The Pitch Pipe October 2024

Pitch Pipe

A Lifetime of Sweet Adelines

“When it's my daughter's organization, I want the kind of education, opportunity, growth, and leadership development I’ve experienced to continue. As Sweet Adelines, we continue to build that legacy to leave for everyone we love and everyone they love.”

“When you donate, you're investing in every member. You're helping us change the world. You're helping us empower voices everywhere.”

“Singing is a lifelong joy, and singing in community with other like-minded people is something that so few people get to experience. We are so lucky to be able to do it.”

Your gift helps provide A Lifetime of Sweet Adelines to singers around the world, from the first chord to the final tag.

Make your gift at www.sweetadelines.com/GIVE.

The Pitch Pipe

OctOber 2024 | Volume 78 — No.2 | www.pitchpipemagazine.com.

Sweet AdelineS internAtionAl

Elevating women singers worldwide through education, performance, and competition in barbershop harmony and a cappella music.

The Pitch Pipe

INTERNATIONAL HEADQUARTERS

Tammy Talbot Chief Executive Officer

Kim Berrey Editor-in-Chief

Stacy Pratt

Staff Writer

Ben Larscheid

Graphic Designer

Joey Bertsch

Staff Photographer

INTERNATIONAL BOARD OF DIRECTORS

May 1, 2024 - April 30, 2025

Mary Rhea, International President

Thérèse Antonini, Immediate Past President

Jeanne d’Arc (JD) Crowe, President-elect

Sharon Cartwright, Secretary

Valerie Taylor, Treasurer

Joan Boutilier Vickie Maybury

Annika Dellås Janice McKenna

Elaine Hamilton Mary Teed

Jenny Harris

EDUCATION DIRECTION COMMITTEE

Marcia Pinvidic, Chair

Joan Boutilier Diane Porsch

Anne Downton Valerie Taylor

EDITORIAL REVIEW BOARD

Joan Boutilier Beth Paul

JD Crowe Kate Towne

Michelle Neller

Advertising

• communications@sweetadelines.com Direct all correspondence, editorial copy and photographs to communications@sweetadelines.com.

Deadlines are 60 days prior to publication. Not all submissions will be published.

From Our President

Celebrating Sweet Adelines: Tradition and Innovation

As we approach the International Convention and Competition in Kansas City later this month, there is much to celebrate. Convention is not only a time for incredible performances but also a chance to reconnect with our Sweet Adelines friends from around the world. Convention reminds us that Sweet Adelines is far more than our local chorus; it’s a worldwide organization where friendships transcend borders. It’s an opportunity to connect with members from across the globe, forming bonds that last a lifetime.

This issue highlights some of the events, programs, and lessons designed to keep Sweet Adelines motivated and singing!

The connections made during conventions create memories and bonds that last a lifetime. This year, with the rollout of Mission: Retention, we’ve focused on how crucial it is to engage members, ensuring they feel connected, needed, and valued all year round. When members feel involved, they’re far more likely to stay. The Mission: Retention initiative provides tools and ideas to help keep members engaged. Read more on page 18.

Earlier this year, nearly 300 directors, musical, and visual leaders gathered in Tulsa, Oklahoma (USA), for the Directors and Visual Leaders Seminar (DVLS). A highlight of the event was welcoming over 150 Sweet Adelines to International Headquarters for a self-guided tour. Visitors had the chance to meet the staff and explore cherished displays, including the champion doll collections and the brick patio honoring Sweet Adelines members from around the world. The joy was palpable, and many expressed excitement at finally visiting headquarters after being members for many years. Read more on page 32.

Our latest philanthropic initiative, A Lifetime of Sweet Adelines is exemplified by the two quartet contests that occurred during DVLS: Rising Star and Diamond Division. Read more about the champions on pages 10 and 14.

At the Kansas City convention, the creativity and talents of our members will be on full display. We’ll hear phenomenal barbershop singing, but we’ll also experience a variety of a cappella styles woven into performance packages— showcasing our versatility as an organization.

Many of us already embrace a variety of musical styles in our repertoires, from traditional barbershop arrangements to gospel, jazz, or modern a cappella songs. This diversity is often showcased in Open Division and International Entertainment Packages, where choruses and quartets blend barbershop with other a cappella genres. These creative packages highlight our versatility, allowing us to stay rooted in barbershop while exploring new musical horizons. We see this variety not only in competition but also in community performances, where we engage audiences with diverse musical offerings.

Our mission—Elevating women singers worldwide through education, performance, and competition in barbershop harmony and a cappella music—comes to life through our guiding principles. The focus of one of our Guiding Principles is Musical Excellence, which calls on us to honor artistry, education, and innovation in women’s a cappella performance while remaining steadfast champions of the barbershop style. Barbershop style is celebrated in our official organizational songs. Read more about them on page 48.

As part of DVLS, we spent an insightful day with a cappella arranger/producer Ben Bram. His sessions were both enlightening and inspiring, as he demonstrated how vocal techniques can be employed in other styles of a cappella music. While we’re expanding our skill set to include other a cappella techniques Ben reassured us that barbershop remains at the heart of what we do. Incorporating a variety of a cappella skills allows us to both preserve and elevate our beloved art form while broadening our musical horizons. You can read more about our day with Ben on page 38.

As Sweet Adelines continues to evolve, we celebrate what makes us unique—musical excellence, our rich barbershop tradition, and the friendships that bind us. By embracing new techniques and styles while staying true to our roots, we are setting the stage for a bright future filled with innovation and harmony.

In harmony, Mary Rhea

Wear – or carry – your Sweet Adelines pride with you wherever you go! Find popular and new Sweet Adelines merchandise at International Sales in the Harmony Bazaar in Kansas City. All prices in USD.

Kansas City Collectibles

1. Tote Bag $18

The Sweet Adelines tote bag is roomy and ready for all you need to carry.

2. Charm $7

It's a tradition! Add to or start your collection of charms.

items in the Sweet Adelines store!

3. Clear Bag $10

Just the essentials...clearly.

4. Humidifier $20

Light up your life. Hydrate your chords.

Sling Pack $13.50 Sling it over your shoulder and go!

Phone Charger $15 Never miss a post! Stay charged.

Hello Sweet Adelines,

The staff members of Sweet Adelines International Headquarters are dedicated to supporting our members. In the past few issues of The Pitch Pipe, I have dedicated this space to introducing you to the headquarters staff by department.

In this issue, I would like to introduce our Marketing Communications department and our Sales Manager.

The Marcom Department creates the overall marketing plan for the organization and develops campaigns to retain current members and recruit new members. The department is also responsible for the promotion of all Sweet Adelines events through email, social media channels and printed marketing materials. They also create and manage all member publications including The Quarter Note, The Pitch Pipe, Membership Briefing, The Overtone Visionaries Report and other newsletters. In addition, the Marcom Department manages the webcast at international convention.

Sales Manager Michelle McCord processes all orders (approximately 400-700 a month!), handles incoming and outgoing mail, orders all products for sales, and assists with music services.

We asked them what they look forward to most about the Sweet Adelines International Convention & Competition.

Kim Berrey, Director of Marketing

I look forward to seeing the fruition of months of hard work, from competitors’ preparation to staff putting all the parts together to pull off an event that our members look forward to every year to compete and reconnect with friends.

Lauren Stark (PCM), Assistant Director of Marketing

I look forward to being surrounded by the amazing, joyful energy of thousands of Sweet Adelines. There’s nothing like it!

From Our CEO

Marketing Communications and Sales

left to right: Stacy Pratt, Michelle McCord, Lauren Stark, Hailey Bradshaw, Ben Larscheid, Kim Berrey

Ben Larsheid, Graphic Designer

Convention is exciting! Everyone is so happy to be there, and I get to meet a lot of singers whose photos and stories I’ve worked with over the years.

Stacy Pratt, Staff Writer

I look forward to the incredible performances, and I’m always excited to find out who I will be interviewing for champion profiles in The Pitch Pipe. I am honored to help make sure Sweet Adelines stories are celebrated and archived!

Hailey Bradshaw, Marketing Coordinator

I’m looking forward to seeing all the members' happy faces and watching some great performances.

Michelle McCord, Sales Manager

It’s a joy to see and interact with our wonderful members at convention. They have such passion and dedication for the organization. I have members who come and find me just to say hi. I always enjoy visiting with them and hearing stories. And of course, there are lots of laughs to be had!

Thank you to these amazing team members and all they do for Sweet Adelines International.

In harmony,

Tammy Talbot

Nominees for the 2025–2028 Sweet Adelines International Board of Directors

The election of the International Board of Directors is determined by the votes of our members at the chapter level (and remember as a Chapter-at-Large or Member-atLarge, we need your vote too!). We appreciate your attention to last year's election and strongly encourage you to make sure that your chapter is represented as part of this important process.

This election will fill three expiring board terms, beginning May 1, 2025, and ending April 30, 2028. Ballots are due at international headquarters by 3 p.m. Central Time (9 p.m. UTC), Wednesday, December 4, 2024.

Thérèse Antonini

North Metro Chorus • Region 16 31-year member

EDUCATION: Post Secondary Diploma in Computer Programming and Business Systems Analysis, College Certification in Adult Learning

SPECIALIZED TRAINING: PROSCI Change Management (ADKAR), P2P Certification in Project Management, Authenticity Facilitator

CURRENT AND PAST OCCUPATIONS: Current – Learning Management System Specialist, IT Consultant. Past – All aspects of Information Technology from Computer Programming through to Project Management

LIST FIVE SIGNIFICANT LEADERSHIP ROLES YOU HAVE HELD IN SWEET ADELINES INTERNATIONAL: President for Assiniboine and Prairie Gold Chapters, Membership Coordinator for Assiniboine Chapter, Events Coordinator for Region 26, International Secretary, International President

HOW DO YOU FEEL YOU CAN CONTRIBUTE TO SWEET ADELINES INTERNATIONAL AS A MEMBER OF THE INTERNATIONAL BOARD OF DIRECTORS? During my time on the IBOD, I have developed a strong understanding of how important it is that we maintain a strategic level of thinking and decision-making, and I am committed to ensuring my contributions at the table support follow that model.

WHAT SPECIFIC SKILLS, IDEAS TALENTS, ETC., WOULD YOU BRING TO THE INTERNATIONAL BOARD? I have the ability and desire to bring new ways of approaching board service to the IBOD table. I am always looking for opportunities to expand my own thinking in new innovative ways that add value to my Board service.

WHAT IS YOUR VISION FOR THE INTERNATIONAL ORGANIZATION? I envision an organization that attracts vibrant, talented members because we are seen as a pivotal force in the lives of our members and our communities around the globe. An organization where we are welcomed, encouraged to grow, and celebrated as our authentic selves.

WHAT SHOULD BE THE PRIORITIES FOR THE INTERNATIONAL ORGANIZATION OVER THE NEXT FIVE TO 10 YEARS? It will be most important that we, as an organization, create meaningful connections with and among our members – former, existing and future. We need to provide opportunities for

members to share what is most important so we can deliver membership that is of great value.

DESCRIBE WHAT YOU THINK SWEET ADELINES INTERNATIONAL WILL BE LIKE 25 YEARS FROM NOW: We will be a highly respected organization in both the musical and non-profit communities. The impact of the great value that membership brings to our individual members will extend beyond them, and through them will bring positive influence into all aspects of our society.

EDUCATION:

Jenny Harris

The Annapolis Blend (director), Harbor City Music Company (member) Region 19 21-year member

Univ. of Oklahoma; graduate from Nathan Hale High School, Tulsa, OK.

SPECIALIZED TRAINING: Front-line, mid-level and executive management, communication, presentation skills, business writing, change management, situational leadership, conflict management, emotional intelligence, mentoring, teaming.

CURRENT AND PAST OCCUPATIONS: Retired June 2013. National Security Agency 1989–2013, GS-15 Upper-Level Manager, organizational Chief of Staff, Budget Officer, Mathematician.

LIST FIVE SIGNIFICANT LEADERSHIP ROLES YOU HAVE HELD IN SWEET ADELINES INTERNATIONAL: Member, International Board of Directors, 2019-present; Secretary, International Board of Directors, 2022–2024; Task Force Specialist and Resource 2020–present; Director, The Annapolis Blend, 2018–present; Various Task Forces, sub-committees, etc. 2018–present.

HOW DO YOU FEEL YOU CAN CONTRIBUTE TO SWEET ADELINES INTERNATIONAL AS A MEMBER OF THE INTERNATIONAL BOARD OF DIRECTORS? I’m eager to continue bringing fresh perspectives and ideas to the table related to social and cultural change and growth for the organization. I hope to continue bringing my skills to bear on our organization’s challenges, especially those unique to small chapters around the world.

