TOMMY J OO
/ CURRICULUM VITAE, 2020 / PORTFOLIO REDUCED / IN CONVERSATION / LETTER OF REFERENCE
“The atmosphere in the place and space of my experience soon becomes a factor leading to the acceptance of the senses. The taste of knowing what is beauty and what is good comes from the experience of sharpening my senses.�
-
2015 TO MMY JO O
Contents
04 /
Profile: 2020
09 /
Updated: March 2020
12 /
Portfolio: REALACE
32 /
Portfolio: BATES SMART
40 /
Portfolio: MASTER OF ARCHITECTURE
50 /
In Conversation
56 /
Roger Poole, Andrew Maynard
Forward
Curriculum Vitae I Berlin Germany
Professional Work I Melbourne
Professional Work
Teaching Work
Innermost
Letter of Reference
3
FORWARD
Tommy is a registered architect with more than 12 years of professional experience. He has worked as an Associate at Bates Smart, undertaking design role, actively involved, and contributed to a broad range of projects including early design and planning stages. He dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems. He has a strong sense of conceptualisation and expression together with a honed ability to translate design ideas into physicality.
TOMMY JOO Design M. Arch (Hons.) B. Arch (Hons) B. Planning and Design ARBV, RAIA
He then moved to Europe to gain a much broader range of experiences working in multidisciplinary practice, REALACE. He was a chief designer and head of the concept making team along with the artistic direction. While architecture is the root of his professionalism, he spent 5 years working in a collaborative environment and gained a unique knowledge in placemaking, program strategy, branding and marketing. His global and diverse experiences tie together with forwarding and open-minded approach. He has confident skill in developing a design narrative both in strategic and artistic approach. His consistent research in broader fields of knowledge with intellectual ideas defines his well-rounded skills. Along with his employment, he has been teaching at Melbourne University leading 3 years of Thesis studios, individual supervisor, and 28 classes ranging from history to theory courses.
4
“For our studio, I always tried to feature specific responses to stimulate the senses of my working environment. I was especially sensitive to choosing a chair and light that matched the atmosphere of space.�
-
Be rlin , 2018 REA LACE Stu dio
I m a g e s o f R EALACE Stu di o we re take n i n c o ll a b o ra t io n w i th ph otograph e r Jon as H ol th au s .
“In a good space, a good eye seeps in. My emotional reactions vary depending on which space I am in. It is not only the visible elements such as large and wide that work. I felt the traces of history, through the colour of the painted paint, the feeling of light, the grass and trees planted filling up the smell of the space. And voices of people in the background became a harmony�
-
Be rlin , 2014 TO MMY JO O
7
GLOBAL & DIVERSE EXPERIENCE FORWARD-THINKING BROAD PERASPECTIVE & IDEAS
“My Basis comes from liberal art and refinement” 교양, 敎養, BILDUNG
-
2020 TO MMY JO O
CURRICULUM VITAE I P1
E: tmyjoo@gmail.com T: +61 409 900 266 W: issuu.com/tmyjoo
QUALIFICATION Master of Architecture With Honours, The University of Melbourne Graduated as a Top Design Student from Thesis Studios with high distinction.
2006-2008
Bachelor of Architecture With Honours, The University of Melbourne
2005
Bachelor of Planning and Design The University of Melbourne
2003-2005
License Registered Architect I ARBV 17656 I Victoria, Australia
WORK EXPERIENCE REALACE Chief Designer / Director of Concept Design Team Worked as a Chief designer. It involved providing ideas and solution as design consultant, programming strategy in line with overall atmosphere approach. Collaborated with branding, marketing and communication teams.
2014 - 2019 Berlin, Germany
BATES SMART Associate, Project Leader, Design Architect Undertaking design role, actively involved in and contributed to a broad range of projects including the early design and planning stages. Dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing at later stages.
2010 - 2013, 2019 - 2020 Melbourne, Australia
2009 - 2014
Teaching / Freelance 3 Postgraduate classes, individual supervision and 28 classes.
Melbourne, Australia
Andrew Maynard Architects Project Architect, Graduate Architect Full-time employment in a small size studio environment. Involved in every stages of architectural building process from feasibility through to the completion of the building contract. Responsible for a great deal at an executive experience capacity. Dynamic interaction with clients and contractors throughout the building process.
2008 - 2010 Melbourne, Australia
Studio 505, Student Architect / Internship COX Architects, Student Architect / Internship Edmond and Corrigan, Student Architect / Internship
9
CURRICULUM VITAE I P2
E: tmyjoo@gmail.com
COMMUNICATION AND WORKING STYLE
T: +61 409 900 266 W: issuu.com/tmyjoo
‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧ ‧‧
Articulate and fluent in English and Korean. Excellent communication and organizational skills. Able to work independently as well as a team. Able to coordinate design team during planning process. Confident working in a complex working environment. Self-disciplined with great management skills. Able to handle multiple assignments simultaneously. Great knowledge of design processes and scope of works. Good knowledge in preparing EOI and financial submission.
