BIG TOP TENT EVENT
line upon line presents
upstream DEC 17 & 18
TEXAS PERFORMING ARTS
Welcome to the Texas Big Top Tent Thank you for supporting Texas Performing Arts as we navigate the challenge to safely connect our community to live performance. Your participation is an investment in the programming we look forward to bringing you inside our theaters in the future. Texas Performing Arts Executive Director and Tony AwardŽ winning producer, Bob Bursey, is excited to bring line upon line percussion’s first performance of upstream live under our Texas Big Top tent. We are dedicated to providing access to amplify, connect, and explore a safe and inclusive creative home for the broadest possible expression of artists and audiences.
Photo by Trent Lesikar
Thank you for spending time with us.
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In this issue
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“go, listen, and be changed” — the Boston Globe
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About line upon line
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Building a Bridge with Robots
line upon line presents upstream
About the Artists
SPECIAL THANKS TO
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Dec 17 & 18, 2020
line upon line presents
upstream season 8, show 1
Adam Bedell percussion
Cullen Faulk percussion
Matthew Teodori percussion
Natalie George lighting
Jordan Walsh audio
Myles Emmons projections STAY IN TOUCH lineuponlinepercussion.org Facebook (lineuponlinepercussion) Instagram (lulpercussion) Twitter (lulpercussion) 4 texasperformingarts.org
PROGRAM Kelley Sheehan (b. 1989)
Sentience (2020) *world premiere
Isaac Blumfield (b. 1996)
Sunken Landscape: thread of light (2020) *world premiere
David Bird (b. 1990)
decoder (2017) *US premiere
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ABOUT LINE UPON LINE
Photo by Gilles Toucas
Formed in 2009, line upon line is considered “a riveting, alwayssurprising and delightful trio� by the Austin American-Statesman. The Austin-based group has premiered nearly 50 new works for percussion by composers such as Aaron Cassidy, Laurent Durupt, Andrew Greenwald, Michelle Lou, Jessie Marino, Claudia Molitor, and Mauricio Pauly and has worked with composers at Stanford University, the University of Huddersfield, University of Liverpool, City University of London, and Monash University (Melbourne, Australia).
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Internationally, the group has performed at the Bendigo International Festival of Exploratory Music (Australia), Open Circuit Festival (Liverpool), in Basel (Hochschule für Musik), Berlin (Unerhörte Musik), Cologne (Loft Köln), Freiburg (Hochschule für Musik), and London (City, University of London) and
has taught at the Conservatoriums in Melbourne and Sydney, London (Guildhall School of Music & Drama), Manchester (Royal Northern College of Music), and Tours (Le pôle Aliénor). Nationally, line upon line has performed and taught in twenty-two different states, at two Percussive
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Arts Society International Conventions, at the 2017 Festival of New American Music (Sacramento), and The Myrna Loy Center (Helena, MT). In Texas, the group has taught at The University of Texas at Austin (Spring 2018) and performed at the 2013 and 2017 Fusebox Festivals,
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Menil Collection (Houston), Victoria Bach Festival, and International FestivalInstitute at Round Top. line upon line consists of its three original members, Adam Bedell, Cullen Faulk, and Matthew Teodori.
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ABOUT THE ARTISTS Kelley Sheehan is a
composer and computer musician moving between acoustic, electronic, electro-acoustic, and performance art works. In any medium, her work centers on noise, performance, and interaction. Her work has been described as “full of discovery, collaboration, and unpredictability” (Iannotta, Kyriakides, & Stäbler) with “woozy electronics” (LA Weekly). Named the prize winner of the Gaudeamus Award 2019 and awarded first place for the ASCAP/SEAMUS commissioning competition, she has also been awarded residencies and fellowships to Bang on a Can Festival, the 2019 National Composers Intensive with LA Philharmonic and International Contemporary Ensemble, among others. Her work has been presented at conferences such as New Music Gathering and series such as Omaha Under the Radar’s Generator Series. Her work and research has led her to study composition with composers of
various interests such as Sivan Cohen Elias, Marcos Balter, and Fredrick Gifford. She is pursuing a PhD in Composition at Harvard University studying with Chaya Czernowin and Hans Tutschku.
PROGRAM NOTE: Sentience is a piece written with line upon line for objects, snare drums, and tape. In the piece, there is an intentional consciousness in a dialogue between acoustic instruments, recorded sound, and the carefully mediated space between.
