a
☞ Ardoise ptf
Ardoise ptf M Light Light Italic Regular Italic Bold Bold Italic Ardoise ptf b M ExtraLight ExtraLight Italic Demi Demi Italic Heavy Heavy Italic Ardoise ptf c M Thin Thin Italic ExtraBold ExtraBold Italic Black Black Italic Ardoise ptf Narrow M ExtraLight Regular Bold Heavy Ardoise ptf Narrow b M Thin Light Demi ExtraBold Black
Legal Copyright ©™ 1990-2010, Created by Jean Francois Porchez. Distributed exclusively by Porchez Typofonderie. All rights reserved.
Ardoise Light Ardoise Light Italic Ardoise Regular Ardoise Italic Ardoise Bold Ardoise Bold Italic Ardoise ExtraLight Ardoise ExtraLight Italic Ardoise Demi Ardoise Demi Italic Ardoise Heavy Ardoise Heavy Italic
a
☞ Ardoise ptf Narrow
Ardoise ExtraLight Ardoise Regular Ardoise Bold Ardoise Heavy Ardoise Thin Ardoise Light Ardoise Demi Ardoise ExtraBold Ardoise Black
Ardoise Thin Ardoise Thin Italic Ardoise ExtraBold Ardoise ExtraBold Italic Ardoise Black Ardoise Black Italic
L Support
W Buy the family
OpenType font families are compatible with Mac os and Windows platforms. Please consult our technical page for info concerning the language support, OpenType support, installation and use of these fonts. typofonderie.com/alphabets/technical/opentypesupport
Ardoise is available in 9 separate packs. License include up to 8 cpus users. Prices start from € 210 by pack. Various full sub-families offers available online.
Typofonderie info@typofonderie.com t 33 (0) 146 542 692
1
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11 December 2010
a
a
Ardoise Thin Ardoise Light Ardoise Demi Ardoise ExtraBold Ardoise Black
Ardoise Thin Ardoise Light Ardoise Demi Ardoise ExtraBold Ardoise Black
☞ Ardoise ptf Tight
Ardoise ptf Tight M ExtraLight Regular Bold Heavy Ardoise ptf Tight b M Thin Light Demi ExtraBold Black Ardoise ptf Compact M ExtraLight Regular Bold Heavy Ardoise ptf Compact b M Thin Light Demi ExtraBold Black
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Ardoise ExtraLight Ardoise Regular Ardoise Bold Ardoise Heavy
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☞ Ardoise ptf Compact
Ardoise ExtraLight Ardoise Regular Ardoise Bold Ardoise Heavy
Ardoise Typofonderie ☞ Ardoise ptf Large samples
Thin Bold Italic Tight Black Black Compact Thin Narrow Demi ExtraLight Italic Compact Black Tight Regular Narrow Bold
État d’urgence
A distinguished elegance
Olive Missile Shot Off Los Angeles
Politique
Decline of Latin diplomacy Enfant terrible of French literature
The Magazine
Spy on journalists 3 3
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☞ Ardoise ptf
$£© ab cdfeg ikjl
4
Glyph set
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☞ Ardoise ptf
$£© mnoprs 12345
Glyph set 2
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5
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☞ Ardoise ptf Narrow
$£© ab cdfeg ikjl
6
Glyph set
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ& 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ ⁰¹²³⁴⁵⁶⁷⁸⁹+−=⁽⁾₀₁₂₃₄₅₆₇₈₉+−=₍₎ abcdefghijklmnopqrstuvwxyz 01234567890123456789 ½¼¾%‰ ∆Ω∂∫∑∏πμ¤−+×÷=≠±√^<>≤≥~≈�¬∞ℓ°℮ §¶†‡*\/⁄№ªº®©�™¿¿?¡¡!.,:;• “”’”‘’‚„…_|¦‹«»›·-–—()[]{}@���������������()[]{}@ `�´�ˆ�ˇ��˜�¨�¯�˘�˚�˝�˙�¸˛� àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭįıijĵķĺľļłŀńňñņò óôõöōŏőøǿœŕřŗśŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþàá âãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭiįijĵķĺľļłŀńň ñņòóôõöōŏőøǿœŕřŗssśŝšşșťţŧùúûũüūŭůűųẁẃŵẅỳý ŷÿźžżŋðþÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ��ĜĞĠĢ ĤĦÌÍÎĨÏĪĬİĮIJĴĶĹĽĻŁĿŃŇÑŅÒÓÔÕÖŌŎŐØǾŒŔŘŖSSŚŜŠŞȘŤŢ ŦÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ
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☞ Ardoise ptf Narrow
$£© mnoprs 12345
Glyph set 2
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7
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☞ Ardoise ptf Tight
$£© ab cdfeg ikjl
8
Glyph set
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ& 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ ⁰¹²³⁴⁵⁶⁷⁸⁹+−=⁽⁾₀₁₂₃₄₅₆₇₈₉+−=₍₎ abcdefghijklmnopqrstuvwxyz 01234567890123456789 ½¼¾%‰ ∆Ω∂∫∑∏πμ¤−+×÷=≠±√^<>≤≥~≈�¬∞ℓ°℮ §¶†‡*\/⁄№ªº®©�™¿¿?¡¡!.,:;• “”’”‘’‚„…_|¦‹«»›·-–—()[]{}@���������������()[]{}@ `�´�ˆ�ˇ��˜�¨�¯�˘�˚�˝�˙�¸˛� àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭįıijĵķĺľļłŀńňñņòóôõöōŏőøǿ œŕřŗśŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþàáâãäāăåǻąæǽćĉčċçďđèé êěëēĕėęĝğġģĥħìíîĩïīĭiįijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗssśŝšşșťţŧùú ûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ� �ĜĞĠĢĤĦÌÍÎĨÏĪĬİĮIJĴĶĹĽĻŁĿŃŇÑŅÒÓÔÕÖŌŎŐØǾŒŔŘŖSSŚŜŠŞȘŤŢŦÙÚ ÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ
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☞ Ardoise ptf Tight
$£© mnoprs 12345
Glyph set 2
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9
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☞ Ardoise ptf Compact
$£© ab cdfeg ikjl
10
Glyph set
abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ& 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ ⁰¹²³⁴⁵⁶⁷⁸⁹+−=⁽⁾₀₁₂₃₄₅₆₇₈₉+−=₍₎ abcdefghijklmnopqrstuvwxyz 01234567890123456789 ½¼¾%‰ ∆Ω∂∫∑∏πμ¤−+×÷=≠±√^<>≤≥~≈�¬∞ℓ°℮ §¶†‡*\/⁄№ªº®©�™¿¿?¡¡!.,:;• “”’”‘’‚„…_|¦‹«»›·-–—()[]{}@���������������()[]{}@ `�´�ˆ�ˇ��˜�¨�¯�˘�˚�˝�˙�¸˛� àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭįıijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗśŝšşșß ťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþàáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭiį ijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗssśŝšşșťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþÀÁ ÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ��ĜĞĠĢĤĦÌÍÎĨÏĪĬİĮIJĴĶĹĽĻŁĿŃŇÑŅÒÓÔÕÖŌŎŐ ØǾŒŔŘŖSSŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ
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☞ Ardoise ptf Compact
$£© mnoprs 12345
Glyph set 2
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11
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☞ Ardoise ptf OpenType features standard all capitals feature all small caps feature standard superiors & ordinals standard ligatures minuscule tabular figures capital tabular figures capital figures minuscule figures standard superscript & subscript figures numerator & denominator figures standard fractions feature
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abcdefghijklmnopqrstuvwxyz- – — »›)]}@¡¿ abcdefghijklmnopqrst- – — »›)]}@¡¿ abcdefghijklmnopqrstuvwxyz)]}@ abcdefghijklmnopqrstuvwxyz no No 1a 2o abcdefghijklmnopqrstuvwxyz no No 1a 2o fffbffbfhffhfiffifjffjfkffkflfflftfft fffbffbfhffhfiffifjffjfkffkflfflftfft 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890 1234567890 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 ‰
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☞ Ardoise ptf OpenType features 2 standard discretionary ligatures standard historical forms standard stylistic set 1 stylistic set 2 stylistic set 3 stylistic set 4 swashes stylistic alternates standard
ornaments, stylistic set 5
13
ctstThct ctstThct s ſ acglCc acglCc acglCc acglCc acglCc acglCc acglCc 12345678<>+^−±×÷≤≥=~ abcdefghuvwx NOnlqstMUPSQDLVW 12345678<>+^−±×÷≤≥=~ abcdefghuvwx NOnlqstMUPSQDLVW
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☞ Ardoise ptf Stylistic sets Standard
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
a Stylistic set 1
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
ccC Stylistic set 2
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
g Stylistic set 3
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
l Stylistic set 4
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
acgl Stylistic set 1+2+3+4 or stylistic alternates
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific
Stylistic set 5 or Ornaments
I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of
Extract from an interview of Carol Twombly by Jean François Porchez published in french. Étapes magazine, 1997.
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☞ Ardoise ptf Tabular figures matching weights
M Tabular figures widths (in lining or oldstyle versions) are also compatible in theses weight combinations.
Thin
Thin Italic
ExtraLight
ExtraLight Italic
Light
Light Italic
Regular
Italic
Demi
Demi Italic
Bold
Bold Italic
ExtraBold
ExtraBold Italic
Heavy
Heavy Italic
Black
Black Italic
15
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☞ Ardoise ptf Narrow Tabular figures matching weights
M Tabular figures widths (in lining or oldstyle versions) are also compatible in theses weight combinations.
Thin
ExtraLight
Light
Regular
Demi
Bold
ExtraBold
Heavy
Black
16
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☞ Ardoise ptf Tight Tabular figures matching weights
