Intermission December 2021

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T UL S A PER FO R MIN G A R T S CENTER

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A CHRISTMAS CAROL • POLAR EXPRESS IN CONCERT • THE CONCERT TRUCK


Wishing Everyone a Heartwarming Holiday Season

This year, give the gift of heart health. We offer lifesaving heart screenings that can help prevent heart attack and stroke. Call 918-592-0999 or visit oklahomaheart.com/lifesavingscreenings to schedule your appointment.


contents DECEMBER 2021

DECEMBER 4, 2021 insider calendar TULSA PAC • TULSA 5

Exposition

7

Marquee

Doubt: A Parable

17 Spotlight

Mean Girls

The Sound of Music

Karl Rove

The Polar Express in Concert

Folk Dances

The Nutcracker

The Song of Jacob Zulu

A Christmas Carol

Star Wars in Concert

TULSASYMPHONY.ORG POLAREXPRESSINCONCERT.COM

Brown Bag It

December 8 at 11:30 and 12:45

features

22 January-February Events

10 The World Premier That Almost Wasn’t

12 A Christmas Tradition

14

The Concert Truck

On the cover: Tulsa Ballet’s “The Nutcracker.” Photo credit: Jeremy Charles Featuring Jun Masuda and Maine Kawashima

The fan favorite Festival Bell Ringers are back! Enjoy a concert in the John H. Williams Theatre while you enjoy your lunch — the best of both worlds.

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May you enjoy the season and company of loved ones!

Your friends at First Oklahoma Bank

South: 100 S. Riverfront Drive, Jenks | Midtown: 4110 S. Rockford Avenue

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is the official magazine of the Tulsa Performing Arts Center.

PUBLISHER Jim Langdon WRITER AND EDITOR Amanda Nichols COVER DESIGN Lexi Sugiyama CREATIVE DIRECTOR Madeline Crawford ADVERTISING SALES Rita Kirk

exposition F RO M T H E C EO

At the end of 2020, I remember

Mark Frie

thinking how glad I was that the year was coming to an end and that 2021 had to be better. Then 2021 came, and reality set in. Throughout this year we still struggled to navigate through the pandemic, struggled to find

110 E. Second St., Tulsa, OK 74103 918-596-7122 • TulsaPAC.com

common ground on issues that became political firestorms, and fought to continue to address

TULSA PERFORMING ARTS CENTER TRUST CEO Mark Frie CHAIR Billie Barnett VICE-CHAIR David Holden TREASURER Jen Alden SECRETARY Laura Creekmur TRUSTEES Billie Barnett, Ken Busby, Mayor G.T. Bynum, Stanton Doyle, Linda Frazier, Glenda Silvey, Peggy Simmons, Julie Smith EMERITUS TRUSTEE Robert J. LaFortune

social issues in our society. For

Nathan Harmon

CHIEF EXECUTIVE OFFICER Mark Frie CHIEF FINANCIAL OFFICER Jen Alden VP OF OPERATIONS Bryan Clemons VP OF DEVELOPMENT AND ENGAGEMENT Sara Phoenix DIRECTOR OF PROGRAMMING Terri McGilbra DIRECTOR OF PUBLIC RELATIONS Amanda Nichols TECHNICAL DIRECTOR Scott McLarty DIRECTOR OF TICKETING SERVICES Jeff Newsome DIRECTOR OF PATRON SERVICES Tosha Hollis DIRECTOR OF COMMUNITY ENGAGEMENT Jeremy Stevens

the TPAC, we also continued to be shut down for the first seven months of 2021. However, we are slowly coming back and giving people the world-class entertainment that Tulsa deserves. In the last six months of the calendar year, we’ve been able to rehire staff, create new jobs, relaunch our community program, Orbit Arts, and welcome thousands of patrons back inside our theatres. I want to thank all of you for your support through these difficult times and also acknowledge your willingness to wear masks, show proof of vaccination for some events, and follow safety protocols. These have all been important steps in bringing performing arts back to life in Tulsa as safely as possible. I realize that 2022 will present its own set of challenges for the TPAC and the arts organizations that utilize the TPAC, but we are all united in the belief that the performing arts have the power to unite and inspire our community. I hope this holiday season brings you and your families opportunities to come together and reconnect and find hope moving

INTERMISSION is published monthly by

forward. We could all use more of that in our lives.

