Sensitive Matter

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“ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ ““Sensitive “ “ “ Matter: “ “ “ Young Catalan Architects” is “ “an “exhibition “ “ “ of “ “architectural works by young “ “studios “ “ “established “ “ “ in Catalonia which are not only above all, share “ “from “ the “ attitudes “ same “ “ generation “ and waysbut, of understanding and “ “certain “ “ “ “ “ “ “ “practising “ “ “ architecture. “ “ “ “ “It “is also “ “ a“personal “ “ gamble (and thus, it is “ “necessarily “ “ “ “biased “ “ and has a certain degree of “ “risk). “ “It “can“ also “ “be seen as a possible answer ; ; to; two ; ; important ; ; ; ; ;questions: What will happen to ; ; architecture ; ; ; ; ; ;now ; ;that the current model is being ; ; questioned? ; ; ; ; ; ;And; how ; can Catalan architecture ; ; contribute ; ; ; ; ; in; the ; ;context of the global crisis? ; ; ; ; ; ; ; ; ; ; ; ; An; architecture ; ; ; ; ; ; with ; an ability to reinterpret in order to provide ; ; prior ; ; models ; ; ; ;and; references ; A sensitive, honest ; ; new ; ;answers ; ; ; ;is ;demanded. ; ; ; architecture ; ; ; ; ; ;where ; ; people are more important itself or aesthetics, which ; ; than ; ; the ; ; construction ; ; ; ; of the context, the place, ; ; assumes ; ; ; ;the ; ;limitations ; ; the commission and the available and transforms ; ; them ; ; into ; ; opportunities. ; ; ; ; Local architectures for ; ; a ;global ; ; ;world. ; ; Architecture ; ; is sensitive to ; ; its; roots, ; ; ; ;changes ; ; ; and how isthat ; ; by; the ; ; people ; ; ; and ; ; its users. lived and perceived ; ; ; ; ; ; ; ; ; ;

