DISTURBED SOIL A NEIGHBORHOOD AT WHITE BAY
UNSW BA LARCH DESIGN REPORT GEORGINA PURKISS 2021
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I would like to acknowledge that this project is situated on Gadigal Land. I pay respects to elders of this land past, present and emerging. I also acknowledge the many Aboriginal and Torres Strait Islander People from many Indigenous Nations and pay respect to their strong living culture and their elders past, present and emerging. I would like to acknowledge that you cannot engage with the landscape without without engaging with aboriginal culture, people and country and you cannot engage with politics within the landscape without acknowledging our violent colonial history that has taken place on this land and the impact that ongoing systemic racism has on the lives of Aboriginal people. Gadigal Land has long been a creative and education hub for Aboriginal people and this project intends to support the inclusion and representation of Aboriginal people on their own land. The sovereignty of this land was never ceded and it always was, always will be, Aboriginal land.
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CONTENTS 01 02
INTRODUCTION Urban Political Ecology
05-07
PROJECT SCOPE AND OBJECTIVES
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Urban Context Fundamental Assets P.O.D Site Selection
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TEND: RESPONDING TO THE SITE Site Analysis Post Industrial Gardens (Precedent studies)
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05
MEND: REPAIRING THE LANDSCAPE Design Intent Design Principles
05
RENEW: DESIGN PROCESS Preliminary Timeline Phytoremediation Garden Artificial Sea-life Habitat Coal Garden
09-14 15-18 19-20 21 22 23-26 27-28
REGENERATE: DETAILED DESIGN
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Phase 1: Invisible Bloom Phase 2: Concreting community Phase 3: Inundated Energy REFERENCES
33 35-36 37-42 43-45 46-47 48
49-55 56-59 60-73 74
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30-31 32
3
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INTRODUCTION The theory of urban political ecology recognises that urban forms are created through patterns of relationships between social, economic and environmental processes. If this is the case, could a landscape lead precinct that prioritises ecological and cultural infrastructure create a more diverse and inclusive landscape so that the city remains a socially, economically, politically and ecologically viable space for all? Highly valued harbour landscapes such as Barangarroo and Pyrmont that have once been important locations for wharf work and working class culture in Sydney and are excellent case studies when predicting the business as usual approach to the renewal of White Bay. These places have seen a monumental physical transition since Aboriginal land management pre-1770 to the industrial revolution in the 19th century and until today. From the beginning of European occupation of the land, the waterfront landscape of Sydney harbour and its ecology has been intensely exploited and polluted by industrial activities. The land from has been cut into or filled and reclaimed, vegetation has been cleared, creeks concreted and soil and seas pollutes by heavy metals and chemicals. The European approach to land management is far from the traditional owners strong commitment to their role as custodians of the land and belief that if you take care of the land , it will take care of you. Understanding and owning what has happened to these places and giving people the agency to be involved in what happens to their own landscape is an important process in the healing of these landscapes. However, the waterfront of Sydney Harbour today keenly expresses Australia’s neoliberal political climate, with increasing imbalances of urban power over landscape power. The widely undesirable, noisy, dirty and polluted industrial landscapes of Sydney Harbour that were once central to the economic function of the city can barley be seen today and they are almost forgotten. These landscapes have been gentrified to become places you can visit, look at or purchase rather than live in, explore, create and activate. Landscape can be a driving factor for political and economic change as well as a limiting factor to change. By looking beyond sustainability and towards regenerative landscapes and providing people with the opportunity to be involved in the life of the city can promote transitional economies where there is a conversation between humans needs n and the ecology within the landscape. The landscape at the bays still functions today as an industrial site. The Bays West Strategy recognises ports and working harbour operations as a living powerful economic force while there is a need to include people to enhance the area’s life and vitality. This strategy has been vital to the vision for the this project and aims to integrate “maritime and industrial stories to shape an innovative and sustainable new place for living, recreation and working.” (Draft Bays West Place Strategy 2021). There is an opportunity to create a diverse mixed use precinct that balances political, cultural, economic and ecological forces. One of the great opportunities for the industrial site at White Bay is its “size, the way it is distinctively different from and embedded in the urban context” (Braae, Ellen 2015). Postindustrial sites often “cannot be re-inscribed in a production-bound situation again, but it is necessary to find new, positively associated uses for them. They are therefore obvious laboratories for projecting visions for the future based on a widely interpreted perspective of sustainability” (Braae, Ellen 2015). The role of post industrial sites projecting visions into the future is exceptionally relevant today with the 2021 United Nations Climate Change Conference cementing the urgent need for High emitters such as Australia to help climatevulnerable countries by taking quick and meaningful action against climate change. The post industrial landscape is first and foremost in need of healing and remediation while its urban context provides possibilities of redefining our production landscape to be sustainable and community orientated. This project will investigate through design how a mixed use precinct can strategically enhance equity and diversity so that the needs of both human and non human stakeholders are met and the harbour city remains a socially, economically, politically and ecologically viable space for all.
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SOCIO-POLITICAL LANDSCAPE DESIGN A STUDY OF THE POLITICAL IMPORTANCE OF DESIGNED LANDSCAPES
Georgina Purkiss z5165112
FRAMEWORK: We now find our selves well into the ecological epoch of the Anthropocentric, based on overwhelming evidence that the earths atmospheric, geologic, hydrologic, biospheric and other earth system processes are now altered by humans.(5) This is a unique point in history where our globalized economy has fabricated international challenges such as the very real threat of climate change. In response, the United nations has set 17 interlinked global sustainable development goals as a “blueprint to achieve a better and more sustainable future for all” (6). All of these goals are directly related to themes of social justice and deeply rooted in human activity. Landscape is complex construct consisting of the inter-relationships of space, systems and people. Much research in the landscape field is coined around environmental performance with landscapes categorised into subsequent ‘isms’ which too often “neglect aesthetic, cultural, social and political dimensions of some contemporary landscape urbanism projects.” (6) The idea that humans are separate from nature too often, cuts our ties with the landscape and undermines the political and social conditions that have catalysed the current geological age that we find ourselves in.
