Peter Maloney FugitiveText
“By the time I re-located to Canberra in the mid 1990’s I had already been making photographic works embellished with a kind of fugitive text that addressed pathology and mortality in more unequivocal ways. The photo images were never meant to be anchored in one single solid truth or reading and similarly the text was warped and distorted almost beyond recognition, precariously attached to the images again, to prompt a more poetic reading.”
Peter Maloney and Identity Symposium, ANU 2013 Portrayalcat. 1, Peter Maloney, Drunkyard Dog, 2002, photomontage, 56 x 48 cm (p)
cat. 2, Peter Maloney, Swell Maps Are As Safe As Houses, 2002, photomontage, 76 x 56 cm (p)
cat. 3, Peter Maloney, OBSIDIAN PORTRAIT, 2022/3, acrylic and gesso on canvas, 110 x 100 cm cat. 4, Peter Maloney, PLUMBUM ANGEL, 2022/3, acrylic and gesso on canvas, 110 x 100 cm cat. 5, Peter Maloney, Hurricane Flash, 2016, acrylic and metal paint on paper, 76 x 56 cmcat. 6, Peter Maloney, Untitled (netting of architecture), 1997, photomontage, 30 x 40 cm
cat. 7, Peter Maloney, Untitled (accident), 1996, photomontage, 30 x 40 cm
cat. 8, Peter Maloney, Untitled (the filthy infected queer knows echinacea), 1999, photomontage, 30 x 40
cat. 9, Peter Maloney, Untitled (black river), 1997 photomontage, 30 x 40 cm
cat. 10, Peter Maloney, Untitled, 1997, photomontage, 30 x 40 cm
cat. 11, Peter Maloney, Untitled (gazing stock), 1997, photomontage, 30 x 40 cm
cat. 12, Peter Maloney, Untitled (fade), 1997, photomontage, 30 x 40 cm
cat. 13, Peter Maloney, Untitled, 1998, photomontage, 30 x 40 cm
cat. 14, Peter Maloney, Untitled, 1999, photomontage, 30 x 40 cm
cat. 15, Peter Maloney, Untitled, 1997, photomontage, 30 x 40 cm
cat. 16, Peter Maloney, Depth Of My Soul, 2022, acrylic and gesso on canvas, 156 x 115 cmcat. 17, Peter Maloney, Untitled, 1999, photomontage, 40 x 30 cm
cat. 18, Peter Maloney, Untitled (ladies come in dreams), 1998, photomontage, 40 x 30 cm
cat. 19, Peter Maloney, Untitled (Jeff), 1997, photomontage, 40 x 30 cm
Other works from this series have recently been acquired by the National Gallery of Australia and the Art Gallery of New South Wales.
Some were also exhibited in Peter Maloney’s solo exhibition Missing In Action, at the Drill Hall Gallery, Australian National University, in 2018.
One of Peter’s recent portraits is currently hanging in the Art Gallery of South Australia for their show, Bewilderness: recent acquisions.
Utopia Art Sydney
983 Bourke St
Utopia Art Sydney
Waterloo NSW 2017
983 Bourke St
Telephone: + 61 2 9319 6437
Waterloo NSW 2017
email: art@utopiaartsydney.com.au
Telephone: + 61 2 9319 6437
email: art@utopiaartsydney.com.au
www.utopiaartsydney.com.au
www.utopiaartsydney.com.au