Publisher of TulsaPeople Magazine 1603 S. Boulder, Tulsa, OK 74119 For advertising information, Tel. 918-585-9924, ext. 240, Fax 918-585-9926. No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2366, anichols@tulsapac.com.

Happy Holidays,

Mark Frie

CEO, Tulsa Performing Arts Center

Current and past issues of Intermission can be viewed at issuu.com/tulsapac/docs De ce mbe r 2021 INTER M I SSI ON

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EXPLORE the possibilities Private tours offered by appointment, visit us virtually or at a Welcome Wednesday Open House. OPEN HOUSE DATES — Jan. 12 and Feb. 2, 2022 For more information call 918-879-4755. Learn more at hollandhall.org/open-house


marquee T H I S M O N T H AT T H E T PAC

WORLD STAGE THEATRE COMPANY

DOUBT: A PARABLE At a Catholic school in the Bronx in 1964, Sister Aloysius suspects a new priest of sexually abusing a student. She is faced with the prospect of charging the priest with unproven allegations and possibly destroying his career as well as her own.

December 2, 3 at 8 p.m. December 4 at 2 and 8 p.m. December 5 at 2 p.m. LIDDY DOENGES THEATRE

TULSA SYMPHONY ORCHESTRA

THE POLAR EXPRESS IN CONCERT Get up, get on, and get ready for the ride of your life! It’s Christmas Eve, and you’re about to roller-coaster up and down mountains, slip-slide over ice fields, teeter across mile-high bridges and be served hot chocolate by singing waiters more astonishing than any you can imagine.

DECEMBER 4, 2021 TULSA PAC • TULSA

TULSASYMPHONY.ORG POLAREXPRESSINCONCERT.COM

December 4 at 7:30 p.m. CHAPMAN MUSIC HALL

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marquee T H I S M O N T H AT T H E T PAC

AMERICAN THEATRE COMPANY

A CHRISTMAS CAROL Robert Odle’s and Richard Averill’s musical adaptation of Charles Dickens’ beloved novella about the joy of giving has been a Tulsa tradition for more than 40 years. It’s a heartwarming story about Scrooge, a lonely humbug who is given the rare chance to change his life and find his heart.

December 10-11, 15-18, 20-23 at 7:30 p.m. December 12, 19 at 2 p.m. John H. Williams Theatre

TULSA BALLET

THE NUTCRACKER Taking audiences back to the original setting of 19th century Germany, this larger-than-life world premiere production brings the Victorian era to life with lavish visuals to tell the story of a young girl’s magical journey on Christmas Eve. .

Jeremy Charles

December 10, 17 at 7 p.m.

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December 11, 18 at 2 and 7 p.m. December 12, 19 at 2 p.m. CHAPMAN MUSIC HALL


As the only children’s hospital in eastern Oklahoma, The Children’s Hospital at Saint Francis provides state-of-the-art technology and a dedicated staff to meet the medical needs of children. You can rest assured your child will receive the most comprehensive care available in this region. We wish you and your family a happy, healthy holiday season.

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THE WORLD PREMIER That Almost Wasn’t The Tulsa Ballet has been sharing the magic of “The Nutcracker” with Tulsa audiences since 2003. For almost 20 years, Marcello Angelini’s vision of the show has come to life before our eyes each December. Last year was intended to be the closing of that spectacular show after almost two decades of Angelini’s choreography. Of course, that closing was never to be once the pandemic hit, but that isn’t stopping Angelini and his team from presenting their brand-new vision. The Tulsa Ballet’s original resident choreographer, Val Caniparoli, and current resident choreographer, Ma Cong, have choreographed a new version of the classic tale. “The Nutcracker” seems to have a special place in the hearts of American ballet lovers that it cannot necessarily boast in the rest of the world. According to Caniparoli, who has choreographed five completely different versions of the show, the rest of the world doesn’t have the same trend of each company having their own version that is performed every year. In other places around the world, it isn’t necessarily performed each year or even during the holidays.