M Tabular figures widths (in lining or oldstyle versions) are also compatible in theses weight combinations.
Thin
ExtraLight
Light
Regular
Demi
Bold
ExtraBold
Heavy
Black
17
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☞ Ardoise ptf Compact Tabular figures matching weights
M Tabular figures widths (in lining or oldstyle versions) are also compatible in theses weight combinations.
Thin
ExtraLight
Light
Regular
Demi
Bold
ExtraBold
Heavy
Black
18
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12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥
☞ Ardoise ptf Samples of dingbat weights
Thin
ExtraLight
Light
Regular
Demi
Bold
ExtraBold
Heavy
Black
19
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☞ Ardoise ptf Thin
a b cdefg h i j k l m n o p qrstuvwxyz 0123456789 abcd efg hi j k l mn opqrstuvwx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
20
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and
☞ Ardoise ptf Thin Italic
a b cd e fg hijklm nop q rstuvwxyz 0123456789 abc defghij kl mn o p qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
21
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical
☞ Ardoise ptf ExtraLight
a b c defgh i j k l mn op qr stuvwxyz 0123456789 ab cdefg hijk lmn opqrstuv wx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
22
In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reverIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise,
☞ Ardoise ptf ExtraLight Italic
a b c d e fghi j kl m nop q rst uvw xyz 0123456789 abc defg hij klmn op qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
23
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both
☞ Ardoise ptf Light
ab c d ef ghijklmnop qrst uv w x y z 0123456789 ab cd e fghi jk lm nopqrstuv wxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
24
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore
☞ Ardoise ptf Light Italic
a b c def ghi j k l mno p qrst uv wx yz 0123456789 abcde fg hi jk lmn op qrstuv wxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
25
In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and
☞ Ardoise ptf Regular
ab cde fghijklmno p qrstu vwxyz 0123456789 abcdefghijklmnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
26
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tenA new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield� However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to
☞ Ardoise ptf Italic
ab c defgh ijklmn op q rstuvwxyz 0123456789 ab cdef ghijklm nop qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
27
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s
☞ Ardoise ptf Demi
a b cdefg h ijklm n op q rstuvwxyz 0123456789 abcdef g hi jk l m nopqrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
28
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had
☞ Ardoise ptf Demi Italic
a b cd efg hijklm nop qrstuvwxyz 0123456789 abcdef ghi jklmnop qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
29
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that
☞ Ardoise ptf Bold
ab c d e f ghi j k l mno p qrstuvwxyz 0123456789 abcd e fg hi j kl mnopqrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
30
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished eleHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tenIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yieldHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods,
☞ Ardoise ptf Bold Italic
ab cdef g hi j kl mn o p q rstu vwxyz 0123456789 abcdef g hij k l m no p q rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
31
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decoIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had
☞ Ardoise ptf ExtraBold
a b cdefghijklm nop qr stuv wx y z 0123456789 abc defghijklm n opqrstuv wxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
32
In recent years, a However, most of the existing types were old-fashioned and not A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not
☞ Ardoise ptf ExtraBold Italic
ab c d e fgh i j kl mn op qr stuvwxyz 0123456789 abc defg hi jklmno p qrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
33
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished eleHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yieldHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working meth-
☞ Ardoise ptf Heavy
