ARCHITECTURAL PORTFOLIO YUGANTAR HANDA
2019
“Work Hard, Play Hard” - Anonymous
As a recent graduated Architecture student, I am interested in narrative of architecture. I seek to discover architectural design that speaks spatial atmospheres and deals with the intimacy. I enjoy working in a team that try to bring value to each and every situation together. Cheerful, easy-going, sensible, serious and chilling define me as a person.
YUGANTAR HANDA B.ARCH 2019
CURRICULLUM VITAE PERSONAL DATA Name - Yugantar
Handa
Nationality - Indian
Mobile No. - +918527822245 Email - theyugantarhanda@gmail.com handayugantar@gmail.com
City - Delhi Languages - English, Hindi
Facebook - facebook.com/theyugantarhanda Instagram - theyugantarhanda DOB - 27/07/96
DESIGN PHILOSOPHY I believe design is much more than form making, Aesthetics, functionality or problem solving, it needs to be a value adding preposition. For me architecture has always been about the people, how they use, live, feel and experience our built environment. I carry a human centred approach in my work aiming to make a difference in the everyday lives of the people through design.
EDUCATION 2002 - 2014
Kulachi Hansraj Model School, New Delhi
2014 - 2017 Bachelor of Architecture Gateway College of Architecture and Design, Sonipat Xth Sem SGPA - 7.67
PROFESSIONAL EXPERIENCE 06/2017 - 11/2017 (6 Months)
10/2018 - 11/2018 (2 Months)
2019
Dushyant Kamath and Associates, Goa ( Being one of the most renowned and oldest firms of the Vasco city, DKA acted as a platform for me to grasp the fast pace environment of working under an architectural office. Despite being just an intern, got opportunity to worked under various multi unit residential projects and cultural institutions. Exposure to direct client dealings and hands on site experience was a plus. )
Fireflyards, Chandigarh ( An upcoming firm started by two of our college seniors, helped me to gain a fresh learning experience of working under young architectural minds. Worked on small scale institutional and residential projects. )
archXstacy ( A research cum design platform started by me and my colleague Ar. Amit K. Gupta as an open studio active in architectural practice, interior design, landscape and product design with some research publications related to various streams of architectural study which is open for all types of users and are welcomed to be part of the platform in the form of online feedbacks and debates. )
2016 - 2018
Freelance ( Designed various logos, visiting cards, posters and banners of various companies in alignment with the client requirement. Architectural rendering, facade designing and client presentations for various studio firms. )
HONOURS | PUBLICATIONS
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WORLD ARCHITECTURE COMMUNITY -
•
WAC Thesis Award 2019 -
•
AJAR, Arena Journal of Architectural Research -
•
ARCHUE - Published Architectural Dissertation named “Musitecture. An Expedition” in 2019.
•
VASTU DWAR, College Magazine -
•
COLLEGE - Architectural Dissertation University Topper ( 9th Semester ).
Published Architectural Thesis “ Soul to Space : Psychonautic Center | Osho Dham “ in 2019.
Nomination for WAC Best Architectural Thesis Award 2019 in North Zone. Published Architectural Research Paper named “Musitecture. An Expedition” in 2018.
Published Architectural Design Project “Art & Culture Center” in 2017
Architectural Thesis College Rank -2 ( 10th Semester ). Architectural Design College Topper ( 6th & 8th Semesters ). Urban Design College Topper ( 9th Semester ). Landscape Design College Topper ( 9th Semester ). Winner of Educational Tour’s Best Presentation & Documentation Award for 3 continuous years (Chandigarh - 2014, Jaipur/Agra - 2015 & Udaipur/Mount Abu 2016)
•
COMPETITIONS - ANDC 2016, Shortlisted Top 50 UOW 2015, Shortlisted Top 20 LBC 2015, Shortlisted Top 10 SISGRAPH 2018 Space Time Competition, Shortlisted Top 50
SKILLS DIGITAL
ANALOG
FABRICATION
Autodesk Autocad A Trimble Sketchup A
Hand Drafting A Model Making A
Laser Cutting A 3D Printing I
Apple Keynote A Adobe Photoshop I Adobe Indesign I
Sculpting A Conceptualizing A Architectural Sketching I
CNC B
Adobe Illustrator B Autodesk Revit B
Architectural Rotring I Painting I
*
Proficient in both :
- Windows OS - Mac OS
A - Advanced i - Intermediate b - Basic
Rhinoceros B Lumion A Vray I Art Rage I Cura B Microsoft Suite A
INTERESTS Spirituality, Design, Research, Music, Explore, Travel, Cricket, Football & Chilling.
REFERENCES Prof. Anil Kumar
Ar. Dushyant P Kamath
anilkc@yahoo.com +919728100238
dushyantkamat@gmail.com +919728100238
PORTFOLIO GALLERY
ACADEMICS
SPACE TO SOUL
THE URBAN SPACE
HEALING SPACES
MUSITECTURE. AN EXPEDITION
01
02
03
04
COMPETITIONS
TIME MACHINE
EVOLVING THE PAST
05
06
PROFESSIONAL WORKS
THE MAPPING VENTURE
OTHER PROJECTS
07
08
OTHER WORKS
BELLIGERENT REALM
XTREME ARENA
SUNDRIES
09
10
11
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SPACE TO SOUL
01
+ // ARCHITECTURAL THESIS
01
SPACE TO SOUL Psychonautic center | Osho Dham ARCHITECTURAL THESIS INDIVIDUAL PROJECT INSTRUCTOR : RAVI KAKKAR SPRING 2019
Psychonautic spirituality is an ultimate or an alleged immaterial reality. The essence of spirituality is the search to know our true selves, to discover the real nature of consciousness ie altered states of consciousness. In other words, it is a constant discovery of the incredible, our real self, and a quest of our true being, why we are, who we are and where we belong. This has been a part of the eternal quest of man from times immemorial. These questions have been answered differently by many but are subject to one's own belief interpretation and perception. Osho Dham is a kind of psychonautic center cum spiritual resort acting as a self sufficient commune, comprising various spiritual
spaces
to assemble people of different
backgrounds to tread on an inner journey to discover their inner potentials, strengths and weaknesses. The center primarily focuses different methods of meditation, yoga, dance, rejuvenation and recreation to maintain a balance between body and soul. This center will have the responsibility to spread awareness and to invite people for their basic treatment. To provide calmness and stability in human mind, architecture will play a major in demonstrating the elements that evoke the sense of spirituality and peacefulness on human body. This psychonautic center will work on the philosophies of Osho. It will focus on development of human potential, bringing harmony into human relationships and changing the attitudes and outlook of people to promote the spirit of brotherhood, love and co-operation. The institution is open to all irrespective of caste, creed, age and social, economic or political status. It will have various weekend courses of meditation, dance and yoga. People from all around the world will come just to practice great meditation techniques explained by Osho. It is opened 24X7, 365 days.