It was first performed and popularized in the U.S. by Willam Christensen and the San Francisco Ballet in 1944. That same original version is still performed to this day in Salt Lake City, performed by Christensen’s Ballet West. Angelini’s version was set in 1920s Paris, but this new version will take the production back to the original setting of the story, 19th century Germany. The switch to the Victorian Era meant the set and costumes would have to be entirely recreated, so world-renown set and costume designer Tracy Grant Lord was brought in to complete the daunting task. Incredibly, using Lord, who is based in New Zealand, almost brought the show to an end before it ever took the stage. Because of the difficulty in in our country’s current supply chain, the shipping containers carrying the set and costumes from down under arrived many

months later than originally planned, and, for a time, the Tulsa Ballet thought they might have to scrap the new version and go back to the old. That would have been particularly disappointing for Cong, who is leaving Tulsa after the close of “The Nutcracker.” He notes, “It has been long waiting, this project. … This will mark my farewell.” Luckily, everything came in, and Cong will get to have his project debut before leaving for his next adventure. Though shipping everything from so far brought on “a lot of headaches for everyone,” according to Cong, he suggests it will absolutely be worth it: “We are confident that when we get to present it on stage, people will be wowed! It will be topnotch, excellent.” If you’d like to see the newest rendition of this great Tulsan — and American — tradition, join us in the Chapman!

The Nutcracker

Presented by Tulsa Ballet December 10, 17 at 7 p.m. December 11, 18 at 2 and 7 p.m. December 12, 19 at 2 p.m. CHAPMAN MUSIC HALL

Jeremy Charles

Featuring Maine Kawashima as Marie

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A Christmas Tradition There’s only one show currently in the TPAC that is older than the building itself. Can you guess? Tulsa has been enjoying American Theatre Company’s “A Christmas Carol” since 1976. The TPAC opened a year later in 1977. Most know the original story, written by Charles Dickens, of Scrooge and his humbuggery. The three spirits of Christmases past, present and yet to come help him find the reason for the season and transform himself into a kinder, happier man. In 1976, Robert Odle and Rick Averill adapted the classic story into a stage musical. In the first year of its existence, the show was presented at the Philbrook Museum. At the time, the performance space was a converted garage. The show was a hit! It brought in healthy audiences and was well liked.

The ensemble from “A Christmas Carol” past.

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The next year, the TPAC officially opened its doors, but the brand-new John H. Williams Theatre was already taken, so the show was presented in the Liddy Doenges Theatre, then known as Studio One Theatre. That year, a local newspaper reviewer suggested the show should become a Tulsa tradition. The following year, the show moved to the John H. Williams Theatre, where it has taken place every year since — except for last year — becoming the tradition it was predicted to be. Since then, it has done a stint in the Tulsa Theater, and during the pandemic, it was presented in movie format at the Admiral Twin Drive-In. This year, the production will make its triumphant return to its long-time home in the TPAC. The beautiful set has gotten a facelift, the fabulous

period costumes pulled from wherever they’ve been stored for far too long, and many new faces have joined the longstanding tradition. But this year will feel markedly different for all involved. ATC’s “A Christmas Carol” has lost two crucial family members. Rick Averill, half of the team responsible for bringing this magical show to life, has been lost since the last time the show took the stage. His incredible talents gave the show its music. Robert Odle, Averill’s creative partner, adapted the story to the stage and wrote many of the lyrics that accompany Averill’s music. The show holds a special pace in Odle’s heart, largely for that reason: “Rick was a musical genius, whom I collaborated with on several musicals. I have always loved the story of


‘A Christmas Carol.’ … It is a warm, uplifting, and amusing story as Dickens wrote it, and I think the script embodies that spirit. It is also dear to my heart because it is a musical, not a play with music. Many theaters around the country do versions of the story and include music, but our version is written as a true musical.” Additionally, long-time director Ed Durnal has also passed since the last presentation of the show. Durnal had directed the production for over 15 years, finding ways to keep the tradition fresh and rejuvenated each year. This year, the show takes the stage without the direction of Durnal, but the new director, Laurie Carlson, learned from Durnal himself and is definitely up for the job: “I worked with Ed Durnal for 10 years on this show, the last several as production stage manager, which means we were pretty much joined at the hip from October through December. We had many conversations about the evolution of the show since his return to Tulsa and the elements that make it so consistently beautiful and how we can continue to keep it fresh. Because of those conversations, I feel that everything I do now is still inspired by Ed and his unwavering love for this production. It’s definitely a bittersweet experience this year, and I do spend a little time each night alone before I dive in with the cast to get my emotions in check.” Though the production is missing long-time pieces of the magic, along with Carlson, another familiar face is returning. Karl Krause has been a part of the cast since 1977, missing just the opening year: “I was introduced to a very young theatre group called American Theatre Company in 1977 by a high school acquaintance Danny Roberts, who was the brother of Kitty Roberts, the producing director. I showed up at auditions at the beautiful Mayo Hotel in the Crystal Ballroom. I read for and landed the role of Scrooge’s old business partner Jacob Marley. It was the first of many parts I’d play with ATC, and in 1979 I became an official member of ATC’s professional staff. We were building sets by day, doing shows by night.”

