FlyWestair Summer 2020/21 by Venture Media

FlyWestair Summer 2020/21

www.flywestair.com

YOU ARE A VISIONARY. With a dedicated relationship manager you access seamless, world-class banking wherever you are. Visit www.nedbank.com.na OR download the Nedbank Money App OR scan the QR code to open a Nedbank Platinum Account today.

SCAN ME

see money differently

Terms and conditions apply.

Nedbank Namibia Limited Reg No 73/04561 and credited provider.

from the publisher

Stories in FlyWestair Magazine.

FIRE FlyWestair

Your free copy

July 2020

Read this issue online!

www.flywestair.com

is for Awesome... and Ads. To advertise in FlyWestair magazine contact fly@venture.com.na.

“But how could you live and have no story to tell?” - Fyodor Dostoevsky

Venture Publications (Pty) Ltd. PO Box 21593 Windhoek Namibia info@venture.com.na

Cover image:

Le Roux van Schalkwyk

This is us. extraordinary Namibian stories. publishing. content generation. content marketing. print. film. digital.

CONTENT IS

are compiled by Venture Media’s content team, in partnership with Tribefire Studios and freelance contributors.

Namibia TRAVEL NEWS

BIRDING:

SNAKE EAGLES

Namibia

Coast GINNING AT THE

ON A STUDENT BUDGET

THE TINY TOWN OF UIS

Iona FEATURED:

VOLUME 28 No 2 AUTUMN 2020

Skeleton Coast TRANSFRONTIER PARK

N$45.00 incl. VAT R45.00 incl. VAT

H O L I D A Y

www.travelnewsnamibia.com

T R A V E L

2020/21 THE OFFICIAL NAMIBIAN TOURISM DIRECTORY

w w w. n a m i b i a h o l i d a ya n d t r a ve l . c o m

and also

by Tribefire Studios

contents Table of

CONTENT IS FIRE 28

Follow the old tradition of selecting a gift made with care to those close to your heart. Crafters from all over Namibia will benefit from your purchase.

WELCOME ON BOARD 05

BEER O’CLOCK?

Looking for an alternative to have a beer this summer? Le Roux’s suggestions may inspire you to discover a new favourite hangout at the coast .

PHOTOGRAPHY FEATURE

WHY DO YOU DASH? 28

In an exceptional artist journal Linus Malherbe shares his artwork and memories of his country of birth.

THE SILENT WORLD OF STONE

Helge Denker shares his insight into the world of Namibia’s world renowned sculptor, Dörte Berner.

MINE STONES FOR A CAUSE

FlyWestair has introduced new exciting routes and schedules. Follow us on FB and Instagram for updates.

NAMIBIAN PLACES

And collaboration is the future. FlyWestair Magazine is a compilation of Namibian stories sourced by Venture Media that entertain and surprise with interesting topics, introducing you to a new generation of trendsetters and Namibian influencers.

FlyWestair brings you a treat for the holiday season with a selection of photos to entice you to look down when you travel with us.

MAKE IT A CRAFT CHRISTMAS

Namibia has a treasure trove of gemstones that come in many different shapes, sizes and prices. From rough stones sold along the road, to jewellery created by master goldsmiths. The MineStone Project adds more options in the value chain for miners, crafters, cutters and designers.

One of the biggest cycling events in the country started in 2005 with only 45 participants. The Nedbank Desert Dash, a gruelling 369 km race between Windhoek and Swakopmund through the Namib is the longest single-stage mountain bike event in the world.

2020 – A SPACE ODYSSEY

Columnist Remy Ngamije reflects on the positive effect that the COVID protocols have on people’s good manners.

LET’S GET TO THE COAST!

When the clouds start to build up inland and the heat becomes almost unbearable, Namibians get ready to go!

A NEW WAY TO EXPERIENCE SWAKOP 39 What next? You have explored the town on foot, bicycle and in a touring bus. How about trying a new mode of travel this summer?

SKELETON BAY – NAMIBIA’S SURFING DREAM

UNAM MEDICAL SCHOOL JOINS COVID TESTING EFFORT 55

Or Donkey Bay? The debate on the name will continue, but the reality of the challenge posed by this exceptionally long left-hander is undisputed.

With the acquisition of COVID-19 Polymerase Chain Reaction (PCR) testing equipment the University of Namibia joins the national effort to fight the pandemic.

10 MINUTES WITH LOCAL TASTE MAKERS 42

LOOKING GLOBAL: US ELECTION

Mutindi Jacobs shares her interior design style and her source of inspiration with Rukee.

Willie Olivier explores what the change of government in the United States will mean for Africa.

JUST BE

A FISH’S INNER EAR

Soon the time will be right to board a plane and come to Namibia. Or if you are one of the lucky ones on this FlyWestair flight, enjoy every minute of it.

This is not about the hearing of a fish. That small calcium carbonate structure holds mystifying secrets of our future on this planet.

LITTLE KULALA ON THE DOORSTEP OF SOSSUSVLEI 46

THE TRIBE

At a time when most tourism facilities in the world are struggling, or closed, Namibian companies have used the time to innovate and renovate and get ready for when the world opens up again and visitors start arriving. One of the iconic lodges, and closest to the most recognisable tourist attractions in Namibia, recently completed extensive renovations. Le Roux van Schalkwyk was there to enjoy the treat.

TOURISM JOINT VENTURES – OUR PRIDE AND JOY 50 In some of the most remote places in Namibia’s communal conservancies, local communities form joint ventures with private companies to establish lodges in some of the most extraordinary locations.

ROYAL HUSTLERS

#TheTribeExclusive chats to DJ Dreas, a cultural icon amongst the Namibian youth, about his first official release – Tangerine.

ART-IST

Collaboration to create inspired work is one of the most magical aspects of modern art. Martin Amushendje, Jay-Aeron Gertze and Krayszee Sue tell their stories.

FASHION: MAKE-UP CAN TRANSFORM A BARE FACE INTO A MASTERPIECE

Renate Shikongo, a multi-talented artist, shares her story of where it all started for her.

Two bright stars on the Namibian media horizon, Taleni Shimhopileni and Zellmari Brandt, step up to take TribeFire Studios to new heights as directors of 99FM.

34 3

Ondangwa - Toivo ya Toivo

Eros Airport

Johannesburg

Cape Town 4

Welcome on Board Thank you for travelling with FlyWestair. We are delighted to host you on Namibia’s only privately owned airline with a track record of more than half a century. We are truly grateful that we are flying again and, what’s more, flying on even more routes than before the crisis hit us in March. With your support we hope to increase our schedules and expand our routes to offer you convenient connections to the world. Our team is dedicated to our commitment to safety and service on scheduled and charter flights domestic, regional and continental. During the past months of lock-down and economic hardship our team worked hard to provide essential air services all over the continent under challenging circumstances. Back to the new normal we wish you an extraordinary festive season, and we join the world in looking forward to 2021.

Schedule as per date of going to print. Please check the FlyWestair website to stay updated on flight destinations, routes and schedules.

Paul van Schalkwyk

FLYWESTAIR

TAKES YOU THERE more than just a flight

On a Flywestair you don’t simply travel from one airport to the next. We take you on a special journey 20,000 feet up in the air for the ultimate bird’s eye view of the land. Namibia is a vast country with spectacular vistas and natural treasures. Flying across the different geological formations, mountains, rivers and plains on our scheduled flights, or in any direction on a charter, the landscape presents unexpected perspectives from take-off to landing – no matter where you go. Our journey is part of your destination.

A Paul van Schalkwyk

fter taking off from Eros Airport in Windhoek, which lies in a valley surrounded by mountains, in the heart of the central plateau we turn southwest over the Khomas Hochland, the Naukluft Mountains and over the escarpment down to the vast plains of the Namib and the red dunes. Look out for the Fairy Circles in the apple green grass after the rains or the golden grass in the dry season. Even in the driest times you will notice them as the plane circles to touch down at Sesriem. Take note of the mountains carved by rivers from the highlands which eventually end in the sea of sand. One such place is the famous Sossusvlei.

Paul van Schalkwyk

Elzanne McCulloch Paul van Schalkwyk

Carved in the sand

Taking off from Windhoek to the south, the valley gives way to an expansive plain from which only Brukkaros rises. This geological oddity was formed by a gas explosion in a volcanic vent. On a clear day you cannot miss the massive ring mountain on the horizon. Shortly after passing Keetmanshoop, you will see the Fish River Canyon. Small wonder it is considered the biggest in Africa. Especially since its only contender for that status has since been flooded by a dam. You will know why the Fish River Canyon tops the list if you have the good fortune to fly over it. In the early morning sun or golden afternoon light the formation is dramatic from any perspective. This photograph gives you an idea of its magnitude once you spot the people standing on the rim of the canyon. And that is just the beginning of its splendour.

Sea of Sand

Whether you take a flight from Oranjemund or from Cape Town to Walvis Bay or when you fly over the Namib Desert from a lodge anywhere in the south to the coast, you will realise why the landscape is referred to as the Namib Sand Sea. It’s sand as far as the eye can see. And the higher the aircraft climbs, the more the spectacular vastness seems to increase. When you have the privilege to land in or depart from Lüderitz, take a long look at the ocean. There is no sea as blue as the Atlantic Ocean at Lüderitz on a clear sunny day. Can it be due to the icy water or the rocky coastline? Or the total lack of clouds in an unpolluted sky? Whatever the reason, you will notice a change as you travel north. And you cannot fail to spot the most iconic feature on the coastline between Lüderitz and the Orange River: Bogenfels. The dramatic photograph pictured here was taken from a different angle, a view which is only possible through the window of a plane. That is weather permitting, before the fog rolls in and forces the pilot to fly higher and more inland. Namibia is a land of contrast and unexpected diversions.

Paul van Schalkwyk

Don’t miss life far below

One of the most satisfying flying experiences in Namibia is along the coast, enjoying the ever-changing landscape where the land meets the ocean. Watching the breaking waves from a plane is mesmerising. Namibia’s 1,500 km coastline is stunningly beautiful from above, especially where large colonies of seals congregate on the beach. At some places rocky outcrops reach into the ocean and up north, towards the Skeleton Coast near Cape Cross, the seal colonies stretch out for kilometres. Don’t miss the large flocks of flamingos flying underneath on their way from Sandwich Harbour south of Walvis Bay, across the salt pans and still further northwards to breed in Etosha. The photograph on the opening page was taken over Sandwich Harbour.

Look for animal tracks

Paul van Schalkwyk

Flying north on a scheduled flight from Windhoek to Ondangwa, the Etosha Pan should become clearly visible. No wonder: the white salt pan is one of the few features on the surface of the earth which can be seen from outer space. From no other vantage point than a plane are the colours on the pan and the graphic lines of animal tracks this visible. Of course the pilots have the best view from the cockpit, but looking straight down from your window seat when the sun rises on the early morning flight, the scene down below is simply fascinating.

Elzanne McCulloch

A flight to Rundu or Katima Mulilo, the two big towns on the north-eastern border of Namibia, is long and from 30,000 ft the scenery looks rather flat. The one recognisable feature on the way from Windhoek is the Waterberg. But once the aircraft descends the magic of the rivers and the floodplains become palpable. The Okavango and Zambezi rivers are perennial, two of only four such rivers, all of them along Namibia’s northern and southern borders. The northeast is also the greenest and most water-rich region of the country. From a chartered aircraft it is possible to identify elephants crossing the floodplains, leaving footpaths on the ground like graphic lines etched onto a painting.

Paul van Schalkwyk

Riverine wonderland

Rugged in perfect view

Flying northwest to Damaraland and even further north to the Kunene River, the route leads over several identifiable mountain ranges, ephemeral rivers and the most famous recognisable inselberg, the Brandberg. The Ugab River meanders along its base and always shows some green patches, even in the dry season. In the photograph left, natural springs in the ephemeral Huab River provide sustenance for animals and moisture for trees during the dry winter months and even long cycles of drought. Follow the line formed by the reeds and bright green Salvadora bushes along the riverbed. Flying over Namibia’s northwest on a scenic flight provides the ideal opportunity to count the river courses north of Swakopmund. The first one is the Omaruru just north of Henties Bay, followed by the Ugab, the Huab, the Uniab, the Hoanib, the Hoarusib, the Khumib and finally the perennial Kunene River which forms the border between Namibia and Angola. If you are among the lucky ones, your scenic flight will take you all along the river inland to stay at one of the lodges on the river and explore Kaokoland from there. Enjoy your flight.

Private Wealth

The things you value most can’t be bought.

For wealth that lasts a lifetime and beyond, choose the bank that truly understands the value of time. Wealth is often defined as an abundance of valuable possessions. At FNB Private Wealth we understand that what you actually value are the simple, joyful moments in life that become your lasting memories. Enriching you with time and confidence, our private wealth expertise drives us to seek out and apply global financial learnings to preserve and grow your assets, and our experienced private bankers are always ready to salute your passion for life.