Isaac Blumfield is a
composer from Saint Paul, Minnesota. He writes music which explores gradations of resonance and texture through expanded approaches to playing instruments and making sounds. Isaac’s music tries to be places, sensations, and feelings in a way that is both present and withdrawn or mediated.
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Isaac tries to explore the inner lives of sounds, approaching them from different angles, like a 3-D object in shifting light. His music has been shaped by working with musicians such as Alinea Ensemble, Ensemble Modern, Valencia International Contemporary Ensemble, violinists Austin Wulliman and Chris Otto, flutist Carlos Aguilar, and Quartetto Maurice at programs such as New Music on the Point, the Banff
Centre for Creativity, Ticino Music Festival, Yellow Barn, and others. Isaac has been influenced by experiences learning from composers and mentors such as Chaya Czernowin, Marcos Balter, Sabrina Schroeder, George Lewis, Dmitri Kourlianski, Claire Chase, and Stefano Gervasoni. He studied composition at New England Conservatory with Stratis Minakakis and John Mallia.
PROGRAM NOTE: The internet is ubiquitous but largely experienced as immaterial. Often it is experienced like a ghost or spirit; an invisible, ethereal animating force rapidly reshaping what we think of as reality. While learning about the United States National Security Agency’s global spying program, exposed by Edward Snowden, I was struck by the descriptions of the physical infrastructure that makes the internet function. I knew nothing about the fiber optic cables buried at the bottom of the ocean which allow the internet to function across continents. These extremely thin cables send patterns of light across oceans, transmitting data. They create a web of wires wrapping around the world, like a sunken land-bridge. Our experiences, conversations, hopes, dreams, and intimate secrets are transmitted from one continent to another through these thin threads of light; they bind the world together in this strange, beautiful, and terrifying way.
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David Bird is a composer
and multimedia artist based in New York City. His work explores the dramatic potential of electroacoustic and multimedia environments, often highlighting the relationships between technology and the individual. His work has been performed internationally, at venues and festivals such as the MATA festival in New
York City; the Gaudeamus Festival in Utrecht, Netherlands; the Wien Modern Festival in Vienna, Austria; the SPOR festival in Aarhus, Denmark; the IRCAM Manifeste Festival in Paris, France; the Musica Electronica Nova Festival in Wrocław, Poland; and the Festival Mixtur in Barcelona, Spain. He has composed and collaborated with groups
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like the Ensemble Intercontemporain, the International Contemporary Ensemble (ICE), the Jack Quartet, the Bozzini Quartet, Yarn/ Wire, the Talea Ensemble, Mantra Percussion, the Mivos Quartet, the Austrian Ensemble for Contemporary Music (OENM), AUDITIVVOKAL Dresden, Ensemble Proton Bern, Loadbang, TAK Ensemble,
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andPlay, and the Nouveau Classical Project. He is a founding member of the New York-based chamber ensemble TAK, and an artistic-director with Qubit New Music, a non-profit group that curates and produces experimental music events in New York City. He currently teaches
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courses in Composition and Computer Music at Columbia University, Stevens Institute
PROGRAM NOTE: decoder explores how technology connects and disconnects individuals, examining the limits of human agency within complex and interdependent webs of social, economic, or technological structures. In the work, performers are depicted as independent actors locked in a unified system making steadfast decisions yet unable to recognize the full extent or reach of their actions. Each musician is equipped with, and performs on, an electric MIDI drum pad, and despite their most decisive performative intentions, the performance system arbitrarily decides what sounds are produced and how they are manipulated. The use of scrims and holographic projections further act to frame and connect the players on stage, but also serve to illustrate the distance and separation between the
of Technology, and Mannes Prep at The New School.