WHAT SPECIFIC SKILLS, IDEAS TALENTS, ETC., WOULD YOU BRING TO THE INTERNATIONAL BOARD? I’m a people-focused, service-minded leader who establishes a vision, creates a positive can-do environment, and leads others in

Bachelor of Science in Mathematics,

action to achieve goals. I’m an organized, energetic, and efficient critical thinker, and a compassionate and collaborative teammate. I love tapping into the passion and creativity of others to help them succeed.

WHAT IS YOUR VISION FOR THE INTERNATIONAL ORGANIZATION? Ideally, we’ll expand membership in two dimensions: wider geographical reach, and richly diverse and inclusive connections within our existing communities. We’ll give more educational opportunities to more members in ways that meet their lifestyle needs. We’ll continue to raise the bar on musical entertainment.

WHAT SHOULD BE THE PRIORITIES FOR THE INTERNATIONAL ORGANIZATION OVER THE NEXT FIVE TO 10 YEARS? Continuing our work in the Diversity, Equity and Inclusion sphere; Developing modernized membership options; Continually evolving marketing efforts; Reaching members where they are with programs that meet their needs; Education programs that can be accessed online

DESCRIBE WHAT YOU THINK SWEET ADELINES INTERNATIONAL WILL BE LIKE 25 YEARS FROM NOW: We’ll be thriving and growing, with a diverse membership who feel empowered to explore themselves artistically. We’ll have maintained excellence in barbershop style while celebrating success in other a cappella genres. We’ll have successfully adapted to the changing needs of our members (membership options, technology usage, funding models, etc.).

Jean Schoenlank

Harmony Celebration Chorus Region 15 38-year member

EDUCATION: Bachelors in education, Bucknell University; Masters in Curriculum and Learning Environments, Harvard University; Doctor of Education in Educational Leadership, Seton Hall University

SPECIALIZED TRAINING: New Jersey Leaders 2 Leaders Mentoring Program for new administrators, Clinical Supervision of aspiring teachers, various learning styles programs.

CURRENT AND PAST OCCUPATIONS: Retired Elementary School Principal; Current Adjunct Professor of Education, William Paterson University

LIST FIVE SIGNIFICANT LEADERSHIP ROLES YOU HAVE HELD IN SWEET ADELINES INTERNATIONAL: Regional Leadership Committee, 2022–present; International Nominating Committee, 2021; Region 15 Education Coordinator, 2017–2024; Regional Faculty Member, 2012–present; Chorus Lead Section Leader/Music Team Member, 2008–present

HOW DO YOU FEEL YOU CAN CONTRIBUTE TO SWEET ADELINES INTERNATIONAL AS A MEMBER OF THE INTERNATIONAL BOARD OF DIRECTORS? I am an enthusiastic, intelligent, compassionate leader with a good sense of humor. As a leader in my chosen profession and in my region, I have always focused on bringing people together around a common goal, working towards consensus for the good of everyone, using effective communication skills.

WHAT SPECIFIC SKILLS, IDEAS TALENTS, ETC., WOULD YOU BRING TO THE INTERNATIONAL BOARD? As a longtime member of SA, I possess a deep knowledge of its history while appreciating the changes that have taken place. I can

see the big picture while also identifying the details to get us there. I bring tried and true leadership strategies and a healthy perspective wherever I go!

WHAT IS YOUR VISION FOR THE INTERNATIONAL ORGANIZATION?

To foster a community that encourages its members to grow as singers, musicians, and leaders, bringing more people into the world of barbershop harmony who will take the initiative to keep adapting and growing.

WHAT SHOULD BE THE PRIORITIES FOR THE INTERNATIONAL ORGANIZATION OVER THE NEXT FIVE TO 10 YEARS? Membership growth is essential to our future, so we must keep finding ways to share what we do in innovative ways. Retention is equally important. The singers themselves make our organization special; therefore, we need to be open, inclusive, caring, and encouraging through education and outreach.

DESCRIBE WHAT YOU THINK SWEET ADELINES INTERNATIONAL WILL BE LIKE 25 YEARS FROM NOW: The past twenty-five years have gone quickly, and we faced challenges we couldn’t have imagined. I think Sweet Adelines International will continue to be resourceful and creative as an essential musical outlet for thousands of singers around the world, adapting to the world as it continuously changes.

Valerie Taylor

Vocal Dimension Chorus • Region 31 27-year member

EDUCATION: Law degree from King’s College London, postgraduate legal practice qualification, postgraduate diploma in intellectual property, postgraduate qualifications in privacy and freedom of information law.

SPECIALIZED TRAINING: Charity Trustee Training (National Council for Voluntary Organizations). The Role of a Non-Executive Director (Whitehall & Industry Group). Estill Voice Training Levels I & II

CURRENT AND PAST OCCUPATIONS: Privacy lawyer in private practice and industry; independent privacy law consultant (2002 to date). Board member of Making Music, a UK charity with over 250,000 members that supports amateur music groups (2015 to date).

LIST FIVE SIGNIFICANT LEADERSHIP ROLES YOU HAVE HELD IN SWEET ADELINES INTERNATIONAL: IBOD Member and International Treasurer, Education Direction Committee member, Certified Sound Judge and Panel Chair, Master Director of Vocal Dimension Chorus, Director Certification Program Review Committee member.

HOW DO YOU FEEL YOU CAN CONTRIBUTE TO SWEET ADELINES INTERNATIONAL AS A MEMBER OF THE INTERNATIONAL BOARD OF DIRECTORS? As a current Board member, I have a lot more to give to this organization that I feel so passionately about. I have a breadth of experience as a director, singer, coach, Sound judge – and lawyer – that brings a unique perspective. I seek to work collaboratively to achieve shared goals.

WHAT SPECIFIC SKILLS, IDEAS TALENTS, ETC., WOULD YOU BRING TO THE INTERNATIONAL BOARD? I bring clarity of focus balanced with compassion, pragmatism and a healthy dose of realism. As well as project management and governance skills, I can provide the vision and leadership to help guide the future direction of the organization. Strong interpersonal skills mean I can connect with people at all levels.

WHAT IS YOUR VISION FOR THE INTERNATIONAL ORGANIZATION?

Our organization will set the global standard for a cappella singing, enriching singers’ lives both musically and personally. There will be competition and performance opportunities to suit all members. Membership will increase in current SA regions, and we will expand in other locations, increasing our diversity and reach.

WHAT SHOULD BE THE PRIORITIES FOR THE INTERNATIONAL ORGANIZATION OVER THE NEXT FIVE TO 10 YEARS? To spread the word about the opportunities provided by our organization for personal growth, musical expression and performance in both barbershop and a cappella music. The resulting increase in participation will help ensure the continued success and financial stability of our organization.

DESCRIBE WHAT YOU THINK SWEET ADELINES INTERNATIONAL WILL BE LIKE 25 YEARS FROM NOW: SA will offer unparalleled musical, educational and leadership opportunities using a variety of flexible membership models. Continued growth will allow increased investment in member services. The organization will flourish as the sense of community provided by chorus membership becomes increasingly valuable. The future is full of exciting opportunities!

Mary Teed

Alberta Northern Lights Chorus Region 26 30-year member

EDUCATION: High school and many, many educational courses over the years

SPECIALIZED TRAINING: Numerous managerial courses, dealing with difficult people/conflict management, communication and negotiation, time management, basic bookkeeping, accounts receivable and payable, appointment book control, computer training, countless Sweet Adeline workshops, IES, Director Training, Certified Director (23 years), RMT training and International Conventions.

CURRENT AND PAST OCCUPATIONS: Office administrator (dental office), computer software/hardware sales and training. (dental field), car dealership office manager, various sales and administrative positions.

LIST FIVE SIGNIFICANT LEADERSHIP ROLES YOU HAVE HELD IN SWEET ADELINES INTERNATIONAL: IBOD member 2023–2025, International Membership Retention Committee – Chair, Regional Education Coordinator (3 years), Regional Director Coordinator (6 years), Regional Education Faculty (23 years)

HOW DO YOU FEEL YOU CAN CONTRIBUTE TO SWEET ADELINES INTERNATIONAL AS A MEMBER OF THE INTERNATIONAL BOARD OF DIRECTORS? As an IBOD and former RMT member, I offer valuable insights. My role as chair of the Membership Retention Committee has provided a global perspective and understanding of our members' needs and growth strategies. I thrive on contributing to decisions and strategies that propel us forward in an ever-changing world.

WHAT SPECIFIC SKILLS, IDEAS TALENTS, ETC., WOULD YOU BRING TO THE INTERNATIONAL BOARD? My strong organizational and leadership skills are a great fit for the governing body of the board. Renowned for creative, visionary approaches, I embrace the limitless potential of possibilities as we embark on courageous and forward-thinking decision-making. Infusing board discussions with optimism, analytical prowess, curiosity, and open-mindedness enhances our progress.

WHAT IS YOUR VISION FOR THE INTERNATIONAL ORGANIZATION? My vision is to grow Sweet Adelines' reach and impact around the world by amplifying our proven strengths in harmony singing. Creating more opportunities for members to inspire and empower communities we can expand access to the joy of singing and the myriad opportunities it brings for a fulfilling life.

WHAT SHOULD BE THE PRIORITIES FOR THE INTERNATIONAL ORGANIZATION OVER THE NEXT FIVE TO 10 YEARS? The sky’s the limit if we drive membership growth, expand globally and embrace diversity and inclusion and nurture both diverse musical expression and musical excellence. Our guiding principles empower us to deliver increased value and opportunities to our vibrant and inclusive communities, pivotal for member retention and sustained growth.

DESCRIBE WHAT YOU THINK SWEET ADELINES INTERNATIONAL WILL BE LIKE 25 YEARS FROM NOW: In 25 years, Sweet Adelines will be stronger than ever! We are a financially sound and educationally strong organization. Our membership will continue to flourish and empower an even greater diversity of singers and repertoire. With our excellent educators and high achieving performances, Sweet Adelines International will be in the forefront of all world class a cappella organizations.

REMEMBER:

Ballots are due at international headquarters by 3 p.m. Central Time (9 p.m. UTC), Wednesday, December 4, 2024.

QUESTIONS?

Call headquarters at 1.800.992.7464 or 1.918.622.1444 or email corp_secy@sweetadelines.com.

H a n d c r a f t e d

b a t h a n d b o d y

p r o d u c t s

t h a t a r e

a l l - n a t u r a l ,

s o o t h e t h e s k i n ,

p r o m o t e w e l l - b e i n g ,

n u r t u r e t h e b o d y ,

a n d p l e a s e t h e s o u l . F

B a t h & B o d y w w w . l a v e n d e r s b l u e h o m e a n d b o d y . c o m

A Light in the Darkness

2024 Rising Star Champion Radiant Quartet

Radiant Quartet’s been a little busy this year. Prior to winning the 2024 Rising Star Quartet Contest, they won the Region 9 quartet competition, securing them a spot on the international stage in Kansas City. They came in fifth in Barbershop Harmony Society’s Next Gen Quartet Contest. Two of them also sing in Toast of Tampa Show Chorus, and one is preparing to join. Three of them graduated from college, and one

All the singers in Radiant started as students of the indomitable two-time Queen of Harmony Debbie Cleveland (“the BUZZ,” 2005 and Showtime, 1994).

of 2024 Diamond Division Champion Bubbly

top-five quartet Blaze. She also sang in Region 9 quartet Ringtones with her mother. Abbie works

to fellow barbershopper Marshall Crowl of 2024

“Hannah and I found barbershop through Debbie Cleveland’s barbershop harmony club,” says Emma. “We formed a little quartet in high school called Singing Double, an identical twin quartet.”

Abbie had competed against Singing Double before, and she says she “had always wanted to sing with the twins.” When they were available to form Radiant, she knew she was in for a special musical experience.

Emma and Abbie both got emotional when speaking about the musical and emotional bond between sisters Emma and Hannah.

quartet, Seeing Double was made up of two sets

in society. She is not currently singing in Toast of Tampa because she’s finishing a nursing degree in quartet singer, Katie has been Radiant – with all

from Florida State University with a Bachelor of Science in psychology with a minor in child development. A move across state means she’ll soon be a member of Toast of Tampa Chorus!

“There's honestly no other feeling like singing with her because I trust her and I know her with all of my soul in my heart,” says Emma. “I'm so proud of her, and it’s just such a special experience to sing and create art with the person I'm closest with in the world.”

“Even at rehearsal you can feel the energy between them,” says Abbie. “Right before we're going on stage, we're all just shaking. And seeing that bond between them, how they calm each other, calms me and Katie as well.”

Singing Double last competed in Rising Star in 2019, coming in fifth, with Abbie’s quartet, Blaze, coming in fourth. In 2023, Radiant came in second. They are elated to be this year’s champion.