If your bank doesn’t understand this, contact us to meet your private banker today at (061) 299 8447 or email privatewealth@fnbnamibia.com.na Ts and Cs apply | www.fnbnamibia.com.na

Namibia Places:

MORE THAN JUST AN ARTIST’S JOURNAL

e all have a unique life path. Some people’s paths are more straightforward while others are full of twists and turns. The sum of our experiences, good and bad, eventually creates the individuals we are. In his recently published book, Namibia Places, well-known architect and visual artist Linus Malherbe opens up about his own journey through life and briefly lingers on some of the “what ifs”. The book, however, is also a celebration of his love of art and how it only came to full fruition much later in his life. It is a collection of his paintings, sketches, observations, stories and anecdotes that shows a love and connection to the country he grew up in, the famous landmarks and it touches on some of the characters he met along the way. Being an architect by profession, architecture features prominently throughout the book. Some of Namibia’s most iconic buildings are shown as his own artistic impressions, accompanied by historic or new photographs to give perspective. For each structure highlighted, Malherbe provides some background and history within the Namibian context, whether good or bad. What does set it apart from just a history book with pretty pictures is his own connection to each of them. He adds moments that link his life to these various places, whether it is a verbal skirmish with a friend in primary school under the Reiterdenkmal, or fishing with a handline off the old iron jetty in Swakopmund. Malherbe left Namibia in 1990, only to return to Windhoek more than two decades later to open his own firm, Linus Malherbe Architects, in 2013. In his book he briefly touches on his time in Raleigh, North Carolina, USA, but his contrasting memories pre-1990 and the reality of life in Namibia starting

from the 2010s are the fascinating part. They show the difference of how things are remembered and how things are experienced in a country if you are not present to grow with the change. The book proves that his love for Namibia never waned and being away evoked a new spirit to explore and rediscover his country. In what seems a bit out of place, Malherbe spends a considerable portion of the book on his theory of the famous White Lady rock painting in the Brandberg, hoping to debunk existing hypotheses. He claims that the white figure is a Viking woman from lost explorers who left their mark in north-western Namibia. Especially Himba traditions and culture, he reckons, were influenced by these visitors of more than a millennium ago. Although this section veers off in a different direction from the rest of his book, his interest in the subject is obviously an important part of his personal journey. More than anything Namibia Places is an insight to Malherbe’s personal growth as an artist and individual. Very intimate at times, his brutal honesty about a dysfunctional childhood does not seek sympathy from the reader. It rather feels like a kind of therapy in which he accepts the past and uses those experiences to become a stronger, well-rounded human being and, more importantly, not to make the same mistakes with his own family. Malherbe’s Namibia Places is a celebration of the freedom he has found through his art and an interesting read to anyone who wants to feel inspired. The book was published by Venture Media. For more information: linus.malherbe@gmail.com or visit the website: www.linusnamart.com

Photography: Patrick Dutoit

The silent world of Stone

What words can do justice to such an active life of creating, to such boundless energy to keep creating?

W be buried in the flood.

e live in a world of sensory overload. We’re flooded daily with visuals and soundbites. Most of them are quick snaps made in an instant, shared, glimpsed – and forgotten. Finding notable creativity in this avalanche of imagery can be difficult. Both individuality and creativity tend to

In this setting it may come as a surprise to hear of an artist still sculpting stone by hand, slowly, meticulously – and relentlessly for more than six decades. Dörte Berner is a pioneer of Namibian visual art doing just that. In his song Breathless the Canadian songwriter William Prince sings that it ‘takes so much to be marveled in this day and age [because] every road’s been followed [and] every mistake’s been made’. Yet the singer notes that even so, he’s ‘... never heard a song sung quite like Elvis’. Clearly, some cultural contributions remain unique, even immortal, in our overcrowded days. While Dörte Berner may not be amongst the ‘rock stars’ of international sculpture, I’ve never seen a sculpture done quite like Dörte’s. And Dörte is, unarguably, a trailblazer of Namibian sculpture. She broke new ground with her unique vision and energy and technique. She showed us a new way to see ourselves. Being a slender, beautiful woman creating huge pieces that may weigh over half a ton, made her more revolutionary still.

Dörte remains undeterred by today’s digital diversions. She does not have an Instagram account or YouTube channel. Her work creates a permanence that digital can never achieve. Her sculptures stand in public spaces in Windhoek and adorn private collections around the world. Her work has long been part of the Namibian school curriculum. The permanent exhibition at her Home of Sculptures at Farm Peperkorrel southeast of Windhoek now houses the largest single collection of her work. More than half a century of shaping stone with hammer and chisel requires a single-minded focus. Dörte has been driven to sculpt ever since, as a 14-year-old refugee in Germany, she saw a mason at work and discovered the concept of sculpting stone. Dörte did not follow an existing road, but forged her own path through life and art. Dörte Wunsch was born in Pozna in today’s Poland, from where her family was forced to flee to Germany during World War 2. After completing her studies, Dörte emigrated to Namibia with her husband Volker Berner in 1966. On the edge of the Red Kalahari in the isolation of rural Namibia, she found her personal vision – though always with an eye on the world. Dörte has produced over 350 works, and has held more than 40 exhibitions across four continents. What words can do justice to such an active life of creating, to such boundless energy to keep creating?

In the stunning documentary My Octopus Teacher, Craig Foster points out that most people can’t understand how someone can go back to explore the same place each and every day for years – but it soon becomes clear that this is where the true rewards are, this is how we become one with a domain. It’s an approach that can apply to many aspects of our existence. It certainly applies to Dörte. I’ve at times been critical of such single-minded focus. Yet I’ve come to understand and value it. At times I long for that – to experience all the seasons, all the nuances, all hours of the day and all the days of the year in one place, exploring one realm. But I’m a wanderer, a nomad who has never settled in one space. And so I admire Dörte for her dedication and resilience, for spending her life as a denizen of the silent world of stone, exploring it in forever new ways year after year for a lifetime. In recent years, Dörte has often alluded to her mortality, the need to have her things in order – all the while continuing to work unwaveringly on the next new piece. Another rock music parallel comes to mind: In the music documentary It might get loud, Jimmy Page, the legendary Led Zeppelin guitarist (who still plays guitar each day at 76), when contemplating the day he might no longer be able to pick up a guitar said, ‘We’re just trying to keep that day far away and out of sight’.

It’s this dedication to creativity, to staying active and young and innovative and inspired at heart, to living life with intensity and passion each day, that has always been a part of Dörte’s outlook. Dörte’s book Stein ist Stille – Beyond the Silence looks back on a singular life of sculpture. To call it a career is to categorise it by waypoints of achievement. It is something more. It is a profound, lifelong exploration of the human condition, an expression of our being, again and again from new, more nuanced points of view. The Home of Sculptures is Dörte’s Graceland. Sculpture is, after all, a lot like music – it reaches us on a level that is deeper than words. Helge Denker

MAKING SAFETY A PRIORITY AND PERSONAL KEEPS US SAFE, TODAY TO ENSURE A BETTER TOMORROW.

At Namdeb, we uphold our safety standards with the greatest regard, because through them, every person at Namdeb remains safe today and tomorrow. We therefore put safety at the helm of everything that we do by embedding it in our work culture to ensure zero harm GOOD TODAY. BETTER TOMORROW.

advertorial

ENINGU CLAYHOUSE LODGE

here are few places in the world where one has the joy of waking up to no other sound than guinea fowl and francolins scurrying about. With coffee in hand, taking a few steps on bare feet in the softest red Kalahari sand to the edge of the garden. Faint pink sky announces the rising sun and thorn trees decorated in the most delicate spring blossoms like soft yellow cotton balls abound for as far as the eye can see.

Isn’t that why we need to escape? For our senses to be soothed by the subtle beauty of natural colours and sounds? To be in a place where we can turn our backs just for a little while on everything man-made and walk into the bush? Walk along a sandy path and imagine oneself being the only person on earth? And just when you get worried that now you really are lost, there is a fork in the road and an arrow directing you back to the breakfast room. The very essence of Eningu Clayhouse Lodge is being grounded in the earth from which it is constructed. You are welcomed into the family without infringing on the sense of freedom and of being undisturbed. Enjoy your last or first days in this country of wide open spaces in the quiet comfort of creatively designed interiors and quirky details, complemented by fusion cuisine and an excellent wine collection – all set in the middle of the bush. To make your stay at Eningu a truly unforgettable experience, visit the art studio and gallery of Namibia’s globally acclaimed sculptor, Dörte Berner. Her sculptures are part of collections on four continents where she has had more than 40 exhibitions in the course of 50 years. The artwork in the garden of Eningu is a mere introduction to what lies ahead when you drive through the gate of Pepperkorrel Farm. An experience which truly cannot be replicated anywhere on earth.

Tel +264 64 46 4144 info@eningulodge.com www.eningulodge.com

Mine Stones for a cause

If your mantelpiece is already filled with rows of stones it may be time to invest in something a little more sophisticated.

ave you ever been tempted to buy a stone at a petrol station in Windhoek, at the coast, in Uis, Outjo or Keetmanshoop? Ever wondered if indeed it was precious? Maybe this ís a diamond and I will be in trouble, or get rich quickly? Can a tourmaline really be such a deep pink? Isn’t it normally green? Why do they wrap it in tissues and the salesman offers it almost as if it is something you don’t want to see? And then you notice the man has rough hands and although he is a smooth talker in the language he thinks will soften you up, you say “show me”. And then you are in trouble. Why oh why didn’t we take our grandmother’s display cabinet when we had the chance? Then things improved for the salesmen at petrol stations. The number of white double cabs with roof top tents increased year on year and they had to stop for fuel in every town. Eventually, when the boom reached a tipping point, the wives and offspring of the miners became the salespeople and the display moved to a table under a plastic shade cover along the busiest routes close to the mountains where these stone treasures are found and chiselled from the rock. As more white double cabs, small sprinters and touring trucks started to discover Namibia, a proper structure was put up in the perfect location to catch most of the traffic to the coast. As you drive westward, pass through Usakos and start the long steep climb, look out for the Spitzkoppe to your right when the road levels out again. At the turn-off to Henties

Bay is a small settlement in the making and an interestingly designed structure where women sell the gemstones. It is worthwhile spending some time there to get an idea of the sheer variety and abundance of uncut gemstones mined by small miners in the mountains of the Erongo Region. Also to talk to the local people who make a living in the desert and to enjoy their stories and knowledge. But the biggest plus is that you can really browse until you find something extraordinary. If your mantelpiece is already filled with rows of stones it may be time to invest in something a little more sophisticated. Something that women can wear. A crystal on a string or a chain instead of sitting on the mantelpiece. That is what the Mine Stone Project accomplished. It created a value chain of miners, cutters, jewellers and retailers to bring authentic pieces of jewellery to the market at affordable prices. If you buy a Mine Stone you can be sure that it is what the label says: it is sourced legally and fashioned artfully by an artisan. Sold in a recognisable box at lodges, craft centres and retailers, your Mine Stone purchase will be more than just a piece of jewellery. It carries with it the energy of a long line of individuals who brought it from the mountain to the jewellery box. For more information visit their Facebook page: @minestonesnamibia

#LEARN

INVITE LEARNING IN Watch every weekday on CHANNEL 94

baf

CHANNEL 284

Make it a Craft Christmas Under a tree in a village in Zambezi an old woman teaches her granddaughter the art of weaving an intricate pattern into a basket.

craft that was revived when woven baskets’ allure increased as more foreign visitors discovered Namibia and its many treasures. For the past few decades the quality and design of local crafts was boosted by rising demand and that changed the lives of many crafters in rural Namibia.

Then all over the world production of almost everything changed. Transport came to a halt and airplanes were grounded. Tourism stopped. The devastating effect on people everywhere on earth started to surface slowly. Directly affecting only some countries at first, in certain parts of the globe, until it eventually touched everybody. In Namibia the tourism sector is hardest hit, and with it the crafters who have literally carved out a life for themselves making objects that visitors buy. Imagine you live in the far north in Kaokoland close to the Kunene River. Thousands of tourists appreciate the traditional craftsmanship of the Himba women who make what they normally wear and use and sell it as mementos. These women have nothing else they can trade for cash. And then from one week to the next visitors stopped coming. The same happened to men who sell carved maroela nuts at service stations along tourist routes and women selling their woven baskets in the Zambezi Region, San men making quivers and ostrich shell beads and the women sewing beads on leather. There was no demand for their handiwork and no warning that anything like that would happen. The saving grace for some of these crafters in far-flung regions of the country is a space in the centre of the capital where crafts from all of Namibia is exhibited and sold under one roof. A place where handicrafts collected from all over the country are displayed and sold. The Namibia Craft Centre in the heart of the capital is that place. Crafters have access to the NCC through NGOs who provide assistance to groups and communities. Some of those relationships date back three decades. There is no formal structure yet to get crafters in Namibia under one umbrella, but since independence and with ad hoc funding, crafters seem to have made a living where there are few other options. In Windhoek the tour buses and the rented cars have been standing idle since March. Nobody to buy crafts. And subsequently the feet into the Namibia Craft Centre dwindled to near zero. Never was it more evident how many Namibians depend on tourism than during the year of the pandemic. It also proved that the quality of handicrafts would not be so good if it were not for the demand from discerning international travellers who expect the best. If ever there was a good time to do your Christmas shopping where you have Namibia’s 824 268 km2 under one roof, it is now. Crafters need local support. www.namibiacraftcentre.com Old Breweries Complex, 40 Tal St Windhoek

BEER O’CLOCK? Try These Places Along the Coast

ummer in Namibia is synonymous with hot days, December holidays and of course going for a drink to either fight off the heat, accompany the stunning sunsets or purely to relax with good friends. While this list features some excellent bars and restaurants it is by no means extensive and will hopefully lead you to discover your own favourite local hangouts and dives. Let’s take a look at some of the best places to visit for a lekker cold beer.

