PleinAir's 2018 Artists' Guide to Workshops, Classes, and Schools

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SPECIAL SUPPLEMENT TO PLEINAIR MAGAZINE

SPONSOR OF

THE 2018 ARTISTS’ GUIDE TO WORKSHOPS, CLASSES, AND SCHOOLS Artists painting in New Zealand during a Publisher’s Invitational organized by Eric Rhoads


WORKSHOPS

Educational Opportunities for All Artists

Leon Holmes helping a young plein air painter

A

rt workshops provide wonderful ways for people of all ages and levels of ability to explore their creative interests. The only expectation is that participants try to choose the workshops that best meet their budgets, availability, and goals. Those goals would presumably include the acquisition of knowledge of how to properly use art materials and techniques, and perhaps the desire to receive one-onone guidance in creating expressive works of art. One of the unanticipated benefits of a workshop will be the opportunity to meet informally with other students and make friends with people who share one’s interest in art. The participants will pick up a lot of helpful tips about painting and professional activities, and they will be comforted by W2

the fact that just about everyone else feels the same anxieties, confusions, and joys. As one workshop participant put it, being part of a workshop is like studying a language for years and finally visiting the country where it is spoken. Generally, workshops are three- to 14-daylong educational programs, sometimes requiring participants to travel some distance to attend and to stay in a motel or school dorm. There are some standard routines in most workshops, including demonstrations by the instructor, critiques of student work, and one-on-one assistance for the students, but other aspects of these classes will vary from one session to another and from one teacher to another.

February-March 2018 / www.pleinairmagazine.com

As with any educational program that requires an expenditure of time and money, it is recommended that artists find out as much as they can in advance about the instructor’s teaching skills, style, daily routine, and level of organization, and what impression he or she has left with people who have participated in previous workshops. DEVELOPING A PERSONAL STYLE

When studying art in a class, workshop, atelier, or personal studio, one of the issues that might come up is how artists establish a personal style. Years ago, the editors at an art book company conducted a survey to determine the subjects they should cover in upcoming publications, and one of the top requests


Thomas Jefferson Kitts offering a demonstration

Kathleen Dunphy demonstrating for workshop participants

was for a book that provided specific guidance in establishing a personal style. The respondents were looking for help in bringing a distinctive look to their paintings, one that would help make their paintings easier to identify and appreciate and more attractive to potential buyers. When the editors searched for someone who could develop such a book, however, they couldn’t find an author capable of giving dependable advice and concrete examples of such an individual, personal quality. Style may be both the most important and the most elusive aspect of painting. It requires mastering the fundamentals — drawing, shapes, values, edges, perspective, scale, balance, harmony, and surface development — but also searching for what will express the artist’s individual response to a subject as well as his or her ability to communicate that response to people who view the work. Most artists begin their careers exploring variations on their teachers’ styles, or they imitate the style of a wellknown artist. As they experiment with materials and ideas over time, they change their palette of colors, procedures, and subject matter. Developing an identifiable personal style of painting seems to be very important to artists who’ve only recently begun painting outdoors. Unless an

Ken Karlic beginning a painting demonstration

Hodges Soileau offers a streetside demo during a plein air festival.

artist has a great deal of experience painting in a studio, however, the issue of style needs to be put aside until he or she has spent a few years painting in the field. In most cases, a definite style will evolve without conscious effort. It just seems to happen as you make decisions about your favorite places to paint, the colors you prefer to use, the manner in which you apply paint to a substrate, and the amount of detail you want to include in a painted image. Some of the artists who were consulted by the book editors mentioned above said much the same thing,

explaining that a style evolves naturally during the process of painting a large body of work. There is no way to predict what distinctive elements of design, color, subject matter, or pattern might constitute a style. Speculation about what might contribute most to the development of a style would be like forecasting the weather six months in advance. Past experience might be a guide, but it wouldn’t be a firm indicator. If you ask a number of painters how they arrived at their style, they will often mention the influence of images seen early in their lives, especially those reproduced on posters or prints or in books or magazines. They might even recall one specific moment when they saw a painting in a gallery or museum that motivated them to say to themselves, “Someday I want to be able to paint like that.” Those early impressions and ambitions usually linger in the mind, taking artists on a journey to find their own method for painting in the manner of Rembrandt, Wyeth, de Kooning, or Cézanne. In the end, their ultimate professional style of painting is founded in those early visions. Knowing this, a person can make a conscious and deliberate attempt to eventually “paint like that” with his or her own variation on the master’s signature style.

www.pleinairmagazine.com / February-March 2018

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KATHIE ODOM

PUBLISHER B. Eric Rhoads • bericrhoads@gmail.com Twitter: @ericrhoads • Facebook: /ericrhoads EDITORINCHIEF M. Stephen Doherty • msdoherty48@gmail.com MANAGING EDITOR Brida Connolly • brida.connolly@gmail.com • 702.299.0417 CREATIVE DIRECTOR Alfonso Jones • alfonso.streamline@gmail.com • 561.655.8778 ART DIRECTOR Kenneth Whitney • kenneth.whitney@gmail.com PRODUCTION DIRECTOR Nicolynn Kuper • kuper.nicolynn@gmail.com DIRECTOR OF SALES Jason Kelley • jkelley@streamlinepublishing.com • 802.579.1058 ART DIVISION DIRECTOR Anne Weiler-Brown • facpasales@gmail.com • 435.772.0504 NATIONAL SALES MANAGER, SUPPLIERS Richard Lindenberg • richlindenberg@gmail.com • 415.948.6142 NATIONAL MARKETING MANAGER Yvonne Van Wechel • yvonnevanwechel@gmail.com • 602.810.3518 R EGIONA L M A R K ETING M A NAGER S Krystal Allen We s t C o a s t krystalallen2@gmail.com 5 4 1 . 4 4 7. 4 7 8 7