“Hearing our name called as the winners was an incredibly surreal experience since this was something we have been dreaming of for quite some time,” says Hannah. “We felt overwhelmed with the support and love from our Sweet Adelines friends and family.”

That support allows them to live their quartet life to the very fullest – which is important to them.

“Radiant is something very special,” says Abbie. “We are young, and who knows where we'll end up? But for right now, we're together. If we don't dive headfirst into everything, we may never get this chance again. We did all the competitions we could because you never know what will happen. It’s important to do the things you love with the people you love as soon as you can.”

Radiant has won a lot of medals this year, and they hope to have more in their future, but the quartet’s ultimate goal is reflected in their name.

"We just want to be a light in the darkness and just sing our hearts out,” says Abbie.

2024 Rising Star Results

2nd Place

Knock Knock!

Song of Atlanta Chorus

Sandy Springs, Georgia, USA

Tenor: Haley Patrick

Lead: Brooke Reyes

4th Place

Baritone: Mollie Torres

Bass: Ashlynn Blaha

Sunshine Sisters Augusta High School Augusta, Kansas, USA

Tenor: Kyndall Dodds

Lead: Brooklyn Jones

Stars to Watch

Baritone: Emma Neuschafer

Bass: Giselle Mestas

Interstellar

Cedar Creek High School

Cedar Creek, Texas, USA

3rd Place

Counterpoint Golden, Colorado, USA

Tenor: Molly Rymes

Lead: Jamie McIntyre

5th Place

Perpetual Sound

Note-ably North Texas, Rich-Tone, and Sooner Sensations Chorus

Tenor: Nicole Gray

Lead: Kristina Henderson

2025 Rising Star Quartet Contest August 2, 2025 • Tulsa, OK

Contest Entry Opens

January 2025

Tenor: Mia Benavides Lead: Anabel Bordelon

Baritone: Elizabeth Castillo Bass: Steely Bastian

Baritone: Diane McGuire Bass: Kianna Montanez

Baritone: Rhianna Spong Bass: Holly Vose

Barbershop is Family!

Diamond Diamond •DIVISION•

Sweet Adelines are family…sometimes literally! Many Sweet Adelines come from barbershop families or sing alongside relatives in choruses and quartets. For the first time, the Diamond Division and Rising Star Quartet Contests have mother-daughter champions!

Abbie Owens, tenor of Rising Star Champion Radiant Quartet, is the daughter of Lana Owens, baritone of Diamond Division Champion Bubbly Quartet! The duo also sing together in Toast of Tampa Show Chorus, as does Lana’s other daughter, Abbie’s sister.

“We definitely learn from each other,” says Abbie. “Radiant learns a lot from watching Bubbly because they're just much more mature and experienced. We can take those lessons from them, and they combine their experience with our youthful energy. I have coached Bubbly a couple of times, and it's fun. We get to share tips and tricks from each other.”

Lana says singing together allows her to see her grown daughter as a musical peer – but the mother-daughter connection is never

lost. After all, she was the barbershop mom who cheered on her daughter at four Rising Star contests prior to this one!

“My husband is a band person, and all four of our kids can sing and play an instrument, but Abbie was always so much more about being a singer,” says Lana. “She joined Toast of Tampa when she was 10 and went to Rising Star for the first time when she was just 15. I see the growth in her, and it's so exciting. I'm just so proud of her and to be there with her, then to have her in the room and cheering us on in Diamond Division was just so exciting.”

Carol Beckmann, lead of Bubbly, says, “I get emotional watching them. They have this cute thing they do when we're singing. Abbie always screams out, ‘That's my mom,’ when we’re onstage. And of course when Abbie's singing, Lana is like, ‘That's my kid!’ They’re just so cute together and watching them is very emotional. It really is very special.”

You can't make a Toast without Bubbly!

2024 Diamond Division Champion Bubbly Quartet

What a year it’s already been for Bubbly Quartet! This proud Toast of Tampa Show Chorus foursome came together in 2023, took home second place at Region 9’s competition in March (one of their own daughter’s quartets took first!) and then won a stacked Diamond Division Quartet Contest in July. But they’re not finished yet. Their regional placement earned them a Wild Card invitation to compete later this month in Kansas City at the Sweet Adelines International Quartet Competition.

As their name implies, Bubbly brings an effervescent energy to the stage – but that effortless-seeming joy is the result of long singing careers filled with education, dedication, and gratitude.

Meet the Members of Bubbly!

Dana celebrates her 20th anniversary of being a Sweet Adeline in 2025! She is a second-generation barbershopper. The weekend of the Diamond Division Quartet Contest, Bubbly visited Sweet Adelines Headquarters in Tulsa, Oklahoma, where Dana found a photo of her mother’s (Anne Costa) first quartet, the Chord Weavers, in a 1950s issue

Bubbly also appreciates the support of family and friends.

“I think each of us comes with our own villages, besides our chorus,” says Dana. “The tentacles reach far and wide in the Sweet Adelines community. We really have a lot of resources amongst us.”

“I don't know what other types of singing have the kind of support we have in barbershop,” says Lana.

Carol is a first-generation Sweet Adeline and has been a member for almost 30 years! Her daughter,

their sound. Lana notes that the Barbershop Harmony Society (BHS) chorus that Tony directs, Heralds of Harmony, “was an

“Barbershop is a lifelong thing”

“I find that many opportunities in life come just when you think you’re finished,” says Gari, who as the eldest calls herself “the most sparkling of Diamonds.”

“I was thinking, ‘Well, I'm done quartetting or, at least high-level competitive quartetting. It was wonderful. I'm moving on,’” she says. “And then the opportunity to sing with Bubbly came along!”

“You get to a certain age, your voice may be changing a little bit and you start to think, ‘Okay, maybe I'll just sing in the chorus now.’ And all of a sudden there's hope and opportunity to not only sing at a great level, but also compete and further your musical journey,” says Carol. “Diamond Division is just so special, so warm, and rewarding. We're so lucky we have a hobby that fuels us at any age, so we should take advantage of it and enjoy it!”

Dana agrees.

“I love that Diamond Division is paired with Rising Star because you can see the continuum – that you can do this as a 15 or 16-year-old, or you can do this as a 70-year-old,” says Dana. “Barbershop is a lifelong thing.”

“In Bubbly, we have something that is just so special,” says Lana. “We get along, we laugh, we love, we cry. We are so close and were just so excited about this contest. And then we won! We are just over the moon.”

2nd Place

2024 Diamond Division Results

Tenor: Tracy Ferdman

Lead: Gayle Burton

4th Place

Baritone:

3rd Place

5th Place

2025 Diamond Division Quartet Contest

August 1, 2025 • Tulsa, OK

Contest Entry Opens

January 2025

Shine! • Coastal Harmony, #9

Just 4 (Kicks) • Greater NY/NJ, #15

Whimsy • Midwest Harmony, #3

Treble in the Village • Heart of America, #25

Cindy Doerschuck Bass: Quay Houchen

Tenor: Diane Sussuma Lead: Jean Schoenlank

Baritone: Katie Blackwood Bass: Beth Fulton

Tenor: Vicki Jernas Lead: Kristin Farwig

Baritone: Christine Dunham Bass: Debi Batchelor

Tenor: Kathy Allison Lead: Patty Barnes

Baritone: Kristi Ponder Bass: Sharon Gardner

Your Challenge, Should You Choose to Accept It:

Over the past two years, we've been igniting the sound and welcoming new members. Now, it's time to focus on keeping those members engaged and inspired! Work with your chorus through monthly challenges, each crafted with retention best practices in mind.

How It Works:

Each month, Sweet Adelines International will issue a unique challenge focused on retention strategies. Your chorus will have one month to complete the mission and submit your entry to member@sweetadelines.com.

Incredible Prizes Await:

Monthly Drawings: Every chorus that participates in the monthly challenge will be entered into a drawing for a prize of $500 USD.

Grand Prize Opportunity: At the end of Mission: Retention, twelve random choruses will be selected from all the monthly entries to win $1,000 USD each.

Bonus Entries: Complete all twelve challenges, and your chorus will receive five bonus entries for the grand prize drawing, significantly increasing your chances of winning!

For more information and to get started, please check out our Rules and Regulations at www.sweetadelines.com/mission-retention.

AUGUST 2024 CHALLENGE

LET’S GET DOWN TO BASICS

In August, choruses were challenged to "get down to basics" by creating a Mission and Vision Statement. The winner, chosen by random draw was...

SEPTEMBER 2024 CHALLENGE

TELL ME WHAT YOU WANT, WHAT YOU REALLY, REALLY WANT

In September, choruses were challenged to find out what their members "really, really want" by creating and distributing member satisfaction surveys. The winner, chosen by random draw was...

EVERGREEN CHORUS

OCTOBER 2024 CHALLENGE

WEBCAST WATCH PARTY

In October, it’s time to party… Webcast Watch Party!

This month’s challenge, should you choose to accept it, is to host a webcast watch party during the Sweet Adelines International Convention & Competition. Watch your email for all the details!

Make a difference on the DEIC!

Apply to join the Diversity, Equity, and Inclusion Council.

Are you passionate about fostering diversity, equity, and inclusion within Sweet Adelines International? Do you believe in creating a welcoming and supportive environment for all voices? If so, we invite you to be a part of something transformative by applying to serve on the Sweet Adelines International Diversity, Equity, and Inclusion Council (DEIC). We are seeking three new DEIC members for a term that will run from May 1, 2025, through April 30, 2028.

Who We Are:

The DEIC is responsible for ensuring that diversity, equity, and inclusion remain a priority for Sweet Adelines International and for advancing DEI across our global community of singers.

What We Do:

• Support Sweet Adelines International in pursuing ongoing growth in our principles of Culture of Belonging and Diversity & Inclusion.

- Culture of Belonging: We create harmony where every voice matters. We foster a culture that provides a joyful place to share our uniqueness within a global community united in song.

- Diversity & Inclusion: We celebrate our differences as essential to the rich harmony that unites us. As we recognize barbershop’s African American origins and learn from our exclusionary past toward women of color, we reject discrimination and unwaveringly strive toward greater awareness, openness and understanding of each other.

• The mandate of the Council is “to ensure that diversity, equity & inclusion remain a priority for Sweet Adelines International,” including providing input to the International Board of Directors (IBOD) for organizational strategic plans related to DEI goals.

• Provide input to the Educational Direction Committee, Regional Leadership Committee, and Membership Retention Committee regarding DEI-related topics.

• Meet three times a year (two virtual meetings, one in person at Sweet Adelines International Headquarters in Tulsa, Oklahoma USA), with ongoing communication and subcommittee tasks in between meetings.

• Serve a three-year term

Who We're Looking For:

The DEI Selection Committee will be looking for volunteers who have a passionate interest in advancing DEI in Sweet Adelines International, accompanied by a strong commitment to our

Guiding Principles, especially those of Culture of Belonging and Diversity and Inclusion. As with all Sweet Adelines committees and task forces, appointees must be Sweet Adelines members in good standing.

In addition, there are foundational requirements that we consider critical to success:

• an open heart

• an open mind

• a passion for Sweet Adelines International as an organization

• a commitment to service

• a willingness to engage in respectful discussion

How to Get Involved:

If you're ready to contribute your voice to this important work, we encourage you to apply to join the Sweet Adelines International DEIC. Your unique perspective and dedication will help us build a stronger, more inclusive community where every voice can shine.

DEIC applications are due November 17, 2024.

Following the receipt of applications and appropriate confidential appraisals, the DEI Selection Committee will meet and select candidates for interviews, conduct the interviews (expected to be scheduled January 2025), meet to discuss the interviews, and make their recommendations to the IBOD for discussion at their March 2025 meeting. Following the board meeting, the international president will contact the three appointees, and the selections will be announced along with the other 2025-26 committee members.

For more information and to apply, visit the Diversity, Equity, & Inclusion page of the Sweet Adelines International website. Together, we can make music that resonates with everyone!

Gretchen Streett and Katie Fritz are members of the Sweet Adelines International DEIC. Gretchen sings with 2024 Harmony Class Division AA Champion Melodeers Chorus (#3), and Katie sings with Idaho Falls A Cappella Chorus (#8).

IHarmonizing Hearts and Minds

n the heart of Richmond VA, the Greater Richmond Chorus (GRC) strikes a chord that resonates far beyond their harmonious melodies. They have found a unique way to live out two of their core values, Connection and Joy, by bringing singing programs to assisted living communities and seniors living with dementia. Under the dedicated leadership of their director, Vera Crouse, who also works full-time in the field of memory care (when she’s not singing, leading her chorus, or coaching other ensembles), GRC brings the gift of music to those whose memories need a gentle nudge. This incredible program is called Singing Down Memory Lane, and it is in high demand.