individual performers and the unified structure. “Technology ‘mechanizes’ everything it encounters. Wherever technology extends its reach, the machine model establishes itself. Everything, everyone, and every situation becomes something to be engineered, standardized, regularized — made to operate like a machine. Non-material technology mechanizes activities or behaviors. It is a mechanization of life through rationalization, organization, measurement, assessment, standardization, and statistical analysis. Organization as management or bureaucracy is simply a mechanization of human relations and activity.” In summary of Jacques Ellul’s “The Technological System” (1977) from J.M. van Der Laan’s “Narratives of Technology”
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Natalie George enjoys
making magic with light, producing unwieldy events in out-of-the-way spaces, and exploring conversation through performance. She was instrumental in the growth of the Fusebox Festival, working as the festival producer for ten years until 2014, when
she left to found Natalie George Productions. Natalie was chosen as the Best Out-There ProducerDesigner in the Austin Chronicle’s Best of 2017. Hopeful additional season dates: February 27–28 May 8–15
BOARD OF DIRECTORS
ADVISORY BOARD
Nicole Blair Michelle Cheng Michael Chesser Dr. Eric Drott Barbara Ellis Martha Hilley Alex McAlmon Norma Yancey
Ron Berry Dr. Thomas Burritt Brad Carlin Dr. Beth Dawson Aurel Garza-Tucker Natalie George Dr. Matthew Hinsley Dr. Craig Hella Johnson Dr. Ben King Dr. Steve Parker
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Work Smarter Ricoh’s innovative business services are empowering Texas Performing Arts, on and off the stage.
Spotlight on Ricoh's Interactive Whiteboard, which encourages innovative, engaging, hands-on collaboration.
Photo courtesy of ©Park Street Photography
Our experience and cutting-edge technology allows the real-time exchange of information and the ability to collaborate whenever, wherever and however—helping Texas Performing Arts to work smarter.
www.ricoh-usa.com
Proud Workplace Technology Provider of Texas Performing Arts
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Join us online every Wednesday @ 7 pm CT Win fun prizes like tickets to shows or autographed show posters! New theme every week! RSVP at texasperformingarts.org
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Building a Bridge with Robots University of Texas at Austin students enrolled in the Performance Robots course have been collaborating with AISD Metz-SĂĄnchez Elementary School to design robots that can be controlled remotely via the internet. On top of an already busy virtual-class-filled schedule, Eva Rosenthal,
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2nd grade teacher at Metz-Sånchez, enthusiastically agreed to be the robot club sponsor, and developed a STEAM-centered lesson plan for the club. The elementary students created initial drawings and stories, and the UT Austin students are bringing these robot designs to life in consultation and collaboration with their young design partners. Controllability and expressiveness to tell these robots’ stories guide all automation and
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fabrication decisions of our UT student team. The robots are making their debut performance in December, with their elementary school designers controlling them remotely via the web. This project unleashes creativity in the UT students as well as young learners. In this especially challenging time, we are exploring how simultaneously investing and elevating children and UT students’ creativity might support the mental
UT Robot Builder, Timmy, shows progress to young Robot Designer
well-being of all ages and inspire all those who watch the collaborative performance. Through this virtual collaboration, building hands-on, IoT (internet of things) connected projects, our multi-generational community of students will practice artistic expression, design, and storytelling. In these uncharted times, these little robots remind us of the power of collaboration and play, raising the spirits of us all.
This program is part of the Texas Performing Arts mission to enlighten, educate, and inspire young artists. To support work like this, visit texasperformingarts.org/support
Follow their work on the Texas Performing Arts Facebook and Instagram pages. texasperformingarts.org
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2020–21 ART EXHIBITION
Photo by Melinda Sue Gordon
ollywood’s Sistine Chapel: H Sacred Sets for Stage & Scene
Sep 10–Apr 4
McNay Art Museum San Antonio, TX CO-ORGANIZED BY THE MCNAY ART MUSEUM AND TEXAS PERFORMING ARTS
Six hand-painted, sound-stage backdrops from MGM Studios will “guest star” alongside exquisite artworks from The Tobin Collection of Theatre Arts. The backdrops, on loan from Texas Performing Arts, were created for MGM’s 1968 papal drama, The Shoes of the Fisherman. Nearly discarded, more than 200 backdrops were saved through the 2017 Art Directors Guild’s Backdrop Recovery Project. Texas Performing Arts owns 50 backdrops from Hollywood’s Golden Age of film for use in support of our educational mission.
Learn More MUSEUM TICKETS AT MCNAYART.ORG | FREE WITH UT STUDENT ID texasperformingarts.org
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VIRTUAL EVENT
Manual Cinema’s Christmas Carol
Dec 19 at 7 pm Dec 20 at 3 pm
In this world premiere online event created for audiences of all ages, interdisciplinary performance collective Manual Cinema takes on Charles Dickens’s holiday classic with a visually inventive adaptation made to broadcast directly to your home. Each show will be performed live in Manual Cinema’s Chicago studio in a socially distanced manner. In signature Manual Cinema fashion, hundreds of paper puppets, miniatures, silhouettes, and a live original score will come together to tell an imaginative reinvention of this cherished holiday classic.