SOFTWARE SKILLS Excellent Excellent Excellent Excellent
in 2D drafting: AutoCAD and VectorWorks. in 3D modeling: Sketch Up and Rhinoceros. graphics and presentation skills in Adobe Creative Suite. in MS Office.
SELECTED ARCHITECTURAL PROJECTS Ullsteinhaus Masterplan, Concept and Program Strategy Chief Designer and Project Leader, REALACE
2014
BOSCH IoT Campus of Berlin Chief Designer and Project Leader, REALACE
2014 - 2017
Karl Marx Strasse 101 Chief Designer and Project Leader, REALACE
2015 - 2019
Sonneninsel Chief Designer and Project Leader, REALACE
2015 - 2019
Ku’damm - in collaboration with UN Studio Chief Designer and Project Leader, REALACE
2018 - 2019
447 Collins Street - in collaboration with Snøhetta Designer and Project Leader, REALACE
2014
Queensbridge Mixed Use Development Project Leader and Design Architect, Bates Smart
2010 - 2012
250 Spencer Street Project Leader and Design Architect, Bates Smart
2011 - 2013
Queensland Mixed Use Development Project Leader and Design Architect, Bates Smart
2013
Butler Residence Concept to Completion, Andrew Maynard Architects
2019-2010
Hill House Concept to Completion, Andrew Maynard Architects
2019-2010
10
CURRICULUM VITAE I P3
E: tmyjoo@gmail.com
TEACHING WORK
T: +61 409 900 266 W: issuu.com/tmyjoo
Design Thesis Studio - ‘Archipelago’ Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad Compositional Analysis Tutor, Seminar Leader, Coordinator: Associate Prof. Andrew Hutson 21 Century Architecture Architectural Theory Tutor, Coordinator: Dr Annmarie Brennan Asia Pacific Modernities History Tutor, Coordinator: Associate Prof. Anoma Pieris Master Design Studio Tutor - ‘Video game’ Design Tutor, Studio Leader, Coordinator: Chair Donald Bates Design Thesis Studio - ‘Head Trip’ Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad Master Design Studio - ‘Hotel for Inhabitants’ Design Tutor, Studio Leader, Coordinator: Dr Alex Selenitsch Compositional Analysis Design Tutor, Studio Leader, Coordinator: Associate Prof. Andrew Hutson
PUBLICATION AND EXHIBITION Design Thesis Exhibition - ‘Archipelago’ Dear Patti Smith Gallery, Fitzroy, Victoria, Australia Design Studio Exhibition - ‘Game Over’ Architecture Faculty, The University of Melbourne, Victoria, Australia Design Studio Exhibition - ‘Video game’ Architecture Faculty, The University of Melbourne, Victoria, Australia Design Thesis Exhibition - ‘Head Trip’ Atrium, Architecture Faculty, The University of Melbourne, Victoria, Australia
REFEREES
Daniel Bormann - Founder, REALACE
bormann@realace.de
Edzard Brahms - Founder, REALACE
brahms@realace.de
Roger Poole - Chairman, Bates Smart
rpoole@batessmart.com
Kristen Whittle - Design Director, Bates Smart
kwhittle@batessmart.com
Andrew Maynard - Director, Austin Maynard Architects
andrew@maynardarchitects.com
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PORTFOLIO
/ PORTFOLIO REDUCED
PROFESSIONAL WORK I REALACE Intellectual Property and Copyright belongs to REALACE
The Art of Creating Places in Multidisciplinary Cooperation. Be rlin , G e rm an y
DEVELOPMENT Placemaking The art of creating places in Development + Utilization Concept Feasibility Analysis interdisciplinary cooperation Product Concept ARCHITECTURE Architectural Design Interior Design Tenant Planning BRAND & COMMUNICATIONS Strategic Brand Development Corporate Design Brand Identity CONCEPT DESIGN Concept Design Experience Design Visualisations ANALYTICS User and Target Group Analysis Location Analysis Analysis of Potentials
THE FORMAT RE:PLACE Revitalisation of existing structures BRANDING showing places’ character WORKSHAPER modern workplaces DEVELOPING DESTINATIONS attractive places with broad appeal URBAN PRODUCTS adding urban value PLACE IDENTITY physical and digital experiences of spaces PRODUCT CONCEPT programming places
13
PROFESSIONAL WORK I REALACE
Marina Marina No much further from the city, this place has a unique atmosphere found nowhere else in Berlin – a spot that promotes the perfect balance of productive and creative work. It is a place that brings together work, leisure, culture, community, and pleasure to create a unique experience in overall. It is REALACE’s second home for work and collaboration.