Karl Krause as Jacob Marley

Tiny Tim and Bob Cratchit

Working on the first presentation in 1776.

After a few years of playing Marley, Krause took on the role of Scrooge — quite a character jump for a young man in his mid-twenties: “And here I still am. I don’t have to work nearly as hard on the age makeup and mannerisms now ... .” All three of those quoted above mentioned that the cast and crew of the show have become like family. According to Krause: “We are one big extended family with hundreds of members. If there is one thing that keeps me and several others coming back year after year, it is the deep sense of love and family that this production brings to life for so many.” He continues: “This last year was a devastating year for many individuals and businesses, and live entertainment companies and venues have suffered greatly due to the many shutdowns, closings and isolation of the recent pandemic. We lost Rick Averill this year, along with Ed Durnal, who had directed the show for many years. “These two dear friends and very important members of the ATC family

will be truly missed and lovingly remembered and honored this year, next year and every time we do this show.” What better way to have a life celebrated and remembered than through one of Tulsa’s favorite holiday traditions? The art and passion brought to Tulsa by these two artists will surely be remembered and celebrated for quite some time. Come see this tradition for yourself! It will be shown throughout much of the month of December in the TPAC’s John H. Williams Theatre, and it will also do a short stint at the Admiral Twin Drive-in for those who wish for a more distanced viewing.

A Christmas Carol Presented by American Theatre Company December 10-11, 15-18, 20-23 at 7:30 p.m. December 12, 19 at 2 p.m. JOHN H. WILLIAMS THEATRE De ce mbe r 2021 INTER MI SSI ON

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Sean Scheidt

THE CONCERT TRUCK Tulsa, the TPAC has a present for you! This holiday season, we are incredibly proud to bring you The Concert Truck! This mobile music venue consists of a converted 16-foot box truck, which comes complete with its own fully functional stage, lights, sound systems, a piano and two wondrously talented artists. It has toured across the country, performing concerts in city streets, music and arts festivals, schools, neighborhoods, parks and anywhere else one could think to park a truck. Nick and Susan — the wondrously talented artists we promised — have incredible backgrounds, touring all over the world and possessing aweinspiring lists of accomplishments. Nick Luby prides himself on being an artist who breaks boundaries and challenges the status quo. He has won prizes in numerous competitions, most recently the 2019 Prix Ravel. He has concertized throughout the U.S., France, Italy, and the Czech Republic, and his recordings have been broadcast on public radio. Acclaimed as a pianist with “astounding musical authority” by the 14

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Columbia Free Times, Susan Zhang made her orchestral debut at the age of 12 with the Augusta Symphony. She has since been featured as a soloist with the South Carolina Philharmonic, the Aiken Civic Orchestra, the University of South Carolina Symphony, and the Atlanta Symphony Youth Orchestra. She has performed in Kodak Hall at Eastman Theatre and Woodruff Arts Center as well as numerous other venues in North America, Europe, and Asia, and her recordings have been featured on SC Public Radio. The two and their truck feature original programming and have been featured by Voice of America – VOA, Minnesota Public Radio, the Washington Post, the Baltimore Sun, WYPR Maryland as well as many local TV news stations and online publications and syndicates. Why all the buzz and why are we so excited to bring them to you? We love putting art on our stages, but it is hard to be fully involved and engaged in the community from inside our own four walls. That is why we are taking the show

to as many areas in our community as possible. We want to share and create art in parts of our city that don’t always get to experience art and to as many diverse populations as we can. The Concert Truck is a perfect opportunity to do just that. The project was founded out of Nick’s and Susan’s love for music and their belief in its emotional power. Intended as a mobile music venue that strengthens communities by redefining the concert experience and making live music accessible to all, it engages diverse communities and audiences nationwide with thoughtful, timely programming. Want to see the concert truck in person? Stay tuned on our social channels and website for specific concert dates and locations. Want to help us create more incredible art in our community for more people than ever before? Visit the donation page on our website.

