catalina Rose Bay
FOR THE PAST eight years, the
transport services sometimes stop. Driving
The focus of the event was to engage
(NICI) has been working to rectify the
due to parking being expensive in the
ingredients and learn from our chefs
National Indigenous Culinary Institute underrepresentation of Indigenous people working in fine dining restaurants in
Australia. Through the program Skills
to and from the job may not be possible
city and the salary of an apprentice being extremely low.
It’s also a really difficult industry to work
For Success, we provide a pathway
in and other industries may appear more
employment at fine dining restaurants in
better hours and what could be perceived
for Indigenous people to enter into Sydney and Melbourne.
desirable, especially for young people, with as more relaxed work environments.
Our success has built a strong reputation in
We have had some outstanding
our program into other areas around the
we’re very proud of. In particular, our
the industry, which we are using to expand country; we’re growing our partnership
base and the amount of Indigenous people we can help secure employment through our programs.
There are some areas of the industry
that have good levels of representation, which can be attributed to geographic
locations or specific businesses having
an emphasis on Indigenous employment. However, there is a severe under
achievements over the years, which
representation — other Indigenous people don’t see it as an area of the industry they
such as Google to provide education and build a knowledge and understanding of
native foods and Indigenous cuisine with their staff. The best part of the event is
that it has led to further opportunities to engage in this area and further expose native ingredients.
chefs, working with the Australian
other Indigenous people to follow in their footsteps. This is exactly what we set out to achieve in starting the NICI. Having role models in these positions proves
Indigenous people can be successful in fine dining restaurants.
We now have alumni chefs from
Sydney and chef de partie at Rockpool Bar
fine dining is the lack of Indigenous
and lead engagement with a corporation
stereotypes and creating pathways for
restaurants in Australia. That’s what our
One of the barriers to employment in
was an outstanding event for us to hold
In 2019, we attended the Taste of West
in partner restaurants are breaking the
the program in management positions
program was established to address.
about how to use them in cooking. It
alumni chefs in management positions
representation of Aboriginal and Torres Strait Islander peoples in fine dining
in conversation about the use of native
including a sous chef at Rosetta Trattoria
and Grill Sydney. We also have other chefs
Cork Food Festival with a team of four Ambassador Richard Andrews and the
Department of Foreign Affairs and Trade
along with their Irish counterparts for the
trip. As part of the two-week trip, our chefs led a large number of events, cooking with local and native ingredients, bringing the taste of native Australia to the festival.
While there, they also cooked in some of
the top restaurants Dublin and Cork have to offer.
We are very much looking forward to
in apprenticeships and qualified chefs in
the next 12 months as our organisation
pathway for other Indigenous people
new locations with new restaurant
high-end restaurants creating a successful to follow.
grows, providing our program in
partners, leading to more employment
opportunities for Indigenous people in the
can get work in.
In 2020, we held a National Reconciliation
jobs versus where the people live and the
session with Google. Two of our alumni
Nathan Lovett is a proud Yuin man and
to Google staff, who then cooked the meal
training and experience for aspiring
Other barriers include the locations of
hours, which make it difficult to travel
to and from the job — especially late at night on public transport, when public 14 | Hospitality
Week online Learn to Cook Indigenous
chefs prepped and delivered meal boxes
live with our chefs via Google Hangouts.
hospitality industry. ■
CEO of NICI, an organisation that provides Indigenous chefs. nici.org.au
DRINKS // Reopening
Then and now
Burrow Bar’s Chau Tran talks reopening and what she misses most about bartender life pre-pandemic. WORDS Madeline Woolway
Chau Tran
CHAU TRAN WAS a bartender without guests for 10 weeks in March. Burrow
Bar in Surry Hills, which Tran co-owns
to convey an element of what guests usually received at Burrow Bar.
“The personality within the venue is
— and hospo-focused mutual aid projects,
such as meals and website Hospo Threads, kept the team busy. But they were no
with Bryce McDonough, closed when
something we were quite conscious of,”
Friday 15 May when New South Wales
and it would taste the same as all the
quite social and tactile beings,” says Tran.
Bar into people’s homes. That’s just the
you have to enjoy chatting to people and
restrictions kicked in but reopened on
allowed trade to resume with 10 patrons. “We kept trading in some capacity during lockdown,” says Tran. “We ran online
cocktail classes, so we delivered cocktail kits and would log into a Zoom call on Saturday night to host the classes.”
The idea was to provide an experience;
16 | Hospitality
says Tran. “We could make a Negroni
other bars. We wanted to bring Burrow service we love and I think it’s why people gravitate to us and keep coming back. It’s
definitely that neighbourhood vibe, sort of like Cheers.”
The classes, informal virtual events —
like Friday evening drinks with regulars
replacement for the real thing.
“People who work in hospitality are
“You don’t do it because it’s just a job; creating something for someone that
makes them smile or flips their entire day or week around.”
It’s no surprise then that the first day
back was an emotional one. “Even though
it was just 10 people, seeing them literally
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DRINKS // Reopening
“We’re keeping the menu tight to make sure we’re not over-capitalising on stock onsite and any fresh products that could degrade quickly.” – Chau Tran bounce down the hallway when the doors
comfortable,” says Tran, adding that patrons have
again was special,” recounts Tran.
“We’ve always done table service, but I think the
opened because they were so excited to see us
While the venue is now well and truly back in
the swing of it, things are different in more ways than one. Limited capacity is just the beginning. Burrow Bar has gone as contactless as possible,
expectation … has definitely been a learning
curve for customers. Naturally, when you walk into a bar, you want to just walk up to the bar, have a chat and a look at the amazing range.”
The new dynamic has had benefits, though.
using QR codes for guest check-in as well as
“We used to have team members that purely
team is more careful about how much stock is
being on the floor,” says Tran. “Now everyone
menus. With fewer patrons than normal, the kept on hand.
“You just scan the QR code and it opens up to
our online menu,” says Tran. “It means we can
stood behind the bar and people that preferred has to round robin and upskill. That’s been really good.”
change the menu depending on what’s running
Tran says the initial requirement to serve food
we’re not over-capitalising on stock onsite and
was previously a drinks-heavy venue.
out. We’re keeping the menu tight to make sure any fresh products that could degrade quickly. We’re trying to streamline everything and minimise wastage.”
Guests are talked through the check-in process
once seated, with wait staff explaining how and
why personal data is stored. “We’re really upfront with how we deal with the data so they’re 18 | Hospitality
also had to acclimatise to seated table service.
with alcohol had a big effect on the bar, which “Not many places around us were open and it
was difficult to get bookings,” says Tran. “There
weren’t many places doing walk-ins, so we found people were dining in more, which was great for us when it came to keeping people in the venue. It was helpful in terms of increasing spend per head.”
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DRINKS // Reopening
“People who work in hospitality are quite social and tactile beings.” – Chau Tran Although Tran was happy to have a captive
audience, what she misses most is the
spontaneity of pre-pandemic Surry Hills.