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YOUNG CATALAN ARCHITECTS

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IMPORT/EXPORT

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SENSITIVE MATTER: -

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c cwhat c cwe cneed c iscnotes c c c c c ‘thought c c c and c cconstruction’. c c c c c c c c c c csuch c as c inc the c proposals c c c cbycNúria c cSalvadó c c c c and c cstrong c csensations c c c cprompting c c c usctoc c c c The c clucidity c c ofc these c c architectures c c c c cisc c c c+ David c c Tapias c c and c cBosch.Capdeferro; c c c c c c c c c remember c c c and c creflect c c upon c c a ccertain c c c c c c chiefly c c crelated c c with c ctheccapacity c c ctoc c c c cAn capproach c c cbased c concthe c relationship c c c c c c c page. c c Wec willc bec looking c c cforward c c to c new c c c c c put c cthings c cinto c context, c c c to c develop c c c a c c c cbetween c c cenergy c c efficiency c c c csocial c c c c c c sensations c c c ccoming c c from c cCatalonia. c c c c c c c c thought-action c c c c c from c c their c cparticular c c c c c c cengagement, c c c csuch c cas cin the c cbuildings c c cby c c c Rui c Mendes c c c c c c c c c c c c c c work conditions. This means that, rather Josep Bunyesc and DataAE, or based on c than c ctrying c c toc construct c c c can caxiology c c c c c cthec environment c c c c qualification c c c c supported c c c c c c Ruic Mendes c c c c c1973) c c acgraduated c c c c c c c ofc the c cuniverse, c c cwithc acpredetermined c c c c c c c cbycthecbuilding c c cfeatures c c candc drawing, c c csuch c c c architect c c c by(Lisbon, cUniversidade c c c cisLusíada c cdecLisboa. c c c c c order c c ofc values, c c cthey c prefer c c ctocoperate c c c c cas cin the c cprojects c c cbycDavid c cSebastian c c c+c c c Hec hasc acstudio c cin Lisbon, c c candchis cworkc hasc been c c c in c several architecture magazines. c case c cbyccase, c ctransforming c c c c the c celements c c c c cGerard c c Puig c candcunparell c c cd’arquitectes; c c c c c c c published c c c c c c c c c c c cHe c c is the author of articles and essays published c they c chave c caccess c c to.c These c c operations c c c c c c cA more c c experimental c c c c dimension c c c c(material c c c c c incspecialized c c c journals, c c csuchc asc“Dac Bildung c c aoc c c c are c cstrengthened c c c c byc planning c c cstrategies c c c c c candc sensorial) c c c inc the c works c c by c Francisco c c c c c c Grand c cTour: c ca viagem c c como c cconhecimento” c c c c(JAc c c c according c c c cto cthecconditions c c c candc c c c c cCifuentes c c c and c Emiliano c c cLópez c c +cMónica c c c c c 227 c FÉRIAS, c c cOA,c2007). c cHe chascregularly c c been c c c c giving academic seminars (DA/UAL, DA/ISCTE), resources of each commission. Rivera. c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c ascwellc ascworking c c asc a ccurator c c(EXTRA c c JA,c 2007) c c c c COMMON c c cFEATURES c c c /cSINGULAR c c c c c c c c cNOTES c cANDc STRONG c c cSENSATIONS c c c c c c c c c and c researcher c c c c(IAPXX-OA). c c c Hec hasc been c cProject c c c since 2009 andcArchitecture Theory c APPROACHES c c c c c c c c c c c c c c c cOfcall cthese c cworks, c cthec public c c projects c c c c c c teacher c c c c c c c c c c c candc c teacher from 2010 at the Universidade c The c cevidence c c cof cthecmaterials c c c and c the c c c c c(museum, c c chotel, c ccultural c c centre, c c c school) c c cor c c History c c c c c c c c c c c c c c c Autónoma de Lisboa. c particular c c c cattention c c ctocthec building c c c c c c chybrids c c (house-studio, c c c c c shed-studio) c c c c carec c c ruimendes.com c c c c c c c c c c c c c c c c processes c c c crepresent c c c what c cthese c c c c c c cthec ones c cwhich c cshow, c cin tandem c c cwith c the c c c c c c c c c c c c c c c c c c c c architectures c c c c chave c cin common. c c c Inc their c c c c cmaterial c c characterization, c c c c c c more c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c Pere c cBuilc(1973) c c c c c c c c c c c c cCarlos c cCámara c c(1980) c c c c c c c c c c c Joan c cVitòria c c c c c c c c c c c c c c Architect c c c bycETSAB c c(Barcelona, c c c 2000). c cFounder c c c c cArchitect c c cby ETSAV c c (Sant c cCugat, c c2004). c c c c c c Architect c c c byc(1973) c c(Barcelona, c c c 2001). c cHechasc c c ETSAB c ofc vora c carquitectura, c c c can architectural c c c c studio c c c c cHe ccombines c c the c architectural c c c c profession c c c c c c c worked c c onc hisc own c and c calsocforcseveral c c studios c c c c in Barcelona and Lisbon. Their works have with experimentation of c informatics and incBarcelona andcParis. Since 2007 he c teaches c located c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c published in several international magazines. communication applied to architecture. Project Design at the ESARQ (Barcelona), where c been c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c and c c c They have been awarded with, among others, Currently teaching at Universidad de San he’s also co-organizer of the Foros ESARQ c Bonaplata c c c and c Arco c cPrize, c candcselected c c for c c c c cJorge c c(Zaragoza) c c candcconsultant c c c atcEscola c c c c c coordinator c c c cof cthecCulture c c andc Publications c c c c c c c Arquia/próxima c c c transformadores”, c c2010. c Hec isccurating, ca platform c csincecof2008, c c c cSert-COAC. c c c Hec hasc founded c c candcdeveloped c c c c c c Department. c c c cSince c c2005c hecalsoc works c cincthec c c ArchTLAS (www.archtlas.com), a collaborative vulgarization of architecture, organizing all kind c “Estacions c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c monthly talks about architecture located in Nau online atlas of architecture, and has worked in of activities (workshops, visits, exhibitions,…) c Ivanow. c c cHe’scbeen c teaching c c cin cESARQ c c(Barcelona) c c c c cScalae, c cwhere c che cco-curated c c cthec exhibition c c c “44 c c c first c cfromc the c COAC’s c c Educational c c c cDepartment c c c c c Taller directed architects” and directed the magazine (SEA) andcafterwards from thecgroup c inTuñón cthecand c Luis cVertical cM. Mansilla. c 2009 c cHe cis currrently c byc Emilio c c c c cyoung c c c c c c c c c c c c c c c c c c c c c c c c“Elcglobus c c c edited by Grupo Vía from 2007 vermell”, who has collaborated with different c teaching c c cProject c c Design c c atcETSALS c c (Barcelona) c c c c c cArquitecturaPlus c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c and 2008. He has been guest teacher at ESARQ cultural centers in Barcelona (Fundació Joan c and c atc MBIArch c c cpost-professional c c c c c master’s c c c c c c(Barcelona) c c c incthec Taller c cVertical c c 2009 c cdirected c c c c cMiró,c Lac Pedrera, c c cDHUB,...). ccccccccccc degree c c program c c cofcthecBIArch c c(Barcelona). c c c c c c cby cEmilioc Tuñón c candc Luis c M.c Mansilla. c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c c