BARANGAROO HEADLAND PARK
LANDSCHAFTSPARK DUISBURG-NORD
A concrete container terminal “reborn” as a naturalistic rocky outcrop (1) LOCATION: Sydney, Australia
A parkland in which industrial use was taken, developed and re – interpreted with a new syntax, existing fragments were interlaced into a new ”landscape”. (4)
AREA: 6HA (1) DESIGNERS: Australian landscape architects Johnson Pilton Walker in association with US-based Peter Walker & Partners (2) BUILT: 2015
LOCATION: Duisburg-Meiderich, Germany.
LOCATION: New York, USA AREA: 3.75 km² DESIGNERS: collaboration between James Corner Field Operations (Project Lead), Diller Scofidio + Renfro, and Piet Oudolf. (4)
AREA: 180 HA (3)
BUILT: 2011
DESIGNERS: Latz + Partners BUILT: 2002
CHARACTER
CONTEXT
THE HIGH LINE
An elevated, linear park, greenway and rail trail created on a former New York Central Railroad.
1836 Headland (2)
2004 POST INDUSTRIAL SCAR Last used as a Ship yard (image source: Nearmap)
2015 Naturalised Headland park (2)
ROACH
RE-STYLING SYDNEY: THE GREEN LIFESTYLE
1901 demand for steel from the US and the German navy’s extensive shipbuilding plans led to the building of a blast furnace plant in Meiderich to produce pig iron
1985: Duisburg, was abandoned by the steel industry and began decaying
1991: Te design process for the new park began (image source: Nearmap)
MEMORY GARDENS FROM AESTHETIC ABANDONMENT
1934: The Hiline was operational, transporting millions of tons of meat, dairy, and produce (4)
1960s Train use dwindled due to the rise in trucking with all traffic stopped by the 80s (4)
The Highline today as a 1.45-mile-long greenway (4)
AN UNEXPECTED ECONOMIC ASSET
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The High Line is an accidental landscape produced by decades of abandonment and spontaneous plant growth. The redesign is suggestive of contemporary efforts to bring nature back into cities through the development of green space in degraded or abandoned urban sites. The purpose of
1836 Headland (2)
2004 POST INDUSTRIAL SCAR Last used as a Ship yard (image source: Nearmap)
1901 demand for steel from the US and the German navy’s extensive shipbuilding plans led to the building of a blast furnace plant in Meiderich to produce pig iron
2015 Naturalised Headland park (2)
BARANGAROO HEADLAND PARK
1991: Te design process for the new park began (image source: Nearmap)
LANDSCHAFTSPARK DUISBURG-NORD MEMORY GARDENS FROM AESTHETIC ABANDONMENT
A concrete container terminal “reborn” as a naturalistic rocky outcrop (1)
RE-STYLING SYDNEY: THE GREEN LIFESTYLE
LOCATION: Sydney, Australia
A parkland in which industrial use was taken, developed and re – interpreted with a new syntax, existing fragments were interlaced into a new ”landscape”. (4)
AREA: 6HA (1)
LOCATION: Duisburg-Meiderich, Germany.
DESIGNERS: Australian landscape architects Johnson Pilton Walker in association with US-based Peter Walker & Partners (2) CONTEXT
1985: Duisburg, was abandoned by the steel industry and began decaying
AREA: 180 HA (3)
BUILT: 2015
DESIGNERS: Latz + Partners BUILT: 2002
Winning competition entry (2006) by Hill Thalis Architecture + Urban Projects et al. This design acknowledged maritime and industrial history of Walsh Bay and Millers Point by maintaining shipping uses; celebrating the heritage of wharves, walls and buildings and marking the site’s history through strategic interventions (8) ‘from local Sydney talent who have a deep understanding of Sydney’s urban and natural form’ (7)
The design takes on an opposing approach to Sydney’s headland park by fusing remnants of the former plant with the historical memory of the site’s abuse. Visitors have the opportunity to re-appropriate terrain once controlled by industry. The park obscures the site’s social significance, thus affirming rather than contesting the destructive logic of industrial production.
1934: The Hiline was operational, transporting millions of tons of meat, dairy, and produce (4)
1960s Train use dwindled due to the rise in trucking with all traffic stopped by the 80s (4)
The Highline today as a 1.45-mile-long greenway (4)
THE HIGH LINE
An elevated, linear park, greenway and rail trail created on a former New York Central Railroad. LOCATION: New York,AN USAUNEXPECTED ECONOMIC ASSET
The High Line is an accidental landscape produced by decades of abandonment and spontaneous AREA: 3.75 km² plant growth. The redesign is suggestive of contemporary efforts to bring nature back into cities through the development of green space in degraded or abandoned urban sites. The purpose of DESIGNERS: collaboration between James Corner Field Operations (Project Lead), Diller Scofidio + Renfro, and the landscape is to “evoke socio-natural entanglement and creative engagements with urban abanPiet Oudolf. (4) donment” (11). The High Line is currently the most expensive park per acre in New York City. It BUILT: 2011 public and private investment, suggesting that new modes of public space prois funded by both visioning that are deeply tied into the mechanics of real estate speculation and development. The popularity of the highly managed park can be criticised in that the tourism value overshadows its relationship to neighborhood green space. Design moves: - Urban re-use - Recyclable and locally sourced materials to cut down their carbon footprint, - Avoiding the use of noxious chemicals and solvents in their maintenance operations and using native, - Drought tolerant, low maintenance species for creating habitats or a variety of wild-life species. - Green roof for absorption of storm-water
CHARACTER
The international success the park is due to its purposeful cultural rebirth of the Ruhr district’s industrial loci by celebration of aesthetic
DESIGN APPROACH
Revised design featuring a naturalistic park (2010). Controversially, the winning design was reduced to a concept plan. Prominent international designers Peter Walker and Richard Rogers were commissioned to produce a ‘natural headland’. Critique 2004 POST INDUSTRIAL SCAR 1836 Headland (2) 2015 Naturalised of the final design suggests that the political kudos of employing international designers and “natuLast used as a Ship yard (image source: Headland park (2) ralising” the harbor reduced landscape architectureNearmap) to a “simplistic nature-culture binary” (9)
Main design moves: - Historic preservation : the redign refers to thr sites themselves as defacto manifestations of German cultural history - Education through aesthetics - Creative reuse - Land Art Fashion
The design of Barangaroo Headland Park draws the conclusion that nature is the absence of humans. For the park to be naturalised must GREEN move beckLIFESTYLE in time. However, nature RE-STYLING SYDNEY:itTHE as a concept is not linear. It is a process made up of systems that live and die and thus the urban from can be seen as part of a natural system if we begin to see humans ad inseparable to nature.
