25 Years of Arts, Culture, Community & History

ARTS, CULTURE, COMMUNITY & HISTORY

25 YEARS OF

The Vail Valley Foundation and Vilar Performing Arts Center (VPAC) Board and staff extend their sincere thanks and gratitude to the Frechette Family Foundation for their legacy of transformational philanthropy in support of the Vilar Performing Arts Center and the Vail Valley Foundation. Pete and Pat Frechette’s many years of advocacy for the performing arts, and the continued generosity of Kathy & Peter Tenhula and Kristy & Bill Woolfolk, have allowed for the growth and betterment of the Vilar Performing Arts Center in every chapter of its existence. The Frechette Family Endowment for VPAC’s STARS (Students Reaching the Arts) program helps thousands of children and families each year enjoy this incredible theater and the wonder and inspiration of the performing arts.

This VPAC 25th Anniversary Commemorative Book was funded by a generous grant from the Frechette Family Foundation.

25 Years of Arts, Culture, Community & History

Not Our First Goat Rodeo: Yo-Yo Ma, Stuart Duncan, Edgar Meyer, Chris Thile with guest Aoife O’Donovan, Aug. 15, 2021. Photo Credit: JohnRyan Lockman.

Vilar Performing Arts Center

Mountain communities are places for inspiration. They create the preconditions for human creativity, for people to join together to express what is in the infinitude of nature and human nature. That is precisely what has been happening at the Vilar Performing Arts Center for the last twenty-five years.”

Dear Readers,

We are grateful to welcome you to this celebratory 25th Anniversary volume which tells the story of this iconic and beloved venue.

In its 25 years, the Vilar Performing Arts Center has become a central component of life and culture in our valley and throughout the Rocky Mountain region. Not only does the venue serve as a stage for some of the world’s most spectacular artists (as you will see within these pages), but it also serves as a place of growth and learning for thousands of students each year who attend STARS (Support the Arts Reaching Students) programming, and as a first ‘big’ stage for many of our local young performers. Importantly, the VPAC is also a place to gather for community events, memorial services and graduations.

Our Board of Directors and staff at the Vail Valley Foundation are honored to be the steward, since 2002, of the Vilar Performing Arts Center, which is undoubtedly one of our Valley’s greatest assets and a true community differentiator for us compared to resort destinations around the world. With each new season we find a renewed commitment to the vision and values that have made this venue a success for two-anda-half decades. Even in the daily operations of the venue, we often pause to humbly remember those who first envisioned its creation, and are grateful for their boldness, and their contributions, that have led us through many years of success.

Like any great performance, the operation and care of the VPAC relies greatly upon strong partnerships. The Beaver Creek Resort Company, the Beaver Creek Metro District, Vail Resorts, our VPAC Committee Chair Alexia Jurschak, and all our VPAC Committee members, our Board of Directors, and all of the staff, volunteers, donors, ticket-buyers and community members that make this one of the most iconic theaters in the American West.

On behalf of the Board and staff of the Vail Valley Foundation, thank you to all who have provided vision and support to this outstanding mountain venue.

Sincerely,

Mike Imhof President Vail Valley Foundation

Dear Friends,

It is with great pleasure that I welcome you to the 25th Anniversary Commemorative volume that you now hold in your hands. Within are hundreds of images, testimonials, stories and memories, experienced by thousands of people from all walks of life, who share in common their connection to this extraordinary theater that we are fortunate to call ‘home.’

My sense of awe for this place and it’s growing history began long ago, when I began my connection to the Vilar Performing Arts Center as an intern in 2011. Even then, on my first evening at a Chris Isaak concert, I could sense that the venue was unique. The volunteers were welcoming, the acoustics were incredible, the architecture astounding and I marveled in the idea that world-renowned performances – worthy of any major metro area – had found a home at the base of one of the great ski mountains in the world.