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People look for help from a divine power in order to find themselves, in order to make sense of the world, or in order to make sense of their own lives when chaos surrounds them. People search for peace in their world, but that has to start with peace from within. To find peace within, those in search of answers ask for help from a spiritual source. In most cases, that means gathering to a church or a wellness center to find people that can assist with gaining answers. The buildings themselves typically have little impact on people looking for spiritual guidance. Those in need of spiritual help, can gather in this built environment, the architecture of this center will invoke all senses, help one concentrate one's positive energies to calm a disturbed mind and take a peaceful stable mind beyond the physical. Since sacred spaces are separate from everyday places in a designated precinct, value is placed on the journey and arriving at the sacred place. The path and the ritual journey are part of the sacred experience. It is a universal goal of mankind to seek or to create spiritual spaces. And for people searching for solutions that can help with their personal demons, this architectural language could speak the answers they are wishing and/or needing to hear.
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“CHAKRAS”
The conceptual designing of the project is mainly based on the 3 famous quotes of Osho on “Seven C h a k ra s” , “ S a c r e d Geometry” and “Yin Yang”.
“YIN YANG”
.The aim of the project is to d eve l o p
a
built
environment that is not only spiritual because the outdoor signage s ay s
so,
but
because the a rc h i te c t u re itself
is
spiritual.
“SACRED GEOMETRY”
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THE DESIGN PHILOSOPHY
CHAKRAS
YIN - YANG
SACRED GEOMETRY
“ Our Seven Chakras Are The Yin And Yang, The Interplay Foremost Byway To Ultimate Of Opposite Principles Paradise “ Constitutes The Universe. - OSHO
Osho believed that the chakras vitalize the physical body and influence the physical, emotional and mental movements of the mind and body. They are considered to be the loci of lifeenergy (known as prana, shakti or chi), which also flow through them along pathways called nadis. The main function of the chakras is to draw in the prana by spinning around their own a xe s a n d h o l d i t i n t h e i r respective sphere to maintain and balance the spiritual, mental, emotional and physical wellbeing of the mind and body.
- OSHO
Two halves that together complete wholeness. Yin and yang are also the starting point for change. When something is w h o l e , by d e f i n i t i o n , i t’ s unchanging and complete. So when you split something into two halves – yin/yang, it upsets the equilibrium of wholeness. Both halves are chasing after each other as they seek a new balance with each other. The symbol for Yin Yang is called the Taijitu. The taijitu symbol has been found in more than one culture and over the years has come to represent Taoism.
Sacred Geometry Automatically Draws Our Soul Towards Spirituality - OSHO
Sacred geometry may be understood as a worldview of pattern recognition, a complex system of religious symbols and structures involving space, time and form. According to this view the basic patterns of existence are perceived as sacred. By c o n n e c ti n g w i t h t h e s e, a believer contemplates the Great Mysteries, and the Great Design. By studying the nature of these patterns, forms and relationships and their connections, insight m ay b e g a i n e d i n to t h e mysteries - the laws and lore of the Universe.
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THE SITE The site is located in Larsouli, Sonipat, Haryana, 131039. It is approximately 50 km away from Delhi and 0.5 km inside from Grand Trunk road.. This site seems to be a destination rather than a transition. It offers opportunities for development that will benefit the micro and macro context. The immediate area is naturally spirited, peaceful and not too remote.
Total Site Area : 7.27 Acres or 29420.65 sqm. Rough Dimensions : 136.40(N), 144.89(S), 211.55(W), 205.70 (E) in mts. Shape : Irregular quadrilateral Topography : Flat Site Max Permissible FA.R- 150 % Permissible Ground Coverage- 25% Height Restriction- Unrestricted
Larsouli
India
Haryana
Sonipat
The Site
29.083764, 77.059796
FIGURE GROUND
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01
02
EXISTING SITE
03
DEFINING THE GEOMETRICAL PLANNING
04
PLACING THE CONTOURS
05
CENTRALIZING THE CHAKRA PATH
ADDING THE MASSES
06
POSITIONING THE MEDITATION HALL
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GEOMETRIC DERIVATION The Zoning of this center represents a sacred geometrical pattern which its further derived the geometry of the human body relating the seven chakras with yin yang.
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SITE PLAN
0
5
15
35
75
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G.F PLAN
0
5
15
35
75
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MEDITATION HALL
OAT
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CHAKRA PATHWAY
CHAKRA PATHWAY
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CONTEXT MODEL
BLOCK MODEL
LIGHTING MODEL
FINAL MODEL
MEDITATION HALL
CHAKRA PATHWAY 15
72’’
+ // ARCHITECTURAL THESIS
48’’
FINAL MODEL 16
+ + // ACADEMICS | THE URBAN SPACE
THE URBAN SPACE
17
++ // URBAN DESIGN STUDIO
02
THE URBAN SPACE Community Center Redevelopment URBAN DESIGN STUDIO INDIVIDUAL PROJECT INSTRUCTOR : BIKARAMJIT CHAKRABORTY Fall 2018
The Urban Space is primarily a space for congregation; a space for celebration where the user group share and experience the spatial elements and expressions together. Thus it is evident that the spatial units act as magnet to perform a particular kind of activity and this can be considered as a driving force (which draws people together). Metaphysically this can be attributed as obelisk over the other regular activity pattern. The nature of the dominant space or the anchor activity is a distinct spaces with recognisably different determinations. Both the dominant spatial unit and the surrounding units possesses an architectural identity, along with cultural, and ideological specificity that confronts and blend with each other. The new day “Community Center” will able to pursue its goals only through a transubstantiation through a kind of benediction of contemporary thinking. The city’s identity has been shaped by its commercial entertainment. It serves as a landmark and generate a sense of direction within a city. With its high-rise, glass-fronted buildings, trendy boutiques, department stores, up market hotels, and restaurants, along with the anchor activity Cinema Hall can create the new definition of present day’s “Community Centre”. Where the “Community” is interacting with the “global” with its sense of “local”. The dialect of Global and Local will give birth a new spatial vocabulary and the upcoming urban policy of Delhi
(Transit Oriented Development)
will buttress the idea. The new day
community center is a place to live, to spend time, to work, with friends & family. Articulation of Spaces for socialising for groups of middle-class high school and college students, young professionals, and families can be rethink. People stroll on the elevated walkway and sit on the benches; they buy snacks from the street vendors and windowshop need to get experiential excitement during their stay in the newly proposed complex. The intent of the studio was to achieve three aims, 1 . To understand the urban character of the existing market premises, 2 . To understand why architectural space at present isn’t sufficient to serve the future needs, 3 . Redevelopment of the entire complex using the draft policy of Transit Oriented Development as a vehicle to achieve the design argument..