“I used to stay days to work and repose here. I found my best inspirations because the scenery outside the window kept talking.”
-
Be rlin , 2019
14
PROFESSIONAL WORK I REALACE
Boat House at Marina Marina This building was originally accommodating the restaurant at the beginning of the 20th century. Through the revitalisation, the space becomes multi-functional use of gastronomy and a place to repose.
“Humans originally saw, heard, smelled, tasted, and distinguished beauty by the feeling of texture that touched the skin. The pleasure of the five senses is the beauty.�
-
Be rlin , 2019
15
PROFESSIONAL WORK I REALACE
Realace GmbH | TEC TeC Campus Campus Berlin Berlin im im Ullsteinhaus Ullsteinhaus
2
“Why is our interest in Placemaking increasing globally? Realace GmbH | TeC Campus Berlin im Ullsteinhaus
We must go beyond creating a form but connect the content to create a good place.�
-
Be rlin , 2019
16
PROFESSIONAL WORK I REALACE
Ullsteinhaus in Berlin-Tempelhof As part of this large-scale revitalization project, we were able to expand tailor-made working landscapes for companies such as Bosch, Hella Aglaia, Grßn Berlin and The Drivery and reposition the entire location with 60,000 m² of rental space as a campus for innovative technology companies.
hilosophy w
and Philosophy erview
17
PROFESSIONAL WORK I REALACE
“We strongly believe that to create a good place, we must think of the city, architecture, development, strategy and communication as a network.”
-
RE:P LA C E
Co py ri g h t b e l o n g s to REA L AC E
“Visible forms were not everything. I immediately knew that the openness and light must be maximised.”
-
Be rlin , 2017
18
PROFESSIONAL WORK I REALACE
Bosch IoT campus in the Ullsteinhaus The first IoT campus from Bosch was designed as a collaborationenhancing work environment for international tech talent. Since its opening in early 2018, this location has become the largest innovation location of the group and the Ullsteinhaus has become an important meeting place for the IoT world.
19
PROFESSIONAL WORK I REALACE
tB Campus
y Project B sch IOT Campus
“From the organisation of spaces and detailed combination of elements that filled within, I found the experience of the inner world became more enriched almost as a surprise behind generic 90’s exterior facade”
-
Be rlin , 2019
20
PROFESSIONAL WORK I REALACE
The Drivery For The Drivery, Germany's first "Mobility Innovators' Club", a customized space was created in the old building of the revitalized Berlin Ullsteinhaus - precisely tailored to the needs of thinkers and doers who work, collaborate, innovate in the field of mobility innovation, design, test.
Drivery
N EW W O RK CO MPA SS
“We must acknowledge and prepare for the demands for a precisely tailored workplace for innovation and collaboration.�
-
Be rlin , 2019
21
PROFESSIONAL WORK I REALACE
“I was impressed by the special experience of mingling with people I first met from all over the world. It was a wonderful space that conjured up the pleasantness through the air I felt and breathe.”
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Be rlin , 2015
“Walking down the street to understand the feel of context better, it reminded me that modern philosophy narrowed down the historic fine beauty of the classic.”
-
Be rlin , 2015 22
PROFESSIONAL WORK I REALACE
Karl-Marx-Strasse 101 in Berlin-Neukölln The revitalization concept for the former department store and garage building on Karl-Marx-Straße collages the old with the new: Instead of tearing down the more than50-year-old and now seemingly outdated store, it is transformed into a modern market hall and more.
“Revitalisation: It is because we have now been able to balance our desires with our ability to resolve them, to bring today’s demand 101 Neukölln Transformation
for usage from the past built form.”
-
Be rlin , 2017
23
PROFESSIONAL WORK I REALACE
Karl Marx 101 Karl-Marx-Strasse 101 Collaborationand Type Team 1,2 Office & 3: Classic, Parkhaus Open Office (Unrealised) Transformation of parking garage to a fresh start up workplaces.
x 101 tion
24
PROFESSIONAL WORK I REALACE
Neukölln's Sunny Island The Sonneninsel in Berlin-Neukölln was conceived as a new type of work environment and, with Müller Reimann Architects and along a multi-stage collaborative development process, could be opened for flexible uses and new work concepts - combining existing and new buildings in an original way.
“The power of stability that keeps my breath and posture even and cleans myself.”
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Be rlin , 2017
25
PROFESSIONAL WORK I REALACE
“To create a home for f lexible work concepts: uniquely integrating new and existing buildings.”
