2019 Selected Works by: Noah Bieber by TheRealBieber

2019 4th Year Architecture Student

SELECTED WORKS By: Noah Bieber

BIEBER | CONTENTS

4 ELEMENT MIXED USE HOTEL

686 Irwin St NE, Atlanta, GA 30312

Integrated Design Studio focusing on the ability to handle systems and enviromental elements 2018 | Fall | Integrated Studio

10 NORTH END MIXED USE 1641 Peachtree St NE, Atlanta, GA 30309

Design Studio creaï¿½ng a Work Play Experience for a co-working and incubator space 2018 | Spring | Design Studio

14 THE HILL STUDENT CENTER

KENNESAW STATE, MARIETTA CAMPUS

ENVIRONMENTAL STUDIO, FOCUS ON ENVIRONMENTAL DESIGN AND STUDENT ENGAGEMENT 2017 | Fall | Environmental Studio

18 ALPINE CASE STUDY

BIEBER | CONTENTS

Skuta, 4206 Zgornje Jezersko, Slovenia

DESIGN COMMUNICATION I FOCUSED ON RENDERING AND PRESENTATION OF A PROJECT 2016 | Spring | Design Communica�ons I

20 CHAPEL CASE STUDY

Saint Benedict Chapel / Peter Zumthor

DESIGN COMMUNICATION II FOCUSED ON RENDERING AND PRESENTATION OF A PROJECT 2017 | Fall | Design Communica�ons II

22 GRAPHICS POSTERS WITH AIAS AND OTHER GRAPHIC PUBLICATIONS 2016 - PRESENT

24 RENDERING PHOTOGRAPHY INDEPENDENT WORK

INDEPENDENT SELECTED WORKS THAT SHOW CASE SKILL OF RENDERING AND PHOTOGRAPHY 3

BIEBER | ELEMENT HOTEL

ELEMENT

MIXED USE HOTEL

686 Irwin St NE, Atlanta, GA 30312

Integrated Design Studio focusing on the ability to handle systems and enviromental elements 2018 | Fall | Integrated Studio Element Hotel has the opportunity to be a ﬂag ship of experience and leader in Eco-friendly design. The design process focused on the step by step experience of the guest, crea�ng an awareness of the material. The White Canvas Facade becomes a diﬀuser of light but also a backdrop for graphic display for the viewers on the ground. From inside out, Element Hotel is a gathering des�na�on for the community to enjoy and celebrate.

BIEBER | ELEMENT HOTEL

DESIGN PROCESS

ENVIRONMENTAL FOCUS FOCUSING ON THE PHONOLOGY OF THE GUEST EXPERIENCE

The design process began with addressing the environmental factors to op�mize the performance of the building for low energy cost, but to primarily enhance the visual presence of the environment through every aspect of the programma�c sequence for the hotel guests. The next steps began using site condi�ons to drive major moves of the massing process.

Maintain Street Edge

Interior Courtyards

Compression and Expansion

Hotel Lobby

Vertical Circulation

Resturaunt

Hotel Massing

Hotel Suites

Parking Mass

Circulation Through Mass

Site Code

Transit Track

3 Tier Market Space

Amenity Pool + Gym

Green + Solar Deck

Transit Track

BIEBER | ELEMENT HOTEL

EXPERIENCE

ENVIRONMENTAL FOCUS FOCUSING ON THE PHONOLOGY OF THE GUEST EXPERIENCE

The hotel sequence for guest is guided through characterisï¿½cs of light and visual presence of space. Guest move through a series of thresholds that pay respect of the material and bring awareness of sight, touch, and breathe. Specific plants that reduce formaldehydes and CO 2 emission are placed all throughout the Lobby and Interior Courtyard that creates a breathe of fresh air.