TICKETS AT texasperformingarts.org
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“Working at TPA has helped me build my leadership and communication skills, not only in the scene shop, but across campus. Doing everything online during the pandemic has been very strange. I miss those quick conversations with people about the things I’m working on — the amazing projects in the TPA scene shop.”
— Julio Muñoz ’21
Photo by Vanessa Valle
Theatre and Dance student and 3-year TPA student employee
As you enjoy the performance tonight, we’d like to pause for a moment and thank you for helping make possible all of the wonderful things that happen on the stages and behind the scenes at Texas Performing Arts. You can help Julio and students like him by making your tax-deductible gift today! texasperformingarts.org/support
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LIVE from the DRAYLEN MASON January 29-31, 2021 • Virtual Celebration arTivisT nikkOLas smiTh
annE akikO mEyErs
miró quarTET
friday, jan 29
saTurday, jan 30
sunday, jan 31
Performance by Vadim Gluzman & Angela Yoffe
with Jason Vieaux Special Guest: Olga Kern
Plus, Exclusive Presentations & Encore Performances from: Austin Soundwaves · Draylen Mason Fellows Invoke · Matt Hinsley · Divas & Drinks · Graham Reynolds Austin Classical Guitar · Conspirare · Austin Opera Anthony Tobin · Steve Parker · Line Upon Line Percussion Artina McCain · Chorus Austin · Austin Chamber Music Center Austin Saxophone Ensemble · Mother Falcon
Tickets on sale now at OurConcerts.Live
kmfa.org/live
Texas Inner Circle Texas Performing Arts gratefully acknowledges the financial support of our donors. Each year, thousands of students throughout the region enjoy the performing arts thanks to your generosity.
Donations made as of Dec 3, 2020 Please note that the donor acknowledgment page is updated each semester. Texas Performing Arts values every gift received. However, we regret that limited space does not allow us to list every donor. For information on ways to give, please call the membership office at 512.232.8567 or email us at support@texasperformingarts.org
BENEFACTOR’S CIRCLE $6,000+
Julie and Steve Avery Jannis and Robert B. Baldwin III Dianne and Robert Brode Marianne and Mario Davila Joanne Guariglia Julia Marsden Eric and Angie Mischke Stephanie Perkins PRODUCER’S CIRCLE $3,000–5,999
Drs. Lynn Azuma and Brian Hall Christie and Jason Barany Carolyn R. Bartlett Edwina P. Carrington Suzanne and Bill Childs Matthew B. Ely Jessica and Marc Evans Susan and Lee Gammill Susan and Barry Goodman Juan M. Guerrero, M.D. Gladys M. Heavilin Chuck Ross and Brian Hencey Dan Jackson and Jeremy Guiberteau Gary C. Johnson Chris and Melissa Knox Cathy and James Kratz Gretchen and Lance Kroesch Sue and Gary Lowe Sheryl and Daniel McNichol Janis and Joe Pinnelli Linda and Robert Rosenbusch Kenneth Sandoval Carolyn and Marc Seriff Syd Sharples Barry Smith Kathleen and Gilbert Soto Laura and David Starks Shari and Eric Stein Louann and Larry Temple Carole Tower and Matthew St. Louis Rebecca and Scott Van Den Berg Annie Zucker
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DIRECTOR’S CIRCLE $1,500–2,999
Deepika and Somdipta Basu Roy Becky Beaver Robert Bloemhof Dave and Nancy Bourell Kara and Shelby Brown Kim and Thomas Reed Brown Shellie and Martin Campos Carol and Shannon Casey Sue and Kevin Cloud Anita and William Cochran John and Kim Coers Barbara Ellis and Alex McAlmon Kevin Espenlaub and John Hampton Laura L. Estes and Joyce A. Lauck Jim Ferguson and Art Sansone Pamela and David Frager Dr. Billy Franklin Sandra Freed Nancy Gary and Ruth Cude Cheryl and R. James George, Jr. Sharon and Bruce Golden Melissa and Rick Gorskie Karen and Rowland Greenwade Sven and Robin Griffin Cheryl Gross Richard Hartgrove and Gary Cooper Mary Ann