The Magazine for LEGO® Enthusiasts of All Ages! Issue 63 • September 2020
9.95
$
in the US
Exploring Ryan Van Duzor’s Coral Reef! Colin Hemmen’s Brickiverse! John Klapheke’s Creations!
AND MORE!
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Issue 63 • September 2020
Contents From the Editor....................................................2
People Allen T. Hickmon: Building and Acting the Part......................3 Jessica Ferrell: Legends & Lore.................................................6 Colin Hemmen: Bringing Bricks to Life.................................12
Building Ryan Van Duzor’s Wonders of the Fragile Reef........................16
Eli Willsea: Microbuilding Master!................................24 Andrew Steele: Making Monsters!........................................30 Grant Davis: The Painted City..............................................38 Ian Hou: Ooo... .................................................................42 John Klapheke’s Adventures of Indiana Jones..................46 Mike Koppe’s Oblivion Sky Tower.......................................50
Bantha Bricks: The Razor Crest...............................................54 You Can Build It: Creative Blue Bricks Whale.......................60 Minifigure Customization 101: You Know, You’re Not so Bad for a Droid........................................................65
Community Building LEGO Legacy...................................70 Community Ads...............................................78 Last Word.............................................................79 AFOLs....................................................................80
People
Allen as Thanos.
With having a passion for LEGO and a desire to do movie accurate cosplay, I got together with my best friend and cosplay partner Brandy Donielle. We thought it would be cool to combine the two together at an upcoming event called Planet Comicon. I chose the topic of Avengers: Endgame since we cosplay Black Widow and Nick Fury. I had always done a LEGO booth each year at Planet, and ironically, I inadvertently met Brandy there, which we didn’t realize until a couple years later. I started off with a big mosaic of the Avengers: Endgame wording starting to fade away after the Thanos snap, along with a few other pieces to accompany the theme. The Tesseract build was one the specialty pieces on display. On the second day of the event, Brandy used her professional face painting and body art skills to transform us from Black Widow and Nick Fury into Thanos and Gamora. It’s not every day that you call upon someone of her expertise, especially with as busy a schedule as she has,
Allen T. Hickmon:
Building and Acting the Part! Article by Allen T. Hickmon Photography by Chris Hackett The Avengers logo mosaic.
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From left to right: Allen T. Hickmon, Brandy Donielle, and Derek Berdine at the display.
to help pull off the events that we do. I was also fortunate to have my photographer Chris Hackett capture us in our element. Everything was on point all the way down to the stones that Brandy adhered to the painted Gauntlet on my hand. Even though it was a fun time, we were more excited about the next LEGO Cosplay combination. Since the sequel to Jumanji was coming out later that year, and Brickworld Kansas City was premiering in our hometown, we started preparing the builds and costumes to debut at those events. I called in the skills of another builder and cosplayer to assist us. This time, it was Brandy Donielle as Ruby Roundhouse, myself as Franklin Finbar, and Derek Berdine as Professor Shelly Oberon. Derek and I had to build the iconic movie title lettering in order to pull the entire set-up together. I thought it would be cool to make a large hippo
The crew in front of the display.
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People
Baba Yaga. Opposite page: Baba Yaga and her home.
Jessica Farrell:
Legends & Lore! Article by Joe Meno Photography by Jessica Farrell
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For Jessica Farrell, LEGO building has become an important part of life. She started building at the age of four and went from building sets to building MOCs not too long after. She remembers asking for train and town sets for Christmas, building them all on Christmas Day, then breaking them up to build a giant space station the very next day! The only toy she ever wanted was LEGO so she could amass a parts collection for MOCs. In spite of her collecting, she eventually went to other things. After having a really long Dark Age, Jessica returned to building in 2014. After a chance meeting with an AFOL, she was introduced to the world of LUGs and she found her local LEGO group, brick.ie (the Irish LUG). “Once I had gathered enough courage to gate-crash a meeting, it felt like coming home.” she says. “The members of brick.ie were so welcoming and encouraging, I felt a sense of belonging straight away.” Having four generations of female artists in her family, she inherited some artistic talent, but she did not realize LEGO was her medium until she started building in earnest. She had been a qualified horticulturist and ran a garden nursery for many years. However, when her LEGO hobby started growing faster than her flowers, she started to take on commissioned builds and other LEGO-related work. About a year ago, she took the plunge and turned her hobby into a full-time job. (continued on page 10)
Baba Yaga
Building notes (by Jessica Ferrell): This piece is actually part of a series called ‘Legends & Lore’, on which I am currently working. The aim is to depict creatures or characters from folklore and legend around the world, some well-known, others less so. The Baba Yaga has roots in Eastern European culture and I remember reading the tale to my baby sister from an old children’s book which was translated from Russian. The book is long lost but this model is my portrayal of a story which thrilled, terrified and fascinated. I enjoy building in a variety of scales: microscale, trophy scale, minifig and larger. The advantage of going larger than minifig scale is that one can experiment with elements that would otherwise be out of proportion to the rest of the build. Of course, using the larger scale in a forest setting had its own challenges; for example, creating trees that looked reasonably proportionate to the scene without being wildly impractical! Other than the general consensus that she is a creepy looking old crone, descriptions of the Baba Yaga vary greatly from one story to another. I chose to drape her hunched form in black and hide most of her face beneath a cowl in order to convey a sense of the scary unknown. An overhead view of the layout. Another angle of the layout.