BIEBER | ELEMENT HOTEL north Beltline

Irwin Street NE

n co

Area of Focus

a ew sid

P.L.

conc. sidewalk

Lake Ave NE

Inman Park Rail Corridor Zoning Overlay

curb inlet

Beltline

8’

101

n co

130’

e Av un

br Au

a ew sid

Krog Street NE

exis�ng bridge

182”

192’

P.L.

218”

57’

65’

136’

INTERSECTING COMMUNITY AND VISITORS The Building is broken into two parts. The West and East Building bring people to interact with the beltline. The Space between the two buildings is a complete public plaza allowing the community to use the space to sell local goods and hold events. The Plaza is framed with a Restaurant and retail along the Beltline in the West Building and a spa and market space on the East Building. Mul�ple layers of ac�vity around the Plaza will create a des�na�on for people to visit while allowing the community to u�lize the space to create community engagement and awareness.

BIEBER | ELEMENT HOTEL

Box02 ChamferBox pillow01 pillow Line01 ChamferBo0 blanket

DOUBLE BED ROOM

FULL SUITE

BIEBER | NORTH END

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BIEBER | NORTH END

NORTH END MIXED USE

1641 Peachtree St NE, Atlanta, GA 30309

Design Studio crea�ng a Work Play Experience for a co-working and incubator space 2018 | Spring | Design Studio North End is a Co-working and Incubator Office Space that includes innova�ve collabora�ve spaces on all floors and a Food and Retail Space on the en�re 1st floor. North End will be a des�na�on for all people and a cornerstone for Mid Town Atlanta as the Iconic North End Edge. The Sight gives back to the community and the need for more public spaces and community engagement, buy crea�ng a park for the public.

BIEBER | NORTH END

DESIGN PROCESS SITE FOCUS

USING THE CHARACTERISTICS OF THE SITE WILL SHAPE THE MASSING OF THE BUILDING

Being the North End of Mid Town, the building has a responsibility to the community to be the gateway and threshold for millions entering Mid Town Atlanta from Highway 75 and 85. The Curve of the building comes from the energy of the circula�on around the site. The orienta�on of the building engages with South East Sun to op�mize Rising Sun Energy and the massing points itself towards the West for beau�ful views of the sun se�ng.

STREET EDGE

1EAST ELEVATION 2

PARK

SCULPTING

SOUTH SECTION

3 FLOOR SYSTEM

SOUTH ELEVATION

FLOOR 21 PRIVATE OFFICES

FLOOR 20 COL ABORTIVE

FLOOR 19 LOUNGE + ASSEMBLY

BIEBER | NORTH END N

Accessible Space only By card key

Accessible Space for Any ﬂoor

TOP FLOOR ASSEMBLY FLOOR 21 FLOOR 20 FLOOR 19

3 FLOOR SPACE

SPECIALIZED PROGRAM

EACH CO WORKING SPACE OFFERS 3 DIFFERENT PROGRAMMATIC EXPERIENCES

Each Office Space is contained within three floors. The first floor op�mizes a lounge and assembly spaces. The Second Floor offers collabora�ve spaces. And the Third Floor offer privacy office spaces.

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BIEBER | THE HILL

THE HILL

NOAH BIEBER - BREE CHAMBERS

THE HILL

NOAH BIEBER - BREE CHAMBERS

CREATING A PUBLIC SPACE THAT INTEGRATES PASSIVE DESIGN TO GENERATE A BUILDING THAT BREATHES AND ADAPTS WITH THE ENVIRONMENT.

THE HILL

STUDENT CENTER

KENNESAW STATE, MARIETTA CAMPUS

ENVIRONMENTAL STUDIO, FOCUS ON ENVIRONMENTAL DESIGN AND STUDENT ENGAGEMENT 2017 | Fall | Environmental Studio The Marie�a Campus has a lack of student engagement and pride due to the lack of student resources provided by the school. The Hill has the opportunity to be a cornerstone of the newly planted Campus Quad, crea�ng a framed experience around the ﬁeld. The Hill lightly touches the ground by crea�ng a so� building mass that replicates the topography of the adjacent site, making the building interwoven and almost naturally part of the ﬁeld.