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ZONAL DIVISION - MPD 2021
SAKET - MPD 2021
DELHI
SOUTH DELHI
ZONE F
SAKET
SITE SURROUNDINGS
SITE
19
EVOLUTION
++ // URBAN DESIGN STUDIO
1980
1985
2010
2005
2015
2018
2018
CIRCULATION
2005
1982
EXISTING SCENARIO
TRANSIT POINTS | MAJOR ROADS
ENTRY | EXIT - 1
ENTRY | EXIT - 2
CENTRAL AREA - 1
EATRIES - 2
FRONT SIDE PATHWAY
CENTRAL AREA - 2
BACK SIDE PATHWAY
BACKGROUND
EATRIES - 1
POTENTIAL ENTRANCE NODES
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THE REDESIGN “Content precedes design. Design in the absence of content is not design, it's decoration.” - Jeffrey Zeldman
DESIGN PROPOSAL
The design problem proposes to embody spaces with an ideal; an ideal that is based upon its role in the facet of character development. all the spaces are designed to instigate human interaction , in a world increasingly lonelier due to the presence of the high tech because of which community learning takes a back turn.it is envisioned as a socio-political building with several separate spaces coming together as one building typology. Daily regular usage and comprehensive patronage from all age groups are the main objectives and to increase community bonding in the modern urban context.
DESIGN SCHEME
The design scheme is based on some of the major inferences taken from the present scenario of the market. “Lack of Magnets” being the major problem along with the chaotic environment created due to the present whole sole market magnet “ Food Stalls ”. A Central Food Street has been proposed along with the wide width decorative corridors. Mainly there are two corridors running parallel, the first being running along the large scale anchor stores and food stores, giving user a feel of an urban plaza. The second corridor is running along the central food street giving users a comfort of movement. Skywalks all over the marked has been proposed giving user a different view at each level dilating towards the outline of new day community center. 21
++ // URBAN DESIGN STUDIO
SITE DEVELOPMENT
FIGURE GROUND
SITE CHARACTER
BUILTUP
OPEN SPACE
VEHICULAR MOVEMENT
PEDESTRIAN MOVEMENT
GREEN AREA
ADJACENT ROADS 22
+ + // ACADEMICS | THE URBAN SPACE
SITE PLAN
0
5
15
40
90
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++ // URBAN DESIGN STUDIO
G.F PLAN
G.F PLAN
0
5
15
40
90
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1
132
133
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5
105
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131
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12
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2
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2
143
130
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3
100
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142
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98
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112
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60
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59 70 69
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109 111
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108
55 75 76 77
50
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81 80
84 83 82
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142
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34
135
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140
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104
102
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136
137
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27
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139
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103
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LVL +43500
LVL +39600
LVL +35700
LVL +31800
LVL +27900
LVL +24000
LVL +20100 LVL +16200 LVL +12300
LVL +8400 LVL +4500 LVL +600
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++ // URBAN DESIGN STUDIO
HOTEL
CINEMA
OFFICES RESTURANTS
HOTEL CINEMA RESTURANTS
HOTEL CINEMA ROOF TOP RESTAURANT SMALL OFFICES
SKYWALK CLUBS
INSTITUTIONS SKYWALK
HOTEL
COOPERATE OFFICES INSTITUTIONS
SMALL OFFICES SMALL OFFICES
RETAIL OUTLETS RETAIL OUTLETS FOOD OUTLETS RESTURANTS
FOOD OUTLETS POLICE STN & POST OFFICE
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+ + // ACADEMICS | THE URBAN SPACE
MAIN ENTRANCE
BACKSIDE AREA
27
++ // URBAN DESIGN STUDIO
CENTRAL AREA
FOOD STREET
28
+ + + // ACADEMICS | HEALING SPACES
HEALING SPACES
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+ + + // ARCHITECTURAL DESIGN STUDIO
03
HEALING SPACES 350 Bedded Hospital ARCHITECTURAL DESIGN STUDIO INDIVIDUAL PROJECT INSTRUCTOR : RATINDRA BHATTACHARYA Spring 2018
Ancient civilisation advocated letting the wider world’s healing power flow through the body and mind, but the industrialisation of ‘ Healthcare’ isolated patients from these larger contexts. The origins of the ‘ Hospitals ’ a type are far from the city, but the typology of the city has played a large part in shaping the modern hospital. Paradoxically, from the middle of the last century the design of city hospitals has generally ignored the urban fabric in which they are set, making only the minimum essential logistical connections. Now with advance in the understanding of environments for healing and a greater appreciation of the role and value of networks of urban public space, architects and codesigners need to rediscover and re-cast the typology of hospitals and healthcare settings generally to enact a potent integration with the city.
Wilson Churchill has once remarked “First we shape our buildings, thereafter they shape us”. This is certainly true for hospital buildings. Healthcare buildings are to be designed as living spaces for patients rather than warehouses for the sick. It has to be remembered that a hospital is not a factory in which the assembly lines dictates all aspects of design but is a community in which the patient is fundamental to the successful working of the whole. The art and science of designing a hospital anywhere is a complex affair. A hospital is comprised of a wide range of services and functional units. These include diagnostic and treatment functions, such as clinical laboratories, imaging, emergency rooms, and surgery; hospitality functions, such as food service and housekeeping; and the fundamental inpatient care or bed-related function. Beyond technical requirements that modern medicine demands and rigid functional relationships between different medical departments, the designer has to cope with a host of more subjective issues like the anxiety of the patient, the stressful work environment of the staff.
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+ + + // ACADEMICS | HEALING SPACES
31
+ + + // ARCHITECTURAL DESIGN STUDIO
PSYCHIATRY WARD
FACULTY/ LECTURE THEATRE
PEDIATRICS WARD
OPHTHAMOLOGY/ SEMI OPEN SPACE
GENERAL SURGERY WARDS
OBSTETRICS WARD
GENERAL SURGERY WARDS
GENERAL SURGERY WARDS
GENERAL MEDICINE WARDS
GENERAL MEDICINE WARDS
GYNÆCOLOGY WARD
GENERAL MEDICINE WARDS
SERVICE FLOOR
SERVICE FLOOR
SERVICE FLOOR
SERVICE FLOOR
FACULTY
OPERATION THEATRES
RADIOLOGY/ CENTRAL LABS
EMERGENCY
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
GYNÆCOLOGY/ MATERNITY
OPERATION THEATRES
OPD
ADMIN BLOCK
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0 5
15
45
105
33
+ + + // ARCHITECTURAL DESIGN STUDIO
34
+ + + // ACADEMICS | HEALING SPACES
GROUND FLOOR PLAN
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
CYTOPATHOLOGY
X RAY HAEMATOLOGY DOC.
FLUROSCOPY
STAFF
IMMUNOPATHOLOGY HISTOPATHOLOGY
MUESUEM
EQUIP. MICROBIOLOGY MRI
CT SCAN
BIOCHEMISTRY
ULTRA SOUND
STORE
WASH ROOMS
DEMO
OTHER
ELEC. PANEL
STORE
STORE
PROCEDURE ROOM
PROCEDURE ROOM
PROCEDURE ROOM
ICU
CHANGING ROOM
CHANGING ROOM
PREP. ROOM
ICCU
PROCEDURE ROOM
PROCEDURE ROOM
DOCTOR
NURSE STN.