“Bigger groups and spontaneity isn’t really a
thing we can do,” says Tran. “If you’re hanging As a result, Burrow Bar’s food offering ended
up growing as the capacity was lifted to a
maximum of 50 pax. Trade has also been more consistent since reopening. According to Tran, the general public are venturing out earlier in
the week and staying for longer. “Friday used to be our biggest night and we’d get hit for two or
three hours after 5pm before people went home or to a dinner reservation,” she says. “On nights we used to run a team of three, we now have a team of four.” 20 | Hospitality
out with a couple of friends, like under six
people, you can bar hop and maybe bounce
into a restaurant. But I miss those nights where you connect with other groups that you know are out. Seeing people checking on IG and
then saying, ‘I’m close by, let’s meet up’; that
behaviour is hard and making a night of it is a
ways away. Our bar is a connector. Regulars have become the best of friends. They have a ‘Burrow Bar OGs’ group [on Facebook]. Now, when they
see each other at the bar, they can’t sit together. It’s really hard.” ■
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serving suggestions
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ADVERTORIAL // Bourgogne Wines
Welcome to Bourgogne With 84 appellations, the Bourgogne wine region is full of hidden gems.
Photography by Aurélien Ibanez (BIVB)
FROM CHABLIS TO Mâcon, the Bourgogne
what the region’s winemakers harness to turn
wine region stretches 230 kilometres
out such an expansive range of wines from
through the countryside of northern France.
just a few varietals.
Geographically, it’s a small region, but its
Co-president of Bourgogne Wine Board’s
winemakers pack a punch by offering a
Communication Committee, Anne Moreau,
varied range of wines thanks to the careful
resides in Chablis with her husband, Louis
application of terroir.
Moreau, and their two children. “We cannot
Two hours drive from Paris, visitors will
the human factor,” says Moreau. “The fact
Bourgogne, named for the golden hue of
that we decide where to plant and why [is
its famous Chardonnays and its location
important]; humans have a long history of
at the beginning of the region. From here,
deciding how the land will allow the grapes
Bourgogne stretches southeast, through
to express the best.”
Dijon and Chalon-sur-Saône before finishing The climate is continental with cold
The orientation, for example, has a significant Whether the sun lingers longer only in the
July. Harvesting occurs mostly in September
afternoon or more in the early morning,
before October brings wet weather. Although
will make a difference. Bringing out such
it is becoming more common for harvest
characteristics is the focus of Bourgogne
to begin in August, it is still the exception.
winemakers. “We say Bourgogne is a mosaic,”
Chardonnay and Pinot Noir, although smaller
says Moreau. “You have very small plots
quantities of Aligoté and Gamay are planted
everywhere. That’s what makes its beauty,
(Gamay at its southern end only).
but it’s also what makes its complexity.”
Understanding terroir is the key to
With 84 different appellations, it’s
unlocking all that Bourgogne wines have to
understandable that even experienced
offer. A combination of natural elements such
sommeliers could feel overwhelmed. That
as weather, the soil and subsoil along with
diversity is also what makes it uniquely
the orientation of individual parcels, terroir is
satisfying to explore, even from afar.
22 | Hospitality
Of the 3,577 wineproducing estates in Bourgogne, only 863 sell more than 10,000 bottles a year
The region has 16 cooperative cellars and 266 wine merchants (négociants)
bearing on production and wine expression.
winters and short, dry summers that peak in
Bourgogne predominantly produces
The average size of a domaine is 6.51 hectares
forget, in terms of terroir, to take into account
arrive in Chablis — the Golden Gate of
in Mâcon.
Bourgogne produced an average of 1.45 million hectoliters per year from 2015-19
Anne Moreau
Pinot Noir is the second most planted grape, accounting for 39.5 per cent Photography by Aurélien Ibanez (BIVB)
Aligoté accounts for 6 per cent of the area under vine and 3.5 per cent is made up of Gamay, Sauvignon and others
because of the weather,” says Moreau. “We
highly expressive, delicate wines. At the
are noticing the impact of global warming,
estate Moreau runs with husband Louis, The
which means the spring tends to come soon
Domaine Louis Moreau, organic farming
Nearly every other
and is milder, so the vines grow faster. And,
practices have been in use since 1994.
bottle is exported
we are in the north of France, so we fear late
“So we can see the difference,” says
(Australia is the
frost and hailstones. Biodynamic is difficult to
Moreau. “The wines are more delicate,
twelfth market,
handle in such conditions.”
more expressive. I notice when I do tastings
based on volume)
everywhere in Bourgogne, you tend to have However, Moreau says there are programs
“Because they are planted at such a
more precise, more refined wines.”
in the region that advocate for gentler
It comes down to a combination of things,
specific place and with such specific
farming practices and fewer chemicals.
suggests Moreau. “In the past, people
sun orientation, you will get maybe more
“We have a program called Haute Valeur
tended to like strong wines, powerful,” she
fruitiness in one [wine] compared to its
Environnementale [High Environmental
says. “Nowadays, we look for more precision,
neighbour that will have more earthy notes,”
Value],” she says. “It’s really about how
delicacy and elegance. I'm sure [organic
says Moreau. “It’s really important and what
you conduct your vineyard, but also what
farming] helps, I’m convinced of that. It’s a
makes Bourgogne so beautiful.”
you do in the cellar. It’s not just trendy; it’s
very positive [progression].” ■
Bourgogne is distinguished from many other
a way of thinking and more people are
wine regions by its focus on appellation.
involved in the program. In Bourgogne, we
fascinating wine region, follow Bourgogne
“In Bordeaux, for example, you have a
also have a program called ‘Our Terroir
Wines on social media and make use of
chateau and all around you have the land,”
in our Territory’ — we try to make sure the
the organisation’s e-learning facilities on
explains Moreau. “In Bourgogne, most of the
process of farming, but also winemaking, is
the website.
domaines, or many of them at least, will have
environmentally respectful.”
Instagram: @vinsdebourgogne
To learn more about the complex and
Facebook: @Bourgognewines
the winery in the village and they will own
Using these methods, the current
plots in different places, all spread around
generation of winemakers — and those
Twitter: @Bourgognewines
the area. From each plot they can bring a
coming up behind them — are creating
Website: bourgogne-wines.com
different wine with different expressions.” So, what viticultural practices are farmers
Discover the 84 appellations of Bourgogne
in the region using to produce such varied
Bourgogne is more than famous names like Romanée Conti, Montrachet or Vougeot.
expressions of Chardonnay and Pinot Noir?
There are also many hidden gems: affordable and elegant wines that express their origin
According to Moreau, more farmers are
in the region.
turning to organic and biodynamic methods. “I would say there is more organic than biodynamic as we have to be very careful
Moreau says the curiosity of Australian drinkers makes the market a rewarding one for the winemakers of Bourgogne. “We see things [in Australia] that we don’t see in our own market,” she says. Keen restaurateurs and sommeliers should consider looking to the region’s less explored appellations to appease this curiosity. Moreau suggests the Pinot Noirs of Irancy in the region’s north, for example, as well as the Chardonnays of Vézelay, which is a little further south. The latter was of great significance, becoming a Village Appellation in May 2017. Moreau also recommends the wines of Côte Chalonnaise, such Rully or Givry. “They tend to have a ripeness because they come from the south part of Bourgogne, but with very good elegance and strength,” she explains. Bourgogne Hautes Côtes de Beaune and Bourgogne Hautes Côtes de Nuits are discerning picks for people who tend to dream of buying wines from the leading villages, Moreau adds. “These appellations are lesser known, but are quite close to the bigger names, so they are a good entrance and provide a very good price for quality,” she says. With many exciting appellations to enjoy, the vineyards of Bourgogne is a complex, yet
Photography by Sébastien Boulard (BIVB)
rewarding area to discover.