CRITIC/ RUI MENDES

curators/

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + / / / / / / / / / / / / / / / / / / / / / / /

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + www.boschcapdeferro.net + + + + + + + + + + + + + + + + +Bosch + +(Girona, + + +1974) + +and+ + + + Ramon + +Capdeferro + + + +(Girona, + + +1970) + +are+ + + Bet + + + +architects + + + +by +the+ETSAB + + + + graduate (Barcelona). + + + + +In +2003 + they + + founded + + + + + the + +office + + arquitectures.bosch. + + + + + + + + + + capdeferro + + + + +in Girona. + + + + + + + + + Their + + professional + + + + +activity + + +has+ + + + progressed in parallel + + + + + + + +to+teaching + + + + + in Barcelona, Zurich, and Girona. + + + + + + + + + + on+ + + + At present they are working + + + + + + + + + + + + + + the development of prefabricated + + + + + + + + + + + + + + systems for buildings of state + + + + + + + + + + + + + + schools. + + were + +finalists + + +at+the + FAD + +Awards + + + They + + and + +their + +work + +has+been + +chosen + + + 2005, + + + + + + + + + + + + + + in different rounds of Barcelona’s + + +of+ Landscape + + + +Architecture. + + + + + + Biennial + 2002 + + they + +received + + + the + +AJAC + Young + + + In + + + + Award + + +and+in+2010 + +they + + + Architects’ + +Girona’s + + +Architecture + + + + Award. + + + + + won + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

+ + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + +

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /www.dataae.com / / / / / / / / / / / / / / / / / / / /dataAE / / / /is /a /multidisciplinary / / / / / / / /studio / / / / / /founded / / / / in/ 2000 / / / by / /Claudi / / /Aguiló / / / / / / (1972) and Albert Domingo (1975). /They / / have / / / won / / several / / / / architecture / / / / / / / / /and / /landscape / / / / / competitions. / / / / / / / Amongst / / / / / others, they were awarded the FAD /Opinion / / / /Award / / /2007, / / /were / / finalists / / / / /at/ / the Catalonia Construction / / / / / / / / / / / / / / /Awards / / / / / 2008 and were selected at Young /Spanish / / / /Architects / / / / / 2008 / / / and / / at / /the / / / /Spanish / / / /Architecture / / / / / / /Biennial / / / 2009. / / / / / Claudi Aguiló is architect (ETSAV, /2001), / / / researcher / / / / / /assistant / / / / /grant / / / / / 2002-06 and associated teacher / / / / / / / / / / / / / / / / / in / / / ‘building technologies’ Department /since / / /2006. / / /He/ has / / also / / /collaborated / / / / / / / /in/several / / / /universities / / / / / /and / /workshops. / / / / / / Albert Domingo is industrial engineer /(ETSEIB, / / / / 1999) / / / and / / Master / / / / in/ Project / / / / / Management of Building and Urbanism. / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /

/ / / / / / / / / / / / / / / / / / / / / / /

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/ / / / / / / / / / / / / / / / / / / / / / /

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Arquitectures. Bosch.Capdeferro/ CASA COLLAGE

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DATAAE/ CASA UNIFAMILIAR ENTRE MITGERES

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/ / / / / / / / / / / / / / / / / / / / / / /

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / Location / / / / / / / /Sant / /Feliu / / de / /Llobregat / / / / (Barcelona) / / / / / / / / / / / / / / / / / / / / / / / / /Programme /Housing / / / / / / / / / / / / / / / / / / / / /2005 / / (project) / / Year / / / 2005-06 (construction) / / / / / / / / / / / / / / / / / / / / / / / / Area / / / / / / / / / / / / / / / / / / / / 183 / / m/2 / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / The courtyard allows the living room to benefit from southern orientation but maintains privacy from the / / / and / /also / /illuminates / / / /the / /centre / / /of /the/ ground / / / floor. / / / street Photo: Adrià Goula / / / / / / / / / / / / / / / / / / / / / / / /

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: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :

: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : A :strip : : of: concrete : : : : runs : : along : : the : : : : : : façade : : : : and: :replaces : : : the : : lower : : part : : of : :the: southern : : building : : : in: : old : order : : to : :incorporate : : a: protective : :exits : : from : : the : : school : : : to: the : : : playground : : :Adrià : :andGoula : : : : : : :porch. : : : : : : : : : Photo: : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : : :

DAVID SEBASTIAN + GERARD PUIG/ ESCOLA BRESSOL

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FRANCISCO CIFUENTES/ ESTUDI PER A UN PINTOR

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josep bunyesc/ CASA PASSIVA ARBORETUM www.bunyesc.com

Josep Bunyesc (1979). Architect by the ETSAB (Barcelona, 2003). Final project developed in Lausanne with Bakker and Blanc architects. Master of Advanced Studies in Sustainable Architecture. Working on his Doctorate about Sustainable Architecture, economy of energy and habitability in rural areas and European PhD student collaborating with EPFL Laboratoire d’énergie Solaire. He has written several articles on sustainability and traditional construction and has lectured in several courses and conferences. Among his works stands out the rehabilitation and improvement of the energetic efficiency of several traditional buildings in the Pyrenees and the “Passiv House” with wooden structure and wool isolation.

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H arquitectes/ GIMNÀS 704

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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -www.harquitectes.com - - - - - - - - - - - - - - - - - - - - - - - - - -H ARQUITECTES - - - - - is- a-studio - - created - - - -in 2000, - - -placed - - in-Sabadell - - - and - -led- -by -four - architects: - - - - -David - -Lorente - - - -(1972), - - Josep - - -Ricart - -(1973), - - -Xavier - - -Ros- (1972) - - and - -Roger - - Tudó - - (1973). - - - -They - are - -graduated - - - -by-the - ETSAV - - - -(Sant - -Cugat) - - between - - - -1998 - and - - - -2000, - -where - -they - -are- teaching - - - - - -Design - - and -have -Construction. -received - - - several -Their - - - projects -awards - - of- both: - - finished - - - works - - - - -and-projects. - - - -They - - - been - - also - - -selected - - -in-exhibitions - - -have -and - invited - - - -as -lecturers - - - - - - -and- America. - - - - - - - - in-Europe - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Location Lleida Programme Private house Year 2009

