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INTRO
Issue 80.7
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Alejandro Ramos, Editor-in-Chief editorinchief@lbunion.com Bailey Mount, Managing Editor manager@lbunion.com Nathan Zankich, Web Manager web@lbunion.com Alexis Cruz, Social Media Manager Allison Meyer, Multimedia Manager Britney Weller, Multimedia Assistant Alfredo Bañuelos, Advertising Executive Aravind Karuppusamy, Ads Associate Christopher Orozco, Distribution Manager
Hablamos con Ramos y Bailey
ART & DESIGN Sam Orihuela, Art Director artdirector@lbunion.com
Alex Ramos Editor-in-Chief
Bailey Mount Managing Editor
John Mueller, Graphics Illustrator illustration@lbunion.com
EDITORIAL Matthew Gozzip, Athletics Editor athletics@lbunion.com Sylvana Uribe, Community Editor sylvanawriter@gmail.com Sheila J. Sadr, Copy Editor sheila@lbunion.com Amanda Dominguez-Chio, Culture Editor amanda@lbunion.com Peter R. Clark, Entertainment Editor entertainment@lbunion.com Mercedes Colomar, Grunion Editor grunion@lbunion.com Kaila-Marie Hardaway, Music Editor music@lbunion.com Elliott Gatica, Music Editor music@lbunion.com Jordan Daniels, Opinions Editor opinions@lbunion.com
STAFF MEMBERS Natalee Coloman, Karrie Comfort, Wardah Imran, Zephyr Joshua, Diana Martinez, Samantha Neou, Soun Oeng, R. Ray Robinson, Tara Thomas, Francisco Valladares
CONTRIBUTORS Xochitl Abarca, Jasmine Castro, Taylor Caceres, Ricardo Alejandro Pulido, Erick Zepeda COVER DESIGN BY: Nathan Zankich
What up, young people. Listen. Don’t listen to Bailey. She doesn’t know what she’s talking about. I don’t look like Ariel when she lost her voice. I look like a bewildered Jon Stewart coming out from under Stephen Colbert’s desk to lay down some facts for the world. That’s what I look like. Okay? Okay. Anyway, this week was rough for us. Long story short: people didn’t come through for us. And that sucks because we feel like we always come through for them. Except for myself. I definitely did not come through. I was tasked with writing the feature and I didn’t do it until the day it was due. In my defense, I had meetings literally everyday. Everyday. Take a second to think about that. (I asked Bailey if I had
meetings everyday. She said, “It felt like it.”) On top of that, I got sick. I went to sleep feeling healthy and woke up feeling like death. My throat was dry and scratchy. My nose was clogged up. I was not in good shape at all during production day. I basically spent all day coughing and sniffling. So yeah. Rough week. I’m glad it’s over so I can sleep in. I’m sure Bailey feels the same way. We both need to sleep in. Sleep is good. Sleep is essential. Without sleep, we would die. That’s how important sleep it. I’m struggling. (Clearly.) But I’m here. I just wish more people were here too. That would make things easier. I feel like I’ve said this before. Oh, well. That’s the newspaper business.
Hey all. Alex is over there looking like Ariel when she lost her voice. He got sick at some point during this past week and emits a different kind of bodily fluid every hour or so. He blames me. I blame the fact that we just got dishsoap for our coffee mugs and that we’ve both been dead on our feet since...what week is it? I dunno. Moving on. I like this banner John drew for us. It makes it seem like I am only mildy concerned. I look a little heroic in my opinion— like I can face any challenge headon. Totally wrong. I’ve been consistently going downhill for the last two weeks. The only thing that’s kept me right is the current walking biohazard next to me and the people I see six times out of the week. I like these people. I wouldn’t have made it through this past year without them
Ed Sheeran’s new album
Analyzing the
creates “divided” opinions
newest Overwatch hero
see page 10
see page 16
and for some annoying reason, I only realized that this week when we were all in here. Alex and I are going to New York this upcoming weekend. Got to admit, I was a little concerned about it at first. We’ve been butting heads a lot lately. Being the two people with the most weight on our shoulders while everyone else gets to run around, have freedom and then bother you about every little thing is literally the worst. It drives you crazy and for a while, there was no one I wanted to go across country with less. But then we realized, “Hey, what the heck? We’re trying too hard and we haven’t done anything to each other to be so petty.” But the damage was already done. He’s hacking up phleghm in the corner and I’m dead inside. Hey, at least we’re friends again — albeit mutually exhausted, suffering friends.
A fan’s critique of Disney’s newest “progressive” character see page 14
FEATURE DESIGN BY: Sam Orihuela CONTACT US Snail Mail: 1212 Bellflower Blvd. Suite 116 Long Beach, CA 90815 Phone: 562.985.4867 E-mail: lbunion.info@gmail.com Classifieds: classifieds.lbunion@gmail.com
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Disclaimer and Publication Information: The Union Weekly is published using ad money and partial funding provided by the Associated Students, Inc. All Editorials are the opinions of their individual authors, not the Union Weekly, ASI nor CSULB. All students are welcome and encouraged to be a part of the Union Weekly staff. All letters to the editor will be considered for publication. However, CSULB students will have precedence. Please include name and major for all submissions. They are subject to editing and will not be returned. Letters may or may not be edited for grammar, spelling, punctuation, and length. The Union Weekly will publish anonymous letters, articles, editorials, and illustration, but must have your name and information attached for our records. Letters to the editor should be no longer than 500 words. The Union Weekly assumes no responsibility, nor is it liable, for claims of its advertisers. Grievance procedures are available in the Associated Students business office.
College Night at the Aquarium By Bailey Mount Managing Editor
COMMUNITY
Discounted night of underwater explorations
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quarium of the Pacific hosted its annual College Night on Mar. 3. Held from 5:00 to 9:00 p.m., the event featured food trucks, a live DJ and virtual reality simulations for the college students that came out for a fun night of fish and friendship. Two of the largest usual Aquarium drawbacks for non-members are the ticket prices and the crowd size. Both are high. For most college students, the idea of spending $40 to try and see a sea otter through the bodies of over a hundred other people is disappointing. Events like College Night give the Aquarium the opportunity to make both these things seem worth it. With prices discounted to less than half of their usual amount, students made aware of College Night were able to go the the Aquarium without hurting their wallets. The lack of social media traction made the event turnout small enough to be comfortable. With such a turnout, the attendees were given almost full range of the aquarium. It was refreshing to see it devoid of its usual crowds, providing ample opportunity to get closer to the aquatic life and not feel rushed by the sometimes hundreds of people usually present. The exhibit of the night, however, was not the wildlife, but the virtual life. Provided by Matrix Arcade, a local virtual
reality arcade business, the virtual reality simulation let visitors choose from several different aquatic adventures, from a jellyfish-filled exploration of the coral reef to the observation of a whale on a sunken ship. It was both disorienting and breathtaking. Despite not offering much besides its usual attractions, College Night at the Aquarium succeeded in drawing out students. With an extension of the Aquarium planned for completion in early 2019, events like this keep Long Beach crowds interested and ready to come back for more.