August 2020 | 23
ADVERTORIAL // Bourgogne Wines
Chardonnay makes up 51 per cent of the area under vine in Bourgogne
PROFILE // Barrel One Coffee Roasters
24 | Hospitality
What started out as a coffee label is now a multi-venue concept with ambitious plans. WORDS Annabelle Cloros
DANIEL AGAPIOU HAS made a career
So what was the motivation behind
working in hospitality, but his work life
Barrel One and what makes it different?
jump. Agapiou started out in bars and
concept that removed the intimidation
didn’t revolve around coffee from the clubs on Sydney’s Northern Beaches
before he traded booze for beans. The
entrepreneur talks to Hospitality about how Barrel One Coffee Roasters came
about, removing the intimidation factor
from coffee and how he managed to get
his hands on Maker & Monger’s top-secret toastie recipes.
There’s no doubt the club scene is tiring.
After a few years working in bars, Daniel Agapiou decided to change things up and joined Coffee Brothers in Mona
Vale. “From there, a friend of mine was opening a café and I always wanted to
create my own label of coffee and start
roasting,” says Agapiou. In 2012, Barrel
One Coffee Roasters officially launched. “I pretty much started the label for that one café, and then it grew organically,” says Agapiou. “It was just me running everything on my own.”
The brand was soon supplying around
15 cafés on the Northern Beaches, and
focusing on the growth of the label was
very much front of mind for Agapiou. So
much so that when he was presented with the chance to open a café, he turned it
For Agapiou, it was about creating a
factor linked to coffee. “I wanted to create a no-fuss coffee label,” he says. “At the
same time, people were pushing coffee extractions and it was scaring people
he says. “Showcasing people’s coffee was another reason why I wanted to start a
label. To be able to go to the island and
see where the coffee comes from and the communities has had a huge impact on Barrel One.”
who were trying to open up venues. I
They say what will be, will be, and such
help cafés build their businesses up and
trajectory. Five years on, Agapiou’s
wanted to create a label where we could work closely with them. I felt a lot of
other labels were heavily focused on the
coffee side of things and didn’t really help their venues.”
“I wanted to create a label where we could help cafés build their businesses up and work closely with them.” — Daniel Agapiou The business owner had also been on
down. “There was an opportunity to open
a sourcing trip with Coffee Brothers to
label and I’m thankful I did,” he says.
label. “I’ve been to Tanna Island about
my own shop in 2012, but I chose the
five times and fell in love with the place,”
Vanuatu, which inspired him to create the
was the case for Barrel One’s growth
friend Samuel Graham approached him about joining the business. “When he
came on board I was able to open up the warehouse as a café and he’s a business partner now,” says Agapiou.
The friendship turned business
partnership led to the launch of Barrel One’s first café location in the label’s
Brookvale warehouse, and the venue had a springboard start thanks to the label’s
existing reputation. “It was a big help to have customers behind us who already
knew who we were,” says Agapiou. “We were a known label at the time, plus
I’m heavily focused on social media, so I made it a priority to have an impact.” Barrel One has gone on to launch a
second café location in Manly, which opened in March this year, and the
brand is now supplying around 25 cafés
with coffee. “Wholesale has been just as
important as the venues themselves,” says Agapiou. “We’d love to go interstate.”
August 2020 | 25
PROFILE // Barrel One Coffee Roasters
Barrel One Coffee Roasters
PROFILE // Barrel One Coffee Roasters
Barrel One host latte art comps where funds are donated to help the Tanna Island communities
Thinking outside the café box has been
Agapiou. “A lot of cafés decided to close
start. Not just in terms of building up
that and stayed open 10 hours regardless.
a part of Barrel One’s ethos from the
a wholesale customer base, but other
tangible avenues such as merchandise. The line started out as a way to get
It helped keep the clientele coming to the café.”
beginning for free and then people
started buying them. It helped grow the brand because I didn’t have a venue at
Northern Beaches. “We did a Mother’s Day box and we sold 100,” says Agapiou. The
from Melbourne’s Maker & Monger. Turns out Agapiou used to work with founder Anthony Femi in Sydney before he
always wanted to do,” says Agapiou.
“From now on, we are card only. It makes for a faster transaction with customers, especially when we have big lines on the weekend.”
good friend of mine since 2009, since we
has always had big dreams for the Barrel
given us the recipes for his toasties and we’re the only people in Australia that have access to them.”
Barrel One has managed to survive the worst COVID-19 has thrown at
the hospitality industry, but it’s been a
challenging few months nonetheless. “It’s been tough, but being able to trade as a
takeaway venue has helped us a lot,” says 26 | Hospitality
– Daniel Agapiou
to go cashless at the beginning of the
Predicting what the future holds right
worked in bars in Manly,” he says. “He’s
impact on Barrel One.”
Going cashless is another development
decided to move to Melbourne and dive into the cheese sector. “Tony has been a
island and see where the
occasions thanks to the positive reception.
restrictions and it’s something we’ve
toasties, which are made using recipes
“To be able to go to the
will look at continuing on for special
continued it the whole time because
Another drawcard for the cafés are the
wholesale arm
operator says it’s something the business
they’ll be sticking with. “We decided
people love all the merch we do.”
toastie menu
communities has had a huge
that point for people to come and have
a look at what we were doing. We have
The brand has a heaving
bagels, sourdough, croissants, flowers,
coffee, juice and other treats around the
and giving them to my friends at the
Maker & Monger have designed the
coffee comes from and the
“A friend of mine created the logo and
me,” says Agapiou. “I was making them
Northern Beaches
The brand also launched breakfast
boxes which saw staff deliver packs of
was doing illustrations for T-shirts for
out of the
down in our area and we decided against
the brand’s name out there, but soon
snowballed into a viable business arm.
The café has plans to expand
now is next to impossible, but Agapiou
One brand. “At the beginning, I aspired to be like Stumptown or Blue Bottle
Coffee in the States,” he says. “We have a long way to go to become as big as they are, but they are what I look towards and always have.” For now, the team
are eyeing further expansion beyond the Northern Beaches. “A big thing for us is
to move out into other areas like the CBD to get our brand out there more.” Here’s hoping it’s sooner rather than later. ■
Daniel Agapiou
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FEATURE // Staffing Dash Rumble
Retain, Maintain, Retrain Staffing has always been a major concern for the hospitality industry — but never more so than now. WORDS Madeline Woolway PHOTOGPRAPHY Lean Timms for Pilot and Nikki To for Fink IF YOU ASKED any hospitality operator
Pilot, in the Canberra suburb of Ainslie,
Between taking orders, running delivery
the imminent closure of venues was
pivoted to takeaway when government
the floor workers were kept on as well,
what their main concern was when
announced, it’s more than likely their
answer was ‘staffing’. A solid team is what makes a restaurant. Finding the right
individuals has always been a challenge,
and no manager wants to let good people
go without a fight. But trading restrictions
and safety concerns have made losing staff a probability, not a possibility.
Hospitality speaks to Fink General
Manager Jeremy Courmadias and Pilot CoOwner Dash Rumble about how they are
steering their teams through the industry’s
darkest days and how they’re leading them
now there’s a light at the end of the tunnel.
