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contents TPAC Presents Straight No Chaser
insider
features
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Program Update Marquee Don Quixote Straight No Chaser The Concert Truck Brian Greene Honor, Americana: Price’s Symphony No. 1 Janet’s Planet Mean Girls: High School Edition
Mariachi Mixes with Symphony Celebrating Local Artistry Beetlejuice!
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January – February Events
Brown Bag It
Mariachi Vargas de Tecalitlán Castalian String Quartet Beetlejuice
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December Spotlight How the Grinch Stole Christmas BBI: Tulsa Festival Ringers A Christmas Carol
The Concert Truck
Nov 8 at 12:10 p.m. | Westby Pavilion Join us for Brown Bag It, our noontime concert series. Tickets are FREE! No need to reserve seats, just show up and enjoy talented pianists!
The Nutcracker JOIN US ON SOCIAL MEDIA
@tulsapac
INTERMISSION NOV 2023
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RENTAL PROGRAMS FROM STEINWAY & SONS
THE SIX MONTH “GET ACQUAINTED” PROGRAM STARTING AS LOW AS $69 PER MONTH.
This program allows piano students of all ages to learn on a beautiful new Steinway-Designed Boston or Essex piano. The cost is just 1.5% of the piano’s total value per month, for six months (plus tax and shipping charges). After six months, if you choose to purchase the piano, we’ll credit you the monthly rental costs. Even better, you’ll lock in the purchase price at the beginning of the rental agreement, protecting yourself against price increases. Finance arrangements often cost no more than the original monthly rental fee. And our Full Trade-Up Steinway Promise lets you trade in your piano in the future for 100% of the original purchase price toward a new Steinway or Steinway-Designed Boston or Essex piano of greater value.
To learn more about our rental program, contact Steinway Piano Gallery or visit steinwaypianos.com
STEINWAY PIANO GALLERY 3402 S. Peoria Ave. Tulsa, Ok 75105 T E L . (918) 516-1853
WWW.STEINWAYPIANOS.COM
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TULSA
110 E. Second St., Tulsa, OK 74103 918-596-7122 • TulsaPAC.com PUBLISHER Tulsa Performing Arts Center WRITER/EDITOR Amanda Nichols CREATIVE DIRECTOR Andrea Maduro ADVERTISING SALES Kaley Jobe CHIEF EXECUTIVE OFFICER Mark Frie CHIEF FINANCIAL OFFICER Jen Alden VP OF OPERATIONS Bryan Clemons VP OF DEVELOPMENT AND ENGAGEMENT Sara Phoenix DIRECTOR OF PROGRAMMING Terri McGilbra DIRECTOR OF COMMUNICATION Amanda Nichols TECHNICAL DIRECTOR Scott McLarty DIRECTOR OF TICKETING SERVICES Jeff Newsome DIRECTOR OF PATRON SERVICES Tosha Faith DIRECTOR OF COMMUNITY ENGAGEMENT Jeremy Stevens DIRECTOR OF DEVELOPMENT Blake Rowden DIRECTOR OF FACILITIES MAINTENANCE James Stewart
TULSA PERFORMING ARTS CENTER TRUST CEO Mark Frie CHAIR Julie Smith CO-CHAIR Ken Busby TREASURER Jen Alden SECRETARY Wendy Garrett TRUSTEES Billie Barnett, Mayor G.T. Bynum, Laura Creekmur, Linda Frazier, Kirk Hayes, Carlye Jimerson, Felix Jones II, Jay Krottinger, Martin Newman, Tina Peña, Hayley Stephens, Lori Decter Wright EMERITUS TRUSTEE Robert J. LaFortune
TPAC update The TPAC was built for everyone, and our mission to provide arts for all is alive and well in our Orbit Arts program. Because many of our fellow Tulsans don’t have easy access to our facility and all the amazing shows and events we present, we see it as our Sara Phoenix responsibility to make sure everyone in Tulsa can have access to special, varied arts experiences. Orbit Arts is our community-centered arts initiative that takes the arts to folks in different parts of our city.