by author
E FOR WHO?
Winning competition entry (2006) by Hill Thalis Architecture + Urban Projects et al. This design acknowledged maritime and industrial history of Walsh Bay and Millers Point by maintaining shipping uses; celebrating the heritage of wharves, walls and buildings and marking the site’s history through strategic interventions (8) ‘from local Sydney talent who have a deep understanding of Sydney’s urban and natural form’ (7)
Revised design featuring a naturalistic park (2010). Controversially, the winning design was reduced to a concept plan. Prominent international design-
1901 demand for steel from the US and the German navy’s extensive shipbuilding plans led to the building of a blast furnace plant in Meiderich to produce pig iron
1985: Duisburg, was abandoned by the steel industry and began decaying
1991: Te design process for the new park began (image source: Nearmap)
1934: The Hiline was operational, transporting millions of tons of meat, dairy, and produce (4)
1960s Train use dwindled due to the rise in trucking with all traffic stopped by the 80s (4)
The Highline today as a 1.45-mile-long greenway (4)
Gentrification through development and the landscape becomes a tourist destination MEMORY GARDENS FROM AESTHETIC ABANDONMENT AN UNEXPECTED ECONOMIC ASSET posing questions about ‘Urban grit’Line and decay The High is an accidental landscape produced by decades of abandonment and spontaneous social equity issues (4) becomes ‘trendyThe (4)redesign is suggestive of contemporary efforts to bring nature back into cities plant growth. through the development of green space in degraded or abandoned urban sites. The purpose of the landscape is to “evoke socio-natural entanglement and creative engagements with urban abanby author donment” (11). The High Line is currently the most expensive park per acre in New York City. It by author is funded by both public and private investment, suggesting that new modes of public space provisioning that are deeply tied into the mechanics of real estate speculation and development. The SUMMARY popularity of the highly managed park can be criticised in that the tourism value overshadows its The most pervasive landscapes encountered in our postindustrial era are abused and polluted sites. Post indusrelationship to neighborhood green space. trial sites are highly political as they are remnants of our history and culture that tell a recent story of environmental vandalism. A site’s history whether natural, industrial, or political defines its genius loci and ultimately Design moves: plays a role in the form, meaning, and cultural significance of the new design. This compassion analyses three - Urban re-use globally significant designs with vastly different outcomes; - Recyclable and locally sourced materials to cut down their carbon footprint, 1. Re-naturalization, - Avoiding the use of noxious chemicals and solvents in their maintenance operations and using 2. Reinterpretation of memory native, The design takes on an opposing approach to Sydney’s headland park by fusing remnants of the former 3. Celebration of accidental landscapes. - Drought tolerant, low maintenance species for creating habitats or a variety of wild-life species. plant with the historical memory of the site’s abuse. Visitors have the opportunity to re-appropriate terThe common ground for these projects conveys adaptive reuse of a scared landscape displaying various degrees - Green roof for absorption of storm-water rain once controlled by industry. The park obscures the site’s social significance, thus affirming rather of ‘‘green’’ economic development that reference global efforts to mitigate the effects of environmental degradathan contesting the destructive logic of industrial production. tion as a result of heavy industry. The notion of sustainable development, while heading in the right direction, downplays environmental and social limits to growth in favor of an optimistic, pro-growth narrative. It should The international success the park is due to its purposeful cultural rebirth of the Ruhr district’s industribe recognised in Landscape Architecture that these types of projects can play a role in masking the destructive al loci by celebration of aesthetic attendance of a neo-liberalist society. By creating landscapes that preach sustainability, we are able to maintain the political status quo by employing Main design moves: the enticing idea that ‘green economic development and growth’ will provide the necessary trickle-down effects - Historic preservation : the redign refers to thr sites themselves as defacto manifestations of German for overcoming environmental and economic problems facing urban areas without real political reform. This cultural history highlights the opportunity for new design research and strategies to engage with the global political systems that 7 - Education through aesthetics are at the Centre of the environmental issues we face today. - Creative reuse REFERENCES: - Land Art Fashion (1) Barangaroo. 2021. Barangaroo » Barangaroo Reserve. Available at: <https://www.barangaroo.com/see-and-do/things-to-do/itineraries/barangaroo-re-
PROJECT SCOPE AND OBJECTIVES
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URBAN CONTEXT | A Place Within The Iconic Sydney Harbour
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URBAN CONTEXT | Catchment The ‘Bays Precinct’ lies within the Port Jackson sub-catchment of Sydney Harbour [1]. Today, the water of Rozelle and Blackwattle Bay is severely contaminated by heav y metals, such as copper, lead, and zinc [2]. These metals have adverse impacts to the functioning of aquatic environments, and even to humans if such metals are dissolved in groundwater and surface water [2].