PROCEDURE ROOM
PROCEDURE ROOM
POLICE
WARD
LOBBY
DEMO ROOM
ELEC. PANEL
STORE
STORE
STORE
RECORD
RECEPTION
PHARMACY
WC
ADMITION/ REGISTRATION
DIRECTOR
BLOOD BANK
STAFF
STAFF
ADMITION/ REGISTRATION
GIFT SHOP
ADMITION/ REGISTRATION
ADMITION/ REGISTRATION
STAFF
CAFE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
LINEN ROOM
EQUIPMENT ROOM
MINOR OT
RECOVERY GARDEN
CORES
CENTRAL CORRIDOR
ADMIN BLOCK
OPD
RADIOLOGY/ CENTRAL LABS
EMERGENCY
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+ + + // ARCHITECTURAL DESIGN STUDIO
FIRST FLOOR PLAN PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
STAFF
STAFF
ASST. PROF
LIB/SEMINAR
DEMO ASSO. PROF
ASST. PROF LIB/SEMINAR
DEMO STAFF
STAFF
ASSO. PROF
STAFF
STAFF
ASST. PROF
LIB/SEMINAR
DEMO
ASSO. PROF
ASST. PROF LIB/SEMINAR
DEMO ASSO. PROF
TRANSFER BAY
TRANSFER BAY
STAFF
STAFF
STORE
TRANSFER BAY
DISPOSAL CORRIDOR PREP. ROOM LIB/SEMINAR (ANESTHESIA)
NICU LINEN ROOM DEMO
CHANGE M CHANGE
EQUIP. ROOM
AHU
F
LINEN
DOCTOR
DOC.
DOC.
DISPOSAL CORRIDOR
NURSE STN.
STERILE AREA
ULTRA SOUND
DOC CHANGE
DOC CHANGE
BW
STERILIZATION ROOM POST RECOVERY
BW
PRE RECOVERY
STERILE AREA
DOCTOR
DIRTY UTL.
CLEAN UP ROOM
AHU
PRE NATAL
LABOUR ROOM
LABOUR ROOM
LABOUR ROOM
LABOUR ROOM
BW
DISPOSAL CORRIDOR
STORE
STORE
LINEN ROOM
EQUIP. ROOM
NURSE STN.
TRANSFER BAY
TRANSFER BAY
DOC.
DEMO
LIB/SEMINAR (ANESTHESIA)
DISPOSAL CORRIDOR STERILE AREA DOC CHANGE
AHU
AHU
DOC CHANGE
STERILE AREA
DISPOSAL CORRIDOR
DOC.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
RECOVERY GARDEN
CENTRAL CORRIDOR
CORES
GYNÆCOLOGY/ MATERNITY
FACULTY
OPERATION THEATRES
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+ + + // ACADEMICS | HEALING SPACES
THIRD FLOOR PLAN PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SEMI OPEN SPACE
DOCTOR ROOM
NURSE STN. SEMI OPEN SPACE
DRUG STORE
DEMO ROOM LINEN ROOM
ANCELIA
WARD PANTRY
STORE
CLEAN DIRTY UTILITY. UTILITY.
SEMI OPEN SPACE
DRUG STORE
CLEAN DIRTY STORE UTILITY. UTILITY.
SEMI OPEN SPACE
SEMI OPEN SPACE
DEMO ROOM
WARD PANTRY
NURSE STN.
DOCTOR ROOM
WARD PANTRY
DEMO ROOM
DOCTOR ROOM
SEMI OPEN SPACE
NURSE STN.
LINEN ROOM
ANCELIA
LINEN ROOM ANCELIA
STORE
DRUG STORE
CLEAN DIRTY UTILITY. UTILITY.
SEMI OPEN SPACE
SEMI OPEN SPACE
LINEN ROOM
ANCELIA
WARD PANTRY
STORE
CLEAN DIRTY UTILITY. UTILITY.
DEMO ROOM
SEMI OPEN SPACE
DRUG STORE DOCTOR ROOM
NURSE STN.
SEMI OPEN SPACE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
RECOVERY GARDEN
CORES
GYNÆCOLOGY WARD
GENERAL MEDICINE WARDS
CENTRAL CORRIDOR
37
+ + + // ARCHITECTURAL DESIGN STUDIO
FIFTH FLOOR PLAN PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
SEMI OPEN SPACE
DOCTOR ROOM
NURSE STN. DRUG STORE
LINEN ROOM
STORE CLEAN DIRTY UTILITY. UTILITY.
FACULTY
FACULTY
FACULTY
FACULTY
SPORTS MEDICINE DEPARTMENT
NURSE STN.
WARD PANTRY
DEMO ROOM
DOCTOR ROOM
SEMI OPEN SPACE
WARD PANTRY
ANCELIA
DEMO ROOM
FACULTY
ANCELIA FACULTY
FACULTY
DIRTY CLEAN STORE UTILITY. UTILITY.
FACULTY
CLEAN UTILITY.
DIRTY UTILITY.
STORE
LINEN ROOM
ANCELIA
WARD PANTRY
DRUG STORE
DRUG STORE
LINEN ROOM
FACULTY
SEMI OPEN SPACE
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
RECOVERY GARDEN CENTRAL CORRIDOR
CORES PEDIATRICS WARD
PSYCHIATRY WARD
FACULTY/SPORTS MEDICINE/ LECTURE THEATRE
OPHTHAMOLOGY/ OTORHINOLARYNGEOLOGY/ SEMI OPEN SPACE
38
+ + + // ACADEMICS | HEALING SPACES
ICU
GENERAL WARD
39
+ + + // ARCHITECTURAL DESIGN STUDIO
OPERATION THEATRE
ADMINISTRATION
40
+ + + + // ACADEMICS | MUSITECTURE. AN EXPEDITION
41
+ + + + // DISSERTATION
04 MUSITECTURE. AN EXPEDITION MUSIC AND ARCHITECTURE DISSERTATION INDIVIDUAL PROJECT INSTRUCTOR : ASHOK GROVER Spring 2018
Architecture having complicated characteristics can be said to have roots in various concepts while always being mentioned as a field of art. Hence architects via creativity are able to have more productive forms by utilizing different facilities. This is the reason why architecture and several types of art are interrelated . Accordingly, music as a field of art is one of those types having certain impacts on architecture. Both these are the mediums through which creativity is expressed. Music is defined as the art of sound in time, while the architecture is defined as the art of play between form and space. Both of them expresses ideas and emotions in significant means through the elements of rhythm, melody, texture, proportion, harmony, and colour. A creative idea expressed through one medium, such as music, can be expressed through another medium, such as architecture. Music and architecture both have movements and feelings. One belongs to the visual field and another one based on the aural field. But both as the important components of civilization, music and architecture keep the synĂŚsthesia from several aspects in their relations. Musitecture is a term referring to the pivotal relationship between two legendary art forms. music and architecture. The relationship between these two have been a topic of conjecture over the years. The definition of this relationship always varied from user to user and their perspective. The bond of music and architecture to one another is primarily based on the elementary components of each discipline, that make the composition of both. The components of these disciplines are closely related and somewhat interchangeable.The main propose of this dissertation is be to provide a new sense to designers, musicians and any other art lovers who are interested to transfer musical work to architecture or put architectural elements into music. Hopefully people can get inspiration from them and produce more innovating art works.