For residents in memory care communities, days can often blur together with past and present mingling in a haze. However, GRC dances in and brings with them far more than just beautiful harmonies. They bring a bridge to the past, ignite sparks of recognition, and create joyous connections. Through the power of song, GRC uncovers memories long tucked away, bringing smiles, laughter, and even a few tears of happiness to those who may struggle to recall yesterday but can vividly remember the lyrics to Let Me Call You Sweetheart.

Vera, GRC’s director, understands better than most about the profound impact music can have on cognitive function and emotional well-being. With a deep empathy and a boundless passion for both music and care, she spearheads these visits and ensures that each musical session is not just about entertainment, but also about creating moments of meaningful interaction.

Singing Down Memory Lane is a themed musical program featuring beloved, timeless tunes that resonate with the residents. Equipped with lyric sheets, song recordings, and engaging topics to reminisce, Vera and GRC volunteers bring the joy of movement, melody, and shared memories to life, creating a vibrant community experience. “After transitioning into the field of senior care and engagement, I had the pleasure of working directly with one of the founding members of our chorus. I then started Singing Down Memory Lane in the senior community where she would reside so that she could make friends with other residents and to provide comfort during the transition for both her and her family. What a gift it’s been to share music with so many wonderful people,” said Vera.

While visiting senior living neighborhoods, GRC achieves Connection and Joy by intentionally engaging with the residents, encouraging them to sing along, clap their hands, or to simply tap their feet to the rhythm. It’s in these shared moments of music that residents feel a part of something larger, something beautiful and alive. They are not just audience members; they are participants in a communal experience that celebrates their lives and memories.

For the participating chorus members, the experiential joy is twofold. There is the immediate sense of joy when they see a resident’s eyes light up as they recognize a familiar tune, and there is the deeper, lasting joy that results from knowing they’ve made a real difference in someone’s day. Singing songs from decades past, the chorus evokes memories of dances, weddings, and simpler times, creating an emotional tapestry that is both poignant and uplifting.

For GRC, these visits are not just about performing, they are truly about connecting. They create a space where memories can dance again, where the past is as vivid as the present, and where everyone, for a few cherished moments, feels the embrace of a shared human experience.

As the final notes of each Singing Down Memory Lane performance linger in the air, there is a collective sense of fulfillment. The residents, touched by the familiar melodies, often express their gratitude through smiles, tears, and applause. The chorus members, in turn, leave with their hearts full, knowing that through their music they have brought a bit of joy and a lot of connection to those who need it most.

GRC is making a harmonious impact, one song at a time, and creating unforgettable moments for memory care residents and themselves alike.

Want to start Singing Down Memory Lane in your community? Reach out to the Greater Richmond Chorus for more information. You can find contact information on their website, www.grcsings.com.

Christy Roberson is a member of Greater Richmond Chorus (Region 14).

All Kinds of Love!

Reflections on the Sweet Adelines experience

Afew years ago, at the age of 67, I joined a matchmaking service and I started thinking a lot about love. Ancient Greeks used many different words for love. These include agape (a parental or spiritual love), philia (for friendship and affection), storge (the love for family), and eros (passionate, romantic love). And what does this have to do with singing barbershop? Well, if you’re a Sweet Adeline, you probably already know the answer.

Having just spent several days in May with approximately 500 women from Region 15 at our annual convention in Albany, New York, I can testify that I have experienced true love.

But let me back up a little to the summer and fall of 2023. One of my choruses, Greater Nassau (I am a dual member along with Long Island Sound Chorus), had won our regional competition the year before, and we were off to Louisville, Kentucky, for the international convention. It was crunch time, and everyone was feeling the pressure. We all wanted to do really well! In the midst of that, some of us may have lost a bit of clarity as to our goal, our “raison d’etre”— the “why” of spending countless hours learning new music, practicing breathing, working on vowel sounds, singing with an eye on the TE Tuner, and so on.

Because, in reality, all that hard work is optional. It is a choice we make. No one is forcing us to sing; it’s not a paid gig. We do it all for love!

Which brings me back to the present and the reason for this article. Sweet Adelines sing solely for love. We sing with agape, when

so many of us listen, support and encourage our younger sisters. We sing for philia, the camaraderie, affection, and beautiful, longlasting friendships. We sing from storge, for we are truly a family with squabbles and disagreements, but always with love. And lastly, we sing with passion–eros–and we often sing about heartbreak and romance.

When Greater Nassau Chorus returned from Louisville last fall, our director Harriette Walters announced a reset in terms of goals and points of view. She told us as we prepared to take the regional stage once more that yes, we were going to learn new things as we always have, and yes, we would work hard as usual, but she didn’t want us to ever forget to have fun. She reminded us to laugh a lot! She committed herself to making sure every rehearsal was joyful. She encouraged us to sing freely and most of all, to show our love for this art form proudly and loudly!

Who knows? My romantic soulmate may still be out there, waiting for just the right moment. But even if an eros relationship is not in the cards for me right now, I’m okay. As a Sweet Adeline, I am already lucky enough to be surrounded by all kinds of love!

Gracie Panousis (pictured above right with Director Harriette Walters) is a dual member of Greater Nassau Chorus and Long Island Sound Chorus (both Region 15).

Benefit from smart giving and make an impact!

A Qualified Charitable Distribution (QCD) is a direct transfer of funds from your Individual Retirement Account (IRA) custodian, payable to a qualified charity.

Members who are 70 1/2 or older can make a Qualified Charitable Distribution of up to $105,000 from their IRA directly to Sweet Adelines and avoid paying income taxes on the distribution.*

Benefits to You:

If you are 70 ½ or older, you may avoid taxes on transfers of up to $105,000 from your IRA to support the philanthropic priorities of Sweet Adelines.

For individuals 73 or older, the QCD may count toward satisfying your required minimum distributions (RMDs) for the year.

You are able to lower your taxable income and support the mission of Sweet Adelines through a QCD.

Your Choice:

Choose to donate where your passion lies: Education Fund, Scholarship Fund, Young Singers Fund, or Greatest Need Fund.

Impact:

Because of you, we can provide more resources for developing programs that promote personal growth, leadership development, and lifelong friendships through the joy of singing. Through your generosity, you are safe guarding a legacy that will shape lives for generations to come.*Connect with a tax expert in your country for more information and assistance tailored to your specific situation.

*Contact your financial advisor, CPA, or a tax expert in your country for more information and assistance on whether this type of gift will work for you.

For more details about how to make a gift from your IRA, contact Susan Smith at 918-388-8040 or susan@sweetadelines.com.

www.sweetadelines.com/give

“Magic Happens at International!”

A talk with donor Wendy Arcand

Wendy Arcand loves lots of things about being a Sweet Adeline: the music, the friendships, the travel. But there’s one thing she loves most of all.

“My passion is to be in the audience at the international competition!” she says. “Just walking around the convention center has been just a lot of fun because Sweet Adelines, and barbershop fans in general, are usually pretty nice, approachable people. I can sit almost anywhere in the arena at any of the conventions and strike up a conversation with someone sitting next to me and within a few minutes, it's like we're old friends.”

Since she joined in 2008, Wendy has supported Sweet Adelines International in several ways, from serving as treasurer of her chorus to making financial donations. Recently, she donated to the scholarship fund that allows directors of small and midsize choruses to attend international education events like the Director and Visual Leaders Seminar (DVLS).

Wendy recalls her introduction to Sweet Adelines with fondness. She had come to watch her friend's niece perform at the Polk County Fair in Wisconsin (USA). The niece turned out to be a member of Vallee de Croix Chorus. That was the first time Wendy heard the powerful, multi-layered sound of a barbershop chorus.

"I had only ever heard barbershop sung by quartets," Wendy explains, "but this was something else entirely."

and each one has been filled with unforgettable moments. She has witnessed some of the greatest performances in Sweet Adelines history.

“The energy in the arena is electrifying,” she says. “It’s great that we have online access now, but it’s just not the same when you stream it. Being there in person, surrounded by thousands of fellow enthusiasts…magic happens at international convention!”

In 2013, Wendy competed at the international convention in Honolulu with Twin Cities Show Chorus, an experience she describes as both exhilarating and humbling. As a barbershop fan, as well as a performer, she knows how important each voice is to the whole. Her love for the music and community naturally led Wendy to philanthropy. Noticing that some members struggled to afford the dues, she looked to her own resources to help.

When the chorus director invited new members to join, Wendy hesitated but a week later, she attended a rehearsal "just to watch." As she rounded the corner into the rehearsal room, she was led to the risers and given sheet music. Next thing you know, her voice was part of the music – and still is today, though now in Twin Cities Chorus.

"Do not try to go to a Sweet Adelines rehearsal just to observe," Wendy laughs. "Once you round the corner, you’re in."

While she loves singing and performing, Wendy is also a genuinely enthusiastic fan of international competition and the Sweet Adelines choruses and quartets who perform there.

Her first International experience was in Nashville in 2009, and it was as thrilling as it was unexpected. A chance encounter with a fellow attendee led her to a ballot for voting for the most entertaining chorus, which she found an exciting opportunity!

Since then, Wendy has attended every international convention,

“There was no way we wanted to lose those voices,” she recalls.

Quietly, she began making anonymous donations through what became known as her chorus’s Angel Fund. Her generosity helped ensure that every singer who wanted to participate could do so, regardless of their financial situation. She also extended her support to the City of Lakes Chorus, another prominent group in her region, helping to fund their participation in international competitions. Eventually, she became a donor on the international level, and her generosity impacts the lives of hundreds of singers. She is grateful to be able to give back to the singers and organization that has brought her so much joy.

For Wendy, Sweet Adelines is more than just music—it’s a community, a passion, and a way of life. Whether she’s in the audience soaking in the harmonies or behind the scenes ensuring others can continue to sing, Wendy embodies the spirit of Sweet Adelines. As she puts it, “The experiences I’ve had, the people I’ve met, and the music I’ve heard—it fills pages and pages. I wouldn’t trade it for anything.”

Wendy's journey epitomizes A Lifetime of Sweet Adelines, our current philanthropic initiative. To find out more, see page 2 of this issue or visit www.sweetadelines.com/GIVE.

HarmonyRoundup Harmony Roundup is a place to

Let us know what your chorus or quartet has been doing in your community. Email your submissions and photos to communications@sweetadelines.com.

Where We Sang:

Several Sweet Adelines sang national anthems at sporting events. Singing the U.S. national anthem were Scioto Valley Chorus (#4) at a Columbus Clippers baseball game; Capitaland Chorus (#15) at a Tri-City ValleyCats baseball game; Mission Valley Chorus (#12) at a San Jose Giants baseball game; Southern Oregon Sounds Chorus (#12) at a Medford Rogues baseball game; Central Coast Harmony Chorus (#11) at a San Luis Obispo Blues baseball game; Naturally One Quartet (#15) at a Tri-City ValleyCats baseball game; Post Road Chorus (#1) at a Worcester Bravehearts baseball game; Gem City Chorus (#4) at a Dayton Dragons baseball game; River Blenders Chorus (#5) at a St. Louis Cardinals baseball game; Helena Xpress Singers Chorus (#13) at a Helena Senators baseball game; Great Lake Sound Chorus (#3) at South Bend Cubs and Gary RailCats baseball games; High Desert Harmony Chorus (#12) at Hot August Nights Drag Races at The Nugget Casino in Reno, Nevada (USA) and at a Reno Aces baseball game; Sticky Notes Quartet (#17) at a Michigan Whitecaps baseball game; Vocal Harmonix Chorus (#19) at the Koser Jewelers Tennis Challenge in Landisville, Pennsylvania (USA); and Lipstick Scoundrels Quartet (#4) at a Dayton Dragons baseball game and Rich-Tone Chorus (#25) at a Dallas Wings (WNBA) basketball game. Grand Rapids Chorus (#17) performed at the Grand Rapids Festival of the Arts.

How We Sang:

Northern Beaches Chorus (#34) earned second place in Community Choir and second place in Show Choir at the Sydney Eisteddfod. Wollongong Harmony Chorus (#34) earned second place in Vocal Choirs – Open Age at the Wollongong Eisteddfod. Copper Town Harmony (#32) performed live on Sweden's Radio P4 Dalarna. Go Forth Quartet (#31) performed at the Edinburgh Fringe Festival.