PORT JACKSON Port Jackson Catchment Boundary Tributaries The ‘Bays Precinct’ Study Area
1:50,000 @ A3
[1] - Page 7 of the Document - Donaldson, P, Rissik, D, Vos, C, Downes, A & Gough, M 2018, Greater Sydney Harbour Estuary Coastal Management Program Scoping Study Final Report, NSW Government, Accessed 7 March 2021, <https://w w w. sydneycoastalcouncils.com.au/wp-content/uploads/2018/10/Greater-SydneyHarbour-Coastal-Management-Plan-Scoping-Study.pdf>. [2] Montoya, D 2015, Pollution in Sydney Harbour: sewage, toxic chemicals and microplastics, NSW Parliamentary Research Service, Accessed 12 March 2021, <https://w w w.parliament.nsw.gov.au/researchpapers/Documents/pollution-insydney-harbour-sewage-toxic-chemica/Pollution%20in%20Sydney%20Harbour.pdf>. *Analysis by Sara Curukovska as part of LAND2411 Group project: Study Area Analysis
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Kirribilli
Sydney Harbour Bridge
Barangaroo Headland Park
Balmain
Glebe Island
Rozelle Bay
URBAN CONTEXT | Rozelle to Kirriblli Section
Built Form
Topography (VE= 1/10)
Sound and Intensity
Vegetation and Canopy Cover
Pedestrian Volume
Vehicle Volume
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Bridge Rd, Glebe
Glebe Point
Rozelle Bay
White Bay Power Station
Darling St, Balmain
URBAN CONTEXT | Balmain to Glebe Section
Built Form
Topography (VE= 1/10)
Sound and Intensity Vegetation and Canopy Cover
Pedestrian Volume
Vehicle Volume 12
URBAN CONTEXT | Demographics
POPULATION
* Analysis by Caleb Wright as part of LAND2411 Group project: Study Area Analysis
MEDIAN AGE
MEDIAN OCCUPATION
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URBAN CONTEXT | TRANSIT
Transit gap: Most forms of transport found at the study area move straight past or around the site. This demonstrates the disconnect that the study area has with the larger urban system. This has been a barrier to landscape change in the past, preventing White Bay Power station to be transformed into a new google headquaters in 2015. However, the new metro line connecting Sydney’s west to the CBD is expected to open in 2024 and presents an opportunity for public transport to drive a revival of the area. * Maps created by Isabel Peng as part of LAND2411 Group project: Study Area Analysis
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FUNDAMENTAL ASSETS | History 1. 2. INDUSTRIAL REPAIRING HOMAGE CONNECTIONS
3. “ALTERNATIVE PARKLAND” 2.
2. DESIGN HISTORY:
1.
3.
TIME > PRE -ANTHROPROCENE
IDLE SITE
Historical maps and geomorphologic studies clue us to the original form and shape of Sydney Harbour’s foreshore pre-colonisation adn industrialisation(Mackenzie 2011).
As industry moves into the suburbs, the landscape idles. In a state of derelication and disuse the land is enclosed by large fences and drastics cuts into the sandstone. Most industral lands have become storage grounds(Mackenzie 2011).
IDUSTRIALISATION Headlands are manilputed and cut away to make room for wharfs, marine industry and other industries(Mackenzie 2011). Foreshore is delpleted of original Indigenous plantings and many of the former natual features.
* Analysis by Shirelle Altona as part of LAND2411 Group project: Study Area Analysis
“ALTERNATIVE PARKLAND” RECLAMATION The social and physical changes of the city environmental lead to new needs to escape Through-out the 21st Century, from the city and find recreation. This was not harbour-side parks expressed attainable through the conventions of a desire to bring nature into tradtional city parklands. In response to these the city (Harding & Hawken new needs, Bruce Mackenzie lead a new 2012). However, from the ‘alternative’ approach to the redevelopment 20 Refer 1970’s most parks have been of foreshore parks (Mackenzie 2011). created on Post-Industrial to next page for more information. sites. (Harding & Hawken 2012). Refer to next page for more information.
RESTORATION Barangaroo is an example of a recreated headland park. The design aim is to restore the visual geography of Sydney Harbour. Refer to the next page for more information.
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FUNDAMENTAL ASSETS | Reclaimed Land
Ever since the earth 19th century, the expansion of Sydney has significantly transformed the waterfronts of White Bay, Rozelle Bay, and Blackwattle Bay [2]. These shorelines were developed for the primary use and operation of industries, such as the Glebe Island abattoir, Glebe Island Port and Silos, and White Bay Power Station.
Land that has been reclaimed
[ 2] Bi rch , G, Mu r ray, O, Joh n son , I & W ilson , A 2 0 0 9, ‘Recla mat ion i n Syd ney Est ua r y, 178 8–2 0 02’, Au st ralian G eog rapher, rapher, Volu me 4 0, Issue 3, Pages 3 47-3 6 8 , Accessed 13 Ma rch 2 021, DOI: 10.10 8 0/ 0 0 0 4918 0 9 0312778 8 .
* Analysis by Sara Curukovska as part of LAND2411 Group project: Study Area Analysis
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FUNDAMENTAL ASSETS | Landform
BUILT LANDFORM
Data sourced from ‘Google Earth Pro 2021’.
Not to scale.
* Analysis by Sara Curukovska as part of LAND2411 Group project: Study Area Analysis
HYBRID LANDFORM
Data sourced from ‘Google Earth Pro 2021’.
Not to scale.
NATURAL LANDFORM
Data sourced from ‘Google Earth Pro 2021’.
Not to scale.