Elzanne McCulloch

SOUND GARDEN The new kid on the block in Swakopmund, Sound Garden, opened its doors in September with the idea to create a vibey local hangout. With live music three times a week, there is always a groove. The beer on tap is always cold and includes not only the local favourite, Hansa Draught, but also draught beer from Swakop brewery Namib Dunes as well as a selection of Namibian spirits and an appealing choice of wines. Families are welcome – the play area will keep the

kiddies busy while the adults knock back a couple. Sound Garden is located in the Old Laundry in Swakop Street. FACHWERK BIERGARTEN For a Bavarian-style beer house experience head to Fachwerk Biergarten in the heart of Swakopmund. Apart from the traditional decor, the historic Fachwerkhaus built in 1899 adds to the authentic Biergarten experience. The best seating is on the sidewalk where one can people-watch and enjoy the hustle and bustle of the coastal town, but the cosy interior is perfect for the colder days. Seating at the back of the premises has ample space for larger groups or more intimate occasions. Enjoy some of the original Bavarian delicacies, drink a beer or two and enjoy the jovial atmosphere. THE TUG Want to have a drink on a boat without the risk of getting sea-sick? The Tug Restaurant incorporates the original Danie Hugo tugboat that was built in Scotland in the late 1950s and now stands on solid ground next to the entrance to the

Nina van Zyl

Beach, sea and a drink in hand while watching the sun set over the Atlantic.

Le Roux van Schalkwyk

Swakopmund Jetty. Apart from great views of the jetty and the ocean, the locally sourced seafood is always a winner. For the authentic experience have a drink in the bar which was the bridge of the Danie Hugo. TIGER REEF BEACH BAR & GRILL Beach, sea and a drink in hand while watching the sun set over the Atlantic. Tiger Reef with its deck right on the beach is the perfect spot for those lazy summer days. Parents can enjoy a bite to eat while the kids swim or play in the sand. Dog parents can bring their four-legged children to frolic on the beach with other dogs while congratulating themselves on better life choices. BREWER AND BUTCHER Any restaurant that brews its own beer is worth visiting. The Brewer and Butcher is no exception. Set around shiny copper tanks in which the restaurant’s beer is brewed, the layout evokes the feeling of an oldeworld beer hall, but with a modern twist. The house beer is brewed by the Swakopmund Brewing Company and the fusion of Namibian and German cuisine never disappoints. THE RAFT Built on stilts in the water, with large windows and solid wooden floors constructed from old timber, The Raft is the perfect place from where to experience the Walvis Bay Lagoon. Being one of Namibia’s Ramsar sites, the birdlife that includes cormorants, pelicans and most famously flamingos, is best enjoyed with a fresh breeze, good company and a cold one in hand. ROJO PUB & RESTAURANT Situated at the Walvis Bay Yacht Club with stunning views and a small white beach in front where the kiddies can play, it is hard to imagine that Rojo Pub & Restaurant is part of an industrial harbour town. Ice cold drinks are a matter of course in this ideal setting, but this restaurant is also a hidden culinary gem. WINDPOMP 14 Windpomp 14 is set 25 kilometres outside Swakopmund towards Henties Bay. It’s proximity to the beach and its location within Dorob National Park makes it the ideal last stop when returning from a day trip into the park, after a day’s angling or just as a little outing on its own. The eclectic restaurant and bar attract all kinds of characters, which makes every visit an excellent opportunity to meet new friends. DE DUINE HOTEL The ’angling capital’ of Namibia and extremely popular during summer, Henties Bay doesn’t actually boast too many places to knock back a couple. However, the centrally located De Duine Hotel has all the charm of an old school hotel as well as incredible ocean views. The diverse clientele is part of its attraction. You’ll rub shoulders with anyone from local holidaymakers and salty hobby-fishermen to slightly lost overseas tourists. Le Roux van Schalkwyk

WHY DO YOU DASH? Pushing the limits and defying the odds: The Nedbank Desert Dash

t usually happens the moment I reach the top of the Black Mamba hill, just before the descent that will be followed by the dreaded Kupferberg climb. Up until that point you’ve been fuelled mainly by the adrenalin of an exhilarating start. But up there, looking down at where the gravel starts, and only ends more than 350 kilometres later, you begin to rethink your life choices… Why am I doing this again? It seemed like a good idea at the time. It even seemed like a good idea about 20 minutes ago when my system was still flushed with the power of adrenalin that makes you feel superhuman. But right now, on top of Black Mamba, knowing what lies ahead, I take a moment to wonder: Why do I dash? In the parking lot at the Grove, though dark and looming, the energy is palpable. An anxiety and anticipation-rich fog in the air. Then the starting gun goes off and almost a thousand cyclists are out through the gate in a maelstrom of rubber on tar, shoulders brushing, almost-tumbles, and shouts and cheers from the onlookers. They’re the smart ones in this scenario… Those onlookers. Because those one thousand idiots on bicycles streaming out of the mouth of the mall’s underground parking lot as if the hounds of hell were on their tails have just set off on an unimaginable feat: 373 kilometres through the oldest desert in the world, in under 24 hours. The Nedbank Desert Dash started in 2005 with only 44 participants tackling a route of 369 kilometres from Windhoek to Swakopmund. In the last 15 years, Namibia’s biggest, most exciting and most challenging mountain-bike event has grown tremendously. This year, as with the last 4 years, nearly 1000 participants will take on the challenge. Starting in Windhoek, the first stage of the race navigates the Khomas Hochland’s twists and climbs and leads up Kupferberg Pass. From there the route follows the D1982 gravel road over hilly terrain and eventually down the Us Pass, ending in the Kuiseb River at Checkpoint 2. The third stage of the race is considered by far the most difficult. With the route criss-crossing valleys and rivers, this section is characterised by steep climbs and descents, over and over again.

From there cyclists cross arid, rocky and often corrugated terrains, entering Namib-Naukluft National Park and ending Stage 4 at Bloedkoppie. And once again you wonder: Why do I dash? By now, it is already deep into the night, and darkness and Namibia’s spectacular evening sky is your only friend. Stage 5 leaves the flat gravel plains behind as it descends into the visually stunning Moon Landscape. As the sun rises behind you, the landscape all around is set alight by the grandeur of early morning rays. Enjoy the fresh air that dawn brings, because from here, and entering the final stage, wind, dust and harsh desert heat become the norm. After over 360 kilometres, your end goal comes into sight. The picturesque coastal town of Swakopmund has never looked more inviting. The wind in your face, and aches and pains might even fade into the back of your consciousness as you imagine that ice cold beer, condensation dripping down its sides, waiting for you at the finish line. And when you finally ride over that line, your heart soars and your soul rejoices and the euphoria that sweeps across your being at the knowledge that you did it, you actually made it, overshadows everything that went through your mind in the last 24 hours. And that is why I dash. Uncontested as the longest single-stage mountain bike event in the world, the Nedbank Desert Dash is one of Namibia’s premier sporting events. Drawing cyclists from across the globe, it is not only an epic challenge to be conquered, but plays an integral role for Namibia as a nation and for Namibia’s cycling community, giving our cyclists the chance to compete against international athletes. The event’s economic contribution to the country is another tremendous boon. Alongside the elite cyclists there are other participants who enter as solo, two-man and four-man teams. For many of them the Nedbank Desert Dash is not necessarily a race to be won. For them it is a bucket-list adventure. An opportunity to test their own limits and strive for that sense of achievement. Many also use it as an opportunity to raise awareness or funds for causes close to their hearts. Whether they are cycling for a friend who has cancer, to raise awareness of pangolin trafficking or to challenge their own mental and physical capacity, each participant has an answer to my question: Why do you dash?

Whether they are cycling for a friend who has cancer, to raise awareness of pangolin trafficking or to challenge their own mental and physical capacity, each participant has an answer to my question: Why do you dash? This year, as Venture Media took on the privilege of being the event’s official media partner, we designed a campaign to celebrate these reasons: #dashforadifference. Stories upon stories came to light of how passionate Namibians and visitors from far and wide are about the event and their reasons for participating. Among others, we spoke to Uwe Diekmann from Germany, who will be returning this year for the third time as a solo rider. He has yet to complete the race, but comes back again and again to raise funds for disadvantaged children in Namibia. Uwe and his fellow donors have to date raised over N$ 1 500 000 for vulnerable children in Namibia and aim to raise another N$ 1 000 000 this year. As part of his fundraising campaign, they have also been able to support a girl named Anna, who cannot walk, with enough funding to undergo live-changing surgery on her feet. A new entry to this year’s Nedbank Desert Dash is Gideon Nasilowski. Gideon, known as the Namibian Amphibian, is a former Paralympic swimmer. Born with arthrogryposis multiplex congenita (AMC), a condition that causes joint contractures due to inadequate amniotic fluid in the mother’s womb and results in fixed joints, weak muscles and bone fibrosis, Gideon believes that his disability should never prevent him from reaching any goal. Through his participation he is raising funds to help further the ambitions of Namibia’s Paralympians. Now that’s dashing for a difference…

WHY DO YOU DASH? Gideon Nasilowski: “The Nedbank Desert Dash is a gruelling race for able-bodied people, but how awesome would it be for a disabled-bodied athlete to compete in this race?” Theo Johan Bezuidenhout: “Been there 8 times solo. It is a life experience, soul cleansing, inner reflection of huge proportions and a bucket list adventure for every cyclist.” Allan Vivier: “7.8 billion people on the planet... 1000 Nedbank Desert Dash entries... Why do I do it... because I am one of the 0.000012% that can”. Pierre Lambert: “I dash because it’s only +/- 20 hours of pain and suffering and yet there are people in our society who have been suffering for years with cancer, abuse, sickness and more.” Nicola Fraser: “I did my first Dash in December 2019. Prior to that, my only form of exercise was moving from the couch to our outside braai area to smoke a cigarette. Bought a bicycle in September 2018 and started cycling in our neighbourhood with my close friend Janeke in November 2018; at that stage we could barely manage 3-5 km without feeling as though we were going to collapse. In December 2018, I quit smoking and we finished our first 4-man team Dash in 2019! This year, Janeke and I are tackling the Dash again, this time as a 2-women team. Doing the Dash has shown me that I am stronger and capable of much more that I had ever imagined!

We all have a reason why we push ourselves to the extremes. Why we test limits and work to defy the odds. The Nedbank Desert Dash is one of those ultimate challenges that riders have been training for and taking on for years. Are they working for a cause and not just for applause? Is it for the physical or mental challenge? Is it for conservation or for someone in need? Whatever the reason, this epic challenge will continue to inspire those who are brave enough to push the limits. Rediscover themselves and Namibia’s natural beauty. An event that balances cycling, nature and the human spirit. So, why do you dash?

IT’S TIME FOR THE PERFECT BEER

OUR PERFECT BEER IS AVAILABLE IN 16 COUNTRIES WORLD WIDE. FOR MORE INFORMATION CONTACT NBLEXPORT@OL.NA

Not for Persons Under the Age of 18. Enjoy Responsibly. 32

2020, A Space Odyssey Really, this year has been all about personal space.

fter many years of standing in various queues in Namibia I can say this: my people have a poor understanding of personal space. I have been poked in the back by beer bellies while waiting to pay for my groceries; I have felt belt buckles brush against my buttocks at the bank. Men have breathed down my neck as I stood waiting to pay municipal bills. I have narrowly avoided being squashed by women while queuing for popcorn at the cinema. I have truly seen and felt some things, dear reader, and to recount all of them on these pages would take too much time and raise too many questions.

culture, experienced a downturn in fortunes while bookshops flourished – they were places that offered a literary escape from the physical and mental lockdowns of the world. I can safely admit this: save the bookshops, burn everything else down. Meetings at work were moved online or scrapped all together. Three cheers for not seeing middle management on a Monday. Pavements around the city became more popular, too, as people walked, jogged, and ran more to break the monotony of continuous confinement. The outdoors were the thing – as they should always have been – and it was common to see entire families on the roads at sunrise or sunset when the heat was not so murderous. Spaces of all kinds, especially public spaces, were shared for what I think was the first time in my years in Namibia.