Old Sage, 15x24, Oil on Linen

2018 WORKSHOPS BRINGING LIGHT AND LIFE INTO YOUR STUDIO January 4-6, Loudon, Tennessee VERMEERSCHCI@GMAIL.COM WINTER MENTORING PROGRAM Thursdays, January-March, Knoxville, Tennessee KATHIEOART@GMAIL.COM

Tr a c e y N o r v e l l Mid-Atlantic & Southeast tenwriter@gmail.com 918 .519. 0141 Gi n a Wa rd Central gwardart@gmail.com 9 2 0 .74 3 . 2 4 0 5 A n n e We i l e r- B r o w n Mou nt a i n We s t zionartist@gmail.com 435.772 .050 4 Mary Green Northeast & International mgreen@streamlinepublishing.com 508.230.9928 DIGITAL AD MANAGER Sarah Webb • swebb.art@gmail.com • 630.445.9182

INSIDE/OUT, FROM PLEIN AIR MORNING TO STUDIO AFTERNOON April 10-13, Tubac, Arizona TUBACSCHOOLOFFINEARTLLC@GMAIL.COM

DATA CONTROL MANAGER Faith Frykman • faithmarian1@gmail.com • 920.559.0685

OPEN THE DOOR TO PLEIN AIR October 1-4, Door County, Wisconsin WORKSHOP@PENINSULASCHOOLOFART.COM

Subscriptions: 561.655.8778 or www.pleinairmagazine.com

CONTAGIOUS OIL PAINTING November 8-10, Cartersville, Georgia KENTM@BOOTHMUSEUM.ORG

KathieOdom.com/Workshops

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February-March 2018 / www.pleinairmagazine.com

PleinAir Today Cherie Haas, Editor chaas@streamlinepublishing.com

WEBSITES PleinAirMagazine.com • OutdoorPainter.com for artists Attention, retailers: If you would like to carry PleinAir magazine in your store, please contact Tom Elmo at 561.655.8778. One-year, 6-issue subscription within the United States: $39.97 (two years, 12 issues, $59.97) One-year, 6-issue subscription, Canada and Europe: $76.97 (two years, 12 issues, $106.97) Copyright ©2017 Streamline Publishing, Inc. PleinAir Magazine is a trademark of Streamline Publishing, Inc. All rights reserved. PleinAir Magazine (ISSN 2160-0694) is published 6 times annually by Streamline Publishing, Inc., 331 SE Mizner Blvd., Boca Raton, FL 33432, for $39.97 per year in U.S.A. (two years $59.97); Canadian and European subscriptions $76.97 for one year ($106.97 for two years). Periodicals postage paid at Boynton Beach, FL (and additional mailing offices). POSTMASTER: Send address changes to: PleinAir Magazine, 331 SE Mizner Blvd., Boca Raton, FL 33432. Any reproduction of this publication, whole or in part, is prohibited without the express written consent of the publisher. Contact Streamline Publishing, Inc., at address below. All subscriptions, renewals, and changes of address should include address label from the most recent issue and be sent to the Circulation Department, PleinAir Magazine, 331 SE Mizner Blvd., Boca Raton, FL 33432. Copying done for other than personal or internal reference without the express permission of PleinAir Magazine is prohibited. Address requests for special permission to the Managing Editor. Reprints and back issues available upon request. Printed in the United States. Canada returns to be sent to Bleuchip International, P.O. Box 25542, London, ON, N6C 6B2.


PERSONAL STYLE Kevin J. Avery provides some reflections on two historical artists, and one modern master, and their personal styles.

Frederic Edwin Church

Thomas Moran

Carolyn Anderson

Frederic Edwin Church (1826-1900) was hailed as the greatest American landscape painter of his generation. His own teacher, Thomas Cole, the founding figure of the Hudson River School, said of his student that he had “the finest eye for drawing in the world.” Cole meant not merely Church’s eye and hand with a pencil — with which he was indeed startling in perception and articulation — but also his dexterity with a brush in the field, which was uncanny and only sharpened with time.

Thomas Moran (1837-1926) may be the only American artist with a mountain named after him: Mount Moran, in Wyoming’s Grand Teton range. Moran’s reputation is indelibly linked with the grandeur of Western scenery. He was the first professional artist to depict the Yellowstone region of northwest Wyoming and the Grand Canyon in Arizona. Moran’s vivid watercolors of Yellowstone, worked up from cursory plein air sketches, helped persuade Congress to declare it America’s first national park in 1872.

When we look at subjects, we form general impressions and not detailed inventories. That’s why Carolyn Anderson believes our paintings should be developed according to the levels of importance of what we see. “Visual experience is more than just our eyes sending signals of contrast and color to our brains,” says the Montana artist. “What we see in front of us is a combination of what we know and what we expect to see. It is our past and our present, our memories and our sense of space and place. It is time itself.”

Jerusalem from the Mount of Olives Frederic Edwin Church (1826-1900) 1870, oil on canvas, 71 1/4 x 101 1/4 in. Collection The Nelson-Atkins Museum of Art, Kansas City, Missouri. Gift of the Enid and Crosby Kemper Foundation.

