New Zealand Printer July 2024 by The Intermedia Group

Sustainability drives HP Latex wide format printer technology

No longer just an option or a ‘nice to have’, sustainable technology has become a necessity for businesses in all industries.

For the print, signage, labels and packaging sectors, the movement toward more environmentally friendly solutions began decades ago, but it has accelerated at a pace in the past few years. Arlette Farland, director at Computaleta, says, “Consumers have sent a clear message to companies that have embraced sustainability: they endorse measures to protect the environment and they want to see more.”

Historically associated with significant detrimental environmental impact, the printing industry has flipped that connection, transforming itself with technological advancements prioritising eco-friendliness.

Graphics giant HP continues to play a significant role in this transformation. Leading the charge with its fourth generation HP Latex wide format printers, HP has a trusted partner in Computaleta, which supplies the HP Latex printers, renowned for high quality

output and robust sustainability features, making them a preferred choice for environmentally conscious businesses.

Wayne Shaw, HP New Zealand’s business manager for Large Format, believes that the fourth generation of HP Latex printers is its best yet, with stunning and vibrant prints that challenge other ink technology, not just in colour vibrancy, but when it comes to sustainability, he believes it’s no contest.

He says, “The fourth generation HP Latex printers are a testament to our commitment to sustainability and innovation. We proudly provide technology that helps businesses reduce its environmental impact while maintaining exceptional print quality.”

Water-based Latex inks

One of HP Latex printers’ most significant sustainability features is the use of water-based inks. Unlike solvent-based inks, which emit harmful volatile organic compounds (VOCs), HP water-based latex inks are free from hazardous air pollutants. This makes them safer for both the environment and the operators.

By eliminating the need for special ventilation systems, these printers reduce overall operational costs and contribute to a healthier working environment.

Energy efficiency

Energy consumption is a critical factor in assessing the environmental impact of printing technology. HP has designed its fourth generation HP Latex printers with energy efficiency in mind. They incorporate HP’s innovative curing technology, which requires lower temperatures than traditional curing methods. This reduces energy usage and speeds up the printing process, leading to higher productivity. Additionally, these printers are Energy Star certified, which means they meet stringent energy efficiency guidelines.

Recyclability and waste reduction

HP has designed and built its fourth generation HP Latex printers with recyclability in mind, taking huge steps to ensure these printers contribute to waste reduction. The company has used recyclable materials to make up many of the printer components.

Computaleta takes a deep dive into the fourth generation HP Latex wide format printers

Computaleta team members with the company’s three HP Partner of the Year Awards

COVER STORY

HP, with support from Computaleta, offers a take-back programme that allows users to return used ink consumables for recycling.

In addition, fourth generation HP Latex wide format printers can print on a wide range of recyclable media, including PVC-free wall coverings and textiles. This versatility reduces waste and provides businesses with more sustainable printing options.

Sustainable media options

Another notable benefit for customers derives from HP Latex printers’ compatibility with a variety of sustainable media options. Computaleta provides a range of HP certified sustainable printing materials, including recyclable and biodegradable media, allowing businesses to choose eco-friendly materials without compromising print quality. Using sustainable media not only enhances printed products’ environmental credentials but also meets customers’ growing demand for green solutions.

Indoor air quality

HP Latex printers address indoor air quality standards: a crucial aspect of sustainability, particularly in indoor environments where prints are displayed.

All HP Latex printers produce prints that meet rigorous environmental standards for indoor air quality. The prints are odourless and free from harmful emissions, making them suitable for sensitive environments such as hospitals, schools, and retail spaces. This aligns with HP’s commitment to creating safe products for both users and end consumers.

Certifications and eco-labels

HP Latex printers have several ecocertifications and labels that attest to their sustainability. These include UL Ecologo and Greenguard Gold certifications, which recognise products that meet strict environmental and health criteria. These certifications assure customers that they are investing in technology that adheres to high environmental standards. Businesses can enhance their sustainability credentials by choosing HP Latex printers and meet the growing demand for eco-friendly products.

Reduced Carbon Footprint

For many businesses, reducing their carbon footprint has become a crucial goal. The fourth generation HP Latex printers support this objective in several ways. HP has designed the printers for greater energy-efficiency, which directly translates to lower greenhouse

The HP Latex 800 W wide format printer

The HP Latex 700 W wide format printer

The HP Latex 630 wide format print and cut system

COVER STORY

gas emissions. Additionally, the waterbased inks used in these printers have a lower carbon footprint than solvent-based ones. HP also supports initiatives that offset carbon emissions associated with its products, further contributing to the overall carbon footprint reduction.

HP PrintOS

New functions in HP PrintOS streamline production for large format printers. HP

has made print management easier with HP Live Production software.

Unveiled during drupa 2024 in May, this solution empowers print service providers to remotely manage its end to end workflow; streamline production; and achieve greater efficiency.

Arlette says, “HP PrintOS can help you enable unprecedented line of sight into your business, simplify and automate your production processes, and create

new growth opportunities. You can digitise your production floor and manage jobs remotely via the PrintOS mobile app, which gives you absolute control over your print operations virtually anywhere, anytime, from any device.”

Printer availability

Computaleta has fourth generation HP Latex available now.

Arlette says, “We see many companies wanting to embrace new possibilities. You can’t go wrong with a printer that delivers more of what you want: quality HP Latex results with effortless printing capabilities. These features help you go beyond sustainability.”

The HP Latex fourth generation printers include the 630, 700, and 800 series. HP compares the respective printers features in the table on the left.

Advancing sustainable printing with Computaleta and HP

Computaleta, a three-time HP Partner of the Year Award winner, offers the complete range of

Latex printers.

With four branches across New Zealand, this family-owned business has maintained an enviable reputation for outstanding service and support. Computaleta’s dedication to customer satisfaction and sustainable solutions makes it the ideal partner for companies seeking high-quality, eco-friendly printing technology.

Arlette Farland, director at Computaleta, says, “HP Latex printers represent a significant advancement in

sustainable printing technology. Their use of water-based latex inks, energy efficiency, recyclability, compatibility with sustainable media, and positive impact on indoor air quality make them a compelling choice for businesses. With eco-certifications and a reduced carbon footprint, these printers deliver high quality prints while helping companies to achieve their environmental goals.

“Our partnership with HP and its innovative Latex technology allows us to offer our customers cutting-edge solutions that meet its high standards for print quality and align with its customers’ sustainability goals. They

present an opportunity for a forwardthinking printer or sign maker to win new business as the world shifts towards more eco-conscious choices.

“Computaleta’s strong partnership with HP and its commitment to providing sustainable printing solutions position it as a key facilitator for New Zealand businesses seeking the latest in environmentally friendly printing technology. This collaboration not only benefits businesses but also supports the broader movement towards sustainability.

“For more information or a demonstration of the fourth Generation HP Latex printers, contact the friendly team at hardware@clgroup.co.nz for a live demonstration at any of Computaleta’s print showrooms in Christchurch, Wellington, Onehunga or Albany.”

Arlette Farland, director at Computaleta

Cover Story p4-7

2-4 Computaleta: Taking a deep dive into the fourth generation HP Latex wide format printers, Computaleta looks at how sustainability drives the technology.

Features p10-40

14 Currie Group: Packaging, sign and display customers will benefit from Currie Group’s new agreements with F Service Automation and Neolt Wallpaper Factory.

16-17 Epson: Events geek Morgan Thomas is making full use of more than 20 Epson Color C4010 label printers to make event registration faster and easier.

18 Konica Minolta: Eco-friendly printing solutions help Konica Minolta revise its net zero emissions goal.

20 Eamar Innovative Solutions: A new case binding/mounting machine has moved Eamar into the realm of paperfocused products.

22 Think Laterally: drupa has unleashed the power of automation with AI and smart workflows, says Mick Rowan PrintNZ p10-12

12-14 Helping Hand: Iain MacIntyre reports on The Print Room’s progress since its inception in Dunedin 10 years ago.

Wide Format Plus p23-38

24 Sydney-based Blueprint Digital has installed the first Durst eight-colour P5 TEX iSub printer in Australasia.

26 Aarque Group: Omnigraphics has installed a Durst P5 350 printer into its Auckland site.

28 NZSDA President: Shae Goom shares his impressions of this year’s NZSDA Conference and Awards of Excellence.

29 NZSDA Update: Mikayla Hopkins has all the latest from a busy NZSDA month including regional meetings.

30-43 NZSDA Awards: This year’s Awards of Excellence saw the cream of New Zealand’s sign making. We have all the winners.

44-45 NZSDA: NZSDA members had a great time at their conference, and we have the photographs to prove it.

46 Total Supply: A new deal to supply Neschen solutions and a new website will greatly benefit Total Supply customers.

48-49 News: The latest news in labels and packaging.

EDITORIAL: 021 631 559

Bruce Craig, Editor - bruce@newzealandprinter.co.nz

CONTRIBUTORS:

Shae Goom, Melissa Hopkins, Iain MacIntyre, Akanksha Meena, Mick Rowan

CIRCULATION: brian@newzealandprinter.co.nz

DISPLAY ADVERTISING SALES & SERVICE:

Brian Moore - brian@newzealandprinter.co.nz

+61 410 578 876

CLASSIFIED ADVERTISING: Brian Moore - brian@newzealandprinter.co.nz

DESIGN & PRODUCTION: Sarah Vella - sarahvelladesigns@gmail.com

New Zealand Printer is mailed to members of the printing, packaging and graphic communications industry in New Zealand 11 times a year, February-December.

New Zealand Printer is a member of the Printer Media Group

New Zealand: New Zealand Printer Asia Pacific: ProPack.pro Australia: Australian Printer, ProPrint

MANAGING DIRECTOR: James Wells - james@intermedia.com.au

GROUP PUBLISHER: Brian Moore - brian@newzealandprinter.co.nz

organised by the Label Academy on digital embellishment and self-adhesive materials. www.labelexpo-americas.com

Wayzgoose

Wayzgoose 2022

September 17, 2022

Napier

Connect 2024

APPEX and Auspack

August 20-22, 2024 | Las Vegas, USA

MIS and workflow specialist

www.inkianapress.co.nz

Foodtech Packtech

Labels

September 20-22, 2022

NZ PRINTER CALENDAR & DIRECTORY

Auckland

NZ PRINTER CALENDAR & DIRECTORY

Foil Stamping

Labelexpo Americas

Embossing

March 12-15, 2024 | Melbourne Convention and Exhibition Centre

September 13-15, 2022

Chicago, USA

The Association of Handcraft Printers has a full day programme including visits to Havelock Neighbour’s Press in Hastings; a swap meet; as well as a barbecue dinner at the Napier RSA. This is a must attend event for all interested in letterpress and the craft. www.inkianapress.co.nz

The Association of Handcraft Printers has a full day programme including visits to Imprimo in Havelock North and Neighbour’s Press in Hastings; a swap meet; as well as a barbecue dinner at the Napier RSA. This is a must attend event for all interested in letterpress and the craft. www.inkianapress.co.nz

People in Print Awards

www.foodtech.packtech.co.nz

The country’s largest food manufacturing, packaging and processing technology trade show brings industry professionals and decision makers together providing a forum for education, discussion, as well as sharing knowledge and expertise.

All in Print China

eProductivity Software’s (ePS) annual user conference, Connect, will return to Las Vegas in August 2024 but has moved from the Wynn to another popular hotel on the strip, The Venetian. The event welcomes industry leaders, business owners, and technology users. Delegates will learn how to optimise their technology investments, drive profits, network with peers, exchange ideas, and hear from industry experts and partners. www.epssw.com

October 11-15, 2022

Shanghai

Die Cutting Creasing

Auspack has transitioned into APPEX, the Australasian Processing and Packaging Expo. Organisers aim to truly represent all sectors of the industry: machinery, ancillary equipment, materials and packaging, food processing, and industry services. It will provide a comprehensive range of all processing and packaging equipment and services under one roof. www.appex.com.au

Printing United

Foodtech Packtech

March, 2023 | Auckland

Foodtech Packtech

Apart from the latest technology and solutions, Labelexpo Americas this year features a full two-day conference programme and two masterclasses organised by the Label Academy on digital embellishment and self-adhesive materials. www.labelexpo-americas.com

September 20-22, 2022

September 10-12, 2024 | Las Vegas, USA

Auckland

Wayzgoose 2022

www.newzealandprinter.co.nz

Fespa Global Print Expo

Labelexpo Americas 2024

September 10-12, 2024 | Chicago, USA

March 19-22, 2024 | Amsterdam

September 17, 2022

NZ PRINTER DIRECTORY &

Nominations will soon open for the People in Print Awards and Rising Stars of Print Awards. Do you know someone who is consistently achieving excellence in their work in this industry? Of course you do, so when the time comes, put their name forward for these awards so they can receive recognition for their efforts.