When a bold vision meets a unified community, almost anything is possible. As you’ll read in these pages, the very bold vision for the VPAC seemed, at first, far from possible. With great leadership and unrivaled community support, the daring idea of creating in Beaver Creek a world-class performing arts center – and the tightly-knit community that it engenders – became a reality. We are only here today because of unflagging support from so many critical corners: The Beaver Creek Resort Company, first and foremost, has been an extremely important partner throughout our venue’s journey. The VPAC Committee and the Vail Valley Foundation Board of Directors, our very generous underwriters and patrons, our sponsors and partners, the VPAC and Vail Valley Foundation staff, our wonderful volunteers, our

guests and ticket-buyers, have all played crucial roles in making the VPAC a sterling success. We hope this book serves as a talisman of our great gratitude.

I have one more thought before you begin your journey into the pages of this book: In an allegory that pairs nicely with the performing arts, we think it’s fitting that in this digital age, we celebrate our venue with an actual, physical, tangible, book. Its creation was a months-long labor of love: Throughout the process we have laughed at memories of outrageous moments (on stage and off), we have cried in memory of those we have lost, and we have spent many hours squinting at old photographs saying to one another “Does anyone know who THAT person is??”

However, and perhaps most importantly, the making of this book has allowed us to reach out to old friends, gather our invaluable VPAC community together and commemorate everyone who has played their part, large or small, in the grand theater that goes into creating grand theater.

Forever grateful,

Owen Hutchinson Executive Director Vilar Performing Arts Center

Vail Valley Foundation

HISTORY OF THE VILAR PERFORMING ARTS CENTER

Formerly known as the Vilar Center for the Arts

Designing and building a performing arts center, anywhere, is a tremendous undertaking.

How about one that attracts world-renowned artists, entertainer and performers and is located underground – beneath an outdoor ice rink, and butting up against the foundation of another long-standing structure? One that faces restrictions on size and which is built into the side of a mountain underneath a pre-existing village?

Having a performance center brings the community together. The arts are so broad, and they can mean so many different things to so many different people… The Vilar Center has brought such a variety of activities and shows to the community.”

—HARRY FRAMPTON

The challenges were plenty in the epic effort to build the Vilar Performing Arts Center (VPAC), and each obstacle that was overcome yielded what is known today as a one-of-a-kind venue that upholds the same standard of excellence as the destination in which it is centered. Beaver Creek is known around the globe as a top tourist destination for all seasons, and from its inception, the VPAC played an integral role in helping the larger resort meet this sky-high bar.

In fact, the addition of the VPAC to the long list of Beaver Creek amenities was deemed one of the crown jewels in a long-planned final phase of construction at the famed resort, which came from humble beginnings. A 1998 article in Ski Magazine noted Beaver Creek was billed as the “last great resort” when it opened in 1980. Nearly two decades later, with the addition of the VPAC, this dream was finally realized.

“This facility will serve to really finish Beaver Creek Village and will add to the growing cultural fabric of the Vail Valley,” noted President Ford when he formally announced the launch of the project.

Developer and Vail Valley Foundation Chair Emeritus

Harry Frampton noted the location of the Vilar Center was one of the last remaining spaces at Beaver Creek that could accommodate such a venue, calling it the “heart and soul” of Beaver Creek Village. This remains true, figuratively and quite literally, as the VPAC sits underground, nestled at the center of the village, below the Black Family Ice Rink and other spaces that were among the last developed in Beaver Creek.

As the vision came to life, it was evident that an arts and culture hub was the perfect final touch for Beaver Creek Village. The VPAC continues to thrive into its 25th year, built on a strong foundation of generosity, passion for the arts, community and the desire to bring exceptional performers to this unique venue. The VPAC continues to grow under the capable leadership of its board of directors and staff, as well as the volunteers who devote countless hours to the center.

The beauty, singularity and functionality of the VPAC were matched by the long list of renowned performers who graced the stage at the VPAC to the delight of audience members. From violinist sisters Ani and Ida Kavafian, who played the venue’s inaugural public show, to Robin Williams and Norah Jones,

the VPAC continues to welcome a range of artists who appeal to Beaver Creek’s unique residents and visitors, along with arts enthusiasts throughout the Vail Valley and beyond. From the beginning, the VPAC ensured locals and guests had access to performances, with a headliner one night who could sell out

Red Rocks Amphitheater to a local dance troupe or a school graduation the following evening.