-
Be rlin , 2017
26
PROFESSIONAL WORK I REALACE
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PROFESSIONAL WORK I REALACE
Ku’Damm 231+ Ku’Damm 231+ is a Masterplan consisting 5 levels of retail: program strategy together with 3 towers of commercial and hotel. The most significant landmark in Berlin.
28
PROFESSIONAL WORK I REALACE
“By linking all dimensions that are crucial for the design of enriching spatial identities, we establish placemaking as a method and the more successful business model in the area of project and urban development.”
-
RE:P LA C E
Co py ri g h t b e l o n g s to REA L AC E
29
PROFESSIONAL WORK I REALACE
Brewery Gebr. Maisel We were able to further develop the unique brewing art landscape of the family-run Bayreuth brewery Gebr. Maisel through the conception and programming of different room typologies - such as exhibition, hotel, laboratory.
“I used to be excited about all forms of art to be brought up, From outdoor installation to ceiling art of new extension of the museum.”
-
Be rlin , 2017
30
PROFESSIONAL WORK I REALACE
Press House on Alexanderplatz A convincing new program idea had to be found for the former house of the Berlin publishing house within a short period of time, which on the one hand made the potential of the building visible and on the other hand should take into account the specific requirements and needs of potential tenants. The result: "Working Stories".
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PROFESSIONAL WORK I BATES SMART Intellectual Property and Copyright belongs to BATES SMART
32
PROFESSIONAL WORK I BATES SMART
447 Collins Street 447 Collins Street is a landmark site in Melbourne and arguably the best commercial development opportunity in Australia. The development of the site is a game changing project for the city of Melbourne and is set to entirely reshape the focus of western CBD.
OLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION
ASE CASE I OPTION A
.6 LANS+SECTIONS
447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION
42
3.0 BASE CASE I OPTION A
447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION
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3.0 BASE CASE I OPTION A
3.1 MASSING STUDY
TRADITIONAL OFFICE 2287 GFA 2000 NLA 42000 TOTAL NLA 85% Efficiency 21 Floors RESIDENTIAL
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447 COLLINS STREET, MELBOURNE- INTERNATIONAL DESIGN COMPETITION 3.0 BASE CASE I OPTION A
11 Units / Level 250 Units Total 23 Floors
NON TRADITIONAL OFFICE 8000 TOTAL NLA 7 Floors HOTEL 19 Rooms / Level 260 Keys Total 14 Floors OPEN SPACE 1100 sqm /
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PROFESSIONAL WORK I BATES SMART
QUEENSBRIDGE TOWER VISUALISATION
Queensbridge Tower Our approach to architectural design is timeless, yet contemporary. The apartments are carefully crafted with fine detailing to combine durability, refinement and elegance in every space. Fittings, finishes and surfaces reflect high quality and a relentless attention to detail – meeting the needs of the most demanding purchasers.
QUEENSBRIDGE TOWER VISUALISATION
84
34
3.14 PROPOSED APARTMENT
PROFESSIONAL WORK I BATES SMART
TYPICAL APARTMENT FLOOR PLAN
QUEENSBRIDGE TOWER VISUALISATION QUEENSBRIDGE TOWER VISUALISATION
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PROFESSIONAL WORK I BATES SMART
Laurendel One of Australia’s finest country estates within 75 mins from Melbourne by road wand 20 mins by helicopter to its dockland heliport and hanger. The impeccably restored historic homestead of grand proportions and exquisite interiors is set within one of Australia’s most extensive and internationally renowned private gardens. The estate of some 2,500 acres of scenic country with its abundant water supply creates a context for agricultural practice, sporting pursuits and entertainment that is without parallel in Australia.
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PROFESSIONAL WORK I BATES SMART
VIP VILLA VILLA
VIP VILLA
VILLA
GOLF RANGE & PUTTING GREEN VILLA
VILLA
4
SPA BEAUTY
VILLA
LANDSCAPE
3
CONFERENCE RESTAURANT
2
H
1
LANDSCAPE COURTYARD
CLUB RECEPTION
SUITE GARDEN SUITE
SUITE
GARDEN SUITE
GARDEN SUITE SUITE
GARDEN SUITE GARDEN SUITE
GARDEN SUITE
GARDEN SUITE
GARDEN SUITE
SUITE
SPORT & LEISURE
SUITE SUITE
SUITE
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PROFESSIONAL WORK I BATES SMART
/$1
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PROFESSIONAL WORK I BATES SMART
/$1
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PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS Intellectual Property and Copyright belongs to AUSTIN MAYNARD ARCHITECTS
Hill House The new structure faces the sun employing passive solar gain. Saturating itself with sunlight. The new structure faces the original house. The backyard is now the centre of the house activated by the built form around it.
