Tommy Joo CV_Digital Copy_2020 Update

TOMMY J OO

/ CURRICULUM VITAE, 2020 / PORTFOLIO REDUCED / IN CONVERSATION / LETTER OF REFERENCE

“The atmosphere in the place and space of my experience soon becomes a factor leading to the acceptance of the senses.

The taste of knowing what is beauty and what is good comes from the experience of sharpening my senses.�

-

2015 TO MMY JO O

Contents

04 /

Profile: 2020

09 /

Updated: March 2020

12 /

Portfolio: REALACE

32 /

Portfolio: BATES SMART

40 /

Portfolio: MASTER OF ARCHITECTURE

50 /

In Conversation

56 /

Roger Poole, Andrew Maynard

Forward

Curriculum Vitae I Berlin Germany

Professional Work I Melbourne

Professional Work

Teaching Work

Innermost

Letter of Reference

3

FORWARD

Tommy is a registered architect with more than 12 years of professional experience. He has worked as an Associate at Bates Smart, undertaking design role, actively involved, and contributed to a broad range of projects including early design and planning stages. He dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems. He has a strong sense of conceptualisation and expression together with a honed ability to translate design ideas into physicality.

TOMMY JOO Design M. Arch (Hons.)

B. Arch (Hons) B. Planning and Design ARBV, RAIA

He then moved to Europe to gain a much broader range of experiences working in multidisciplinary practice, REALACE. He was a chief designer and head of the concept making team along with the artistic direction. While architecture is the root of his professionalism, he spent 5 years working in a collaborative environment and gained a unique knowledge in placemaking, program strategy, branding and marketing. His global and diverse experiences tie together with forwarding and open-minded approach.

He has confident skill in developing a design narrative both in strategic and artistic approach. His consistent research in broader fields of knowledge with intellectual ideas defines his well-rounded skills.

Along with his employment, he has been teaching at Melbourne University leading 3 years of Thesis studios, individual supervisor, and 28 classes ranging from history to theory courses.

4

“For our studio, I always tried to feature specific responses to stimulate the senses of my working environment.

I was especially sensitive to choosing a chair and light that matched the atmosphere of space.�

-

Be rlin , 2018 REA LACE Stu dio

I m a g e s o f R EALACE Stu di o we re take n i n c o ll a b o ra t io n w i th ph otograph e r Jon as H ol th au s .

“In a good space, a good eye seeps in.

My emotional reactions vary depending on which space I am in.

It is not only the visible elements such as large and wide that work.

I felt the traces of history, through the colour of the painted paint, the feeling of light, the grass and trees planted filling up the smell of the space.

And voices of people in the background became a harmony�

-

Be rlin , 2014 TO MMY JO O

7

GLOBAL & DIVERSE EXPERIENCE FORWARD-THINKING BROAD PERASPECTIVE & IDEAS

“My Basis comes from liberal art and refinement” 교양, 敎養, BILDUNG

-

2020 TO MMY JO O

CURRICULUM VITAE I P1

E: tmyjoo@gmail.com T: +61 409 900 266 W: issuu.com/tmyjoo

QUALIFICATION Master of Architecture With Honours, The University of Melbourne Graduated as a Top Design Student from Thesis Studios with high distinction.

2006-2008

Bachelor of Architecture With Honours, The University of Melbourne

2005

Bachelor of Planning and Design The University of Melbourne

2003-2005

License Registered Architect I ARBV 17656 I Victoria, Australia

WORK EXPERIENCE REALACE Chief Designer / Director of Concept Design Team Worked as a Chief designer. It involved providing ideas and solution as design consultant, programming strategy in line with overall atmosphere approach. Collaborated with branding, marketing and communication teams.

2014 - 2019 Berlin, Germany

BATES SMART Associate, Project Leader, Design Architect Undertaking design role, actively involved in and contributed to a broad range of projects including the early design and planning stages. Dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing at later stages.

2010 - 2013, 2019 - 2020 Melbourne, Australia

2009 - 2014

Teaching / Freelance 3 Postgraduate classes, individual supervision and 28 classes.

Melbourne, Australia

Andrew Maynard Architects Project Architect, Graduate Architect Full-time employment in a small size studio environment. Involved in every stages of architectural building process from feasibility through to the completion of the building contract. Responsible for a great deal at an executive experience capacity. Dynamic interaction with clients and contractors throughout the building process.

2008 - 2010 Melbourne, Australia

Studio 505, Student Architect / Internship COX Architects, Student Architect / Internship Edmond and Corrigan, Student Architect / Internship

9

CURRICULUM VITAE I P2

E: tmyjoo@gmail.com

COMMUNICATION AND WORKING STYLE

T: +61 409 900 266 W: issuu.com/tmyjoo

‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧

Articulate and fluent in English and Korean.