photo by Nathan Harmon
is the official program of the Tulsa Performing Arts Center
To do that, we find incredible performance arts nonprofits already operating within our community and provide support by partnering with them to help their work grow and expand to reach more people. Our current partners are Northside Performing Arts Community, Tulsa People’s Orchestra, Ballet Folklórico Sol Azteca and LIFE Senior Services at East Side. We are also bringing The Concert Truck back to Tulsa this fall to present nine free concerts all over town — in places you might not normally see professional musicians on stage. And we can’t wait to bring back our Orbit Arts Festival in April, in which we open the doors to the TPAC and present a day of all types of performance arts completely free of charge to anyone who wants to come. Whether you’re in the building or in your neighborhood, we hope the arts are reaching you, your family, your friends, and others, because everyone deserves to have the arts in their lives.
Intermission is published monthly by the Tulsa Performing Arts Center Trust For advertising information, contact Kaley Jobe at kjobe@tulsapac.com. No part of this publication may be reproduced without the written permission of the Tulsa Performing Arts Center: 918-596-2368, anichols@tulsapac.com. INTERMISSION NOV 2023
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november events
Tulsa Ballet
TPAC Presents
Don Quixote
Straight No Chaser
Colorful, vibrant, romantic, high energy, spontaneous and exhilarating … those are just a few adjectives used to describe this visually stunning piece, based on the novel Don Quixote de la Mancha by Miguel de Cervantes. Follow the adventures of Don Quixote, and his trusted squire, Sancho Panza, as they set off in search of Dulcinea, the lady of Don’s dreams.
Straight No Chaser is the real deal, the captivating sound of nine unadulterated human voices coming together to make extraordinary music that is moving people in a fundamental sense ... and with a sense of humor. CHAPMAN MUSIC HALL November 7 at 7:30 p.m.
CHAPMAN MUSIC HALL November 3 at 7:30 p.m. November 4 at 7:30 p.m. November 5 at 2:30 p.m.
TPAC Presents
The Concert Truck The Concert Truck is its own music venue packed into one truck, and it also boasts two incredibly talented pianists ready to play classical music just for you. It will be rolling all over Tulsa, and you don’t want to miss it! Please see the tulsapac.com events page for a full list of dates and locations! November 8–12
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november events
Tulsa Town Hall
Brian Greene A world-renowned physicist and mathematician, Brian Greene is known for his groundbreaking research in cosmology, including the “Multiverse,” and his advances in understanding superstring theory — the idea that all particles are made of tiny vibrating strings of energy. The Washington Post has described Greene as “the single best explainer of abstruse concepts in the world today.”
Tulsa Symphony Orchestra
Honor, Americana: Price’s Symphony No. 1 This Veteran’s Day concert features music from American composers, George Gershwin, Aaron Copland, and Florence Price. Tulsa native Julian Thomas will be our narrator for the evening. Ward Stare, guest conductor. CHAPMAN MUSIC HALL November 11 at 7:30 p.m.
CHAPMAN MUSIC HALL November 10 at 10:30 a.m.
TPAC Presents: Imagination Series
Janet’s Planet Janet’s Planet: A Tour Through the Solar System travels at the “speed of thought,” introducing the wonders of the galaxy to families and young audiences throughout the country. The 45-minute interactive presentation engages and challenges students and is designed to inspire STEM potential in elementary school age kids. JOHN H. WILLIAMS THEATRE November 15 at 9:30 a.m. November 15 at 11:30 a.m. November 16 at 9:30 a.m.
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november events Theatre Tulsa Academy
Mean Girls: High School Edition A fetch opportunity to see the fiercely hilarious musical! Cady Heron may have grown up on an African savanna, but nothing prepared her for the treacherous world of high school! Music by Alan Menken, lyrics by Howard Ashman & Glenn Slater, book by Doug Wright. JOHN H. WILLIAMS THEATRE November 17 at 7:30 p.m. November 18 at 2 p.m. November 18 at 7:30 p.m. November 19 at 2 p.m.