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FUNDAMENTAL ASSETS | Heritage GLEBE ISLAND PORT WHITE BY CRUISE TERMINAL ROZELLE BAY COMMERCIAL MARITIME DISUSED INDUSTRIAL INFRASTRUCTURE SYDNEY FISH MARKETS HERITAGE STRUCTURES DISUSED: • White Bay Power Station and the main boiler house structure. • Rozelle Rail Yards. • Glebe Island Bridge resting in ‘open’ position.21 FUNCTIONING: Glebe Island Port and Silos: dry bulk (gypsum, sugar, salt and cement), bulk liquids (oils, lubricants and tallow), passenger cruise vessels and other uses.22 • White Bay Cruise Terminal, Balmain. Marine refueling.23 • Rozelle Bay SuperYacht Marina and Working Port Facilities.24 • Blackwattle Bay Sydney Fish Market.25 • Heritage Bald Rock Hotel. • Heritage residential terraces. • Heritage Cadden Le Messurier. • Heritage White’s Creek Stormwater Channel No.95.26
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An Urban Growth report released in 2015 stated that “The Bays will be revitalised as a world-class, iconic waterfront destination, and deliver vibrant and dynamic places for the city and the state” In a previous design investigation our team asked the question: What does it mean to be ‘World Class’ and how can the bays emerge as a ‘world class Landscape. People Orientated Design was a response to the corperate, homeogenous landscapes that we have personally experienced around Sydney harbour. In recent years, the way we work has transformed tremendously – no more are traditional industries the mainstay of economies, but powerful forces like automation, global competition, and social media are [1]. This has resulted in “world class” cities no longer being incubators for their people and culture, but rather transient places defined by capitalist profits and alienation. Therefore, in a time where we are feeling more connected than ever, our cities have us feeling the opposite. ‘POD’ will redefine the way we live and work in a “world class” city - putting the needs of “users” in front of land “uses”. This redefinition promotes “a new kind of Sydney urbanism” [2], one which allows investor interests to deviate from traditional profit motives. Instead, it will value a new form of urban living that appreciates society and culture as an asset and measure of a successful “world class” city. No longer will the derelict waterfronts and neighbourhoods of ‘The Bays’ be powered by resource industry, but rather be powered by community and culture - creating vibrant spaces of meaningful social interaction that can enrich local and regional economies.
[1] https://www.theatlantic.com/sponsored/wework-2018/focus-on-community/1832/ [2] https://shared-drupal-s3fs.s3-ap-southeast-2.amazonaws.com/master-test/fapub_pdf/00+-+Planning+Portal+Exhibitions/Bays+west/Draft+Bays+West+Place+Strategy_low+resolution+version.pdf 19
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PROJECT SCOPE | Site Selection White Bay Power Station: A key landmark and heritage building that is a key to the history and essence of the landscape
New pedestrian connection from proposed Rozelle parklands to the site
The concrete silos as a key landmark with the opportunity for reuse
The site for the proposed metro station connecting the site to CBD and Western Sydney
Opportunity to create diverse public space at the waterfront
Opportunity for new pedestrian and cycle access from Pyrmont
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TEND: RESPONDING TO THE SITE
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SITE ANALYSIS | Fundamental Assets
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Disturbed, sandy sea floor
Contaminated fill
Novel Ecosystems have formed on parts of the concrete platform where water pools ad sediment creates soil beds for pioneer species
Sedimentary Mudflat
Sandy Soil
Compacted sub-base, Aggregate Road base and ash-felt (Bottom to top)
Sandstone Rock-bed
SITE ANALYSIS | Deep Cut
Contamination from years of industrial activity continues to seep deep into the soil and into the harbor with the wetting of the bedrock as the tides rise and fall. 24
FUNDAMENTAL ASSETS | The Essence Of The Site
CHEMICAL PROCESSES
MUDFLAT SPECIES
ESTUARINE HABITATS
COAL BURNING
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FUNDAMENTAL ASSETS | The Essence Of The Site
ABANDONED MATERIALS
RHYTHMIC PATTERNS
HARD EDGES
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PRECEDENT STUDIES
Garden of the Future By Atelier Partero The transformation of an abandoned space into a public space. This installation comments on optimism of nature’s regenerative ability through the renewal of a post-industrial space through the expression of art and performance. This project shows how the industrial qualities can be maintained to create a unique aesthetic representing anthropogenigic processes.
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PRECEDENT STUDIES
Shoreline Park (JUBILEE PARK) By MARELD + atelier le balto A contaminated, exposed and ruinous former harbor transformed into a laboratory where “ideas on aesthetics, materials, vegetation, and maintenance are tested together with the municipal staff and the public”. (Landazeine 2020). Like white Bay, the landscape was once a functioning wet ecosystem, reclaimed for industrial activities in the 20th century. Features of preredesigned landscape remain while parts of the concrete platform have been cut and filled with soil for gardening.
Existing planting has been delicately maintained with existing materials. The insertion of new planting beds blend into the landscape without the crisp, freshly built feeling.
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MEND: REPAIRING THE LANDSCAPE
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01
MEND | Design Intent
To React: Landscape lead interventions that work to heal the scared landscape. The footprint of these will begin to dictate where development will happen.
1. Phyto Remediation and Mycoremediation assisting with the uptake of toxins in the soil.
2. Minimum 40% canopy cover to block particle pollution from fumes of boats and cars that is harmful to human health as well as preventing uncomfortable conditions caused by heat island effect as urban materials absorb and sustain heat from the sunlight. 30
02
MEND | Design Intent
To Regenerate: The form of the landscape will aim to support the transitional economy that has a gentler impact on the environment.
1. Creating diverse and accessible public open space 2. Community involvement and education in the process of regeneration promoting grass roots action where people have control over their own domain, paths are created from goat tracks leaving the raw and wild landacpe untamed.