Visitors like the Union Weekly’s Editor-in-Chief Alejandro Ramos (left) engaged with visual reality technology, sea life, and food vendors at the Aquarium of the Pacific’s “College Night” event. (Bailey Mount/ Managing Editor)
Acing the Behavioral Interview Breaking down the past for a brighter future “Tell me about a time when…” “Can you give me an example of…” “Describe a situation where…” If you’ve ever been asked a question starting with those phrases, you’ve been in a behavioral interview. Employers use behavioral interviews to ask candidates about specific past experiences to predict how successful they would be in future situations; basically, past behavior helps predict future behavior. So, how do you answer these types of questions? Using a simple format called the STAR approach can help you structure your answers to make sure you hit on the important points and share your story.
Situation or Task:
Describe the situation you were in or task you were asked to accomplish. Use specifics not generalizations in your descriptions so that the interviewer understands the context of your answer.
Action:
Describe the actions that you took and focus on your contributions. Even if you are discussing a group project, make sure to discuss how you contributed to the group.
Result:
What happened at the end? What were you able to accomplish? What did you learn? There should be a positive ending, but if not, discuss what you learned from the situation and how
you would make improvements for the future. Let’s use an example. Question: Tell me about a time when you completed a task successfully. Situation: I was asked to develop a new electronic filing system to replace the paper file in our office. Task: The purpose of this project was to eliminate all paper files while retaining the information to streamline data input and processing. Action: I developed an Excel spreadsheet to log which files existed. I then prepared new electronic forms to replace the old forms and placed them online, which made it easy for customers to access and
Courtesy of the Career Development Center
update their information. Result: Now, the customers are able to update their information online without filing a form each time. As a result, we have reduced data entry errors, reduced time spent on updating forms, and customers have expressed their appreciation for the convenience of the process. Practice makes perfect so make time to practice for your interview. You can do this by using INTERVIEWSTREAM, an online video recording tool you can access through your CareerLINK account, or you can schedule a mock interview with a career counselor. Visit the Career Development Center in Brotman Hall 250, contact us at (562) 985-4151, or login to CareerLINK to make appointments.
The Pressure of Graduation
6 OPINIONS
How one senior copes and conquers By Karrie Comfort Staff Writer Jordan Daniels/Opinions Editor I will soon go from student to alumna in May, T-minus 10 weeks, and I can’t even count how many times I have been asked, “What are you planning on doing,” “What is your dream job,” and my personal favorite “oh wow, how scary.” Like, thanks? The closer I get to graduation the more I can feel the linear line of pressure. Let me explain what I mean: The closer to graduation I get, the more anxious I become, which propels me to put more time into my career goals. Consider it a coping strategy if you will — I hope that all you seniors will be able to utilize my graph to
Stop Criticizing Protesters Get off your high horse By Xochitl Abarca Contributor Everyone needs to stop telling oppressed groups how to protest. “Don’t make matters [worse]. I guess some people just wanna see the world burn,” said an unnamed person on Facebook. “Why do they have to destroy our neighborhood, stupid! [It] doesn’t make sense,” said another. Comments like this filled my social media feed the day after
your benefit and gain mental peace. The anxiety sets in creepingly and for most people, it tends to overwhelm me when I least expect it, and for a lot of the same old reasons: One. “What if I end up forever alone?” Ok, whether you’re single or in a great relationship, there is always that nagging fear that you will end up forever alone. That the only one who will like you is your mom because she is your mom and she is required to. We have that fear because college is such a social place, filled with so many different clubs and activities. Outside of university,
hundreds of people took to Anaheim streets to protest the altercation and arrests of two teenage boys who were assaulted at the hands of an off-duty Los Angeles police officer who also fired his gun in their direction. I was dumbfounded that people making comments like this were not only the typical conservative “snowflakes” but also people of color. I expected it from the oppressors but not from other POC. How can you stick your nose up and talk down to people trying to make a difference? Are we not allowed to take up space when asking oppressors to see us as humans and stop hurting our communities? Are we imposing on the bubble of ignorant bliss? I’m sorry, but we have to pop it. We want people to face the reality we are living in and act. Demanding that protesters have a specific type of dialogue with oppressors is a sign of privilege. If you condemn protesters, you condone oppressive behavior in our country. As said by social activist Desmond Tutu, “If you are neutral in situations of injustice, you have chosen the side of the oppressor.”
however, there is less structure. I’m already looking for my escape route out of adulthood This includes a new gym, a select few drink/ food places to hang around and a group of friends to road trip with. Don’t wait for people to come to you, plan it and go to them! Two. “I am not going to get a job. And even if I do, what if I hate it?” Yes, your career is important, but it will not stay with you forever and it will not define you. Careers come and go, so I try not to think about getting “the perfect job” forever, but getting my perfect job for today. Maybe tomorrow it will be something different, but we can cross that bridge when we get there.
By talking down to protesters and their actions, you are encouraging the status quo. The time has come for us to say, “You’re either with us or against us.”
is that any oppressed person can fight racism, sexism, etc. and any other issue in the ways they choose to. Even though some of these critics might be part of the same oppressed groups and come from the same background, I see that they clearly have not experienced the daily struggles and received the treatment other people have. People need to understand that just because one doesn’t experience oppression, doesn’t mean that it doesn’t happen. They need to keep an open mind before calling protesters counterproductive. Those both white and other POC need to realize that protesters act not just on one sole incident but from the accumulated frustration of oppressive treatment by those in charge and those living in privilege. This country was built on the shoulders of oppressed groups. Slavery might have ended over 100 years ago, but we are still
“Also, critics need to understand that usually no protest is ever intended to be violent, but an atmosphere of armed police may provoke it.” Look, I’m not here to tell you there is a right or wrong way to protest. I’m not even here to convince you to grab a sign and come march in the streets with us. But what I am here to tell you
For now, I am focusing on applying to jobs and internships that interest me, and that is enough. Truly, “I don’t know” is an acceptable answer and it’s even better to focus on what you do know. I don’t know if I will get a job in marketing like I want because I’m an English major, but I am going to try. I don’t know if I will move abroad or stay local, but I am going to try and make clear decisions one day at a time. So don’t worry fellow class of 2017 graduates, just work hard and welcome the future.
fighting for social justice in the face of backwards thinking. This country cannot shake the unjust practices it has been built on without extreme action that forces people to face reality and make change. Also, critics need to understand that usually no protest is ever intended to be violent, but an atmosphere of armed police may provoke it. Off-duty policing was the problem being highlighted during the Anaheim protest. Protesters see police as violent instruments of the state who carry weapons and enforce laws in an abusive and excessive way, whenever they want to. Protesters are putting their safety and freedom on the line because temporary danger is less terrifying than settling for the way things are. Telling us to remain calm and act civilized because our actions inconvenience you isn’t a good enough reason to condemn us. Asking groups who have been targets of violence and oppression to not express themselves freely is oppressive. We are trying to change the world, help us.