An innovative work due to the used construction method, flexible and adaptable to other uses and building formats, made of big-format prefabricated wooden elements using mechanic joints. Photo: Josep Bunyesc

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“ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ www.lopez-rivera.com “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ Emiliano “ “ “ López “ “ “ (1971) “ “ “studied “ “ “ at“ “ “ “ the ETSAV (Sant Cugat) “ Masters “ “ “ “of“Architecture “ “ “ “ “and “ has “ Harvard “ a“ “ “ “ University. “ “ “ “ “He“is“currently “ “ “ from “Assistant “ “ “ “ “ “ Professor “ “ “ “ “at “the“ ETSAV. “ “ “ “ “ “ “ “ “ “ Mónica “ “ “ Rivera “ “ “(1972) “ “ “studied “ “ “Fine “ “ “ “ “ Arts “ “ and “ “Architecture “ “ “ “ “ at “ “the“ Rhode “ “ “ “ “ Island “ “ “School “ “ “of“ Design “ “ “and “ “has“ a“ “ “ “ Masters “ “ “ “of“Architecture “ “ “ “ “ from “ “ Harvard “ “ “ “ “ University. “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ They “ “ set “ “ up“ their “ “ “professional “ “ “ “ “ “ “ “ “ practice “ “ “ “in“Barcelona “ “ “ “in“2001. “ “ “ “ “ “ “ Among “ “ “other “ “ recognitions, “ “ “ “ “ “ their “ “ “ “ “ “ work “ “ has “ “received “ “ “ “the“ FAD “ “Award “ “ of “ “ “ “ Architecture “ “ “ “ “ “2008, “ “ the “ “AR“Awards “ “ “ “ “ “ for “ “Emerging “ “ “ Architecture “ “ “ “ “ “2008 “ “ and “ “ “ “ the “ “Young “ “ Award “ “ “of“ the “ “X “Spanish “ “ “ “ “ “ Architecture “ “ “ “ “ “and“ Urbanism “ “ “ “ Biennial “ “ “ in“ “ “ 2009. “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “

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“ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ The “ “interiors “ “ “and“the“ landscape “ “ “ “seek“ to“ bring “ “the“ “ rural and austere character of “ dweller “the “surroundings “close “ “to “the “ “ “ “ “ “ “ “ “ “ “ by providing simple, generous and “ silent “ “ spaces. “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ Photo: “ “ “José“ Hevia “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “

Emiliano López + Mónica Rivera/ HOTEL AIRE

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; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;www.campdavellaners.com ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; /; www.aixopluc.net ; ; ; ; ; ; ; ; ; ; ;/ ;www.nuriasalvado.com ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Núria ; ; Salvadó ; ; ; ; (1974), ; ; ; ; David ; ; ;Tapias ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;(1973). ; ; ; Their ; ; ; works ; ; ; have ; ; ;received ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;several ; ; ; prizes ; ; ; ;such ; ; as ; ;the ; ;Alejandro ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;de; la; Sota ; ; ; Biennial ; ; ; ;(2005 ; ; ;and ; ;2007), ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;the; ;COA ; ;Aragón ; ; ; Award ; ; ; (finalists), ; ; ; ; ; ;the; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Alejandro ; ; ; ; de ; ; la; Sota ; ; ;Biennial ; ; ; ;2009 ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;(finalists) ; ; ; ; and ; ; the ; ; ;“400.000 ; ; ; ; dwellings” ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;international ; ; ; ; ; ; competition ; ; ; ; ; ; organized ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; by COAC and Quaderns ; ; ; ; ; ; ; ; ; ; ; ;(2nd ; ; prize). ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; have also been exhibited ;They ; ; ; ; ; ; ; ; ; ; ; ; ; ;(2000 ;at; the ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; Venice Architectural Biennial ;and; ;2008), ; ; ; Foro ; ; Arquia/Próxima ; ; ; ; ; ; ; ; 2008, ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;“Architecture ; ; ; ; ; ; ;Catalane ; ; ; ; 2004-2009” ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;(Paris, ; ; ; 2009) ; ; ;and ; ; “Arquitectures ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;sense ; ; ;lloc” ; ; (Barcelona, ; ; ; ; ; ;2009). ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Núria ; ; is; doing ; ; ; her ; ; PhD ; ; “Inhabited ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Intervals” ; ; ; ; ; and ; ; teaching ; ; ; ; at ; ;ETSAR ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;(Reus). ; ; ; David ; ; ; is; doing ; ; ; his ; ;PhD ; ;about ; ; ; ; ; ; ; ; ; to; live ; ; in;an; old; cinema ; ; ; feeling ; ; ;well; (to ; ; ; ; ; ;Jean ; ; Prouvé’s ; ; ; ; ;House ; ; ;(Nancy) ; ; ; ;and; ;is ; ; ; ; ; ;How ; ; sunlight, ; ; ; ;not; to ; ;get; cold ; ; in; winter,...) ; ; ; get ; ; ; enough ;also ; ; teaching ; ; ; ; at ; ;ETSAR ; ; ; (Reus). ; ; ; ; ; ; ; ; ; ; ;spending ; ; ; the ; ;minimum ; ; ;money? ; ; ;Building ; ; ;a house ; ; ; ; ; inside a house. Building microclimates. ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Photo: ; ; José ; ; Hevia ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;

NÚRIA SALVADÓ + DAVID TAPIAS/ casa ‘cine lídia’

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“ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ Location “ “ “ “ “ “ “ Tudela “ “ “(Navarra) “ “ “ “ “ “ “ “ “ Programme “ “ “ “ “ “ “ “ “ “ “ “ Hotel “ “ “ “ “ “ “2004 “ “(project) “ “Year“ “ “2006-07 “ “ “(construction) “ “ “ “ “ “ “ “ “ “ “ “ “ “Area“ “ “ “ “ “ “ “ 1500 “ “ m“ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “ “

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; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; Location ; ; ; ; ; ; ; Riudecols ; ; ; ; ;(Tarragona) ; ; ; ; ; ; ; ; ; House ; ; ; for ; Programme ;an; artist ; ; ; ; ; ; ; ; ; ; ; ; ; ;Year ; ; ; 2005-2007 ; ; ;2003-2004 ; ; (construction) ; ; ;(project) ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;Area ; ; ; ; ; ; ; ; ; ; ; ;185 ; ;m ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;