Why We Sang:

Voices of the Vasse (#34) took part in a busking session during Busselton Songfest to raise money for Busselton Hospice Care during their “Go Blue for June” campaign. Coastal a Cappella Chorus (#34) participated in the Cancer Council's Biggest Supper. Chorus member Wende Feeney has been organising this event for the chorus for 18 years, and this year members raised $1048 AUD. Members of the chorus also donated $690 AUD to the Cancer Council from their Focused on Freo concert in May. Manawatū Overtones Chorus (#35) sang in support of Hamlin Fistula New Zealand, charity that supports hospitals in Ethiopia. Members of North Metro Chorus (#16) donated CAD $500 to the North York Harvest Food bank after severe flooding in the Toronto area.

An ensemble from Royal River Chorus

kicked off the Yarmouth Clam Festival by singing the U.S. national anthem.

(#1)

Alberta Gold Chorus (#26) sang at the Calgary Stampede, an annual festival that includes a well-known rodeo.

Fairbanks Chorus (#13) sang the Alaska Flag Song at midnight on June 21 at the Gold Panner's Midnight Sun Baseball Game at Growden Memorial Park. The game starts at 10 p.m. and is played with no artifical lighting. The sun sets around 1 a.m. and rises around 2:45 a.m. so there is plenty of light. They write, “It was a beautiful evening.”

OC Sound Chorus (#21) performed at the OC Fair in Costa Mesa, California (USA).

Crossroad

Pocket Dimension Quartet (#34) spent Barbershop Music Appreciation Day singing at Dickson Library, where author Sandie Docker discussed her book The Lake Lyrebird Ladies Choir.

San Francisco Sound Wave (#12), under the direction of Diane Myrick, was invited to perform as part of the open house for the Eureka Valley/Harvey Milk Memorial Branch of the San Francisco Public Library. They entertained a wide swath of the San Francisco public: moms, dads, babies, kids of all ages, adults, and elders. They even saw spontaneous dancing by the kiddos and several open house revelers sang along with them. Branch Manager Jeremy Jacinto was more than pleased with their set: “I didn’t know what to expect, and my expectations were far exceeded.”

Midwest

Chorus (#3) performed as an opening act for the Joliet American Legion Band for Veteran's Night at Billie Limacher Bicentennial Park & Theatre in Joliet, Illinois (USA).

Coastal a Cappella Chorus (#34) had a very successful night at the Sydney Eisteddfod, receiving accolades in several categories: first place in Show Choir, third place in Small Ensemble, and Highly Commended in Community Choir.

SouthCity Soundz Chorus (#35) placed first in Light Entertainment and received the Best Acappella award at The South Auckland Performing Arts Competition Society (SAPACS) vocal contest.

Grand Rapids Chorus (#17) performed at The Ayers Basement Systems Tuesday Evening Music Club series, which brings talented local and regional musicians and cultural organizations to the Frederik Meijer Gardens Amphitheater stage in Grand Rapids, Michigan (USA).

Forth Valley Chorus (#31) enjoyed a fun gig at the Cockenzie Music Festival.

Vocal Vibes Chorus (#34) was honoured to sing at an Australian Citizenship Ceremony in Maroondah, Victoria (AUS).

Pride of Portland Chorus (#13) sang the U.S. national anthem at the 12th anniversary of the Pacific Northwest Bleeding Disorders Unite Walk in Portland, Oregon on June 1, 2024.

Mendo-Lake Chorus (#12) donated a chorus performance for the Lake County Women’s Civic Club’s annual “Mad Hatter” fundraiser. They performed to a full house at the Mad Hatter Luncheon in Hidden Valley, California (USA). The event benefits the Lake County Women's Civic Club.

Indian Blue Chorus (#34) writes, "We had the immense honour of performing at Joondalup City Council Australian Citizenship Ceremony It was made even more special as we watched our chorus member Rikke and her family officially become Aussies."

Gainesville Harmony Show Chorus (#9) was honored to sing at their local U.S. Naturalization Ceremony.

Chisholm Trail Chorus (#10) was grateful to sing for their area’s Lights of Hope demonstration for the American Cancer Society, an event that honors people affected by cancer.

On June 13, 2024, an ensemble from Gem City Chorus (#4) serenaded a lively former Sweet Adeline, Helen Fry, on her 100th birthday. The occasion was especially heartfelt because Helen was the person who invited her co-worker back in the 1970s to a rehearsal of the Kettering (Ohio) Chapter. That co-worker, Barbara Wetzel, later joined Gem City and has been a Sweet Adeline for over 50 years. Gems were grateful to Helen for the gift of Barb to our chorus. Barb and Helen shared recollections over photos of the early days and got caught up on life’s events. It was a very happy birthday.

– Jo Anne Gunderlock, Gem City Chorus

Headliners Chorus (#34) performed at the Ballina RSL (Returned and Services League) Vietnam Veterans Day event.

2025 Wildcard Choruses

These choruses have been invited to compete at the 77th Sweet Adelines International Convention and Competition, Oct. 20–Oct. 25, 2025, in Columbus, Ohio (USA).

Region #1

Millennium Magic Chorus

Under their own direction Score: 626 • 23 on stage

Songs: If I Had My Way (D. Harrington) Smile Medley (C. Hine)

Photo: Chris Marion Photography

Region #3

Great Lake Sound Chorus

Carol Thompson, Director Score: 608 • 40 on stage

Songs: Will It Be Me This Time (Lynnell Diamond) Make 'Em Laugh (Clay Hine)

Photo: Read Photography

Region #5

Metro Mix Chorus

John Hayden, Director Score: 595 • 34 on stage

Songs: Oh! Look At Me Now (Aaron Dale) Something Good (Clay Hine)

Photo: Jon Peterson

Region #10

Houston Horizon Chorus

Janet Burnett, Director Score: 599 • 35 on stage

Songs: You Turned the Tables On Me (Nancy Bergman) If I Give My Heart to You (Jim Clancy)

Photo: Read Photography

Region #13

Spirit of Spokane Chorus

Mike Elliott, Director Score: 612 • 25 on stage

Songs: If Ever I Would Leave You (Clay Hine) A Wonderful Day Like Today (Joey Minshall)

Photo: InSpirit Studioz Photography

Millennium Magic Chorus

Houston Horizon Chorus

Spirit of Spokane Chorus

Metro Mix Chorus

Great Lake Sound Chorus

Harmony Celebration Chorus

Region #14

Vocal Matrix Chorus

Dr. Kimberly Graham, Director Score: 587 • 37 on stage

Songs: In the Wee Small Hours (J. Arns) Brand New Shoes (D. Metzger)

Photo: Rich Gorberg • Freeze-Frame Photography

Region #15

Harmony Celebration Chorus

Jack Pinto, Director Score: 618 • 48 on stage Songs: Danny Boy (Renee Craig) Smile Medley (Clay Hine)

Photo: Lindsey Fish

Region #16

Circle of Harmony Chorus

Barbara Hodge, Director Score: 601 • 55 on stage Songs: Five More Minutes (Sylvia Alsbury and Karen Brooke) Love Letters Straight From Your Heart (Jim Arns)

Photo: Photos By Wayne

Region #21

OC Sound Chorus

Bonnie McKibben, Director Score: 600 • 43 on stage

Songs: A Tisket A Tasket (David Harrington) If Ever I Would Leave You (Clay Hine)

Photo: Rich Gorberg • Freeze Frame Photography

Region #25

OK City Chorus

Mary Rhea, Director Score: 658 • 77 on stage

Songs: All The Things You Are (Joey Minshall) Zing! Went The Strings of My Heart (Renee Craig)

Photo: Jon Peterson

OC Sound Chorus

Circle of Harmony Chorus

OK City Chorus

Vocal Matrix Chorus

Imagine if…

Beginning on Thursday with the first session, Ignite!, the electric energy was evident. In fact, we had to do very little to “Ignite!” the room. Everyone was so happy to be together and excited to learn! Everyone played along in our meme-inspired “getting to know you” game (including a few questionable intervals sung as part of the voting process!), and it was a fun evening from start to finish. It was thrilling to have International President Mary Rhea deliver a humorous and heartwarming speech covering her experience in Sweet Adelines and how her spark has been ignited over the years.

Hundreds of people were to gather together to expand their minds while sharing a common purpose and passion – leadership!

Imagine if…

A frontline director of just 3 ½ weeks was able to connect with directors who have more than 40 years of experience!

Imagine if…

Ben Bram, a two-time Grammy and Emmy Award-winning vocal arranger, producer, educator, AND co-creator of the pop a cappella group Pentatonix, taught our organization’s musical and visual leaders the art of making different genres of music come alive!

All this and more took place at the Sweet Adelines International Directors and Visual Leaders Seminar (DVLS)!

we set out to Innovate, and we did just that. After a warm-up that began with people sharing Sweet Adelines stories and ended with a rousing rendition of Hey Jude, our guest faculty, Ben Bram, amazed us as he outlined his broad range of experience in different styles of music. His talent and experience is aweinspiring! After showing us several video clips, he proceeded to teach participants several of his arrangements in different styles, using techniques and treatments to allow each style to come alive. Ben was able to give us exactly what we hoped he would: methods and tools for teaching and coaching songs in our repertoire arranged in the barbershop style so they are performed in alignment with their original genre and style.

Then came the coaching session with Ben. The Seminar Chorus, made up of directors and visual leaders from around the organization, was stellar! From the first run of I Believe, it was clear that participants were ready to work on high-level details with Ben. And did we ever! Ben provided many options for execution and arrangement choices to honour the pop style. His expertise and experience working with groups really shone during the coaching session. Afterward, Ben and audience members commented that the different approaches suggested by Ben, coupled with the incredible vocal skills we already have, could be game-changing across all the songs we sing. Imagine that!

Saturday’s theme, Imagine, kicked off with a once-in-a-lifetime vocal warmup session led by our main faculty members including two Master Faculty members, five Master Directors, and a Master 700 Director: Erin Howden, Mary Rhea, Caitlin Castelino, Karen Breidert, and ourselves (Anne Downton and Joan Boutilier). And this was just the beginning!

Participants attended four other sessions throughout the day, choosing from classes on topics such as leadership; vocal skills; Diversity, Equity & Inclusion (DEI); and visual/performance skills. Additional International Faculty members Jamy Claire Archer, Kathleen Hansen, and moderator Thérèse Antonini expertly led panel discussions to introduce practical applications of DEI principles and presented a class on using the Song Assessment Tool (SAT). Minds and hearts were overflowing by the time the closing session arrived. The exchange of ideas elevated the energy in the room and it was even more electric than the opening session on Thursday, if that’s possible!

We thank Erin, Mary, Caitlin, Karen, Jamy Claire, Kathleen, and Thérèse for joining us in teaching classes, and for their time, passion, and expertise. The impact of our directors receiving such high-level education is sure to be felt for years to come.

We can’t recap the weekend without mentioning our 2024 International Quartet Champions, Lady A Cappella. At the start of each session, they captured our attention and held our hearts. Additionally, the Sweet Adelines Rising Star and Diamond Division Quartet Contests at the end of the week reminded us how glorious and joyful four voices sound when they sing and ring as one. (See pages 10 and 14 for more on the quartet contests!)

There are always intangible ways in which musical and visual leaders learn, with opportunities to connect and share beyond the scheduled sessions. Lunch and dinner became networking times (with a little help from International Faculty and Board members), Personal Leadership Instruction opportunities were offered, and there was a sense of camaraderie throughout the weekend.

“Imagine If…” was a collaborative effort with volunteers and our (world’s best!) headquarters staff working together from the first imaginings of the seminar to the final farewell.

To all the musical and visual leaders who were able to attend: thank you! Your participation made this event truly special! To those who were unable to attend: we missed you and hope to see you at the next event.

Until next time…keep your minds open to imagine all of the possibilities for your chorus!

Anne Downton and Joan Boutilier served as co-chairs for the 2024 Sweet Adelines International Directors and Leaders Seminar (DVLS). Joan is Master Director of River City Sound Chorus (#3) and sings tenor with 2008 International Champion Quartet, Four Bettys. She is a Certified Sound Judge and Approved Candidate Judge in Expression. Anne is Master Director of Westcoast Harmony Chorus (#26) and sings baritone with the 2017 International Quartet Champions, Frenzy. She is a member of the International Faculty of Sweet Adelines and has served Region 26 as Education Coordinator and on the Regional Education Faculty.

On Thursday, Sweet Adelines International Headquarters held a special open house for DVLS participants. Around 150 Sweet Adelines, Rising Stars, and barbershop fans enjoyed refreshments and a self-guided tour designed as a trivia game. Here are a few things they had to say:

One of the songs that Knock Knock sings is Someone Like You that Speed of Sound sings on their album. They were our inspiration, so I’m here to take a photo with their champion doll!

Torres, Knock Knock Quartet

Honestly, I don’t even remember the first time I came to headquarters. I’ve been a Sweet Adeline since I was 13! But it was very fun to walk around on the self-guided tour and learn about Sweet Adelines history, see pictures of a lot the people I know in all the history panels and The Pitch Pipe archives.