7 FEATURE
Intro by Bailey Mount Managing Editor In 2004, “The Daily Show” host and comedian Jon Stewart was asked to appear on the CNN program “Crossfire.” The show, hosted by Tucker Carlson, often put forth a bipartisan point of view that pit liberals and conservatives against one another. When Stewart appeared on the show, he surprised everyone by demonstrating a wide knowledge of politics and a deep disdain for Carlson’s show, which he called “theater” and denounced for its lack of journalistic responsibility. No one expected a man from Comedy Central to dismantle CNN in 10 minutes on national television. He was a night owl, one man making people laugh. Late night television started off as a guilty pleasure for the “night owls.” We stayed up late, way too late, grabbed a bowl of popcorn and sat down on the couch to watch something raunchy. “Letterman” was something for my parent’s generation. “Adult Swim” became a favorite of my brother and I when we reached
that adoloscent age where staying up at an unreasonable hour was doable and cool. Now, we have Jimmy Fallon. We have Stephen Colbert, Trevor Noah, John Oliver and Samantha Bee. What do all these people have in common? They transcend the normal boundaries of late night television and try to make viewers think of something beside how a claymation vignette is going to end. Late night television has turned into a political comedy act. Sure, there were the usual pop culture satires back when I was watching “Family Guy” and thinking I was grown. But shows like “Last Week Tonight” and “The Late Show” are trying something new, something different from the usual Comedy Central mild jabs at an unfavorable administration — these people are becoming reputable news sources. And seemingly now more than ever, comedy is the best way to understand our current political reality.
8 FEATURE
“I think implementing politics in a degree where it’s informative and funny is something that has brought about this next generation to understand politics in a different way.” Michael Fricke
By Alejandro Ramos Editor-in-Chief In September 2016, Donald Trump appeared on “The Tonight Show with Jimmy Fallon.” He cracked jokes. He had a good time. Toward the end of the show, Fallon, with his trademark awkwardness, asked Trump one more thing: “Can I mess your hair up?” The question hung in the air for the briefest of moments before the crowd gasped in unison. Fallon threw his head back and laughed loudly and gleefully. Trump looked to the crowd and made a face that feigned displeasure for the sake of entertainment. Eventually, he relented and let Fallon go to town on the future president’s golden locks. Times have changed. The recent presidential election and aftermath have given the public a good amount to think about. According to the Federal Register, President Donald Trump signed 15 executive orders by March 3, 2017. These moves are causing a lot of tensions and anxiety in the American people. As a result, there is an increase in interest in politics and social issues. People are losing interest in middle
ground entertainment; they would rather watch something that takes a stance and sticks to it. Fallon flipped the script. He now takes shots at Trump and his administration in an attempt to keep up with his far more political peers like John Oliver and Stephen Colbert. He works in jokes on the latest developments from the White House into his monologue and lampoons the president in sketches, even going so far as to dress up as him. Despite his efforts, Fallon is trailing behind his competition. His attempts to be more political often fall flat, as he is visibly stiff and robotic when reciting jokes about the current administration. Meanwhile, Stephen Colbert, host of “The Late Show with Stephen Colbert” and one of Fallon’s competitors, has had huge success in the past couple of weeks. He took advantage of the plethora of news coming out of the White House and turned it into material for his show. His opening monologue, like Fallon’s, includes jokes that poke fun at the current administration and his guests openly
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“I think that’s always a struggle, trying to keep that balance of super hardcore facts and then also keeping it lighthearted.” Jason Laukner
Before we had Fallon and Colbert, we had Steve Allen and “Tonight.” Steve Allen was the first late night television host. He is the reason we have late night TV at all. He pioneered the format, bringing together elements of talk shows and variety shows for night owls to enjoy. His vision and work shaped the first late night show, “Tonight with Steve Allen.” “Tonight” would eventually go on to become “The Tonight Show” and spawn the entire genre of late night TV and hosts like Jack Parr, Johnny Carson, Jay Leno, David Letterman. Some, like Letterman, would go on to host their own shows on other, taking with them the blueprint that Steve Allen laid down. Opening monologues, celebrity guests, musical acts and lively skits defined late night TV for decades. The turn of the century brought about a significant change: cable news networks. These networks were dedicated to providing 24/7 coverage of national and global news. Political talk shows became all the rage on these cable news networks.
For some reason, a small network called Comedy Central decided to start a late night political talk show with a comedic spin. Thus, “The Daily Show” was born and gave us personalities like Craig Kilborn, Jon Stewart, John Oliver, and Stephen Colbert. At some point, late night talk shows and political talk shows collided. The hours of the late night which were once reserved for fun and games started to include sharp, political commentary. This has not been as prominent as it is now with Colbert and Fallon trying outwit each other. If the past couple of years are anything to go by, political commentary is going to be a staple in late night TV for many years to come. It fills a need that many people have given the current social and political landscape. There are many political issues and they are deserve some amount of attention. Late night hosts don’t have to inform viewers on the issues, they just
FEATURE
criticize Trump with jabs of their own. And so, “The Tonight Show” fell behind “The Late Show” in recent weeks. According to the Nielsen Company, “The Late Show” had at least 3 million viewers per week since the second week of February. Meanwhile, “The Tonight Show” had little under that amount during the same time frame. Before then, Colbert was the one that struggled while Fallon reigned as the king of late night TV, and overwhelmingly so. Nielsen marked that “The Tonight Show” topped the charts with 3.47 million viewers in the middle of December. Fallon’s fun, offbeat personality made him approachable and appealing to the masses. His show was a safe haven for viewers who wanted to escape the nitty gritty problems of the real world. He left politics at the door. The people no longer want Jimmy Fallon or Jimmy Kimmel or any other Jimmy. They want Stephen Colbert and John Oliver.
have to make us laugh. “I think implementing politics in a degree where it’s informative and funny is something that has brought about this next generation to understand politics in a different way,” said Michael Fricke, chief executive producer of College Beat TV at CSU Long Beach. Several of College Beat TV’s shows - like Late Night Long Beach and Long Beach Sketch - are inspired by late night television. They tend to have a little bit of everything, from silly segments to more serious political commentary. According to Fricke, the move to include more political commentary recently has been a success. Viewers have sent in comments letting him know they enjoy the type of content they are producing now. Jason Laukner, executive producer of Late Night Long Beach, added that it was “always a struggle, trying to keep that balance of super hardcore facts and then also keeping it lighthearted.” Politcs is here to stay.
