SFGN Mirror June 2019 Part 2

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FASHION Quesada played. School worked out well, because he thought he’d be a writer and he’d always performed — so he organically became a songwriterperformer. “My family is all performers; it’s just what we do. But it’s different being a music-gay than [a] performance[-gay],” he said, cracking another Budweiser. Thomas cites Miami drag performer Queen Latina as someone he feels “super friendly” with. His grandfather is British comedy actor Cardew Robinson, who died in 1992. His father is George Orr — a Florida-area Rod Stewart impersonator in the Hot Rod Band. Thomas’ mother died when he was 12 and his sister was 10. “We come from a lot of broken homes and people with good intentions,” Thomas said.

Queer voice Thomas was already performing in middle school — a magnet school for broadcasting. He said he didn’t know he was gay. “I was like the only one to come out in my high school,” he said. “Man it’s been a long journey. Now you can be gay and popular in the world in the mainstream. It’s great to see.” He’s got a radical spirit when it comes to LGBT rights. “When they tell you that you’re wrong when you’re five or six years old — there’s a world of suspicion with that,” Thomas said. “I’ve had really supportive people around me. My gripe is still just ideological. I have my views about ideological enemies of gays.” Day-to-day gay life and the LGBT rights struggle isn’t necessarily the same thing all the time anymore, he said. “I truly don’t believe I’m going to hell or anything like that,” Thomas said. “I try to really just speak to the positive stuff now. I try to take it a little lighter.” Yet there is an urge for activism, music and performance. “I don’t think that LGBTQ Miami musicians are bound to any specific genre, but there is a call to representing our queer scene; as our rights are threatened we assemble despite genre,” Thomas said.

“People are looking for queers doing it themselves.” He said that in the past, queer punk has been considered an underground movement. Today it’s more politically viable. It’s one reason why Thomas and others identify as queer — so they can fight for those particular causes.

‘Artist’s artist’ Thomas is now immersed in getting “Fantasma Tropical” out to the public. “Switching gears has taken work,” he said. “Finding the diligence to create an album, editing, recording; the balance of getting publicity and creating studio work.” Even in music-saturated Miami, he said he doesn’t feel like he’s competing. “Sometimes I might have a moment, a spark of what other people are doing,” Thomas said. “I don’t feel creatively jealous, I just don’t see it. I’m going to say what I’m going to say.” He loves to play in diverse venues; different styles of shows. He doesn’t worry about being a part of one particular scene over another. “I know a lot of tips and tricks to help other musicians,” he said. “Royalties to perform live, MusiCares from the Grammys, musician resources to make sure you stay afloat. It’s all about making sure you have your business stuff in check — copyright, revenues from every source available to you.” Thomas openly shares his experiences and knowledge with other artists. “Sometimes I feel like I’m an artist’s artist. [I’m] acclaimed amongst my peers — the people who latch on are curators themselves. Hippiecurator types who are into different stuff and have an appreciation of music that goes beyond genres,” he said. He still goes to bars and shows to connect with people in the scene. Now that the cover art is out, he’s considering different options for a release party. “We want it to be fun and don’t necessarily want to perform at it — but do something where it’s more of a celebration,” Thomas said.

To connect Everything Thomas, including where he’s performing, is at HeyJayThomas.com. He’s @heyjaythomas on all social media. “Fantasma Tropical” can be found on Soundcloud, Spotify, iTunes and Bandcamp. Thomas recently filmed a performance for Fordistas and Wynwood Radio, which can be accessed at youtu.be/ N0l0v1hekWk. You can catch Thomas on the airwaves through local NPR station WLRN June 9 at 2 p.m. He’ll perform acoustic versions of his songs. You can also find Thomas in the documentary “Scream Queen: My Nightmare on Elm Street,” which delves into the homosexual themes in “Nightmare on Elm Street 2.” It’s on tour now in film festivals across the country. 46 | THE

| JUNE - AUGUST 2019


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