Supermercados Morelos
Mariachi Vargas de Tecalitlán “Symphony meets Mariachi” A folkloric and classical fusion of Mexico’s greatest music performed by the best mariachi in the world. Mariachi Vargas de Tecalitlán will be accompanied by the Tulsa Symphony Orchestra under the direction of Maestro Hector Guzmán. CHAPMAN MUSIC HALL November 18 at 8 p.m.
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november events Chamber Music Tulsa
Castalian String Quartet Orlando de Lassus La nuit froide et somber, Charlotte Bray Ungrievable Lives (2022), Mendelssohn Quartet in F Minor, Op. 80, John Dowland Come, heavy sleep, Britten Quartet No. 3. WESTBY PAVILION November 18 at 7:30 p.m. and JOHN H. WILLIAMS THEATRE November 19 at 3 p.m.
Celebrity Attractions
Beetlejuice
It’s showtime! Based on Tim Burton’s dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes. With an irreverent book, an astonishing set, and a score that’s out of this Netherworld, Beetlejuice is “SCREAMINGLY GOOD FUN!”
CHAPMAN MUSIC HALL November 21 at 7:30 p.m. November 22 at 7:30 p.m. November 24 at 2 p.m. November 24 at 8 p.m. November 25 at 2 p.m. November 25 at 8 p.m. November 26 at 1 p.m. November 26 at 6:30 p.m.
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december spotlight Tulsa Symphony Orchestra
How the Grinch Stole Christmas Dr. Seuss’ How the Grinch Stole Christmas is a celebration of the holiday spirit no home should be without! Why is the Grinch such a grouch? No one seems to know until little Cindy Lou Who takes matters into her own hands and turns both Whoville and the Grinch’s world upside down, inside out and funny side up in her search for the true meaning of Christmas. CHAPMAN MUSIC HALL December 1 at 7:30 p.m.
TPAC Presents: Brown Bag It
Tulsa Festival Ringers Tulsa Festival Ringers Inc., Tulsa’s only auditioned community handbell ensemble, is more than a musical novelty; it is an ensemble of musicians who specialize in handbell ringing. The members are handbell directors and ringers from various churches throughout the Tulsa area who want to share their love of music and handbells. Their annual Christmas Brown Bag It show at the Tulsa PAC has become a seasonal favorite! Reservations required JOHN H. WILLIAMS THEATRE December 6 at 11:30 a.m. December 6 at 12:45 p.m. 10
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december spotlight
American Theatre Company
Tulsa Ballet
A Christmas Carol
The Nutcracker
A Christmas Carol has been delighting Tulsa audiences for over 46 years. A timeless tale of hope and redemption, this production represents community theater at its best. American Theatre Company’s own original musical, this production is truly “Made in Oklahoma.” It is written, composed, designed, acted, directed, and produced by Tulsans.
Following two years of record-breaking box office success, Val Caniparoli’s and Ma Cong’s energetic and colorful production of the holiday classic will delight Tulsa audiences of all ages. Join us for this story of a young girl’s magical journey on Christmas Eve, set in 19th century Germany.
JOHN H. WILLIAMS THEATRE
December 9 at 2 p.m. December 10 at 2 p.m. December 15 at 7 p.m. December 16 at 2 p.m. December 16 at 7 p.m. December 17 at 2 p.m. December 21 at 7 p.m. December 22 at 2 p.m. December 22 at 7 p.m. December 23 at 2 p.m. December 23 at 7 p.m.
December 8 at 7:30 p.m. December 9 at 7:30 p.m. December 10 at 2 p.m. December 12 at 7:30 p.m. December 13 at 7:30 p.m. December 14 at 7:30 p.m. December 15 at 7:30 p.m. December 16 at 7:30 p.m. December 17 at 2 p.m. December 19 at 7:30 p.m. December 20 at 7:30 p.m. December 21 at 7:30 p.m. December 22 at 7:30 p.m. December 23 at 7:30 p.m.