Along the Road 2010, oil, 11 x 14 in. Private collection

Upper Falls of the Yellowstone 1872, watercolor on paper, 10 by 8 in. Collection the Gilcrease Institute, Tulsa, OK

Syria — Ruins by the Sea 1873-1874, oil on canvas, 10 1/2 x 16 in. Collection the Reading Public Museum, Reading, PA

First Sketch Made in the West at Green River, Wyoming 1871, graphite, watercolor, and white gouache on wove paper, 3 3/4 by 8 1/8 in. Collection the Gilcrease Institute, Tulsa, OK

Red Hair and Braids 2013, oil, 10 x 8 in. InSight Gallery, Fredericksburg, TX

www.pleinairmagazine.com / February-March 2018

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WORKSHOPS ON ST. SIMONS ISLAND, GEORGIA Sponsored by ANDERSON FINE ART GALLERY

3309 Frederica Road St. Simons Island, Georgia 31522 912.634.8414 mand@mindspring.com www.andersonfineartgallery.com KATIE DOBSON CUNDIFF Jan. 13 ~ 15, 2018 ~ Friday - Sunday Plein Air & Studio - All Medium - All Levels - Fee: $465. CHRIS GROVES Jan. 25 ~ 27, 2018 ~ Thursday - Saturday Realism / Abstraction - Oil Medium - Fee: $525. JASON SACRAN February 22 ~ 24, 2018 ~ Thurs ~ Saturday Plein Air - Oil Medium - Fee: $625. LARRY MOORE March 7 ~ 10, 2018 ~ Wednesday ~ Saturday Abstraction - All Mediums - Fee: $525. TOM NIELSEN March 22 ~ 24, 2018 ~ Thurs. ~ Saturday Studio Workshop ~ Painting Convincing Water Medium: Oil - Fee: $525.

Paint the Sandhills of Nebraska with Shanna Kunz

JOHN LASATER April 9 ~ 12, 2018 ~ Mon ~ Thursday Plein Air - Oil - Fee: $625. DEE BEARD DEAN April 26 ~ 28, 2018 ~ Thurs ~ Saturday Studio / Landscape - Medium: Oil - Fee: $525. LAUREL DANIEL May 3 ~ 5, 2018 ~ Thurs ~ Saturday Plein Air - Medium: Oil - Fee: $450.

Evoking a Sense of Nostalgia

LARRY MOORE November 18 ~ 20, 2018 ~ Thurs ~ Saturday Abstraction - Fee: $525.

2018 Plein Air Workshops Rockport MA

MARC HANSON November 1 ~ 3, 2018 ~ Thurs ~ Saturday Plein Air - Medium: Oil - Fee $625.

For Information or to Register Call: 912.634.8414 A non-refundable $100 deposit is required to register and guarantee your place in a workshop. New Workshops added as dates are confirmed www.AndersonFineArtGallery.com www.WorkshopsOnStSimonsIsland.com mand@mindspring.com

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Beth Bathe

ROBERT JOHNSON May 17 ~ 19, 2018 ~ Thurs ~ Saturday Studio / Floral - Medium: Oil - Fee $525.

February-March 2018 / www.pleinairmagazine.com

June 2-3

Richmond VA August 4-5

Solomons Island MD August 27-28

2018 Paintouts Charleston SC & Jacksonville FL

October 4 - 8

February

Lancaster PA Farmhouse in Amish countryside

bethbathe.com/events 703•628•5044

Sponsered by the Carter-Morris House

801-298-8071


Award Winning Artist Workshops Top award-winning artist studio and plein air workshops in Charlotte, NC.

Aline E. Ordman PASTEL SOCIETY OF AMERICA MASTER AMERICAN IMPRESSIONIST SOCIETY IAPS MASTER CIRCLE

2018 Workshops Larry Moore Jan. 23-26 Katie Dobson Cundiff Mar 8-10 Julee Hutchison June 22-24 John P. Lasater IV Sept 20-23 David Boyd Jr. Oct 11-13 Nancy Tankersley Dec 7-9 2019 Workshops Kim English Jan 30-Feb 2 Jason Sacran Mar 13-16 John Cosby May 18-21 Bill Farnsworth Aug 29-31 Greg LaRock Sept 25-28 Ned Mueller Dates TBD Roger Dale Brown Dates TBD AwardWinningArtistWorkshops.com 4ShirleyArt@gmail.com

ART BARN SCHOOL OF ART EXPLORE • CREATE • RELAX

“ TREE LIGHT ” OIL ON CANVAS 18 X 24

2018 NORTHPORT ART CENTER, VENICE, FL, MARCH PASTEL SOCIETY OF AMERICA, NYC, MAY

Ken Hosmer, Watercolor, April 30 - May 3

LANDGROVE INN, LANDGROVE, VT, AUGUST SICILY, NOVEMBER

Mark Vander Vinne, Simplifying the Outdoor Scene: A Plein Air Workshop, June 8-10

2019

Ratrindra Das, Watercolor, June 11-14

TUCSON PASTEL SOCIETY, AZ, MARCH KANUGA WORKSHOPS, NC, MARCH/APRIL

Lee Ligocki, Release Your Art Inhibitions, July 17-18 Tom Francesconi, Bold & Interpretive Watercolor, August 1-3 Pat Weaver, Watercolor Simplified, August 20-23 All workshops run 9 am - 4 pm, lunch included Call or visit ArtBarnSchool.org for registration & details

VISIT WWW.ALINEORDMAN.COM

695 N 400 E, VALPARAISO, INDIANA 46383 219-462-9009 • ARTBARNINDIANA@GMAIL.COM

802-698-8695

AORDMAN@SOVER.NET

www.pleinairmagazine.com / February-March 2018

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CHRISTINE DEBROSKY AIS PSA

EAGLE ISLAND

CHANTEL LYNN BARBER Small Works

Enriching Hearts and Lives Through Art

Plein Air Warm Up with Carol Johansen

UPCOMING 2018 WORKSHOPS

A Hot Spring Hike pastel

ARIZONA WORKSHOPS www.christinedebrosky.com www.sedonaartscenter.org

christine@christinedebrosky.com

2018 “Premier Destination Workshops!”