28 | Hospitality
was one of many dine-in-only venues that restrictions forced them to pack away
chairs and tables. The restaurant closed for a week while the team regrouped,
and looking after a bottle shop, many of
even if just for a shift or two instead of the usual four.
“That’s mainly why we offered delivery
with chefs working to reinvent the menu
and did takeaway; because it meant we
wanted — needed — to do takeaway,”
“We chatted to them and said, ‘We want to
to suit the new model. “We knew we
explains Dash Rumble, who co-owns Pilot
along with partner Ross McQuinn. “We all
could keep them as well,” says Rumble. keep you busy’.”
Fink took another route, closing all
came in and had a big chat about what we
six of their venues. General Manager
whole menu.”
a big role in retaining staff who were
should offer and [the chefs] rewrote the The move paid off. Initially, Rumble
thought the head and sous chef would
be able to handle the load, but quickly had to call in three more kitchen staff.
Jeremy Courmadias says JobKeeper played eligible, while the group still managed
to retain many of their visa holders, too. Unsurprisingly, a strong communication strategy was vital.
online hospitality training
Compliance
Health & Safety
Table service
Beverage
Cellar operations
Food transport
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FEATURE // Staffing
Pilot closed for a
Fink has one
week before pivoting
venue in QLD and
to takeaway
six in NSW
Pilot kept their
Fink worked with
entire kitchen team
an academic
on to manage
to develop their
takeaway demand
COVID-Safe plan
“Communication was a really big
part of our plan during the shutdown
so the staff remained connected to the
businesses, connected to the culture and to each other,” says Courmadias. “We
quickly created communication groups,
so we could talk to particular restaurants, particularly groups in each restaurant, or
everyone. We also had a regular eDM that
pushed ourselves through that shutdown
At Pilot, selling wine and condiments
and assessed where the business was at
of house staff in touch with their service
period to ensure staff were well cared for and how we were going to reopen. We
really made sure that when we reopened, we reopened with a slightly different
model, knowing that it has to be so much more viable than it was.”
through the bottle shop format kept front skills, but everyone was still a little rusty when it came time to welcome guests
back to the venue. “During the break, we definitely retained our wine knowledge,” says Rumble. “But in terms of serving
people, we had to figure out how to do
went out to staff to ensure they knew what
Whether staff were utilised in other roles
of view, but also with each other.”
or temporarily stood down, returning to
so guests usually trust wait staff to guide
front of house staff.
on the other hand, saw the team simply
was going on from a bigger picture point While the venues had ceased trading,
there was more than enough to
communicate. Going from 450 to four staff
while offering takeaway and retail services dine-in operations required retraining for “Restaurants need momentum, they
in the space of a week meant the skeleton
need to be constantly moving; they’re an
to do.
can’t just turn them off and come back and
team had an enormous amount of work “I never realised how much there is
to do to run a restaurant group with no
restaurants,” says Courmadias. “We really
organic beast,” says Courmadias. “You
expect them to be in as good a state as you left them.”
that in a takeaway environment.”
Pilot is known for its paired-back menu,
them through the experience. Takeaway,
recording customer orders over the phone. There was less back and forth and less
knowledge transfer. “We all really missed serving people and using those skills to make someone’s night,” says Rumble.
Fink’s biggest challenge wasn’t rusty
staff when selected restaurants opened
after months of hibernation. Instead, many of the more experienced team members were pushed to unlearn processes that previously made them part of a well-
oiled machine. “Restaurant staff follow
very strict rules about the way in which particular tasks need to be done in the
order of service,” says Courmadias. “It’s a very well-documented and trained
sequence. Now, the challenge is around
changing new protocols for staff who were a little more experienced in the sequence.” And new protocols abound in the era of COVID-19 dining. The Pilot team has
eased the transition for both front and back of house staff by tweaking their model. À la carte and share-style set 30 | Hospitality
FEATURE // Staffing
menus are on the backburner for the time being, with a degustation-only sitting the new order.
“With restrictions, we can only have
a certain amount of people in; how do we make sure we’re making money or
surviving during this time?” says Rumble. “We don’t know how long this is going to go for, so we may as well make the business model work indefinitely.”
It means staff have less on their plates,
making room for new concerns, such
as keeping an eye on capacity, spacing,
sanitising and contact tracing. Digesting all the new health information has been confusing at times, but ACT Health has
been hands on and responsive to queries. Thankfully, many of the requirements — such as sanitising tables — have always been a part of staff duties at Pilot. So it
has been smooth sailing once staff have
wrapped their heads around the COVIDSafe plan and square meterage rules.
Fink began working on a plan before the 22 March shutdown, after a regular at
Otto Sydney approached the team about what they could be doing to mitigate
some of the risks around the transmission of COVID-19.
Jeremy Courmadias.
Although the conversation was put on
hold when trading ceased, Otto Sydney General Manager Graham Ackling and Courmadias began collaborating with
University of Sydney Clinical Associate Professor Eugen Molodysky three to
four weeks into the shutdown. Associate Professor Molodysky, who specialises
in preventive and primary health care medicine, helped the team work out
“Restaurants need momentum, they need to be constantly moving; they’re an organic beast.” – Jeremy Courmadias “It was about running the restaurant
by allocating particular tasks to particular
how to make their restaurants a safe
safely, but running it like a restaurant
in a way that was safe and sustainable.
“We didn’t want to go too far. We did
Fink’s COVID-Safe House Plan, COVID-
was necessary. We explored whether
for back of house and one for front of
environment. The goal was to reopen “I think the challenge is not around
reopening; it’s around staying open,”
says Courmadias. “What’s happening in
Melbourne at the moment with suburbs
closing down is exactly what we’re trying to avoid.”
There are a number of key components
and not a hospital,” says Courmadias. a lot of research around whether PPE gloves were going to be necessary
or face masks, because they really
change the whole dynamic within a restaurant space.”
The plan has affected the all-
people,” explains Courmadias.
To ensure accurate implementation of
Safe officers have been appointed; one
house on every shift. Staff received one-
on-one training so they understand their
responsibilities and can check off the tasks they need to deliver on.
to the COVID-Safe House Plans being
important order of service, with staff
It’s a complicated world, but for both Pilot
are guided by an overarching principle:
A waiter who runs food won’t collect
staff to maintaining their skill sets and
implemented at Fink venues, all of which assume everyone has COVID-19 in an asymptomatic form.
now designated pre- or post-guest tasks. used tableware, for example. “That’s
about mitigating cross-contamination
and Fink, one thing is clear: from retaining retraining them for work in the COVID era, communication is a must. ■
August 2020 | 31
FEATURE // Cleaning
Spick and span As patrons return to venues, the highest levels of cleanliness will go a long way to ensure peace of mind for customers and staff.