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Baba Yaga by her home.
Here There be Serpents!
Building notes: Also part of my ongoing ‘Legends & Lore’ series, this model is one that I was looking forward to creating for quite a while. The inspiration for the composition and color scheme came from the writings of Robin Hobb, author of the Liveship Traders series. Her description of the tangle of brightly colored serpents thrashing in the roiling sea was something I longed to bring into being. I hope I did her work justice! There are three more completed models in the Legends & Lore series: Phoenix at Sunrise, The Dragon’s Hoard, and Kyuubi no Kitsune. Five more are planned. Some views of the layout.
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People
Colin Hemmen:
Bringing Bricks to Life!
Article and Photography by Colin Hemmen
Colin Hemmen originally was featured in BrickJournal #37, showcasing his sculptures. Since then, what has he built? Colin reflects on his building and how he has progressed since we first saw him. It’s really great to be back gracing the pages of BrickJournal magazine. And let me start by saying a big thank you again for the opportunity to be a part of this lovely publication. With that being said, the first time I was asked if I wanted to be featured, the whole AFOL world was unknown to me. So let me bring everyone up to speed. Since our very first meeting at BrickCon a few years back, I felt like I was welcomed into a new family. And that family just keeps getting bigger. One thing I noticed right off the bat was how friendly all the other builders and fans of the hobby were with one another. And that was right up my alley—a very inviting feeling. One of the very next things I noticed was how all of these amazing creations looked great from all sides and angles. At the time, I was making a bunch of one-dimensional MOCs that looked great in pictures, but not so much from the sides or top/back. So I knew I had to step my game up. I have always loved drawing and enjoy the challenge of trying to accomplish that using LEGO bricks. Nine times out of ten, I don’t have something specific planned for a build. I’ll see a piece and get an idea from the elements—like how a minifigure’s hair might make for a good nose.
People
Ryan Van Duzor’s
Wonders of the Fragile Reef Article by Joe Meno Photography by Ryan Van Duzor and the LEGO House
The coral reef is one of the most beautiful places on the planet. Under the sea, colorful anemones shelter clownfish, while moray eels watch schools of fish swim by. Jellyfish lazily move by, propelled by the pulsing of their bodies. It’s an alien world that only a few people have gone to, and a world that Ryan Van Duzor built. His build, Wonders of the Fragile Reef, is a model of a reef and many of its denizens, and is a great showcase of LEGO building that is now at the LEGO House in its Masterpiece Gallery.
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Ryan, a high school and college science instructor, has been an AFOL for about six years. He restarted his building (he built when he young) when he started buying his daughter her first sets. Since then, he has built a variety of builds— usually big builds with small builds sprinkled in. Wonders of the Fragile Reef took over two years to build, but then took another eight months of additional building for the LEGO House. When asked about his building approach, Ryan replies, “I do all of my planning in my head, and much of the time spent on my MOCs is in the planning and piece-finding phase. I am a tactile builder and I don’t use computer programs. Visualization is the key to my building style. I will often have an image in my head, buy a bunch of pieces that I think might fit that image, and then sit and play with them until I find the look I want. This is not the most efficient approach, but I need the parts in my hands to start to figure out if they will work for my purpose.”
A diver brushes by a shark at the reef. A look from above the reef.