Excellent communication and organizational skills.

Able to work independently as well as a team.

Able to coordinate design team during planning process.

Confident working in a complex working environment.

Self-disciplined with great management skills.

Able to handle multiple assignments simultaneously.

Great knowledge of design processes and scope of works.

Good knowledge in preparing EOI and financial submission.

SOFTWARE SKILLS Excellent Excellent Excellent Excellent

in 2D drafting: AutoCAD and VectorWorks. in 3D modeling: Sketch Up and Rhinoceros. graphics and presentation skills in Adobe Creative Suite. in MS Office.

SELECTED ARCHITECTURAL PROJECTS Ullsteinhaus Masterplan, Concept and Program Strategy Chief Designer and Project Leader, REALACE

2014

BOSCH IoT Campus of Berlin Chief Designer and Project Leader, REALACE

2014 - 2017

Karl Marx Strasse 101 Chief Designer and Project Leader, REALACE

2015 - 2019

Sonneninsel Chief Designer and Project Leader, REALACE

2015 - 2019

Ku’damm - in collaboration with UN Studio Chief Designer and Project Leader, REALACE

2018 - 2019

447 Collins Street - in collaboration with Snøhetta Designer and Project Leader, REALACE

2014

Queensbridge Mixed Use Development Project Leader and Design Architect, Bates Smart

2010 - 2012

250 Spencer Street Project Leader and Design Architect, Bates Smart

2011 - 2013

Queensland Mixed Use Development Project Leader and Design Architect, Bates Smart

2013

Butler Residence Concept to Completion, Andrew Maynard Architects

2019-2010

Hill House Concept to Completion, Andrew Maynard Architects

2019-2010

10

CURRICULUM VITAE I P3

E: tmyjoo@gmail.com

TEACHING WORK

T: +61 409 900 266 W: issuu.com/tmyjoo

Design Thesis Studio - ‘Archipelago’ Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad Compositional Analysis Tutor, Seminar Leader, Coordinator: Associate Prof. Andrew Hutson 21 Century Architecture Architectural Theory Tutor, Coordinator: Dr Annmarie Brennan Asia Pacific Modernities History Tutor, Coordinator: Associate Prof. Anoma Pieris Master Design Studio Tutor - ‘Video game’ Design Tutor, Studio Leader, Coordinator: Chair Donald Bates Design Thesis Studio - ‘Head Trip’ Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad Master Design Studio - ‘Hotel for Inhabitants’ Design Tutor, Studio Leader, Coordinator: Dr Alex Selenitsch Compositional Analysis Design Tutor, Studio Leader, Coordinator: Associate Prof. Andrew Hutson

PUBLICATION AND EXHIBITION Design Thesis Exhibition - ‘Archipelago’ Dear Patti Smith Gallery, Fitzroy, Victoria, Australia Design Studio Exhibition - ‘Game Over’ Architecture Faculty, The University of Melbourne, Victoria, Australia Design Studio Exhibition - ‘Video game’ Architecture Faculty, The University of Melbourne, Victoria, Australia Design Thesis Exhibition - ‘Head Trip’ Atrium, Architecture Faculty, The University of Melbourne, Victoria, Australia

REFEREES

Daniel Bormann - Founder, REALACE

bormann@realace.de

Edzard Brahms - Founder, REALACE

brahms@realace.de

Roger Poole - Chairman, Bates Smart

rpoole@batessmart.com

Kristen Whittle - Design Director, Bates Smart

kwhittle@batessmart.com

Andrew Maynard - Director, Austin Maynard Architects

andrew@maynardarchitects.com

11

PORTFOLIO

/ PORTFOLIO REDUCED

PROFESSIONAL WORK I REALACE Intellectual Property and Copyright belongs to REALACE

The Art of Creating Places in Multidisciplinary Cooperation.

Be rlin , G e rm an y

DEVELOPMENT Placemaking The art of creating places in Development + Utilization Concept Feasibility Analysis interdisciplinary cooperation Product Concept ARCHITECTURE Architectural Design Interior Design Tenant Planning BRAND & COMMUNICATIONS Strategic Brand Development Corporate Design Brand Identity CONCEPT DESIGN Concept Design Experience Design Visualisations ANALYTICS User and Target Group Analysis Location Analysis Analysis of Potentials

THE FORMAT RE:PLACE Revitalisation of existing structures BRANDING showing places’ character WORKSHAPER modern workplaces DEVELOPING DESTINATIONS attractive places with broad appeal URBAN PRODUCTS adding urban value PLACE IDENTITY physical and digital experiences of spaces PRODUCT CONCEPT programming places

13

PROFESSIONAL WORK I REALACE

Marina Marina No much further from the city, this place has a unique atmosphere found nowhere else in Berlin – a spot that promotes the perfect balance of productive and creative work.