DINING RESTRICTIONS HAVE eased across most
QR codes and entry conditions
states, but venues are now
All venues (except Western Australia at the time of publication) across the country are
in the spotlight when it
required to obtain customer contact details when they dine in at an establishment.
comes to creating spaces
Print out clear signage at the entry point of your venue that instructs customers to
that are safe for customers
scan the code and fill out the required fields. Staff should also ask customers to
and staff. While most
confirm they have ‘signed in’ before they are seated.
venues have always had
Venues should also display terms of entry, which requests customers with symptoms
strict hygiene procedures in
linked to COVID-19 such as a sore throat, fever, etc, to refrain from dining and seek
place, customers are more
medical attention.
discerning than ever and are expecting to see operators and staff step up to the plate
Pick the right menus
— which means more than
Bound menus look great, but are near impossible to disinfect. While laminated menus
just offering sanitiser.
don’t have the same effect, they are easy to clean between uses and minimise
From displaying QR codes
wastage if you’re keen to avoid printing out multiple copies. A blackboard offers an
upon entry to taking away
alternative option to write out your menu — just make sure it’s in a space where all
water stations and cutlery
customers can view it.
holders, there are a number
Better yet, invest in technology to take your menu virtual. Customers can scan a QR
of considerations to think
code displayed on the table and order without wait staff should your tech of choice
about as the industry moves
permit the option.
into the coming months. 32 | Hospitality
SEC RE THE NEW NORMAL IN HYGIENE Lift your standards. Book a free hygiene audit today to ensure the health and safety of your staff and guests. Download our Food Service toolkit at tork.com.au/newnormal
FEATURE // Cleaning
Sanitise tables and chairs between sittings
Remove communal-use items
This one might seem obvious, but the
communal sauce bottles should be
entire area (tables and chairs) should
removed for the time being. While you
be disinfected when customers are
might need to invest in some more
finished. After all the plates and glasses
water bottles to cater to all tables,
are cleared, staff need to wipe down
it also removes the risk of customer
all surfaces patrons have been in
contamination. It’s a good idea to pre-
contact with.
roll cutlery in serviettes which can be
Door handles, EFTPOS machines,
Water stations, cutlery holders and
placed on tables once customers order;
POS, counters and any other high-
should the option suit your venue. As for
touchpoint areas should also be
condiments, ask the customer if they
regularly disinfected.
require any. If they say yes, it’s a job for the kitchen.
Hand sanitiser
Dishwashing
While most customers will have their
Venues should ensure all plates,
own sanitiser, it’s a good idea to have
cups, glasses, cutlery and any other
plenty around the venue to encourage
dishwasher-safe items used by
good hand hygiene. A container at the
customers are cleaned in a dishwasher
entry, pay station and even on tables
running on the highest-possible
ensures easy access for all patrons.
temperature. If your venue does not
Staff should also have dedicated
have a dishwasher, items should be
sanitiser in change rooms, at the
washed in hot water with an anti-
counters and any other workspaces.
bacterial solution to ensure germs are killed.
Appointed cleaning ‘officers’
Training
Wait staff are incredibly busy, and extra
Ensure staff understand all new
cleaning duties are a lot to take on.
procedures your venue is implementing
Appointing dedicated employees to
or emphasising. While staff may have
complete the above jobs ensures your
properly cleaned tables a few times a
venue is able to run efficiently. All staff
day before the pandemic, disinfecting
will know exactly what they need to do
all surfaces with each customer is a
without worrying they may have missed
change for some venues. Ensure all
something. It’s a good idea to have
cleaning products are clearly labelled
different staff members take on these
and are easily accessible for staff so
jobs so the entire team is aware of the
they can quickly turn over tables and get
processes.
the next customers in. Businesses need to have a COVID-19 plan, and these points should all be included and clearly communicated to staff to ensure your venue is as COVID-safe as possible.
34 | Hospitality
ADVERTORIAL // Australian Pork
Star of the show 15 years on, PorkStar and the professionals the program celebrates are stronger than ever. PorkStar has connected chefs and producers in a number of ways, including providing opportunities for chefs to visit pig farms
IT’S HARD TO believe PorkStar
the country, but this hasn’t
pork cut, plus nose-to-tail, and
was founded 15 years ago. The
always been the case, which was
they’ve taken PorkStar beyond
influencer program captured the
program showcases chefs and
one of the primary motivators for
our wildest expectations.”
imagination of Aussie chefs,”
foodservice professionals who
the launch of PorkStar.
love the industry and all things
“Globally, pork was a menu
Australian pork producers
“Our provocative chef
says Edwards. “Many of these
are at the heart of the program,
chefs are now household names,
pork. More than 75 hospitality
staple, but Australian chefs
with chefs including Christine
and they’re truly passionate
figures have featured in PorkStar
needed to fall back in love with
Manfield, Dan Hong, Colin
about Aussie pork.”
campaigns since 2005, with the
pork and get consumers excited
Fassnidge and Luke Nguyen
Pork is now the nation’s
program reaching 40,000 chefs
about it,” says Mitch Edwards,
showing the public and the
second most popular protein
and counting.
Australian Pork’s marketing
industry just how versatile the
and continues to appear on
Pork is now one of the most
manager. “And they did. We’ve
protein is through the creation of
more plates, at home and in
popular options on menus across
seen chefs tackle every Aussie
pork-centric dishes.
restaurants. “PorkStar has been a great program for our pork producers, as it’s become a community for pork-loving hospitality professionals across the nation,” says Edwards. “I think it’s captured their imagination because it gave them permission to have fun, challenge one another and celebrate their creativity.” 15 years on, PorkStar is continuing to evolve, but like all hospitality professionals, this year forced some plans to change. “We had already been talking to top chefs and industry stars to check in and find out their thoughts on PorkStar,” says
The first ever PorkStar campaign shot, featuring Luke Nguyen
Edwards. “2020 has been a tough year for the industry, and like everyone, we’ve changed our plans. However, as we
36 | Hospitality
ADVERTORIAL // Australian Pork
Giovanni Pilu, Ian Curley, Bethany Finn, Nino Zoccali, Lauren Murdoch, Stephen Clarke and Brad Jolly in the 2009 campaign
Louis Tikaram’s sweet and sour pork The Stanley chef’s take on a classic dish.
4. Add vinegar, stir to combine and season and season with salt. 5. Strain sauce and discard solids.
Dish ingredients 2 cups corn starch
Dish method
1 cup water
1. Heat the cooking oil to 180 degrees
1L cooking oil (canola) 250g diced pork loin 50g diced red capsicum 50g diced green capsicum 50g diced pineapple 50g diced onion 250ml sweet and sour sauce (below)
Celsius in a medium saucepan. 2. In a mixing bowl, add one cup of corn starch and water and whisk until there are no lumps. 3. Keep the remaining corn starch in a small mixing bowl and set aside. 4. Add the diced pork loin to the corn starch slurry and mix until completely coated.
PorkStar is celebrating 15 years in 2020, with chef Louis Tikaram among those to be featured
Sweet and sour sauce ingredients
Roll in remaining one cup of dry corn
250g caster sugar
starch so each piece is dusted. Shake off
250g white vinegar
any excess and gently lower into the hot
250ml water
oil and cook for three minutes until golden
250g tomato ketchup
brown, stirring occasionally so the meat
25g Worcestershire 100g white onion offcuts
doesn’t stick together. 5. Remove pieces from the oil with a slotted
look forward, PorkStar will continue to
100g diced tomato
celebrate chefs and support emerging
50g red capsicum offcuts
talent, with a real grass roots focus on
100g pineapple offcuts
capsicum and onions on a medium heat
their connection with the producers of
1tsp salt
for one minute then add pineapple and
Aussie pork.” PorkStar is firmly focused on promoting local producers and working closely with chefs and hospitality professionals over the coming years. The program has big plans to offer new educational opportunities, spotlight emerging talent and work with leading
spoon and let cool on absorbent paper. 6. In a wok or a large fry pan, sauté
continue to cook for another minute.