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People
Eli Willsea:
Microbuilding Master! Article by Joe Meno Photography by Eli Willsea Eli Willsea started playing with LEGO as a child, with his brother and neighbor, creating all sorts of random creations for their adventures, including fortresses, vehicles, and evil creatures to defeat. His favorite themes were Aqua Raiders and Knights Kingdom, and while he always tended to build “rainbow creations,” there always was a desire to take his building to the next level. The MasterBuilder Academy subscription sets, which came out in 2011, were the sparks that led him to build better. Eli received the first set as a gift along with a subscription from his grandmother. Reading through booklets that were in each set, he learned the importance of techniques like SNOT, how to color block, and why not to use BURPS. He also got a peek at some AFOL MOCs that he had previously only thought could be found at LEGOLand. Inspiration was already beginning to take seed in Eli’s mind. The next summer he visited his local fair which displayed some LEGO creations by a builder that later became his good friend, Grant Davis. Eli spent hours poring over Grant’s creations, examining all the details. Being fully inspired, Eli went home and built his first MOC. Ever since then he’s been building and steadily improving with no signs of stopping in sight! Since Eli started building MOCs, he has constantly been trying to improve and is always looking for ways to innovate using old and new LEGO elements. He started posting his creations on MOCpages, then moved to Flickr. The community on Flickr is where he developed a lot of his building technique and met many friends. With so many other builders that inspire him online, being in an environment where he can see their creations is priceless.
The Imaginary Islands This model is one of Eli’s newer works. Using only slope bricks and a couple of Technic supports, he makes a futuristic city that rises above a lush tropical island. The water is light blue plates covered with transparent light blue tiles that are round or rectangular, suggesting waves in a simple, elegant way. With microscale, it takes only a few special pieces to suggest scale. Cheese slopes become roofs or terrain with the change of its color.
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People
Andrew Steele:
Making Monsters! Article by Joe Meno Photography provided by Andrew Steele What would inspire a builder to make a monster? For Andrew Steele, it took a couple of TV shows. He saw the gorgonopsid on the BBC programs Primeval and Walking with Monsters, and decided to make one of his own. For him, this build wasn’t that far from what he usually builds. His favorite themes are Bionicle, Exo-Force and Ninjago, so making a creature isn’t something that is completely new. This time, though, he was building a creature that at one time was alive. Andrew needed to do some research about the creature, and went to the Melbourne Museum (in Melbourne, Australia) in 2018 to sketch and photograph the gorgonopsid skeleton they exhibited. After that, he drew up some ideas for the internal structure and then began to order parts from Bricklink. After a year of work, he presented the Fire Gorgon online. The model is 1.4 meters long (4.5 feet) and stands about 19 inches high at the forelegs. The head is .28 meters long (almost 11 inches).
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One of the sketches of the gorgonopsid.
Developing the jaws.
Building the Fire Gorgon entailed using Technic bricks and elements, which are designed for movement. Bionicle parts also used ball joints to attach, which allowed parts to be able to free rotate into a place. The Technic also served as a framework—the ‘skin’ of the beast is actually a patchwork of plating made by clipping, appropriately enough, dinosaur tails! After the scale was determined, the building started with the head. Using sketches and some clay modeling, Andrew was able to build a LEGO-based jawline. From there, the rest of the head was built and a set of cubic modules were developed for the body. These would be where the joints would be for the legs. Attaching the modules was a spine of squares that kept the shape of the beast and made attachment points for the skin. The head with ‘skin.’ Look closely and you’ll see the long curved tail inserted in a robot arm that is clipped to the lip line—actually a segment of flex tube.
People
Ian Hou’s Toy Story Alien.
Ian Hou:
Ooo... Article by Joe Meno Photography by Ian Hou
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Ian Hou has been building for only a few years but has already been displayed at the LEGO House. His work has a sense of fun that is shown in the surprises he places in his models. In the model showcased here, the Toy Story Alien has some places that can only be seen if the viewer looks at the back. BrickJournal talked to him about his building and his Toy Story Alien. BrickJournal: So tell us about yourself. How old are you and when did you start building? Ian Hou: I am a 39-year-old LEGO builder from Taiwan. I played with LEGO as a child, but went on to other things. In 2014, my brother gave me a LEGO set and hoped that I would assemble it. I clearly remember, it was the 10218 Pet Shop. It took me many days to complete it. I discovered the differences in types and colors of LEGO parts with my childhood memories during building. The ways of connection and the appearance of the final model are more refined, especially with the way the sign was built by stacking plates sideways. All of this reignited my passion for LEGO as a child. After finishing the Pet Shop, I bought a few LEGO sets and completed them according to the instructions. I bought the Creative Bucket 10681 at the beginning of 2014 to build my first creation, a sculpture of my Golden Retriever Astro. It was a very simple but important work for me. My models in that early period were small due to the limited quantity of pieces I had. My first relatively complete and satisfactory work was Shulers tool box, which is a mini-size tool box that contains a tape
measure, a screwdriver and a disassembler. Then I started to build my own creations with a few pieces. Since then, it has been six years of building experiences! What is you favorite theme? My favorite theme is Creator. The way the Creator series are built inspires more ideas from me. When assembling Creator Expert cars, particularly from 10220 Volkswagen T1 to the Ford Mustang 10265, I am able to appreciate the designer’s work and learn the building techniques and use them in my works. What models have you built? My creations can be classified into three categories. The first is related to everyday objects, such as the dragon boat for the Dragon Boat Festival, Frankenstein for Halloween, and Santa Claus for Christmas, among others. The second category is characters, such as Deadpool Duck, Rio Tsu Kankichi, the Incredibles, Niffler from Harry Potter, and others. The third and last category is animals, such as the Rooster, Cats in the park, Hedwig the white owl from Harry Potter, and Circus Animals.