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NOAH B

CREATING A PUBLIC SPACE THAT IN DESIGN TO GENERATE A BUILD ADAPTS WITH THE ENVIRONMENT.

BIEBER | THE HILL

BIEBER - BREE CHAMBERS

NTEGRATES PASSIVE DING THAT BREATHES AND

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BIEBER | THE HILL

LOCATION KENNESAW STATE UNIVERSITY 5 8

NATURAL BALANCE

With the combina�on of the stack eﬀect on the south windows and u�lizing Geo- cooling from the quad, the interior of the building is able to regulate air naturally. The HVAC system works in tangent with the natural systems

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BIEBER | THE HILL

SMART DESIGN The Glass on the South Side is slightly reﬂec�ve to reﬂect the tree line and increase the feeling of the a forest. The Auditorium acts as a two edge sword, by using Smart Glass, the glass wall becomes a projec�on screen for the interior assembly and a outdoor movie space for the quad. 7 1

B I E B E R | A L P I N E S H E LT E R

ALPINE CASE STUDY

Skuta, 4206 Zgornje Jezersko, Slovenia

DESIGN COMMUNICATION I FOCUSED ON RENDERING AND PRESENTATION OF A PROJECT 2016 | Spring | Design Communica�ons I The Alpine Shelter Skuta is a test of so�ware use and presenta�on of conven�onal architectural language. The Process is to break down the design and understand the construc�on process then to replicate the similar construc�on process but through program so�ware and to present the project through rendering and drawing techniques

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B I E B E R | A L P I N E S H E LT E R

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BIEBER | BENEDICT CHAPEL

CHAPEL CASE STUDY

Saint Benedict Chapel / Peter Zumthor

DESIGN COMMUNICATION II FOCUSED ON RENDERING AND PRESENTATION OF A PROJECT 2017 | Fall | Design Communicaï¿½ons II

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BIEBER | BENEDICT CHAPEL

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BIEBER | GRAPHICS

GRAPHICS POSTERS

WITH AIAS AND OTHER GRAPHIC PUBLICATIONS 2016 - PRESENT

DEAR SOONER NATION

I WA N T TO S TA RT O F F B Y T H A N K I N G YO U, T H E

B E S T FA N S I N F O O TA B L L FOR YOUR AMAZING LOVE AND SUPPORT OVER THE LAST 4 YEARS

My time at OU has exceeded my wildest expectations! I have had many unforgettable experiences in Norman and I want to thank everyone who has made an impact on my college career.

FIRST AND FOREMOST, I WANT TO THANK GOD, THROUGH WHICH

ALL THINGS ARE POSSIBLE

As far back as I can remember it has been my dream to play football at the highest level possible I would not be in this position if not for the wisdom and leadership of my coaches and teammates

B E S T O L I N T H E C O U N T RY J O E

M O O R E

A W A R D

B A B Y !

C OAC H R I L E Y, C OAC H S TO O P S , A N D C OAC H B E D E N B AU G H thank you for the countless hours you have put into my development

My success at OU would not be possible without the best training staff in college sports. Thank you for all the work you do behind the scenes that is so important come game day. To my academic support staff, thank you for your time and effort into shaping me into a well-rounded student athlete. My journey to OU would not have been possible without the guidance of my Pineville High School coaches, who prepared me for the physical and mental rigors of the college game

T O

M Y

F A M I L Y

who have always encouraged me to pursue my dreams, I thank you for making the sacrifices that enable me to play the game I love. You are my foundation and I can never fullyexpress my gratitude for all that you have done

M O M , DA D, & G R A N D PA R E N T S , I LOV E YO U !

I've envisioned playing in the National Football League since I was barely old enough to put on pads and the opportunity has finally presented itself. After thorough consideration of my options and hours of conversations with my family and mentors, I have decided to forgo my last year of eligibility to officially declare for the

T HE 2019 NFL DAFT I can't wait to represent my hometown of Pineville, Louisiana, University of Oklahoma, and most importantly, my family.