ALVARO CASTAGNET April - Santa Fe, NM

MARY WHYTE

May - Santa Fe, NM

CHARLES REID

June - Savannah, GA

HERMAN PEKEL

July & August - Bend, OR

FABIO CEMBRANELLI August - Bend, OR

June 2, 2018 Eagle, Idaho

DAVID LOBENBERG August - Bend, OR

LIAN QUAN ZHEN August - Bend, OR

WARD JENE STROUD August - Bend, OR

Register at www.caroljohansen.com

MARY WHYTE

September - Indianapolis

KARLYN HOLMAN

January 2019 - Australia Cruise

Now accepting registrations online!

www.artinthemountains.com

503-930-4572

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February-March 2018 / www.pleinairmagazine.com

Newnan, GA, March 3rd-4th, (678) 361-8909 Franklin, TN, May 18th-19th, (901) 438-2420 To schedule a workshop with Chantel in your area, please call or email. See website for online courses and more information

chantelbarber@bellsouth.net chantellynnbarber.com 901.438.2420


BOYD WORKSHOPS

“Pastels are Perfect for Plein Air”

2018 Workshops at the studio of Nancy Tankersley Study with Nancy and other master painters in a spacious light-filled studio in charming Easton, MD . Or paint the beauty of the Chesapeake Bay region en plein air !

at

Study with a Master Pastelist Oils are welcome as are All Levels of Skill

Nancie King Mertz PSA-MP, CPP-MP, IAPS-MC

Drawing for the Painter | David Boyd, Jr. Jan 19-21 Color Mixing and Theory | David Boyd, Jr. Feb. 9-11 Chantel Lynn Barber | March 3-4

March 3-11, 2018 Plein Air Invitational, Tequesta, FL, oil & pastel demos

May 2-5 Stuart Shills March 31- April 1 Nancy Tankersley Oct - 2-5 Doug Fryer www.easton-studio.com Study with Nancy at other locations: March 10-12, Tequesta, Florida April16-20 - PACE 2018 Instructor , Santa Fe, NM April 22 - Staunton, Va April 30 - May 4 - Brady, Texas August 5- August 19 France December 7-9 Raleigh NC For more information: www.nancytankersley.com

April 13 & 14, 2018 Pastel Workshop, sponsored by Forstall Art, Birmingham, AL April 16-20, 2018 “Pastel Basics” workshops, demos and individual instruction. Plein Air Convention Faculty, Santa Fe, NM May 3-14, 2018 Florida’s Forgotten Coast Invitational, plein air demos

Painting Large Outdoors with Lon Brauer and David Boyd, Jr. | March 13 Beautiful Brushwork | Vicki Norman April 28-29 Greg Barnes | June 12-14 _____________

June 1-3, 2018 “Pastels are Perfect for Plein Air”, UART workshop Wilmington, VT July 24-31, 2018 Join me for a spectacular week of pastel instruction in SW France Domaine du Haut Baran, France

Painting En Plein Air | David Boyd, Jr. 9.03-05.2018 The ArtLoft, Dahlonega, GA Fall in the Urban Landscape David Boyd, Jr. | 11.03-05.2018

August 17-19, 2018 Plein Air in New York City, sponsored by the Pastel Society of America

Booth Western Museum, Cartersville, GA

September 15, 2018 Pastel Society of America demos from 10-4 National Arts Club, Grammercy Park, NYC

The Urban Still Life | David Boyd, Jr. 10.11-13.2018 Award Winning Artists Workshop Matthews, NC

October 12-13, 2018 “Bluffstrokes” juror & demos in Dubuque, IA October 23-26, 2018 Plein Air workshop in oil & pastel, School of Art, Talapoosa, AL Signature Hand-selected Pastel Sets of 80 on Amazon: Nancie King Mertz Urban Landscape & Atmospheric Landscape

DavidBoydJr.com/Workshops.com

DVDs soon on Streamline Publishing: “Pastel Basics”, “Pastels are Perfect for Plein Air”, & “Pastel Landscapes” www.NancieKingMertz.com

www.pleinairmagazine.com / February-March 2018

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SAM D’AMBRUOSO

GLORIA CHADWICK

2018 PLEIN AIR WORKSHOPS Our 20th Year in Italy and the USA!

THE PERFECT PLACE FOR ARTISTS TO GATHER

Amalfi June 22-30

WE BRING IN THE BEST

Tuscany October 20-27

Workshops Lectures Demos Online classes Exbitions Competetitions Weekly classes Speasel Events

Old Lyme, CT August 17-19

Carmel, CA Late September

www.SamDAmbruoso.com 203-758-9660 SamDAmbruoso@comcast.net

WORKSHOPS: z Jove Wang z Mary White z Daniel Gerhartz z Larry Moore z Kevin MacPherson z Charlie Hunter z Scott Christensen z Roos Frantzen z Quang Ho z John Lasater z Max Ginsburg z David Shevlino z Andy Evansen z Kevin Beilfuss z Marc Hanson z Colin Page z Hai-Ou Hou z Jason Sacran z Vladislav Yeliseyev z Barbara Jaenicke z William Schneider z Calvin Liang z David Santillanes z Jennifer McChristian ...and many more

Chesapeake FineArtStudio.com

INSPIRED BY CORTONA Paint En Plein Air in Tuscany with Katerina Ring

17-27 October 2018 plein air painting kit & supplies provided for your use

609 Thompson Creek Road Stevensville, MD 21666 410-200-8019

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FB: Kat Ring ringkat@usa.net www.katring.com www.abbondanzatoscana.com/ring_18.htm

Customized wildlife workshops in San Diego. Locations: zoos, museums, seashore, animal rehab centers. Educational and drawing skills of close-up endangered wildlife. Email wish list of animals and I will line up a custom event for you.