The Concert Truck Presented by the TPAC December 15-19 VARIOUS TULSA LOCATIONS


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TULSA SYMPHONY ORCHESTRA FULL ORCHESTRA CONDUCTED BY RON SPIGELMAN

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spotlight

O N U P CO M I N G E V E N T S

CELEBRITY ATTRACTIONS

MEAN GIRLS Direct from Broadway, MEAN GIRLS is the hilarious hit musical about a naïve newbie who falls prey to a trio of lionized frenemies. MEAN GIRLS “delivers with immense energy, a wicked sense of humor and joyful inside-jokery.” © 2019 Joan Marcus

January 4-6 at 7:30 p.m. January 7 at 8 p.m. January 8 at 2 and 8 p.m. January 9 at 1 and 6:30 p.m. CHAPMAN MUSIC HALL

THEATRE TULSA

TULSA TOWN HALL

THE SOUND OF MUSIC

KARL ROVE

The timeless classic every family can enjoy! Open-hearted Maria frees the Von Trapp family from rules and regulations with joy, laughter, and music. Guaranteed to be one of your favorite things. January 14-15, 21-22, 28-29 at 8 p.m.

Karl Christian Rove is an American Republican political consultant, policy advisor and lobbyist. He was senior advisor and deputy chief of staff during the George W. Bush administration until his resignation on August 31, 2007. The man with the plan will be sharing his wisdom with Tulsa.

January 16, 23, 30 at 2 p.m.

January 14 at 10:30 a.m.

JOHN H. WILLIAMS THEATRE

CHAPMAN MUSIC HALL

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • 918-596-7111 De ce mbe r 2021 INTER MI SSI ON

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spotlight

O N U P CO M I N G E V E N T S

TULSA SYMPHONY ORCHESTRA

FOLK DANCES Principal Guest Conductor Daniel Hege returns to the Tulsa Performing Arts Center stage for Folk Dances: “London” Symphony! This exciting program features fiery works such as Bartok’s Romanian Folk Dances, Vaughan Williams’ Tuba Concerto, featuring Principal Tuba – Jarrod Robertson, Britten’s Simple Symphony, and Vaughan Williams’ Symphony No. 2 “London!” January 15 at 7:30 p.m. CHAPMAN MUSIC HALL

WORLD STAGE THEATRE COMPANY

TULSA SYMPHONY ORCHESTRA

THE SONG OF JACOB ZULU

STAR WARS IN CONCERT

Nominated for six Tony Awards, including Best Play, The Song of Jacob Zulu tells the story of a young South African man accused of a senseless act of terrorism that claimed black and white lives alike during the height of apartheid.

Experience Star Wars like never before! Jump in the Millennium Falcon and journey to Tatooine, Alderaan and beyond with a complete showing of Star Wars: A New Hope in high-definition, on a giant screen, with John Williams’ Oscar® winning score played live by the Tulsa Symphony Orchestra.

January 27-28, February 4 at 8 p.m. January 29, February 5 at 2 and 8 p.m. January 30, February 6 at 2 p.m.

January 29 at 7:30 p.m.

LIDDY DOENGES THEATRE

CHAPMAN MUSIC HALL

TULSA PERFORMING ARTS CENTER • TULSAPAC.COM • 918-596-7111 18

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Places to go BEFORE & AFTER THE SHOW

Downtown Tulsa’s award-winning restaurant, Juniper, changes with the seasons to bring guests creative, modern cuisine focused on delicious, locally sourced ingredients. Juniper boasts a beautiful and intimate downtown setting with its rustic brick columns, commissioned art by local artists, and a warm and inviting atmosphere.

PRHYME is an upscale and modern interpretation of the American steakhouse. Located in downtown’s Tulsa Arts District, PRHYME employs a highly hospitable, expert staff and features the best cuts of USDA prime beef in addition to an expansive wine program and cuttingedge private dining facilities.

JuniperTulsa.com • 918.794.1090

prhymetulsa.com • 918.794.7700

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NOW OPEN! An elevated and personalized shopping experience both functional and beautiful; feminine and bold. Dedicated to diversity, quality, authenticity, community and sustainability.