and Dr. Andrew Heller Anne and Thomas Hilbert Amy and Jeffrey Hubert Admiral and Mrs. B. R. Inman Margaret Denena and Cliff Knowles Kelley Knutson and Carol Walsh-Knutson Sheila Kothmann Calvin and Donna Lee Sue and Larry Lewellyn Ellen and Richard Leyh Suzanne Lima Alaire and Thomas Lowry Gayle and Scott Madole Leora Orent and Art Markman Charles and Leslie Martinez Delores Massad Molly McDonald and Chad Hartmann Tom and Alexandra McKeone Monica and Robert Meadows Jennifer and Jim Misko Mary and Lynn Moak Amy Wong Mok Miriam and Jim Mulva Jennifer Nall Carol Nelson Meri and Don Nelson Paul Nelson and Jessica Shadoian texasperformingarts.org
Jeffrey Neumann Cathy Oliver Wayne Orchid Connie and Samuel Pate Michele and Roy Peck Shari and John Pflueger Javier Prado Debbie and Jim Ramsey Gina and Don Reese Alyssa Russell Nina and Frank Seely Tracey Sharples Trish and Brian Sierer Lorri Stevenson Austin Stitzer Bruce Stuckman Peter and Joan Swartz Nancy and Dr. Brent Talbott Erin Vander Leest and Tom Pyle Daniel and Sara-Jane Watson Chrissie Welty Susan and Chris Wilson with Bonita Grumme Dr. Lucas Wong and Dr. Lisa Go CENTER STAGE $600–1,499
Mark Aitala The Ballon Family Jana and Barry Bandera Travis and George Baxter-Holder Dr. Steven A. Beebe April Berman Carolyn and Jon Bible Carolyn and Andrew Birge Tim and Grizelda Black Denis Blake Stephanie and Michael Blanck Robert Bracewell Steve and Jen Braud Brook and Gerald Broesche Christopher and Tira Brom Janice and Charlie Brown Kimberly Brown Scott Brown and Cheri Lafrinea Kelli and John Carlton Kristen and Luis Casaubon Sam and Alison Clare Sarah Compton Jeanette Cortinas Elaine Daigle Wilma Dankovich Lorraine and John Davis Lisa and Paul Delacruz Lucy Ditmore Susan and David Donaldson
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Sharon Duboise Maria Dwyer Susan and David Eckelkamp Sheila Ellwood Rebecca Ewing Carol and Clint Fletcher Jane W. Fountain Katina and Matthew Gase Jon and Joanna Geld Sharon and Richard Gibbons Glenn and Nancy Gilkey Jana and John Grimes Maria Gutierrez and Peter Nutson Tizzle Bizzle Hallock Cindy and John Hanly Amy and Peter Hannan Darcy and Rick Hardy Family Jennifer and Randall Harris Michael Herman Robbi Hull Kathleen and Jim Jardine Susan and Richard Klusmann Jan and Orion Knox
Amy and David Lambert Melanie C. Lewis Nancy and Dale Lowe Peggy Manning Dr. and Mrs. Lawrence Masullo Sherry McKinney, PhD. Ford McTee Frances Ellen and Paul Metzger Pauline and Alfred Meyerson Mark Miller Natalia Morgan James W. Moritz Philip Neff Brian Neidig Margaret and Brian Nilson Dan and Deborah O’Neil Augustine Park Robert Pender Cindy Perez Tami Pharr Kari and Brian Phenegar Suzanne Pickens and Douglas Hoitenga Wanda Potts
Kate and Scott Powers Eric Rabbanian Dawn and Thomas Rich Susan E. Salch Julie and Richard Schechter Drs. Stacey and Andy Silverman Raymond Smith Steven Smith Nancy Whitworth Spong Karin and Robert Stern Geeta and David Suggs Judy and Jay Tarwater Bri Thatcher and Andy Modrovich Stacy and Michael Toomey Keith Uhls Cody Ulmer Saradee and Melvin Waxler Marie and Phil Wendell Leslie and Bryan Weston Michael Wilen Michael Wynn Mitch and Jeannette Young Timothy Young Micka and Richard Ziehr
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Director’s Council Volunteer Leadership in Action
The Texas Performing Arts Director’s Council is a group of dedicated donors, sponsors, and volunteers committed to presenting world-class performances, providing students access to every performance we present, and building the next generation of audiences, artists, and presenters. We are grateful for their extraordinary support and dedication. 2020–21 COUNCIL MEMBERS Robert and Jannis Baldwin Becky Beaver Edwina Carrington Marianne and Mario Davila Laura Estes and Joyce Lauck Cynthia Glover and Dwight Williams Joanne Guariglia Stephanie Guariglia Rob Hagelberg Rhonda Hall Dan Jackson and Jeremy Guiberteau Julia Marsden Ashlee Olsem Stephanie L. Perkins Rachel Tocker Rebecca Van Den Berg Annie Solomon Zucker Brian Zucker