It is a place that brings together work, leisure, culture, community, and pleasure to create a unique experience in overall.

It is REALACE’s second home for work and collaboration.

“I used to stay days to work and repose here.

I found my best inspirations because the scenery outside the window kept talking.”

-

Be rlin , 2019

14

PROFESSIONAL WORK I REALACE

Boat House at Marina Marina This building was originally accommodating the restaurant at the beginning of the 20th century.

Through the revitalisation, the space becomes multi-functional use of gastronomy and a place to repose.

“Humans originally saw, heard, smelled, tasted, and distinguished beauty by the feeling of texture that touched the skin. The pleasure of the five senses is the beauty.�

-

Be rlin , 2019

15

PROFESSIONAL WORK I REALACE

Realace GmbH | TEC TeC Campus Campus Berlin Berlin im im Ullsteinhaus Ullsteinhaus

2

“Why is our interest in Placemaking increasing globally?

Realace GmbH | TeC Campus Berlin im Ullsteinhaus

We must go beyond creating a form but connect the content to create a good place.�

-

Be rlin , 2019

16

PROFESSIONAL WORK I REALACE

Ullsteinhaus in Berlin-Tempelhof As part of this large-scale revitalization project, we were able to expand tailor-made working landscapes for companies such as Bosch, Hella Aglaia, Grßn Berlin and The Drivery and reposition the entire location with 60,000 m² of rental space as a campus for innovative technology companies.

hilosophy w

and Philosophy erview

17

PROFESSIONAL WORK I REALACE

“We strongly believe that to create a good place, we must think of the city, architecture, development, strategy and communication as a network.”

-

RE:P LA C E

Co py ri g h t b e l o n g s to REA L AC E

“Visible forms were not everything.

I immediately knew that the openness and light must be maximised.”

-

Be rlin , 2017

18

PROFESSIONAL WORK I REALACE

Bosch IoT campus in the Ullsteinhaus The first IoT campus from Bosch was designed as a collaborationenhancing work environment for international tech talent.

Since its opening in early 2018, this location has become the largest innovation location of the group and the Ullsteinhaus has become an important meeting place for the IoT world.

19

PROFESSIONAL WORK I REALACE

tB Campus

y Project B sch IOT Campus

“From the organisation of spaces and detailed combination of elements that filled within, I found the experience of the inner world became more enriched almost as a surprise behind generic 90’s exterior facade”

-

Be rlin , 2019

20

PROFESSIONAL WORK I REALACE

The Drivery For The Drivery, Germany's first "Mobility Innovators' Club", a customized space was created in the old building of the revitalized Berlin Ullsteinhaus - precisely tailored to the needs of thinkers and doers who work, collaborate, innovate in the field of mobility innovation, design, test.

Drivery

N EW W O RK CO MPA SS

“We must acknowledge and prepare for the demands for a precisely tailored workplace for innovation and collaboration.�

-

Be rlin , 2019

21

PROFESSIONAL WORK I REALACE

“I was impressed by the special experience of mingling with people I first met from all over the world. It was a wonderful space that conjured up the pleasantness through the air I felt and breathe.”

-

Be rlin , 2015

“Walking down the street to understand the feel of context better, it reminded me that modern philosophy narrowed down the historic fine beauty of the classic.”

-

Be rlin , 2015 22

PROFESSIONAL WORK I REALACE

Karl-Marx-Strasse 101 in Berlin-Neukölln The revitalization concept for the former department store and garage building on Karl-Marx-Straße collages the old with the new: Instead of tearing down the more than50-year-old and now seemingly outdated store, it is transformed into a modern market hall and more.

“Revitalisation: It is because we have now been able to balance our desires with our ability to resolve them, to bring today’s demand 101 Neukölln Transformation

for usage from the past built form.”

-

Be rlin , 2017

23

PROFESSIONAL WORK I REALACE

Karl Marx 101 Karl-Marx-Strasse 101 Collaborationand Type Team 1,2 Office & 3: Classic, Parkhaus Open Office (Unrealised) Transformation of parking garage to a fresh start up workplaces.

x 101 tion

24

PROFESSIONAL WORK I REALACE

Neukölln's Sunny Island The Sonneninsel in Berlin-Neukölln was conceived as a new type of work environment and, with Müller Reimann Architects and along a multi-stage collaborative development process, could be opened for flexible uses and new work concepts - combining existing and new buildings in an original way.

“The power of stability that keeps my breath and posture even and cleans myself.”