10 MUSIC
Artist Spotlight: The Buttertones
By Erick Zepeda Contributor Los Angeles garage pop band The Buttertones have come a long way from being just a trio of music students practicing in a bedroom. Founded in 2011 by former Cherry Glazerr member Sean Redman, the group has since expanded to include a second guitarist and saxophone player. Despite having so many “cooks in the kitchen,” they continue to credit their success to the band’s great chemistry. Each member certainly maintains their presence, but their final product is a succinct and wildly entertaining mixture of California rockabilly and post-punk energy. Now under the Innovative Leisure record company, home to rising artists like the Tijuana Panthers and BadBadNotGood, the arrival of their album “Gravedigging” on Mar. 31 places listeners at a curious juncture. It’s hard to predict the trajectory of the record with a discography that springs from the smooth lovesickness displayed in “Baby Doll” to their slightly grungy rendition of “La Bamba,” but with a solid track record and reliable cast, it’s a tantalizing mixed bag. Suggested songs: “Dionysus” and “Baby Doll”
“Divide” and Conquer An album so noteworthy, we had to write about it twice By Bailey Mount Managing Editor Ed Sheeran’s third studio album “Divide (÷)” came out Mar. 3. Much anticipated by fans since the singer’s year-and-a-half long hiatus, the album dropped a few weeks after his return to social media. Fans were first alerted to “÷” when Sheeran’s social media accounts changed their photos to the new album cover. Soon after, singles “Castle on the Hill” and “Shape of You” dropped. The entirety of “÷” was released a few weeks later. “÷” is unlike anything Sheeran has produced up to date. His previous albums “Plus (+)” and “Multiply (×)” were largely acoustic, with most of the songs featuring only the singer, his guitar and a loop pedal. The tone was consistent. Listening to “÷” then can only be described as Sheeran’s first foray into an experimental album and perhaps even toward a new sound. With a busier background and background singers, this album is something new. And, like most experimental albums, some things work. And some don’t. Skipping over “Eraser,” a rap repeat that doesn’t bring anything new to the table, the next track, “Castle on the Hill,” introduces a new theme – the importance of one’s roots. This particular single is a love letter to his native city and friends of Suffolk, England. Several other
songs on “÷” follow this theme. “Galway Girl” mixes Irish folk music with pop. Hearing a fiddle and a bass beat is odd, but the playful flirtation and fast pace creates a charming song that begs
the traditional Irish sound to make a modern comeback. “Nancy Mulligan,” on the other hand, sounds so much like a traditional Irish folksong that it’s hard to believe it’s original at first. It tells the story of Sheeran’s paternal
Illustration by John Mueller Graphics Illustrator grandparents while “Supermarket Flowers” talks about the death of his maternal grandmother from his mother’s point of view. The majority of the songs on “÷” then deal with love. This is where Sheeran is in his element, but this time around, there’s nothing lofty about it. Love was touched on an almost superficial level in his past albums. It felt as though he only sang about the idea of it. “÷” feels as though Sheeran is writing specifically to someone. “Perfect,” easily the best song on this album through its use of beautiful lyricism and imagery, is like looking at someone’s personal love letter. “Happier” is a wistful bestwishes song to an ex. “Hearts Don’t Break Around Here” touches on the emotional vulnerability in a relationship where both people know that they’ve found something worth keeping.
Though many of Sheeran’s songs are personal, they are sung in a way that makes them accessible. He makes “÷” sound like he’s unveiling it at someone’s house with each listener invited for a private show. The rest of the album is a strange mix. “How Would You Feel (Paean)” is sweet, but nothing too special. “Save Myself” reminds listeners to not be ashamed in choosing their own well-being over others. “Barcelona” and “Bibia Be Ye Ye” are two odes to the different cultures and cities Sheeran visited on his hiatus, colored with elements of their respective music style. “New Man” and “What Do I Know?” are the two weakest songs. The placement of the latter after “Happier” is clever, but “New Man” seems petty and inadequate after “Happier’s” melancholy ballad. “What Do I Know?” sounds completely unlike Sheeran and has no place on the album. Taking a step back, there’s a lot going in this album. It’s personal, playful and poignant. Sheeran is trying new things and it’s clear that he’s looking for a new direction. What “÷” ends up sounding like is a young man’s first journey into the world - exciting, optimistic and complete with the usual potholes that are found on such a crazy road.
Sheeran. From the very beginning, you can tell right away that each word he sings is emotionallycharged and it will captivate you. Despite B a i l e y ’ s c r i t i q u e , “What Do I Know?” is one of my favorite tracks on the album. Sheeran playfully talks about the idea that love and music are the cure to everything, rather than worrying about money, looks or politics. The style is very
reminiscent of a Jack Johnson song, and instantly had me swaying my head side to side. It also features dual vocals during the chorus, one in a normal octave and the other an octave higher, and they are heard at equal volume. This incredibly unique concept caught my ear right away and showcases Sheeran’s talent as a musician. I could go on for days because this album is truly special. While there are a number of stand-out tracks, there is not a single bad song on this album. The album encompasses many different styles, tempos, production levels and more, which will easily grab any listener. If you haven’t listened to Ed Sheeran’s “÷,” do it. It’ll be worth your time.
By Kaila-Marie Hardaway Music Editor Over the last two months, Ed Sheeran ruthlessly teased fans with the release of many singles from his newest album “Divide (÷).” Tracks like “Shape of You” and “Castle on the Hill” have topped the music charts, which only sparked more anticipation for this album. Sheeran finally released his album on Mar. 3 and boy, it was worth the wait. “Eraser” is the opening track on the album and it is marvelous. Sheeran raps throughout the track — similar to older songs such as “Don’t” from his album, “Multiply (×)” — yet it contains a catchy and melodic guitar line that becomes a highlight throughout the song. As it continues, more elements are added, such as a catchy beat, a smooth hook, and a melodic chorus, making this track a pleasant and surprising opener for the album.
“Dive” brings the tempo down with simple, bluesy instrumentals and features powerful vocals from
“This incredibly unique concept caught my ear right away and showcases Sheeran’s talent as a musician.”
MUSIC
Five Bands to Add to Your Playlist
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A look at a handful of artists that will enhance your music queue By Natalee Coloman Staff Writer
Need something to give one of your playlists that extra spunk? Got a playlist that is nearly perfect, but not quite at the song count you’d planned on? Here are five bands and songs you can add to spice up your life – and music taste.
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Balance and Composure - “Postcard” Balance and Composure take a different approach with their sound in their most recent album “Light We Made.” Previously, the band had a grunge rock feel with heavy drumming and screams added to soft guitar melodies and vocals. The band has performed at major festivals such as Coachella and will be in the upcoming When We Were Young fest. “Light We Made” has definitely a more mature sound, avoiding the heavy screams and focusing on the melodic aspect. “Postcard” has softer drumming, primarily for keeping the beat, while the song focuses more on the guitar riffs and overall dream-like sound. With lyrics that make it hard not to sing along to, this song is perfect for a driving playlist.