CHAPMAN MUSIC HALL
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A
unique fusion of cultures and musical styles is headed to the Chapman stage this month! Mariachi Vargas de Tecalitlán, México’s foremost mariachi band, is set to play with our very own Tulsa Symphony Orchestra. This amazing amalgamation is the brainchild of local musician, Hugo Salcedo. Salcedo, a classically trained singer and violinist, carries mariachi music in his heart, particularly the music of Mariachi Vargas de Tecalitlán. “I hated the violin. I wanted to learn guitar, but the school mariachi band already had too many, so I was forced to play the violin,” recounts Salcedo. He continues, “When I first saw the violin section of Mariachi Vargas live, I was transformed. I immediately shed all the aversion, laziness, and lack of motivation I’d had up until that point.” Founded in 1897, Mariachi Vargas de Tecalitlán is the mariachi band with the longest history in México and the world. Furthermore, the band’s ever constant pursuit of excellence has resulted in them holding the title of World’s Best Mariachi since the 1950s.
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Mariachi music is popular music interpreted with great complexity, heart and passion. In the case of Mariachi Vargas, whose members are masterful musicians, they can easily accompany even the most veteran of artists, which is something they have done with the likes of Andrea Bocelli, Luciano Pavarotti, Plácido Domingo, and many other well-known artists, symphonies and philharmonics around the world. Now, Tulsans are lucky enough to see them create this same magic in our own town with the Tulsa Symphony Orchestra. It promises to be a night unlike any other.
SUPERMERCADOS MORELOS PRESENTS
MARIACHI VARGAS DE TECALITLÁN Nov 18 at 8 p.m. Chapman Music Hall
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C E L E B R A T I N G
ARTISTRY Since there are already so many incredible local organizations working toward providing arts education and experiences, Orbit Arts was designed to work alongside those organizations to amplify the impact we can all have when we work together. This year for Orbit Arts, we’ve chosen four local arts organizations making amazing strides in their communities toward providing art to those who would not otherwise have access to it. By using our resources to support and assist these groups, we believe we can help them create arts education and opportunities for all. So, who are these groups? Read on!
Want to see our amazing partners in action? Keep an eye out this spring for word on this year’s Orbit Arts Festival on April 20!
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NORTHSIDE PERFORMING ARTS COMMUNITY Micah Wise started Wise Moves Dance Academy after seeing young dancers turned away from dance troupes. She realized she could not only give these young dancers an alternative outlet but also train them with the skills they’d need to get on the dance troupes they’d been turned away from. Now, with the support of Orbit Arts, Wise will be able to expand her vision and create the Northside Performing Arts Community, providing classes in everything from dance to culinary arts for those in kindergarten through 12th grade. They’ll even get a chance to show off their skills in creative productions and festivals.
INTERMISSION NOV 2023
LIFE SENIOR SERVICES AT EAST SIDE
TULSA PEOPLE’S ORCHESTRA Benjamin Ray, who marched with the Broken Arrow Pride Band in high school and now teaches at Central High School in Tulsa, believes in the power of music to bring people together. He believes in that power so much, he created an entire organization around the idea: Tulsa Peoples’ Orchestra.
LIFE Senior Services at East Side is an amazing activity center focused on providing an outlet for senior citizens who want to remain active and continue learning. With programs and activities covering everything from fitness to acting and improv, they provide a wonderful place to stay active and involved.
Ray realized that, once an individual left school, there wasn’t much of an opportunity to play a musical instrument unless you wanted to do it professionally. Tulsa Peoples’ Orchestra provides everyone who plays an instrument the chance to do it for fun, for fellowship and the chance to continue doing something that feeds the soul.
This year, with the help of Orbit Arts, LIFE Senior Services at East Side will be producing its second Broadway senior musical theatre experience! With a production crafted specifically for individual abilities and participation levels, those with all levels of interest and ability will be able to take part.
BALLET FOLKLÓRICO SOL AZTECA Ballet folklórico, “folkloric dance” in Spanish, is a collective term for traditional cultural dances that emphasize local folk culture with ballet characteristics — pointed toes and highly choreographed, exaggerated movements. Ballet Folklórico Sol Azteca is an incredible troupe of folkloric dancers here in Tulsa, dancing to help keep their cultures alive and flourishing. Once you’ve seen their beautiful costumes, smiles and dances, you won’t soon forget them.