I have never been a fan of queues in general, but even more so I have never enjoyed having my personal space The way space – mental, spiritual and physical – became invaded, whether it was in a public library or standing at a cherished led to interesting conversations about its urinal. I have always believed that human beings are best importance in our lives, about how it had been rationed, experienced a metre away – especially at family gatherings. controlled, and unfairly distributed, in Windhoek and around And at work. Especially at work. I think that the world. It was even more encouraging to forced or mandatory hugging should be hear people talk about the pernicious ways outlawed by the Geneva Convention. I even in which space had been surrendered to the have a badge that says “No hugs”. Secretly I Hugging was a dictums of capitalism and corporate cultures. have always known that fist bumps were the I am quite hopeful that in the days to come, health hazard with people having experienced the joys of way of the future, but this elbow greeting is just what the doctor and the World Health from home, they will question the and I hate to working Organisation prescribed. I am here for it all. value of commutes and sitting in dreary be that person offices all day. As we have seen, if it can be The only time personal space should be invaded done from the comfort of one’s couch, why in a public place is during partner-dancing, who says I told must it be done in a conference room? something that I truly love. you so but I With 2021 around the corner, I nurture a quiet told you so! So it was quite strange, but also most optimism that these conversations will continue, opportune, that when the COVID-19 pandemic and that meaningful and tangible action will be made social distancing a sort of norm – I say taken to ensure space becomes something that sort of because it is in its early days – and even now with is integrated into all aspects of design, business, and personal lockdown procedures being relaxed, social distancing was life. Because the freedom, relaxation and the room to grow, and is being treated as a personal affront to one’s dignity. learn, and explore that space of any kind provides are things But in the early days of lockdown everyone had to stand two worth preserving and fighting for. metres apart for the sake of their own health, and also to save me from petty annoyances. What bliss. Hugging was a health hazard and I hate to be that person who says I told Rémy Ngamije is a Rwandan-born Namibian writer and you so but I told you so! photographer. His debut novel The Eternal Audience Of One is available from Blackbird Books (South Africa) and is And crowded places became a taboo. For the first time in forthcoming from Scout Press (S&S). He is the co-founder my life shopping became a pleasure – the absence of spaceand editor-in-chief of Doek!, Namibia’s first literary magazine. hogging trolleys was sincerely appreciated, as was the patient His work has appeared in Litro Magazine, AFREADA, The standing in line outside shops to receive a service. Personally, Johannesburg Review of Books, Brainwavez, The Amistad, I have never understood why shops were ever allowed to be The Kalahari Review, American Chordata, Doek!, Azure, crowded in the first place. Sultan’s Seal, Santa Ana River Review, Columbia Journal, New Contrast, Necessary Fiction, Silver Pinion, and Lolwe. But it did not end there. Places that I have long thought He is currently shortlisted for the AKO Caine Prize for African unnecessary, like malls and their attendant consumer Writing in 2020.

LET’S GET TO THE COAST!

o the cool breeze and the fresh smell of ocean. The thought of crashing waves and soft grey sand to burrow your toes in and run your fingers through is irresistible. Long barefoot walks on the beach as thousands of cormorants fly past in never ending lines and Damara Terns lift off as you get closer. The freezing temperature of the water catching you unawares when the surf covers your footprint. Bliss.

There is nothing like the hazy, pastel-coloured, seemingly nothingness of the Atlantic coast to heal an overstimulated, overworked and over-worried body and soul in the year of Corona. The image of a cooler box under the multi-coloured umbrella, beach bats and small bodies covered in sand against a half-built sand castle, keeps popping up from my subconscious mind. A striped windshield creating a protective circle under a gazebo tied to the Combi and the portable braai contraption completes my picture of many summer days at Langstrand. As the holiday season progresses you are bound to lose some of the space to more sun seekers. At the height of the holiday season between Christmas and New Year, the perfect protection is to gather your own crowd and create your private little beach village in the sand. Just be aware of the high water mark. You may have to move to the second row if you pitch your village too close to the water at low tide. A sunny day at the beach is never a given along the southwestern Atlantic coast. But after a hot, dry summer inland those soothing cool foggy days are a welcome respite. The fog seldom lasts an entire day, granting you some reward in a beautiful sunset, a midday sojourn and even a sunrise over the dunes.

Elzanne McCulloch

But a foggy day is also the perfect opportunity to join a “Little Five” tour from Swakopmund. You think you know everything there is to know about the desert because you spent your summer holidays there since childhood? Wrong. The guides know everything. And they know how to make it interesting for children ánd grown-ups of all ages. It is the perfect family day out. Nina van Zyl

For a first-timer there is help when you don’t own a body board, or a fishing rod, or a four-wheel drive for a day-trip to Sandwich Harbour, or a quad bike to conquer the dunes, a camel or a fat bike. All of those can be rented in Swakop together with a knowledgeable old-timer to show you the ropes. That even goes for jumping from an aircraft with a parachute or from a dune with a hang glider. The level of expertise you need to make the most of it, or mostly at least “make it” depends on your experience. But even if you have none, there is still the opportunity to be drifting down in tandem. This year you can even rent a Segway and cruise through town to the amazement of onlookers (if you don’t know what I am talking about, see page 39).

Elzanne McCulloch

Liza de Klerk

A worthwhile excursion is driving north to Cape Cross to see what hundreds of seals look like in one colony. It stinks, but if you are aware of that and have a buff around your neck to keep away viruses it will come in handy. Take a minute or two to at least read the inscriptions on the cross. It is fascinating history. There is a lodge close by for a beer and a bite, but if you need time to get your appetite back, Henties Bay is just over half an hour away. Fishy Corner is known for fresh kabeljou and the hotel on the dune is not a bad stop for a beer.

Elzanne McCulloch

And then there are the getting-up-early-to-explore kind of days, with a picnic basket in the back of the car and maybe that same collapsible braai. Such explorations can take you along the main road inland to the turn-off for a quick look at precious stones and then onwards to the Spitzkoppe camping sites for a picnic/braai. If you arrive early enough, it will be worth scaling the flat rock surfaces of Little Spitzkoppe. It is a glorious view from there.

North of Cape Cross the journey is the destination, if you like landscapes. Reset your eyes when you pass Henties and start looking for the delicate shapes and colours of the gravel plains, the mountains, stones, rocks and plants, the ocean and the horizon. If you are a true explorer, turn off to Messum – a crater which is only identifiable as such from the air – and look for the ancient Welwitschia mirabilis. Elzanne McCulloch

Buy a permit in Swakop to visit Terrace Bay which allows you to enter the Skeleton Coast Park through the Ugab gate. If the wind blows fiercely from the east, there is a wonderful opportunity to photograph the foam on the crest of the waves being pushed back into the sea. Pass the mouth of the Huab River which forms an interesting small lagoon and then drive on through the Uniab River where one sometimes encounters springbok. There is a restaurant at Terrace Bay serving fresh fish at lunchtime. Best, of course, is to book two days and go fishing. Don’t miss the Torra Bay camping site along the way. It is rather intriguing. Rièth van Schalkwyk

an an extraordinary

extraordinary EXPERIENCE EXPERIENCE

T 061 209 0990 / WA 081 309 5070 / E info@soulsticedayspawh.co.za www.soulsticedayspawindhoek.co.za

A New Way to

EXPERIENCE SWAKOP

ou think exploring Swakopmund on foot is fun? Think again, cause now you can do it cruising on a Segway during a fun and educational guided tour of the town.

Eco-Gliding Tours is not only a first for Swakop, but it is also Namibia’s first guided Segway tour company. The company opened its doors in July this year and is the brainchild of Kula Muatunga who started her business after graduating from the 12 week Future Females Business School program aimed at supporting women entrepreneurs. The business school is a partnership initiative of Basecamp, the startup incubation and innovation centre of the StartUp Namibia project. Kula wanted to share her passion for the popular coastal town with others, but in a uniquely enjoyable way. “I wanted to start a business for people to learn and fall in love with the beautiful town of Swakopmund while having fun – combining a historical sightseeing tour with something adventurous,” she explains. The tours are also eco-friendly. Kula is committed to sustainability as a core element of her business operations. After gearing up with protective equipment and a quick 15 minute course to help you get the hang of riding the futuristic, self-balancing Segway two-wheeler, you’re off on a sightseeing adventure. The tour lasts for 45 minutes and goes past all the famous and well-known landmarks and monuments of Swakop, including the jetty and old state house. Eco-Gliding Tours also operates its own souvenir shop, which sells products 100% made and sourced in Namibia. Kula describes the idea behind the shop as creating a space where an attractive array of locally-produced goods can be showcased. The shop is a little treasure trove that sells anything from marshmallows, biltong, necklaces, genuine leather products and bags to keyrings. For the not so distant future Kula has big plans to expand the shop into an outlet that sells everything Namibian, including roasted coffee, craft beer, art, books and clothing, and on top of that serves local cuisine. Eco-Gliding Tours are located at the tennis court parking lot next to Strand Hotel in Strand Street. For more info and bookings visit www.ecoglidingtours.com.na or phone +264 81 430 4371. Le Roux van Schalkwyk

EXPERIENCE LUXURY Our elegant 41-bedroom hotel wraps around a heritage building, creating an inviting fountain courtyard that embraces the natural beauty of the Estate. The rooms complement the historic character, while modern amenities and 5-star touches ensure the utmost luxurious comfort.

+264 061 209 0900

info@amweinberghotel.africa

www.amweinberghotel.africa

A NEW TRAVEL GUIDE FOR THE NORTH

hen planning a holiday in Namibia considerable amounts of information are easily attainable, covering everything from top tourist attractions to hidden gems all across the country. Yet, there is surprisingly little in writing about the central north, the land of the Aawambo. In his latest book, wellknown travel writer and author, Willie Olivier, compiled a comprehensive guide to a part of Namibia which has been traditionally neglected in terms of tourism exposure. Having worked as a journalist in Owambo in the1980s and 90s, Olivier became fascinated by the people, their culture, the landscape and the historical and cultural sites. Discover the Colourful World of Owambo is the first publication as a travel guide solely dedicated to Owambo, brimming with details and history about this culturally rich area, its interesting people and the land they live on. The book explores the history of the region and the way it is interwoven with Finnish mission stations. It also gives the reader a better understanding of the different Aawambo clans and the importance of the socio-cultural structure. Serving as both a guide and handbook, it explains how different parts of the local flora are used and also looks at farming practices. Other topics explored include annual festivals, traditional dress, diet and delicacies like mopane worms and bullfrogs, as well as the Cuvelai drainage system. What makes the book unique is the fact that it promotes tourism in one of the least visited parts of the country. It describes six different routes, complete with GPS coordinates, and all the historical and cultural aspects to be seen or experienced along the way. Packed withs tips and information, this book makes the perfect travel companion not only for first-timers but also for those who are already acquainted with the region. Discover the Colourful World of Owambo, published by Gondwana Collection Namibia, retails for N$425.00 and is available from the Namibia2Go shop in Klein Windhoek.

10 minutes

with local taste makers

At home with Mutindi Jacobs

hen it comes to organisation, style and elegance, Mutindi Jacobs’ home scores a cool 10 out of 10. A mom, wife, lawyer and florist, Mutindi is a woman with a passion for making things beautiful. Not only does she pour this passion into her flower shop but also into decorating her homes in the most stunning and creative ways. I had the pleasure of chatting to her about her love for homemaking which has turned into a business and a growing YouTube channel that she uses to share her latest decor hauls and home decorating and organising hacks. When did you fall in love with interior decorating? I fell in love with interior decorating when I purchased my first property a couple of years ago. As a young professional I had been working towards this goal for many years and when it finally materialised I threw myself into creating a space that would not only celebrate my accomplishment, but also show off my personality and creativity. How would you describe your style of decorating? My decorating style has definitely evolved over the years.