There is absolutely something for everyone to enjoy. It was true then, and it’s true now.

Here’s to the next 25 years of arts, culture, and community at the VPAC.

The community dug deep to envision and build the VPAC in summer of 1996. Photos courtesy of BCRC.

THE EARLY YEARS (1995 – 1998)

The Vail Valley is known for its visionary brilliance and leadership in community planning and design, and the origins of Beaver Creek were no exception. Preparations for Beaver Creek began in the late 70s in anticipation of a possible Olympic bid for Denver and the State of Colorado (a bid which ultimately failed), but the mountain had long intrigued Vail Associates founders Earl Eaton and Pete Seibert, Sr., as an ideal location for a new ski area.

The goal became creating a village and ski area with a unique identity that complemented the natural landscape, drew residents and guests from around the globe, and respected the environment in which it was built.

A tall order to be certain, but one that was fully embraced and ultimately achieved by those who were up for the challenge. The spirit of collaboration that was a hallmark of early Vail Valley pioneers was also the foundation upon which the VPAC came to life. Built on the ideas, dreams and donations of Beaver Creek residents, guests and surrounding communities and their members, it was no surprise or accident that the Vilar Center for the Arts realized the same great success as the Beaver Creek Resort.

In fact, the VPAC is in many ways a microcosm of its host village, with great attention paid to reflecting and respecting the surrounding alpine environment while ensuring the exceptional performance expected of a world-class venue.

In some ways, the VPAC resuscitated the resort, bringing much-needed vibrancy and sense of place.

“Beaver Creek has no ‘there’ there,” Marc Rowan famously told Harry Frampton, in the mid-90s, as they discussed creating a more-vibrant heart and soul of Beaver Creek Village. It would be a performing arts center that gave a breath of fresh air to the resort community, as it turned out. Later, when the VPAC was established, but not yet financially viable, the Beaver Creek Resort Company returned the favor.

But we’re jumping ahead.

Like many great masterpieces, the VPAC started with a casual discussion. Gordon Pierce recalled Harry Frampton contacting him in 1995 to examine the idea of a performing arts center in Beaver Creek.

Pierce was eager to collaborate and asked Frampton for some time to consider the possibilities. As Pierce recalls, it was an unlikely project, under an ice rink and with a variety of challenges, “but the Vail story continues, with people doing the most impossible things imaginable.”

A plan was established and approved, including the performing arts center, ice rink, escalators, retail, restaurants and parking, though many challenges remained. “This place was founded on principles only dreamers could come up with,” Doug Rippeto laughed. “But somehow it all came together.”

Fundraising efforts for the performing arts center began in 1995, following the establishment of the Beaver Creek Arts Foundation1, a 501(c)3 nonprofit. The initial building and associated expenses were financed largely by full and part-time residents of the area who were eager to see the performing arts center come to life.

John Horan-Kates took on the fundraising project and helped form the Beaver Creek Arts Foundation (BCAF), into which donations would be funneled. Horan-Kates became the first president of the BCAF, but insisted on the modifier “interim,” noting, “I enjoy the arts, but I felt they needed a true aficionado in that permanent role.”

Horan-Kates built what he calls a “classic” fundraising campaign, with letters of solicitation, in-person requests and good, old-fashioned cold calls to inform potential donors of the opportunity to invest in the venue. Benefits packages were assembled to entice donors, including seat

1The founding members included Pam Bard, John Boll, Bob Brotman, Andy Daly, Jim Donohue, Harry Frampton, Steve Friedman, John Galvin, John Garnsey, Paul Gotthelf, Martha Head, Bob Lashbrook, Kent Logan, Peter May, Bruce Mitchell, Brian Nolan, Rich Rogel, Phil Smiley, Sissy Swig, Craig Tuber, Stew Turley, Pat Terwilliger and Alberto Vilar.

President Ford and Mrs. Ford arrive at the Vilar Performing Arts Center for Opening Night.

plaques, priority ticket rights and deeded Villa Montane parking spaces, many of which still belong to the original contributing members and their families.