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THIS ONE’S
FOR THE FANS BY PAGE LEGGETT | PHOTOS BY MATTHEW MURPHY Connor Gallagher knew fans of Beetlejuice, Tim Burton’s over-the-top 1988 movie, would have high expectations of the musical adaptation.
Beetlejuice choreographer Connor Gallagher aims to please diehard devotees of the film — and welcome new ones into the fold
musical also features a couple, Barbara and Adam Maitland, who fall to their deaths early in the show. Beetlejuice coerces them to haunt their former home’s new residents — the Deetz family. The Maitlands aren’t very scary, so they prove unsuccessful at haunting. It’s that combination of (lighthearted) horror and comedy that has endeared Beetlejuice to fans for 35 years. It’s not everyone who can look at grief with a sense of humor, but Burton manages the feat.
THE MOVIE ON STEROIDS “I wanted to tip our hat to fans and welcome those who are new to the story,” Gallagher said. “We had to hit all the moments that made the movie special and memorable for so many — but also expand it for a new medium.” But the choreographer also knew there’d be audience members who’d never seen the source material, and he had to wow them, too. Burton’s sweet but outré story concerns Lydia Deetz, an unusual teenager who’s grieving her recently deceased mother while also trying to get her dad to pay attention to her. The comically demonic Beetlejuice serves as both character and narrator. He breaks the fourth wall to speak directly to the audience and enlist us in his plans. With music and lyrics by Eddie Perfect and a book by Scott Brown and Anthony King, the 18
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The musical is not a rehash of the movie. “Very often with films adapted for the stage, you see a version of the movie on stage,” he said. “Here, Act I sticks pretty closely to the movie, but Act II feels almost like a fan-fiction expansion of it.” It’s the already oddball movie on steroids, Gallagher said. “That’s something people really enjoy about our show: It’s unexpected. It’s not what we traditionally see in a movie adaptation.” Gallagher’s biggest challenge: Adapting the material in a way that spoke to as many people as possible. “This was a cult film — even when it first came out,” he said. “And it
was only Tim Burton’s second film [after Pee-wee’s Big Adventure]; we were really just getting to know him as a filmmaker.” The movie quickly became known for its “visual style and kookiness,” he said. The musical had to retain the kookiness while saying something new. Accomplishing that took a coordinated effort. “We’re dealing with ghosts and paranormal activity and people who can shape-shift,” Gallagher said. “It required an uncommon level of collaboration among the illusion, puppet, costume, and lighting designers and me.” Besides being inspired by Burton’s colorful lunacy, Gallagher leaned into the musical score. “The score is so eclectic,” he said. “Part of that is because Beetlejuice the character has lived through many decades and eras of music. So many shows I do sit squarely in one specific style. But this show has elements of rap and ska; traditional old-school Broadway; and vaudeville-type music. The variety gave Gallagher a big playground in which to create. Something else about the show led Gallagher to an epiphany. “Because the show is built on the actors’ personalities, the comedy they bring to the piece inspired the work. If you saw Beetlejuice on Broadway or have seen any iteration of the show, it’s always going to be a little bit different depending on who’s playing the roles. The actors bring so much to the show.”
FROM A HAUNTED HOUSE TO THE NETHERWORLD “There’s a large, eclectic bunch of performers who take you on this journey to a haunted house and the netherworld,” he said. “We go to a bunch of places and introduce different characters throughout. It’s constantly changing and morphing, and that makes the show really fun for a choreographer.” It’s fun for the performers, too — which is not to say the dances are a cakewalk. Gallagher challenges performers with some manic maneuvers.