When I started decorating my apartment, my style was Hollywood glam, which includes very sparkly, shiny and ostentatious things. Since becoming a student of interior design and styling my family home, my style is now more muted. I’m into timeless pieces which can transition between the various interior styles. I would describe my current interior style as a mix of mid-century modern and African luxe with a touch of modern farmhouse. What are your current home styling obsessions? I am currently obsessed with natural elements such as wood, stone, concrete and greenery. I’m using wood in my cutting boards, which I lean against the kitchen backsplash, and in the wooden dough bowl that I keep fruits in. I’m using stone in my mortar and pestle and my cheese boards, and concrete candle holders which are great for both indoor and outdoor use. These days I enjoy styling my tables with greenery and foliage, which is a much cheaper option than flowers and just as beautiful. Olive tree branches and Ruscus are my current faves. If there was one country you could draw decor inspiration from for the rest of your life, which is it? Namibia of course. There is so much beauty in our nature and diverse cultures and I draw inspiration from it daily. We

If you’re struggling to find creative ways to style your home, a peek at Mutindi Jacobs’ Instagram (@mutindi_l_jacobs) or YouTube channel (mutindi jacobs) will have you inspired with her interior decorating content that’s authentic, proudly Namibian and attainable.

recently refurbished our farmhouse with Namibian decorative elements and I am in love with it. From baskets to clay pots, camel thorn pods to wild grass, I didn’t have to look far for inspiration, everything we need to make our homes beautiful can be found right here. How does motherhood influence the way you style your home? I have to be very careful with what I put out. For example, since my son started walking I can no longer style my coffee table with glass ornaments or breakables. I now use brass ornaments to style anything where he can reach. Motherhood just means that I have had to find more sustainable and safer ways to decorate my home. What would you say is the most prized item in your house? In my case it’s several items. A fabric throw that I inherited from my grandmother, a framed photo of my family and I at Christmas and a storage box that I keep sentimental items in. You’re very good at decorating on a budget, what are your top three tips for decorating without breaking the bank? My number 1 tip is to ‘shop your home’ first. Sometimes you don’t have to buy anything to decorate a space. Make the most of your existing pieces. Simply move things around or relocate them to another room, where they could change or help elevate the look. You’d be surprised at how versatile home decor can be. 2: Painting is one of the easiest and least expensive ways to transform your rooms. A fresh coat can instantly update a space or an object that needs to be elevated. I had some red vases lying around the house that no longer worked in my new space. Instead of throwing them out and buying new ones, I simply painted them black, which worked better in my new space. 3: Change your accents. Changing or replacing accents around your home will result in a quick and inexpensive makeover. For example, you can replace the handles and knobs on your kitchen and bathroom cupboards or drawers. You can also replace lampshades and light fixtures to transform your space instantly. Rukee Kaakunga is a Communications Specialist and Freelance Writer based in Windhoek. Follow her on Twitter @rukeeveni, on Instagram @rukeekaakung or visit her website: www.rukeekaakunga.com.

Just be.

ow and why are we travelling? Is the world still scared, or are we ready to break free from the confines of confusion?

If this time of uncertainty has taught us anything it is to slow down, take a breath. Take your finger off the trigger. We seem to be so obsessed with capturing every moment with our cameras or cellphones, that more often than not we may actually miss out on the living part of life. Not every moment needs to be immortalised in a digital photograph. Sometimes it’s okay to just be. Being a travel writer and photographer this might be the hardest thing for my brain to grasp. It is nearly impossible not to pick up my camera when my eyes spot the most beautiful of moments that could be spectacularly encapsulated in a rectangular frame. I see the world through my viewfinder and have an intense need to share each special moment with the same world I am so enamoured with documenting. What if a moment passes by without being recorded? Did

it really happen? If you didn’t post it to Instagram, were you even there? The pressure is insurmountable and the anxiety overwhelming. When did a fun pastime become an obstacle to living a normal life? (Yes, I recently watched The Social Dilemma on Netflix, so sue me). The anxiety and pressure and snaps and chats and likes and shares and shot after shot after shot of dopamine was mounting to a deafening crescendo. And then, for a brief moment of absolute clarity, it stopped. All of a sudden the world was in lockdown and for a short moment everything was a bit more quiet. I fled the busy city to a quiet farm with my husband, brother and parents. We spent our days looking at nature, cooking together and talking. Wow. Talking to each other. When did that become a rarity? We took the dogs for walks and answered emails only when we felt like it. It was bliss. Everything had come to a standstill. And the world was a strange place. But only for us humans.

In Namibia, the Okavango River is still flowing in the same direction. The wind still rustles through the leaves of the tallest jackalberry tree and the elephant still comes down to the water’s edge to quench his thirst. To him the world spins on the same axis and nothing much has changed. It is only our realities that have shifted. Our perception of the universe altered. Where we react through artificial face coverings and our moods are determined by the ebb and flow of ‘positive’ or ‘negative’ statistics on a human-made list, nature goes on and nothing much has changed. There are fewer engines that disrupt the gentle rhythmic pulse of mother earth. There are less tyres on gravel roads, less spews of gas from flying tin cans and less feet on the ground that leave behind a carbon footprint we could never erase no matter how many extra trees we plant. But there are still moments that leave you in awe of a world so beautiful and precious that it is worth fighting for. That is worth learning from and preserving for a generation that will maybe know or maybe not know what it was like

to live in fear of not seeing a spectacular sunrise in the morning... with an elephant silhouette to reiterate the sound knowledge that today I get to start and hopefully end my day in the majesty of Africa’s version of nature... There are so many reasons why Namibia is the perfect destination to travel to, despite the confusing times. Enormous amounts of beautiful and pristine SPACE, a low population density and strong COVID measures in place. We’re getting ready to welcome you back to our wild land of endless horizons. Our government has recently announced a tourism restart plan which will allow visitors from all over the world to travel to Namibia. All you will need is a 72 hour negative PCR test result! We can’t wait to welcome you back. Namibia is ready for you. Elzanne McCulloch

Little Kulala on the Doorstep of Sossusvlei

ovember marked the much anticipated reopening of Little Kulala, Wilderness Safaris’ popular lodge located on the doorstep of Sossusvlei in the remarkable landscape of the Namib Desert.

sets and the sky mirrors the same soft rose colours as those found throughout the lodge. The same colour is used for the eye-catching chandeliers made of multiple leather thongs, beautifully crafted to create the dramatic roof fixtures that round off the space.

Refurbished Little Kulala really brings out the soulful side of Namibia. With the almost limitless space of the Kulala Wilderness Reserve that surrounds the lodge, guests can experience the freedom which only the wide open gravel plains of the Namib can give. Set along the dry Auab riverbed with its dead camelthorn trees, the lodge’s bleached wooden decks, thatched roofs and earthy green coloured walls seamlessly blend in with the sun-scorched surroundings.

Little Kulala not only has a fresh look and feel, but now also includes a new holistic health and wellness offering to its guests. The brand new spa introduces an additional level of guest relaxation to be enjoyed in comfort. A wide range of treatments contrasts the extraordinary, harsh environment outside. Forming part of the holistic approach to guest experience and well-being is the carefully crafted new menu with meat or vegetarian options. Every meal is a culinary masterpiece on its own.

The interiors are stylishly decorated with patterns and textures inspired by and subtly hinting at the lines of the nearby dunes and desert landscape. Most striking, however, is the use of a dusty-rose coloured pink amongst the more-desert pastels and earthy colours. It is immediately very notable in the main area, but any misgivings are soon dispelled when the sun

Of course, being close to Sossusvlei with its own entrance into Namib-Naukluft National Park, visiting the remarkable Deadvlei is a must do. The knowledgeable Wilderness guides have an in-depth knowledge of the area, which greatly enhances the drive and time spent in this unique setting. Other activities on offer include nature drives, guided walks

and eco-sensitive quad biking. For the adventurous, the newly laid-out running and e-biking trails allow for an intimate way to explore private areas of the reserve that are not accessible on drives and to see the wildlife of the new Eco-Zone. Each of the 11 air-conditioned rooms have their own private plunge pool and a set of exercise equipment for guests to keep fit and active in the comfort of their own suite. Each unit also boasts a ‘star bed’ from where to lose oneself in the glittering night sky of Namibia’s south. After a year in which the world has been thrown into unending uncertainty, Little Kulala offers a space to cleanse body and mind, relax, re-energise and, more importantly, just breathe. Le Roux van Schalkwyk

After a year in which the world has been thrown into unending uncertainty, Little Kulala offers a space to cleanse body and mind, relax, re-energise and, more importantly, just breathe. 47

a i b i m a N f o t s e The Very B

Take home rich memories of adventure and luxury in the African wilderness from two lodges, on private reserves spanning 27,500 hectares, just two hours’ drive southeast of Windhoek. This is the spirit of Aru Game Lodges—a family-run company with an impressive commitment to proven wildlife and habitat conservation efforts, stellar customer service and attention to every detail. Aru offers two unique, well-appointed lodges — Kalakwa Lodge and Veronica Lodge — both a short drive from Windhoek, the capital of Namibia. Veronica Game Lodge is set in a Kalahari savannah landscape with red dunes and towering camelthorn trees. Kalakwa Game Lodge offers terrains ranging from savannah grasslands to bushveld and rocky hills. These picturesque properties offer Aru’s guests a perfect mix of the very best wild country and endemic game species in Namibia, including both black and white rhino, and a healthy array of predators. After unforgettable days afield, guests are treated to luxury, elegance and privacy. Five-star cuisine. Star-filled skies. Relaxing campfires and tales of the day’s adventures. The unique ambiance that only Africa can offer abounds at Aru. And with world-class birding, photo safaris and game drives, horseback rides and quad biking, sundowner excursions and sightseeing and a relaxing sauna, there’s truly something for every taste, pace and passion. Yours truly, Danene & Gysbert van der Westhuyzen

+264 (0)81 129 5536 | info@arugamelodges.com | arusafaris.com/eco | Instagram: @aru_safaris 48

HOLLARD NAMIBIA AND VENTURE MEDIA TEAM UP IN A LOCAL TOURISM RELIEF CAMPAIGN:

this is namibia

for locals

here has never been a better time for Namibians to explore their own country!

Hollard Namibia, in partnership with Venture Media’s This is Namibia campaign, officially launched a new tourism relief project in September 2020. The project, titled This is Namibia for locals, allows all Hollard MyLife, Personal and Farmers policyholders to apply for a travel voucher at a selection of lodges across the country to the value of up to N$ 2 500. The campaign aims to empower locals to see and discover their own country, while at the same time supporting the tourism industry by encouraging local travel to destinations across Namibia.

HOW IT WORKS: Hollard MyLife, Personal and Farmers policyholders can use their policy numbers to apply via an online application system at www.locals.thisisnamibia.com. All applications will

be verified by the team at Hollard, whereafter qualifying applicants will receive a travel voucher to the lodge they selected during the application process that will cover up to N$ 2 500 of their bill. They can then make a booking for their stay directly with the lodge and provide the lodge with their voucher for discount. A maximum of 1000 applicants will receive vouchers each month on a first come first serve basis. This campaign is set to run until the end of January 2021 and vouchers will be valid until the end of March 2021. New clients to Hollard are also eligible to apply, but will only receive their voucher once they have paid their first month’s premium. This is Namibia for locals forms part of Venture Media’s extensive This is Namibia campaign, which is aimed at marketing Namibia as the ultimate travel destination both locally and internationally. For more information on the campaign, which is supported by RMB Namibia and in collaboration with the Namibia Tourism Board, visit www.thisisnamibia.com.

Le Roux van Schalkwyk

Tourism Joint ventures:

Our Pride and Joy

ou’ve decided to travel to one of Namibia’s spectacular destinations? What do you look for when determining where to stay?

Joint-venture tourism is one of the country’s pride and joys. A system that does not only support communal conservancies but one that has created some of the most remarkable lodges set in the most extraordinary locations. Communal conservancies constitute over 20% of Namibia’s surface area, from the waterways of the Zambezi to the rugged landscapes of the northwest and the deserts in the south. Communal conservancies are home to a large portion of the country’s population. One in four rural Namibians live in these areas. Conservancies have very little infrastructure and most residents practise subsistence farming. It goes without saying that these communities are not rich and living side by side with wildlife further diminishes their worldly wealth; even more so, when a lion catches a goat or an elephant destroys crops. Yet, these communities are committed to living with wild animals for the greater good of conservation as well as the benefit gained from joint-venture partnerships with private sector companies. Namibia’s Ministry of Environment, Forestry and Tourism (MEFT) also profits from these ventures as concession fees fund the ministry’s efforts to protect the vulnerable wildlife. Staying at one of these world-class, joint-venture tourism establishments contributes directly to conservation and community development. The contractual agreements between communities and private businesses give the operators rights to utilise a particular area, for which they bring in funding and expertise. The partnerships are not

just another way to exploit the custodians of the land, however. The joint-venture system conservation-based economies and by developing lodges in remote areas provides training, employment and opportunities to community members. In return, communities have a vested interest to protect the landscapes and the free-roaming wildlife that attracts loads of tourists to these exceptional, wild areas. The years of hard work by conservancy members have increased wildlife numbers and expansion of the range in which the animals can safely graze, browse and hunt. Thanks to these efforts Namibia boasts the largest free-roaming population of endangered black rhino in the world as well as growing populations of elephant, lion, leopard, giraffe and other species. The income generated from tourism has also allowed people to remain in these areas instead of moving to the cities in search of employment. This also prevents the disappearance of valuable traditional knowledge passed on for generations and thus preserves unique cultures. Is there a more rewarding guest experience than staying at a lodge that directly contributes to the welfare of the surrounding community? Joint-venture partnerships assist with education,

Katitwe

Oshikango

Omahenene

Ruacana

Uutapi (Ombalantu)

Cuangar

Oshakati Rundu

Ondangwa

Opuwo

Mangetti National Park

Namutoni

Tsumeb

Halali Okaukuejo

Grootfontein

Otavi

Kamanjab

on et el Sk

Khaudum National Park

Etosha National Park

Dobe

M I B

t as Co

Waterberg Plateau Park

Outjo Khorixas

Waterberg Wilderness Trail Waterberg Walks

Otjiwarongo

rk Pa

Kalkveld

Ugab Guided Trail Brandberg B1

Omaruru Dorob National Park

Karibib

Okahandja

Gross Usakos Spitzkoppe

A M

Henties Bay

I B

Arandis

Von Bach Recreation Resort HOSEA KUTAKO (International Airport) Sweet Thorn Hiking Trail Daan Viljoen Game Park

Tsaobis Leopard Nature Park

Rock Sculpture Trail

Swakopmund

Walvis Bay

EROS

Witvlei

Gobabis

WINDHOEK

Namib Desert Park

Walvis Bay Nature Reserve

Buitepos

nutrition and health care, culture heritage and conservation initiatives backed by the community. Furthermore, the system provides funding for anti-poaching units to monitor and protect the rare and endangered species of these unfenced wilderness areas. Joint-venture partners proactively and reactively respond to human-wildlife conflict, while funds generated through these ventures allow conservancies to give compensation to farmers who lost crops or livestock to wildlife.