-

Be rlin , 2017

25

PROFESSIONAL WORK I REALACE

“To create a home for f lexible work concepts: uniquely integrating new and existing buildings.”

-

Be rlin , 2017

26

PROFESSIONAL WORK I REALACE

27

PROFESSIONAL WORK I REALACE

Ku’Damm 231+ Ku’Damm 231+ is a Masterplan consisting 5 levels of retail: program strategy together with 3 towers of commercial and hotel. The most significant landmark in Berlin.

28

PROFESSIONAL WORK I REALACE

“By linking all dimensions that are crucial for the design of enriching spatial identities, we establish placemaking as a method and the more successful business model in the area of ​​ project and urban development.”

-

RE:P LA C E

Co py ri g h t b e l o n g s to REA L AC E

29

PROFESSIONAL WORK I REALACE

Brewery Gebr. Maisel We were able to further develop the unique brewing art landscape of the family-run Bayreuth brewery Gebr. Maisel through the conception and programming of different room typologies - such as exhibition, hotel, laboratory.

“I used to be excited about all forms of art to be brought up, From outdoor installation to ceiling art of new extension of the museum.”

-

Be rlin , 2017

30

PROFESSIONAL WORK I REALACE

Press House on Alexanderplatz A convincing new program idea had to be found for the former house of the Berlin publishing house within a short period of time, which on the one hand made the potential of the building visible and on the other hand should take into account the specific requirements and needs of potential tenants. The result: "Working Stories".

31

PROFESSIONAL WORK I BATES SMART Intellectual Property and Copyright belongs to BATES SMART

32

PROFESSIONAL WORK I BATES SMART

447 Collins Street 447 Collins Street is a landmark site in Melbourne and arguably the best commercial development opportunity in Australia.

The development of the site is a game changing project for the city of Melbourne and is set to entirely reshape the focus of western CBD.

OLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION

ASE CASE I OPTION A

.6 LANS+SECTIONS

447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION

42

3.0 BASE CASE I OPTION A

447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION

43

3.0 BASE CASE I OPTION A

3.1 MASSING STUDY

TRADITIONAL OFFICE 2287 GFA 2000 NLA 42000 TOTAL NLA 85% Efficiency 21 Floors RESIDENTIAL

56

447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION 3.0 BASE CASE I OPTION A

11 Units / Level 250 Units Total 23 Floors

NON TRADITIONAL OFFICE 8000 TOTAL NLA 7 Floors HOTEL 19 Rooms / Level 260 Keys Total 14 Floors OPEN SPACE 1100 sqm /

33

57

PROFESSIONAL WORK I BATES SMART

QUEENSBRIDGE TOWER VISUALISATION

Queensbridge Tower Our approach to architectural design is timeless, yet contemporary. The apartments are carefully crafted with fine detailing to combine durability, refinement and elegance in every space. Fittings, finishes and surfaces reflect high quality and a relentless attention to detail – meeting the needs of the most demanding purchasers.

QUEENSBRIDGE TOWER VISUALISATION

84

34

3.14 PROPOSED APARTMENT

PROFESSIONAL WORK I BATES SMART

TYPICAL APARTMENT FLOOR PLAN

QUEENSBRIDGE TOWER VISUALISATION QUEENSBRIDGE TOWER VISUALISATION

35

PROFESSIONAL WORK I BATES SMART

Laurendel One of Australia’s finest country estates within 75 mins from Melbourne by road wand 20 mins by helicopter to its dockland heliport and hanger. The impeccably restored historic homestead of grand proportions and exquisite interiors is set within one of Australia’s most extensive and internationally renowned private gardens. The estate of some 2,500 acres of scenic country with its abundant water supply creates a context for agricultural practice, sporting pursuits and entertainment that is without parallel in Australia.

36

PROFESSIONAL WORK I BATES SMART

VIP VILLA VILLA

VIP VILLA

VILLA

GOLF RANGE & PUTTING GREEN VILLA

VILLA

4

SPA BEAUTY

VILLA

LANDSCAPE

3

CONFERENCE RESTAURANT

2

H

1

LANDSCAPE COURTYARD

CLUB RECEPTION

SUITE GARDEN SUITE

SUITE

GARDEN SUITE

GARDEN SUITE SUITE

GARDEN SUITE GARDEN SUITE

GARDEN SUITE

GARDEN SUITE

GARDEN SUITE

SUITE

SPORT & LEISURE

SUITE SUITE

SUITE

37

PROFESSIONAL WORK I BATES SMART

/$1

38

PROFESSIONAL WORK I BATES SMART

/$1

39

PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS Intellectual Property and Copyright belongs to AUSTIN MAYNARD ARCHITECTS

Hill House The new structure faces the sun employing passive solar gain.