ARCHITECTURE . MUSIC . MUSITECTURE . ART . CREATIVITY . ELEMENTS
42
+ + + + // ACADEMICS | MUSITECTURE. AN EXPEDITION
1 INTRODUCTION
2 THEORETICAL OVERVIEW Music and Architecture as art Music and Architecture as tools of communication Music and Architecture as history
3 LITERATURE REVIEW Music and Architecture as Meaning Music and Architecture as Function Music and Architecture as Experiments Music and Architecture as Theology Music and Architecture as Phenomenology
4 INTERRELATION OF ELEMENTS Music and Architecture as Texture Music and Architecture as Harmony Music and Architecture as Colour Music and Architecture as Rhythm Music and Architecture as Proportion
5 ARCHIMUSIC
6 CONCLUSION 43
+ + + + // DISSERTATION
Epilogue This research, reveals and emphasize that music and architecture are the two main categories of art and they have certain common issues. Common characteristic, worlds, images, principles, concepts and fundamental issues, and also some other numerous factors that have been mentioned in the investigation, prove these two majors are interrelated. The interrelation between music and architecture in different eras is also some evidences showing their everlasting impacts on each other. Anywhere and at any given point of time, architects should not ignore the potentials of music, both in teaching and practice of architecture. Music can be used as a tool of education to make better sense of understanding of art and ĂŚsthetic. On one hand music as a tool of education can cause more profound perception in theoretical issues, while on the other, music can be a source of inspiration for architectural design at levels of different complexity. Architecture can be analyzed and understood by means of music as an assistant and manifestation of ĂŚsthetic. In effect, architecture is always related with the act of creativity. At this point, it is a great curiosity to know more about future roles of music in the creation of architecture, which is more sensible and liveable as well as being an art product at the cross section of science and technology. This is to be remained another research topic of future studies.
MUSITECTURE. AN EXPIDITION 44
+ + + + // ACADEMICS | MUSITECTURE. AN EXPEDITION
45
+ + + + // DISSERTATION
46
+ /// COMPETITIONS | TIME MACHINE
TIME MACHINE
47
+ /// UNIVERSITY OF WESTMINSTER DESIGN COMPETITION
05 TIME MACHINE UNIVERSITY OF WESTMINSTER DESIGN COMPETITION INTERNATIONAL DESIGN COMPETITION TEAM PROJECT ACHIEVEMENT : WORLD RANK - TOP 20 Fall 2015
The main intent of the competition was to design an informative, recreational, easy to maintain proposal for a disused space sourcing recycled materials. the design had to be converted into a reality ensuring a robust structure and reflecting our professional responsibility as upcoming architects.
A space in itself can be something that binds many things together and at the same time, it can be something that creates a gap in between. A dead space in our college campus had become a segregating line between the architecture block and the engineering block. We needed to create something which could bridge the gap and amalgamate two different energies.
Time Machine, a string sculpture based on the theories of Golden Ratio, Fibonacci Sequence, Aerodynamics, Aesthometry and Tensigrity was designed to fill the disused space. The ĂŚsthometrical string structure consists a total of 7 rings made up of recycled materials which are welded together in a way that when the winds blows, the smallest ring starts rotating to interact with the surroundings, it has a bearing which allows it to rotate about its axis. The central mass is hung using stainless steel strings and hooks, connected to the largest ring which is welded to an axle to give whole sculpture, a structural stability. The attached strings forms a golden ratio in whole whereas the circular rings are based on fibonacci sequence working together as a symbol ĂŚrodynamics.
The Sculpture was placed exactly on the center of the boundary line dividing two departments to make the space user friendly, amalgamating and interactive. Today it stands tall working exactly to its meaning of helping to merge two different energies of architecture and engineering.
48
+ /// COMPETITIONS | TIME MACHINE
DESIGN
Fibonacci Sequence
Rotating Ring
Robust Structure
STRING ART
Engineering Side
Architecture Side
Connected yet Disconnected
Met for a good cause
Learnt to work together, sharing the space and this time not individually 49
+ /// UNIVERSITY OF WESTMINSTER DESIGN COMPETITION
50
+ /// COMPETITIONS | TIME MACHINE
51
+ /// UNIVERSITY OF WESTMINSTER DESIGN COMPETITION
52
++ /// COMPETITIONS | EVOLVING THE PAST
EVOLVING THE PAST
53
++ /// LAURI BAKER TROPHY 2015
06 EVOLVING THE PAST LAURI BAKER TROPHY 2015 DOCUMENTATION & REDESIGN COMPETITION TEAM PROJECT ACHIEVEMENT : NASA RANK - TOP 10 Winter 2015
This competition is a collaborative initiative of NASA and Laurie Baker Centre for Habitat Studies, Trivandrum. This trophy gives attention towards the comprehensive contextuality in urban agglomerations, architectural documentation of old buildings as well as cost effective building techniques, materials and execution of the same.
The main aim of the competition was to document a government building with more than 50 years of age in older area of an urban agglomerative city with lower rate of growth and concentration of vulnerable sections of the society. The second part of the competition included programme development for multiple functions with time sharing strategy along with identification of at least one additional function/use that may be introduced to enable optimal, time-shared utilization of the building and preparation of comprehensive design for multi functionalizing of the existing building.
The area chosen was near the famous landmark of Meerut, the Ghanta Ghar or the Clock Tower. Despite of having a strong historical significance and a major area for trade and commerce, it has severe problems that needs to be dealt with. Meerut is an Urban Agglomeration as per census 2011 with a population of 1.3 million. Meerut city, the head quarter of Meerut District, situated 70 km from Delhi, has been a place of historical, cultural and administrative importance since the time immemorial. Meerut is a city in history, a city of drains or a city with future. The historical background of the city has always been its USP. Meerut’s advantageous geographical location nearness to the National capital and abundant productive productive rich fertile land form the basis of a strong economical growth for the city. It is the most largest manufacturer of Musical Instruments in the country and is also one of the largest suppliers sports goods. There are several large scale industries located in Meerut. Moreover, Meerut has a strong culture where people of different communities live in harmony.
54
++ /// COMPETITIONS | EVOLVING THE PAST
DOCUMENTATION The building selected for documentation was D.N. inter college, Meerut a government building that serves as the historical landmark , nearly 100 years old. The building is located in the inner city within a high footfall area. Thus, have a huge impact for any proposed intervention which satisfies every need for the multi functionality aspect. Moreover, provides solution to all the problems identified as it has a rich historical importance due to various styles of architecture present in its built form.
The plan of Devanagari inter college is a courtyard planning which has benefitted the school building since its birth the list of advantages is not a short one and hence, it has enhanced the building and has made it very strong and Ìsthetically pleasing. The plan is also partly symmetrical which enhances its functionality and the form of the building. The centre portion of the plan is focusing on the school’s major function i.e. the offices of the higher authorities which centralises it and gives an ease of access to this part.
Pt. Gauri Dutt Sharma Founder D.N. Inter College
55
++ /// LAURI BAKER TROPHY 2015
WHY REIN BASERA (NIGHT SHELTER) ?
WHY VOCATIONAL SCHOOL ?
WHY YOGA AND MEDITATION ?