Auasberge

Rehoboth

Namib-Naukluft Park

Leonardville

Dassie Trails B1

Kalkrand B M I N A

Aranos

Hardap Recreation Resort Mariental

Naukluft Hiking Trail

D E

Sossusvlei

Stampriet

Gochas

Maltahöhe

R T

NamibNaukluft Park

Gibeon

Namib Rand Nature Reserve

Mata Mata

Tses Berseba

Koës

Brukktaros Mountain

Great Tiras

Lüderitz

Bethanie Aus

Keetmanshoop Klein-Menasse

Naute Recreation Area

Aroab

Ai-Ais/ Richtersveld Transfrontier Park Rosh Pinah

Grünau Karasburg B3

ang Or

Hohlweg Fish River Canyon Conservation Area

Sendelingsdrift

(Gariep)

Fish River Canyon Hiking Trail

Ariamsvlei

At the beginning of 2020 there were 56 jointventure lodges located in exceptional locations next to or inside protected areas or national parks, such as Bwabwata, Etosha, Nkasa Rupara, Palmwag and the Skeleton Coast. There are 21 joint-venture and community campsites, 12 living museums as well as craft and indigenous product development enterprises. Joint-venture partnerships before the closure of borders due to Covid-19 employed over 1 300 full and part-time employees.

Oranjemund

Vioolsdrif

Velloorsdrif

Noordoewer

Velloorsdrif

Responsible travel is not just something sold to overseas tourists to make them feel better about the large carbon footprint they create when flying to Namibia, but rather something that every traveller should be mindful of, even if it is travelling in your own backyard. For more information on community conservation and where to stay visit www.conservationtourism.com.na

ROYAL HUSTLERS

New media leaders Taleni Shimhopileni and Zellmari Brandt stepping up

ver the last three years TribeFire Studios has gathered a diverse group of passionate people in its tribe. Fired up to grow influential media voices that shape Namibian and African minds for a better future, the young team builds distinguished media brands that stay connected to Namibian communities by being good and honest storytellers. Two of the rising stars at the TribeFIre Studios Group recently stepped into new leadership roles when founding directors passed the torch to them. Zellmari Brandt (34) was appointed as an executive director of 99FM. Zellmari takes over from Christine Hugo who served as General Manager and Director of 99FM since 2011.

Taleni Shimhopileni (30) took over from Chrisna Greeff as a director of One Africa TV. Chrisna Greeff served as director since 2014. This special edition of the Royal Hustlers features these two phenomenal young women. Taleni Shimhopileni has been One Africa TV’s Content Manager since 2016 and an Exco member of TribeFire Studios since 2018. She is also the project lead for #LearnOnOne, One Africa TV’s Daytime TV Educational platform, launched in April 2020. When asked how she feels about her new role, Taleni said: “For me leadership is more about serving than a fancy title. I believe we’ve all been brought onto this earth for a purpose. I’d like to die knowing that I used my talent to make the world and my country a better place.”

Fired up to grow influential media voices that shape Namibian and African minds for a better future, the young team builds influential media brands that stay connected to Namibian communities by being good and honest storytellers. TribeFire Studios CEO Stefan Hugo noted: “Her passion to make a positive impact and her earnest drive to uphold honesty and transparency, are crucial qualities that we need in leaders of media in the new world. More than ever we need responsible, trustworthy media organisations that carry out their work with purpose. Taleni is a leader who will steer One Africa TV and TribeFire Studios’ presence to influence a better future for many Namibians and Africans”. Taleni holds a Law Degree from UNAM as well as an BA Honours Degree (Cum Laude) from AFDA, and she is also a graduate of the African Leadership Institute. Taleni served as a Trustee for The One Economy Foundation, established by the current First Lady of Namibia, and is currently also a board member of the Namibian Chamber of Commerce and Industry’s Windhoek Chapter. Her journey in television started when she was 13 as a host of “The Child’s Way” on NBC. She has since hosted a number of TV and radio shows. Zellmari Brandt started working at TribeFire Studios as Brand Experience Manager in 2018 and soon after that she took up the position of 99FM Station Manager and Exco Member of TribeFire Studios. Commenting on her appointment, Stefan Hugo said: “Her ability to lead change, combined with her creative industry experience, positions Zellmari as a strong leader for the flux of media in the 2020s. We are privileged to have her passion, creativity and drive on the TribeFire Studios team”. “I am most excited about being part of this group of young, dynamic, influential people at TribeFire Studios, pushing an optimistic and productive culture forward, influencing people for the better. It’s magical!”, said Zellmari.

Christine Hugo, who handpicked Zellmari as her successor, said: “She has the creative, intelligent and emotional quotient required to take the brand forward. Zellmari is invested in the purpose of the brand to ‘inspire Namibians to be the masters of their own destiny’, the very essence that drew her to the company. Since day one she has shown immeasurable commitment and consistent work ethic to make it happen. She does the work!” Zellmari holds a Bachelor of Arts degree in Visual and Performing Arts from AFDA. She completed Management Training at the University of Stellenbosch Business School and obtained her Certificate in Leadership from the Africa Leadership Institute at the end of November. Zellmari worked in the film industry, for the National Theatre of Namibia and with DB Audio in Live Events. About TribeFire Studios One Africa TV (Namibia’s only non-state TV channel) and 99FM (originally Radio 99, Namibia’s first privately owned English radio station), became members of TribeFire Studios in 2018. TribeFire Studios is a creative collaboration of likeminded media brands that share a common goal – telling stories to weave a positive Namibian narrative. www.tribefirestudios.com www.99fm.com.na www.oneafrica.tv Tune in to The Royal Hustlers on 99 FM every Monday to Friday at 07h35. (Stream us here) https://99fm.com.na/ external-radio-live-stream/

D E L U X E C O F F E E WO R K S WINDHOEK, NA Our espresso bar has become the hub where we roast, blend and serve our famous House Blend. We don’t follow many rules when it comes to our coffee. In fact, there aren’t a lot rules that we follow in general. We are passionate about coffee and that's a good enough reason for us to do what we do: roast, supply and serve coffee in the best way we know. We believe in having a great place where this all comes together and where you can enjoy our coffee. That’s why our coffee roastery is the way it is. You won’t find any fancy food or wifi here. That’s not our vibe. A lot of good music, interesting people and great coffee. We like to give you coffee the way we would like to receive it. That’s what we’re all about. Founded in Church Street, Cape Town by Carl Wessel and Judd Nicolay, doing 400 cups of coffee a day and roasting shifts into the wee hours of the morning, Deluxe has gone from strength to strength. When Carl and his cousin and local partner, Willem Bodenstein, sealed the deal for a fullyfledged Namibian roastery, they created the espresso bar that “explores the global but respects the local”. Deluxe Coffeeworks imports only the finest green beans sourced from around the world. Our coffee bean suppliers

have long established relationships with coffee farms across the globe, guaranteeing consistency in tastes and aromas for every roast. We believe firmly in the fact that coffee should be made with freshly roasted beans. We roast five days a week to ensure that each bag you pick up is as fresh as possible. Our signature House Blend is specifically blended to create a versatile well-balanced experience using the best characteristics of each of the single origins used therein, hailing respectively from Brazil, Guatemala and Ethiopia. Initial acidity leans to oranges or naartjies, followed by dark chocolate taste and raw cocoa in the finish. And now… Aroma is in the air! We bring you a new and exciting partnership between Westair and Deluxe – it just works! So, sit back, enjoy the flight and ask for it by name, we serve Deluxe!

Deluxe Coffeeworks is situated at Shop 3, Mutual Tower, 223 Independence Avenue. Opening hours are 07h00 to 16h30 from Monday to Friday.

+264 81 871 4434 COFFEE@DELUXECOFFEEWORKS.COM WWW.DELUXECOFFEEWORKS.COM

@deluxecoffeeworks.na

Since Independence Day 2017 and, coincidently, in Independence Avenue, we do strictly coffee!

GENEROUS SUPPORT FOR UNAM REACHES BEYOND IMMEDIATE COVID-19 NEED

hen a global pandemic strikes it touches the lives of everybody.

Every business, organisation, citizens young and old, rich and poor, can contribute towards a positive outcome, even by just wearing a mask and by supporting Government in its efforts to curb the spread. Namibia is fortunate to have a small population, hardly any air pollution and citizens who adhere to the directives however uncomfortable and distressing. The University of Namibia’s Hage Geingob School of Medicine was part of the country’s successful mitigation of the spread of the virus in Namibia. With the acquisition of COVID-19 Polymerase Chain Reaction (PCR) testing equipment, which analyses at least 250 samples in eight hours, UNAM contributed to the quick turnaround time for results. The UNAM Molecular Diagnostic Laboratory was established as a licensed medical laboratory with the help of the Namibia Institute of Pathology and a generous donation from Debmarine Namibia. The fully equipped laboratory donated to the Medical School is licensed to conduct not only COVID-19 tests but it also has testing capacity well beyond this pandemic and will contribute to building capacity for students and nurturing talent through youth development. The N$3.6 million investment by Debmarine Namibia, with additional sponsorship for testing kits, training and maintenance for one year, will be transferred to the University. This laboratory will complement the Namibia Institute of Pathology. At the launch of the new equipment, UNAM Vice Chancellor Prof. Kenneth Matengu confirmed that the NIP has been instrumental in assisting UNAM with validation and quality assurance of the UNAM laboratory’s tests in order to meet the extremely stringent requirements for licensing. “We use the PCR machines to run tests, but also to mine the collected data to conduct research and make a scientific contribution to the body of knowledge that deals with fighting disease outbreaks. This is in line with UNAM’s vision of being a sustainable international hub of excellence in higher education, training and innovation by 2030”, Prof. Matengu said.

The PCR machine, donated to the University of Namibia for analysing COVID-19 samples, came with a fully equipped laboratory and equipment such as fridges, freeze samples and cabinets with ultraviolet light to prep the specimens and centrifuge machines.

At the hand-over of the equipment Debmarine Namibia CEO Otto Shikongo said the health and safety of Namibians arevalued above all else. The Company has taken extreme measures to ensure the safety and protection of its employees. Shore-based employees have been technologically enabled to work from home since March. Since August all the sea-going employees are methodically tested and monitored before boarding the vessels, and the entire workforce and their families are tested as needed. The Minister of Health and Social Services, Dr Kalumbi Shangula, and the Minister of Higher Education Training, Dr Itah Kandjii-Murangi, as well as the Acting Chief Executive Officer of the Namibia Institute of Pathology (NIP), Dr David Uirab, attended the hand-over.

AFRICA AND THE UNITED STATES OF AMERICA

THE POLITICS OF CHANGE

he election of Democratic presidential candidate Joe Biden as the 46th president of the United States of America has been welcomed around the world after four tumultuous years of Donald Trump’s presidency. But what does this mean for Africa?