ab cd e f g h ijk lmn op qrst uvwxyz 0123456789 ab cdef g hi jk lmnop qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
34
In recent years, a However, most of the existing types were old-fashioned and A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were
☞ Ardoise ptf Heavy Italic
a b c def ghijklmnop qrstuv w x yz 0123456789 abc d efghi jk lmnop qrstu v wx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
35
In recent years, a However, most of the existing types were old-fashioned and not A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not
☞ Ardoise ptf Black
ab c d efg hi j kl mno p qrstuvwxyz 0123456789 ab cdefg hijkl mnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
36
In recent years, a However, most of the existing types were old-fashioned and A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. How-
☞ Ardoise ptf Black Italic
ab cde fg hijklmn o p qrst uvwxyz 0123456789 ab cdef g hijkl mnop qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
37
In recent years, a However, most of the existing types were old-fashioned and A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightHowever, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were
☞ Ardoise ptf Narrow Thin
a b c defgh ijk lmn o p qr st uvwxyz 0 1 2 3 4 5 6 7 8 9 abcdefg hijklmn op qrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
38
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest
☞ Ardoise ptf Narrow ExtraLight
ab c d efgh ijk lmnop q r stuvwxyz 0 1 2 3 4 5 6 7 8 9 abcd efg hijk lmn op q rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
39
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest
☞ Ardoise ptf Narrow Light
ab cd e fghij kl m nop q r stuvwxyz 0123456789 ab cd e fg hijk lmn op q rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
40
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new
☞ Ardoise ptf Narrow Regular
ab cdefghi j kl m no p qrstuvwxyz 0123456789 abcdefghijklmnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
41
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both
☞ Ardoise ptf Narrow Demi
a b cdefg h ijklmn op qrst uv wx y z 0123456789 abcdefghij kl mno pqrstuvwx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
42
In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reverIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise,
☞ Ardoise ptf Narrow Bold
ab c d e fgh ijklmno p qrstuvwxyz 0123456789 abcdefg hijk l m n o p qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
43
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s
☞ Ardoise ptf Narrow ExtraBold
a b cdefghi j k l mnop qrstu vw xyz 0123456789 abc d efghi jklmn opqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
44
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found
☞ Ardoise ptf Narrow Heavy
a b cde fg h i j kl mn op qrstuvwxyz 0123456789 abc d efghijk lmn opqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
45
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to
☞ Ardoise ptf Narrow Black
ab c d efg h ijk lm no p qr stuvwx yz 0123456789 ab cdefghij kl m n opqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
46
In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yield☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working
☞ Ardoise ptf Tight Thin
a b c defg hi j kl mno p qr st uv wx y z 0123456789 ab cd ef g hi jk l m nopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
47
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fraA new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have
☞ Ardoise ptf Tight ExtraLight
a b c defg hi j k l mn o p qr st uvw x y z 0123456789 abcd efghi jk lmnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
48
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these
☞ Ardoise ptf Tight Light
ab cde fgh ijk lmn op qrst u vwx y z 0123456789 abcdefghi jklmnopq rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
49
In recent years, a new tendency However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not
☞ Ardoise ptf Tight Regular
ab cd efgh ijklm nop q rstu vw xyz 0123456789 abcdefghijklmnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
50
In recent years, a new tendency However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and
☞ Ardoise ptf Tight Demi
a b cdefghijk lm no p qr stu vwxyz 0123456789 ab c de fg hi j k lmn opqrstuv wx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
51