Saturating itself with sunlight. The new structure faces the original house. The backyard is now the centre of the house activated by the built form around it.

40

PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS

W06

Kliplock Colorbond roofing Alucobond cladding warps around fascia & opening reveal refer to manufacturer's detail

Colorbond flashing

floor structure to engineer's detail.

refer to engineering

Alucobond cladding top hat to manufacturer's detail artificial truf over waterproof membrane as per manufactuere's detail

Alucobond cladding warps around fascia & opening reveal refer to manufacturer's detail f/c sheet paint finish scale 1:10

Alucobond cladding to underside of structure

DETAIL 12

D11

DETAIL 13

scale 1:10

Kliplock spring roof refer to specs. for details

KL

2100

2400

PB

PB

07

W 06a

opening

floor to ceiling

aluminium louvres

scale 1:10

title boundary

DETAIL 11

150

Colorbond flashing

refer to engineering for structural detail

PB

master bedroom

PB

PB

VIN

PB

09 w/c

CP

VIN

VIN

+16.51 FCL of proposed addition

08 ensuite

VIN

RL of proposed addition +16.87

VIN

FFL of proposed addition +14.11

VIN AT FC 03

D13

AC

D12

adjoining neighbour's property

AT

PLY

lintel to engineer's detail

JOIN 02 kitchen overhead unit

ind

kitchen

beh

D15

AT

MS

D16

CON

provide room for weep hole drainage between new & adjoining masonry wall

slab & insulation underside to engineer's detail footing to engineer's detail

footing to engineer's detail steel awining

substrate

aggie drain in crushed rock

batten out to create fall on steel plate

aggie drain in crushed rock

scale 1:50

outside

inside

drop bolt

extruded polustyrne insulation behind plastic wrap & geotech fabric

fall on slab

reinforced concrete slab to engineer's detail

concrete floor polished finish

concrete slab to engineer's detail

DETAIL 15

DETAIL 16

scale 1:10

MATERIAL & FINISHES KEY -

detail section 02 D03

fall on concrete slab

artificial turf over natural ground

water proof membrane laps down over tale of slab

scale 1:10

clear glass flat steel roofing, colorbond [black] finish Lysaght Kliplock colorbond [black] finish Alucobond cladding polished concrete floor artificial turf compressed sheet, paint finish

MR PLY VYL PB TF MS CP

-

FFL of proposed addition +10.47

natural ground line

CON

fall on slab

drainage in crushed rock all run-off to be directed to existing local point of discharge

G SR KL AC CON AT FC

MR

JOIN 03 island bench

D17

andrew maynard architects

masonry wall plywood, clear finish vinyl finish plasterboard, paint finish strip timber t&g flooring mild steel, penetrol finish carpet

ABN: 1911 74 80 636 SUITE 12, 397 SMITH ST FITZROY, VICTORIA, 3065 t :+613 9939 6323 f : +613 8640 0439 info@maynardarchitects.com.au www.maynardarchitects.com.au ...|..|.||..::.|-||...|.|...::|||:...||...|-||..

steel plate wraps around the dishwasher

DETAIL 17

scale 1:10

issued to Quantity Surveyor

No.

13.10.10

REVISION

STAGE

PROJECT

CONSTRUCTION DOCUMENATION

MELWAYS

PROJECT No.

DRAWING TITLE

090202

scale 1:5

1:50

These drawings are the copyright of Andrew Maynard Architects Pty Ltd and are not to be reproduced without written approval.

Figured dimensions take precedence over scaled.

If required, refer to architects for further information.

CLIENT

proposed detail section

SCALES

c Andrew Maynard Architects

ALTERATION & ADDITION TO 76 THOMSON STREET NORTHCOTE

DATE

Alister & Leisa Bayston

SHEET No.

DATE

27.04.10

DRAWN

TJ

/13 REV

DRAWING No.

switch for entry downlight & spiral stair pendant light

mixer tap

switch for wall & overhead pendant light

..

pivot hinge box

MA

01

CHECKED

ery

join

2000

2250

2100

2100

D 03

entry structure behind shown dashed

DETAIL 14

JOIN 04 11

08

opening

3050

floor to ceiling

spiral staircase

natural ground line artificial turf over drainage

RL of proposed roof parapet [connector] +12.42

250

PL

Y

SR

MS

steel reveal

+13.52 FCL of proposed addition

FC 02

PB

..