February Music Recap A look back at some of the best singles from last month By Samantha Neou Intern
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Allison Weiss - “Counting Down” If you know Tegan and Sara, you’ll love this sad-girl version of them. If you don’t know them, imagine fun indie-pop songs meeting Weiss’s emotional breakup songs. “Counting Down” is the perfect readyto-move-on song after a breakup with lyrics such as “I know someday I’ll be okay/ And I won’t need you like I do/ In the daylight I’ll be alright/ And I won’t need to lean on you/ Cause I did what I had to do.” The song is from Weiss’s recent 2015 full-length album, “New Love,” which contains some of the best dance party breakup songs to play with your best friends.
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Letlive. - “Good Mourning America” Described as “soul punk,” Letlive. has a heavier sound. This is great for anyone who needs to let out some steam, especially with lyrics relevant to today’s issues. This song features students from Inglewood’s school district, a place close to heart for singer Jason Butler. The song is a direct response to the police brutality and killings that have been taking place in the past few years.
Out of all the music released each month, it can be a hassle trying to figure out what songs are worth listening to. Let me help out with that. At the beginning of every month, expect a five track “round-up” of the best jams you may have missed from the previous month. It doesn’t matter what genre the song is from. If it’s good, it can make it on my list. This February, mostly R&B and rap tracks dominate it.
Taylor Bennett - “Grown Up Fairy Tales (feat. Chance the Rapper & Jeremih)” In this track off his second album “Restoration Of An American Idol,” Taylor Bennett cements himself as an artist who can shine without his Grammy awardwinning older brother Chance the Rapper. While Chance’s verses send positive vibes, Bennett gets candid about his personal issues and experiences. This track is definitely a soulful collaboration tinged with gospel and hope. In fact, Chance originally sent Bennett the song years ago when he was
While this song is on my workout playlist, I encourage it be added to any other playlists as well. The lyrics will give you goosebumps, the music video shows footage from past protests and the message is something anyone can identify with.
2.
Looming - “Tired and True” Based in Springfield, Ill., singer Jessica Knight has a voice similar to a mix of Yeah Yeah Yeahs and The Cranberries, creating a unique sound filled with emotion. Knight’s lyrics sound true to the heart, while her bandmates Mitch Baker, Nick Bemarco, Brandon Carnes and Cassie Staub provide an overall dance-y rock sound. Knight said the song is about “being a flawed person who makes mistakes but tries to recognize and change,” which is something almost anyone can relate to. She continues, “It’s about how the process doesn’t happen overnight and sometimes you write one sentence and delete two more while adjusting.” She also adds the struggle friends might have waiting patiently through your attempts. The song was released as a single late last year, which will also be featured on their upcoming full-length LP this fall. “Tired and True” is a great song to listen to while studying, driving
sick in the hospital. He loved it so much, he asked Chance for the song.
Calvin Harris - “Slide (feat. Frank Ocean & Migos)” Calvin Harris manages to produce an early summer hit with the help of two artists who have recently taken the music scene by storm: Frank Ocean & Migos. Both of these features may hail from R&B and rap backgrounds, but it’s clear that wasn’t an issue here when working with the Scottish DJ. Ocean croons on top of electronic-funk beats to create a groovy, laid-back single that is somehow still melancholic. This dichotomy is also attributed to the lyrics that are all about living a lifestyle of excess.
Vince Staples - “Bagbak” Racism and gentrification are only a couple of the topics Vince Staples touches on in his new audacious, empowering rap track. He cannot be any clearer when he raps how the “one percent, government and president” should “suck a dick because we
or perusing the internet, as it has an overall mellow sound that can also evoke some shoulder shimmies.
1.
DREAMCAR - “Kill for Candy” This is a brand-new experimental band featuring No Doubt members Tony Kanal, Adrian Young, Tom Dumont and AFI’s vocalist Davey Havok. Unsure of their sound, name or stability, as reported on the Kevin and Bean show on KROQ last Thursday, these guys have been working on this “in secret” for the past three years. What ended up as an ‘80s pop-rock jam that brings nostalgia to No Doubt fans along with the dreamy sound of Havok’s voice is all that DREAMCAR wants fans to picture, starting with their name. Havok described the upcoming of their band’s name as a mix of classic, futuristic, unobtainable and desirable. “Kill for Candy” is the perfect song to add to your ‘80s dance party playlist – in case you decide to go rollerskating or find yourself watching The Breakfast Club and need to dance to all things cinematic about the ‘80s.
on now.” Along with this political track’s abrasive production, “Bagback” is certainly encouraging the fight against oppression.
Little Dragon - “High” This chill pop Swedish quartet released a serene and sensual track that’ll surely leave you feeling “high” on those late-night drives. The way the lead singer fluctuates between her “high” and low notes at certain points in the song is great. The track’s ample use of synthesizers is the “high”light.
Thundercat - “Walk On By (feat. Kendrick Lamar)” Off his third studio album “Drunk,” Stephen Bruner (aka Thundercat) in this track pleads for a lover to stay with him because he doesn’t know how to cope with loneliness. Kendrick’s verse isn’t any prettier as he raps about righting his wrongs and gang violence. “Walk On By” overall is a slow funk jam that’s a nice addition to both of their discographies.
12 CULTURE
Pomegranates By Jasmine Castro Contributor
John Mueller/Graphics Illustrator
Angelita, my grandma, tippy–toes on the stepladder and I hold on to my pants with sweaty hands. I hope she doesn’t fall. Still, I hope she gets the huge pomegranate. I saw it first, behind the leafy branches and so really high up on the tree. Slowly, she reaches up toward the granada, 1 but she can’t get it down when she’s trying to hold on to the big yellow container of pomegranates with one hand, and reach up with the other. She steps down the ladder and sets the container full of delicious miracles on the white table. “Ahorita la agarramos,”2 she says, assuring me that we’ll get it down. I look up at her as she rests with one hand on a white plastic chair. With sweat on her forehead, she smiles at me with her golden eyes, laughing like she can’t believe we can’t get it down, but I think also because she is happy. We get to pick all sorts of fruit in her garden and the pomegranates are finally ready to eat. She steps onto the ladder and gets on her tippy–toes again. She is wearing the cool, flowy floral pants that she made for hot days 1. Pomegranate 2. We’ll get it right now.
like today. When her crooked fingers reach the leaves by the pomegranate, she brings her hand back and wipes it on her side. Spider webs! She reaches again and she’s almost got it so I say, “Ya mero la agarras.”3 She pulls the branch with one hand and yanks the pomegranate with the other. After she looks at it, she frowns and steps down the ladder. The top of the pomegranate is white with mold. It is open, like insects were eating it. My grandma tells me we have enough pomegranates anyway. The giant pomegranate tree has a branch that sticks out toward the doorway so she has to duck when she goes inside the house or she’ll bump her head on it. I duck under the tree even though I’m not that tall yet and follow her inside to rinse the pomegranates. Outside, I place one foot in front of the other on the pebble path and walk past the little lime tree. Above, clotheslines hang from the garage to the house. Stopping by the row of tall cranberry bushes, I pick one, two, three, four, five cranberries. I eat them and I have five, four, three, two, one, none left.