Gloriachadwick@yahoo.com Cell 619.203.0607


GEORGIA MANSUR 2018 WORKSHOPS

Garin Baker

Frederick Brosen

Paint in Europe

with Instructors from the Renowned

Art Students League Dancing in the Footsteps of Sorolla With Garin Baker in Seville, Spain May 15–23, 2018

Paint and Draw in Amsterdam! With Frederick Brosen & Costa Vavagiakis June 3–11, 2018 The League’s travel workshops offer memorable experiences that blend art-making and expert instruction with camaraderie and the inspiration of visiting new places. This spring, join us as we paint the colorful land and people of Seville, and the picturesque rivers and canals of Amsterdam!

7-14 April MEXICO-LA PALOMA OCEANFRONT RETREAT 26-29 April CARMEL CALIFORNIA PLEIN AIR TBA FRANCE DOMAINE DU HAUT BARAN 17-24 September SPAIN-COSTA BRAVA Get $200 off by signing up by 30th Jan 30 September - 7 October ITALY-TUSCANY Get $200 off by signing up before 30th Jan AUSTRALIA - NEW ZEALAND check website for updates Email: georgia@georgiamansur.com www.georgiamansur.com

For questions or to register, contact: 212-247-4510, ext. 123 or rtelenick@artstudentsleague.org.

TheArt StudentsLeague of NewYork 215 West 57th Street, New York, NY 10019 www.theartstudentsleague.org

www.pleinairmagazine.com / February-March 2018

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LISA MITCHELL Painting the Character & Texture of the Landscape

3-DAY PASTEL WORKSHOPS 2018 June 27 – 29 TECHNIQUES FOR THE PASTELIST Ocean County Artist’s Guild Island Heights, New Jersey ocartistsguild.org/contact.html Sept. 22 – 24 DISCOVERING YOUR PASTEL TOUCH Rhoneymeade Arboretum Central Pennsylvania Roxanne: roxolana.naydan@gmail.com centralpapastel.com

JOHN HEWITT TWSA WHS

WEEKLY PLEIN AIR INSTRUCTION ZOLL STUDIO SCHOOL OF FINE ART Lutherville, Maryland ZollStudio.com Outdoor Classroom, From Plein Air to Studio Tuesday mornings, 9:30 – 1 (continuing through the year) FOR MORE INFORMATION: LISAMITCHELLFINEART@GMAIL.COM 410-952-5992 LISAMITCHELLSTUDIO.COM

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GREECE Sept 25 to Oct 15, 2018 ALL EXPENSES from Athens Shared room $4000 Single room $4750 College art teacher for 25 years Workshops in Europe for 10 years JohnHewittArt.com


M ARYB ENT ZGILKERSON

joli ayn wood

CYNT HIA ROSEN

inspired by the American landscape

Weston Lake, oil on panel

In Person & Online Workshops

SEE WEBSITE FOR WORKSHOP CALENDAR

marygilkerson.com/workshops

540.449.9078 jolisart@yahoo.com

studio@marygilkerson.com Columbia, SC 29205 803-386-1702

joli aynwood.com

5.17-5.20th On The Tip Of the Island Outdoor Painting Montauk, NY

EIGHT PRESTIGIOUS WORKSHOPS 2018 with Michel PHELIPPEAU (famous french painter, 25 years practice) In Provence (FRANCE) Let’s go painting in Provence in the footsteps of Cézanne, Monet, Bonnard, Renoir, Van Gogh, Gauguin Let’s go painting roses and lavender fields

7.24-27th Immersing in Color studio painting with plein air option Manchester, VT Southern Vermont Art Center SVAC.org 9.1- 9.3rd Plein Air Painting A Labor of Love Dorset, VT 10.21 & 22nd Of Glorious Color Intro to Oil Painting Williamsburg, MA Snow Farm info@snowfarm-art.org

Information and booking Website : paintersinprovence.com Mail : paintersinprovence@gmail.com

CYNTHIAROSEN.COM 802.345.8863

www.pleinairmagazine.com / February-March 2018

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S U Z I E BA K E R O PA - F I N E A RT I S T

Alpenglow, 12 x 9”, oil on linen panel, 2017.

2018 WORKSHOPS Rockport Art Center Rockport, Texas March 26 - 29 Conroe Art League Conroe, Texas May 10 - 12 Crooked Tree Art Center Traverse City, Michigan July 31 - August 3

2018 EVENTS Maui Plein Air Maui, Hawaii February 17-25 Shadows on the Teche Plein Air New Iberia, Louisiana March 10 - 17 Olmsted Plein Air Invitational Atlanta, Georgia April 21 - 29 Telluride Plein Air Festival Telluride, Colorado June 28 - July 4 Yellowstone Plein Air Invitational Yellowstone National Park, Wyoming September 25 - 30

Log Built Boat, 10x30”, oil on linen panel, 2017. for details visit:

www.suziebaker.com W14 February-March 2018 / www.pleinairmagazine.com


Open Air Italy Workshops & Retreats

In its 12th year of specializing in small plein air workshops & retreats in beautiful European locations with world-class instruction at an affordable cost.