CD10

exposed flex 17

undermount double sinks

17

08 18

17

steel rod 08

17

18

20mm shadow gaps between all steel plates & laminex cupboards perspective 02

dishwasher

JOIN 02 _perspective [kitchen overhead unit]

08

undermount double sinks 45mm kicker

1800 top unit

CL

450

2 no. pull-out bins

JOIN 03 _perspective 01 [kitchen bench]

2100 bottom unit - cupboard

18

2500

ele

bottom unit - steel plate

plan 01

perspective 03

2100 bottom steel plate

2 switch for entry downlight & spiral stair pendant light

760

plan 02

bin

820

300

420

110270

600

1120

420 110

17

upper steel benchtop 200

2700

260

2300

140

20mm shadow gaps between steel plates & laminex cupboards

dishwasher 18

elevation 03 09

elevation 01 - chrome hanging rail

18

18

18 17

08

150

04

top of island bench

18

45

NOTE: Radius of all curves - 300mm throughout

08

02

900

02

[kitchen island bench]

580

200

steel rod

JOIN 03

GPO & switch for entry downlight & spiral stair pendant light

C L

17

set-out from edge of island bench

1

PLN 02 PLN 01

plan 03 [lower cupboards]

JOIN02 JOIN02

plan 02 [upper cupboards]

GPO & switch for wall lights

17

01

lower steel benchtop

plan 01 [upper steel benchtop]

laminate

exposed flex

line of ceiling

300 150 300

600

545

200

160

eq

JOIN02 SEC 01

40

switch for wall & overhead pendant light

100

bin

900

2800

eq

steel flat dishwasher

40

870

670

OB

dishwasher

tap mixer location TBC on site

CL

300

390

OB

40

10

elevation 02

JOIN 02 [kitchen overhead unit]

elevation 04

- fixed curve section

NOTES:

01

- fixed shelf

10

- kicker

02

- adjustable shelf

11

- no kicker [20mm allowance]

03

- shelves overhead

12

- timber veneer

04

- melamine drawer

13

- paint finish

05

- stainless benchtop

14

- mirror

06

- stone benchtop

15

- coloured mirror splashback

07

- laminate benchtop

16

- fluro light

08

- steel plate

17

- steel rod

09

- chrome hanging rail

18

- fixed curve section

- Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening - Handles: finger pulls or cut-outs TBC - Drawer runners: to match Blum 'motion softclose runners' - Carcass: to be 18mm melamine faced board, colour TBC

*all design & details for joinery to be discussed with cabinet maker at appropriate time

andrew maynard architects ABN: 1911 74 80 636 SUITE 12, 397 SMITH ST FITZROY, VICTORIA, 3065 t :+613 9939 6323 f : +613 8640 0439 info@maynardarchitects.com.au www.maynardarchitects.com.au ...|..|.||..::.|-||...|.|...::|||:...||...|-||..

..

issued to Quantity Surveyor

No. STAGE MELWAYS DRAWING TITLE

REVISION

13.10.10

PROJECT

DATE

CONSTRUCTION DOCUMENATION PROJECT No.

090202

proposed door/window schedule

ALTERATION & ADDITION TO 76 THOMSON STREET NORTHCOTE

CLIENT

Alister & Leisa Bayston

c Andrew Maynard Architects These drawings are the copyright of Andrew Maynard Architects Pty Ltd and are not to be reproduced without written approval.

Figured dimensions take precedence over scaled.

If required, refer to architects for further information.

NOTES: - Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening - Handles: finger pulls or cut-outs TBC - Drawer runners: to match Blum 'motion softclose runners' - Carcass: to be 18mm melamine faced board, colour TBC

*all design & details for joinery to be discussed with cabinet maker at appropriate time

41

SCALES

1:50 SHEET No. DRAWING No.

DATE

MA

JOINERY KEY

CHECKED

1100

750

upper

lower

drawer

915

4

200

3

island bench below shown dashed

line of lower steel plate shown dashed

drawer

27.04.10

DRAWN

/13 REV

TJ ..

CD17

PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS

THAT House The site is neighboured by huge houses. We were asked to provide the family with ‘just the right amount of space’. By creating large openings and generous connections to the garden we aimed to make this modest-sized house feel abundant and broad. The result is a home that is almost half the size of its neighbours without compromising liveability.

42

PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS

43

PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS

01

Butler House Warehouse conversion in Fitzory.

Create a new roof deck terrace well sitting on the existing structure with both fixed and openable glazings, supported portal frame structure.Create new opening to the existing ceiling to provide access to the roof deck associated with glass floor.