Rooster.
Niffler (above), and Deadpool Duck (below).
Mr. Incredible and Jack-Jack.
Blue and Red slipper.
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Building
John Klapheke’s
Adventures of Indiana Jones Article by Joe Meno Photography by John Klapheke
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In 1981, Raiders of the Lost Ark was released. This movie quickly became one of the most popular movies of all time and led to a trilogy of films: Raiders, then Indiana Jones and the Temple of Doom (1984), and finally Indiana Jones and the Last Crusade (1989). 19 years later, the latest Indy film, Indiana Jones and the Kingdom of the Crystal Skull was released. The LEGO Group produced a wave of LEGO sets themed to Indiana Jones in 2008 and 2009, with all the films represented. In 2017, builder John Klapheke decided to build a set of vignettes for each Indiana Jones movie. Each one is a 3-D cut of a scene, fit to a 12 stud by 12 stud base. By using figures and various builds, John created scenes with action and amazing detail.
Building
The Sky Tower model.
Mike Koppe’s
Oblivion Sky Tower Article and Photography by Mike Koppe
A concept sketch of the setting.
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Mike Koppe, a sci-fi fan and LEGO builder, was inspired to build the Sky Tower from the movie Oblivion after watching the movie a few times. Wanting to match the movie setting, he also wanted the model to be displayed on a stand that would suspend it a couple of feet in the air. The resulting build used LEGO, glue, steel, and a little plexiglass, but is a stunning blend of building techniques. The build was initially designed on LEGO Digital Designer (LDD) to get an idea of how many different elements would be needed and how much it would cost. The part count initially came out to around 7800 elements. However, the final number of elements was considerably lower, about 7000. The parts that were removed were 2x2 inverse tiles, as it was intended that those parts were to smooth the bottom of the larger surface areas, such as the landing pad. At the beginning, hundreds of these elements are added throughout the building and it was discovered that the tiles would warp the structure of the model. This problem was solved by cutting gray baseplates to cover the bottom surfaces to replace the tiles instead. The plates benefitted from the support the baseplates gave and kept the ceiling plates thin at the same time. The gray baseplates were easy to cut to size by scoring with a sharp knife.
Community
Bantha Bricks:
The Razor Crest
Article by Steven Smyth, Bantha Bricks: Fans of LEGO Star Wars Photography by FX Manaud
Galactic greetings! I’m Steven Smyth from Bantha Bricks: Fans of LEGO Star Wars. Since the community’s founding in 2016, on an almost daily basis, I have witnessed amazing and creative Star Wars builds in the best Star Wars themed building brick group on Facebook. FX Manaud took on the challenge of building the Razor Crest from The Mandalorian and the final build looks fantastic. I thought it would be great to learn more about this talented builder and his custom LEGO build. Steven Smyth: How’s it going, FX? I know you have quite a following on your Papaglop page and everyone in Bantha Bricks has been in awe over your amazing Star Wars brick build of the Razor Crest among others, but for the uninitiated, please introduce yourself and tell us a little about what you do. FX Manaud: Hi, first, thank you for contacting me! My builder name is Papaglop, my first name is F-X, I was born in France 44 years ago but I moved to Canada ten years ago. I work in the video games industry. I played a lot with LEGO when I was a kid (Castle and Space era), but then I stopped when I got my first Nintendo and I did not touch a brick for 30 years. Then, my first daughter was born and we started building together, first with big Megabloks. At the time she could not pronounce “Block” and would say “Glop” instead, so when she wanted to play, she would say “Papa! Glop!” and the name stuck with me. Then we got her first real LEGO bricks, mostly used from the thrift store. Everything changed when my wife offered me my first real Star Wars set six years ago (the Millennium Falcon 7965) and then the same year she found me loads of used LEGO, an incredible haul for just $10 CAD with many old Star Wars sets in it. That is really what kickstarted my collection. I’ve been an AFOL since then: Building Star Wars sets and MOCs. Would you say Star Wars is your favorite theme? Or do you have a shocker for us?