“That Beautiful Sound” at the top of Act II may be the biggest hurdle they face. “It’s a stamina challenge,” he said. “Beetlejuice has cloned himself, and all the Beetlejuices appear out of nowhere, and they have a giant house party with Lydia. It’s the first time Beetlejuice and Lydia really connect.” “These Beetlejuices are almost like The Walking Dead,” he added. “They can bounce off walls. They’re walking on their hands and doing extremely challenging lifts and singing all at the same time. And that number just goes on and on.” “I’m a dancer, as well,” he continued. “And I’ve been in many shows where there’s a chorusline aspect to the dances. It’s all uniformity, about blending in as part of an ensemble.” This is not that. This is about standing out. Gallagher asks the actors to bring their own personalities to their roles. It’s a rare challenge, he said — one that requires comedic chops as well as dance expertise. “Beetlejuice is sort of a hybrid of stand-up comedy and improvisation,” he added. “So even if you come to the show multiple times, it will be a little different every night. That’s really special. I’m excited for audiences to experience it.” If you’re not a fan already, you likely will be after seeing what Gallagher and his creative co-conspirators have conjured.
IT’S SHOWTIME! INTERMISSION NOV 2023
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Emily was abandoned by her mother So were her three sisters
CASA Volunt eer Steps in here
They live in four different foster homes And will likely never see each other again
A loving family adopts them a ll
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Tulsa’s favorite holiday tradition! DECEMBER 9-23
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calendar
JANUARY–FEBRUARY EVENTS
“You Can’t Stop The Beat” — The Company of Hairspray. Photo: Jeremy Daniel.
JANUARY Celebrity Attractions
Hairspray
CHAPMAN MUSIC HALL January 2 at 7:30 p.m. January 3 at 7:30 p.m. January 4 at 7:30 p.m. January 5 at 8 p.m. January 6 at 2 p.m. January 6 at 8 p.m. January 7 at 1 p.m. January 7 at 6:30 p.m.
Tulsa Youth Opera
Amahl and the Night Visitors
LIDDY DOENGES THEATRE January 6 at 2:30 p.m. January 6 at 7:30 p.m. January 7 at 2:30 p.m.
Tulsa Symphony Orchestra
Ebb & Flow: Brahms’ Symphony No. 3 CHAPMAN MUSIC HALL January 13 at 7:30 p.m. 22 INTERMISSION NOV 2023
Theatre Tulsa
Annie
JOHN H. WILLIAMS THEATRE January 19 at 8 p.m. January 20 at 8 p.m. January 21 at 2 p.m. January 26 at 8 p.m. January 27 at 8 p.m. January 28 at 2 p.m. February 2 at 8 p.m. February 3 at 8 p.m. February 4 at 2 p.m.
World Stage Theatre Company
Choir Boy
LIDDY DOENGES THEATRE January 26 at 8 p.m. January 27 at 3 p.m. January 27 at 8 p.m. January 28 at 3 p.m. February 1 at 8 p.m. February 2 at 8 p.m. February 3 at 3 p.m. February 3 at 8 p.m. February 4 at 3 p.m.
FEBRUARY Tulsa Town Hall
Roseanne Cash CHAPMAN MUSIC HALL February 2 at 10:30 a.m.
Tulsa Symphony Orchestra
Fantastique: Berlioz’s Symphonie Fantastique CHAPMAN MUSIC HALL February 3 at 7:30 p.m.
TPAC Presents: Imagination Series
Cat Kid Comic Club JOHN H. WILLIAMS THEATRE February 8 at 9:30 a.m. February 8 at 11:30 a.m. February 8 at 6 p.m.
Tulsa Ballet
Strictly Gershwin CHAPMAN MUSIC HALL February 9 at 7:30 p.m. February 10 at 7:30 p.m. February 11 at 2:30 p.m.
TPAC Presents
Ailey II
JOHN H. WILLIAMS THEATRE February 13 at 7:30 p.m.
Theatre North
Topdog/Underdog LIDDY DOENGES THEATRE February 17 at 8 p.m. February 18 at 3 p.m. February 24 at 8 p.m. February 25 at 3 p.m.
Chamber Music Tulsa
Danish String Quartet WESTBY PAVILION
February 17 at 7:30 p.m. JOHN H. WILLIAMS THEATRE February 18 at 3 p.m.