A shelter for the roadside crowd is beneficial because it protects the folks from the variation of weather conditions or nature of calamities and reduces the threat of roadside mis happenings.
Tra d i t i o n a l l y M e e r u t w a s known for its musical instruments. With the onset of commercialisation, the musical aspect of Meerut went shaded. Moreover, due to increasing machine produce, l o c a l h a n d i c ra f ts d e m a n d started falling. Thus, a need for a school arose that would p re s e r ve t h e h e r i ta g e o f Meerut.
Yoga and meditation are such form of sciences, which helps in purification of soul and spirit. It is beneficial for ove ra l l d eve l o p m e n t o f human body. This improves immunity and maintain a healthy balance.
WHY LANDSCAPE ? L a n d s c a p e i s a ve r y prominent part of every living building as well as the people using it. The main motive to design this area is to enhance the site with a d i f f e re n t to u c h o f landscaping using various e l e m e n ts to evo l ve s o m e t h i n g n e w. T h i s landscape would bind all t h e o t h e r p ro p o s e d functions together.
WHY ECO - TOILETS ? The chosen structure lacked any sanitation facility. Toilets are provided in a separate building inside the complex but far from the main building. Moreover, lack of public sanitation facility in the vicinity led to the proposal of an eco-toilet.
WHY MOTIVATIONAL SCHOOL ? The growing city of Meerut has a huge population which is sitting idle and jobless due to low self esteem as well as lack of moral support. Thus, to enhance and boost their self e s te e m a n d f o r t h e betterment of the society, a need for such a school arose.
56
++ /// COMPETITIONS | EVOLVING THE PAST
DRAW
SAMADHI
MINARET
57
WINGS
++ /// LAURI BAKER TROPHY 2015
SECTION XX’
BACK ELEVATION
FRONT ELEVATION
DETAILS
SECTION BB’ 58
+ //// PROFESSIONAL WORKS | THE MAPPING VENTURE
VASCO DA GAMA
59
+ //// VASCO DA GAMA
07 THE MAPPING VENTURE VASCO DA GAMA INTERNSHIP OFFICE PROJECT DUSHYANT KAMATH AND ASSOCIATES™ Summer 2017
Vasco da Gama, often shortened to Vasco, is a city in the state of Goa on the west coast of India. It is named after the Portuguese explorer Vasco da Gama. Vasco da Gama, He was the first European to reach India by sea. His initial voyage to India (1497–1499) was the first to link Europe and Asia by an ocean route, connecting the Atlantic and the Indian oceans and, in this way, the West and the East. Vasco’s most iconic architectural form is likely the slowly crumbling bungalow mansion, with its wrought-iron balconies, shady front porches, oyster-shell windows and central courtyards, around which family life traditionally revolved.
Most were built in the early 18th century, as rewards to wealthy Goan merchants and officials for their services to the Portuguese. The architecture was inspired by European tastes, but the materials – red laterite stone, wood and terracotta, and oyster shells used instead of glass for windows – were all local. The wealthiest of these homes also contained a locally crafted wooden chapel or oratory, which housed gilded and golden relics, altars and images of Catholic saints as the focal point for family prayers.
As Vasco plays a major role in defining Goa’s architectural paradigm. The city map was a big bustle for various national, divisional and sub divisional activities. This mapping venture was just an attempt to show Vasco’s trace travel. Generally, a city map of Vasco da Gama was metamorphose into 24 different colours and shades to illustrate its urban pattern. These maps will be a substantial utility, to be used under different architectural languages.
60
+ //// PROFESSIONAL WORKS | THE MAPPING VENTURE
01
02
03
07
08
09
13
14
15
19
20
21 61
+ //// VASCO DA GAMA
04
05
06
10
11
12
16
17
18
22
23
24 62
++ //// PROFESSIONAL WORKS | OTHER PROJECTS
08 OTHER PROJECTS ARCHITECTURAL DRAWINGS INTERNSHIP OFFICE PROJECTS DUSHYANT KAMATH AND ASSOCIATESâ„¢ Summer - Fall 2017
3D ILLUSTRATIONS
MULTI STORIED RESIDENTIAL BUILDING ON PLOT NO.46, PART OF SUB DIVISION PLOTS WITH SURVEY NO. 40/1 & 39/1 AT DABOLIM VILLAGE, MORMUGAO.,
63
++ //// ARCHITECTURAL DRAWINGS
AGRICULTURAL SUB DIVISION
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SURVEY NO. 55, 58/1, 59/1, 60 & 61 DISTRICT - SOUTH GOA VILLAGE - SURLA TALUKA - SANGUEM 64
VASCO
++ //// PROFESSIONAL WORKS | OTHER PROJECTS
RESIDENCE AT MANGOOR HILL
AREA STATEME
AREA OF THE PLOT AREA UNDER CONSENT T [INCLUDING ROAD]
EFFECTIVE AREA TOTAL COVERED AREA COVERAGE AREA ON GROUND FLOO
AREA ON FIRST FLOOR[E AREA ON FIRST FLOOR[P TOTAL AREA OF EXISTIN
F.A.R BALCONY AREA[existing] AREA UNDER COMMERC
DOOR AND SCHEDULE
D D1 S W W1 W2 V V1
1 0 1 1 1 1 0 0
DUSHYA
G-2, HELENA A SWATANTRYA VASCO-DA-GA PHN. NO. 92259
0m 5m
10m
0m 5m
B D K
20m
10m
20m
RESIDENCE ON PLOT CHALTA NO. 75,76 &77 OF PTS NO. 130 AT MANGOOR HILL, VASCO 65
++ //// ARCHITECTURAL DRAWINGS
RESIDENCE AT DABOLIM
LIVING 8.85 X 4.20
OPEN TERRACE
BEDROOM 4.00 X 4.20
BEDROOM 4.00 X 4.20
OPEN TERRACE
KITCHEN 3.50X 4.20
DINING 3.00 X 4.20
BEDROOM 4.00 X 4.20
LIVING 8.85 X 4.20
MULTI STORIED RESIDENTIAL BUILDING ON PLOT NO.46, PART OF SUB DIVISION PLOTS WITH SURVEY NO. 40/1 & 39/1 AT DABOLIM VILLAGE, 66
3000
4500
3000
3000
3000
3000
3000
3000
3000
V
D1
D1
X
96
125
BALCONY 10597
3 4
53 55
5
76
5349
5247
D1
P
45
70
4
126 223
166
D1
4354
D1
T
5667
D1
42
OPEN TERRACE
D1
49
19320
(7.1x1.6)
PASSAGE
V
W
48
D1
TOILET
(3.1x3.1)
BEDROOM
41
EP
68
58 ROAD
69
73
69/137
131
77
130
119 129
4139
D1
D2
III
1210
D1
HALL
(3.3x3.4)
A
V
III
5248
D1
300
1
LIFT
99
V
W
3
PANTRY
ROAD
HALL
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67
(3.3x3.4)
D2
104
(3.1x3.1)
1200
51
3860
2
2060
6216
50
LIFT
D2
T
BEDROOM
2470
V
7379
3000
E P
BALC. D2
W
D2
13168
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
9
1524
2
W
KITCHEN
TOILET
(3.8x3.1)
BEDROOM
27911
6500
98
W
D1
D1
W
BALCONY
5349
5247
4847
3000
8152
III
PANTRY SERV.
