July - August, Lockdown 2021
Abstraction D a v i d A s p d e n , L i z C o a t s , To n y C o l e i n g , R o b e r t K l i p p e l , E m i l y K a m e K n g w a r r e y e , P a t L a r t e r, R i c h a r d L a r t e r, Peter Maloney, Angus Nivison, Gloria Petyarre and Kirsteen Pieterse
cat. a, David Aspden, Untitled, c.1995, pastel on paper, 25 x 19 cm cat. b, David Aspden, Untitled, 1990, pastel on paper, 25 x 21 cm cat. c, David Aspden, Trowlers Bay, 1995, pastel on paper, 22 x 20.5 cm
cat. d, David Aspden, Sanctuary Point, 1990, pastel on paper, 23.5 x 31 cm cat. e, David Aspden, Untitled, c. 1990, pastel on paper, 19 x 26 cm cat. f, David Aspden, Sanctuary Point, 1990, pastel on paper, 22.5 x 31 cm
cat. g, Liz Coats, Softly, 2007, pigments and acrylic media on board, 122 x 118 cm
cat. h, Tony Coleing, Broken Pipe Series, 1970, painted steel, 45 x 50.5 x 20.5 cm
cat. i, Emily Kame Kngwarreye, Untitled, 1993, acrylic on canvas, 236.5 x 79.5 cm cat. j, Emily Kame Kngwarreye, Untitled, 1993, acrylic on canvas, 235 x 79.5 cm
cat. k, Robert Klippel, Untitled, 1973, brazed steel, 32 cm (h)
cat. l, Pat Larter, Blossom Bounce, 1992, acrylic and glitter on board, 122 x 91.5 cm
cat. m, Richard Larter, High Easy Shift, 1970, synthetic polymer on board, 122 x 182 cm cat. n, Richard Larter, Loose Pale Rise, 1975, synthetic polymer on board, 180 x 70 cm
cat. o, Peter Maloney, Untitled, 1995, mixed media on paper, 73 x 55cm
cat. p, Angus Nivison, But In The Dry, 2019, acrylic on polyester, 110 x 110 cm
cat. q, Gloria Petyarre, Untitled (awelye), 1999, synthetic polymer on polyester, 12 panels, each 60 x 50 cm
cat. r, Kirsteen Pieterse, Thekla 1, 2019, paper and cardboard, 60 x 30 x 40 cm
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