Highlighting the latest innovations and applications in specialised printing, the event attracts thousands of visitors from across the printing industry, serving as an exhibition and as a knowledge hub, where experts share their expertise and stimulate discussions about the future of the industry. www.printingunited.com

Napier

More than 1300 exhibitors will demonstrate their solutions across the 120,000 square metres of show space at the Shanghai New International Expo Centre. Organisers expect more than 160,000 visitors from all over the globe as they open the “Oriental Window of the World Printing Industry”.

www.allinprint.com

Letterheads

4A/157 Stoddard Road, Mount Roskill, Auckland 1041.

All Print

All in Print China

Going head-to-head with Printing United, America’s biggest label show promises something for everyone interested in labels including printers and label converters; flexible packaging and folding carton producers; brand owners; label and packaging designers; as well as industry suppliers. www.labelexpo-americas.com

October 21-23, 2022

Covering digital printing, screen printing, textile printing, garment decoration and signage, Fespa Global Print Expo will mix all the latest technology and solutions with events like the World Wrap Masters and Fespa Party Night alongside features such as its Sustainability Spotlight; Personalisation Experience, and Sportswear Pro.

October 11-15, 2022

www.fespaglobalprintexpo.com

Shanghai

Tokyo Pack 2024

Printopia

October 23-25, 2024 | Tokyo Big Sight, Japan

May 3-5, 2024 | Corbans Estate, Henderson

Sign Foundry, Welling

Foodtech Packtech

Craig Paul 027 655 4267

September 20-22, 2022

Craig Paul 027 655 4267 sales@curriegroup.co.nz

Auckland

Registration opens in July for the 30th Anniversary show, which organisers call “the ultimate event for Japanese packaging technology and science including distribution, sales, consumption, and recycling. www.tokyo-pack.jp

Now into its third year, the Printopia Festival of Original Print promises a fun, inspiring, print-filled weekend of artist talks, demos, workshops, live printing and of course our print fair. International artist Jenny Robinson will give the keynote presentation on May 4 and a masterclass the following day. www.printopia.nz

Labelexpo South China 2024

drupa

December 4-6, 2024 | Shenzen, China

May 28-June 7, 2024 | Dusseldorf, Germany

The call has gone out for all signees to grab their brushes and head to Lower Hutt for the annual Letterheads event. This year’s theme is ‘Red and Blue’. Your hosts this year are Lydia Reeve and Duncan Rourke.

www.letterheads.co.nz

Interpack

May 4-10, 2023

Düsseldorf, Germany

www.foodtech.packtech.co.nz

Letterheads

• Consulting and Machine Recommendations Sourcing

October 21-23, 2022

All in Print China

• Export/Import Sales

The world’s leading trade fair for printing technologies has opened registrations to again welcome the industry’s main players, and quite a few minor ones. All will show their latest solutions. Visitors can stay on trend with the technology and seminars featuring topics from sustainability to digitisation. www.drupa.com

Sign Foundry, Welling

South China remains a significant market for the label and package printing industry and Shenzhen is a vibrant hub for business and innovation. Organisers promise visitors an inspiring three days where they will see the latest technology and machinery shaping the future direction of the industry. www.labelexpo-southchina.com

PacPrint 2025

Visual Impact Brisbane Expo

May 20-23, 2025 | Olympic Park, Sydney

July 17-19, 2023 | Brisbane

• Machinery Inspections & Valuations

October 11-15, 2022

Shanghai

• Plant Relocation OFFICE: 09 8367577, ALEX MOB. 021 975 477 sales@apm.co.nz www.apm.co.nz

The global packaging industry will meet in Düsseldorf with a focus on packaging materials, packaging machines and related process technology for the food, beverage, confectionery, bakery, pharmaceutical, cosmetics, non-food and industrial goods sectors.

www.interpack.com

www.pacprint.com.au

Visual Connections Australia will host visitors and exhibitors at the Brisbane Convention and Exhibition Centre. The Exhibition hopes to attract over 2,500 visitors interested in the signage, print, graphic and engraving industries and featuring digital printing, personalisation, signage, sublimation, design, routing, display solutions, and vinyl applications. www.visualimpact.org.au

The most comprehensive and relevant business to business event serving the evolving needs of the print, sign and graphics industries in Australia, New Zealand and across the Asia-Pacific region, PacPrint will see around one hundred leading suppliers showcasing their latest products and services to thousands of industry professionals.

Interpack

newzealandprinter.co.nz

May 4-10, 2023

Printing United

Düsseldorf, Germany

Las Vegas, USA | September 10-12, 2024

Letterheads

October 21-23, 2022

Sign Foundry, Welling

Showcasing the latest innovations and applications in specialised printing, the event attracts thousands of visitors from across the printing industry, serving as an exhibition and as a knowledge hub, where experts share their expertise and stimulate discussions about the future of the industry. www.printingunited.com

Craig Paul 027 655 4267 sales@curriegroup.co.nz

www.letterheads.co.nz

newzealandprinter.co.nz

Interpack

May 4-10, 2023

Düsseldorf, Germany

Napier

IN BRIEF

A B GRAPHIC

INTERNATIONAL (ABG) has announced the appointment of Simon Nadin as its new chief executive officer designate, taking over from Richard Knight by the end of the year in a structured transition. Nadin says, “I am committed to preserving ABG’s values, strategic direction and strong teamwork ethic which is very much part and parcel of ABG culture.” ABG’s entire portfolio is available in New Zealand and Australia through regional distributor Currie Group.

DURST GROUP has announced the 1000th customer installation of its Durst Workflow software, marking a doubling of the customer base since 2022. The solution is compatible with a wide range of printing machinery within diverse segments. Matt Ashman, managing director of Durst Oceania, says, “Business needs robust equipment and equally robust and integrated solutions. This was the aim when Durst Software Solutions was established. Today the portfolio is at the cutting edge of software development and design.”

INTERGRAF has released a research review titled “Comparing Print and Digital Media”, offering an in-depth analysis of sustainability, efficiency, and perceptions surrounding print and digital communication tools. The research synthesises insights from over 75 studies, focusing on four themes: sustainability, reading, marketing, and the digital divide. The resource for understanding the nuanced roles of different media in contemporary communication is available for download via the Intergraf website – www.intergraf.eu

Rollem Pinnacle Award cause for Graph-Pak celebration

Graph-Pak managing director

Tom Ralph is celebrating the global award presented to Rollem for its Insignia die-cutters.

As the local representative for Rollem, Ralph says he feels proud of the Printing United Alliance 2024 Pinnacle Award for Die-Cutting Equipment. He explains, “Rollem Insignia

Skyfire SF600 inkjet printhead arrives

Fujifilm Dimatix has announced its new Skyfire SF600 inkjet printhead, which uses Fujifilm Dimatix’ proprietary piezoelectric inkjet technology based on its silicon micro electro-mechanical systems fabrication techniques. The company says this new printhead reflects its ongoing commitment to the transition from analogue to digital inkjet printing and exploration of emerging markets and applications.

Steve Billow, president and chief executive officer at Fujifilm Dimatix, says, “Our

rotary die cutters continue to rival heavy flatbed die cutters.

“My customers tell me it’s simply technology that can’t be ignored, productivity and automation combined with the simplest of setups that take only minutes. Anyone that would like more information about the Rollem Insignia diecutters should give me a call.”

Susan Corwin, director of marketing at Printing United, says, “Our team is

customers require printheads that can withstand a wide variety of inks and print at high speeds while offering high quality and durability.

“The design features of the Fujifilm Dimatix Skyfire SF600 underscore the company’s continued commitment to innovation, and provide reliable, high-quality sustained printing to enhance productivity in a wide range of demanding applications.”

The Fujifilm Dimatix Skyfire SF600 printhead is the next generation product in the company’s portfolio. It delivers 600dpi resolution with drop size range of 5-25pL and nozzle layout that enables high throw distance to meet a broad range of applications. For consistent output, its makers have equipped the Fujifilm Dimatix Skyfire SF600 with an integrated trimming heater

honoured to receive another award acknowledging the significant benefits the Insignia Series Die-Cutters bring to the marketplace. Its well-thought-out design, and unique features paired with an affordable price point give printers and MSPs the ability to enter the growing market of folding cartons and packaging.”

Open to all Printing United Alliance supplier members, the Pinnacle Product Award competition evaluates products available for sale in 2024. A panel of judges across the printing industry evaluated more than 160 entries in more than 58 categories spanning analogue, digital, output, and nonoutput technologies.

and temperature sensor. It also offers Redijet coating for optimal use of aqueous and UV inks. In addition, it provides top and tail alignment for compact integration and improved printhead to printhead accuracy.

The Fujifilm Dimatix Skyfire SF600 printhead incorporates high speed jet design, with Redijet elements including noise dampening technology and dual recirculation for reliable jetting at high speeds.

The printhead can jet 11 grams of ink per square metre per colour at over 130 metres per minute with four levels of grayscale. The Fujifilm Dimatix Skyfire SF600 printhead can jet a range of aqueous solvent, oil and UV curable types common in large single-pass and scanning printing systems.

From left: Daniel Corwin, Rollem with Tom Ralph and Anthony Arcuri, Graph-Pak

Durst appoints Mantel as Oceania sales manager

Durst has confirmed the appointment of a sales manager to its team responsible for the Australasian market. It has promoted Dan Mantel from business development manager to the position of sales manager for Durst Oceania.

Matt Ashman, managing director of Durst Oceania, says, “Dan will be looking after wide format and textiles as well as continuing in his technical role in the labels and flexible space

“He will continue to oversee the

FBNZ unveils new digital print workflow solution

Fujifilm Business Innovation New Zealand (FBNZ) has announced a new digital print workflow automation solution: Revoria XMF PressReady.

Described as a simple yet flexible solution, Revoria XMF PressReady handles print jobs from various inputs such as web-to-print, print management information systems (MIS), and customer-supplied PDF files. Its designers say the solution manages the various job requests tied to the respective digital presses with speed and precision.

FBNZ says that the new solution automates processes and streamlines production, saving valuable time and minimising errors.

New printhead factory answers global demand

Epson has announced construction of a multi-million-dollar factory for inkjet printhead production.

The company held a groundbreaking ceremony at Tohoku Epson Corporation, a Group company of Seiko Epson. Construction begins this month with completion due in September 2025. Epson expects the investment in the new facility to approximately quadruple Tohoku Epson’s current printhead production capacity.

Epson’s printing solutions business provides products and services based on

implementation of the Vanguard rollout in Australia as well in his role as technical lead.

Mantel, a qualified label printer, also has a background in letterpress,

The company adds that increasing demands for customisation, shorter runs, and faster turnaround time for smaller print jobs mean that print businesses need workflow solutions that keep up with such dynamic requirements. FBNZ sees a pressing need for solutions to enable process automation to streamline production and increase work efficiency.

The company lists the solution’s benefits to print companies:

• Intelligent Process Automation –Revoria XMF PressReady enables automation of labour intensive and repetitive tasks by presetting repress processes with pre-defined conditions. This allows press operators to concentrate on other crucial aspects of the production process. FBNZ says this results in increased efficiency and reduced manual intervention. Tailoring the software to suit the specific operations of each customer allows for flexible and swift handling of multiple products, small print runs, and quick

original Micro Piezo inkjet technology to customers in the office, home, commercial and industrial markets.

The company expects to see sustained global demand for inkjet printers based on current growth in high-speed units for the office and on continued demand for high-capacity ink tank printers for the home and office. It sees demand for commercial and industrial inkjet printers increasing along with a technology shift from analogue to digital in sectors where the printing media is not paper, such as digital textile printing.

Many commercial and industrial inkjet printers use PrecisionCore MicroTFP printheads. These printheads can be flexibly adapted for different applications by assembling MicroTFP print chips in various combinations.

flexographic and conversion. When he joined Durst Oceania, he said, “I had my apprenticeship lined up straight out of high school in 1999 and I didn’t want to do anything different, printing is in the blood. I noticed the UV technology was coming through and I followed that as I moved into wide format and digital printing.

“I am a very technical person – so I love UV inkjet and from there I moved into an operational management role at AFI Branding in 2014, a role that saw me overseeing all of production from print to pre-press to fabrication to dispatch.