D2
TOILET
D1
D2
P
W
D2
D1
D1
V
7875
1221
D1
V
P
W
(4.3x3.7)
(3.7x3.1)
BEDROOM
D1
V
V
W
W
D2
E
TOILET
D1
W
W
D1
W
TOILET
(3.1x3.1)
BEDROOM
W
(2.5x3.1)
KITCHEN
TOILET
(3.8x3.1)
ROAD
(10.7x2.1)
PASSAGE
(3.5x3.1)
BALCONY
D1
D2
TOILET
BEDROOM
5665
D1
D2
HALL
(3.3x3.4)
BALC.
D1
D1
1316
46
V
D1
D1
OPEN TERRACE
7761
1500
3849
W
PANTRY
W
SERV. PANTRY
W
D2
W
1 31
W
(4.3x3.7)
HALL
8152
19320
4354
BALCONY
W
(4.3x3.8)
BEDROOM
HALL
D1
(4.4x2.3)
D1
V
D2
D1
D1
3395
BALCONY
BEDROOM
D1
39
W
D1
D1
D1
HALL (4.4x3.8)
D1
D1
(4.3x3.7)
HALL
(3.7x3.1)
TOILET
V
1200
T
KITCHEN
D2
1317
V
(7.1x1.6) W
PANTRY
HALL
(3.5x3.7)
(3.8x3.1)
D1
74
V
W
X'
1500
2638
1210
TOILET
D2
D1
PASSAGE
LIFT
LIFT
(10.7x2.1)
PASSAGE
V
TOILET
D2
D1
BEDROOM
W
BALCONY
E
7847
D2
TOILET
(3.8x3.1)
D1
BALCONY W
W
X
BEDROOM D2
TOILET
D1
5546
(4.4x3.4)
HALL
D1
PANTRY
(3.7x3.1)
D1
V
7875
(3.5x3.1)
BEDROOM
D1
BEDROOM
D2
W
D1
1221
W
D2
D1
V
BALC. D2
HALL
(3.3x3.4)
W
D2
6560
BALCONY
9467
D1
TOILET
W
PANTRY SERV.
D1
(3.8x2.7)
KITCHEN
D1
D1
W
BALCONY
BEDROOM
D1
1000
18000
3000
3000
V
(3.1x3.1)
D2
4879
W
(4.3x3.7)
HALL
(3.7x3.1)
TOILET
V
1201
BALCONY
W
D1
D1
3000
3000
BALCONY
BALCONY
D1
TOILET
6274
BEDROOM
W
V
W
(2.5x3.1)
KITCHEN
D1
D2
BEDROOM
W
BALCONY
2000
3000
15000
3702
1545
3417
1430
D2
V
TOILET
(3.8x3.1)
D1
W
BALCONY
(3.7x3.1)
D2
W
V
TOILET
D1
BEDROOM
D1
BEDROOM
W
BALCONY
23511
21785
6000
3000
25600
600
2400
22562
3000
2870
5282
1315
BALCONY
6560
5
7 38
X'
38
44
III
6
47
E P III
III
EP 7
56
E P
103 ROAD
102
71 101
108/15
117 117
79/132
57
60 EP
61
E P
78
62 79
ROAD64
97
0
24
118
133PT /155
65
72
59P
108
6p
52 95 54
EP
59 79
63
10579
37
78 pt/1
pt/137
168
63/138
33/151
30
66
T/138
55
53 66pt/13 7
75 54(PA RT)/13 8
G
305/18 301/15 1 77 1
76 57
76
58
1/P.T.S
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
0
1007
1200
19164
BALCONY
6500
BALCONY
5912
BALCONY
10693
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
21062
3395
++ //// PROFESSIONAL WORKS | OTHER PROJECTS PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
RESIDENTIAL/COMMERCIAL BUILDING AT BHUTE BHAT
10
11 3 4
79/132
40
P
E P III
P
43 5
5
63 62
132 133
63/138
150
114
120 169
2
BALCONY
BALCONY
V D1 W
D1
D1
D1 V
D1
V
D1
V
D1
D1
D1
V
RESIDENTIAL/COMMERCIAL BUILDING AND COMPOUND WALL ON PROPERTY BEARING CHALTA NO. 70 AND 73 OF P. T. SHEET NO. 137 AT BHUTE BHAT PATRONG, VASCO CITY.
67
++ //// ARCHITECTURAL DRAWINGS
RESIDENTIAL COMPLEX AT BAINA A
A
A
A A
A
A
A
A
A A
A
A
A
A
PROPOSED PRO PROPOSED RESIDENTIA RE RESIDENTIAL COMPLEX COO COMPLEX ON PROPO CHALTA NO PROPOSED CH CHALTAPROPOSED NOS. RESID RESIDENTIAL 227&228 OF 227 RESIDENTIAL 227&228 OF COMP COMPLEX ONPTS PTS.NO.152 COMPLEX ON PTS.NO.152 AT CHALTA NOS. CHAL BAINA, CHALTA NOS. BA BAINA, VASCO, GOA . VAS 227&228 OF 227&2 227&228 OF PTS.NO.152PTS.N AT PTS.NO.152 AT AREA STATEMENT ARE AREA STATEMENT BAINA,VASCO, VASCO, BAINA BAINA, G
A
A A
AREA OF THE PLOT
AREA OF THE PLOT AREA 779.36M2
COVERED AREACOVE OF P COVERED AREA OF PROPOSED BUIL BUILDING AREA STATEMENT BUILDING 291.68 M2 AREATOTA STA AREA STATEMENT TOTAL COVERAGE TOTAL COVERAGE 37.42% PERM AREA OF THE PLOT COVER 7 PERMISSIBLE PERMISSIBLE COVERAGE AREA OF THE PLOT40% 779T AREA OF TOTA TOTAL FLOOR AREA TOTAL FLOOR AREA 1550.9 M2 COVERED AREAF.A.R OF PROPOSE TOTA COVEREDTOTAL AREA OF PROPOSED TOTAL F.A.R 198.99 %COVERED2 BUILDING PERM PERMISSIBLE F.A.R BUILDING 291 PERMISSIBLE F.A.R 200BUILDING TOTAL COVERAGE 3 BALC BALCONIES TOTAL COVERAGE 37.4 BALCONIES 359.1M2 TOTAL CO PERMISSIBLE COVERAGE STAI STAIRCASE 20.3 PERMISSIBLE COVERAGE STAIRCASE 20.37M2+16.40M2 PERMISSIB TOTAL FLOOR AREA 1 TOTAL FLOOR AREA TOTAL1550 FL1 TOTAL F.A.R TOTAL F.A.R 198 PERMISSIBLE F.A.RTOTAL F.A PERMISSIBLE F.A.R BALCONIES 3 PERMISSIB DOO BALCONIES 359 DOOR AND WIN DOOR AND WINDOW STAIRCASE 20.37M2+16.4 BALCONIE STAIRCASE 20.37M2+16.40M SCH SCHEDULE SCHEDULE STAIRCAS
A'
A'
A'
A' A
A
A
A' A'
A'
A
A'
A' A A' A'
A
A
A'
A' A
A
A
A
A
A'A' AA
AA
AA
A'
A'
A'