There is a widely held perception that Democratic presidents are more inclined to pursue policies favourable to Africa. Is that really so? Republican President George W Bush (2001 to 2009) is still demonised in many quarters for America’s disastrous invasion of Iraq. But there is widespread agreement that the Bush administration did more for the African continent than any other American president. Among the Bush Administration’s most notable programmes is the multi-billion U.S. President’s Emergency Plan for AIDS Relief (PEPFAR) launched in 2003. Africa was the largest beneficiary of this global health initiative which has saved millions of lives. Namibia received close to US$300 million for projects in education, tourism and agriculture between 2004 and 2004 from the Millennium Challenge Account. Bush also signed legislative amendments in July 2004 to extend the African Growth and Opportunity Act to the year 2015. Fast forward to the two terms (2009 to 2017) held by Democratic President Barack Obama. Obama largely continued the policies of the Bush administration, but

expectations (in hindsight unrealistic expectations) that there would be major change in United States development, trade and investment policies towards Africa did not fully materialise as his administration faced numerous other challenges. Enter Republican President Donald Trump in January 2017. Just five months after taking office, Trump left in the middle of a G20 session where African health and migration was being discussed. Two months later he infamously invented a new state in Africa – Nambia – during a lunch with African leaders at the United Nations in September. Worse was yet to come when he referred to Haiti, El Salvador and African countries as ‘shitholes’ during a meeting with a group of senators. The reality is, however, that the Trump Administration continued with many of the policies of its predecessors, including PEPFAR. Funding to Namibia under PEPFAR increased from US$73 million in 2017 to US$81 million in 2020 and will increase to US$89 million in 2021. Fortunately, relations between the United States and Africa should not be judged by statements made by mavericks like Donald Trump. Administrations’ foreign and developmental policies are devised by advisers and experts, taking into consideration the national and global interests of the United States. So what can Africa and Namibia expect from the Biden administration? Having served as a Senator for 36 years and as Vice President under Barack Obama, President-elect

Joe Biden has the experience required to run an effective to rejoin the Paris Agreement on climate change. With the administration. Unlike Trump he is no stranger to Africa final outcome of the composition of the Senate still in the and has a much broader geopolitical view of the world map balance at the time of writing, the Biden administration than President Trump. He was a vociferous is, however, most likely to be frustrated by a opponent of the Reagan administration’s Republican-controlled Senate. policies towards South Africa’s apartheid Without doubt government. Speaking during a Senate Without doubt the Biden administration the Biden Foreign Relations Committee hearing way will not only continue with the policies of back in 1986, Biden said, “We must not its predecessors, but it will also enter into administration become part of South Africa’s problem, we constructive engagement with African will not only must remain part of their solution…”. As Vice countries to strengthen relations damaged continue with President he visited three African countries by Donald Trump. Analysts are also (Egypt, Kenya and South Africa) in 2010. hopeful that Africa could see more direct the policies of its foreign investment and that the Biden predecessors, but administration will devise more favourable Not surprisingly, Africa hardly featured during the presidential campaign. When President trade deals for Africa under the African it will also enter Biden assumes office on 20 January 2021, Growth and Opportunity Act (AGOA) which into constructive his focus at home will be on combating the has been extended to 2025. engagement with COVID-19 pandemic which reached a record high of nearly 120,000 infections in a single However, only time will tell whether this will African countries day in early November. His administration will translate into more development aid for Africa to strengthen also focus on getting the American economy, in general and Namibia in particular. ravaged by the COVID-19 pandemic, back on relations damaged track. The emphasis will furthermore be on by Donald Trump. healing a nation that has been deeply divided Namibian freelance journalist and travel along party lines and addressing racism and writer: racial inequality in the United States. Willie Olivier On the international front, the Biden administration is certain to restore membership of the World Health Organisation and

FISH INNER EAR This is not a bone-dry account about the bone inside the ear of a fish, nor a mere science story. A small bony structure takes center stage, yes, because it holds mystifying secrets about the future, your future on this planet. NOT JUST A TALL TALE Thousands of visitors come to Namibia annually with the sole purpose of relaxing at the seaside with a fishing rod. Maybe one of these fishers told you a tall tale recently: for example, that they caught a fish that can speak, just like the golden fish of the famous Pushkin poem. Well, that was a blatant lie. But it is a scientific fact that fish can hear. And that the ear bone in the fish’s inner ear holds the key to exactly where the selfsame fisher will fish most successfully in future. THE BLACK BOX OF FISHERY SCIENCE One of Namibia’s experienced marine biologists, Dr Margit Wilhelm, lectures at the University of Namibia’s Department of Fisheries and Aquatic Sciences. She explains: “Fish do not have ears, but they can hear and feel pressure with an inner ear bone; a hard stony structure located directly behind the brain of bony fishes. And it has rings on it much like a tree. Scientists refer to the otoliths as “the black box” of fishery science because it records information and it keeps it forever.” As the saying goes, some facts are mind-blowing and sometimes stranger than fiction. A small fish in the southern waters of the Atlantic Ocean, home of the cold Benguela current, has something very specific in common with Namibia’s oldest tree in the heat of Outapi in Owamboland. The science of dendrochronology – which dates events through the study of tree rings – is well known and enables scientists to date trees like our massive Baobabs, believed to be a staggering 800 years old. The science of sclerochronology applies the same principles to fish.

Dr Wilhelm explains: “The width of the increment for a tree especially – everyone can picture that – provides telltale signs. If it was formed in the rainy season of a good year, the tree will grow lots and form a wide ring or increment, for example, and when examined later that will point to a very good rainy season. And in bad years the ring will be really narrow. This enables you to literally go back in time and assign a particular calendar year or season to each ring. With this you can look back very far in time, especially considering that trees can get hundreds of years old.” According to Dr Wilhelm, the same principle can be applied to fish. Counting the annual growth rings on the otoliths is a common technique in estimating the age of fish. She gained valuable experience when she worked in Texas after completing her doctoral degree studies. There she learned from Dr Bryan Black, one of the world’s foremost experts in the field. ADAPTING TO A WARMER OCEAN IN THE TIME OF CLIMATE CHANGE In the long term, scientists can use the data gained through this “tree-ring-technique” to determine how fish will respond to temperature in the future. This is extremely important in the context of rising ocean temperatures due to climate change. Dr Wilhelm explains: “The ocean is a very big heat sink – so, as the land temperatures are heating up the ocean is also heating. Consequently, climate also affects the fish stocks.”

Otolith of a 6-year old female Merluccius paradoxus (deep-water hake) caught in 1997.

Kabeljou (kob) is an inshore species that visiting anglers love. “This species is most affected because inshore temperatures in shallow waters heat up the most, especially in Angola and northern Namibia. Because the water is warming, kabeljou already moved southwards from Angolan to Namibian waters.” The ultimate aim of the research is not to cater for those who fish for fun, but to predict big-picture future trends for sustainable utilisation of Namibia’s rich fishing grounds, the so-called offshore resources (for example sardine). To this end, Dr Wilhelm spends hours behind her microscope where she uses photographs to measure the increments on the otoliths in detail. Interestingly, while modern-day technology enables this process, old methods still remain relevant today. There is no need to keep the ear bone in alcohol, ethanol or formalin to access information. Much like bone, otoliths stay dry for hundreds of years. A simple envelope will do for storing them. Developed countries like Norway have stored hundreds of years of information related to fish age and growth in this way to help them plan and manage their resources better. CATCHING UP ON LOST DATA Namibia has much catching up to. At the time of independence, fish resources had dwindled due to overexploitation and lack of conservation and protection. The Ministry of Fisheries is trying to reverse this trend. Namibia’s fish waters were frequented by boats from countries all over the world since the 1960s due to the abundance of species like sardine (in Namibia better known as pilchard), anchovy, hake and horse mackerel (maasbanker). Due to the policy of open access fishing, the nets of foreign fishing boats often left with the very key to the future management of our own resources: otolith bones. “It is only since independence

that we keep proper otolith archives in Namibia”, says Dr Wilhelm. Data was lost in spite of efforts by organisations like the International Commission of South East Atlantic Fisheries, who tried to manage the fish stock. As a result, many Namibian scientists have been trying to obtain access to “lost data” (held by other countries) for years. Dr Wilhelm made an unexpected breakthrough last year when she located a laboratory in Poland (Department of Fisheries Resources, National Marine Fisheries Research Institute) with a wealth of information. “Boats from Poland also fished in Namibian waters and in their collections kept accurate records of sardine, horse mackerel and hake species together with their otolith bones from the 1960s onwards.” This new collaboration will enable Dr Wilhelm (and her PhD student, Faye Brinkman) to date some species back to the sixties to establish if their growth rates per year have changed with the changing ocean temperatures and the heavy fishing. They are starting with this exciting research this year. THE DIFFERENCE BETWEEN TRACKING THE HISTORY OF TREES AND FISH Namibia’s most famous Baobab has been standing in the very same place for a staggering 800 years. In contrast, fish move over far distances and are exposed to many different temperatures throughout their lifetime or even in just a few days. They do not leave any tracks, but that does not make tracking their history impossible. If years later you find an ear bone on the seashore, or on the bottom of the ocean or in scats of other animals, it will enable you to identify the species it once belonged to. The shape and size of the otolith is specific to a species. Dr Wilhelm agrees that this makes her work challenging. She obtained interesting data related to hake (the deep-water species) during her post-doctoral research in Texas and subsequently at the University of Namibia. She found that otolith growth of deep-water hake is best at cold ocean temperatures in winter. Cold winter temperatures go with increased wind and food supply. The wind ultimately brings up nutrients from the bottom (this is called upwelling) and increases the food of hake. With the expected decrease in wind and upwelling, and with ocean temperatures heating up because of climate change, hake growth is also expected to be negatively affected. Says Dr Wilhelm, “Sustainable harvesting does not mean you should not eat fish at all, but it advocates that we should harvest fish responsibly. The more we know about how fish and their growth rates change with time, the better we can predict the future. We are ultimately responsible for our resources.” Long live the black box of fishery science! Linda de Jager

T S E T T E S A RN ME S F S E E O E T . H H T IN UR SIN RE U E O B Y H R D O O N W F A O O T RA T N L L C S E I H PE Y S A S *

Home

Business

Introducing SPECTRA for home and business. When business is fast, SPECTRA internet helps you go even faster. While at home, SPECTRA lets you keep up to date with every single episode in full HD. It’s all possible when you say hello and sign up to SPECTRA. Contact us at SPECTRA BUSINESS: mtcbusiness@mtc.com.na or call 13500 toll free . For SPECTRA HOME contact us at: spectra@mtc.com.na or call 90111 toll free. *MTCSpectra Home availability subject to location. Ts & Cs Apply

mtc.com.na

advertorial

LUXURY AWAITS AT

AM WEINBERG

ith excellent service, luxuriously comfortable rooms, food to die for and an exceptional wine list; you’ll never want to leave once you’ve booked into Am Weinberg Boutique Hotel. Offering 31 luxury hotel rooms and 10 luxury double volume Oasis Lofts, the rooms are designed in such a way to offer the utmost in comfort, but also give a homely feel. Making every room feel like it is a home away from home. The popularity amongst locals and guests of Am Weinberg’s Sky Lounge speaks for itself. To accompany those beautiful Namibian sunsets, the Sky Lounge offers tasty designer cocktails and exquisite views over the city. The perfect way to round off a long day. Situated in upmarket Klein Windhoek, Am Weinberg’s location lends itself perfectly to hosting events, both big and small. From conferencing, meetings and parties, to weddings, the opulent facilities are the ideal luxury venue for any event. With outstanding catering, service and the ideal accommodation, Am Weinberg is by far the best locale in Windhoek. Venues include an outdoor events terrace, multiple conference rooms and our stunningly beautiful rooftop glass house. “Our aim is to infuse Namibian values with top-class catering and state-of-the-art facilities, only surpassed by our desire to exceed your expectations in every way.” Deriving its name from the vineyards that were planted here more than a hundred years ago in order to make wine for the Roman Catholic mission station, today Am Weinberg Boutique Hotel is associated with luxurious living. If you’re wondering where to stay in Windhoek, look no further. +264 61 209 0900 reservations@amweinberghotel.africa www.amweinberghotel.africa

THE TRIBE

#TheTribeExclusive featuring DJ Dreas

J Dreas has carefully mapped musical journey as a producer over the years, and lately he is the results of his calculated entry Namibian music industry.

out his and DJ reaping into the

to get a certain type of sound and although I do play other Namibian music, it always depends on the setting. For festivals or club gigs I’m usually playing either my own sounds or sounds that are similar to mine.

In 2018 he dropped his debut EP Pluto, What makes your DJ sets unique, what elements of which garnered an astonishing 10 000 the computer scientist in you do you use to make your streams online. In 2019 he graced the Red Bull studios in sets stand out? South Africa, getting to network with a host of proficient Explaining won’t do it justice. You have to be in the moment, music personalities, some of whom he worked with on his you have to see how I do my thing to be able to understand. Tangerine project. Dreas has become a But just to give you some understanding, cultural icon amongst the Namibian youth, my music in itself makes my set different who shower him with adoration for every and I also infuse music that I haven’t even new project that he releases. released yet. I see sound in In this interview with #TheTribeExclusive, he gives an insight into his creative process and talks about his first official release, Tangerine. Tell us about your EP Tangerine... Tangerine is a feeling. I see sound in colour and the vibes that I was getting from the sounds in this project were of a tangerine feel, and for me the colour speaks about summer – that’s why I dropped it in December. How did Namibians receive the EP? Quite well. I’m actually surprised that it’s doing that well because another thing is that compared to Pluto it has more listeners. Tangerine reached people who don’t even know me. There are just more ears now.

colour and the vibes that I was getting from the sounds in this project were of a tangerine feel, and for me the colour speaks about summer – that’s why I dropped it in December.