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MEND | Design Principles 1. Connection To The Waterfront And Reserving Public Space
2. Healing The Land And Sea
3. Creating New Connections, Access Points And Activating Edges
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RENEW: DESIGN PROCESS
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RENEW | Preliminary Timeline Thinking TIMELINE OF THE BAYS
2025 White Bay Power Station opens for hosting events and West harbour tunnel begins construction.
2030 The Bays West Metro opens
2035 The silos open as the first residential building.
2135 The harbour becomes swimmable
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RENEW | Preliminary Timeline Thinking Regenerative: Urban infrastructure that begins with ecology, followed by peopleand culture, followed by business
PHASE 2
PHASE 1
Reactive: Ecological healing and interventions that involve people.
WEST
EAST
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RENEW | Preliminary Structure
DESIGN ELEMENTS 1 Pedestrian threshold from Rozelle Parklands to White Bay Power Station. 2 Pedestrian threshold from Roberts street to white Bay Power Station.
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4 2
3 1
5
8 6 7
3 The ‘Coal Museum Garden’ provides public access to White Bay Power station. 4 Roberts street is activated with new zoning for bars and restaurants on the southern side wile Industry is maintained on the northern side providing diverse space activation. 5 Phytoremediation intervention continues 6 Soil form excavated from the local west-connex and Metro development its mixed with existing soils on the site to achieve soil depth for large trees and the process of phytoremediation and ecological succession begins to improve the ecological economy over time. 7 In response to high community interest in community gardens in the Inner West Council, a raised community garden along existing rail refinements provides community members who are interested in gardening processes access to the site with a chance to learn about phytoremediation as well as participate in the growing to food. 8 The ballast bank is physically destabilised by inserting cracks in the structure that allow salt water to break down the bank over time. 9 Inter tidal bridge connecting Balmain to Glebe Island.
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RENEW | New connections Sketch Plan
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RENEW | New connections Sketch Plan
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RENEW | Remediation Garden Sketch Section
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PRODUCED BY AN AUTODESK STUDENT VERSION
Soil is maintainedo on site to increase depth
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
2
Expose the concrete
3
Soil excavated from balmain at the commencement of construction of the western harbour tunnel is taken to site to be remediated. Part of the site is being used to store construction materials for this project.
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
500ml of soil unable to support large trees
PRODUCED BY AN AUTODESK STUDENT VERSION
Concete slab under 250ml of soil
PRODUCED BY AN AUTODESK STUDENT VERSION
1
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
RENEW | Remediation Garden
The flatness of the is appreciated while the remediation process begins and trees are not yet established. Warm lighting reflects the historical use burning coal.
The landscape begins to provide valuable refuge from the historically exposed conditions
A connected canopy forms protecting people from issues involved with urban heat island and capuring polution particles in the air
40
RENEW | Remediation Garden
The Garden is left wild while it also functions ad a parkland. People are able to make their own tracks throuhg the space. 6 month cycle
Mowed
Wild
Mow-no mow phyroremediation field
41
RENEW | Remediation Garden
Phytoremediation garden concept model
42
RENEW | Artificial Sealife Habitat
Intertidal foot bridge
43
RENEW | Artificial Sealife Habitat
Intertidal foot bridge
44
Sea level
RENEW | Artificial Sealife Habitat
Intertidal foot bridge
45
RENEW | Coal Garden
The Boiler Shead
46
RENEW | Coal Garden
47
REGENERATE: DETAILED DESIGN
48
PHASE 1: INVISIBLE BLOOM
LEGEND Industry Cultural Building Planting Public Open Space Road Network Pedestrian Network
25 50
100
200
Abiding Events: 1. White bay opens as a cultural building. 2. Rozelle park lands opens to the public providing access to the site from the South West. 3. The Large Scale remediation process begins
49
PHASE 1: INVISIBLE BLOOM
Working waterfront land use is maintained Glebe Island continues functioning as an Important site for Sydney’s urban infrastructure development
Robert street is maintained as a wide street serving warehouses and industry in the area. As this is the main access point to the site, this street will become the high street The prominence of white bay power station as a landmark with in the landscape as well as its cultural and architectural heritage justifies the building to be accessible to the Public. This building is the first catalyst for bringing people into the site The Coal Garden complements the White Bay Power Station, providing public space that references the historic uses of the site Stairs connect the western part of the site to the intimate landscape surrounding the power station to increase accessibility and intrigue The Large and long process of phytoremediation begins with the import of soil from the construction of the north link tunnel excavated from parts of Glebe Rozelle park lands opens up a new connection to the site from the west.
25 50
100
200
50
PHASE 1: INVISIBLE BLOOM | Borrowed Soil WHITE BAY POWER STATION
EXISTING CONCRETE FOUNDATION
ROBERT STREET
COAL GARDEN
PHYTOREMEDIATION FOREST
CED BY AN AUTODESK STUDENT VERSION
UDENT VERSION
PHYTOREMEDIATION FOREST
PRODUCED BY AN A
COAL GARDEN
COAL GARDEN
PHYTOREMEDIATION FOREST
PRODUCED BY AN AUTODESK STUDENT VERS
PRODUCED BY AN AUTODESK STUDENT VERSION
2. Soil is moved to premeditation forest to expose of concrete slab around power station
3. Approximately 4500 cubic meters of soil is imported from excavation of Balmain for the North connection tunnel to begin to be remediated on site and allow for soil depth for large tree
COAL GARDEN
PHYTOREMEDIATION FOREST
PRODUCED BY AN AUTODESK STUDENT VERSION
1. Existing soil depth
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
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PHASE 1: INVISIBLE BLOOM | The Coal Garden
IMPORTED SOIL EXISTING SOIL
FOUND MATERIAL FROM SITE PAINTED BLACK TO EMULATE COAL BURNING
SOIL SPRINKLING
SEATING
AMBIENT AMBER LIGHTING TO EMULATE COAL BURNING AND ACTIVATE THE SPACE AT NIGHT
52
THE COAL GARDEN | Planting: shallow , rocky soil EXISTING CONCETE FOUNDATION SEATING FOUND MATERIAL FROM SITE PAINTED BLACK TO EMULATE COAL BURNING
SMALL TREE SHRUBS AND GRASSES GROUNDCOVERS
Carpobrotus
GROUND COVER
Viola banksii
Ancistrachne maidenii
Grevillea Raptor
Leptospermum petersonii
Grevillea robusta
Banksia aemula
Dianella
SHRUBS AND GRASSES
TREES
53
PHYROREMEDIATION GARDEN | Planting: Building an connected canopy
TREES
Viola banksii
oplismenus imbecillis
GRASSES AND GROUND COVER
Themeda australis
eucalyptus gummifera
Lantana
Asthma weed
COMMON COLONISING WEEDS
Biden
PHASE 2: Maintinance continues and the cannopy begins to connect, creating a microclimate that is protected ftom urban heat island and air polutants. The Low strata of grasses and ground cover allows the community to use te forest as a parkland.