Ashman adds, “Dan is a true asset to the business and has proved himself to have strong knowledge of all printing systems within the Durst portfolio and I can see him going far within our company.”

turnaround times.

• Centralised printer and job management – Operators using Revoria XMF PressReady can manage both job requests and printers’ status on a unified platform. It facilitates real time monitoring of a job’s status so print companies can make the most of print job management efficiencies. Additionally, by centralising the oversight of each printer, companies need fewer operator visits and checks individual devices, improving overall work efficiency.

• Hybrid digital and offset – Revoria XMF PressReady integrates with the Fujifilm Workflow XMF systems so print businesses can effectively manage both offset and digital print production within one workflow.

• Easy integration – Together with the Revoria Flow Print Server, Revoria XMF PressReady offers a powerful platform to automate the flow of print jobs from order intake to final printed product.

Epson expects further growth in the use of PrecisionCore printheads in commercial and industrial printers as well as in inkjet multifunction printers with high-speed lineheads.

Epson is strengthening its printhead sales business to accelerate inkjet innovation and expand the applications for digital printing, which has a far lower environmental impact than conventional printing.

With an ever-expanding range of printing applications as well as emerging needs in areas such as electronics and bioprinting. Epson is looking to collaborate with partners with new ideas and technologies. Through such open innovation, Epson are seeking to expand the possibilities of PrecisionCore technology.

Matt Ashman (l) and Dan Mantel of Durst Oceania

The Print Room celebrates 10 years in the industry

Milestone year for Dunedin print firm sees continued expansion.

In May, Dunedin screen printing and embroidery firm The Print Room celebrated its 10th year in business by announcing plans to develop a purpose-built, 1200 square metre factory within the next two years.

Having also recently expanded beyond the ground floor of its current Grosvenor Street, Kensington, office to additionally lease the building’s first floor, the company is positively eyeing further growth.

Jon Thom, The Print Room co-owner, says, “When my childhood friend and step cousin Chris Brun and I established The

Print Room, there was just the two of us. Since then, we have grown our team to 16 employees.

“We began our journey with a manual screenprinting machine we created and now operate out of a state of the art production facility.

“The 10-year anniversary is a significant milestone, highlighting our journey from a small startup to a recognised name in the printing industry. This celebration reflects our commitment to our roots and appreciation for the support from our community.”

Creation and innovation

The Print Room offers a range of services including screen printing, embroidery, heat pressing, laser engraving and promotional products.

He says, “We are creators, innovators, and champions of sustainable and exceptional

merchandise. Our goal is to bring brands to life through beautifully-crafted products that are desirable, enduring and don’t cost the environment.

“One of our significant points of difference is in our use of sustainable, water-based inks, which we import from the United Kingdom. This eco-friendly approach sets us apart and underscores our commitment to sustainability.

“We believe our growth has also been driven by building a reputation as a reliable partner for other businesses. It is rewarding to take a client’s rough concepts and then produce and ship it out as a physical product into the world, sometimes within a single day.”

He emphasises the team contribution to the firm’s success, noting that many in the company have design or fine arts backgrounds. He says, “That runs throughout the entire business, whether that is in the office or production. This

IAIN MACINTYRE

The Print Room co-owners Jon Thom (l) and Chris Brun

in-house skill, ability and creativity means we can create artwork for clients, or we’ve got a group of talented designers in our network to bring ideas to life.

“Amazing artwork sells tees and has been at the heart of our success to date. We know the better the artwork, the more successful the final outcome of a campaign or product. We take great care in delivering artwork to ‘spec’ and how the designer has designed it.”

One of the multi-award-winning firm’s most impressive projects was the ‘Curve Crusher’ t-shirts produced during the Covid-19 pandemic. Featuring a portrait of Dr Ashley Bloomfield, this initiative raised $145,000 for the Women’s Refuge and gained national recognition. Other notable successes include working with Cardrona ski field, Speight’s brewery, and national events like Rhythm & Vines.

Expansion and technology

The business primarily serves the domestic market, with clients including the University of Otago and Hydro Surf, as well as national brands such as Auckland and Wellington zoos and the Mental Health Foundation.

Jon says, “We collaborate with clients from throughout New Zealand, predominantly within the hospitality, retail, education, and tourism industries.

“While our focus is mainly on New Zealand, over the past year or so, on the back of our travels, we have begun to work with clients who are operating throughout the world and linking up with the network of printers we’ve met to roll out ‘merch’ for clients across different regions.”

He sees the value of staying up to date with the latest technology and integrating it into the company’s workflow. He says, “This is a crucial factor in The Print Room’s evolution and growth. We have recently integrated new laser cutting equipment, but we also balance this with traditional processes. Our initial success with a manual screenprinting machine exemplifies how we blend innovation with time-tested techniques.

“We have always strongly focused on technology and how we can use it to make the world smaller. We had a website from day dot, and that could process online orders. Not many other printers had ecommerce stores and we saw that this was a way that we could have a point of difference in the market.

“These capabilities have enabled the business to operate nimbly, particularly during the Covid-19 pandemic. We could

switch from business-to-business to going business-to-consumer. In doing so, we shifted from running bulk orders to a model of fulfilling individual orders of bulk screen-printed products.

“Over that period, we learned a lot about logistics and the fulfilment of products that inform our operations now.

“As we’ve grown our business, we have also grown our ability to tailor our service offering to meet the requirements of larger clients, such as running the backend of their online stores or using online stores to run pre-orders for uniforms. This has been an essential requirement for clients with many staff or who manage national franchises for brand consistency or for making ordering easy for their many staff.”

Environmental stewardship

A strong commitment to sustainability, innovation, and quality works as a fundamental driver for how the Print Room operates. Jon explains, “Using water-based inks and focusing on ecofriendly practices are central to our business. We also emphasise training and development to ensure our team remains skilled and up to date with industry advancements.

“Our organic growth strategy has allowed us to adapt sustainably to new opportunities and challenges.”

The Print Room’s alliance with One Tree Planted demonstrates the company’s commitment to sustainability. The alliance includes a pledge that the business will plant 10 trees for every order received over $500 plus GST.

Jon says, “This pledge has blossomed into almost 20,000 trees and this number is anything but static. With every print order, the count shoots up.

“For us, it is more than the aesthetics of a leafy horizon. These trees are the earth’s green lungs, gulping down carbon dioxide and exhaling that sweet, life-nurturing oxygen. They are a refuge for native wildlife and an essential cover for the lands against erosion.

“We want to seed the idea of environmental stewardship. Customers who place orders with us get more than just a top-notch product. They are generating a tiny green ripple that joins a growing wave of eco-conscious actions.

“The alliance between The Print Room and One Tree Planted is an ode to the fact that when businesses and environmental champions join forces, they can write leafy legacies.

Another point of difference: The Print Room uses sustainable, water-based inks

How to sell tees: The Print Room has the in-house skill, ability, and creativity to create amazing artwork for its clients

The Print Room has celebrated 10 years as a successful business in the industry

“In 2022, One Tree Planted ran a schoolcentric project with 217 schools across Tāmaki Makaurau (Auckland) to grow and plant 84,083 native trees, restoring 15.8 hectares of land.

“Projects like these have huge community benefits as they bring together teachers, parents, whānau and community groups to plant trees alongside the Tamariki and learn about the local environment and how to protect these areas.

“The Print Room is stoked to be able to support incredible projects like these in our country that not only help to restore and protect our environment but also teach the next generation.”

True to their roots

Turning thoughts to the wider print industry, Jon describes the sector as constantly evolving, including through technological advancement. He sees The

Print Room’s continual growth as part of the industry’s ongoing evolution. He says, “We take pride in our ability to adapt and innovate, ensuring high-quality outputs and sustainable practices.

Challenges such as maintaining ecofriendly operations and meeting diverse client needs are opportunities for us to grow and differentiate ourselves.

“We have been on numerous overseas trips to visit other shops, suppliers, or factories to upskill our team and improve our service offering. In July last year we did a trip throughout the East Coast of the United States to visit a number of shops and gain an understanding of the industry over there.”

He hopes The Print Room’s success may also serve to assist others in the industry. He says, “Emphasising sustainability, investing in technology, and maintaining high-quality standards are crucial.

Building a reliable reputation has helped us attract and retain clients.

“Staying true to our roots and values, especially our commitment to Dunedin, has also been a key factor in our identity and success.”

Looking ahead, the team at The Print Room feels excited about the move into the larger and predominantly solarpowered Kaikorai Valley premises. Jon says, “This move will enable further growth and enhance our production capabilities. The potential for solarpowered operations aligns with our commitment to sustainability.

“We set out to be the best print shop in Dunedin; then it was Otago; then it was the South Island, and then it was New Zealand. Now we are striving to achieve world class. Our future looks bright, with continued expansion and innovation guiding our path.”

From humble beginnings, The Print Room has expanded its screenprinting capabilities as the company has grown

<< The Print Room produces a wide range of printed products

The Print Room invests in the latest technology to produce its outstanding products

CURRIE GROUP NEWS

Currie Group announces two important new partnerships

Packaging, sign and display customers are set to benefit from Currie Group’s new agreements with F Service Automation and Neolt Wallpaper Factory.

Major industry supplier Currie Group has announced two significant new partnerships that will further expand the company’s already impressive portfolio of solutions.

In the first one announced at drupa, Currie Group has signed an exclusive distribution agreement with F Service Automation for Colibri and Phoenix glue plotters.

Meanwhile, at the recent Visual Impact Brisbane show, Currie Group announced a new partnership with Italian finishing manufacturer Neolt Factory for the supply of a range of loading, unloading and finishing systems for the Canon Colorado M-Series printer range.

Packaging automation

Currie Group’s exclusive distribution agreement with F Service Automation for Colibri and Phoenix glue plotters will have immediate impact for customers needing greater automation for their point of sale and packaging solutions.

There are three products in the range: the Colibri 140 (1400mm x 850mm);

the Colibri 200 (2000mm x 1000mm); and the Phoenix (2700mm x 1750mm)

Paul Whitehead, business unit manager – Sign and Display at Currie Group, says, “This is a logical extension to our recent announcement with Elitron cutting systems. We are getting more into the automated and short run corrugated work through our sign and display products.

“This is the first time Currie Group has had a gluing solution in this packaging space and continues to expand our offering in the sign and display category. This solution will suit sign and display companies that are getting more into packaging. We are seeing customers move to corrugate with short run and point of sale products in the retail space and this is a perfect fit for these businesses.”

F Service Automation, a family business based in Tuscany, has manufactured glue plotters since 2000. It has installed 270 machines globally.

Mark Daws, director – Labels and Packaging ANZ at Currie Group, says, “This expands and enhances our solutions

in the packaging industry. If you think about short run packaging, you normally have to apply the glue manually. With these machines, you have less waste and less set up, allowing you to automate the process with less manual intervention.”

Wallpaper solutions

The Neolt Wallpaper Factory solutions include ‘jumbo roll in – jumbo roll out’ systems which increase the capacity for long run lengths of products like wallpaper without need for operator intervention, and jumbo roll-tocut solutions which allow rolls to be converted automatically straight off the printer.

Paul says the Neolt Wallpaper Factory will deliver huge advantages, particularly for businesses doing large runs of wallpapers or similar products, or multiple smaller runs of wallpapers or trimmings that require post-production finishing.

He explains, “The benefits of automation are well established. Higher productivity is an obvious advantage, but importantly this can be achieved more profitably and while maximising the value of your staff resources, by removing touchpoints in the production process and making the entire, end-to-end process simpler and more streamlined.

“The Neolt systems will allow Canon Colorado M-Series users to lift their productivity with no additional labour requirement, by fully utilising the automated features of the printers and enabling longer, unattended production runs as well as in-line converting.

“This is a particular advantage for businesses in markets like Australia and New Zealand where qualified staff are in short supply, and wages running at a premium.”

Under the new agreement, Currie Group is the exclusive agent for the Neolt Wallpaper Factory product suite across New Zealand and in Australia, where the company also supplies the Canon Colorado and Canon Arizona printer ranges.

Marcus Robinson (l) and Paul Whitehead from Currie Group

LABELS & EVENTS

Epson ColorWorks C4010: just the ticket for On-Site event registration

Innovative approach boosts event registration

Print continues to play a significant role in events, from signage to pop up displays and brochures to booklets. Recently, a New Zealand company has taken another event must have, the registration name tag, to a new level, using a mix of software and the Epson ColorWorks C4010 colour label printer.