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calendar JANUARY CELEBRITY ATTRACTIONS

MEAN GIRLS January 4-6 at 7:30 p.m. January 7 at 8 p.m. January 8 at 2 and 8 p.m. January 9 at 1 and 6:30 p.m. Chapman Music Hall THEATRE TULSA

THE SOUND OF MUSIC January 14-15, 21-22, 28-29 at 8 p.m. January 16, 23, 30 at 2 p.m. John H. Williams Theatre TULSA TOWN HALL

KARL ROVE January 14 at 10:30 a.m. Chapman Music Hall

TULSA SYMPHONY ORCHESTRA

TULSA SYMPHONY ORCHESTRA

TULSA OPERA

STAR WARS IN CONCERT January 29 at 7:30 p.m. Chapman Music Hall

SPITFIRE February 5 at 7:30 p.m. Chapman Music Hall

EMMELINE February 25 at 7:30 p.m. February 27 at 2:30 p.m.

TULSA BALLET

THEATRE TULSA

VENDETTA February 11, 12 at 7:30 p.m. February 13 at 2:30 p.m. Chapman Music Hall

HEROES OF THE FOURTH TURNING February 25-26, March 4-5 at 8 p.m. February 27, March 6 at 2 p.m.

TULSA SYMPHONY ORCHESTRA

FOLK DANCES January 15 at 7:30 p.m. Chapman Music Hall

Various Tulsa Locations

FEBRUARY

TPAC TRUST BROWN BAG IT WORLD STAGE THEATRE COMPANY

THE SONG OF JACOB ZULU January 27-28, February 4 at 8 p.m. January 29, February 5 at 2 and 8 p.m. January 30, February 6 at 2 p.m. Liddy Doenges Theatre

TULSA OPERA BIG SING February 2 at 12:10 p.m. Westby Pavillion TPAC TRUST IMAGINATION SERIES

SCHOOL HOUSE ROCK February 4 at 7 p.m. John. H Williams Theatre

HOUSE NOTES

THE TULSA PERFORMING ARTS CENTER was dedicated in 1977, the fulfillment of many Tulsans’ long-held dream. Built with a combination of public and private funds, the facility is operated by the Tulsa Performing Arts Center Trust through a management agreement with the City of Tulsa. The TPAC Trust is a nonprofit organization of mayor-appointed citizens who lend expertise and guidance in promoting Performing Arts Center goals. Local arts organizations and entertainment promoters are the Center’s main clients. ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.-Fri. 9 a.m. to 5 p.m. Telephone 918596-7122. Fax 918-596-7144. Please subscribe to our monthly TPAC email newsletter online at TulsaPac.com. LOCATION. Downtown Tulsa at Third Street and Cincinnati Avenue, accessible from the Broken Arrow Expressway, Interstate 244, Hwy. 75 and Riverside Drive.

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PARKING. Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the TPAC. ADMISSION AND LATE SEATING. Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 30 minutes prior to curtain. The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theater or asked to take seats at the back if available. TICKET OFFICE HOURS are Monday through Friday 10:30 a.m. to 5:30 p.m. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall. The Second Street ticket office,110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre.

THEATRE NORTH

JITNEY February 12, 19 at 8 p.m. February 13, 20 at 3 p.m. Liddy Doenges Theatre

PHONE ORDERS. Call the TPAC ticket office, 918-596-7111. Outside Tulsa call 1-800-3647111. Nominal service charges are added to all phone and Internet orders. The TPAC ticket office accepts DISCOVER, MasterCard and VISA. Subscriber hotline: 918-596-7109. BUYING TICKETS ONLINE. Buy tickets at tulsapac.com using VISA, DISCOVER or MasterCard. Print your tickets at home or pull them up on your mobile device using the Tickets@Home option. Tickets will be scanned by ushers at the door. EXCHANGES. The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines. Otherwise, all sales are final. GROUP SALES AND BUILDING TOURS. Group discounts are available. Please call 918-5967109 for group sales assistance. Tours of the TPAC are offered free of charge and last approximately 45-60 minutes. Arrangements may be made by calling 918-596-7122.

CHAMBER MUSIC TULSA

CATALYST QUARTET February 27 at 3 p.m. John H. Williams Theatre

SERVICES FOR PERSONS WITH DISABILITIES. All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the TPAC elevators. Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the TPAC’s other theaters. The TPAC has a Listen Technologies RF system to assist the deaf and hard of hearing. It is available at coat check for Chapman Music Hall events. Ask the house manager on duty for equipment for the Williams, Doenges and Norman Theatres. Devices are provided at no cost. PLEASE NOTE: The TPAC is a tobacco-free facility. Smoking and vaping are not allowed, nor is the use of chewing tobacco. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.

Ticket prices are subject to change.



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