Sauce method 1. Sweat onion, capsicum, tomato and pineapple. 2. Add sugar and dissolve the sugar in the liquid at the bottom of the wok. 3. Add water, Worcestershire and ketchup and cook for 10 minutes.
7. Add the cooked pork then follow with the sweet and sour sauce and continue to stir or toss for two minutes to completely cook and glaze the pork. Reduce the sauce until a sticky consistency is achieved. 8. Serve immediately with steamed rice or as part of a shared meal.
chefs to put more pork on Aussie forks. ■ August 2020 | 37
FEATURE // Menu development
Under construction There’s more to post-COVID dining than new health and safety protocols; the pandemic has had a lasting effect on menu development, too. WORDS Madeline Woolway
Felix by Merivale
38 | Hospitality
THE FUTURE OF FOOD IS NOW ON THE MENU
V2 LOOKS, COOKS AND TASTES JUST LIKE MEAT. Try it in any cuisine as a delicious plant-based alternative to beef. Visit v2food.com/foodservice to find out more
FEATURE // Menu development
CHEFS KICKED INTO gear when diners were told to stay home, designing new
menus to help capitalise on at-home dining or reopen with a bang.
Hospitality looks at three different cases
of menu development.
The at-home model With more than 70 venues across Sydney, Merivale didn’t have an easy task on its
hands when it came to adaptation. Yet, the group found a way, developing Merivale at Home. The offering made the most of the group’s diverse stable of restaurants and
pubs, with chefs from some of the highestprofile venues coming together under one roof.
Executive Chef Jordan Toft led the
program, working with the likes of
Danielle Alvarez from Fred’s, Mr Wong’s Dan Hong, Mike Eggert from Totti’s and
Jimmy’s Falafel's Simon Zalloua to develop a wide range of menus diners could finish off at home.
“There was a week or two to devise
options and then we had to mobilise
Bert's by Merivale
super quickly or it could have fallen over,” says Toft.
The idea for Merivale at Home was
born not just out of financial necessity, but also a need to maintain relevance and the standard of service Merivale is known for. For Toft, the key question was: “How can we give diners an experience they would
normally go out for in their home during this period?”
“We wanted people to create their own experiences that had a feeling of [what] we provide in the bricks and mortar establishment.” – Jordan Toft
Some venues, such as Totti’s, also offered more traditional takeaway, but for the
most part, Merivale relied on its at-home
in a hot pan in the oven for 18 minutes.
While a lot of energy went into different
was decided each venue should create
[after reopening] who said he cooked it
to the right point — just as much was put
offering throughout the lockdown. It
a set menu that referenced its identity. Some menus require more cooking at
home, while others are brought closer to
completion in the commercial kitchen. Mr
I actually saw someone in the restaurant for his family and in-laws following the
instructions and it made him look really good — that made me feel good.”
The experience is exactly what the team
Wong’s menu, for example, needs more
set out to create. “We wanted people to
from Bert’s Bar & Brasserie only needs to
feeling of [what] we provide in the bricks
time in the pan at home, while a kilo steak be finished off in the oven.
“People mess up a steak like that a lot at
create their own experiences that had a and mortar establishment,” says Toft. It also allowed more flexibility for
home and wonder why they can’t do it like
diners, who could order a one-off box
work out a cheffy way to prepare it. I took
worth of meals.
a restaurant,” explains Toft. “So I had to
it to a point where they just need to put it 40 | Hospitality
for special occasions or order five nights’
technical aspects — like getting the steak
into communicating with guests. The aim was to make sure diners got what they
were expecting and had the information they needed to put the dishes together. To that end, a lot of effort went into
instructions and video tutorials, as well as packaging, delivery and presentation. Challenges arose along the way, of
course. According to Toft, it was initially difficult to find environmentally friendly packaging that did the job, with many suppliers also in lockdown and state
borders closed. “We pushed on and got
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FEATURE // Menu development
“The more questions you ask, the more information you can extract out of these people that know about produce and are genuinely interested in investing in you.” – Louis Tikaram
initiatives such as PorkStar helping along the way. “They connect people,” says
Tikaram. “Like, here’s a great chef [and] here’s a great supplier who would get
along. Without programs like PorkStar, there wouldn’t be much of a stepping
stone for chefs to really get out there and meet these producers, and that’s where it all starts from. It really has that domino
effect, getting like-minded people in the
same room and watching that relationship
better with each week,” he says.
As the restaurant prepared for reopening,
been a welcome one. “With hindsight,
“That’s the thing I love to do,” he says. “I
Tikaram let the produce guide Stanley’s
and family farms that are just on the
line with harvests. The aim is to use what’s
On a positive note, the challenge has
there were considerations we could have probably done better,” says Toft. “But we made the best of the situation we had when it came to the food.”
The new menu Stanley in Brisbane reopened at the start of July after a three-month hiatus. While the Cantonese menu could have been altered
Tikaram started visiting farms again.
started to discover so many small farms outskirts of Brisbane growing amazing produce. It could have just been a few
bunches of this or a plot of that, but it was leaning towards South-East Asian flavours
like morning glory, betel leaf and beautiful young turmeric.”
Farmers have possibly become the major
blossom.”
new menu, with produce swapped out in available locally, instead of being driven
by the need to stick within the boundaries of a specific cuisine. “I don’t want to
say I can’t use it because it’s not strictly Cantonese,” says Tikaram. “I should be
using [produce] because it’s grown right
there; it was picked this morning. And now
to suit a takeaway model, the owners were
source of inspiration for Tikaram. Thanks
chose to batten down the hatches and take
connections, the well is ever-flowing.
Tikaram’s heritage, too. “My grandmother’s
constantly. “The more questions you ask,
Fijian Indian, so we would not necessarily
focused on employee safety. So, the team
advantage of schemes such as JobKeeper. When the restaurant, located in
the Howard Smith Wharves precinct,
welcomed diners back, it did so with a new menu; one chef Louis Tikaram describes as a more flexible, modern Asian take.
Tikaram says he was encouraged to go
back to his family home in Mullumbimby
on the New South Wales North Coast, but
instead chose to stay in Brisbane and man the kitchen alone. Even without a dining
room full of guests, the chef found plenty to do. “The owners of the restaurant said they wanted me to stay safe [too],” says Tikaram. “And, honestly, I said to them,
‘I’m a chef and I’ve always been a chef, this is all I know’.”
Tikaram spent his time at Stanley
cleaning, organising and developing new dishes. He talked to suppliers, looked for new ingredients and found new flavour
combinations. “I just came to work every single day and was there by myself,” he
says. “I would do a bit of tidying up and
paperwork, all my standard recipe cards
and costings, and then work in the kitchen, talking to suppliers and letting them know how we’re going.”
42 | Hospitality
to a healthy dose of curiosity and industry Tikaram tells young cooks to ask questions the more information you can extract out of these people that know about produce and are genuinely interested in investing in you,” he says.
The questions snowball, leading from
one producer to the next, with industry
Mr. Wong by Merivale
it can be on the plate in the evening.” The new menu paints a picture of
Fijian and Chinese and my grandfather’s
only ever eat Indian or Fijian or Chinese,
it would always be hints and elements of each cuisine,” he explains.