44

TEACHING

/ THE UNIVERSITY OF MELBOURNE

TEACHING WORK I THE UNIVERSITY OF MELBOURNE

‘Archipélago’

Thesis Design Studio

ARCHITECTURE DESIGN THESIS EXHIBITION ‘ARCHIPELAGO’ Dear Patti Smith Gallery, Victoria, Australia MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE

46

TEACHING WORK I THE UNIVERSITY OF MELBOURNE

‘Head-trip’

Thesis Design Studio

ARCHITECTURE DESIGN THESIS EXHIBITION ‘HEAD TRIP’ Atrium, Architecture Faculty MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE

47

TEACHING WORK I THE UNIVERSITY OF MELBOURNE

‘Head-trip’

Thesis Design Studio

PALIMPSEST CITY

200 135

he

ur

es

w of

201

. nd

ic

. my

EPILOGUE

d; en

02 139

RAYAL ANAND YELAMATHI

138

EPILOGUE

POET’S WALK

142

143

48

TEACHING WORK I THE UNIVERSITY OF MELBOURNE

‘Videogame’

Master Design Studio

ARCHITECTURE EXHIBITION ‘VIDEOGAME’ Architecture Faculty, MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE

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INNERMOST

/ IN CONVERSATION

INNERMOST I IN CONVERSATION

What is most important to you in your career especially when you looking for a job?

What are your wishes, what’s your expectation?

I think after 12 years of my career path, I would say I’ve had full exposure to almost every circumstance of working conditions. From small housing practice to large cooperative office. Then to a multidisciplinary practice in Europe of mediumsize.

1. Flexible Working Environment. This is the most crucial environment I am seeking for. Creatives can’t be tied up on their desk searching for ideas.

Exactly like what kind of music you want in your background while you are doing your job, I need a flexible environment to work. From my experience in Europe, strict working policies do not bring better productivity, neither massive open plan is no longer preferable in Europe demands. I am confident in my production with strong self-discipline. So why put a bird in a cage that must fly?

2. Collaboration. This is the most commonly used word in our work culture.

My experience in multidisciplinary office taught me what it means by true collaboration. It’s an about flat hierarchy and anyone deserves to have their saying. And I mean, collaboration not only between architects but with people from all other fields.

3. Respect and Appreciation.I would like to believe that I am a global and unique character. I embrace great diversity in thinking and culture with leading ideas from my experience in Europe. I may not be able to show all my skills in one practice however I would appreciate respect on the unusual path I took on my journey.

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INNERMOST I IN CONVERSATION

“I had fun with great challenge. Through the adventure, I know what I want and what I am best at, and enjoy the most.”

Can you please elaborate more on the ‘unique or unusual path of your journey’?

As soon as I graduated I set a 5-year career plan. I first joined a small practice to learn documentation and site administration to become a registered architect.

Right after, I moved to one of the largest and oldest cooperative offices to learn ‘the system’ of management and structure. During all these years I was teaching at the university. It was a good balance for me, to give and take.

Then, I wanted an adventure. I packed and flew to Berlin, the city of liberalism and freelancers. I did not even think to decide. I wanted something more than being a typical architect. And I was employed in a multidisciplinary office, all German-speaking, however, I successfully landed and made the great achievement even with the language barrier. We started off with 8 people in the practice and in my last month after 5 years, it was reaching 30 employees.

I had fun with great challenge. Through the adventure, I know what I want and what I am best at, and enjoy the most.

How do you work? You mentioned your expectations but what’s your working style?

First, I hate a messy desk with papers flying around. You think that creatives are messy but not in my case. I think a lot on my head watching the environment but my right brain does his job well by managing how much time I need to deliver on what my left brain says.

I only need a good laptop and an internet connection. I can work anywhere and I enjoy that. I sometimes have to isolate to be productive, but I also enjoy being in my team room for discussion and giving direction.

A plus is a nice seasonal flower, scent candle and I play music from classic, jazz to techno. Or I can play one track on repeat for 9 hours.

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INNERMOST I IN CONVERSATION

It sounds like you are very free-thinker but also strategic.

I am both. I strategically manage my week, my day, and I even divide my hours to do what I have to do. For example, I suggested that Monday should be a full review day in collaboration. Tuesday to Thursday of production.

And I get my flexible Friday only doing research, brainstorming, and self-critique my work.

And how do you manage your team?

First, I figure out what we need to be done and the delivery date. We decide on the content that can be produced realistically and with a bit of contingency in time. I find resources through our head meeting. Then I brief my team.

My rule is never to distract them and ask for honest he/ she feels about workload, and if there will be any issues.

Every employee wants to learn but first, they need to know how to manage their time and I encourage them.

I avoid standing behind the screen and interrupt their workflow. I only give a pat on their shoulders.

“You work like a DJ. You get samples, ideas, moods, and researches from all over the place and make something unique out of it.”

- Da n i e l B o r m a n n , R E A L ACE

Is this coming from your experience?

Yes. Mainly from teaching and supervising at university, being a mentor. I recently had ‘Share Know-How’ workshops for people who want to learn. I want to share possibly every skills and trick I have.