At the front yard, through the chain link fence, I see two men with long white socks, black shorts, and huge t-shirts on the corner across the street. One of them is skinny with his hands in his pockets and the other one is tall with a frown on his face. They stare at a driver at the stop sign and the tall one throws his arm out at the driver. I walk fast past the potted plants. It’s 27 steps until I make a turn. I pass the pomegranate tree and the little outdoor table and step onto the grass. Grabbing her green apron, Angelita says, “Veronica, ven para ponerte el mantel.”4 She has her black apron on and she wraps the green apron around me. It fits me as long as a dress. Angelita and I sit on two white plastic chairs in the middle of the garden. “Toma, Veronica,”5 she tells me, handing me a bowl with an opened-in-half pomegranate. “I know about the splattery seeds,” I say. Angelita and I begin to fill our containers. I grab my bowl
3. You’ve almost got it.
5. Here, Veronica
4. Veronica, come here so I can put the apron on you.
and move my chair so that I can’t see the wire fence, that way the men don’t see me if they walk by. My grandmother sings. I count the pomegranate seeds on my hand and eat them. We joke about us gobbling down most of the pomegranate seeds instead of actually putting them into the container. She tells me we better not do that anymore. My face feels dry from eating all those pomegranate seeds, some sweet, some sour. Angelita has a pomegranate-stained mouth and I can’t help but laugh to myself as she wipes my face in the breeze. Once we have two containers filled with shiny seeds and a pile of peels, we take our chairs back to the table. Angelita takes the containers inside and I follow her. “Ponle el candado,” 6Angelita says. She warns me to close and lock the door. After I lock it, she twists the knob. In the decorative mirror, I stare at the red and purple stains on my face. I go change into my regular clothes; Angelita will wash the stains off in a while. I hear the whirl of the blender coming from the kitchen. Now, she is calling me for pomegranate juice. 6. Lock it.
13 CULTURE
Culture Club The French Club presents “François Sur La Radio”
Headline photo: Ricardo Alejandro Pulido (a.k.a. Francois) and Selene “Cas” Castaneda Bottom: Francois and Cas at the station
By Ricardo Alejandro Pulido Contributor The radio show, “François Sur La Radio,” was an idea of mine that became a reality just this past fall semester. Two years ago, I found out about KBeach Radio at CSULB and dreamt up the idea to have a show where I could take the opportunity to share French music while I studied the language. After falling in love with the language, my parents nicknamed me François and the name stuck. The show’s name literally translates to “François is on top of the radio.” The title was kept despite its meaning. This fall 2016 semester was my last semester as an undergraduate student majoring in French and Francophone studies. As a part-time student this past semester, I decided the show had to happen now and contacted the program manager at KBeach to see if I could still carry on with the show. I did all the necessary training with KBeach. This meant assisting observation hours, board and orientation trainings, three “live assists” or practice runs and finally writing and sending in my pitch for the show. It was then approved by the board and staff, but due to my heavy and intense schedule last year, I was unable to successfully execute the show as I had initially hoped.
When things were in full swing, I knew I was going to need some help. I contacted my dear friend Selene, with whom I’ve studied French with, and asked her if she could be my co-host for the show. She happily agreed and we began doing live practice runs once a week with KBeach after receiving approval from the program manager. She likes to call herself my “co-pilot.” Selene Castaneda, “Cas” for short, is our show’s sound engineer. She runs the sound and level board and makes sure the show runs smoothly. During our first live show together, things were beginning to seem chaotic then Cas took control of the soundboard and ran it as if she had been doing it for years! We work as a great team and my co-host has such amazing tastes in French and French-themed music, surprising me every week with an interesting theme and cool playlists. We always start with the “top of the hour,” an introduction and identification for KBeach and what it is in relation to CSULB. We usually then introduce ourselves and announce what we will play for the night and explain our premise. I love announcing that the show exists to bring all types of French
and Francophone music to a wider audience – the good, the bad, the old and the new. Sometimes we play music even if the songs themselves aren’t in French but instead have some sort of relevance to France and other Francophone origins. At the 30-minute mark of the show, I make announcements about what’s going on with French Club at CSULB. As the French Club’s president, I promote the club while giving listeners the opportunity to get the scoop of what events will take place within French Club. We talk in-depth about upcoming events and recap from previous events. At the 50-minute mark, we like to interact with our active audience and give shout‑outs to all our families, friends, listeners and mention our professors who inspire us to study this beautiful language. We usually take turns introducing the songs we play and talk a little bit about them and their significance. Selene always thinks of amazing themes for each show we have. In the past few shows, we have had ‘80s French night, chansons in French from non-French films and non-French songs from French films. My favorite was when we had a night dedicated to French and Spanish rock and reggae music.
We play all types of French and French‑themed music with a new theme every week. We want to show listeners that French music is not just your typical 1940s Edith Piaf-like French music. We’re here to completely shatter the stereotyped accordion-heavy perception of French music. It is more than just accordions and much more updated than the waltz. French music and French-speaking artists are contemporary, fun and unique. Some might even surprise you. “François Sur La Radio” was approved once more and is here to stay at CSULB! We will always be playing French or Frenchthemed music just for CSULB, our listeners and southern California. Our show runs every Tuesday from 8pm-9pm PST. To listen, you can download the KBeach radio app via your smart phone and tune in, listen live on kbeach.org or hang out in the first floor of the USU during our showtime for our content. For updates on our show, add me, Ricardo Pulido on Facebook and stay updated with CSULB’s French Club Facebook page. Add the French Club on our other social media as well! Instagram: FrenchClubCsulb Snapchat: CSULBFRENCHCLUB
14 ENTERTAINMENT
Ali Knocks Out the Competition A profile on the recent Oscar winner Mahershala Ali
By R. Ray Robinson Staff Writer What do you get when you combine a former basketball star, rapper and actor winning many prestigious awards? You get Mahershala Ali who is making noise as an A-class actor from Moonlight. With such limited amount of screen time, Ali’s acting prowess as Juan definitely puts the “father” in fatherfigure, painting a picture that many men should show to their sons whether they disagree with their lifestyles or not. Ali’s acting career did not begin on the silver screen. He first began playing basketball for Saint Mary’s College basketball team on a scholarship. However, finding out that it was not his true calling, he wound up taking acting lessons at New York University. It soon led to him starring in “The Curious Case of Benjamin Button.” Wanting to take his career further, he took on acting full time, making a name for himself in Holly wood. He has starred in television and film with works such as: “House of Cards,” “NYPD Blue,” “The Hunger Games” and “Luke Cage” among others.
