1 typefaces 2 logo / name 3 graphic elements 4 colour specifications 5 magazine template 6 creative categories
Identity Poster – Major Project Philipp Condrau Platform Corporate Typeface
Adobe Caslon Pro Regular – 60pt/72pt
Adobe Caslon Pro Italic – 60pt/72pt
Adobe Caslon Pro Semibold – 60pt/72pt
Adobe Caslon Pro Semibold Italic – 60pt/72pt
Adobe Caslon Pro Bold – 60pt/72pt
Adobe Caslon Pro Bold Italic – 60pt/72pt
"Hi, I am 21 years old and the main body text for the magazine."
Identity Poster – Major Project Philipp Condrau Platform Corporate Typeface
DIN Light – 60pt/72pt
DIN Regular – 60pt/72pt
DIN Medium – 60pt/72pt
DIN Bold – 60pt/72pt
DIN Black – 60pt/72pt
“GENIUS IS 1 PERCENT INSPIRATION AND 99 PERCENT PERSPIRATION.” – Thomas Edison
DIN Light – 10pt/12pt
DIN Regular – 10pt/12pt
DIN Medium – 10pt/12pt
DIN Bold – 10pt/12pt
DIN Black – 10pt/12pt
DIN, an acronym for the German Deutsches Institut für Normung (German Institute for Standardization), and the name of an increasingly large realist sans-serif typeface family. In 1936 the German Standard Committee selected DIN 1451 as the standard typeface for use in the areas of engineering, technology, traffic, administration and business. Among the other recommendations adopted by this committee was an early precursor to the typographic grid. The earliest version of a DIN typeface was released by the D Stempel AG foundry in 1923. Stempel’s design was based on a 1905 typeface for the Königlich Preußische Eisenbahn-Verwaltung (Royal Prussian Railway Administration) and was applied mostly to schematics and blueprints. This version later became the basis for DIN-Engschrift (Condensed). In 1929, the Berthold foundry released a version, and it, too, was used mostly for technical drawings. Both of the early DIN typefaces were made available as lettering templates cut from an acetate material for drafting use. Both of the earliest DIN typefaces were used primarily in oblique form. Popularity grew rapidly, once the DIN typeface was adopted. The most widely-used of the DIN-1451 group was DIN-Mittelschrift (Medium). It was released as a metal type, as acetate stencils for smaller applications, as larger metal stencils for application to vehicles and in train yards, and as cast metal lettering for street and building signage. Polish and Cyrillic variants of the face were developed in the 1940s. Though Bauhaus used a DIN-inspired logo in catalogs and in a periodical during the 1930s, DIN did not become popular in print until the 1960s. The transferable-letteringsheet company, Letraset made several variants available in the 1970s. By the late 1980’s, use of DIN typefaces were appearing in European and North American graphics work. In 1995, Dutch typeface designer Albert-Jan Pool drew a multi-weight version, eventually licensing it to FontShop International as FF DIN. The FF DIN family, unlike DIN 1451, uses simplified-standard weight names.
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Identity Poster – Major Project Philipp Condrau Grid Variations (graphic Element)
Creative students and Professionals – Platform for Publishing
A magazine's spine: The pages come together at the spine. The spine holds different articles, thoughts and pieces of work together.
spine |spīn| noun 1 a series of vertebrae extending from the skull to the small of the back, enclosing the spinal cord and providing support for the thorax and abdomen; the backbone. • figurative a thing's central feature or main source of strength : players who will form the spine of our team. • figurative resolution or strength of character. • the part of a book's jacket or cover that encloses the inner edges of the pages, facing outward when the book is on a shelf and typically bearing the title and the author's name. 2 Zoology & Botany any hard pointed defensive projection or structure, such as a prickle of a hedgehog, a spikelike projection on a sea urchin, a sharp ray in a fish's fin, or a spike on the stem of a plant. spined adjective [in combination ] : broken-spined paperbacks. ORIGIN late Middle English : shortening of Old French espine, or from Latin spina ‘thorn, prickle, backbone.’
Identity Poster – Major Project Philipp Condrau Graphic Elements
Visible Grids, used as graphic element to represent an important aspect of editorial design, aswell as networking, exchange.
Identity Poster – Major Project Philipp Condrau Graphic Elements
Identity Poster – Major Project Philipp Condrau Graphic Elements
Identity Poster – Major Project Philipp Condrau Graphic Elements
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Button Example Button Example
Example Drop down Button
Categorie 1 Categorie 2
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Symbols for userfriendly and simple interface actions, areas, not for categories.
Article 1 Graphic Design / Typography
Identity Poster – Major Project Philipp Condrau Graphic Elements
Identity Poster – Major Project Philipp Condrau Colour Specifications
Identity Poster – Major Project Philipp Condrau Colour Specifications
Primary Colours
C: M: Y: K:
0 0 0 100
R: 0 G: 0 B: 0
Students/Graduates Pantone Solid: 179 M C: M: Y: K:
0 79 100 0
R: 241 G: 93 B: 34
Professionals/Studios
Pantone Solid: 307 M C: M: Y: K:
100 16 0 27
R: 0 G: 120 B: 174
Identity Poster – Major Project Philipp Condrau Magazine template
Grids based on the symetrical grids (see graphic elements) Jan Tschicholds page Layout. 2-7 column grids, with baseline grid 10.8
Identity Poster – Major Project Philipp Condrau Magazine template
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Graphic Design
Graphic Design
Graphic Design
Graphic Design
Info Name: What? Where?
Identity Poster – Major Project Philipp Condrau Magazine template
Create Students’ & Professionals’ pages bound together.
GRAPHIC DESIGN EDITORIAL DESIGN
TYPOGRAPGHY ILLUSTRATION COMIC
ANIMATION
MUSIC
MINIMAL MUSIC STEFAN SAGMEISTER
SCOTT BELSKY
Identity Poster – Major Project Philipp Condrau Graphic Elements
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Academia Advertising Animation Architecture Art Direction Automotive Blogging Branding Calligraphy Caricature Carpentry Cartooning Ceramics Character Design Choreography Cinematography Claymation Comedy Computer Animation Confectionary Arts Consulting Copywriting Costume Design Crafts Creative Direction Culinary Alchemy Culinary Arts DJing Dance Design Digital Art Digital Imaging Digital Photography Directing Documentary Drawing Editing Editorial Design Engineering Enology (Wines) Entrepreneurship Exhibition Design Fashion Film Fine Arts Furniture Design Game Design Glass Blowing Graffiti Arts Graphic Design Hair Styling Ice Sculpting Icon Design Illustration Industrial Design Information Architecture Installation Design Interaction Design Interior Design Jewelry Design Journalism Landscape Architecture Leather Working Lighting Design Machinima Magic Makeup Arts Marketing Masonry Metal Working Millinery Motion Graphics Multimedia Music Music Composition Music Production Origami Package Design Painting Pattern Design
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Performing Arts Perfumery Philanthropy Philosophy Photo Illustration Photo Manipulation Photography Photojournalism Playwriting Podcasting Poetry Print Design Product Design Production Programming Publishing Puppetry Retouching Screenwriting Sculpting Set Design Singing Software Architecture Songwriting Sound Design Storyboarding Storytelling Street Art Styling Television Textile Design Theater Toy Design Typography Urbanism User Interface Design Video Arts Video Blogging Video Game Design Video Jockey Virtual World Design Visual Arts Visual Effects Web Design Web Development Wood Working Writing
Identity Poster – Major Project Philipp Condrau Grid Variations (graphic Element)