In 2022, Morgan Thomas founded his company, On-Site, after he saw the opportunity to create a more efficient event registration and check-in system.

His company has put an end to the days of attendees queuing around large registration desks, and organisers employing additional staff to print badges that display incorrect names and details. On-Site offers a user-friendly self-service check-in solution that makes event registration quick, accurate, and painless.

The former global head of events for Datacom has 20 years’ experience in the event industry. He says, “Like others in the industry, I was sending work away to

have labels and name tags made, and I saw a gap in the market for what was available.

“We already had the software solution, but we needed a hardware solution to match it. We looked for a compact, high quality printing system and we found the Epson ColorWorks C4010, which we now have integrating with about 14 software solutions. That is 95 per cent of our identity badge delivery. We also have some old school thermals.

“Our first printer arrived in August 2022, the first one to arrive in New Zealand. We deal directly with Sektor, an Epson distributor, which has been amazing. Dirk Spoelstra at Sektor takes good care of us. As far as instructions on learning how to operate the printers, Sektor went above and beyond. The team there always ensures stock is where we need it within 24 hours. Sektor has been a big help in our business.

“For identity badge printing at events, we have a mix of four issues: size, weight, durability, and print quality.

The Epson ColorWorks C4010 fulfils all our requirements.

“Right now, we have over 20 Epson ColorWorks C4010 printers that we move all around the world. They need to be tough and lightweight. Although we send the machines to sites out of New Zealand, we don’t have to be there; we do all the maintenance and updates remotely.

One of the great things with the Epson ColorWorks C4010 printers is how we can run them 24/7.”

Quality and reliability

Epson says the ColorWorks C4010 printer’s PrecisionCore TFP printhead technology delivers ultra-sharp text and precise barcodes. It produces varying droplet sizes that, coupled with a 1200dpi x 1200dpi resolution, can produce a huge gamut of vibrant, accurate colours, smooth gradations and fine image details. This enables On-Site to produce complex informational labels or high-quality product labels.

Morgan Thomas, founder and owner of On-Site

The Epson ColorWorks C4010 delivers high quality labels

On-Site has put an end to the days of event attendees queuing around large registration desks

LABELS & EVENTS

Morgan says, “In terms of print quality, it produces a photo-realistic print for our identity badges. We also provide the freedom to reprint and adjust as required. This type of bespoke delivery places a focus on ease of use for the event attendee. We can supply biodegradable paper stock, synthetic roll stock, adhesive label and sticker stock, as well as wrist bands.

“The machine is so feature-rich. It has allowed us to scale the business and to deliver the equipment without our staff at the event. For our customers, the delivery makes sense cost-wise; they don’t need four to six staff handing the name badges. For an event of up to 2000 attendees, they only need only one staff member. For larger events, we can scale up without too much issue and where requested, we can deploy one of our staff, but most customers can do it themselves.”

Expansion ahead

After two years, On-Site can look forward to continued growth with 100 events already booked for this year. Morgan says, “We were the first to truly fill the gap in the market and we have already expanded the business into the digital side, covering pre-registration right through to onsite deployment.

“As we continue to scale up, the biggest challenge is financial planning and forecasting. A lot of enquiries arrive six to eight weeks before an event. Managing freight, logistics and planning is the biggest hassle.

“Since the Covid-19 pandemic, things have changed in relation to time frames. They have become shorter, and that trend is continuing. The latest industry insights show 48 per cent of registration happens in the last four weeks and 24 per cent in the last week. To reduce that stress, using our services, we can create a name tag in under a minute. Most of the time, event attendees have the registration forms on their mobile devices, so they only have to hit the submit button to print the badge.

“Once an attendee has gone through their registration, we have many add-ons such as access control scanning and event Apps. We are avoiding facial recognition, instead tracking badges as they walk through control points. The AI technology coming through offers interesting opportunities for us.”

He advises that anyone looking to startup and grow a similar business would need back-end knowledge. He explains, “It is essential that you possess that wealth

of knowledge because you will need to integrate all the software, the hardware, and the management.

“I absolutely love my job and I know how lucky I am. As an event geek, you get to learn every facet of the business, but there is a reason that event manager is always in the top 10 of most stressful jobs. In any other workplace if you can’t meet your deadline, you can push it out, but you can’t do that with an event.”

Gain high print quality and durability from the Epson ColorWorks C4010

The Epson ColorWorks C4010 offers a range of innovative features in a compact and easily transportable chassis. Epson lists the printer’s key features:

• Reliability from Epson’s legacy of engineering solutions for demanding applications; backed by industry leading service and support.

• Exceptional image quality delivers crisp photo-quality images; up to 1200dpi resolution with variable droplet sizes.

• Seamless integration sees it compatible with ZPL II, major middleware, SAP, Windows, Mac and Linux.

• Compact, robust design includes dust and water-resistance for high-duty-cycle environments, making it ideal for commercial use and smaller workspaces.

• Wi-Fi connectivity option enables printing from compatible devices.

• Low cost in comparison with existing thermal transfer printers.

• Durable, high-quality labels that meet BS-5609 certification.

• Remote printer management so you can manage large fleets over the network.

• Enhanced productivity eliminates the need to preprint with speeds up to 100mm per second giving a fast time to first label.

• Easy to operate, it features colour LCD screen; automatic nozzle verification technology; Windows driver; fast media; and ink loading.

On-Site can run its Epson ColorWorks C4010 printers non-stop

Andre Van Duiven (l), chief technology officer with Rhys Warren, chief executive from Sektor

Konica Minolta leads the charge for sustainability

Eco-friendly printing solutions help Konica Minolta revise its net zero emissions goal.

As environmental awareness increases across the world, Konica Minolta has emerged as a leader in promoting sustainability. Within the printing industry, the company has embraced eco-friendly practices, reshaping printing technology to prioritise responsible production and consumption.

At the core of Konica Minolta’s environmental initiatives lies its ambitious ‘Eco Vision 2050’. Originally aiming for an 80 per cent reduction in carbon dioxide emissions, the company has since revised its goal to achieve net zero emissions for the entire product life cycle by 2050.

Chris O’Hara, national production print manager at Konica Minolta New Zealand, says the net zero target reflects Konica Minolta’s recognition of the importance of addressing climate change and minimising its ecological footprint. He says, “A key strategy in Konica Minolta’s sustainability efforts is the promotion of digital printing over traditional analogue methods in commercial printing. Unlike analogue printing, which relies on various consumables such as printing plates, blankets, rollers, fountain solutions, and cleaning chemicals, digital printing eliminates the need for these components.

“Printing plates, typically made of metal like aluminium, and printing blankets, made of rubber, are integral parts of analogue printing processes. The production of these materials often involves resource-intensive processes, including mining metals or producing rubber through petrochemicals, contributing to environmental degradation and carbon dioxide emissions.

“Additionally, analogue printing requires significant water consumption for

washing up these components after each use. By transitioning to digital printing, Konica Minolta reduces its environmental footprint by minimising the use of these materials and resources, thereby promoting a more sustainable and ecofriendly approach to printing.

Successful recycling

Konica Minolta encourages a range of initiatives to make its products and processes more sustainable. Chris says, “The KM-1e Inkjet technology, which Ingede has certified for de-inking, ensures that ink can be efficiently removed from the paper, facilitating the recycling process and contributing to resource conservation.

Chris says, “The KM-1e emits no volatile organic compounds (VOC), setting it apart from other digital B2 platforms. This not only enhances environmental friendliness but also makes it compliant with stringent regulations. Additionally, the KM-1e’s adherence to emission standards makes it suitable for industries with strict regulations such as food safety (certified by FDA) and toy manufacturing, further demonstrating Konica Minolta’s commitment to sustainability and safety.

“The AccurioJet KM-1e offers several environmental advantages over traditional offset printing methods. By streamlining the production process and minimising paper waste, this innovative technology helps reduce carbon dioxide emissions and conserve resources. Moreover, Konica Minolta’s proprietary HS UV ink ensures a clean working environment by emitting no Volatile Organic Compounds (VOCs), promoting employee health and well-being.”

In addition to its technological innovations, Konica Minolta actively

collaborates with its customers and suppliers to promote sustainability throughout the printing supply chain. By sharing knowledge and best practices, the company empowers others to adopt eco-friendly solutions and reduce their environmental footprint.

Chris sums up the core insights:

• Konica Minolta’s ECO vision target has been revised to achieve 100 per cent emissions reduction by 2050.

• The AccurioJet KM-1e receives the highest rating from JFPI for its ecofriendly attributes.

• Konica Minolta’s HS UV ink minimises waste and emits no VOCs, contributing to a cleaner environment.

He adds that the environmental benefits of the AccurioJet KM-1e serve as an example of Konica Minolta’s ongoing efforts to create a more sustainable future for the industry. He says, “By advancing traditional digital technologies, it can reduce carbon dioxide emissions by up to 80 per cent compared to other UV ink press technologies. We can’t emphasise too much the importance of sustainable printing solutions in meeting customer demands and driving business growth.”

The need to prioritise environmental responsibility sits well with Konica Minolta’s stated sustainability goals. Chris says, “Konica Minolta remains at the forefront, pioneering innovative solutions for a greener future.

This commitment to sustainability sets a precedent for the printing industry, demonstrating that eco-friendly practices can lead to both environmental preservation and business success.”

Konica Minolta has embraced eco-friendly practices

Chris O’Hara, national production print manager at Konica Minolta New Zealand

BEYOND EVOLUTION

More profitable business through a press that works smarter, not harder, with the AccurioPress C7100 series. You serve more customers and complete more jobs with innovative technologies that power your success. Find out more at k konicaminolta.co.nz/C7100

Eamar Innovative Solutions expands print finishing horizons

With a new case binding/mounting machine up and running at Eamar Innovative Solutions, the company has moved into the realm of paper-focused products.

Since its inception more than 30 years ago, Eamar Innovative Solutions has established and maintained an unparalleled reputation in the industry for its expertise in manufacturing custom ring binders, clear pockets, and other specialised items crafted from polypropylene, PVC, and cardboard.

Recently, Eamar acquired Kurtovich Stationery from Finely Finished, marking a significant expansion into the realm of paper-focused products.

This year, Kurtovich Stationery celebrates its 40th anniversary. It boasts a loyal customer base and a renowned collection of photo albums, notebooks, and diaries. It is the latter that prompted Eamar’s latest strategic move: the acquisition of a new case binding/mounting machine.

Nicola McIntyre, director of Eamar, says, “The inclusion of Kurtovich Stationery brings a diverse range of paper products into our wheelhouse. Kevin’s business is only a little older than ours. It also focused on keeping manufacturing in New Zealand, so we both treasure the legacy and experience that brings.

“With the growing demand for case-bound diaries and ring binders, having this capability in-house enhances our ability to streamline production timelines, minimise manual gluing processes, and boost overall operational efficiency.”

In March, Eamar unveiled the new machine to its dedicated team, pausing

operations to inspect and enquire about its capabilities. The company had recently hired a new staff member to operate the case binding/mounting machine Nicola explains, “We have always cross trained our team members. They are a really great mix of talented people; some have been with us from the start. Having an experienced case binding and mounting team member will allow us to iron out the kinks and get the machine humming, with the idea to teach others when time allows.”

The company has already used the new machine on reorders for the Canopy Care project, which received a Highly Commended Pride in Print award. The entry from last year had hand glued three substrates together.”

Expanded capabilities

Looking beyond immediate needs, Nicola emphasises the broader potential of the new equipment. She says, “Beyond diary season, we foresee numerous opportunities to expand our offerings. It is an exciting prospect for us. We are accustomed to completing bespoke projects, which allows our clients to explore different options, and us to try innovative approaches.”

The timing of the acquisition is particularly opportune, coinciding with market shifts such as the closure of Larsen & Best. Already, Eamar has already received enquiries for mounting services and additional hand-finishing work.

These capabilities are certainly welcome in the industry. Nicola says, “We can mount up to an SRA3 sized sheet, usually supplied printed and laminated by our print clients for struts.

“The most popular request is to mount a 170gsm laminated paper to a 2mm grey board, but we’re equipped to handle a variety of specifications, including duplexing.”

As Eamar continues to bolster its print finishing capabilities, the acquisition of its case binding/mounting machine stands as a testament to the company’s commitment to innovation and diversification within the industry.

With a dynamic mix of projects on the horizon, Eamar is poised for continued growth and excellence in the years ahead. Nicola concludes, “We feel excited to add the new machine to our mix of services and we look forward to showing our customers what it can do.”