These efforts were also supported by honorary chair, former President Gerald Ford, along with his wife, Betty Ford. The Fords owned a home in Beaver Creek at the time, and as ardent arts enthusiasts, they were instrumental in garnering support – both monetary and in the form of volunteerism –which was critical in the success of the fundraising efforts.

Harry Frampton noted, “Getting a phone call from a former president to ask for a monetary donation greatly helped our cause... Who says no to Gerry Ford?”

Horan-Kates also worked closely with the fundraising committee’s chair, John Boll. John and his wife, Marlene Boll, were also critical in procuring donations for the project and were specifically recognized in 1996 for their fundraising, receiving the 6th Annual Outstanding Contributor to Beaver Creek Community Award for these efforts.

Marlene laughed when she recalled her late husband’s aversion to working while at Beaver Creek. “That was his place to relax, to unwind and ski. He had no interest in fundraising.” She reiterated Harry Frampton’s take on the situation after a nudge from President Ford. “When the former president asks you to co-chair a fundraising committee, you do it!” Within a matter of weeks, the campaign was well on its way to the goal of $18 million. “When he reached that amount, President Ford asked him not to tell anyone and to keep raising funds!” Marlene recalled. “So many people contributed.”

Local entities also donated generously to ensure fundraising goals were met. Beaver Creek Resort Company contributed $4.5 million, and Vail Associates contributed $500,000

John and Marlene Boll, with Olympian figure skater Paul Wylie, who was the inspiration for the ‘Wylie’s Reach’ statue that stands near the ice rink above the VPAC.

towards the original goal of $14 million. Less than a year after the launch of the fundraising campaign, in March 1996, the Beaver Creek Arts Foundation announced it had raised 70% of the needed funds. The total cost was always a bit of a moving target. Architect Gordon Pierce recalled his original estimate was a few million dollars, but “architects are not known for their ability to estimate construction costs,” he laughed. The final cost was around $17 million dollars.

The official groundbreaking was held on April 8, 1996, and kicked off nearly a year and a half of construction. Beaver Creek Village unofficially became a Children’s Construction Museum that spring and summer, with windows and portholes strategically installed in the safety wall by contractor G.E. Johnson, giving a firsthand view of the project to passersby.

Alexia Jurschak, current VPAC Committee Chair, recalls visiting

the site nearly every day in the summer of 1996 with her young sons. “My children loved to see the progress, and it was incredible to watch this project being built.”

Planning for the interior of the project was ongoing as construction clipped along. Artists Meghan and Douglas TaylorGerber were commissioned to create a bronze sculpture called “Wylie’s Reach,” featuring Olympian Paul Wylie, who skated in the Vail Valley as a child. The sculpture was officially unveiled in December 1996 in Vail and later transported to Beaver Creek, where it remains on the east side of the Black Family Ice Rink, atop the Vilar Center.

Horan-Kates recalled visiting part-time Beaver Creek resident Alberto Vilar in New York at his company office on 5th Avenue. By the end of the meeting, Vilar had secured the naming rights with a generous donation to the venue.

By March of 1996, 70% of the funds to build the venue had been raised by the Beaver Creek Arts Foundation.

The donation was made official in January 1997, when Alberto Vilar formally announced and committed to the $3 million gift and naming rights; therefore, the venue was originally called the Vilar Center for the Arts. Vilar’s gift also included provisions for construction and endowment. Vilar and other donors have recognition of their founding gifts in the lower lobby of the Vilar Center.

In mid-1997, Sid McQueen was named the first CEO of the Vilar Center for the Arts. He brought 25 years in facility management and programming experience to the job. He was tasked with oversight of facility completion, planning and scheduling performances, and spearheading the much-anticipated opening week celebration, to be held in February 1998.

Grand opening planning began in earnest in summer 1997 ahead of the scheduled grand opening, largely led by members

of the planning committee2. The performers for opening week were purposely not publicly disclosed to build suspense and excitement for the inaugural shows.

A donor recognition event was held on Dec. 30, 1997, during which “Partridge Family” singer Shirley Jones performed, giving her the distinction of being the first performer at the Vilar Center.