What is the most memoriable thing you’ve heard from your employer?

First, from Kristen Whittle, he said: “you should be proud of yourself”. I never really understood what he meant.

Later I figured out it’s a work done that I should be satisfied for myself and mt effort, it was not to impress any others.

Daniel from REALACE told me once, “You work like a DJ. You get samples, ideas, moods, and researches from all over the place and make something unique out of it.” That’s when I realised what my working method is. I believe in originality at the same time you need something to start with. Then I walk, research, find what I like, arrange them together to translate the atmosphere I have in my mind.

Im a g e s o f R E A L ACE St u d i o we re t a ke n i n c ol l aborati on w i th ph o to g ra p h e r Jo n a s H o lt h a u s .

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INNERMOST I IN CONVERSATION

Could you please elaborate on what it means by creating ‘the atmosphere’?

I no longer think of word or style to come up with architecture. I want to imagine the atmosphere.

That is by thinking, what’s the tone of space I have in mind, what kind of people and what they will be wearing? What’s the smell will be like coming from the texture? How do I feel when I walk or sit in the space?

That’s my approach. I love the beauty of form in architecture, but I think of the user experience more. The challenge is how do I represent into a form of graphic or visual.

“I no longer think of word or style that defines architecture. I want to imagine the atmosphere.”

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INNERMOST I IN CONVERSATION

Is this coming from your experience?

Yes! I moved to Berlin mostly because of art and liberty. I get my best inspiration in all sorts of art and expression.

I first experience the art thinking what did the artist had in mind? What is he/she trying to say? Only after then, I read their intention and the meaning in their representation. That’s how I approach my spatial design.

Fortunately, I made a good connection with the art industry and I never miss out on any special openings of art-fair and galleries over Europe. I speak a lot with them also with curators.

Other than art, how do you find inspiration?

I’m a very intuitive person and I trust my feelings. I travel a lot to experience their cultures, speak with people who are in a completely different profession and I love watching people on the street. I avoid traveling to see the architecture with map on my hand because it becomes too predictable. I travel the city and I eventually find the architecture and experience them.

What is your final goal or vision?

To be called a ‘creative director’. This doesn’t exist in most architectural practices here in Australia instead of being called ‘design architect’.

I want to keep sharpening my skills and knowledge to provide creative direction and design consultancy.

I want to jump in and say what I’ve got to say and say it hot!

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“Tommy, you did a great job and We wouldn’t be where we are without you.

You should always stay as part of our family!”

-

Da ni e l Bor mann 2019, REALACE

“His evident skills lead to his appointment as an Associate of the practice in 2012.

Appointment to this level at his stage tesfies to his well-rounded mature abilities”

-

R o g er Po o le

2013, BATES SMART

“He has wonderful attitude towards architecture, he has excellent design skills as well as mature and methododical set of management of skills.”

-

An d re w Ma yn a rd

2010, AMA Architects

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LETTER OF REFERENCE

ANDREW

MAYNARD

ARCHITECTS

Date 28/10/10

To Whom it may concern, Andrew Maynard Architects Suite 12, 397 Smith Street, Fitzroy Melbourne, Victoria 3000 T 61 [3] 9939 6326 F 61 [3] 8640 0439 info@andrewmaynard.com.au www,andrewmaynard.com.au

Tommy Joo worked as a graduate architect at Andrew Maynard Architects from July 2008 until to November 2010.

During his time at AMA, Tommy proved highly capable, diversifying his contribution to the business when and as required. Tommy was involved in every stages and aspects of AMA’s projects consistently showing skills and great disposition.

He illustrated process and aptitude beyond his experience level, managing each project with a little guidance from the directors.

Tommy has become a well rounded architect. From early design phase, through documentation to contract administration, Tommy has shown a good understanding of the challenges and responsibilities involved in the architectural process. He has a wonderful attitude towards architecture, he has excellent design skills as well as mature and methodical set of management skills.

Beyond his natural design talents Tommy competently expanded his areas of responsibility providing client management and project support to the Directors. He has had a great deal of interaction with clients, consultants and builders and has been competent and professional throughout all these dealings. Tommy has also brought significant changes to the office and its operation by implementing new office organisation tools and systems.

Tommy’s departure from AMA is a big loss. Hopefully he will one day return to us.

I would be pleased to answer any questions about Tommy’s work whilst at AMA. Kind regards,

Andrew Maynard Director

Andrew Maynard Architects

My beloved spaces.

T OMMY JOO

E: TOMMYJOO @ GMAIL.COM T: +61 409 900 266

TOMMY JOO

I

2020

https://issuu.com/tmyjoo