Eamar has numerous applications lined up for its customers using the new machine

The Eamar team with the company’s new case binding/mounting machine

THINK LATERALLY

AI and smart workflows herald a technology-driven future

drupa 2024 has unleashed the power of automation

During drupa 2024, the printing industry got an exhilarating preview of its tech-driven future on the showroom floors. Immersive displays and live robotics demonstrations provided a tantalising glimpse of the highly automated, AI-powered print manufacturing operations that leading players are aggressively bringing to life.

Major exhibitors like Heidelberg, Komori, HP, Canon and Bobst captured attendees’ imaginations with their visions of intelligent, self-optimising production lines seamlessly integrating the digital and physical worlds. Legacy offset and digital press manufacturers were joined by bold innovators showcasing flexible new approaches integrating conventional and digital technologies.

However, the true showstoppers were the robotics zones simulating the future lights-out automated factory. Automated guided vehicles zipped across floors transporting materials to manufacturing cells, while industrial robotics choreographed a brilliant dance of speed and precision, rapidly executing tasks like loading, unloading, quality inspection and finishing work.

These demonstrations were a wake-up call that the future of print is already materialising through aggressive investment as well as research and development by global market leaders. This reality presents an amazing opportunity for printers in Australia and New Zealand to secure decisive competitive advantages. Those bold enough to strategically invest in automation, AI and connected smart workflow solutions can position themselves as pioneering industry leaders.

However, achieving that vision requires careful planning and patience, not a haphazard plunge that risks operational disruption. Conducting comprehensive

audits to pinpoint optimisation opportunities through intelligent automation is a crucial first step. Identifying bottlenecks, quality issues, and inefficiencies allows targeting the right processes to transform.

Partnering with knowledgeable systems integrators is vital for ensuring new hardware and software seamlessly integrate with existing infrastructure. Their expertise in complex IT requirements like workflow redesigns, systems mapping, and new standard operating procedures (SOPs) is invaluable. Getting it right maximises the technology’s impact.

Perhaps most importantly, print leaders must champion organisational change through comprehensive staffing and training initiatives. Empowering employees to adapt to new technologydriven roles and responsibilities maybe the biggest key to long-term success. Incremental rollouts with continual skills development allow for a smooth transition.

Marketing your difference

From a sales and marketing perspective, implementing advanced automation represents a powerful differentiator for attracting new business. Companies should showcase their innovation leadership through high-impact campaigns highlighting transformative capabilities like:

• Dramatically faster turnaround times

• Mass customisation/versioning possibilities

• Reduced human errors and waste

• Cost efficiencies from lights-out production

• Sustainable practices and material sourcing

Building this reputation requires a multifaceted effort, including compelling case studies, videos, print samples, and thought leadership content demonstrating the advanced capabilities in action. Ensure the sales team is empowered as “technology evangelists” who can vividly articulate the value proposition and convey mastery through interactive technology demos.

Long term payoffs

While upfront investment costs may give some sticker shock, it brings long term competitive and supply chain agility payoffs. As demands intensify for quick turnarounds, on-demand product personalisation, seamless omnichannel experiences, sustainable sourcing and end to end supply chain connectivity, printers with fully automated and AIdriven operations can capitalise on new opportunities.

Digitally transformed print businesses will have the adaptable, lights-out production flexibility required to seamlessly pivot to evolving market needs and customer requirements. They’ll be optimised for rapid innovation cycles, unencumbered by legacy constraints, while traditional competitors get left further behind.

At drupa, the global printing industry got a brilliant sneak peek at its future digital renaissance already unfolding in Düsseldorf’s sprawling halls. For printers in Australia and New Zealand, the time is now to decide their fate.

Be bold. Be a fearless market disruptor by strategically automating production, integrating artificial intelligence and fortifying connected smart workflows. Reap the incredible rewards of unleashing manufacturing’s next great revolution.

Or risk becoming obsolete by watching from the sidelines as nimbler, tech-driven competitors sprint ahead unchallenged to dominate the market’s most lucrative new opportunities.

Mick has spent the past decade building printIQ into one of the most recognised software brands in the printing industry, and with over four decades of experience, Mick truly has ink in his veins.

MICK ROWAN

The future for print involves integrating conventional and digital technologies

Blueprint Digital installs first Durst eight-colour P5 TEX iSub

Blueprint Digital has installed the first Durst eight-colour P5 TEX iSub printer in Australasia, with the new machine set to deliver numerous advantages for the Sydney-based business.

Blueprint Digital has installed the first Durst eight-colour P5 TEX iSub printer in Australia to provide better quality and faster service for its dye sublimation printing business in Sydney.

Marty West from Blueprint Digital said the installation of the machine was a strategic step forward for the business that has been operating for more than 35 years.

He says, “We were originally a screenprinting business called Mirage Graphics that started in 1989 with premises in Marrickville and then Camperdown.

“Over time this transitioned into large format dye sublimation printing for banners and flags, as well as bar mats for brewing companies which eventually led to us working in wider width printing formats.

“We moved into our current premises in Marrickville 22 years ago.

“The Durst is certainly an investment – but I am confident it is the best. Considering we will run it over the next 10 years, and if it helps us grow with our customers, it’s well worth it.”

– Marty West, Blueprint Digital

“We have recently doubled our floor space by taking the premises next door. This has allowed us to invest in new machines and create a purpose-built, temperaturecontrolled environment. Dye sublimation

and soft signage remains our core focus and we now have a growing solid team working in the business.”

The decision to install the Durst P5 TEX iSub came after thorough extensive research and a desire to differentiate within a cluttered print market.

He adds, “We were looking at upgrading our 3.2-metre-wide printer about 12 months ago. It took me around four months to look at everything else that was out there at this width, and we decided to go with the Durst towards the end of last year. Our current 3.2 metre machine is coming to the end of its days, so we had to make a decision.

“The Durst is certainly an investment, but I am confident it is the best. Considering we will run it over the next 10 years, and if it helps us grow with our customers, it’s well worth it.

“Working with the team at Durst the installation was an effortless experience. The machine was unloaded, removed from the crate and positioned by 10.30am. I couldn’t wait to start experimenting with its capability.”

Durst Oceania managing director Matt Ashman says he feels excited to have installed another first in the Australian market. He says, “All P5 TEX iSUB installations thus far in Australia have been four-colour models. With the first eight-colour model in Australia, Blueprint Digital can bring the highest possible print quality to the Australian market with more pantones and a wider colour gamut for customers. This machine is fully loaded

and provides the ability for paper transfer as well as direct to fabric with dual roll functionality.

“It is great to have Marty and Blueprint Digital join the Durst family and we enjoyed welcoming him to our head office at Brixen prior to drupa.

“It is always good to work with like-minded family-owned businesses and Marty runs a business that is focused on quality and customer service as well as delivering precisely what his customer needs. These are the same values that Durst has built its reputation on and Marty and the Blueprint Digital business fits perfectly within that profile.”

– Matt Ashman, Durst Oceania

“It is always good to work with likeminded family-owned businesses and Marty runs a business that is focused on quality and customer service as well as delivering precisely what his customer needs. These are the same values that Durst has built its reputation on and Marty and the Blueprint Digital business fits perfectly within that profile.”.

Marty believes the installation of the new Durst TEX iSub will deliver numerous advantages to his business.

He says, “Adding this machine to our production suite means we can offer a wider range of services. It is so efficient and fast, we can keep up with demand.”

“With our previous equipment when we received orders for large campaigns there was a lot of after-hours printing and weekend work to keep the machines running around the clock.

“With this machine we can do it all on an eight-hour shift, rather than a 16-hour or 20hour shift. This allows us to invest staff time in other areas of the business. The quality and efficiency of this machine will make Blueprint Digital an absolute go-to for soft signage trade printing.”

zu oben. Andere

Marty West (Blueprint Digital) and Matt Ashman (Durst Oceania)

Omnigraphics raises productivity with the Durst P5 350

Aarque Group and Durst bring the “Rolls-Royce” of wide format printing to Omnigraphics

Recently, premier wide format company Omnigraphics installed a Durst P5 350 wide format printer at its Auckland site.

Supplied through Aarque Group, the Durst P5 350 is an all in one hybrid solution for flexible roll and board printing up to 3.5 metres. Equipped with the Durst Print Workflow software and the monitoring tool Durst Analytics, the Durst P5 350 has taken production at Omnigraphics to a whole new level.

Steve Spear, managing director at Omnigraphics, says the new printer has changed the way his team look at large format printing. He says, “We needed more capacity on the floor and the quality to back that up so when the opportunity came to purchase a Durst P5 platform printer, we gladly accepted it.

“Durst is the Rolls-Royce of wide format printing. The machine is rock solid, and we receive exceptional service and support from Aarque Group and Durst.”

Steve Wilton-Jones, national sales consultant for Aarque Group says, “With the introduction of the Durst P5 platform, the industry saw a new standard in flexibility and versatility defined in the

class of hybrid printing. We are extremely pleased Omnigraphics recognised the value in implementing a Durst into the business and we thank the whole team for the support of Aarque in this decision.

“The Durst P5 platform makes it easy to achieve complex tasks with a range of innovative capabilities such as fast media changing and feed management, easy maintenance and upgrade options to deliver more productivity while maintaining a safe operator environment.”

Steve Spear adds, “Even at one pass, the Durst P5 350 delivers high print quality, which is really impressive for digital wide format. When you compare it to printers from the 1.6m and wider formats, you are seeing machines that produce great quality but require anything from 8 to 12 passes, sometimes even more. The Durst P5 350 saves so much time.

“Our customers demand high quality, but they also need their jobs completed as quickly as possible. The Durst P5 350 gives us a crisp font at high speed; the jobs go through the machine so fast.

“After installation, the machine was up and running at full speed after only two weeks. Aarque provided full training for

our team, and we know they will be there if we need them.

“The operators love it and like me; they are blown away by its print quality. Plus, they are amazed at the new level of productivity we now achieve.”

Versatility and high productivity

Employing 40 staff across its Auckland and Christchurch sites, Omnigraphics has gone from strength to strength over the past few years. Steve Spear says, “We had a tremendous year last year, and this year has started strongly but we don’t take our success for granted and we appreciate how smooth our production is right now. We value our staff, our customers and our suppliers, and we continually look for ways to improve our performance.”

The Durst P5 350 provides the versatility that modern print requirements demand. Steve adds, “We print every type of job we can on the Durst P5 350. It handles everything with ease, from banners and posters through to rigid media. If anything, having the Durst P5 350 forces us to ensure we continue getting the work to pump through.”

He believes the print quality the Durst P5 delivers has been worth waiting for. He says, “Comparing the Durst P5 350 printheads with what we had a few years ago – they were just paintball guns. The advancements that Durst has made have given us the chance to improve on what we were doing.

“We will certainly look to buy another Durst printer when the time comes to upgrade some of our other equipment.”

Swaroop Nadimpalli (l), production manager and Steve Spear, managing director at Omnigraphics

The new Durst P5 350 at Omnigraphics

P5 350/HS

The hy br id pr inter that elev ates the ef ficienc y in your produc tion c ycle.

Special ink effects

Foldable roller tables

Multitrack 6

Double sided printing

Multi roll and Dual roll

LED curing technology

Corrugated printing

Continuous board printing

Safe ink refill

Width & thickness detection

NZSDA PRESIDENT’S CORNER

Delegates engage to empower for conference and awards

Shae Goom shares his thoughts on the NZSDA’s biggest event for 2024, which took members from the AGM to the Awards of Excellence Gala Evening in Napier.

The 2024 Engage to Empower conference in Napier was a blast. NZSDA has shared a video highlighting the events and capturing some of the energy, fun and learning that all attendees had.

Our conference started with our AGM. This is the time when members hear about the board’s direction, where we are looking to take the NZSDA. This is the best chance for members to ask questions, add your thoughts, and offer any feedback. We also talk about the financials, and membership numbers.

We followed the early part of the conference with our progressive dinner on the Thursday night, an interesting take on forcing people to mingle and move around in different groups. Starting with snacks and drinks at Market Street; then to K Kitchen and bar for dinner; followed by a trip to Origami for some delicious desserts; and moving along to Monica Loves Cocktail Bar to round out the evening. This really got the conference underway with a bang and was the perfect way to start. It also presented me with my biggest challenge for the weekend as my voice was dissolved with a couple of the finest products from the Isle of Islay, Scotland.