Describe your Red Bull Studios experience? It was surreal and overwhelming at the same time. I learnt a lot. I had to dumb myself down to absorb as much as I could from the professionals. Do you infuse your music with that of other Namibian musicians during your DJ sets? I had to talk to myself just to find out what type of DJ I want to become. I definitely play my own music because I’m on the journey of finding an identity, so when you go to a DJ Dreas show you know what you are going to get. You’re going

Since recording this interview, DJ Dreas has gained more popularity with fans. His lockdown special, the #5MinFinesse, attracted thousands of viewers who tuned into his Instagram Live for the midnight show which featured mostly impromptu performances. The online series, which has since been discontinued, was graced by the likes of Namibian rapper Skrypt and South African star Moonchild Sanelly. DJ Dreas has also been cooking in the studio and recently dropped his latest serving of quality sounds: Delusions Of Grandeur. He describes the single as “an amazingly dense, mid-tempo track that feels like a warm clasp.”

Want to keep up with DJ Dreas? Follow him on Instagram and on Twitter @djdreas_na. Watch The Tribe on One Africa TV (GoTV 90, DStv 284, DStv Now, TV2Africa.com) every Friday at 21h30 and repeat shows on Wednesdays at 07h00 and on Saturdays at 17h30. Alternatively, listen to The Tribe on 99FM every Friday at 19h00, and follow The Tribe on Instagram @thetribenamibia and on Facebook @TheTribeNamibia.

But first

Do the work!

Windhoek 99FM | Rehoboth Okahandja 99FM | Swakopmund Walvis Bay 99.4FM Otjiwarongo 94.1 FM | Oshakati Ondangwa Ongwediva 104.5 FM 99fm.com.na

art-ist

Martin, Jay-Aeron and Krayzee Sue on artistic collaboration

ne of the most magical things about modern art is the use of collaboration to create inspired work reflecting the perspective of more than one artist. Namibian creatives have also embraced collaboration, feeding off each other’s ideas and talents to make artistic magic. The rebranding of 99FM presented such an opportunity for three very different but equally talented artists as they came together to tell the story of the station’s new branding direction. In this interview the three reflect on what it meant to work with 99FM, creating its fresh new look. For Jay-Aeron Gertze, working on the 99FM project was “glorious, insightful, crazy and fun”. The sought-after makeup artist says, “It was amazing to see everyone in their element creating pieces of a puzzle which at the end of the day becomes a masterpiece that’s going to be there for a long time.” Martin Amushendje says the project was a welcome challenge that pushed him to think on his feet when faced with working conditions he wasn’t necessarily used to. The director and photographer describes the location as one of the elements which inspired him to think out of the box. “TribeFire Studios as a location presented opportunities to put people in positions that they normally wouldn’t think to be put in: for example, photographing someone on a fellow employee’s desk while they work, or on top of the CEO’s cubical in the name of dynamics, really channelling what the brand represents – boldness.” A multi-talented creative whose art is inspired by graffiti, tattoos and by her own personality, Krayzee Sue was brought onto the team as the final piece of the puzzle with post-production work in her signature style. “It’s so exciting, the pieces I worked on allowed me to reach deep and really explore my art style. Rukee Kaakunga is a Communications Specialist and Freelance Writer based in Windhoek. Follow her on Twitter @rukeeveni, on Instagram @rukeekaakung or visit her website: www.rukeekaakunga.com.

Make-up can transform a bare Face into a Masterpiece Renate Shikongo

Renate loves playing around with different looks. Bold and dramatic are her favourite ones to explore.

ultitalented make-up artist Renate Shikongo has the ability to transform a bare face from blank canvas to exquisite masterpiece. The mostly self-taught talent who is passionate about art and philanthropy shares the story of where all of this started and what it means to be a socially responsible creative.

As far as she can remember, Renate has always been artistic. “At five, I used charcoal to express my interest in art through drawing. In primary school, we had some textbooks that had images and I always copied those drawings on paper, I enjoyed it so much. Apart from visual art interest, my teachers always appreciated how innovative I was,” she says as she traces the roots of her artistic passion. Her inspiration stems mainly from Pop Culture and, like many millennials, she takes full advantage of the learning opportunities available on the internet. “I follow inspirational makeup pages and when I see something interesting, I take a screenshot of it and try to create the same look, or one inspired by it, until I get it right and boom! It’s a new skill.”

Unlike many other makeup artists, Renate is quite passionate about uplifting others, using her skills and influence to help those who are less fortunate than her.

Renate also draws inspiration from how she feels at any given point. “I tend to express my feelings through makeup. It has truly become therapeutic”, she says. Unlike many other makeup artists, Renate is quite passionate about uplifting others, using her skills and influence to help those who are less fortunate than her. “There is so much power in being an influencer on social media. If there is anything I’ve learnt during these projects, it is that people are willing to help, they just need someone to take the lead.” Earlier this year she opened her heart and helped to build a home for an underprivileged man who used to live in a makeshift structure. She has also lent her services for social intervention programmes aimed at addressing social issues.

Credits: Photography: Namafu Amutse, Renate Shikongo & Kizani photography Styling: Renate Shikongo & Jeffrey Hiuii Models: Renate Shikongo, Chelsi Shikongo & Rossy Theodor

When Renate isn’t working as a make-up artist, she bakes. Her baking enterprise, which she ventured into during lockdown, has gained so much momentum that she is known both for her beat face and for ‘The Loaf’. To be able to continue using her platform to help others, her biggest dream is to one day launch her own lip line and to have ‘The Loaf’ on the shelves of every second grocery shop in Namibia. QUICK FACTS WITH RENATE Dewy or matte finish? Matte Bold or natural look? BOLD!!! I prefer anything daring. The one makeup item you’ll never be caught without? Lipstick. It was my first introduction to makeup. Rukee Kaakunga is a Communications Specialist and Freelance Writer based in Windhoek. Follow her on Twitter @rukeeveni, on Instagram @rukeekaakung or visit her website: www.rukeekaakunga.com.

NEED TO KNOWS. with www.ﬂywestair.com

How to buy

a ticket online

More options for the perfect trip

Choose your ticket

Select which tickets you would like to purchase. We oﬀer multiple fare options such as: Saver, Classic or Premium

Baggage policy, sporting equipment, over weight luggage or to add an additional bag(s)

Additional ﬂight information / rules

Passenger details Please enter names as they appear on passport or travel documentation

Read up on all our additional information reagarding terms and conditions, and tick the selection box once completed to continue.

Conﬁrmation Mail

Payment

Transaction conﬁrmation will be sent to passenger email entered.

Fill in your payment details in our DPO paygate to make ﬁnal payment.

How can you make

a payment?

Cash payment at:

Electronic Funds Transfer (EFT)

Eros Airport, Ondangwa Airport, Oranjemund Airport

Online card transaction

Immigration procedure Final Destination OMD

Oranjemund Exit

Toilets

Windhoek Eros Airport Office SkyLounge Eros Ondangwa airport office Oranjemund airport office All major travel agents

restrictions Items NOT allowed in hand luggage: Lotions and aerosols above 100ml, ﬂammable aerosol, sharp objects, i.e. nail ﬁles, nail scissors, Leatherman, matches.

MAX 20kg Per person

prior to ﬂight

Departures Immagration

Online check-in opens 24hours before departure of the flight on www.flywestair.com Check-in opens 1h 30min before domestic flight and 2 hours before international flight.

Coﬀee Shop

• • • • •

Check-in

Arrivals Immagration

Arrival Gate

from:

Luggage

Oranjemund Airport Final Destination CPT / ERS

You can also purchase

Oﬃce

Departure Gate

ﬂy@westair.com.na | +264 81 207 6688 | +264 83 937 8247

Check-in CLOSES 30min prior to ﬂight

Time to

Dine out

Be amidst the soft gurgle of a trickling fountain and the hum of voices and a mood of wonder. Indulge yourself at The Stellenbosch Wine Bar and Bistro, The Stellenbosch Tasting Room or The Stellenbosch Market, the capital’s most gratifying dining experiences at the doorstep of The Windhoek Luxury Suites.

With a Bistro-style menu showcasing the fresh and diverse flavours of Namibia, The Stellenbosch Wine Bar places emphasis on Prime Namibian meat cuts, flame grilled to perfection, and complimented by the best wines from our diverse wine list. Tel: 061 309 141

At The Stellenbosch Tasting Room, the menu celebrates the lighter side of life, with focus placed on all-time favourites such as pizza and burgers, enjoyed with a wide selection of the best South African wines. Tel: 061 258 746

The Stellenbosch Market, home to a quaint café that serves everything from the best coffee, to freshly baked pastries and light lunches. It is also the site of the best wine market in town. Tel: 083 330 0008

www.thestellenboschwinebar.com | www.tastingroom.com.na

JOHANNESBURG - WINDHOEK JOHANNESBURG

BOOK A RETURN TICKET & stay at The Windhoek Luxury Suites for 2 nights

N$ 5240,00 per person sharing

CAPE TOWN - WINDHOEK CAPE TOWN N$ 5655,00 per person sharing Valid until 31 January 2021

www.flywestair.com

LEGAL PRACTITIONERS, NOTARIES & CONVEYANCERS +264 61 38 8850 | info@ferasmuslaw.com.na | 5 Conradie street | Windhoek

PRACTICAL WISDOM, TRUSTED ADVICE

This is us.

extraordinary Namibian stories. Namibia

H O L I D A Y

T R A V E L

Namibia TRAVEL NEWS

BIRDING:

SNAKE EAGLES

Namibia

Coast GINNING AT THE

ON A STUDENT BUDGET

THE TINY TOWN OF UIS

N$45.00 incl. VAT R45.00 incl. VAT

Iona FEATURED:

VOLUME 28 No 2 AUTUMN 2020

N$45.00 incl. VAT R45.00 incl. VAT

Skeleton Coast TRANSFRONTIER PARK

www.travelnewsnamibia.com

Iona

Skeleton Coast TRANSFRONTIER PARK

www.travelnewsnamibia.com

content creators.

snapchatters. designers.

FEATURED:

VOLUME 28 No 2 AUTUMN 2020

publishers.

editors.

Coast GINNING AT THE

THE TINY TOWN OF UIS

social media fundies.

selfie takers.

BIRDING:

SNAKE EAGLES

Namibia

photographers. coffee drinkers.

chatters.

TRAVEL NEWS

ON A STUDENT BUDGET

avid campers.

2020/21 THE OFFICIAL NAMIBIAN TOURISM DIRECTORY

w w w. n a m i b i a h o l i d a ya n d t r a ve l . c o m

travellers. managers. apsiring rhino savers. bloggers. film makers. explorers.

READ ONLINE

writers. rule breakers.

NAKARA SHOP WINDHOEK Gustav Voigts Centre Independence Avenue 131 Tel/Fax 061 224 209 Email: info@nakara.na NAKARA SWAKOPMUND The Arcade, Tel/Fax: +264 64 405 907 NAKARA FACTORY WINDHOEK 3 Solingen Str. Northern Industrial Tel +264 61 429 100

www.nakara-namibia.com

www.debmarinenamibia.com

This nation was founded on the sacrifices of Heroes and Heroines that were not afraid to fight against great pressure. Inspired by their bravery, we have taken action to help our nation tackle the COVID-19 pandemic. With each act, we chart a path towards making life brilliant for Namibians, under all circumstances. Because, it is in times like these that our people need #ActsOfBrilliance the most.

FlyWestair Summer 2020/21

Articles inside

Make-up can transform a bare Face into a Masterpiece

art-ist

THE TRIBE

LUXURY AWAITS AT AM WEINBERG

FISH INNER EAR

AFRICA AND THE UNITED STATES OF AMERICA

GENEROUS SUPPORT FOR UNAM REACHES BEYOND IMMEDIATE COVID-19 NEED

DELUXE COFFEEWORKS

ROYAL HUSTLERS

Conservation Tourism

This is Namibia for locals

Little Kulala

Just be.

10 minutes with local taste makers

A NEW TRAVEL GUIDE FOR THE NORTH

A New Way to EXPERIENCE SWAKOP

LET’S GET TO THE COAST!

2020, A Space Odyssey

WHY DO YOU DASH?

BEER O’CLOCK?

Make it a Craft Christmas

Mine Stones for a cause

ENINGU CLAYHOUSE LODGE

The silent world of Stone

Namibia Places: MORE THAN JUST AN ARTIST’S JOURNAL

FLYWESTAIR TAKES YOU THERE