Kianna Montanez, Perpetual Sound Quartet and Rich-Tones Chorus

I’ve been a Sweet Adeline for 57 years, and this is my first time to visit headquarters. It was very inspiring seeing everything today.

Linda Rightor, Columbus Chorus

Mollie

Song of Welcome

Sweet Adelines International welcomed three new choruses in 2023: Coachella Acappella (Region 21) in Palm Springs, California (USA), SeaSide Singers Chapter (Region 32) from Åland Islands near Finland, and Midtown Voices (Satellite Region 30) from Tokyo, Japan. Coachella Acappella’s Song of Welcome appeared in the July issue. Let’s take a look at our other new choruses, learn about their chartering processes, and find out more about them!

SeaSide Singers • Charter date: 8 November 2023

In 2012, the Civic Institute (an institution that provides informal education to adults) offered a course on barbershop music, which lit a fire in SeaSide Singers’ founding members! The chorus technically began in 2013 and applied for Prospective Status in late 2016. Recruitment was slow, as Åland Islands only has a population of 30,000 people. Adding another roadblock, the COVID pandemic hit in 2020, further delaying their efforts. The International Board of Directors granted the chorus two 1-year extensions of their initial chartering deadline, and the chorus worked hard to recruit members and learn the barbershop style. Director Anette Karlsson began as a member of the chorus but started training as a director right away, completing the Director Certification Program in 2019.

The chorus began with a goal of learning to sing barbershop and now strive toward their mission statement of “aiming to entertain and give all in the audience a smile.” Their advice to people interested in starting a prospective chorus? “Talk about starting a chorus to all you know. Word of mouth is the best way of getting new members.

SeaSide Singers certainly did that, having 23 founding members at the time of charter. What’s next for SeaSide Singers? Competing in regionals, and becoming the most entertaining women’s vocal ensemble in Åland Islands!

SeaSide Singers Director Anette Karlsson began as a chorus member but started training as a director almost immediately, completing the Director Certification Program (DCP) in 2019. The DCP is now available on the Sweet Adelines International Learning Managment System (LMS). To find out more, visit www.sweetadelines.com/DCP-Introduction.

Midtown Voices • Charter date: 12 December 2023

In 2019, eighteen women applied with Sweet Adelines International to form a new chorus in Japan. Yuko Sekiguchi was a pivotal founding member of Midtown Voices. She previously sang in Wollongong Harmony Chorus (Region 34) and directed Tokyo Chorus (Satellite Region 30) before leaving to form Midtown Voices.

Like SeaSide Singers, the chorus’s recruiting efforts were affected by the COVID pandemic. At one point, they dropped down to eleven members, but the chorus didn’t let that stop them! Using social media and word of mouth, Midtown Voices eventually chartered with sixteen members. International Past President Thérèse Antonini and Region 34 Regional Education Coordinator Bec Hewitt provided them with an administrative and educational visit which was the final step in the chartering process.

Midtown Voices hopes to “bring a smile to people’s faces through our harmony.” They do so through performances in their community, including an annual show. They tell anyone who might be interested in starting their own chorus: “Please start your own chorus now without hesitation and share the wonder of music with as many people as possible.”

Sweet Adelines International encourages you to take their advice!

SeaSide Singers Chorus (#32)

Midtown Voices Chorus (#30)

Building Performance Confidence

Tame anxiety for a better onstage experience

We love to perform, don’t we?

Don’t we?!

Well, we certainly love to sing, but performing in public brings a certain level of stress to many of us . What if that performance is in a competition where we are being critiqued? What if our nerves get the better of us? What if, what if…? Our minds are really skilled in anticipating the worst that could happen and then making us focus on that almost to the exclusion of all else.

It’s completely natural to feel nervous before a performance. We know that adrenaline helps keep us focused and alert, but sometimes it becomes overwhelming and may start to impact your performance. Most of us will have experienced a dry mouth, pounding heart, or quivering lip.

In simple terms, this is part of the “fight, flight, or freeze” response which is hard-wired into us as a way of protecting against physical harm. But why do we feel that way when we are about to sing? Often it is a fear of making a mistake, of not being perfect. It may be a fear of being judged by others or even a memory of past experiences that caused a similar stress reaction. Our bodies process these “threats” in the same way as a physical threat.

So how can we overcome it – or at least, tame it?

“Experience

helps!”

I am a firm believer in the power of experience. Desensitising yourself through exposure to risk is a complicated way of saying that experience helps! The more we face our fears and build a history of surviving – even thriving – the easier it is to draw on that experience in future performances. These experiences also help build resilience and confidence, fostering a positive mental attitude in both individual singers and the chorus as a whole.

My chorus performs a lot. We have sung in some very unusual places – warming up in a hotel kitchen, surrounded by pots and pans; on top of the O2 arena in London; in parks, pubs, and

palaces. Oh, and in regional and international competitions! The huge variety of venues, acoustics, and audiences helps prepare the singers for any eventuality. Is the audience close to you or far away? Are they listening or distracted? Are they critical or sympathetic? Are the acoustics great or awful? Is it on a flat floor so you can’t see the director? Are lights shining in your eyes? Can you hear anyone else or are you singing by yourself? Are you suddenly in the front row because of the balance of voices? Are there 12 other singers or 35? The more you experience these different kinds of situations, the better you’ll be able to adapt to new conditions. When you get to regional contest – no problem!

Advice from chorus members

I asked the members of my chorus, Vocal Dimension (Region 31), what they thought helped them deal with performance anxiety. They had some wonderfully insightful comments.

• The more different venues I've sung at, the more confident I felt about our contest songs. I was a little nervous at the thought of never walking on the stage before our contest set, but as we had sung it so many times in so many different venues it was fine on the day!

• The quartet square/grid (where one person from each section sings a few lines and then moves aside for the next person) is one of the best tools we have. It really puts you in the spotlight and makes you listen to other voices in a way that you don’t normally do so you gain confidence that you do actually know what you’re doing!

• Scratch quartets (temporary quartets created just for rehearsal, retreat, etc.). For many of us, singing in front of our chorus can be the scariest performance of all. They’re our ‘tribe,’ so our survival instincts programme us to care hugely about fitting in and what they think.

• Fun warm-ups and vocal games help build my confidence as I can play with my voice and hear it in different ways, so when I sing ‘properly’ I know how it feels and how to change it to produce a different sound.

• Performing in competitions no longer gives me anxiety or stage fright as the amount of practice and preparation we have beforehand takes away all of the nerves. Even practicing the small details such as the on-stage introduction made my brain relax on stage.

• Becoming a member of the chorus has taught me about the necessity of preparation – not just the obvious importance of preparing the song but also having the right mindset on the day, from the moment we wake up to the moment we are ready to sing. Giving this recognition has really helped me to be more confident.

• We need to be open to learning from the experience. What ever obstacles you meet, you realise that everything turns out alright in the end. That means in the future you can take things in your stride and any glitches won’t trigger enduring panic.

In addition to plenty of practice, one message that stands out from these comments is the importance of trust, in both yourself and in others. One member said: “Learn to trust yourself and just do what you have learnt when different acoustics can so easily throw you off. That’s where the education and support I have got through Sweet Adelines International has been so beneficial.”

In short, perform as often as you can until there’s nothing left to be frightened of, and free yourself to enjoy the experience!

Valerie Taylor is Master Director of Vocal Dimension Chorus (#31), a Certified Sound Judge, and a member of the Sweet Adelines International Board of Directors.

More Tips for Quelling Performance Anxiety

Visualisation

The body does not distinguish between real events and those we picture in our imaginations. Walking through the performance in your head helps prepare you for the real thing.

Breathing techniques

Engaging the vagus nerve with controlled breathing helps slow the heart rate. Try “square breathing” where you breathe in for a count of 4, hold for 4, breathe out for 4, and hold for 4.

Hypnosis

There are many resources for singers that provide techniques for dealing with performance anxiety. One example I recommend is this one from the Hypnosis Downloads website.

DCP Module 11

The “Performance” module of the Director Certification Program (DCP) contains more information on mental preparation and managing stage fright. This module will be available for all members to purchase on the new Sweet Adelines International Learning Management System – you don’t have to enroll in the DCP. Find more information at www.sweetadelines.com/DCP-Introduction

First of a three-part series on singing non-barbershop a cappella music

A Cappella… It Sounds Good To Me!

DVLS Lessons with Ben Bram

At Sweet Adelines International’s Directors and Visual Leaders Seminar (DVLS) in July 2024, attendees were treated to a day of learning all about modern a cappella styles and skills from Ben Bram, one of today’s most influential leaders in the modern a cappella community.

Ben shared with us some of the key distinctions between the various styles of a cappella music compared to barbershop style. Here are a few of the differences he shared.

Pop

· Typically uses a brighter sound compared to barbershop, but also uses a wide range of different sounds and tones (e.g., breathy, nasal, full, vocal fry, etc.)

· Vowels and consonants adjust to a more colloquial delivery for some songs

· Grace notes (“scoops”) sometimes precede melody notes

· Scoops, runs, vibrato, fades, etc, are all hallmarks of the pop style. These are embellishments that need to be carefully planned and rehearsed (just like we plan and rehearse barbershop embellishments!)

· Typical pop arrangements feature a solo voice with a bright sound. The backup singers are more equally balanced, with the bass and vocal percussion dominant in their own right.

Vocal Jazz

· Uses a very light vocal delivery

· Uses vibrato to propel the singer to the next word

· Specific application of vibrato requires unification acros the group: for example, the vibrato comes in only on the secondary vowel of the diphthong in the word “I”

· Balance is equal across all voices

Gospel

· Pronunciation is more relaxed, less clear (e.g., “pray” be comes “puh-ray”, “Lord” becomes “Lawd”)

· Vowels migrate to more colloquial pronunciation

· Vocal pulse and weight emphasis on some words over others to help propel the rhythmic feel

· Grace notes (“scoops”) sometimes precede melody notes

· More “belty” or “chesty” tone, less proper choral vocal tone

· Use of vibrato on keywords

Coaching the Directors Seminar Chorus

Next, Ben coached the seminar chorus using the Shawn Mendes song I Believe, which we had learned ahead of time. Seminar chorus coaching was when the true differences in a cappella styles came to light. When the chorus sang the song the first time through, it was really high quality and well done according to the barbershop criteria for “good singing and performance.” Phrases were extended and grew to the cutoff, interval accuracy was excellent, and singers gave their best diphthongs and matched vowels. It was so good – for barbershop.

But Ben made the point that we can deliver an authentic performance of a pop song with barbershopstyle characteristics. Our audiences can hear the difference between a “pop song” and a “pop song sung by barbershoppers.” Our goal should be to learn how to differentiate our singing skills so that we can apply barbershop skills to barbershop, and apply pop skills to pop.

What kinds of things did Ben change during the coaching?

• Shortened phrases for the melody by cutting off the last held note earlier and allowing the background singers to keep the song moving without the melody note

• Changed the pronunciation of “Doom” in the bass line from a hard “D” that bordered on “T”, to a soft “D” followed im mediately by the “M”, effectively eliminating any vowel at all

• Added a vibrato on the lead line at specific points/syllables in the lyric

• Asked the leads to sing with a brighter tone when on melody and a warmer tone when on “background” syllables

The whole room of attendees gasped and laughed when Ben said “don’t grow the end of your phrases like that!”

At the end of the coaching session, the chorus was able to perform the song with a much more authentic “pop” sound, just by changing a few key things in their delivery.

Ben Bram shared his journey into the a cappella world through an entertaining overview of his past projects.

· SoCal Vocals

· SingOff! Seasons 2-5

· Pitch Perfect

· Pentatonix

· Acapop KIDS

· A cappella Academy

The attendees at the seminar were intrigued, challenged, and excited by the information Ben shared. It was like a brain explosion for many of us. We had questions: How will we be able to differentiate between our desired barbershop singing skills and the skills required by other styles of a cappella? Will we be able to keep them straight?

Some attendees voiced concern about the core sound of our ensembles migrating away from good barbershop sound toward a “less good for barbershop” pop sound. Others wondered if we would have time to incorporate these skills into our rehearsals while also pursuing strong barbershop skills.

...to be the most effective entertainer, you need to be authentic to the style you’re singing.

Ben’s main point was that to be the most effective entertainer, you need to be authentic to the style you’re singing. So if we are going to choose pop or jazz or gospel or other a cappella music, we need to learn how to sing in that style. He emphasized that song choice is an incredibly important piece to consider. He encouraged us to choose songs that our ensembles can authentically deliver.