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No surprise here. It’s Star Wars all the way: sets and MOCs and minifigs. I’m a fan of the movies/series/novels/comics, and when I happen to buy sets from other IPs, it’s always for parts for my Star Wars MOCs. I also buy Minecraft sets
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BRICKJOURNAL #65
Hollywood interviewer CHRIS MANN goes behind the scenes of TV’s sexy sitcom THREE’S COMPANY—and NANCY MORGAN RITTER, first wife of JOHN RITTER, shares stories about the TV funnyman. Plus: RICK GOLDSCHMIDT’s making of RUDOLPH THE RED-NOSED REINDEER, RONNIE SCHELL interview, Sheena Queen of the TV Jungle, Dr. Seuss toys, Popeye cartoons, DOCTOR WHO’s 1960s U.S. invasion, & more fun features!
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Holy backstage pass! See rare, behind-thescenes photos of many of your favorite Sixties TV shows! Plus: an unpublished interview with Green Hornet VAN WILLIAMS, Bigfoot on Saturday morning television, WOLFMAN JACK, The Saint, the lean years of Star Trek fandom, the Wrestlemania video game, TV tie-in toys no kid would want, and more features from FARINO, MANGELS, MURRAY, SAAVEDRA, SHAW, and MICHAEL EURY.
BrickJournal celebrates the holidays with brick sculptor ZIO CHAO, takes a offbeat look at Christmas with our minifigure customizer JARED K. BURKS, and decks the halls with the holiday creations of KOEN ZWANENBURG! Plus: “AFOLs” by cartoonist GREG HYLAND, step-bystep “You Can Build It” instructions by CHRISTOPHER DECK, and more!
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You Can Build It MINI Build Creative Blue Bricks Whale Design and Instructions by Christopher Deck
Hello everybody, and welcome to a special underwater building session in this deep sea-related issue of BrickJournal!
Parts List (Parts can be ordered from Bricklink.com
Deep sea is a popular and recurring theme in the LEGOÂŽ catalogue. We had many underwater action themes like Aquazone released in 1995 with a revival called Aquaraiders II in 2007. Between the two series there was Mission Deep Sea from 2002, a sub theme of Alpha team. Then in 2010 the Atlantis series was launched. Recently, in the year 2018, an Aquaman submersible set was released within the DC Super Heroes line.
Qty Color Part 2 Blue 99781.dat 6 Dark-Azure 87087.dat 8 Blue 3004.dat 2 Trans-Blue 3003.dat 2 Dark-Azure 3001.dat 1 Trans-L6t-Blue 6126b.dat 4 Medium-Azure 63868.dat
On the city-side of the portfolio, we had the Divers from 1997, continued in 2015 with the Deep Sea Explorers. Both city adventure lines came with nicely designed playsets. While the new Creator series had not been started yet, the predecessor, the Designer sets came with several underwater building sets. Creature started with several smaller creature sets, but the first deep sea dedicated creature sets were released in 2019 with Deep Sea Creatures (set 31088) and Underwater Robot (set 31090). The creatures within those two sets include a shark, lantern fish, crab, octopus, and a stingray—however, no proper whale. We will change this today by building an 18-studlong blue whale. All you need are two of the tiny Creative Blue Bricks sets (11006) which are new this year. Although the parts variety is very limited in those sets only containing 57 pieces, the whale using two of these sets looks pretty realistic and could be of use for an underwater diorama. Have fun building and enjoy exploring the ocean!