40
PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS
W06
Kliplock Colorbond roofing Alucobond cladding warps around fascia & opening reveal refer to manufacturer's detail
Colorbond flashing
floor structure to engineer's detail.
refer to engineering
Alucobond cladding top hat to manufacturer's detail artificial truf over waterproof membrane as per manufactuere's detail
Alucobond cladding warps around fascia & opening reveal refer to manufacturer's detail f/c sheet paint finish scale 1:10
Alucobond cladding to underside of structure
DETAIL 12
D11
DETAIL 13
scale 1:10
Kliplock spring roof refer to specs. for details
KL
2100
2400
PB
PB
07
W 06a
opening
floor to ceiling
aluminium louvres
scale 1:10
title boundary
DETAIL 11
150
Colorbond flashing
refer to engineering for structural detail
PB
master bedroom
PB
PB
VIN
PB
09 w/c
CP
VIN
VIN
+16.51 FCL of proposed addition
08 ensuite
VIN
RL of proposed addition +16.87
VIN
FFL of proposed addition +14.11
VIN AT FC 03
D13
AC
D12
adjoining neighbour's property
AT
PLY
lintel to engineer's detail
JOIN 02 kitchen overhead unit
ind
kitchen
beh
D15
AT
MS
D16
CON
provide room for weep hole drainage between new & adjoining masonry wall
slab & insulation underside to engineer's detail footing to engineer's detail
footing to engineer's detail steel awining
substrate
aggie drain in crushed rock
batten out to create fall on steel plate
aggie drain in crushed rock
scale 1:50
outside
inside
drop bolt
extruded polustyrne insulation behind plastic wrap & geotech fabric
fall on slab
reinforced concrete slab to engineer's detail
concrete floor polished finish
concrete slab to engineer's detail
DETAIL 15
DETAIL 16
scale 1:10
MATERIAL & FINISHES KEY -
detail section 02 D03
fall on concrete slab
artificial turf over natural ground
water proof membrane laps down over tale of slab
scale 1:10
clear glass flat steel roofing, colorbond [black] finish Lysaght Kliplock colorbond [black] finish Alucobond cladding polished concrete floor artificial turf compressed sheet, paint finish
MR PLY VYL PB TF MS CP
-
FFL of proposed addition +10.47
natural ground line
CON
fall on slab
drainage in crushed rock all run-off to be directed to existing local point of discharge
G SR KL AC CON AT FC
MR
JOIN 03 island bench
D17
andrew maynard architects
masonry wall plywood, clear finish vinyl finish plasterboard, paint finish strip timber t&g flooring mild steel, penetrol finish carpet
ABN: 1911 74 80 636 SUITE 12, 397 SMITH ST FITZROY, VICTORIA, 3065 t :+613 9939 6323 f : +613 8640 0439 info@maynardarchitects.com.au www.maynardarchitects.com.au ...|..|.||..::.|-||...|.|...::|||:...||...|-||..
steel plate wraps around the dishwasher
DETAIL 17
scale 1:10
issued to Quantity Surveyor
No.
13.10.10
REVISION
STAGE
PROJECT
CONSTRUCTION DOCUMENATION
MELWAYS
PROJECT No.
DRAWING TITLE
090202
scale 1:5
1:50
These drawings are the copyright of Andrew Maynard Architects Pty Ltd and are not to be reproduced without written approval. Figured dimensions take precedence over scaled. If required, refer to architects for further information.
CLIENT
proposed detail section
SCALES
c Andrew Maynard Architects
ALTERATION & ADDITION TO 76 THOMSON STREET NORTHCOTE
DATE
Alister & Leisa Bayston
SHEET No.
DATE
27.04.10
DRAWN
TJ
/13 REV
DRAWING No.
switch for entry downlight & spiral stair pendant light
mixer tap
switch for wall & overhead pendant light
..
pivot hinge box
MA
01
CHECKED
ery
join
2000
2250
2100
2100
D 03
entry structure behind shown dashed
DETAIL 14
JOIN 04 11
08
opening
3050
floor to ceiling
spiral staircase
natural ground line artificial turf over drainage
RL of proposed roof parapet [connector] +12.42
250
PL
Y
SR
MS
steel reveal
+13.52 FCL of proposed addition
FC 02
PB
..