2018 WORKSHOPS & RETREAT May 9-19, 2018 Mary Garrish Sicily - NW Coast & Inland Vineyards

Sept. 5-12, 2018 John Budicin Lake Como

June 2-9, 2018 Painter's Retreat Tuscany

Oct. 13-20, 2018 Larry Moore Amalfi Coast

OPEN ONLY TO 8 STUDENTS PER WORKSHOP

www.openairitaly.com ☏ 1.321.626.2717 ✉ okiegirl54@gmail.com

10% off with six or more frames $16.95 flat rate shipping orders over $250 ship for free! Visit us online

ArtFrames.com

www.pleinairmagazine.com / February-March 2018

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SPENCER MEAGHER Watercolor Workshops

Historic New Harmony, Indiana

2018 WORKSHOPS April 23-26 Carolyn Anderson Roger Dale Brown Tina Garrett Marc Hanson Dennis Perrin Laura Robb Elizabeth Robbins

Standing Tall Watercolor 13x17�

TBD St. Charles, MO 4/23/2018 Augusta, MO 5/17/2018 - 5/19/2018 Eureka Springs, AR 6/23/2018 - 6/24/2018 Grand Marais, MN 8/3/2018 - 8/4/2018 Nashville, TN 10/17/2018 - 10/20/2018 Door County, WI

Fall Workshops

Contact: smeagher61@gmail.com or 618-516-3860

www.spencermeagher.com

Douglas David John P. Lasater, IV (Oct. 3-5) William Schneider Visit:

hoosiersalon.org for more information

William Rogers Workshops 2018 May 16-23: Cortona, Italy Capturing the Tuscan Light in Plein Air www.toscanaamericana.com July 9-13: Belfast, Maine Figures in the Studio and the Landscape www.cmaworkshops.com

Thanks to our sponsors:

September 8-10: Parrsboro N.S. Painting the Colors of the Bay of Fundy (Oil/Acrylic) www.artlabstudios.ca www.williamrogersart.com

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PleinAir™Magazine pocket apron $35.00 plus S&H


THE ART OF CONVERSATION

UPCOMING WORKSHOPS: Key Largo & Key West, FL Join my email list

michelebyrne.com michelebyrne2@gmail.com 610-698-3372

www.pleinairmagazine.com / February-March 2018

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KATHLEEN DENIS I m a g i n e

B e i n g

T h e r e

“Waiting For You”, 24x24, Oil

Islamorada, FL - March 14 Tequesta, FL - February 5-7 Apalachicola, FL - April 6-8 Fairhope, AL - April 12-14 For current workshop list visit:

kathleendenis.com

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LOIS GRIFFEL, AISM Painting the Impressionist Landscape

Plein Air Painting Holidays with instruction by

Randall Scott Harden

t 1BJOU 1PQQJFT JO 'SBODF May 14 - 20, 2019 t 7JOFZBSET 4POPNB $" /PWFNCFS EFUBJMT UP DPNF

For more information visit the Painting Holidays tab at:

randallscottharden.com and reference hautbaran.com

2018 Workshops San Miguel del Allende, Mexico

EXPERIENCES FOR THE ARTIST IN YOU.

La Romita School of Art, Italy

Over 100 fine art workshops in Door County, Wisconsin

Pacific Northwest Art School Whidbey Island, WA

All media • All levels

Dillmans Art Workshop Retreats Lac de Flambeau, WI

Tampa, FL

2019 Chatham, MA

2018 Faculty Mat Barber Kennedy: June 18-19

Capturing Architecture in Watercolor and Line

Kyle Martin: July 9-10

Bucks County, PA Acadia, ME Tubac, AZ

Painting the Light Inside and Out

Bill Farnsworth: August 13-16 From Field to Studio

Kathie Odom: October 1-4 Open the Door to Plein Air

Marla Baggetta: October 17-20 Loosen Up + Expand

Dan Mondloch: October 22-25 Expressive Watercolor

and many more!

PeninsulaSchoolofArt.org 920.868.3455

For more workshop and book information, please visit Loisgriffel.com or contact Lois.griffel@gmail.com

www.pleinairmagazine.com / February-March 2018

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WORKSHOPS IN FRANCE

Uninstructed Retreat: Provence May 6 - 15 2018 Uninstructed: Poppy Season France May 6th - 15th 2018 Uninstructed Retreat: Provence May 6 - 15 2018 Uninstructed: Scottish Highlands June 16th - 28th 2018 Uninstructed Retreat: Provence May 6 - 15 2018 Instructed: Tim Horn Paints in France Sep 3rd - 12th 2018 Uninstructed Retreat: Provence May 6 - 15 2018 Uninstructed: Glorious Provence: Sep 16th - 25th 2018

W20 February-March 2018 / www.pleinairmagazine.com


RANDALL SEXTON

2018 & 2019 TRIPS Spring 2018

SUSAN RUBIN, Instructor

WORKSHOPS ‘18

Monet Immersion April 26 – May 6, 2018 and Van Gogh Immersion May 11 – 24, 2018

Puerto Vallarta, Mexico March 10-17 Los Gatos, CA June 8 – 10th Eureka, CA June 22-24th

Spring 2019

Colorado August 19th – 24th

Loving Vincent Artist-Animator DENA PETERSON, Instructor

Carmel, CA August 27th – 30th Landgrove, VT September 12 -15th Crockett, CA Weekend Warriors: An ongoing series

Van Gogh Immersion Join DENA on her first visit to Vincent’s France! Monet Immersion with Susan Rubin

Check website for 2019 dates

Sue Ann Hum, founder & host

www.MyArtTrip.com

MyArtTrip@gmail.com 719.539.5058 LIKE us on Facebook!

www.rcsexton.com

www.pleinairmagazine.com / February-March 2018

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travel and explore timeless Tuscan culture and countryside

PLEIN AIR TUSCANY Painting Journeys into the Heart of Tuscany Painting instruction for all levels with artist Garrett Speirs

October 4-12th 2018

visit: pleinairtuscany.net 805.448.9166

W22 February-March 2018 / www.pleinairmagazine.com

5)& $00- 500- '03 "35*454° So simple, yet so practical. Clip your brushes within view. No more falling off trays or tables. Studio or outdoor easel. Watch the new video at