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by searching by part number and color)
2 3 2 4 4 2 8 8 2 2 2
Description Bracket 1 x 2 - 1 x 2 Down Brick 1 x 1 with Stud on 1 Side Brick 1 x 2 Brick 2 x 2 Brick 2 x 4 Minifig Flame with Rim Plate 1 x 2 with Clip Horizontal on End (Thick C-Clip) Dark-Azure 15573.dat Plate 1 x 2 with Groove with 1 Centre Stud, without Understud Blue 48336.dat Plate 1 x 2 with Handle Type 2 Blue 3022.dat Plate 2 x 2 Medium-Azure 3022.dat Plate 2 x 2 Blue 87580.dat Plate 2 x 2 with Groove with 1 Centre Stud Dark-Azure 3795.dat Plate 2 x 6 Blue 3040b.dat Slope Brick 45 2 x 1 Blue 3039.dat Slope Brick 45 2 x 2 Dark-Azure 3660.dat Slope Brick 45 2 x 2 Inverted White 98138p07.dat Tile 1 x 1 Round with Eye Pattern Dark-Azure 2412b.dat Tile 1 x 2 Grille with Groove
Building Minifigure Customization 101:
You Know, You’re Not so Bad for a Droid! Article and Photography by Jared K. Burks
IG-11.
I have been captivated by the Disney television series the Mandalorian, just as everyone else. This show has felt more like classic Star Wars than any of the following films. There are several archetype main characters for us all to enjoy; Din Djarin (The Mandalorian), IG-11, the Child (baby Yoda), Greef Karga, Kuiil, Cara Dune, and Moff Gideon. The interactions of these characters gives us the Hero, the Caregiver, the Innocent, the Scoundrel, the Regular Guy, the Explorer, and the Villain. Seven of the twelve common archetypes exists in this show with a few others darting in and out of individual episodes, which is likely why I enjoyed them so. For more information on these archetypes: https:// writerswrite.co.za/the-12-common-archetypes/ We are lucky LEGO has provided a version, or an easy to create version, of all these characters; or they soon will with the Razor Crest Set. Well, except one character: IG-11. This one figure is created very poorly, and I have labeled it as massively inadequate. LEGO has chosen to recycle the battle droid body far too frequently and has done so again here with an inverted 1x1 cone for a head. Not only is this barely recognizable, but it isn’t even printed well. LEGO could and should have done better. That being said, I will share my effort here, and while my version is not designed for a five-year-old, I believe it fits better into the theme and LEGOverse than does the battle droid-based figure. IG-11 Inspiration.
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In order to create my version of IG-11 you need to know how to extrude. Extrude means to “thrust or force out.” I have used Adobe’s Fusion 360 software to create my version of IG-11, and in almost every part of the figure a basic extrusion is all that is required to create the figure. Let’s go through the steps. I will break the figure into four basic parts—the head, torso, arms, and legs—and go through how I created each portion. All this said, for the IG-11 figure to fit into the LEGOverse, the custom IG-11 will need to be very similar to the battle droid in size and scale. IG-11 Render.
Render compared to LEGO Battle Droid.
Head I have built the head in two different ways to serve different purposes, but for this article, I am going to cover the more basic version. I merged the bottom of the head with the torso. The part attached to the torso has a small hole in the center to function as the swivel point for the upper portions of the head to rotate. There are two additional portions of the head: the eyestalks, and the telescopic optical sensor, which is attached to the top dome. The top dome has the central rod that travels through the center of the other pieces, allowing the head to rotate in any direction. Each of the parts of the head were created by extruding one part to create the base and then other parts to subtract the new portion from the main part. This can be slow and tedious as IF you create the smallest detail and honestly, YOU ENJOYED THIS PREVIEW, I initially made the eyestalks andCLICK optical sensors far ORDER too small. I had to scale THE LINK TO THIS ISSUE IN PRINT OR DIGITAL FORMAT! these up to allow them to print properly and not break when handling them. This came from trial and error in printing as I devised the correct solution. Parts of the IG-11 head. Head and Inspiration. The IG-11, IG-88, and several other parts found in the Cantina were all created from a combustion chamber from a Rolls Royce Derwent jet engine. (https://youtu. be/AmQl8khvVUE & https://makingstarwars. net/2013/12/a-very-brief-history-of-ig-88s-head/) How the parts of the head are kept together.
BRICKJOURNAL #63
UNDERSEA LEGO BUILDING! RYAN VAN DUZOR’s Coral Reef, the many creations of COLIN HEMMEN’s Brickiverse, plus a look at JOHN KLAPHEKE’s scenes from the Indiana Jones movies! Also: “AFOLs” by GREG HYLAND, “You Can Build It” instructions by CHRISTOPHER DECK, BrickNerd’s DIY Fan Art with TOMMY WILLIAMSON, Minifigure Customization with JARED K. BURKS, and more! (84-page FULL-COLOR magazine) $9.95 (Digital Edition) $4.99
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