The Grand Opening of the Vilar Center for the Arts was held on Feb. 5, 1998, and began with the dedication of the Ford Family Relief, a wall outside the venue that depicted the Fords participating in a variety of valley-wide events. The piece remained outside the Vilar Center until 2009, when it was moved into a more prominent location in Beaver Creek Village.

2 Planning committee members included Betty Ford, Marlene Boll, Allie Coppeak, Jane Smiley, Susan Rogel, Allison Knapp, Elaine Brotman, Robert West, Gail Schwinger, Barbara Treat, Sr., Leni May, Barbara Benson and Susan Frampton.

President and Mrs. Ford led the ceremonies at the venue’s grand opening on Feb. 5, 1998, which included the unveiling of the Ford Family Relief.

The opening week acts included Ani and Ida Kavafian with the Santa Fe ProMusica Orchestra, Spalding Gray, All-American Dance Stars, Capital Steps and Marvin Hamlisch. The acts were scheduled to show a variety of performers and appeal to different audiences, from committed classical music connoisseurs to dance enthusiasts.

Right away, the Vilar Center for the Arts included educational outreach programs for children and parents, with performances of Tales of a Fourth Grade Nothing by Judy Blume included in the opening week lineup, as did a free Community Family Day.

The Buckman-Blount community use fund was established in 1997 to promote the use of the theater space by local non-profits that wanted to perform on a beautiful, professional stage and present to the community. Organizations applied for community use funds to offset rental costs, allowing local entities to capitalize on the amazing performing space.

Programming aimed at children was officially included in a series called STARS (Support the Arts Reaching Students), which launched in 1998, providing funding to get Eagle County Schools students into the theater for kid-specific programming. “Our parents wanted all children to have an opportunity to experience the theater, arts, music and other cultural activities,” shared Kathy Frechette Tenhula and Kristy Frechette Woolfolk, daughters of Pete and Pat Frechette, whose Frechette Family Foundation supports STARS program. “STARS continues to do just that, bringing joy and learning to children while creating access for those who may not have had it were it not for this program.”

The May Gallery also debuted in 1998 with its first exhibition, running from February 8 – March 1, 1998, featuring pieces and

installations from local collectors. Following this exhibition, a Sotheby’s benefit art auction was held at the gallery on March 14, 1998, with proceeds benefiting the Vilar Center. Donations to the sale included works by renowned artists like Andy Warhol, Chuck Close, Dan Daley and many others.

Naming patrons of the gallery, Peter and Leni May, displayed historical architectural renderings of opera houses and concert halls from around the world for many years, until a remodel of the gallery was undertaken in 2019. “The gallery has evolved, and now it’s a place for patrons to gather and socialize,” Peter May says of the space. “The remodel was beautiful.”

Former Executive Director Duncan Horner (2016 – 2020) agreed, “The patrons I got to know by spending time in the May Gallery became like extended family. There were many weeks I spent more time there than I did with my own family.”

In June 1998, CEO Sid McQueen (1998 – 1999) was promoted to Artistic Programming Consultant, following the incredible success of the VPAC’s first season of performances. This allowed McQueen to focus on scheduling talent and continuing to bring the unique variety of performers to upcoming seasons at the VPAC. Tony O’Rourke, Beaver Creek Resort Company Executive Director, took over daily operations of the Vilar Center until a permanent CEO could be named.

In summer 1998, Bravo!’s Executive Director, John Giovando, was asked about the Vilar Center in a Vail Daily interview and whether a similar venue would ever be built in Vail. Giovando noted, “Vail needs a performing arts center … it would be fabulous to have one in Vail.” Alas, the VPAC remains the lone four-season performing arts venue in the Vail Valley with the capacity for 500+ audience members, highlighting the difficulty

The gallery has evolved, and now it’s a place for patrons to gather and socialize. The remodel was beautiful.”

—PETER MAY

in planning and executing such a venue and making the VPAC’s success all the more impressive.

In July 1998, then-Beaver Creek Resort Company Executive Director, Tony O’Rourke, emphasized the importance of the center as a community resource. “We’ve created a community use fund to subsidize performing arts in the Vilar Center,” O’Rourke noted, stressing that the VPAC was “a community resource” and not just a Beaver Creek amenity.