He also started a music career in hip hop a decade ago before his Oscar and SAG victory. After signing to Bay Area’s Hieroglyphics Imperium record label, he took the name Prince Ali. Ali rapped a song called “The Path/ Honor Code” with one line going, “Grown man talk like tomorrow shines today.” Indeed Ali would shine in years as a grown man winning his shiny new Sag and Oscar victories. Although many were amazed at Ali’s victory, some were surprised and resentful. Many critics disapproved of Mahershala’s Muslim faith. However, while winning for his supporting role in “Moonlight” at the Screen Actors Guild, Ali spoke on persecution. “‘That person is different from me, I
able to see her, she’s able to see me, we love each other, the love has grown. That stuff is minutiae. It’s not important,” said Ali. In regards to the controversy surrounding the Academy Awards, many did not believe that “Moonlight” would beat “La La Land” for best picture. Similar to this controversy, many did not believe that Ali would win for best supporting actor. No one expected a rapper and a former basketball athlete to win an award, let alone a Muslim. However, through Ali’s astonishing success, his talent transcends those three categories that many critics have placed him in. He is a man who has come a long way with every single John Mueller/Graphics Illustrator step that he has taken. If you don’t like you, so let’s battle.’ My mother have not already, be blessed by the success is an ordained minister, I’m a muslim. of Mahershala Ali in the movie of the year She didn’t do backflips when I called her known as “Moonlight.” to tell her I converted 17 years ago. But I tell you now, we put things to the side, I’m
Seriously, Disney? A critic’s response to changing established characters By Taylor Caceres Contributor “Beauty and the Beast” director Bill Condon recently told the British gay magazine Attitude that LeFou (Josh Gad) in the liveaction adaptation will be gay. LeFou, Gaston’s (Luke Evans) enthusiastic sidekick in the 1991 original animated film, will apparently feel more than hero worship in the new movie. “LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston,” Condon told Attitude. On Twitter, Gad said that he is “beyond proud” of his role as LeFou. This is a milestone for a Disney film, although it isn’t the first time that Disney Studios featured gay characters. A lesbian couple briefly appeared on the sitcom “Good Luck Charlie.” The animated series “Gravity Falls” confirmed
Sheriff Blubs and “Call me if Gaston Deputy Durland and LeFou literally were a couple. In a elope at the end, but recent episode of the otherwise: nah,” cartoon “Star vs. the tweeted cartoonist Forces of Evil” a gay Melanie Gillman, couple is kissing in the mind behind the the background. webcomic “As the ABC TV series Crow Flies” and who “Once Upon a also writes the “Steven Time,” which is Universe” comics. tied to Disney and “Assuming it borrows elements follows the 1991 from Disney films, movie’s plot, this featured Mulan in means the gay love with Princess character’s love John Mueller/Graphics Illustrator interest is hetero & Aurora. Last year, Dorothy and Red Riding Hood shared a ‘true dies, which ain’t exactly groundbreaking,” love’s kiss.’ Gilliam also said on Twitter. The “Beauty and the Beast” news stirred “I’m not patting you on the back for up pre-movie doubts. making a character named, The Fool, in
(unreturned) love with Gaston,” said “Lumberjanes” comic co-creator Grace Ellis on Twitter. “Disney is a cultural force of nature. They could’ve been doing gay characters for decades if they wanted to, but they don’t care.” LeFou as Disney’s first gay movie character certainly seems like an unconventional move. Wariness of the portrayal of gay characters is understandable LGBT characters have historically gotten the short end of the stick when it comes to representation in media. LGBT characters are often unfavorably written as villains or stereotypes, or they’re killed off. I’m reserving judgment until I see the movie, but for now, I’m going to echo the question I’ve heard from my friends and across social media: Why didn’t they make the clock and the candlestick a couple? Seriously, Disney?
Equating “Black Mirror” to current events By Natalee Coloman Staff Writer At the end of 2015 the United States had hope. It had a chance for survival for when Barrack Obama would leave the presidential office in the upcoming year. It was the beginning of the election debates and almost all candidates for each party had the opportunity to lead this country into success. However, things began to unravel at the start of the new year. With more than 130 celebrity deaths, Bernie Sanders out of the Democratic party, terrible feature films and mass killings, 2016 looked like hell compared to the previous year. Right now you’re probably wondering, “What episode of Black Mirror is this?” Unfortunately, no, this is not the Netflix British Sci-Fi that I’ve just described, and it isn’t the Series of Unfortunate Events either. It’s the harsh reality we are living in. To make matters worse, for those who are unfamiliar with Black Mirror, if you think this is bad, you don’t want to survive the ending. As we know, Trump and his administration have been signing executive orders like crazy. In his first 20 days in office, the orders came in like rapid fire— almost daily it seems. This is only the third month of what will be a very tiresome and
unpredictable upcoming four years. Black Mirror is known to start off happy and hopeful. It tells the stories of specific people or groups of people living in a futuristic world, while incorporating technology and modern day life. The series draws fans in through the vivid detailing of the world’s lifestyle, appearing as if its events could take place in real life tomorrow. There have also been comparisons of real-world technology developing almost identically to what is shown throughout the series. For example, in “Nosedive” the citizens base their lifestyle on ratings, observing any passerby’s feed through a contact lens and their phone. While our world isn’t that advanced, we still like to see each other’s follower count and “likes” on social media. There have even been reports that China is encouraging people to publish their high credit scores for dating applications and other housing or banking perks. So, as 2017 progresses and we continue to face new executive orders, laws further limiting human rights and a larger national divide between our own nation, we will see how this reality episode of Black Mirror will end. Hopefully rather peacefully instead of the typical horror. Maybe Britain has an inside scoop on what the United States will become, and they’ve decided to premiere this episode directly to us.
ENTERTAINMENT
When TV Shows Become Too Real
15
imdb.com
Not Your Typical Hood Story Pursuing a better life in “Imperial Dreams” By Soun Oeng Staff Writer “Imperial Dreams” isn’t the typical hood story that glorifies gang life, but one that tells an underdog story about real issues. Bambi (John Boyega) is an ex-convict who has spent 28 months in prison for assault with a deadly weapon. Upon release, Bambi is determined to turn his life around by making amends with his 4-year-old son, Daytone. However, Bambi is surrounded by drugs, gang banging, and poverty, which forces him to confront everyday temptations and conflict, and jeopardizing his pursuit of a better life. Bambi is constantly reminded that he has no place to live, a son to take care of, a baby mama serving time in jail, no support from his coke addicted mother, and an
uncle, Shrimp, who wants him to succumb to his past criminal activity. But the movie isn’t just about the tribulations—it’s a story about using what little you have to your advantage and creating something life-changing. During his time in the pen, Bambi publishes a short story about his life in a magazine called “McSweeney.” This ultimately is Bambi’s ticket out of the hood, as he desires to become a writer. I find this to be the bread of the film, because it acknowledges the fact that Bambi is born with a disadvantage. The movie does an excellent job of revealing hope in a city affected by irremediable calamity, without playing into the stereotype of no redemption for a thug. Furthermore, “Imperial Dreams” is able to convince viewers of its authenticity with the support
Netflix of Boyega’s performance, straight down to his swagger and slang; connecting the audience with the raw nature of real life hood problems and self-perseverance. What makes “Imperial Dreams” appealing and worth watching is its acting. The overall plot and actors, contribute to conveying a story that tugs at the heartstrings. It’s emotional and honest, which helps capture real-life problems viewers can empathize with. It illustrates themes of family, loss, vulnerability and motivation—something we all can relate to.