D D 1.50m 1.50m X 2.20m DOOR AND WINDOW D1 DOOR AND WINDOW D1 1.00m 1.00m X 2.20m SCHEDULE DOOR A D2X SCHEDULE D2 0.9m 0.9m X 2.20m SCHEDU D3 D31.50m 0.75m 1.50m 2.20m 0.75m D D X 2.10m XX 2.20m W1 D1 1.00m X 2.20m W1 1.00m 1.00m X 1.50 m D D1 1.00m X 2.20m W2 0.9m X 2.20m 1.20m W20.9m 1.20m D2D2X 1.50m X D1 2.20m V 0.75m X 2.10m 0.75m V 0.75m 0.75m D3D3X 0.75m XD2 2.10m V1 W1 1.00m X 1.50 0.50m X 0.60m W1 1.50 mm V11.00m XD3 0.50m RS W2 1.20m X 1.50m 2.00m X 2.50m W2 XW1 1.50m RS1.20m 2.00m RS1 0.75m X 0.75m V V X 2.50m 0.75m X 0.75m 1.50m W2 RS1 1.50m 0.50m 0.60m V1V1 0.50m XVX 0.60m 2.00m X 2.50m RSRS 2.00m XV1 2.50m RS1 1.50m X 2.50m RS1 1.50m XRS 2.50m A ARCHITECT:ARCHITECT RS1
D D1 D2 D3 W1 W2 V V1 RS RS1
DUSHYANT P.DUSHYANT KAMAT DUS
ARCHITECT:-G-2, H ARCHITECT:G-2, HELENA APARTMENTS, G-2, HELENA APARTM SWAT SWATANTRYA PATH, SWATANTRYA ARC PATH, VASC VASCO-DA-GAMA VASCO-DA-GAMA G-2, HELENA APARTMENTS, G-2, HELENA APARTMENTS, PHN. N PHN. NO. 9225909005 PHN. NO. 9225909005 SWATANTRYA PATH, SWATANTRYA PATH, G-2, HELEN VASCO-DA-GAMA VASCO-DA-GAMA PHN. NO. 9225909005 SWATANTR PHN. NO. 9225909005 VASCO-DA PHN. NO. 92
DUSHYANTP.P.KAM KA DUSHYANT
DUSHY
A'
A'
A'
A'
A'
A'
A'
A' A'A'
A' A'
A' A'
A'
A'
A'
A'
PROPOSED RESIDENTIAL COMPLEX ON CHALTA NO. 227 & 228 OF PTS NO. 152 AT BAINA, VASCO 68
+ ///// OTHER WORKS | BELLIGERENT REALM
BELLIGERENT REALM
BAND “THE LOCAL TRAIN” PLAYED ON THE REALM DURING ARCHVENTURE 2016’
69
+ ///// STAGE DESIGN
09 BELLIGERENT REALM STAGE DESIGN
The concept for the archventure event was “House of Emotions’, stage was decided to be aggressive. to show aggression sharp angles and points are uses with the aggressive colours like red and black.
DAY
NIGHT
70
+ +///// OTHER WORKS | XTREME ARENA
XTREME ARENA
GAMERS ALL ACROSS THE COUNTRY TOXIFIED THE ARENA DURING ARCHVENTURE 2017’
71
+ +///// SPACE DESIGN
10 XTREME ARENA SPACE DESIGN XTREME ARENA was a classroom of our college specially redesigned for architectural student’s “GREEN AND GREEDY” gaming. The materials used were carefully chosen to change the whole persona and vibe of the room. Neon lights and loud murals were used on the walls to subconsciously unleash the beast inside the gamers The room was fully equipped with all the high spec laptops and other gaming gears to ease the gamers with their gameplay. The purpose of designing such an enthralling place was to inculcate in students the importance of recreation and give it a whole new dimension altogether, in terms of experience as well as æsthetics.
A N E R A E M XTRE
72
+++ ///// OTHER WORKS | SUNDRIES | WORKSHOPS
11 SUNDRIES WORKSHOPS
73
+++ ///// WORKSHOPS
AR. HAFEEZ CONTRACTOR
AR. RAVI SUNDARAM
AR. ROHIT JIGYASU
Certificate of Participation This is to state that
Yugantar attended a one-day hands-on workshop on
3D Printing Organized by 3Ding on May 18 in Delhi. The session covered concepts around 3D Printing & various applications, demos of 3D Scanning, hands-on intro to 3D Designing & Slicing, demos of FDM 3D Printers, various type of Industrial 3D Printers, the technical & the commercial aspects of the same.
PICKLED MINDS : UNCOMMON SENSE Surendranath Reddy CEO, 3Ding www.3ding.in
3D PRINTING WORKSHOP
CHETNA CHOPRA
NATIONAL SEMINAR, JMI DELHI
AR. KRISHNA RAO JAISIM
AR. ABHISHEK BIJ
PICKLED MINDS x15
AR. SWATI JANU
AR. SIMONE MICHELI 74
+++ ///// OTHER WORKS | SUNDRIES | POSTERS
POSTERS
SISGRAPH SPACE TIME COMPETITION 2018 ( INTERNATIONAL RANK - TOP 50] 75
+++ ///// POSTERS
AV
ARCHVENTURE’18
WORKSHOP ON PRESENTATION SKILLS
GATEWAY COLLEGE OF ARCHITECTURAL AND DESIGN
MUSITECTURE
YUGANTAR HANDA PRIYAL MITTAL
WORKSHOP
XTREME ARENA
A tribute to all those who contributed to this correspondence.
SPACE TO SOUL
ARCHVENTURE’ 16
MUSICAL TRIBUTE
ANNUAL NASA DESIGN COMPETITION 2016 (NASA RANK - TOP 60] 76
+++ ///// OTHER WORKS | SUNDRIES | DIGITAL GRAPHICS
DIGITAL GRAPHICS
77
+++ ///// MANUAL GRAPHICS
MANUAL GRAPHICS
78
+++ ///// OTHER WORKS | SUNDRIES | VISITING CARDS
VISITING CARDS
FOR MR. JÅ’ SANCHEZ - GOA
FOR MR. ALTAZ KHAN - DELHI 79
+++ ///// LOGOS
LOGOS E M A G OF E s SH FI
LOGO DESIGNED FOR FISH SHOP “GAME OF FISHES”, DELHI
LOGO DESIGNED FOR BEER CAFE “THE BEER BADSHAH ”, DELHI
80
+++ ///// OTHER WORKS | SUNDRIES | 3D PRINTING
3D PRINTING
81
+++ ///// SHUTTER GALLERY
SHUTTER GALLERY
82
THANKS !
theyugantarhanda@gmail.com +918527822245