3 & % 3 0 08 /


Into the Wilderness, 36x48 —David Santillanis

Spring Workshops in Sedona, Arizona David Santillanes Bill Cramer Claudia Hartley Larisa Aukon Christine Debrosky Stuart Shils Julie Gilbert Pollard Kathryn Stats Kevin Macpherson Bill Cramer Matt Sterbenz

April 8–12 April 28–29 April 20–22 April 16–18 April 30–May 4 May 1–3 May 4–6 May 10–13 May 29–31 June 8–10 July 16–19

SedonaArtsCenter.org 15 Art Barn Rd, Uptown Sedona 928-282-3809 | 888-954-4442

www.pleinairmagazine.com / February-March 2018

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ONE OF

AMERICA’S GREAT ART INSTRUCTORS ON YOUR SCREEN

I

n creating Slow Water, an idyllic summer stream scene, MacDonald will take you through a detailed step-by-step process of painting: from building an effective composition to establishing a solid value structure and vibrant color relationships to finishing with sensitively chosen details. Each of these crucial components of a painting will be explained and demonstrated. Whether painting plein air or using photographs for reference in the studio, you will come to a clearer understanding of how a successful painting is structured, see these essential basics anew, and discover ways to use them that will improve the craft of your painting.

Available Now for $127 TO ORDER GO ONLINE WWW.LILIARTVIDEO.COM OR PHONE 1-877-867-0324 CREATING DYNAMIC LANDSCAPES WITH JOHN MACDONALD © 2018 AND ©/™ LILIEDAHL VIDEO PRODUCTIONS, INC. 2018 ALL RIGHTS RESERVED. HOME USE LICENSE ONLY: DO NOT COPY, DISTRIBUTE, RENT, OR PERFORM. FOR LICENSING INFORMATION, CONTACT 1-877-867-0324.

W24 February-March 2018 / www.pleinairmagazine.com


S

67-0324.

R Gregory Summers AIS/OPS

3 Day Outdoor Workshops February 16-18, Big Bend Nat’l Park, Texas May 4-6, Lake of the Ozarks, Missouri Aug 3-4, Mumford, New York Aug 17-19, Murfreesboro, Tennessee Sept 4-6, Blue Ridge, Georgia Sept 19-20, Escalante Canyon, Utah Oct 5-7, Saugatuck/Douglas, Michigan www.rgregorysummers.com/workshops www.rgregorysummers.com art@rgregorysummers.com • 913-707-8337

Art Retreats for 2018 in

Ontario Canada

Ottawa Valley: June 14–17 Kawartha Highlands: Aug. 2–6 Killarney: Sept. 1–2 Instructor: Keith Thirgood Learn to paint in a loose, PostImpressionist manner See how Modern Colour Theory makes mixing colours easy Enjoy spectacular locations

www.wilsonstreetstudios.com www.pleinairmagazine.com / February-March 2018

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The 7th Annual PleinAir™ Salon Competition Is Underway. Enter Now! IN CASH PRIZES •

MAKE THE COVER OF PLEINAIR MAGAZINE •

22 CATEGORIES TO COMPETE IN

y r a u an r y 31. J r e mb s Janua e c e The Dition end t e p m co

Win the grand prize and see your painting on the cover of PleinAir magazine. ™

The December/January contest ends January 31, on e n H u ds er Kathle n in w 2018 and will be judged by Dustin Belyeu of Nedra e z pri al grand 6th annu Matteucci Galleries in Santa Fe, New Mexico. Dustin has been with Matteucci since 2004 and has been its director since 2008. He attended Whittier College and later graduated from the University of Arizona. Upon graduation he worked in the bid department of Sotheby’s, New York.

Now with Winners in 22 Categories! 1. 1st Place Overall 2. 2nd Place Overall 3. 3rd Place Overall 4. Best Overall Oil 5. Best Overall Pastel 6. Best Overall Watercolor 7. Best Overall Acrylic

8. Best Plein Air Work 9. Best Building 10. Best Figure in the Landscape 11. Best Floral 12. Best Landscape 13. Best Outdoor Still Life 14. Best Nocturne

15. Best Water 16. Best Under 30 17. Best 65 or Older 18. Best Student 18 or Older 19. Best Vehicle 20. Best Sketch 21. Western Theme 22. Animals

ENTER TODAY PleinAirSalon.com W26 February-March 2018 / www.pleinairmagazine.com


A dventure Artists Since 1996 with

Provence for Painters 2018 Painting Workshops

Sharon Rusch Shaver

10-day painting workshops in France

June 12th to June 22nd June 26th to July 6 En plein air representational painting

2018 Workshop The Sacred Valley of Peru Enroll Now

Adventure-Artists.com

Starting at $2150 includes private room, meals, painting supplies and instruction. for further information, go to: www.provenceforpainters.com

PAINT CHINA

䴀愀礀 ㈀㘀 - 䨀甀渀攀 ㈀ ☀ 匀攀瀀琀⸀ 㠀 - ㄀㔀

Richard Robinson 15-30 October 2018 www.paintchinatours.com www.pleinairmagazine.com / February-March 2018

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WE TRUST YOU’LL ENJOY THE LOCATION. (EITHER WAY, YOU’LL LOVE KEVIN MACPHERSON.)

KEVIN MACPHERSON Sign up for a special pre-convention workshop with painting legend Kevin Macpherson (additional fee is required)

Join us in Santa Fe for the world’s largest plein air paint-out — demonstrations by many of the world’s top artists • four stages featuring instruction in oil, watercolor, and pastel • and much more • Seating is limited, so sign up now!