CD10
exposed flex 17
undermount double sinks
17
08 18
17
steel rod 08
17
18
20mm shadow gaps between all steel plates & laminex cupboards perspective 02
dishwasher
JOIN 02 _perspective [kitchen overhead unit]
08
undermount double sinks 45mm kicker
1800 top unit
CL
450
2 no. pull-out bins
JOIN 03 _perspective 01 [kitchen bench]
2100 bottom unit - cupboard
18
2500
ele
bottom unit - steel plate
plan 01
perspective 03
2100 bottom steel plate
2 switch for entry downlight & spiral stair pendant light
760
plan 02
bin
820
300
420
110270
600
1120
420 110
17
upper steel benchtop 200
2700
260
2300
140
20mm shadow gaps between steel plates & laminex cupboards
dishwasher 18
elevation 03 09
elevation 01 - chrome hanging rail
18
18
18 17
08
150
04
top of island bench
18
45
NOTE: Radius of all curves - 300mm throughout
08
02
900
02
[kitchen island bench]
580
200
steel rod
JOIN 03
GPO & switch for entry downlight & spiral stair pendant light
C L
17
set-out from edge of island bench
1
PLN 02 PLN 01
plan 03 [lower cupboards]
JOIN02 JOIN02
plan 02 [upper cupboards]
GPO & switch for wall lights
17
01
lower steel benchtop
plan 01 [upper steel benchtop]
laminate
exposed flex
line of ceiling
300 150 300
600
545
200
160
eq
JOIN02 SEC 01
40
switch for wall & overhead pendant light
100
bin
900
2800
eq
steel flat dishwasher
40
870
670
OB
dishwasher
tap mixer location TBC on site
CL
300
390
OB
40
10
elevation 02
JOIN 02 [kitchen overhead unit]
elevation 04
- fixed curve section
NOTES:
01
- fixed shelf
10
- kicker
02
- adjustable shelf
11
- no kicker [20mm allowance]
03
- shelves overhead
12
- timber veneer
04
- melamine drawer
13
- paint finish
05
- stainless benchtop
14
- mirror
06
- stone benchtop
15
- coloured mirror splashback
07
- laminate benchtop
16
- fluro light
08
- steel plate
17
- steel rod
09
- chrome hanging rail
18
- fixed curve section
- Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening - Handles: finger pulls or cut-outs TBC - Drawer runners: to match Blum 'motion softclose runners' - Carcass: to be 18mm melamine faced board, colour TBC
*all design & details for joinery to be discussed with cabinet maker at appropriate time
andrew maynard architects ABN: 1911 74 80 636 SUITE 12, 397 SMITH ST FITZROY, VICTORIA, 3065 t :+613 9939 6323 f : +613 8640 0439 info@maynardarchitects.com.au www.maynardarchitects.com.au ...|..|.||..::.|-||...|.|...::|||:...||...|-||..
..
issued to Quantity Surveyor
No. STAGE MELWAYS DRAWING TITLE
REVISION
13.10.10
PROJECT
DATE
CONSTRUCTION DOCUMENATION PROJECT No.
090202
proposed door/window schedule
ALTERATION & ADDITION TO 76 THOMSON STREET NORTHCOTE
CLIENT
Alister & Leisa Bayston
c Andrew Maynard Architects These drawings are the copyright of Andrew Maynard Architects Pty Ltd and are not to be reproduced without written approval. Figured dimensions take precedence over scaled. If required, refer to architects for further information.
NOTES: - Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening - Handles: finger pulls or cut-outs TBC - Drawer runners: to match Blum 'motion softclose runners' - Carcass: to be 18mm melamine faced board, colour TBC
*all design & details for joinery to be discussed with cabinet maker at appropriate time
41
SCALES
1:50 SHEET No. DRAWING No.
DATE
MA
JOINERY KEY
CHECKED
1100
750
upper
lower
drawer
915
4
200
3
island bench below shown dashed
line of lower steel plate shown dashed
drawer
27.04.10
DRAWN
/13 REV
TJ ..
CD17
PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS
THAT House The site is neighboured by huge houses. We were asked to provide the family with ‘just the right amount of space’. By creating large openings and generous connections to the garden we aimed to make this modest-sized house feel abundant and broad. The result is a home that is almost half the size of its neighbours without compromising liveability.
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PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS
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PROFESSIONAL WORK I AUSTIN MAYNARD ARCHITECTS
01
Butler House Warehouse conversion in Fitzory. Create a new roof deck terrace well sitting on the existing structure with both fixed and openable glazings, supported portal frame structure.Create new opening to the existing ceiling to provide access to the roof deck associated with glass floor.