W e d n e s d a y, N o v e m b e r 7 t h 6 : 3 0 - 7 : 3 0 p m

J A N 2 3 F R O M 6 3 0 T O

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I N T H E P I T

A I A S STUDENT MIXER

1ST F I N D

2ND 3RD

A M E N T O R

F I N D A M E N T E E

3RD 4TH 5TH

Boomer Sooner, #RIPPAPA

BIEBER | GRAPHICS

“Toys are often not what they appear as they seem. They are a precursor to something bigger“ “Toys are not really as innocent as they look. Toys and games are preludes to serious ideas.” – Charles & Ray Eames was created in 1952. Epitomizing the diagram match’s gratefulness for the phenomenal wonderfulness of general things, the opened cards demonstrate a rich gathering of photographs from the animal, mineral and vegetable kingdoms on one side, and a reference the complex items create a modern day philosophy. Underlying every simple House of Cards can be constructed to create big or small structures on any scale. Charles and Ray both experimented with toys. Truly being a designer at heart, the two designers ential scale of human activity and the precursor to something bigger”

Ray experimented heavily with interior spaces, products and furniture. Within her art there is a playful but thoughtful process that is in every ability to move across scales allows an overall story or idea to be conveyed to the future of the piece of work. “Many thought her work to not only be beautiful but to be resolved of philosophy. Small ideas that are devises into normal day objects, furniture or even elephant toys” Ann Field faculty at Art Center College of Design. Her beauty in her work is in the process of how process and questioning that is carried out the very beginning stages of her

work the piece of art, but every protype, every model made in the process product, the viewer must look to the past iterations. You can see the direct process of

adoration from the very beginning stages of her work to later her becoming very sophisticated and her design in the beginning sketches, you can see Ray beginning the experiment with fashioning clothing around the body. see her skill has been elevated to a clothing around the subjects. Even in the sketches that begin the process of her thought, her silverware and dishes carry the same emphasis of thought and process. Ray and Charles are very focused on the experiential aspect of across scales allows them to design beautiful but yet functional pieces of ous relationship of art and function allows the subject to not only be able to perform an action but to do it with an appreciation of the artistic elements and appreciation of life.

Built Magazine www.BuiltMagazine.com

Ray Kaiser Eames (1912-1988)

“In later years the “whimsy” noted in certain Eames designs was attributed to mainly to Ray, because critics could not accept that Charles could be so Frivolous.” (Kirkham, Pat. Charles and Ray Eames: Designers of the Twentieth Century. MIT Press.) Eames, she kept most of her past to herself, only sharing scarce details as needed. What is known is that she was born in Sacramento, California to Alexander and Edna Burr Kaiser, with an older sister. Her sister passed when she was an infant, leaving her parents to be overprotective of her, in fear of losing her as well. She would live with her mother and older brother Maurice, until 1940. She would show a strong passion for art early on, drawing from the age of three. She would attend leaving California with her mother in 1933, by this time knowing that she wanted to strengthen her interest in the modern arts. In the 1930’s Ray would enroll in the Arts Student League and later a mentor’s school in Cape Cod where she would learn and hoist many of her artistic talents. One of the terms “push and pull,” in which the visual movement of one plane forward was counteracted by the movement back of another to give a feeling of depth, yet still emphasizing

Image provided by Charles and Ray Eames Disginers of theTwentieth Century (image to the right)

would be a practice of which Ray would carry into her later work as an Eames later

Built Magazine www.BuiltMagazine.com

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BIEBER |RENDERING

RENDERING PHOTOGRAPHY INDEPENDENT WORK

INDEPENDENT SELECTED WORKS THAT SHOW CASE SKILL OF RENDERING AND PHOTOGRAPHY 2017 - PRESENT

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BIEBER | PHOTOGRAPHY

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