It was exciting and invigorating to have Ben teach us about singing in other styles of a cappella music. In future articles, we’ll touch more on the specifics of how to sing authentically in pop, jazz, and other styles of a cappella.

Jenny Harris sings bass with 2018 International Champion Quartet Lustre and directs The Annapolis Blend Chorus (#19). She is a member of Harbor City Music Company Chorus (#19) and serves on the Sweet Adelines International Board of Directors.

2024-2025 REGIONAL MANAGEMENT TEAM MEMBERS

REGION #1

Beth Paul, Regional Communications Coordinator

Rhonda Williams, Regional Directors Coordinator

Karen Sweeters, Regional Education Coordinator

Patti Lavernoich, Regional Events Coordinator

Lauren O'Sullivan, Regional Finance Coordinator

Laura Carey, Regional Marketing Coordinator

Sally Jeffery, Regional Membership Coordinator

Anne Wilson, Regional Team Coordinator

REGION #2

Nancy Kirkpatrick, Regional Communications Coordinator

Jill Watson, Regional Directors Coordinator

Nancy Liedel, Regional Education Coordinator

Nanette Peters, Regional Events Coordinator

Nancy Swift, Regional Finance Coordinator

Melissa Wright, Regional Marketing Coordinator

Corinna Silberg, Regional Membership Coordinator

Cathy Maxwell, Regional Team Coordinator

REGION #3

Jessica Moore, Regional Communications Coordinator

Tori Hicks, Regional Directors Coordinator

Carol Thompson, Regional Education Coordinator

Kristin Farwig, Regional Events Coordinator

Shelly Hughes, Regional Finance Coordinator

Antonija Mitt, Regional Marketing Coordinator

Cindy Slowik, Regional Membership Coordinator

Marge Zimmerman, Regional Team Coordinator

REGION #4

Liz Sabo Johnson, Regional Communications Coordinator

Debra Bringman, Regional Directors Coordinator

Kim Wonders, Regional Education Coordinator

Natalie Allen, Regional Events Coordinator

Beverly Miller, Regional Finance Coordinator

Lura Nightlinger, Regional Marketing Coordinator

Marsha Leistner, Regional Membership Coordinator

Sue Pelley, Regional Team Coordinator

REGION #5

Sherry Yetter, Regional Communications Coordinator

Patti Goin,

Regional Directors Coordinator

Michelle Hunget, Regional Education Coordinator

Jennifer Zoellner, Regional Events Coordinator

Elizabeth Hager, Regional Finance Coordinator

Michelle Franzen, Regional Marketing Coordinator

Kelsey Kessler, Regional Membership Coordinator

Kamron Collins-Johnson, Regional Team Coordinator

REGION #6

Katie Roessler, Regional Communications Coordinator

Judy Weipert, Regional Directors Coordinator

Molly Robertson, Regional Education Coordinator

April Horne, Regional Events Coordinator

Audra Freeman, Regional Finance Coordinator

Leah Sovick, Regional Marketing Coordinator

Linda Rubis, Regional Membership Coordinator

Cheryl Helm, Regional Team Coordinator

REGION #8

Julie Palagi, Regional Communications Coordinator

Anna-Lisa Glad, Regional Directors Coordinator

Leslie Galbreath, Regional Education Coordinator

Rebecca DeCook, Regional Events Coordinator

Ruth Widerski, Regional Finance Coordinator

Lindsay Pfannenstiel, Regional Marketing Coordinator

Katherine Fritz, Regional Membership Coordinator

Susan Gunnels, Regional Team Coordinator

REGION #9

Faye McLanahan, Regional Directors Coordinator

Melissa Maris, Regional Education Coordinator

Amanda Wreford, Regional Events Coordinator

Deborah Thornton, Regional Finance Coordinator

Cynthia Cohen, Regional Marketing Coordinator

Donna Martin, Regional Membership Coordinator

Gayle Burton, Regional Team Coordinator

REGION #10

Karla Fenton, Regional Communications Coordinator

Mary Beth McMurray, Regional Directors Coordinator

Kerri Mauney, Regional Education Coordinator

Euna Poole, Regional Events Coordinator

Janet Moe, Regional Finance Coordinator

Laura DeGraw, Regional Marketing Coordinator

Carin Williamson, Regional Membership Coordinator

Bebe Caldwell, Regional Team Coordinator

REGION #11

Lora Goodpasture, Regional Communications Coordinator

Bobbette Gantz, Regional Directors Coordinator

Tammy Ragsdale, Regional Education Coordinator

Laura La Borde, Regional Finance Coordinator

Shawnna Dechant, Regional Marketing Coordinator

Monica Tautkus, Regional Membership Coordinator

Kimberly Alley, Regional Team Coordinator

REGION #12

Roberta Marton, Regional Communications Coordinator

Voula Brown, Regional Directors Coordinator

Alison Miller, Regional Education Coordinator

Mary Heil, Regional Events Coordinator

Geri Miller-Riedel, Regional Finance Coordinator

Kevran Day, Regional Marketing Coordinator

Sherry Rowe, Regional Team Coordinator

REGION #13

Sue Middleton, Regional Communications Coordinator

Paula Davis, Regional Directors Coordinator

Sandra Smith, Regional Education Coordinator

Patty Martin, Regional Events Coordinator

Jan Smallwood, Regional Finance Coordinator

Cherie Letts, Regional Marketing Coordinator

Diana Jordan, Regional Membership Coordinator

Sally Ryerson, Regional Team Coordinator

REGION #14

Kristine Faucette, Regional Communications Coordinator

Claire Gardiner, Regional Directors Coordinator

Jamy Claire Archer, Regional Education Coordinator

Mary-Margaret Prange, Regional Events Coordinator

Dana Reid, Regional Finance Coordinator

Lauren Dalrymple, Regional Marketing Coordinator

Phyllis Quast, Regional Membership Coordinator

Jacqueline Kaminer, Regional Team Coordinator

REGION #15

Debra Saucke, Regional Communications Coordinator

Harriette Walters, Regional Directors Coordinator

Alicia Caron, Regional Education Coordinator

Deanna Sargent, Regional Events Coordinator

Phyllis Capolongo, Regional Finance Coordinator

Alexis DePersia-Norelli, Regional Marketing Coordinator

Evelyn Langenstein, Regional Membership Coordinator

Jennifer Hunter, Regional Team Coordinator

REGION #16

Jacqui Barron, Regional Communications Coordinator

Martha DeClerq, Regional Directors Coordinator

Hannah Barton, Regional Education Coordinator

Kristin Ponte, Regional Events Coordinator

Selena Novak, Regional Finance Coordinator

Vanessa Echlin, Regional Marketing Coordinator

Christine Yorke, Regional Team Coordinator

REGION #17

Sherry Berkley, Regional Communications Coordinator

Diane Porsch, Regional Directors Coordinator

Lynne Peirce, Regional Education Coordinator

Vicki Van Gorder, Regional Events Coordinator

Marilyn VanFossan, Regional Finance Coordinator

Madeline Anderson-Balmer, Regional Marketing Coordinator

Allison Hengelsberg, Regional Membership Coordinator

Sandra Blamowski, Regional Team Coordinator

REGION #19

Nicole Burkhardt, Regional Communications Coordinator

Sherry Stanton, Regional Directors Coordinator

Jennifer Williams, Regional Education Coordinator

Sally Kelly, Regional Events Coordinator

Cathy Schuman, Regional Finance Coordinator

Rita Gildea-Bryant, Regional Marketing Coordinator

Patricia Weeks, Regional Membership Coordinator

Faith Miller, Regional Team Coordinator

REGION #21

LeeAnn Reichow, Regional Communications Coordinator

Kirby Cass, Regional Directors Coordinator

Leah Rippetoe, Regional Education Coordinator

Patricia Glasser, Regional Events Coordinator

Judy Moore, Regional Finance Coordinator

Claudia Cannon, Regional Marketing Coordinator

Beverly Berardinelli, Regional Membership Coordinator

Darren Hurst, Regional Team Coordinator

REGION #25

Tiffani Kiger, Regional Communications Coordinator

Connie Light, Regional Directors Coordinator

Melynnie Williams, Regional Education Coordinator

Tamara Boggs, Regional Events Coordinator

Kelli Hinton, Regional Finance Coordinator

Sara Firm, Regional Marketing Coordinator

Lindsay Chartier, Regional Membership Coordinator

Jennifer Foster, Regional Team Coordinator

REGION #26

Cathy McDonald,

Regional Communications Coordinator

Sandy Marron, Regional Directors Coordinator

Lisa Greenough, Regional Education Coordinator

Frances Thorson, Regional Events Coordinator

Julie Erdos, Regional Finance Coordinator

Cara Bedford, Regional Marketing Coordinator

Tracy Bitternose, Regional Membership Coordinator

Jody Meli, Regional Team Coordinator

REGION #31

Krista Moller, Regional Communications Coordinator

Claire Booles, Regional Directors Coordinator

Deborah Pollard, Regional Education Coordinator

Mairi Redhead, Regional Finance Coordinator

Sara Tripconey, Regional Marketing Coordinator

Nicky Salt, Regional Membership Coordinator

Alyson Chaney, Regional Team Coordinator

REGION #32

Astrid Berglund, Regional Communications Coordinator

Marie Erenstedt, Regional Directors Coordinator

Annika Christensen, Regional Education Coordinator

Toril Myrtveit, Regional Events Coordinator

Katarina Möllerström, Regional Finance Coordinator

Rosmarie Karlsson, Regional Marketing Coordinator

Lisbeth Fridborn, Regional Membership Coordinator

Catharina Persson, Regional Team Coordinator

REGION #34

Michelle Roy, Regional Communications Coordinator

Jenni Pyefinch, Regional Directors Coordinator

Bec Hewitt, Regional Education Coordinator

Cathy Sterling, Regional Events Coordinator

Anne Freeman, Regional Finance Coordinator

Karen Phillips, Regional Marketing Coordinator

Tracey Ezzy, Regional Membership Coordinator

Linda Britts, Regional Team Coordinator

REGION #35

Katie Mathison, Regional Communications Coordinator

Carolyn Currington, Regional Directors Coordinator

Leanne Wheeler, Regional Education Coordinator

Shelley Bascand, Regional Events Coordinator

Mary Cave-Palmer, Regional Finance Coordinator

Nikola Worrall-Bader, Regional Membership Coordinator

Julie Earl, Regional Team Coordinator

BEQUESTS

Planned giving is a promise that the legacy we’ve built together will resonate for years to come. Here are a few ways you can ensure the continued strength of Sweet Adelines International through a planned estate gift. The Nancy Bergman Legacy Society honors all donors who have designated a gift in their estate plan to benefit Sweet Adelines. Various instruments are available to create a Legacy Gift such as your will, a living trust, retirement plans, a Charitable Gift Annuity, or other assets. With planned giving, you leave a lasting impact and legacy on Sweet Adelines International, ensuring your philanthropic goals endure into the future. Creating a Legacy Gift may be a highly effective way to meet your goals and ours!

A bequest is a heartfelt gift made through your will or family trust. It is one of the most popular and flexible ways to show your support for Sweet Adelines International. For example, a Specific Bequest involves making a gift of a specific asset such as securities, real estate, or a gift for a specific dollar amount.

Kathy Roberts made a bequest to Sweet Adelines International. Read more about her in the July 2024 issue of The Pitch Pipe.

CHARITABLE IRA ROLLOVER

INDIVIDUAL RETIREMENT ACCOUNT (IRA)

Benefits of an IRA charitable rollover

An Individual Retirement Account (IRA) is an asset you can use to create your Legacy with Sweet Adelines or to make a current gift.

An IRA, set up through a financial institution, lets you save for retirement with tax-free growth or on a tax-deferred basis. It provides options that can benefit both you and Sweet Adelines International.

You can use your IRA to fulfill your charitable goals and help further the mission of Sweet Adelines. If you are 70.5 or older you can take advantage of a qualified charitable distribution (QCD). Through a QCD, you can enjoy substantial benefits with tax savings while making a meaningful impact on Sweet Adelines International.

• If you are 72 or older, it may satisfy your required minimum distribution (RMD) for the year.

• Reduce your taxable income, even if you do not itemize deductions.

• Help further the mission of our organization.

How an IRA charitable rollover gift works

• Avoid taxes on transfers of up to $105,000 from your IRA to our organization.

1. Contact your IRA plan administrator to make a gift from your IRA to us.

4. Please contact us if you wish for your gift to be used for a specific purpose.

2. Your IRA funds will be directly transferred to our organization in support of our mission.

3. Please note that IRA charitable rollover gifts do not qualify for a charitable deduction.

IRA AND RETIREMENT PLAN

BENEFICIARY DESIGNATION

Melodee Wright named Sweet Adelines International as a charitable beneficiary of her IRA account in a simple and economical way, and it was easy. A charitable gift designation of your IRA, 401(K) or any retirement plan makes you a legacy donor.