Celebrity Attractions
Mean Girls
CHAPMAN MUSIC HALL February 23 at 8 p.m. February 24 at 2 p.m. February 24 at 8 p.m. February 25 at 1 p.m.
Celebrity Attractions
My Fair Lady
CHAPMAN MUSIC HALL February 27 at 7:30 p.m. February 28 at 7:30 p.m. February 29 at 7:30 p.m. March 1 at 8 p.m. March 2 at 2 p.m. March 2 at 8 p.m. March 3 at 1 p.m. March 3 at 7 p.m.
TPAC Presents: Imagination Series
Call of the Wild
JOHN H. WILLIAMS THEATRE February 29 at 9:30 a.m. February 29 at 11:30 a.m. February 29 at 6 p.m.
HELPFUL INFO TPAC ADMINISTRATIVE OFFICES are located at 110 E. Second Street, Tulsa, OK., 74103-3212. Office hours: Mon.–Fri. 9 a.m. to 5 p.m. Telephone 918-5967122. Fax 918-596-7144. Please subscribe to our monthly TPAC email newsletter online at TulsaPAC.com. PARKING Convenient underground parking is located west of the building, accessed from Second Street. Event parking also is available in several lots across the street to the east and south of the TPAC. ADMISSION AND LATE SEATING Lobby doors open two hours prior to an event. Chapman Music Hall doors normally open 30 minutes prior to curtain. The remaining theaters open 30 minutes before curtain. Late seating is at the discretion of each sponsoring organization. Latecomers may be temporarily held out of the theater or asked to take seats at the back if available. TICKET OFFICE HOURS are Monday through Friday 10:30 a.m. to 5:30 p.m. In addition to regular hours, it opens two hours prior to curtain for events scheduled in Chapman Music Hall. The Second Street ticket office, 110 E. Second Street on the north side of the building, opens two hours prior to each curtain for tickets to events scheduled that day in John H. Williams Theatre, Liddy Doenges Theatre or Charles E. Norman Theatre. PHONE ORDERS Call the TPAC ticket office at 918-596-7111. Outside Tulsa call 1-800-364-7111. Nominal service charges are added to all phone and Internet orders. The TPAC ticket office accepts DISCOVER, MasterCard and VISA. Subscriber hotline: 918-596-7109. BUYING TICKETS ONLINE Buy tickets at tulsapac.com using VISA, DISCOVER or MasterCard. Print your tickets at home or pull them up on your mobile device using the print at home option. Tickets will be scanned by ushers at the door. EXCHANGES The ticket office gladly exchanges tickets to events with more than one performance, subject to certain guidelines. Otherwise, all sales are final. GROUP SALES AND BUILDING TOURS Group discounts are available. Please call 918-596-7109 for group sales assistance. Tours of the TPAC are offered free of charge and last approximately 45–60 minutes. Arrangements may be made by calling 918-596-7122. SERVICES FOR PERSONS WITH DISABILITIES All Performing Arts Center facilities are accessible to persons with disabilities. Please ask about wheelchair-accessible seating when purchasing your ticket. Parking is located on the street level of the parking garage near the TPAC elevators. Use the south elevator to reach Chapman Music Hall. Restroom facilities are located in the Third Street Lobby for Chapman Music Hall events, and adjacent to the John H. Williams Theatre Lobby for events in the TPAC’s other theaters. The TPAC has a Listen Technologies RF system to assist the deaf and hard of hearing. It is available at coat check for Chapman Music Hall events. Ask the house manager on duty for equipment for the Williams, Doenges and Norman Theatres. Devices are provided at no cost.
New shows are scheduled all the time on tulsapac.com!
PLEASE NOTE: The TPAC is a tobacco-free facility. Smoking and vaping are not allowed, nor is the use of chewing tobacco. Also, as a courtesy to the performers and audience, please turn off all audible message systems and cellular phones.
Events are subject to change
For more Visitor Information, please visit us at TulsaPAC.com.
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