In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, A new typeface had to be found with a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has
☞ Ardoise ptf Tight Bold
a b c de fg hi j kl mn op qrstuvwxyz 0123456789 abc d e fg hijklmn op qrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
52
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become
☞ Ardoise ptf Tight ExtraBold
ab c d efgh ijkl m n o p q rstuvwxyz 0123456789 abcd efghi jkl m no pqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
53
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust…
☞ Ardoise ptf Tight Heavy
ab cdefghijk lmnop qrst uv wx y z 0123456789 ab cdefghi jk l mno pqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
54
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both
☞ Ardoise ptf Tight Black
a b cde fg hijklmnop qr stuvwxyz 0123456789 ab cde fg hi j klm nopq rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
55
In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found with In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reverIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardo-
☞ Ardoise ptf Compact Thin
ab cde fghijk lm n op qrstuvwxyz 0123456789 ab cd ef g hij k lm n opqrst u v wxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
56
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new A new typeface had to be found with a design that corIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to
☞ Ardoise ptf Compact ExtraLight
ab cde fgh ijk lm n op qrstu vwx yz 0123456789 abcd efghi j k lm nopqrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
57
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new A new typeface had to be found with a design that corIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. HowHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility.
☞ Ardoise ptf Compact Light
ab cde fgh i j k l m n op qrstu vwx yz 0123456789 abcd efghi j klm nop qrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
58
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A A new typeface had to be found with a design that corIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s
☞ Ardoise ptf Compact Regular
ab cd efghi j kl mno p q r st uv w xyz 0123456789 abcdefghijklmnopqrstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
59
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A A new typeface had to be found with a design that In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reverHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles.
☞ Ardoise ptf Compact Demi
a b c defg hijk lmnop qrst uvwx y z 0123456789 ab c de fghijk lm no pq rstuvwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
60
In recent years, a new tendency has However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their A new typeface had to be found with a design that In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments,
☞ Ardoise ptf Compact Bold
ab c de fghijklm n op qrstuv wxyz 0123456789 abc defg hijklmn op qrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
61
In recent years, a new tendency However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to A new typeface had to be found with a design that In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not
☞ Ardoise ptf Compact ExtraBold
ab cd efgh ijklmn o p q r stu vw xyz 0123456789 abcd efg hij kl mn op qrstu vwxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
62
In recent years, a new tendency However, most of the existing types were old-fashioned and not adapted to today’s working methods, A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and
☞ Ardoise ptf Compact Heavy
ab cdefghi j k l mno p qrstuvwxyz 0123456789 abcd efghij k l m n o pq rstuv wx yz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
63
In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, A new typeface had to be found with a design In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has
☞ Ardoise ptf Compact Black
a b cde f g hijklm nop qrstu vwxyz 0123456789 ab cd efghijklmno p q rstuv wxyz &
40 pt
24 pt
18 pt
14 pt
12 pt with a selection of OpenType features
10 pt
8 pt – 6 pt
64
In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found with a In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed ☞ typofonderie.com
However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become