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The Team Bob Bursey
PRODUCTION
PROGRAMS & EVENTS
Executive Director
Seb Boone
Amber Goodspeed
Tara Vela
Master Electrician
Events Manager
Scott Bussey
Tim Rogers
Technical Director
Assistant Director, Education & Engagement
Associate Director BUSINESS OFFICE
Kristi Lampi
Sarah Cantu
Business Operations Manager
Master Electrician
Leigh Remeny
Phoebe Greene
Administrative Associate, Business Operations
Event Operations Manager
DEVELOPMENT
Stage Supervisor
Sarah Weidler Young
Carolyn Hardin
Associate Director of Development
Natalia Morgan
Conrad Haden
Assistant Prop Shop Supervisor
Jason Huerta
Development Associate
Associate Scenic Studio Supervisor
GUEST SERVICES
J. E. Johnson
Sarah Andrews
Yvonne Kimmons
MARKETING
Assistant Director, Performance Logistics
Senior Graphic Designer
Erica De Leon Marketing Specialist, Digital Media
Talent Buyer
Brenda Simms Program Coordinator, Education & Curriculum Development TICKET OFFICE
Margaret Badasci Assistant Ticketing Services Manager
Dianne Whitehair Ticketing Systems Manager
Scenic Studio Supervisor
Guest Services Manager
Lizzie Choffel
Will Shirey
Kenny Kuykendall Assistant Audio Supervisor
Karen Maness Scenic Art Supervisor
Romina Jara
Ashton Bennett Murphy
Marketing Coordinator, Media Buying & Settlements
Hank Schwemmer
Assistant Scenic Charge Artist Master Carpenter
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Dinner, drinks and a show - Can tonight get any better? Located down the street from Bass Concert Hall, The University of Texas Club is the perfect spot for dinner or a drink before your show.
Contact us today to to see how we can enhance your show experience. 512.477.5800
*Some restrictions apply. See Club for details.ŠClubCorp USA, Inc. All rights reserved. 46661 1119 AJ
Support The 2020–21 Texas Performing Arts Season is made possible by generous support from our corporate and foundation partners.
As an educational institution committed to the free exchange of ideas, Texas Performing Arts is proud to present a rich array of performing arts for the Austin and Central Texas community. Sponsorship of Texas Performing Arts does not imply endorsement of artists or their performance content by sponsors or their representatives.
For Information on Corporate Sponsorship Contact Sarah Weidler Young, Interim Director of Development 512.471.1195 | syoung@texasperformingarts.org 32 texasperformingarts.org
THE FUTURE IS HERE THE NEW
SOUTH END ZONE
OPENS FOR THE 2021 TEXAS FOOTBALL SEASON. Donors can secure new premium seating opportunities today!
FOR MORE INFORMATION ON: Premium box seating Field club seats Contact the Longhorn Foundation at 512-471-4439
Become a Corporate Circle Member Members of the Corporate Circle enjoy VIP benefits while providing jobs for up to 70 students at Texas Performing Arts each year. With your support, students gain real work experience in every field from accounting to stage management, as well as professional mentoring, rĂŠsumĂŠ and job search support, and a paycheck to help cover the cost of a world-class education at The University of Texas at Austin. The Corporate Circle is a great way to enjoy everything that Texas Performing Arts has to offer today, align your brand with the cultural leader in Central Texas, and help students build a strong foundation for the future!
OVATION
Frost Bank ChemCentric APPLAUSE
K Friese and Associates Richie & Gueringer, P.C.
For information on the Corporate Circle contact Development at 512.232.8567
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