2

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^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ www.tedaarquitectes.com ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ TEd’A ^ ^ arquitectes ^ ^ ^ ^ isâ studio ^ ^ ^founded ^ ^ ^ in 2006 by Irene Pérez Raimon ^ Farré ^ ^(1976) ^ ^ and ^ ^Jaume ^ ^(1976), ^ ^ ^ ^ ^ ^ All^ of^them ^ âreârchitects ^ ^ ^Mayol ^by ^(1976). ^ ^ ^ ^ ETSAV ^ ^ (Sant ^ ^ Cugat) ^ ^ (2000-2001). ^ ^ ^ ^the^The^ ^ ^ studio ^ ^ is^ placed ^ ^ ^ ^ ^ ^Majorca ^ ^ ^ ^ ^ Barcelona. ^ ^ ^ ^ ^ beetween ^ ^ ^ ^ ^ ^ and ^ ^ ^ TEd’A ^ ^ isâ workshop ^ ^ ^ ândâlso ^ a^studio. ^ ^ ^ ^ They ^ ^combine ^ ^ ^theoretical ^ ^ ^ activity ^ ^ ^ with ^ ^ ^ professional ^ ^ ^ ^ practice. ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Their ^ ^work ^ ^has^been ^ ^recognized ^ ^ ^ ^ ^ ^ ^ and ^ ^honored ^ ^ several ^ ^ ^times: ^ ^Mallorca ^ ^ ^ ^ ^ Architecture ^ ^ ^ ^ Award ^ ^ ^2004-2006, ^ ^ ^ Foro ^ ^ ^ ^ Arquia ^ ^ Próxima ^ ^ ^2008 ^ ând^2010, ^ ând ^ ^ ^ ^ World ^ Ârchitecture ^ ^ ^ ^ Awards ^ ^ ^2009 ^ among ^ ^ ^ ^ others. ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = www.unparelldarquitectes.cat = = = = = = = = = = = = = = = = = = = = = = = = = = = = Eduard = = =Callís = =(Olot, = =1977) = =and=Guillem = = = = Moliner = = =(Barcelona, = = = =1979) = =graduated = = = = = at = the = =ETSAV = =(Sant = =Cugat) = =and = ETSAB = = = = (Barcelona). = = = = They = =share = =projects = = = = = = and = =concerns, = = = and = work = = together = = = = = = since = = 2004. = = Eduard = = =collaborates = = = =with = = = Quaderns = = = =d’Arquitectura = = = = =and=with = the = = = research = = = group = = =Habitar, = = from = =UPC. = = = at the = Guillem = Olot. = =teaches = =working = = experience =School = = of= Art = = in Their = still = =short, = =but = intense. = = = = = = is= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Olot=(Garrotxa) =Location = = = = = = = = = = = = = = Programme = = = = = = = = = = =Apartment, = = =refurbishment = = = = = = = = = = = = = = = =2007-2010 = =Year = = = = = = = = = = = = = = =Area = = = = = = = = = = = = = = =60 =m = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =This=generous = = space = =keeps = =its central = = part = =empty = = = =while =around = =its=perimeter = = =there= are= areas = =designed = = = for the different activities of the house. =Photo: = Espai = =Androna = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

TEd’A/ museu del molinar

unparell d’arquitectes/ EL PIS D’EN QUIM

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^Location ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Montuïri ^ ^ ^(Mallorca) ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^Programme ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^Museum ^ ^& ^Square ^ ^ ^ ^ ^ ^ ^ ^ ^ 2004-2005 ^ ^ ^ ^(project) ^ Year ^ ^ ^ ^ ^ ^ ^ ^ ^2007-...(construction) ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Area ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 1087 ^ ^m ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^The^ semi ^ buried ^ ^ building ^ ^ generates ^ ^ â square ^ ^ ^ ^ of it. The entrance volume is constructed âbove ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ in concrete, smooth in the inner side and very ^rough ^ ôn its ^ outside. ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^Photo: ^ ^TEd’A ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 2

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“IMPORT/EXPORT” is a network which aims to provide more visibility to local architecture by young European architects. Through exhibitions and talks, it promotes the discussion on the present challenges of architecture. “Sensitive Matter: Young Catalan Architects” is the first exhibition of this network. info@materiasensible.cat

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Promoter: Pedro Duarte Bento & Nogo www.nogo-studio.blogspot.com NOGO is a project-room and think-tank platform for Architecture & Contemporary Art based in Lisbon, Portugal. Its goal is the creation of cultural contents and the disclosure and exhibition of new production on Visual Arts and Emergent Architecture, both at national and international levels. NOGO proposes a dynamic and diversified program producing lectures, screenings, exhibitions, happenings and publications on artistic, architectural, experimental and research projects. NOGO is a registered brand, and a non-profit cultural association founded by Pedro Duarte Bento in 2009.

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SUPPORT:

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Curators: Pere Buil Carlos Cámara Joan Vitòria Film: Adriana Salvat Exhibition design: vora arquitectura www.vora-arquitectura.com Graphic design: toormix www.toormix.com Communication: Laura Bayo

SPONSORS:

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