Ancistrachne maidenii
PHASE 2: Dsired plants are planted in a grid formation and the community is engages to implement weed mantinence
Eucalyptus rossii
PHASE 1: weeds are allowed to colinise and slightly improve soil conditions
54
PHASE 1: INVISIBLE BLOOM | Bloom Entangle THE GREVILLEA ROBUSTA AND GREVILLA RAPTOR FLOWERS EMULATE THE ENERGY OF A FLAME
THE REMEDIATION FOREST CREATES ITS OWN MICRO-CLIMATE WITHIN ITS CONNECTED CANOPY
Careful maintinence and continuious and plant selection creates an anthropogenic garden scene that introduces coal as a reminent artifact in the the emerging world of renewables.
55
PHASE 2: CONCRETING COMMUNITY
LEGEND Industry Cultural Building Planting Public Open Space Road Network Pedestrian Network Residential Building Mixed Use and Hostpitality 25 50
100
200
Abiding Events: 1. The Silos are converted into residents 2. The Metro opens up, Connecting the site to Sydney CBD and Sydney West 3. The First Internal Roads are Created 4. The first mixes use buildings open 5. The Waterfront becomes accessible to the public
56
PHASE 2: CONCRETING COMMUNITY| A sound bath of activity
BIKE PARKING STATIONS ENCOURAGES ACTIVE MODES OF TRANSPORT
A GENEROUS FOOTPATH ALLOWS THE STREET TO BE ACTIVATED
RESTARUNTS ACTIVATE THE WATERFRONT SPACE 24/7 WHILE THERE IS AN OPPORTUNITY TO SOURCE LOCAL GOODS FROM NEARBY WAREHOUSES AND LOCAL BUSINESSES
08m
04m
A BI-LANE CYCLEWAY CONNECTS ROBERT STREET WITH THE REST OF THE SITE INCLUDING THE METRO AND GREBE BRIDGE
THE WIDE STREET ALLOWS INDUSTRIAL ACTIVITIES OF MAKING AND PRODUCTION TO SPILL OUT INTO THE LANDSCAPE WHILE PROVINING THE NESICIARY INFRASTRUCTURE FOR TRUCKS AND UNLOADING
EXISTING WAREHOUSES INCENTIVEISED FOR DIVERSIFIED BUSINESSES AND OPPORTUNITY TO PROVIDE CHEEP STUDIO SPACE FOR ARTISTS AND CREATORS
STREET PLANTING PROVIDES DRAINAGE FOR THE HARDSCAPE AND A HUMAN SCALE
02m 57
PHASE 2: A SOUND BATH: Planting
CLEAR LINE OF SIGHT
TREE CANOPY
GROUNDCOVER ON EDGES STOP GRASSES FROM SPILLING OUT ONTO THE BIKE TRACK/ROAD
oplismenus imbecillis
Viola banksii
GROUND COVER
Ancistrachne maidenii
Dianella
Carex appressa
SHRUBS AND GRASSES
Themeda australis
Eucalyptus robusta
Eucalyptus rossii
TREES
GRASSES
58
PHASE 2: CONCRETING COMMUNITY: Industry Continues
INDUSTRIAL ACTIVITIES GRATE NOISE AS WELL AS A VOID OF ACTIVITY. THERE IS AN OPPORTUNITY FOR THIS SPACE TO BE ACTIVATED BY GENERALLY UNWANTED INDUSTRIES SUCH AS MAKERS WHO MAKE A LOT OF NOISE IN THEIR PROCESSES OF LIVE MUSIC VENUES
Glebe Island continues to be used for the construction industry. The large amounts of space used for these activities reserve the landscape to be used for public open space on valuable waterfront land. 59
PHASE 3: INUNDATED ENERGY LEGEND Industry Cultural Building Planting Public Open Space Road Network Pedestrian Network Residential Building Mixed Use and Hostpitality Active Public Space Shared Pathway
25 50
100
Abiding Events: 1. Glebe island is given an urban form 2. The Glebe island bridge opens connecting the site to Pyrmont 3. Active interventions 4. Water cleaning and marine habitat is enhanced
200
60
PHASE 3: INUNDATED ENERGY | Tidal Day Dream
RAISED EDGE PLANTING AND SEATING
HIGH TIDE LOW TIDE
EXISTING CONCRETE PLATFORM LIVING SEA WALL
50M POOL
SUBMERGED POOL BUILDING
RECYCLED INDUSTRIAL STRUCTURES PROVIDING STREET LIGHTING 05m
10m
20m
INTER-TIDAL BRIDGE 61
PHASE 3: INUNDATED ENERGY | Inter-tidal Bridge
GRATE WALKWAY INTER-TIDAL ROCK POOLS SEAGRASS SPECIES
LOW TIDE
62
PHASE 3: INUNDATED ENERGY | Inter-tidal Bridge
GRATE WALKWAY INTER-TIDAL ROCK POOLS SEAGRASS SPECIES
HIGH TIDE
63
PHASE 3: Inter-tidal Bridge | Seagrass Planting halophila decipiens
zostera muelleri
Zostera capricorni
posidonia australis
64
PHASE 3: Inter-tidal Bridge | Rock-pool Planting Muscles
Colpomenia sinuosa
Plocamium sp.