44
TEACHING
/ THE UNIVERSITY OF MELBOURNE
TEACHING WORK I THE UNIVERSITY OF MELBOURNE
‘Archipélago’
Thesis Design Studio
ARCHITECTURE DESIGN THESIS EXHIBITION ‘ARCHIPELAGO’ Dear Patti Smith Gallery, Victoria, Australia MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE
46
TEACHING WORK I THE UNIVERSITY OF MELBOURNE
‘Head-trip’
Thesis Design Studio
ARCHITECTURE DESIGN THESIS EXHIBITION ‘HEAD TRIP’ Atrium, Architecture Faculty MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE
47
TEACHING WORK I THE UNIVERSITY OF MELBOURNE
‘Head-trip’
Thesis Design Studio
PALIMPSEST CITY
200 135
he
ur
es
w of
201
. nd
ic
. my
EPILOGUE
d; en
02 139
RAYAL ANAND YELAMATHI
138
EPILOGUE
POET’S WALK
142
143
48
TEACHING WORK I THE UNIVERSITY OF MELBOURNE
‘Videogame’
Master Design Studio
ARCHITECTURE EXHIBITION ‘VIDEOGAME’ Architecture Faculty, MELBOURNE SCHOOL OF DESIGN THE UNIVERSITY OF MELBOURNE
49
INNERMOST
/ IN CONVERSATION
INNERMOST I IN CONVERSATION
What is most important to you in your career especially when you looking for a job? What are your wishes, what’s your expectation? I think after 12 years of my career path, I would say I’ve had full exposure to almost every circumstance of working conditions. From small housing practice to large cooperative office. Then to a multidisciplinary practice in Europe of mediumsize. 1. Flexible Working Environment. This is the most crucial environment I am seeking for. Creatives can’t be tied up on their desk searching for ideas. Exactly like what kind of music you want in your background while you are doing your job, I need a flexible environment to work. From my experience in Europe, strict working policies do not bring better productivity, neither massive open plan is no longer preferable in Europe demands. I am confident in my production with strong self-discipline. So why put a bird in a cage that must fly? 2. Collaboration. This is the most commonly used word in our work culture. My experience in multidisciplinary office taught me what it means by true collaboration. It’s an about flat hierarchy and anyone deserves to have their saying. And I mean, collaboration not only between architects but with people from all other fields. 3. Respect and Appreciation.I would like to believe that I am a global and unique character. I embrace great diversity in thinking and culture with leading ideas from my experience in Europe. I may not be able to show all my skills in one practice however I would appreciate respect on the unusual path I took on my journey. 51
INNERMOST I IN CONVERSATION
“I had fun with great challenge. Through the adventure, I know what I want and what I am best at, and enjoy the most.”
Can you please elaborate more on the ‘unique or unusual path of your journey’? As soon as I graduated I set a 5-year career plan. I first joined a small practice to learn documentation and site administration to become a registered architect. Right after, I moved to one of the largest and oldest cooperative offices to learn ‘the system’ of management and structure. During all these years I was teaching at the university. It was a good balance for me, to give and take. Then, I wanted an adventure. I packed and flew to Berlin, the city of liberalism and freelancers. I did not even think to decide. I wanted something more than being a typical architect. And I was employed in a multidisciplinary office, all German-speaking, however, I successfully landed and made the great achievement even with the language barrier. We started off with 8 people in the practice and in my last month after 5 years, it was reaching 30 employees. I had fun with great challenge. Through the adventure, I know what I want and what I am best at, and enjoy the most. How do you work? You mentioned your expectations but what’s your working style? First, I hate a messy desk with papers flying around. You think that creatives are messy but not in my case. I think a lot on my head watching the environment but my right brain does his job well by managing how much time I need to deliver on what my left brain says. I only need a good laptop and an internet connection. I can work anywhere and I enjoy that. I sometimes have to isolate to be productive, but I also enjoy being in my team room for discussion and giving direction. A plus is a nice seasonal flower, scent candle and I play music from classic, jazz to techno. Or I can play one track on repeat for 9 hours. 52
INNERMOST I IN CONVERSATION
It sounds like you are very free-thinker but also strategic. I am both. I strategically manage my week, my day, and I even divide my hours to do what I have to do. For example, I suggested that Monday should be a full review day in collaboration. Tuesday to Thursday of production. And I get my flexible Friday only doing research, brainstorming, and self-critique my work. And how do you manage your team? First, I figure out what we need to be done and the delivery date. We decide on the content that can be produced realistically and with a bit of contingency in time. I find resources through our head meeting. Then I brief my team. My rule is never to distract them and ask for honest he/ she feels about workload, and if there will be any issues. Every employee wants to learn but first, they need to know how to manage their time and I encourage them. I avoid standing behind the screen and interrupt their workflow. I only give a pat on their shoulders.
“You work like a DJ. You get samples, ideas, moods, and researches from all over the place and make something unique out of it.” - Da n i e l B o r m a n n , R E A L ACE
Is this coming from your experience? Yes. Mainly from teaching and supervising at university, being a mentor. I recently had ‘Share Know-How’ workshops for people who want to learn. I want to share possibly every skills and trick I have.