Ask an expert

On the Friday morning, we had a great turnout for our ask an expert panel presentation. We heard from some of the country’s top experts in our field including Logan Sutton, Dustin Brattle, Peter and Scott Wakelin, as well as business support experts. We heard some great questions accompanied by insightful replies. The excellent group involvement showed our attendees’ commitment to their craft.

The question and answer session could easily have gone on another hour, but we had to catch our buses to the Urban Winery and Gin Distillery, where we got a great understanding of the local Gin and Chardonnay styles. Our hosts were fantastic, and very knowledgeable. We enjoyed lunch at the venue, and a charismatic speech from guest speaker Henare O’Keefe. His presentation left some members of our group in tears.

For something new, we tried a specific take on speed dating, but via networking with suppliers. This was warmly received, and everyone had positive comments. This may feature a bit more in future sessions as it proved a great way to get in front of many people quickly and get your message across in an entertaining way.

The next morning our buses picked us up and delivered us to Steve Trott’s ‘Not Just Signs Tour’. We found ourselves in a room full of old enamel signs, vehicle badges, classic cars, and wheel caps. This hidden and historic gem provided us with a rare opportunity to see all that old

enamel, and it proved a catalyst for many conversations about the creation and manufacturing processes.

Awards evening

We returned to the Scenic for everyone to get fancy and dress up for the main event: the 2024 Awards of Excellence presentation.

Our emcee Jackie Clarke was simply amazing. Her stunning voice, and effervescent humour kept the evening flowing, and even got a very shy person up on the dance floor to shake off some very dusty moves that were last seen in the 1990s. Our band The Naked Gun kept everyone up dancing until the wee small hours.

For the Awards of Excellence, the entries were of a very high standard. It is not easy to come away with an award. I have been there, and I want to say a huge congratulations to everyone who took away an award. And for those that got close, please keep trying. The calibre is high, so take great photos, explain about the sign, and follow all instructions when entering. These important factors in the competition are worth spending time on.

Next year, we will host our 60th Birthday conference in beautiful Nelson. Please keep an eye out for the dates. These are fantastic events, and I would really love it if we can get as many people to attend the conference as well as the Awards function.

We all learn so much more when we have a greater variety of experienced people there, so please consider a trip with us to Nelson in 2025.

SHAE GOOM President NZSDA

Charismatic: Guest speaker Henare O’Keefe’s presentation left some conference attendees in tears

NZSDA UPDATE

NZSDA keeps members busy with meetings and events

NZSDA regional meetings, webinars, new partnerships, and planning for next year’s 60th anniversary are keeping members buzzing over the winter months.

AMIKAYLA HOPKINS Lead Projects, Events, and Marketing Specialist NZSDA

s the year flies by, I want to take this chance to thank everyone who attended the NZSDA conference and Awards of Excellence. You all contributed so much to making it an enjoyable and successful event.

We are already full steam ahead planning for next year’s conference and awards. It will run from June 12 to June 14 in Nelson. Significantly, this conference will be a big one as it marks our 60th anniversary. We want to celebrate in style with as many members as possible, so save the date now to ensure you can be there.

Meetings and webinars

We have released the latest webinar in our HR series. It is easier for members to watch at a time that suits them. The webinar topic is ‘Identifying your point

of difference’. It has a focus on helping sign shop owners understand their special value. The discussion covers strategies for promoting this value to both customers and potential staff. Check out our website for details so you can receive a link to the recording of the webinar.

Our Hamilton regional meeting also took place recently. It was great to connect with our Waikato members and to meet some new sign shops in the area. Award winning Master Sign Maker Clinton Potter from Red Star Signs hosted the meeting and shared how achieving Master Sign Maker accreditation has benefited his business. He gave tips for others wanting to do the same.

In August, we will head to Dunedin to meet with our members in the south. I look forward to meeting more and more sign makers from across the country and hearing more about their challenges and successes.

Become a Master Sign Maker

This year, we have a focus on clearly outlining an achievable pathway towards becoming a Master Sign Maker. We think it is important to make this accreditation

a reachable goal for experienced, top quality sign makers across the country. The NZSDA board is currently working hard to figure out what this will look like and how we can support more sign makers in achieving this standard. Watch this space.

We are excited to announce several new brand partnerships.

• 2 Degrees is offering discounts on broadband, power and monthly mobile plans.

• NZ Safety Blackwoods is offering preferred buying rates for NZSDA members on their safety equipment, tools, engineering, workwear, hygiene, and packaging.

• NZSDA has renewed its partnership with Hirepool (including Port-A-Loo, Hirepool Vehicle Rentals, Continental Event Hire and Hirepool Shoring) who are offering trade rates less 15 per cent discount plus special rates on access equipment to all NZSDA members.

He rau ringa e oti ai. Many hands make light work.

Ngā mihi maioha

NZSDA is “already full steam ahead planning for next year’s conference and awards”

Traffic Management Truck

Winning bronze in the Vehicles (Signwritten – Non-Digital) category, Red Star Signs’ Clinton Potter said, “Kelsey Construction needed a highly visible traffic management truck, with an out of the box design, to ensure that the vehicle was visible during the night and day and fit for purpose, as well as looking completely different to other traffic management vehicles.”

America’s Cup

Winning silver in the Vehicles (Signwritten – Non-Digital) category, Big Ideas Group’s Beni Hall said, “The challenge was ensuring the design seamlessly integrated with the vessel’s complex hull shape. We cut coloured vinyl films to shape, handcrafting many sections to fit perfectly. Our client was thrilled with the outcome.”

Team Tararo

Winning silver in the Vehicles (Signwritten – Non-Digital) category, Dzine Signs’ Dustin Brattle said, “Team Tararo needed a Ta Moko look for the fleet that connected back to their heritage and community in Porirua. We scaled up the Ta Moko as a key feature of the design.”

Morrie-Ora

Winning bronze in the Vehicles (Signwritten – Digital) category. Sign Network’s Scott Walklin said, “The key to our design lay in the intricate patterns and motifs found on our client Mauriora’s packaging, a visual symphony that echoes the rhythms of nature and the spirit of rejuvenation.”

Jock Frost

Winning silver in the Vehicles (Signwritten – Digital) category, Sign Pursuit’s Luke Stuart said, “We designed the job from scratch as a full wrap. With the overlapping and concentric layers of colours and shapes this background has real movement and appears to pulsate if you stare at it too long.”

Sesto RS3

Winning silver in the Vehicles (Signwritten – Digital) category, Signwriting.co.nz’s Summer Lane said, “This job gave a chance to use our new HP Latex 800W printer. We needed a clean and dust free environment for this full clear wrap, and we took care to avoid visible glue lines through the clear vinyl.”

Arlon PCC

Lamborghini

Winning gold in the Vehicles (Signwritten – Digital) category, Big Brown Industries’ Jeremy Hunt, said, “Arlon approached us to help launch its new wrapping film. Our ‘in your face’ design and colours had to be on point as it took centre stage at the Sign + Print Expo.”

M-Sport BMW i3

Winning bronze in the Vehicles – Custom Wrapped category, Sign Foundry’s Duncan Rourke said, “The vehicle is from the Gran Turismo video game. We laid down 3M 2080 white wrap film and knifeless tape to create the base shape to follow the stripes and digitally printed the M-sport badges and contour vector gradients to give the chrome/embossed badge look.”

Kev, the e-Kombi Green Print

Winning silver in the Vehicles – Custom Wrapped category, Sign Foundry’s Duncan Rourke said, “Kev, the Electric Kombi, symbolises a harmonious blend of vintage aesthetics and modern environmental consciousness. Dubbed the ‘Green Print’, this wrap is a comprehensive roadmap, illustrating the electrification process in 20 relatively easy-ish steps.”

Partly Taniwha

Winning silver in the Vehicles – Custom Wrapped category, Big Brown Industries’ Jeremy Hunt said, “Tony Austin, of Ngai Tahu descent, commissioned Ariki Creative to produce initial concepts for his 997.2 Porsche GT race car. Reconnecting with his heritage, Tony wanted something special, so welcome Kaihau the Taniwha.”

Anime Gulf Mini

Winning gold in both the Vehicles – Custom Wrapped category and Work by an Apprentice category for Jay Isgrove, Big Brown Industries’ Jeremy Hunt said, “Our unconventional design idea saw us using the iconic Gulf oils livery, with a twist: an anime cartoon, a 2D livery in a 3D world. The entire car is printed SLX+ with matching matte laminate.”

Givenchy Father’s Day

Winning bronze in the Exhibition and Display category, Colab Projects’ James Robson said, “Tasked with designing and building a centre court display at Sylvia Park, our team designed and fabricated all components in house, including a custom hard floor with pre-mapped power tracks.”

Armani 10th Anniversary

Winning bronze in the Exhibition and Display category, Colab Projects’ James Robson, said, “We designed and built the centre court display using international examples showcased by Armani for their 10th Anniversary. Our approach involved using locally-sourced materials and techniques to replicate and innovate upon this concept.”

Kount Five Plus Two

Winning silver in the Exhibition and Display category, Future Grafix’s Logan Sutton said, “We developed the client’s early concepts and designed and built the graphics for the space. The exhibition takes visitors back in time to explore the music, try on the retro clothes, and even break out their dance moves.”

Wellington Airport

Plinth Display

Winning gold in the Exhibition and Display category, Wilde Signs NZ’s Hannah Flaunty said, “Working closely with artist Taupuruariki (Ariki) Whakataka Brightwell, we designed, manufactured, and installed the entire display base, including the back wall, acrylic fencing, illuminated Windy Wellington sign, TV monitors, and lighting elements.”

Murihiku Marae

Winning bronze in the Theming category, Vital Signs Southland’s Tania White, said, “Our client Henderson Construction approached us to work with them on the rebuild of the Murihiku Marae. This was an awesome project to be involved with using a large number of different materials, machinery and application techniques.”

NZSDA AWARDS

Cable Car Museum Exhibition

Winning silver in the Theming category, Wilde Signs NZ’s Hannah Flaunty said, “We printed and applied the wall graphics and cut, painted, and printed dimensional images and text panels. We also created in-wall display cases and made a light-up photo wall to capture the essence of the rainbow LED tunnel experienced during the Cable Car ride.”

Wheelhouse

Winning gold in the Theming category and in the Traditional Handcrafted Signs & Illustrations category, The Old Sign Studio’s Alex Burnett, said, “This was the original shop and delivery truck used by the client’s father when he first started and is an exact replica of the building frontage. All the wooden signs and the fish table and boxes have been aged with a wire wheel and coated with stain and glaze before hand signwriting.”

R D Electrical

Winning won gold in the Theming category and silver in the Traditional Handcrafted Signs & Illustrations category, The Old Sign Studio’s Alex Burnett, said, “Our client supplied a genuine 1950s working auto electrical bench tester and asked us to create an authentic looking building of that era to complement the centre piece and the vehicle displayed in front of it.”

Sports Hub – Te Kupenga O Rongomai

Winning bronze in the Glasswork category, Dzine Signs’ Dustin Brattle said, “We worked alongside designers and architects to help bring the new Upper Hutt Sports Hub to life. We manipulated and scaled up the supplied artwork. The window graphics make the building pop and easy to find.”

NZSDA AWARDS

Rainbow Window at Te Manawa

Winning gold in the Original In-House Design category and silver in the Glasswork category, Blink’s Tim Slane said, “During the day, natural light streams into the space for the Te Manawa Community Hub, creating a vibrant and engaging environment for the activities inside. Lit up at night, it becomes a landmark for the local community and adds to the hub’s welcoming atmosphere.”

The Uptown

Futures

Winning gold in the Glasswork category, Blink’s Tim Slane said, “A collaboration between the Uptown Business Association and Universities, envisions the future of Auckland’s inner city and with our designs and execution featuring clean fonts and vibrant gradients, it reflects optimism and change.”

Mauao

– Mt Maunganui

Winning gold in Dimensional Signage and Modelling and bronze in the Wayfinding and Navigation category, Law Creative’s Bendon Law said, “For this work, it was critical to have low chemical usage; low impact on archaeology; sympathy for the surroundings; a 20 year plus service life; modular construction for ease of repair, and to be faithful to the iwi’s cultural messaging.”

Erskine Chapel

Winning silver the Wayfinding and Navigation category, Wilde Signs NZ’s Hannah Flaunty, said, “These signs seamlessly blend into their heritage surroundings and offer valuable information to visitors exploring the Erskine Heritage Trail. Guiding visitors along the trail, they provide insights into the site’s history and more.”

