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Unheard Voices His Godly Art (In)visible
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VOL 70 NO 2 | NOV 2018 - JAN 2019
THE OFFICIAL STUDENT PUBLICATION OF TARLAC STATE UNIVERSITY
PAGSULONG. Sa malinaw na manipestasyon ng kahirapan at pagpatag ng kabundukan para sa sinasabing kaunlaran, nananatiling matatag ang mga haligi ng tahanan upang bigyang remedyo ang kanilang kasalukuyang kalagayan sa tagong espasyo ng kanayunan. (Larawan ni Isaih Kyle C. Umipig) SUNDAN /P.24
Students urged to report sexual harassment cases TSU Museum to rise in 2019
By LORDDAN U. FALLER
THE FORMER director of the Office of Public Affairs and Information (OPAI) pressed the students to report incidents of sexual harassment occurring within the university ground. Prof. Winifredo L. Luis, now a general education professor, said that sexual harassment, in reality, is a disease not very much emphasized in the society because of many cases that are not being reported. Luis also said that most victims are frightened to make statement due | to p.5 to the possibility that their
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Call for justice, land reform intensified
BAO implements new procurement procedure SSC seeks help via TSUScooper campaign
By Crystal Gayle O. Rosete
IN TRANSIT. Due to insistent students’ demand, the university shuttle service now follows a fixed pricing system. (Photo by Nica Joy A. Calma)
Lucinda shuttle to follow admin, drivers agreement By Jerico T. Manalo AFTER COORDINATING with the Office of the Vice President for Academic Affairs, the Supreme Student Council (SSC) issued
an agreement on November 18 regarding the problems on the shuttle services of Lucinda Campus. The first section of the agreement reads that the capacity | to p.2 of each shuttle shall
AS PART of the university’s developments projects, two instructional rooms which were previously occupied by the College of Computer Studies (CCS) are now being remodeled into a university museum. The renovation, which started on October 20, is expected to be completed within 120 calendar days. The allotted cost for the said project is amounting to 2.2 million pesos. "During the past years, we have strived to put up better facilities, rooms, and buildings that would be conducive for everybody," Wencie Mañebog, an IMO staffer who is incharge of the project supervision, said. "Since the old CCS rooms were | to p.6 left unused after CCS was
IECEP outshines 2-time champ in lantern parade By Jerico T. Manalo
The intricate details of IECEP’s entry made it standout among others.
AMONG 15 participating student organizations, the Institute of Electronics and Communications Engineers of the Philippines (IECEP), with their hexagon-shaped lantern, stood out in the annual Lantern Competition, beating the twotime winner Institute of Integrated Electrical Engineers.
IECEP head organizer Kurt Glexther Dela Cruz said that their entry does not only symbolize the star of Bethlehem but also the resiliency of the Filipino people. “For example, itong mga baybayin na ito na ang ibig sabihin ay baha, lindol, pagguho, bagyo, daluyong, at sunog. Sa kabila ng mga ito ay matatag pa rin tayo,” Dela Cruz explained. Dela Cruz also said that the
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circuit of their lantern made them worry, considering it as one of the hindrances they have encountered. “Noong una, maayos na [ang lighting]. Pero noong nag-umpisa na, bigla na lang nagkaproblema. Bigla na lang nag-blink,” he stated. The organizer added that the base of their lantern was initially a circle but due to an error on the welding | to p.4
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SURVEY
76% of TSUians are not in favor of CHED’s decision to remove Filipino subjects in the college curriculum Follow story on p.4
‘Kanlungan’ wins in 40th CMMA By Mary Klaudine L. Paz OUT OF 36 entries nationwide, College of Arts and Social Sciences (CASS)’s documentary entitled “Kanlungan” won Best Student TV Production during the 40th Catholic Mass Media Awards (CMMA) held at the Star Theater in CCP Complex, Manila. “Kanlungan” is a 20-minute documentary video produced by the Communication students Amira Arcalas, King Vincent Guevarra, and Danica Diane Isip, featuring underprivileged children in Angeles City, Pampanga who are encouraged to learn indigenous musical instruments. These children are being taken care by the The Bale-Balayan Museum for the Poor Center for Transformation through | to p.3