SANTA FE • APRIL 16 -20, 2018 REGISTER AT PLEINAIRCONVENTION.COM UT O D L O OR CALL 561.655.8778 0% S

8

W28 February-March 2018 / www.pleinairmagazine.com


The Cape School of Art In Provincetown, Massachusetts

William A. Schneider AISM, OPA, PSA-MP

2018 classes

Landscape, portrait, figure, and still life, all taught in natural light.

The principles of light and color as taught by Charles Hawthorne and Henry Hensche, beginning in 1899, continue today. No Fear Painting • Mary Giammarino • May 21-25, 2 PM-6 PM

and Sundays in June, July and August, 8:30 AM-11:30 AM

Landscape Basics • Hilda Neily & Glenna Hartwell • June 11-15, 9 AM-12 PM Painting Mudheads on the Beach • Glenna Hartwell • June 11-15, 2 PM-6 PM Landscape Painting • John Clayton • June 18-22, 9 AM-12 PM Painting Color and Light • Rob Longley • June 18-22, 3 PM-6 PM Painting Color and Light • Rob Longley • July 9-13, 9 AM-12 PM Perceiving Color • Heather Bruce • July 9-12, 1 PM-4 PM Figure and Portrait Painting • Anastasia Egeli • July 16-20, 9 AM-12 PM Painting the Impressionist Watercolor • Judith Fulmer • July 23-27, 9 AM-12 PM No Fear Painting • Mary Giammarino • July 23-27, 3 PM-7 PM Perceiving Color • Heather Bruce • July 30-August 2, 1-4 PM Still Life in the Impressionist Tradition • Margaret McWethy • August 6-8,

9 AM-all day

Landscape Basics • Hilda Neily • August 13-17, 9 AM-12 PM Painting Color and Light • Rob Longley • August 13-17, 3 PM-6 PM No Fear Painting • Mary Giammarino • September 17-21, 2 PM-6 PM Landscape Painting • John Clayton • September 24-28, 9 AM-12 PM No Fear Painting • Mary Giammarino • October 6 - 8, 9 AM-1 PM No Fear Painting • Mary Giammarino • November 24 & 25, 9 AM-4 PM

To sign up for classes, visit:

CapeSchoolofArt.org The Cape School of Art is a non-profit organization.

E-mail: info@CapeSchoolofArt.org Registrar: 617-717-9568

WORKSHOPS: Chesapeake Fine Art Studio - Maryland March 16 - 18 “Sensitive Figures and Portraits” www.chesapeakefineartstudio.com Palette and Chisel - Chicago April 6 - 9 “Master the Portrait” (312) 642-4400 Schneider Studios - Crystal Lake, IL June 8 - 11 “Design / Composition Secrets of the Masters” (815) 455-4972 Franciscan Life Process Center - Lowell, MI September 13 - 16 Secrets of the Masters - Fechin, Zorn (616) 897-7842 Fredericksburg Artists’ School - TX October 1 - 4 “Painterly Portraits and Figures” (830) 997-0515 Hoosier Salon - New Harmony, IN October 17 - 20 “Expressive Heads and Hands” Linda Volz - lvolz@hoosiersalon.org Figurative Art Convention and Expo (FACE) - Miami, FL November 7 - 10 www.figurativeartconvention.com Scottsdale Artists’ School - Scottsdale, AZ November 12 - 15 “Painterly Portraits and Figures” (800) 333-5707 For more information, go to

www. SchneiderArt.com www.pleinairmagazine.com / February-March 2018

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Don’t worry. you won’t be painting the same old sunsets.

September 14-23, 2018 Bookings required by February 8, 2018 • Learn more and sign up at AFRICANPAINTINGSAFARI.COM W30 February-March 2018 / www.pleinairmagazine.com


InView Center for the Arts at

The Landgrove Inn - One-Stop Workshop Venue - 50’ x 30’ Studio Space - Country Chic Lodging - Award Winning Cuisine - Nationally Acclaimed Instructors

Scottsdale Artists’ School is located in the beautiful area of Old Town Scottsdale in Arizona

For 2018 Workshop Schedule call 800-669-8466, 802-824-6673

www.artworkshopsatthelandgroveinn.com 132 Landgrove Rd, Landgrove, VT 05148

Record Highs | Artist Lori Putnam

PAINT WITH THE BEST

DISCOVER YOUR TALENT Mitch Baird Mark Boedges Amery Bohling Kathleen Dunphy Linda Glover Gooch Mike Hernandez Timothy Horn John Hughes

Eric Jacobsen Thomas Kitts Calvin Liang Jay Moore Robert Moore Ned Mueller John Poon Camille Przewodek

Lori Putnam Ray Roberts Matt Smith Phil Starke Kate Starling Bryan Mark Taylor John C. Traynor Dan Young

Please visit the website for a complete list of our 2018 Instructors and Workshops.

scottsdaleartschool.org I 800.333.5707 www.pleinairmagazine.com / February-March 2018

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NEW TO PLEIN AIR PAINTING? TRY THIS.

PLEIN AIR BASICS

Every level of painter is welcome and embraced at the Plein Air Convention. If you’re new to painting outdoors, have never painted at all, or if you’ve been a studio painter and want to understand the big di erences that come with painting outside, the Plein Air Basics Course, taking place the morning of April 16, is for you. You’ll become well prepared for painting on location with us for the rest of the week. There’s even a good chance you’ll meet some of the best friends you’ve ever had. Sign up now, while your spot is still available!

SANTA FE • APRIL 16 -20, 2018 REGISTER AT PLEINAIRCONVENTION.COM OR CALL 561.655.8778

W32 February-March 2018 / www.pleinairmagazine.com


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