Te Mātāwai

Winning gold in the Wayfinding and Navigation category, Sign FX – Freeman Signs’ Leanne Freeman said, “For Kainga Ora’s showcase social housing complex Te Mātāwai, we made 135 Totara panels to fit out over three multi-level towers as well as hundreds of door signs, braille signs, and hand painted numbers one-metre high.”

Pāpāmoa Hills

Regional Cultural Heritage Park

Winning gold in the Wayfinding and Navigation category and two golds in the Dimensional Signage and Modelling category, Law Creative’s Brendon Law said, “We provided the design, content writing and art direction for the entire project as well as the manufacture and installation of all signage and art elements. Our approach allowed artistic storytelling to permeate with integrity throughout the entire project.”

Paerata Rise Main Entrance

Winning bronze in the Illuminated Signs category, Attract Signs’ Shelley Stevens said, “This six metre tall cylindrical, twin layer Corten pylon with laser cut detail, utilising both LED Neon rope and module lighting, guides you into the new Paerata Rise development.”

Pou with a Glow

Winning silver in the Illuminated Signs category, Future Grafix’s Logan Sutton said, “These Pou at New Plymouth Girls High School represent its values, and connect with pou in the school hall, tukutuku and other taonga. The Niho Taniwha, red, links with whanaungatanga (relationships); the Purapura Whetu, blue links with whakamana (respect); and the Poutama, orange links with haepapa (responsibility).”

Baha Mexico – Restaurant

Winning silver in the Illuminated Signs category, Signtech the Signmasters’ Craig Randall said, “Baja California is renowned as an adventurous fusion of cuisine and culture. We used a combination of various 3D signage techniques to create funky exciting signage with some Mexican flair.”

Waimahara Myers Park

Winning gold in the Illuminated Signs category, the Big Ideas Group’s Beni Hall said, “Collaborating with Graham Tipene, We embarked on a journey of experimentation, pushing the limits of edge lighting acrylic until we achieved the perfect balance for the desired effect for a vibrant and atmospheric addition to the area that exceeded expectations.”

Welcome to Māwhera

Winning bronze in the Dimensional Signage and Modelling category, Signlink Graphics’ Antony Merriman said, “The first sign follows the mountains known locally as the 12 apostles with the Grey River coming through the middle, famous for the barber (katabatic wind). The second is the Southern Alps, as viewed South from Greymouth Māwhera.”

Logan Brown Restaurant Signage

Winning bronze in the Dimensional Signage and Modelling category, Wilde Signs NZ’s Hannah Flaunty said, “We made the signs in layers and assembled them around the internal support structure. Our company managed the project from design to installation, handling every aspect in-house, ensuring a seamless process and a high quality result.”

NZSDA AWARDS

Marian College

Winning silver in the Signs category, Signtech the Signmasters’ Craig Walker said, “We planned, designed, manufactured and installed this large super graphic to the exterior cladding of the newly completed Marian College. It serves as a functional building identity sign and as a welcoming focal point for the entry to the school.”

Webster’s Motorcycles

Winning bronze in the Traditional Handcrafted Signs and Illustrations category, Branded’s Rowan Kyle said, “Our client’s brief was to have a sign that looked vintage and old. I started with a sheet of 10mm MDF that I hand routed grooves to give a tongue and groove look and I followed the base coat of dark brown with a topcoat of an off sandy white paint to look like old weather boards.”

Harley Plaque

Winning gold in the Traditional Handcrafted Signs and Illustrations category, Lowe Creative’s Andy Lowe said, “Our customer commissioned this sign for her husband’s birthday, supplying an image of her husband’s bike with all its modifications. The image was all hand painted and I added 22 karat gold over the wording.”

Make a Splash

Winning bronze in the Digital Illustrations and Murals category, Signlink Graphics’ Antony Merriman said, “Our brief was to have a colourful image of kids in the water. We put together the final mural with four separate images, having to account for the curve of the wall, the sloping roof line, and the chlorinated environment for design and install.”

NZSDA AWARDS

Traffic Cop Bay

Winning gold in the Digital Illustrations and Murals category, Sign Network’s Scott Walklin said, “The late Bill Hammond’s wife Jane McBride had the idea to display this piece of art in this way and it exemplifies the fusion of cutting-edge digital techniques with timeless artistic vision. It involves 136 square metres of digitally printed graphics.”

AMI RepairHub

Winning bronze in the Corporate Brand – Interpretation and Delivery category, Landmark Signs’ Steve Wilson said, “RepairHub’s rebranding covered nine sites. We took the concept idea of the ‘yellow smile line’ and developed method to achieve this on the buildings. This ongoing rebranding sees various elements being updated.”

Haha Chicken

Winning silver in the Shop Fronts category, Wilde Signs NZ’s Hannah Flaunty said, “With only a week until opening day, the client approached us with a large project. The scope of the work included a custom-cut aluminium benchtop, a curved aluminium shroud painted gloss red, a gloss red laser-cut acrylic logo, custom front wall panels and graphic for the lightbox.”

BOCCI x ECC

Winning bronze in the Shop Fronts category, Blink’s Tim Slane said, “The display showcased the lighting company ECC’s distinctive Bocci lights pieces in a dynamic and colourful execution. The design concept centred around creating a visually engaging display that celebrated the diversity of the available products.”

NZSDA AWARDS

More than a Building

Winning silver in the Shop Fronts category, Future Grafix’s Logan Sutton said, “The building’s extensive renovation has brought a cultural narrative to the heart of New Plymouth’s CBD. The white and blue of the sky and the white of snow on the mountain is a subtle reminder of the strong connection Taranaki iwi katoa has with Taranaki maunga.”

Fury Road

Winning bronze in the Original In-House Design category, Aztech Signs’ Jim Merson said, “Our client came to us wanting something a little different to what you would normally see on trucks. He wanted to make a real impact and to stand out amongst the generic truck graphic crowd.”

Yeti Club

Winning bronze in the Brand Creation category, Future Grafix’s Logan Sutton said, “Our NZBL basketball team, Taranaki Airs, launched a new membership programme for its young fans. We designed a logo around the team mascot Yeti, voted best mascot in the NZNBL.”

Label Bandit

Winning bronze in the Self Promotion category, Clarkson Signs’ Maria Clarkson said, “With the addition of our new label maker, we created a fresh identity as a new division of Clarkson Signs. Label Bandit has a name with a rebellious and fun energy to match our enthusiasm into this niche market.”

Vital Signs Southland

Winning bronze in the Self Promotion category, Vital Signs Southland’s Tania White said, “We recently completed a building makeover and vehicle refresh that includes external signs, vehicle wraps, our eclectic reception area, our 50’s diner themed smoko room, and out heat controlled wrap room.”

1UP Your Competition

Winning silver in the Self Promotion category, signwriting.co.nz’s Summer Lane said, “Our vehicle wrap pays homage to the iconic 90s gaming era with printed graphics carefully selected to evoke memories of a time with not so subtle nods to famous gaming icons.”

Ngā Māhanga

– The Twins

Winning gold in the Self Promotion category, Big Brown Industries’ Jeremy Hunt said, “We branded our vans, Tahi and Rua, drawing inspiration from previous work. The rear half uses all the different versions of our logo over the years for our crew work uniforms.”

Mobil Porsche

Winning bronze in the Work by an Apprentice category, Vital Signs Southland’s Tania White said, “Our client fronted up with a model Porsche with the request that he wanted his to look exactly the same. Our apprentice Teigan Mennell took on the task and the client was extremely happy with the outcome.”

Freestyle Racing Modified

Winning bronze in the Work by an Apprentice category, Dzine Signs’ Dustin Brattle said, “Apprentice Mel Huntsman did the design mock up for client to sign off. She also sized it all up, printed all product and laminated and applied the whole wrap to the car.”

Old Dogs Barber window graphic

Winning silver in the Work by an Apprentice category, Signtech the Signmasters’ apprentice Watt Wilson said, “Old Dogs Barbershop approached us to create a custom graphic for their street front window. The client was very happy with the result and mentioned they’ve also had great customer feedback.”

Brazier Scaffolding

Porsche

Winning silver in the Work by an Apprentice category, Vital Signs Southland’s Tania White said, “Our apprentice Teigan Mennell took this one under her wing and chatted with the client about his ideas. He wanted to incorporate his company colours and branding. It is fair to say that the customer was more than stoked with the outcome.”

Maori Moana Paua Jetski

Winning gold in the Vehicles (Signwritten – Digital) category, Signwriting.co.nz’s Summer Lane said, “Our challenge was to digitally capture the pearlescent texture of a Paua shell. The prep and installation took a team of two over two days to complete. After setting aside our tools, we paused to admire what stood as one of our proudest custom effects.”

Hawkes Bay welcomes NZSDA members for Conference and Awards of Excellence events

Attendees made the most of their time at this year’s conference and Awards of Excellence

From expert panel discussions to winery visits, NZSDA delegates took every opportunity to enjoy their stay in the Hawkes Bay for this year’s Conference and Awards of Excellence Gala Evening. We caught up with some familiar faces…

Some of the guests at the 2024 Sign Display Awards Gala Dinner

The expert panel, from left: Dominic Moran, Peter Inder, Dustin Brattle, Scott Walklin, Logan Sutton, Anna Ramm, and Shae Goom

From left: Luc Verstraeten, Wise Studios; Ethan Moir, Alexandra Images; and Angie Barrowcliffe, Alexandra Images

The Computaleta table at Speed Networking

From left: Darrin Weir, Aarque; Dave Jacques, Digital Signs; Melissa Coutts, NZSDA; and Rae Abbott. Total Supply

From left: Dustin Brattle, Dzine Signs; Tom Fitzpatrick, Letter Tech Australia; Lisa Brattle, Dzine Signs; and Scott Harvey, Total Supply

Ross Probert, Probert Signs

Delegates visiting Steve Trott’s Private Sign Collection

Andy and Jody Lowe, Image Creators, at Urban Winery and Gin Distillery Shae Goom, Wise Studios

From left: Michelle Henry, Wise Studios; Christine Petty, Grafix Wall Art: and Rowan Kyle, Branded

From left: Gena Neal and Ashton Lines-Sherwood, PSP; Logan Sutton, Future Grafix; Shae Goom, Wise Studios; Clinton Potter, Red Star Signs; and Andy Lowe, Image Creators

The Decrastrip Table at Supplier Speed Networking

Total Supply gets an edge with newly minted Neschen partnership and website update

Customer service and support still the focus at Total Supply

Recently, Total Supply signed on as New Zealand distributor for Neschen products. Chris Knuckey, product manager at Total Supply, says, “This new partnership enhances our commitment to providing top-notch solutions for the digital, wide, and grand format printing industry. Total Supply will proudly serve as a distributor of Neschen products, further expanding our already extensive portfolio.

“The new range has already landed as a valuable addition to our extensive portfolio. At Total Supply, we understand the diverse needs of our customers and our sign and display portfolio has been a trusted resource for customers needing consumables, hardware, inks, software, accessories, training, and support. From creating impactful point of sale and vehicle graphics to executing exhibition stand construction and shop fit-outs, Total Supply offers products and services that help our clients get noticed.

“Renowned for its innovative and high-quality offerings, Neschen aligns seamlessly with our commitment to excellence. This collaboration allows us to provide a broader range of options to meet the diverse needs of the industry.”

Neschen products

Among the new products available from Total Supply, the brand name Gudy stands for high end quality and safety in sophisticated mounting films all over the world.

Gudy 802 is a PAT certified, PVC-free film with permanent adhesive on both sides for laminating to sheet materials. Alternatively, Gudy 804 has one side with permanent adhesive and one side reversible adhesive.

Already well-known to many in the industry, Neschen Easy Dot is another trusted brand. Easy Dot allows the most straightforward bubble-free application among all printing materials, enabling the removal of prints from most surfaces without any residue.

Chris adds, “In the coming months, Total Supply will add more Neschen solutions to its portfolio. Watch this space.”

Easy to use website

Total Supply has created a new website. Zoe Buffalora, marketing coordinator at Total Supply, says the website has a strong customer focus. She says, “We designed the website with one goal: to make customers’ browsing experience smoother, faster, and more intuitive than before.

Created with a few key experience design techniques in mind, the new platform has streamlined navigation so visitors can intuitively find what they are looking for. This means enhanced search functionality plus an interactive colour swatch, making everything easier to scan and select.

The new site also provides a more responsive, seamless shopping cart experience involving fewer steps to get

you to the checkout so you can complete your purchase without fuss.

The new design means you can take the website with you, easily accessing it from any device, anywhere, and anytime without losing functionality.