Unsurprisingly, the process Tikaram
follows to develop a new dish is flexible. Sometimes he finds inspiration in a new
For Chef Louis Tikaram, joy is the serenity of being first in the kitchen, while inspiration is quality ingredients. Confidence comes from the balance between the producer, the product, the palate and his creativity. He’s driven, and finds his reward in teaching younger chefs and gaining the gratitude of diners. Louis Tikaram is a passionate craftsman. He is a PorkStar.
porkstar.com.au
FEATURE // Menu development
everyone,” says Spyridis. “People got
frustrated, but we had to stay open.”
Things are more or less back to normal
for the venue now, at least in terms of
the number of diners coming through the doors each day. “People are spreading
their time rather than coming in a rush,” says Spyridis. “We’re constant all day
rather than busy at certain hours because
we can only sit half a restaurant with one person per 4sqm.”
While the menu hasn’t had to change to
reflect the pandemic, there was a limited
new addition — vegan mince. Thankfully, redeveloping the local favourite’s
Bolognese to suit a meat analogue didn’t
add to the stress of COVID-19 restrictions. “We thought it wasn’t going to work out because sometimes [vegan] minces are really soft and soggy, but v2food’s one is awesome,” says Spyridis. “We used
our own recipe and it actually worked straight away.”
The special, which ran for a couple
of weeks through Deliveroo, was a hit
with diners despite a limited marketing push. “People who tried it, loved it,”
says Spyridis. “But we would probably
get loads more people had we marketed it more.”
So, will it stick around? “My husband and dad are old school and they don’t make
any changes,” says Spyridis. “We’re going great the way we are, but you’ve got to move forward. You’ve got to do a few Jimmy's by Merivale
ingredient and works to build the rest of
two beef dishes, so pork could make for
the menu fits together as a whole. He’s also
development is about discovery for the
the plate around it. Then, there’s the way looking to South-East Asia for guidance. “Dishes should be really balanced in
a good protein choice. Ultimately, menu chef — it’s a choose your own adventure.
texture, flavour and complexity, but when
The meat analogue
balanced,” Tikaram says.
was perfectly placed to capitalise on
you look at a menu, it should also be very A balanced menu will guide patrons
through the dining experience. If two
crunchy dishes and two soups are locked
in, Tikaram will next look to starches, for
example. Maybe there’s already a rice dish on the menu, which means noodles might be called for. Perhaps there are already 44 | Hospitality
different things.”
Again, recipe development was less
challenging than logistics and marketing. “I think if we could get someone to do marketing, we’d be able to do it
consistently,” says Spyridis. “Even though we donate food, we don’t want to prep food that’s going to be wasted.”
Costing the dish was another hurdle,
The Italian Bowl in Sydney’s Newtown
with vegan alternatives higher priced than
increased takeaway and delivery demand.
don’t see that,” says Spyridis. “They don’t
While reopening with a limit of 10 diners in-venue at a time was challenging, co-
owner Jenny Spyridis says it wasn’t the menu causing problems.
“It was a nightmare because we couldn’t
have a line outside and you couldn’t seat
meat. “It costs more money, but people want to pay more money, so we kept it
the same. But say we put $2 extra on that
because the vegan mince is dearer, people will just go on social media and one bad
review can take my life away for a whole day. But developing the recipe is easy.” ■
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August 2020 | 45
FEATURE // Bookings
Lock it in The industry is entering a new era — bookings or bust. WORDS Annabelle Cloros
IT’S SAFE TO say the last decade has been
Hartsyard used to run two 65-person
anchored by casualisation — not just in the
sittings a night. Now, they’re limited to
customers dine. While bookings are a must
located on a stretch of road that bustled
style of food offered at venues, but how at certain locations, some never offered the option to secure a table in advance,
the 4sqm rule. The Enmore restaurant is seven days a week pre-pandemic, but
instead relying on foot traffic and a stellar reputation. However, the industry is now navigating unchartered territory, and the casual model is risky while restrictions remain in place.
The Grounds of Alexandria and Hartsyard in Sydney are two venues that have
switched up their bookings to keep the wheels turning. Hospitality speaks to
Neil Burke and Jarrod Walsh about the
platforms they’re relying on, the benefits of bookings and how COVID-19 has changed the way their respective businesses will operate in the foreseeable future. 46 | Hospitality
owners Jarrod Walsh and Dorothy Lee saw foot traffic screech to a halt when restrictions kicked in.
While Hartsyard leaned towards
bookings pre-COVID, the venue still had
customers who would drop in for a drink or a snack. “Before, it was 80 per cent
“It’s easier to cost out a roster and ordering when you know how many people are coming ahead of the game.” – Neil Burke
bookings, 20 per cent walk-ins,” says
Walsh. “Now, it’s 100 per cent bookings.”
The chef says some people have attempted to get a table during restrictions, however availabilities have been rare with social
distancing measures in place. “We’ve had
a lot of guests come in without a booking, which makes it very hard because we’re already at capacity and people don’t understand the rules,” says Walsh.
The Grounds of Alexandria is certainly
a destination for Sydneysiders, with
the venue typically hosting thousands
of customers every week. Diners could
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FEATURE // Bookings Customers showing up for bookings is
one thing, but checking in patrons has become a pivotal part of the dining
experience. Check-in requirements vary around the country, but in most states,
dining in is conditional upon providing contact details. Many venues display
QR codes on menus or host stands for diners to scan before they commence
their meal. Hartsyard are using Guest HQ as their platform of choice. “Customers previously book select areas of The
Grounds such as The Potting Shed and The Café depending on numbers, however the
business model primarily revolved around walk-ins, to the tune of 70-80 per cent
a home delivery
at $88 per
service
person
would be waiting up to three hours instead of the usual hour.”
The venue made the call to reopen
when diner numbers were increased to
50 and called on customers to pre-book. “It’s difficult to guarantee everyone a
table,” says Burke. “Even with 50 covers,
Hartsyard have
account for 60 per
been staggering
cent of customers
bookings to work
at The Grounds
with diner numbers
48 | Hospitality
While the process is relatively
have chosen to let go of their bookings because you have to turn them away,”
says Walsh. “That’s the biggest challenge right now… managing the check-in
and making sure customers understand how important it is, especially for us
if something happens; we’re done for.
We had a table recently that refused to do it and we had to say, ‘I’m sorry, you can’t dine’.”
The Grounds are displaying a QR code,
we encouraged people to book. It’s been
but have also started working with Mr
we are encouraging them not to just turn
eliminate some staffing to a certain
difficult to manage people-on site because Bookings now
if something happens.”
over privacy concerns. “It gets hard
or the wait list was too extreme, people menu is priced
information to the Department of Health
were so many people wanting to come,”
“If we flooded it with too many bookings Hartsyard’s set
get their details, but we can send the
straightforward, Walsh says some diners
says Neil Burke, group general manager.
The Grounds
good to go,” says Walsh. “We don’t
in the central dining area. “We only took large party bookings just because there
recently launched
show staff the check in and they’re
up, but the benefit for us is that we have a low turn time on the tables, around an hour, so the wait is quick.”
Yum to trial mobile ordering. “It will
degree, but allow people to order in their own time and get a second drink without
having to flag down a waiter,” says Burke.