What is the most memoriable thing you’ve heard from your employer? First, from Kristen Whittle, he said: “you should be proud of yourself”. I never really understood what he meant. Later I figured out it’s a work done that I should be satisfied for myself and mt effort, it was not to impress any others. Daniel from REALACE told me once, “You work like a DJ. You get samples, ideas, moods, and researches from all over the place and make something unique out of it.” That’s when I realised what my working method is. I believe in originality at the same time you need something to start with. Then I walk, research, find what I like, arrange them together to translate the atmosphere I have in my mind. Im a g e s o f R E A L ACE St u d i o we re t a ke n i n c ol l aborati on w i th ph o to g ra p h e r Jo n a s H o lt h a u s . 53
INNERMOST I IN CONVERSATION
Could you please elaborate on what it means by creating ‘the atmosphere’? I no longer think of word or style to come up with architecture. I want to imagine the atmosphere. That is by thinking, what’s the tone of space I have in mind, what kind of people and what they will be wearing? What’s the smell will be like coming from the texture? How do I feel when I walk or sit in the space? That’s my approach. I love the beauty of form in architecture, but I think of the user experience more. The challenge is how do I represent into a form of graphic or visual.
“I no longer think of word or style that defines architecture. I want to imagine the atmosphere.”
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INNERMOST I IN CONVERSATION
Is this coming from your experience? Yes! I moved to Berlin mostly because of art and liberty. I get my best inspiration in all sorts of art and expression. I first experience the art thinking what did the artist had in mind? What is he/she trying to say? Only after then, I read their intention and the meaning in their representation. That’s how I approach my spatial design. Fortunately, I made a good connection with the art industry and I never miss out on any special openings of art-fair and galleries over Europe. I speak a lot with them also with curators.
Other than art, how do you find inspiration? I’m a very intuitive person and I trust my feelings. I travel a lot to experience their cultures, speak with people who are in a completely different profession and I love watching people on the street. I avoid traveling to see the architecture with map on my hand because it becomes too predictable. I travel the city and I eventually find the architecture and experience them.
What is your final goal or vision? To be called a ‘creative director’. This doesn’t exist in most architectural practices here in Australia instead of being called ‘design architect’. I want to keep sharpening my skills and knowledge to provide creative direction and design consultancy. I want to jump in and say what I’ve got to say and say it hot!
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“Tommy, you did a great job and We wouldn’t be where we are without you. You should always stay as part of our family!”
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Da ni e l Bor mann 2019, REALACE
“His evident skills lead to his appointment as an Associate of the practice in 2012. Appointment to this level at his stage tesfies to his well-rounded mature abilities”
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R o g er Po o le
2013, BATES SMART
“He has wonderful attitude towards architecture, he has excellent design skills as well as mature and methododical set of management of skills.”
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An d re w Ma yn a rd
2010, AMA Architects
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LETTER OF REFERENCE
ANDREW
MAYNARD
ARCHITECTS
Date 28/10/10
To Whom it may concern, Andrew Maynard Architects Suite 12, 397 Smith Street, Fitzroy Melbourne, Victoria 3000 T 61 [3] 9939 6326 F 61 [3] 8640 0439 info@andrewmaynard.com.au www,andrewmaynard.com.au
Tommy Joo worked as a graduate architect at Andrew Maynard Architects from July 2008 until to November 2010. During his time at AMA, Tommy proved highly capable, diversifying his contribution to the business when and as required. Tommy was involved in every stages and aspects of AMA’s projects consistently showing skills and great disposition. He illustrated process and aptitude beyond his experience level, managing each project with a little guidance from the directors. Tommy has become a well rounded architect. From early design phase, through documentation to contract administration, Tommy has shown a good understanding of the challenges and responsibilities involved in the architectural process. He has a wonderful attitude towards architecture, he has excellent design skills as well as mature and methodical set of management skills. Beyond his natural design talents Tommy competently expanded his areas of responsibility providing client management and project support to the Directors. He has had a great deal of interaction with clients, consultants and builders and has been competent and professional throughout all these dealings. Tommy has also brought significant changes to the office and its operation by implementing new office organisation tools and systems. Tommy’s departure from AMA is a big loss. Hopefully he will one day return to us. I would be pleased to answer any questions about Tommy’s work whilst at AMA. Kind regards,
Andrew Maynard Director
Andrew Maynard Architects
My beloved spaces.
T OMMY JOO
E: TOMMYJOO @ GMAIL.COM T: +61 409 900 266
TOMMY JOO
I
2020
https://issuu.com/tmyjoo