The Netflix original is definitely a movie that demands more attention. Despite being a story based on misfortune in politically abandoned neighborhoods, “Imperial Dreams” is the ultimate success story; a rarity in the genre.
“Imperial Dreams” Length: 1 hr 27min Directed By: Malik Vitthal Written By: Ismet Prcic, Malik Vitthal Starring: John Boyega, Rotimi, Glenn Plummer, De’aundre Bonds, Keke Palmer, Nora Zehetner, Todd Louiso, Sufe Bradshaw
16 ATHLETICS
Rise of the Anchor How Orisa
BLIZZARD ENTERTAINMENT
Orisa’s variety of abilities involving defensive, offensive and support capabilities.
affects the Overwatch meta By Matthew Gozzip Athletics Editor After months of speculation and data mining, the wait is finally over for Overwatch’s newest hero, Doom…. Wait, who is Orisa? Blizzard and everyone’s favorite developer, Jeff Kaplan, recently announced that a new character to the Overwatch lore, the omnic tank Orisa, will be introduced as the 24th hero of the franchise. The official Overwatch twitter account (@ PlayOverwatch) recently hinted that a new character would be announced, all through a series of cryptic tweets revolving around Efi Oladele, an 11-year-old kid genius from Numbani. Oladele created Orisa by utilizing the frames of OR-15’s, special security bots that defended the city, after she witnessed an attack by Doomfist, an elusive figure in Overwatch lore that many fans felt was going to be the next hero. Orisa was initially met with doubt by the community about her place in the Overwatch universe, especially about her place in the current meta after a new update before fourth season of competitive play. Several days into testing from the public test region (PTR), players are beginning to think that Orisa is not just an appealing character because
she is new. She could potentially revise how the entire game is played. Orisa is an “anchor”, a hero designed to hold ground and stabilize the team, regardless of the objective. She is equipped with a deployable shield (Protective Barrier, much like Reinhardt’s shield but with half health) and Fortify, an ability that reduces damage received and negates the effect of opposing abilities, including ultimates. Fortify is one of the most dynamic abilities in the game, a direct counter to stun abilities. Flashbang, Sleep Dart, Roadhog’s Hook and Reinhardt’s Charge PLUS Earthshatter are all negated if they are used on a fortified Orisa. If Reinhardt were to Charge into a Fortify, he would be stunned instead. Fortify allows Orisa to keep her place on the objective without too much disturbance, allowing defensive flexibility and easier movement for allies.
Instead of being reliant on Reinhardt’s shield and limited range, Orisa provides more consistent offensive output. Her fusion driver machinegun operates much like D.Va’s primary fire sans the spread damage. Combine the shield and her fusion driver with a DPS character (or worse, the newly buffed Bastion) and you have a formidable formation. Speaking of her similiarity to her tank counterparts, Orisa is very much the frankenstein creation of a variety of heroes. Her other ability, Halt, is Zarya’s Graviton Surge-lite, a projectile that draws in multiple enemies that are in its proximity for a short duration. Halt can drastically shift the balance of the field, drawing out precision enemies perched on high ground or create easier lines of sight for turret characters. And, if you are a true troll, the
Halt orb can be used to pull enemies off the map for an environmental kill, a reverse boop. The final tool in Orisa’s utility belt is her ultimate, Supercharger. It is a hybrid of Symmetra’s Shield Generator and Mercy’s Attack Boost, a true team ability that benefits everyone. The Supercharger only works if you are in close proximity but the entire team can have the attack increased if they are near. Characters with normally weak damage output are now dangerous foes. What makes Orisa such a valuable asset and such an exciting addition to Overwatch is not that she is particularly good at one thing; she can do so much without compromising her role. If you enjoy being support, Orisa fits the bill. DPS? Be an aggressive Orisa with Halt. Defensive? Just use Fortify and Protective Barrier. Orisa may not be what gamers expected but she is ready to hold it down as the anchor.
Sato the Savior Libero is LBSU’s new all-time leader in digs By Francisco Valladares Staff Writer The record books at Long Beach State will be adding a new member to the list of immortalized 49ers. Senior libero Andrew Sato tallied his 893rd career dig last Friday amidst, became the new all-time leader in digs for the volleyball program. The volleyball star surpassed former 49er libero Zack Small, who held the record with 886 digs since 1993. “I’m stoked about the milestone,” said Sato. “I wasn’t made aware [of the record] until last night.” It isn’t easy to compete when you are told you can surpass a school record right before the game, let alone in a crucial conference game. How did Sato focus with this particular accolade in striking distance? “Don’t blow it, don’t psych myself out,” said Sato after the game against UC San Diego. “Before the match, I just told myself I just gotta play ‘my game’.”
Sato recorded 10 digs against UCSD, the 49th contest he recorded double digit digs, also a school record. Head Coach Alan Knipe expressed his delight for Sato’s achievement. “To set a record like that shows that you’ve been on the court a whole lot,” said Knipe of his seasoned libero. “To do it in a program like ours, with all the people that have come before him in that position, that’s a special individual reward.” The Beach (17-2, 13-1) won the game too, sweeping UCSD, 3-0, with a combination of solid defense and a red-hot offense that continues to dominate in the Mountain Pacific Sports Federation. Sophomore outside hitter TJ DeFalco lead the way with 15 kills in the contest, and scorched the Titan’s with his constant energy and presence offensively. Fellow sophomore outside hitter Kyle Ensing just trailed DeFalco
LONG BEACH STATE ATHLETICS
Andrew Sato gets low for the dig. The veteran libero holds two school records for digs.
with 14 kills of his own, but hit an impressive 75 percent. Versatile sophomore setter Josh Tuaniga provided 36 assists in the game as well. Even though LBSU finished strong for the victory, they didn’t have the best start. The Beach fell down 15-12 before Coach Knipe took a timeout early in the first set. The Beach eventually stabilized the ship and won the set in extra points, 28-26. Both sets after were relatively easier for LBSU, winning 25-19 and 25-11 respectively. The team has now improved their record to 17-2 and will continue to show their strong character as they enter the final stretch of the season.
“We take a lot of pride in getting better all the time and not being result-driven to get better, one of the easier things to do is to maybe not improve so much after a win and have a surge of energy and focus after a loss,” said Knipe. Sato’s record-breaking digging has now helped the team win 10 in a row and he knows exactly what to do to keep this momentum going. “Keep the desire to get better every day at practice, keep watching film, and just play our game every day,” he said. Ultimately, the 49ers will be hoping to extend their winning run to 11 in a row when they face George Mason on March 10.