Annie Setsuko Hayes made an IRA gift to Sweet Adelines. Read more about her in the October 2023 issue of The Pitch Pipe.

Read more about Melodee in the January 2024 issue of The Pitch Pipe.

Von Roberts made an IRA gift to Sweet Adelines. Read more about her in the January 2024 issue of The Pitch Pipe.

A NEW LEGACY GIFT STRATEGY FOR SWEET ADELINES: CHARITABLE GIFT ANNUITY

We have started a new Charitable Gift Annuity (CGA) Program to support the mission of Sweet Adelines International. Be one of the first donors to create a CGA. Your CGA allows you to donate an asset, such as cash or appreciated securities and receive fixed payments for life. And part of your income from the charitable gift annuity may be tax-free. You also receive a charitable income tax deduction for a portion of the gift that creates the charitable gift annuity.

CHARITABLE GIFT ANNUITY FUNDED WITH AN IRA ROLLOVER

If you are 70.5 or older you may distribute up to $53,000 per plan owner or $105,000 for spouses tax-free from your IRA to create a Charitable Gift Annuity. For individuals who are subject to the RMD, your rollover from your IRA may qualify for your annual RMD distribution. You will not pay income tax on the amount you transfer to create your CGA.

DONOR ADVISED FUNDS

Think of a donor-advised fund (DAF) as your own charitable savings account. You can steadily deposit assets into it and then direct those funds to support Sweet Adelines International whenever you are ready.

Darren Hurst created a DAF for Sweet Adelines International. Read more about her in the April 2023 issue of The Pitch Pipe.

Sweet Adelines International Grant Cycle 1 Recipients

Five new grants and two final distributions from a previous cycle were distributed during Sweet Adelines International’s 2024 Grant Cycle 1, for a total of $12,322.00 USD. Here are the Grant Cycle 1 programs your generous donations are assisting:

Song of Atlanta Dive Into Vocal Artistry (D.I.V.A.) Day

At the beginning of 2025, the Song of Atlanta Show Chorus will introduce young treble vocalists and their educators to the intricacies of a cappella music. Tessa Walker and 2024 Region 14 Novice Quartet winner Something Casual, aim to cover not only the technical aspects of barbershop singing, but also the expressive performance of the art form.

Central Illinois Youth In Harmony Festival

Held in Bloomington, Illinois (USA), the Central Illinois Youth in Harmony Festival is the annual collaboration between Vermillion Valley Show Chorus (#3) and the Sound of Illinois Chorus (Barbershop Harmony Society). Over the past 25 years, the annual festival has grown from one school to more than twelve schools and serves over 250 students a year.

Harborlites Diva Day 2025

After this full-day event watching and learning from Harborlites Chorus and guest quartets, the young singers – “Divas” – will have the opportunity to perform in that evening's show. Under the leadership of Harborlites Director Pam Pieson, the event has had extreme success in furthering barbershop education over the past 19 years.

Metro Nashville Chorus Youth Working in Song & Harmony (YWISH) Event

Metro Nashville Chorus Master Director Kim Wonders and choreographer Natalie Allen will serve as clinicians for this year’s Youth Working in Song & Harmony event in November. With eight hours of instruction, young singers will have three performance-ready songs to sing at the end of the night with Metro Nashville Chorus.

OK City Chorus Youth in Harmony Workshop

Aimed at singers aged 25 and younger in Oklahoma and surrounding states, the Youth in Harmony Workshop will cover topics including vocal and physical warmups, sectional rehearsals, barbershop history, and more. After the completion of the event, the singers will return for a joint performance with the OK City Chorus and their 2024 Holiday Show in December.

Are you inspired to host an educational program or event for young singers? Grant Cycle 2 is open from August 1 to November 1, 2024, to support activities beginning no sooner than May 2025. For information, visit www.sweetadelines.com/education/scholarships-and-grants.

It’s The Music That Brings Us Together Sweet Adelines International Official Organizational Songs

Find music, lyrics, learning tracks, and performances on the Sweet Adelines website at www.sweetadelines.com/organizational-songs.

At the end of regional and international competitions, Sweet Adelines stand and sing together. The ring of hundreds of voices hitting a chord in four-part barbershop harmony fills hearts to bursting – both for singers and listeners. Sweet Adelines (and others!) who learn the organizational songs make this experience possible. We spoke with prolific composer and arranger June Dale to find out more about our organizational songs and why it’s important for Sweet Adelines to learn them.

What are our official organizational songs and where can I find them?

Almost from the time Sweet Adelines International was founded, certain songs have been designated as “official” songs. These songs are meant to be learned by all Sweet Adelines so we have a shared repertoire when the occasion calls for it. (Regions also designate songs for the same purpose. Check your regional website to find out what yours are!)

Organizational songs can be added and retired as determined by the International Board of Directors (IBOD), and an updated list can be found in the Sweet Adelines International Corporation Policy Book, Section XIII, Div. C. Official organizational songs are prohibited in competition, but they are encouraged everywhere else!

How We Sang Today!

Written and arranged by Vicki Uhr.

This song was composed in 1995 in celebration of Sweet Adelines International’s 50th anniversary. It has since become one of our most popular organizational songs, with many choruses using it as an end-of-rehearsal song or as a song to welcome new members.

The Voice of Harmony

Written and arranged by Renee Craig, revised by Joey Minshall.

Renée sang lead with 1957 Sweet Adelines Champion Cracker Jills Quartet. A prolific composer and arranger, she also directed International Champion Ramapo Valley Chorus (1979, 1986, 1990). In 2019, Sweet Adelines International reinstated The Voice Of Harmony as an official organizational song, revised by the prolific Joey Minshall, MMA. In 2020, with the COVID-19 pandemic restricting members from gathering in person, 155 Sweet Adelines from around the world answered the call to be part of The Voice Of Harmony Virtual Chorus, recording the song in a video that brought hope to singers during a time of distress and uncertainty.

Come On and SING!

Written by June Dale and Erin Howden, arranged by June Dale.

June Dale and Erin Howden are a mother-daughter duo who also compose and arrange individually. In 2023, they combined forces to present this song as a gift to Sweet Adelines International when former organizational song, Harmonize the World (Nancy Bergman) was retired. June was the long-time director of North Metro Chorus (#16), and Erin was choreographer until 2017, when she stepped into the director role upon June’s retirement. The song was introduced to the organization with performances by North Metro Chorus and 2023 International Champion Quartet The Ladies.

Sweet Adeline isn’t an official Organizational song?!

We took our organizational name from Sweet Adeline back in 1945 at our founding, but it is not an official song. The song was retired as our official organizational song at the May 1969 International Board of Directors (IBOD) meeting, taking effect in 1970. President Judy Rowell wrote, “In digging through our

archives, we are reminded that this now mature organization was conceived amid an atmosphere of good humour and camaraderie,” but now the IBOD felt that “The Organizational Theme Song should contain lyrics more reflective of our present and future aspirations.” Several quartets and choruses have performed Sweet Adeline beautifully, both in competition and on other stages. ClassRing sang a memorable version when they became the 2019 International Champion Quartet.

What about It’s The Music That Brings Us Together? That’s even the title of this article!

It’s the Music That Brings Us Together was a gift to all barbershop singers from third-generation barbershopper and extremely popular arranger Clay Hine in May 2020, during the beginning of the COVID-19 lockdowns. It is a beloved and well-known song for Sweet Adelines, but it is not an official song. You can find words, music, and learning media on the Sweet Adelines International website.

What about One Song At A Time and The Winners Song?

While these songs are traditionally sung by the audience at international competition, they are not official organizational songs.

One Song At A Time by the much-missed Joe Liles is a regional song for several regions and a popular song for Sweet Adelines to sing when they get together. You can find sheet music and learning tracks on the Region 17 Mass Sing page, among other places. www.region17online.org/mass_sing.

The Winners Song was composed in 1988 by Mary Ann Wydra, then Master Director of the Alamo Metro Chorus, Certified Music Arranger, and Certified Music Judge. It was published in 1988 and has since become a song often sung following the international quartet and chorus finals contests.

June Dale says sing official organizational songs for...

• Meeting Sweet Adelines Of course, you can always sing them when you meet other Sweet Adelines out and about, especially if you’re looking for something longer than a tag to sing together!

• Auditioning Teach the songs to visitors, open house guests, and other singers who might want to audition – then use one of the songs as an audition song. If they become a Sweet Adeline, they will enter the organization already knowing a few songs to sing at mass sings and other gatherings.

• Mass Sing Official organizational songs are great for international, regional, or other mass sings because, in theory, most Sweet Adelines will not only know the same songs but the same arrangements. The same is true for any occasion when more than one chorus or quartet gets together to sing.

• Education Use the organizationall songs for chorus or quartet education, especially with a new technique. Because the singers will be so familiar with the words and music of the song, they can focus more intently on the new technique.

• Rehearsal Tradition Begin or end rehearsal with an organizational song to build a tradition that new and experienced members can share and to create a routine that lets singers get ready to rehearse and/or sends them back home with a comforting musical experience. It also gives visiting Sweet Adelines a song to sing with your chorus!

• Welcoming New Members Sing an organizational song to welcome new members. When they hear it again at international events, it will remind them (and the chorus) of that happy day. If you’ve used an organizational song as an audition song, it can be the first song they sing with you as an official member on the night they join.

“There is a definite importance for organizational songs because they provide unity within the group,” says June. “For example, at an event like the recent Directors and Visual Leaders Seminar (DVLS), people from different choruses meet, and when everybody knows the same song, they can sing together.”

And singing together is what we do!

Song Evaluation Updates

These songs’ rating have changed since July 2024 to the rating listed below. For details on the new rating, visit the Song Assessment Tool (SAT) page on the Sweet Adelines website to log into the Song Evaluation Database (SED).

YES: NOTE (song is admissible, but there is notable information regarding its history) YES

(admissible for performance by groups registered with Sweet Adelines International)

How Are Things in Glocca Morra

Did you know? Contest Scores & the SAT

1. The non-race “DEI Categories” listed in the Song Evaluation Database and the related notes in the“Additional Questions to Consider” section of song Research Documents and Arrangement Notes do not in any way affect admissibility and do not impact contest scores.

2. YES: Note does not in any way impact contest scores.

3. YES: Lyrics & YES: Caution may impact contest scores (and/or result in disqualification) only if the noted required actions are not followed.

In

Memory

Bette Karrem, Lincolnaire, #5

Glenda Rucker*, Show Me Sound, #25

Lisa King, High Country, #8

Shirley Kout, Sacramento Valley, #12

Judy McGovern, Velvet Hills, #8

Virtual Memorial Wall

Honor the memory of a loved one through Memorial Giving. Your gift is a lasting tribute to the joy that barbershop singing brought to their life. Sweet Adelines International is deeply grateful not only to the singers who choose our organization for their musical home but also to their families and friends who supported and shared in their musical journey.

To find out how to give a memorial gift in the name of a Sweet Adeline, visit www.SweetAdelines.com/Give or email Becky Duncan, Assistant Director of Philanthropy at becky@sweetadelines.com.

• June - September 2024

Marilyn Trabold, Member-at-Large

Maggie Mcloughlin, Bay Area Showcase, #12

Nancy Kurth, Pride of Portland, #13

Shauna Scanlon, Harborlites, #21

Patricia Fenton, The Woodlands Show, #10

Memorial Gifts

Zeidler

O' Wisconsin

Danielle DE Boer*, Singing Unlimited, #31

Jean Smith, Chinook Winds Show, #26

Laura Gindy, RiverOaks, #11

Mary Toland, The Woodlands Show, #10

* deceased

Betty

Heart

Teresa McCafferty Jet Cities

Betty Hannum Liberty Oak

Patsy Devejian Enchanted Mesa Show

Advanced to Certified Director

Marilee Wexstaff, A Cappella Bella, #2

Cindy Sommerville, Shoreline Sound, #2

Claudia Stewart, Grand Harmony, #2

Kim Bachand, Motor City Blend, #2

Mary Mamer, Oregon Coast, #12

Kay Awtrey, Heart of the Pines, #10

Alicia Caron, Spirit of Syracuse, #15

Amanda Sky Harris, Spirit of Syracuse, #15

Advanced to Harmony 500 Director

The following directors have advanced to Harmony 500 director. We incorrectly identified them as Master Director in the July 2024 issue.

Jan Sloan, Lady Luck Showtime, #11

Rose Hettinga, Lady Luck Showtime, #11

Raj Samaroo, Antelope Valley Showcase, #11

Elizabeth Orr, Voices United, #11

Lee Hays, ChannelAire, #11