FEATURE // Bookings
“With the set menu, we know how many people we need to prep for and it keeps the costs more in line than a normal à la carte menu.” – Jarrod Walsh Knowing your numbers is one of the
wandering off. We can send them a text
Operators are able to streamline ordering,
they’ve got 15 minutes.”
core benefits that comes from bookings. kitchen processes and determine how
and let them know the table is ready and The platform also sends customers a
many staff they will need to run service.
survey after dining to request feedback.
dine-in recommenced, and Walsh says it’s
you can get genuine feedback and monitor
Hartsyard opted to serve a set menu when worked well. “We had a skeleton team, so we didn’t want to go too hard having all
“Customers can rate their experience, so complaints,” says Burke.
Walsh says the team finds OpenTable
these different dishes like before because
relatively customisable, with the platform
says. “With the set menu, we know how
restaurant owners to use throughout the
we didn’t know what would happen,” he many people we need to prep for and it
keeps the costs more in line than a normal à la carte menu. We’re going to keep the
set menu going and do some share plates
increasing the number of features for
pandemic if they choose. “We’ve been
taking credit card details for groups of
six and above,” says the chef. “I think it’s
at the bar.”
Along with the Mr Yum trial, The
Grounds has cut down their usual offering, which Burke says has allowed the venue to keep an eye on staffing costs and
production. “It’s easier to cost out a roster and ordering when you know how many people are coming ahead of the game.
Previously, we didn’t need that guarantee
because we knew it was going to be busy.” Both Hartsyard and The Grounds are
currently using OpenTable for bookings. Burke says there are a number of useful features integrated into the platform
including the ability to send reminders to customers. “The text messages are
really handy, especially when people go 50 | Hospitality
Neil Burke (left)
going to change the way people dine and they are going to have a bit more respect for the venue.”
The last few months have been tough,
but operators are remaining positive as restrictions continue to lift. Burke and Walsh both agree diners are happy to
be out and enjoying the experience of
dining once again. “People are happy to
be out of the house and doing something
different instead of cooking for themselves or ordering takeaway,” says Walsh. Burke agrees, and says consumers are just
grateful to have some normality in their
lives once again. “I was conscious people
wouldn’t want to spend, but I’m not seeing that at all,” says Burke. “People are happy
to be eating and are enjoying being served [but] it’s going to be a long time before
we get back to where we were pre-COVID. For now, we will continue taking more bookings and guaranteeing tables.” ■
RARE MEDIUM
Telling the stories of Australian red meat from paddock to plate through our free quarterly emagazine with features by Pat Nourse, Mark Best, Myffy Rigby and more.
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VIDEO // Behind the scenes
E’cco Bistro’s
fine apple tart An in-depth look at Hospitality’s masterclass series.
PHILIP JOHNSON HAS been
1
2
3
4
5
6
making fine apple tart since he first opened E’cco Bistro in Brisbane 25 years ago, so he knows how to get it right. The end result is a golden, satisfying, homely dessert that’s perfect for dine-in and takeaway menus.
Ingredients Butter puff pastry Apples Butter Sugar Icing sugar Caramel Mascarpone
Method 1. Cut saucer-sized rings out of cold pastry. Don’t dock the pastry, otherwise it won’t rise. 2. Peel and core apples before slicing thinly on a mandolin. 3. Layer the apples in a circular pattern on top of the pastry. In between each layer, sprinkle a pinch of sugar. 4. Top the apples with a tablespoon of butter. 5. Place the tarts in an oven for 10 minutes at 220 degrees Celsius, then flip the tarts over to cook for 10 minutes at 200 degrees Celsius. 6. Dust generously with sugar and top with a drizzle of caramel. Serve with a dollop of mascarpone. Watch the video now at hospitalitymagazine.com.au
52 | Hospitality
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Clear body means sauces are easy to identify
Wide neck makes it easy to refill without creating mess
Easy-to-clean plastic material
54 | Hospitality
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5 MINUTES WITH ... // Rosheen Kaul
Rosheen Kaul The Melbourne-based chef on the comfort of the home kitchen and the joy of putting together The Isol(Asian) Cookbook during lockdown.
I WAS IN lockdown, I had lost my second
I had crossed paths with Jo [illustrator
what we’d intended to be a lo-fi zine
my days in the kitchen at home. Instagram
mutual friends from the Fat Duck and
elegant, with far more work put into
job in as many months, and I was spending posts of my daily cooking antics [resulted in] my inbox bursting with requests for
recipes. The requests were curiously for
Chinese dishes; some traditional, some not
so much. The recipe requests and the many questions that followed made me realise that the lack of Asian cooking on social
media was simply due to intimidation and lack of instruction. 56 | Hospitality
Joanna Hu] last year, as we shared
Dinner by Heston Blumenthal. I had been
waiting for the opportunity to collaborate
with her as I was so impressed by her raw
talent. The initial idea [for The Isol(Asian) Cookbook] was for us to collaborate on a zine with Chinese-ish recipes, ingredient indexes and some prose, all punctuated with Jo’s bold, colourful illustrations. As the project neared completion,
was developing into something more it than we had planned. I spent hours
testing, developing and writing, making sure every recipe had a specific purpose
and watertight instructions for even the most amateur cook. Jo was staying up
nights illustrating and handwriting all of my words (that I kept re-writing), and
our little project ended up being so much more than we intended it to be. It turned
5 MINUTES WITH ... // Rosheen Kaul Illustrations by Joanna Hu
into an instructional manual for the
after much back and forth, Jo managed
that make it great — defined individual
to Chinese cooking for those who had
life through her beautiful illustrations.
seasoning, the distinctive smoky flavour
isolated home cook and an introduction always been curious, but never had the time.
The book wasn’t intended to be
anything more than a really engaging,
visually appealing creative expression. It was never meant to be a cookbook per se, as I hadn’t thought myself an
accomplished enough chef to be writing
cookbooks just yet. The beautiful thing is
that the recipes are joyously simple, some original, some respectfully traditional. In insolation, the act of cooking food
to capture our vision and bring it to
The book was conceived, written (and
re-written), photographed, hand-written and illustrated in 14 days. Jo and I
never dreamed the book would have
notes on my phone and thousands of
of the charm is its imperfect nature, and
had we approached the project intending to capture an international audience, we would probably never have finished it. The way I cook at home — and the
on a sound respect for a cuisine, the
It was difficult initially to align the
creative direction for the book. Eventually, 58 | Hospitality
elevates it to perfection.
more time refining it. But of course, part
personal experiences that punctuated my comfort of my kitchen at home.
the slight rawness of the spring onion —
I have endless notebooks filled with
would most certainly have spent a bit
style in which the book is written — is
writing — were to share with readers the
of the wok, evenly dispersed fluffy eggs,
the response it did. Had we known, we
was solace for many people, and the
dishes that I chose to include — and the
rice grains, a restrained hand with
unintelligible scribbles, a few hundred screenshots and photos of various food-
related things. I record all of the cool and unusual techniques, styles, ingredients
and aesthetics that I see, and build visual inspiration boards from them later.
I had never written any recipes down
very carefree. However, it is also based
until the lockdown, when it came to my
dish, and understanding the function of
had an audience on social media. Writing
its components. You can follow the fried
rice recipe word for word and produce a perfectly delicious rendition. However,
taking the time to understand the features
attention that my daily kitchen activities actually helped me remember why I
wanted to become a chef in the first place, because a love for cooking is so easily lost in a professional kitchen. ■
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