Ulva compressa
White sponge
Oulactis muscosa
Tesseropora rosea
65
PHASE 3: Inter-tidal Bridge | Lighting
66
PHASE 3: INUNDATED ENERGY | Giving The Harbor Back
TENNIS COURT WITH LIGHTING SURROUNDING NETS
RECYCLED INDUSTRIAL STRUCTURE CREATING LIGHTBASKETBALL ING FOR COURTS TO BE USED 24/7 COURT
SEATING ALONG THE EDGE DARLING HARBOUR PUBLIC DOMAIN EDGE
LIVING SEA WALLS MADE FROM FOUND MATERIALS ON SITE
PYRMONT PUBLIC DOMAIN EDGE
GLEBE ISLAND PUBLIC DOMAIN
10m
20m
40m
67
PHASE 3: GIVING THE HARBOUR BACK | Recycled sea walls
68
PHASE 3: INUNDATED ENERGY | A Shared view of Land Sea and Sky
NEW PEDESTRI- DIVERSE AND ACAN ACCESS FROM TIVATED PUBLIC GLEBE BRIDGE SPACE
LIVING SEA WALLS IMPROVING WATER QUALITY
69
GRASSES
Viola banksii
oplismenus imbecillis
SMALL TREES
Carex appressa
Themeda australis
LARGE TREES
Glochidion ferdinandi
Acacia irrorata
allocasuarina littoralis
eucalyptus robusta
melaluca decora
PHASE 3: INUNDATED ENERGY | Wet Forest Native Edge Planting
GROUND COVER
70
PUBLIC OPEN SPACE
PLANTING
ACTIVE SPACE
SITE STRUCTURE | Open space
COAL GARDEN PHYTOREMEDIATION GARDEN
EDGE PLANTING
25 50
100
PUBLIC POOL
SKATE PARK
200
TENNIS AND BASKETBALL COURTS
71
ROADS
PEDESTRIAN
SHARED AND SEPARATED CYCLEWAY
SITE STRUCTURE | Circulation
25 50 100 200
72
INDUSTRIAL
PUBLIC BUILDINGS AND MIXED USE
RESIDENTIAL
SITE STRUCTURE | Land use
25 50
WHITE BAY POWER STATION
METRO
EXISTING WAREHOUSES
100
200
EXISTING WORKINGSTREET ACTIVATED DOCK WITH BARS AND RESTARUNTS
EXISTING WORKING DOCK
73
References
Alan Morris (2019) ‘Super-gentrification’ triumphs: gentrification and the displacement of public housing tenants in Sydney’s inner-city, Housing Studies, 34:7, 1071-1088, DOI: 10.1080/02673037.2018.1515894 Anthropocene.info. 2021. The Anthropocene Available at: <https://www.anthropocene.info/#:~:text=The%20Anthropocene%20defines%20 Barangaroo. 2021. Barangaroo » Barangaroo Reserve. Available at: <https://www.barangaroo.com/see-and-do/things-to-do/itineraries/barangaroo-reserve/> 01/04/21 Barangaroo reserve fact sheet. 2017. NSW Government. Accessed 01/04/21 BDA - Barangaroo Waterfront Development: Headland Park - New South Wales. (2015, Mar 26). World Market In- telligence News https://login.wwwproxy1.library.unsw.edu.au/login?qurl=https%3A%2F%2Fwww.proquest.com%2F- wire-feeds%2Fbda-barangaroo-waterfront-development-headland%2Fdocview%2F1666861761%2Fse-2%3Faccoun- tid%3D12763 Accessed 10/04/21 Dr Jillian Walliss (2012) The politics of aesthetics: expanding the critique of Headland Park, Sydney, Journal of Landscape Architecture, 7:2, 6-13, DOI: 10.1080/18626033.2012.746080 Department of Planning. 2006. ‘East Darling Harbour Urban Design Competition. Stage Two, Jury Report’, March. 01/04/21 Ellen Braae 2015 Beauty redeemed : recycling post-industrial landscapes, Basel : Birkhäuser accessed 20/07/21 Emily Eliza Scott, & Kirsten J Swenson. (2015). Critical Landscapes : Art, Space, Politics. University of California Press. 13/04/21 Greet De Block, Vera Vicenzotti, Lisa Diedrich & Bruno Notteboom. 2019. For whom? Exploring landscape design as a political project,. Journal of Landscape Architecture, 14:3, 4-7 20/04/21 Greet De Block, Vera Vicenzotti, Lisa Diedrich & Bruno Notteboom. 2019. For whom? Exploring landscape design as a political project,. Journal of Land- scape Architecture, 14:3, 4-7 Hamil Pearsall (2012) Moving out or moving in? Resilience to environmental gentrification in New York City, Local Envi- ronment, 17:9, 1013-1026, DOI: 10.1080/13549839.2012.714762 29/04/21 United Nations Sustainable Development. 2021. Take Action for the Sustainable Development Goals. [online] Available at: <https://www.un.org/sustain- abledevelopment/sustainable-development-goals/> [Accessed 2 April 2021]. The High Line. 2021. History | The High Line. Available at: <https://www.thehighline.org/history/> 01/04/21 Earth’s%20 most,are%20now%20altered%20by%20humans.> 01/04/21
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