Zoe adds, “We welcome suggestions for anything else customers want to see on the website. If there is anything you would like to see on there, be sure to let us know. We look forward to delivering more in the future. Watch this space New Zealand!”

Chris Knuckey, product manager at Total Supply

Total Supply delivers a user-friendly website

Thanks to some key changes, you don’t need an instruction manual to navigate the new website. Total Supply offers these suggestions for an easier website experience:

Swifter log in

We have gone password-less! Simply enter your email address at the log in page and you will receive a unique code to your email; enter that, you are away. No more forgotten passwords, and it’s more secure, protecting your business! When you have new staff, let us know and we’ll assign them to your account. If you log in but don’t see your company details, please give us a call and we will make sure you are assigned to your company.

Simpler Navigation

Feedback on the old website included the issue of hard-to-find products and some products being in the wrong place. The new website has categories for navigation, a more standardised layout, and a more intuitive search function all designed to make navigation simpler.

Smarter Swatches

The website developers at Total Supply have created a dynamic colour swatch for coloured films. When you click on a colour the table will automatically filter to the available sizes – no more scrolling or clicking, now that is smarter.

Graffica welcomes new supplier launches at drupa

Neil Southerington, owner of printing packaging and converting company, Graffica says he welcomes new launches from suppliers Kolbus, Century Machinery, and Wonderjet at drupa.

He says, “My three major suppliers all had a strong presence, with large stands, and multiple exhibits including genuine new releases.

“Because of the delay in drupa timing, it seems many things have happened, and advances in technology marches on, with companies chomping at the bit, to get their latest and greatest out there on the world’s biggest stage.”

Graffica supplier Kolbus has always been a major presence at drupa and Southerington says it showed several new machines, including a wide format Flexo printer slotter/die cutter and the all-new built ground, custom box maker BX Motion 2600.

Registration open for Labelexpo Americas 2024

Registration is now open for Labelexpo Americas 2024, the only dedicated event in the region for the labels and package printing industry.

The show takes place between 10-12 September at the Donald E. Stephens Convention Center in Rosemont, Illinois.

Hundreds of live demonstrations of flexo presses along with digital technology and finishing equipment will be on display. Nilpeter demonstrates a 26-inch FA-26 for the first time in the US along with a US-built FB-17 press. Mark Andy launches a new, wider flexo press, presenting a full line up of flexo and digital technology and HP presents an impressive line of equipment.

Expanded networking opportunities at Labelexpo Americas 2024 will focus on merging educational content and bringing the international package printing community together.

Labelexpo Americas 2024 will also feature a one-day conference program, expanded networking opportunities

He says the Kolbus BX Motion will interest the ANZ market, where custom boxes in short runs are the norm. He adds, “The Motion 2600 offers many integrated great features in one relatively small footprint, with one operative. To name but a few features – multiple out in length and width. Built in lead edge feeder, in-line gluing, in-line digital or flexo print, waste removal and shredding, and much more. Kolbus also has an array of machines in the luxury packaging sphere.”

In addition, Graffica supplier, Century Machinery launched the new model 1060Q high-speed die cutter, 8,500 s.p.h., with a thinplate system and triple-action stripping, at Hall 10 C01. It also demonstrated the large-format 1850 semi-auto die cutter and the new 1670 fully auto machine. He says, “Century Machinery is a well known

name in ANZ with 13 installations to date, mostly in the larger formats fully auto and semi-auto 1050 to 2500.”

At drupa, Wonderjet demonstrated the WD 200 Single-pass high-speed water-based printer with UV coater and slotting with Rotary die cutting in line. Southington said this is a first and must see for ANZ packaging companies. The single pass high-res UV printer Printmaster, as well as the multipass WD 250- 32A high res printer ideal for shorter run corrugated and folding cartons will also be displayed.

He says, “Wonderjet has exhibited at many drupa shows in the past, being very early suppliers of corrugated and carton board printers to the world and the first to incorporate slotting and die cutting in-line.”

and two educational workshops and a master class, all aimed at the latest trends impacting the label and package printing industry.

The show feature areas include a Flex Pack Factory, a focused area for flexible packaging and an RFID Zone and Innovation Stage, focusing on automation, RFID technology application and development.

Tasha Ventimiglia, group director, Labelexpo Americas says, “We’re excited to be back in Rosemont for Labelexpo Americas 2024 when the show returns in September. Attendees can expect to see a range of key innovations that are shaping the future of the label and package printing industry including sustainable material solutions, workflow

automation and RFID technology. We can’t wait to connect and network with our international audience at this must attend event for the industry.”

Linnea Keen, president, TLMI says, “TLMI values the partnership with the Labelexpo organization and what it means to our industry to bring together so many leaders. We can’t wait to see what the TLMI members showcase this year along with the new developments, innovations, and solutions that attendees are seeking. In addition to exhibiting, TLMI will be hosting Eco Stage with the most recent trends and updates related to sustainability. We look forward to supporting current members and meeting new members. Join TLMI and all the industry exhibitors at this year’s Labelexpo Americas 2024.”

Labelexpo Americas 2024 will take place from 10 September until 12 September in Illinois

Century Machinery will launch the new model 1060Q high-speed die cutter

Xeikon unveils 1200 dpi inkjet press for highend label segment

Xeikon has announced details of the next evolution Panther inkjet technology as the manufacturer prepares for the world premiere of the Xeikon PX3300HD, a new 1200 dpi digital press that the company launched at drupa 2024.

Developed for high quality labels, the five-colour machine offers a 330mm printing width and speeds up to 70 m/min, even when printing with high opacity white.

In addition, Xeikon PX3300HD utilises a newly developed ink series, PXCure LED HD, to ensure perfect curing, while supporting sustainability targets for onverters.

Jeroen Van Bauwel, director Solution Design at Xeikon, says, “As inkjet technology continues to mature, there’s a clear need to update Xeikon’s Panther portfolio with a higher resolution option to meet specific customer requests. Consequently, we’re now introducing a 1200 dpi engine to complement the existing 600 dpi product range.

“The new Xeikon PX3300HD extends the capabilities for printers by giving them the tools to reach excellent quality at even higher productivity levels in a TCO (Total

Cost of Ownership) friendly way.”

A small footprint machine, Xeikon PX3300HD produces high durability, fullcolour labels for diverse markets, covering up to 88 per cent of Pantone colours within Delta E 2 (rising to 94 per cent within Delta E 3).

To meet the specific requirements of the higher resolution engine, Xeikon has developed new PX-Cure LED HD inks.

The new inks match the sustainability benefits of the recently introduced PantherCure UV LED series for Xeikon 600-dpi inkjet presses, including significant savings in energy consumption, instant warm up for more agile operation, and ten times longer lamp life compared to traditional UV arc lamps, resulting in lower waste.

Xeikon says that by combining superior image quality and resolution with remarkable productivity, the new press leverages Xerox W-Series industrial inkjet printheads with dedicated waveforms and screening software developed by the company.

Furthermore, Xeikon emphasises

that the PX3300HD is fully prepared for hybrid printing to increase productivity, with the option to add Xeikon’s modular inline LCUs (Label Converting Units) and a large unwinder for longer uninterrupted production runs.

The company adds that it has made the print workflow highly efficient in that the PX3300HD is driven by the powerful Xeikon X-800 DFE (Digital Front End), supplying faster job turnaround and just-in-time delivery. Colour management is an integral part of the software: every X-800 comes with a Pantone licence so customers can easily convert all the latest Pantone colours for their press and substrates.

In addition, the basic press configuration offers efficient operational support with an inline camera for quality inspection included by default. Adjusting registration, stitching and compensation for missing nozzles, all measured and corrected in a fully automated way, this feature also helps to alleviate ongoing issues with finding skilled staff to run the press while extending the lifetime of the printheads and ensuring consistent high-quality.

Van Bauwel adds, “This extension of Xeikon’s inkjet capabilities is an incredibly exciting development for customers. It offers them a very cost-effective and highly competitive opportunity to scale their businesses, so they can supply profitable luxury market segments with exceptional productivity and quality.

“We are currently well underway with customer trials and we began start sales at drupa.”

New data finds that the inkjet printing market will lead growth in the industry

Packaging, labels, books, and graphics all provide major growth opportunities for commercial inkjet printing, according to data from Smithers.

A host of the latest inkjet technologies that were on show at drupa 2024 in Düsseldorf have driven new sales, accelerating the industry transition to digital printing across multiple sectors. Detailed data modelling in the latest Smithers market report – The Future of Inkjet Printing to 2029 – shows that in 2024 global sales from inkjet printing will reach $117.7 billion.

Positive market conditions mean this is forecast to expand at a compound annual growth rate (CAGR) of +6.6 per

cent through to 2029. This will push overall market value to $162.1 billion in 2029, at constant pricing.

Across the same period, the volume of publications, graphics media, packaging and labels printed on inkjet will increase from 1.61 trillion A4 print equivalents to 2.29 trillion.

These increases contrast with the broader outlook for print, where output will be essentially flat across the remainder of the decade. Smithers expert analysis dissects the business and technology developments that will fuel this inkjet’s expansion across 21 separate end-use segments and six press formats.

Demand for print is changing in an ever more connected world, with consumers able to select their preferred media channels. This is driving run lengths down in multiple applications, where inkjet is much more cost efficient than conventional analogue printing.

As a digital technology, inkjet can interface more rapidly with online resources, such as web-to-print portals. Furthermore, inkjet can be integrated with conversion processes more

readily than competing systems. As the technology and new applications develop, print manufacturing workflows are increasingly being optimized for inkjet, making the process even more cost competitive. This is happening in book manufacture, for example, where web presses deliver book blocks in a single pass, with flexible finishing allowing formats and paginations to be varied at full press speed.

Multiple machine innovations are delivering finished print products, labels, and packaging more efficiently – and inkjet is steadily increasing its share across all print and printed packaging. The process already has good penetration into advertising print, particularly for displays and signage, but this share will diminish as much of this work moves into electronic channels. The fastest growth across 2024-2029 will be in packaging, labels, and books.

As this occurs, the benefits of faster turnarounds, print-on-demand sales, and higher quality mean inkjet’s market share by value will remain well ahead of its volume share in nearly all applications.

The Xeikon PX3300HD will be launched at drupa

People In Print Awards

celebrating the Kiwis who drive our industry

Presented by New Zealand Printer magazine in association with PrintNZ

Don't miss the 2025 Awards; nominate your colleagues (or yourself) early

Awards and Editorial enquiries: Bruce Craig | bruce@newzealandprinter.co.nz | 021 631 559

Sponsorship and Advertising enquiries: Brian Moore | brian@newzealandprinter.co.nz | +61 410 578 876

Custom Manufacturing

Flatbed Printing

Packaging

Sample making

Assembly

Lanyard Pockets

Registration Holders

Self Adhesive Pockets

Promotional

Eyeletting

Stationery

Signage

Satchels

Mounting/Case Binding

Recycled and Recyclable

Options

Specialists in Finishing & Synthetic Stocks

CONGRATULATIONS TO ALL OF OUR 2024 WINNERS

Friends Of

Awards 2024 : Blue Star Group (New Zealand), Kale Print, SCG, Sealed Air (Hamilton), Wholesale Print

Why LED-UV ?

No odor

No Ozone

No spray powder

No set-off

No loss time

• Instant dry

• Instant ON/OFF irradiation

Reduce CO2 emission

No large peripheral equipment

No need for overprint varnishing

Reduce electrical consumption

• Up to 91%

No VOC (Volatile Organic Compounds)

Reduce heat generation

Long life span

• Up to 15 times

Printing on film and cardboard

Just like your conventional offset press ...without the cons.

The New Gold Standard in Perfecting Printing

The RMGT 1060TP series is the Gold Standard for perfecting printing. This innovative tandem perfector on which the reverse-side printing units are connected to a straight printing press via a special translink unit. After printing the reverse side, the front side is printed without the need to reverse the printed sheets, eliminating various limitations typically associated with perfecting. This also makes it possible to perform perfecting on folding cartons, such as for blister packaging. LED-UV perfecting printing is also possible by equipping both the translink unit and delivery with a LED-UV dry-to-dry printing system, providing an instantly dry, high-quality printing solution. Achieving printing quality equivalent to that of a straight press with highly accurate front to back registration. In addition, the translink unit does not flip the sheets thus perfecting printing can be done with only 1 grip edge. Eliminating the need to make plates differently for front side and back side printing units and can handle pallets of sheets with irregular length just like a straight press.