This was true then, and community remains an important value for the VPAC. However, the global reach of the Vilar Center has also been a theme for the venue, nearly since inception. In summer 1998, the Vilar Center also advertised on national TV, purchasing eight broadcast slots on PBS to air during the station’s annual fundraising campaign. Beaver Creek’s performing arts theater was marketed to a national and international audience, the timing of which was excellent, as the world was about to descend on the Vail Valley for world championship ski racing.

The May Gallery from 2000 – 2018. The May Gallery 2019 to present.

The original May Gallery at the VPAC.

THE OPENING WEEK CELEBRATION

included Ani and Ida Kavafian with the Santa Fe ProMusica Orchestra, Spalding Gray, All-American Dance Stars, Capital Steps and Marvin Hamlisch.

Marvin Hamlisch.

Florence Henderson.

Ida & Ani Kavafian with the Santa Fe ProMusica Chamber Orchestra.

Judy Blume’s

Capital Steps.

FINDING ITS GROOVE (1999 – 2000)

In 1999, Vail and Beaver Creek hosted the racing events of the FIS Alpine World Ski Championships races. Beaver Creek boasted the men’s downhill, Super-G and combined events, and also served up world-class entertainment to welcome race and theater enthusiasts alike.

Sid McQueen noted the Vilar Center would present performances “featuring renowned artists in the field of dance, music and theater,” in honor of the races. These performers included Paula Poundstone; Spyro Gyra, Jazz Fusion; Celtic Dance; Cleo Laine & John Dankworth Quintet; and others.

Former Executive Director Kris Sabel and Director of Special Projects and Infrastructure Erik Brown examine the VPAC’s rigging in the 2000s.

Sid McQueen.

While catering to a large, diverse, international audience, the Vilar Center also continued to honor the ties to the local community and worked to strike a balance. Focus groups were conducted in 1999 to ask for community members’ thoughts and opinions about Vilar Center for the Arts programming and determine what they wanted to see on the stage for the 1999 – 2000 winter season.

McQueen handed the baton to then Technical Director Kris Sabel in 1999, with Sabel taking over as Executive Director. He’d go on to serve over 17 years in the role, providing stability, leadership and passion for bringing exceptional performers to the Vilar Center for the Arts. He had his work cut out for him as soon as he accepted the role, however.

The financial outlook was less than stellar for the Vilar Center in 1999 and into 2000, and Doug Rippeto, an original capital campaign donor

and Vilar Center for the Arts committee member, suggested the venue was months away from closing its doors. The Vail Valley Foundation was asked to assist, and the two entities forged a partnership in a series of restructuring moves. This decreased overhead for the VPAC and allowed its staff to focus on production quality, booking and daily theater operations.

As the VVF became more involved, VVF board chair Harry Frampton asked John Galvin to chair the Vilar Center for the Arts Committee.

John and his wife, Linda, were instrumental in assisting with the original project fundraising, so John’s understanding of the project and desire to serve were strong. He led the VPAC committee for the next few years, as the Vilar Center became more financially viable. The Patron Society was also formed, as additional contributions would be needed to keep the Vilar Center going.

John and Linda Galvin with Boulder Philharmonic Maestro Butterman.

The VPAC interiors in the 2000s.

Photos by Jeff Scroggins.

HITTING ITS STRIDE (2001 – 2016)

In 2001, The Vail Valley Foundation and Beaver Creek Resort Company entered into a formal agreement, by which the VVF would be the sole operator of the Vilar Center for the Arts for a term of three years. Similar agreements were successively approved, as the Vail Valley Foundation continues to manage and operate the venue. The arrangement continues to this day and serves as a model of success for both entities.

Beginning in January 2002, all STARS programs were offered free to local youth, thanks to a generous underwriting offer by local Bobby Hernreich.

In spring 2002, the Beaver Creek voters approved a request to increase civic assessments and the real estate transfer assessment to fund capital improvements for the VPAC. This was one of the most significant moments in venue’s history, providing it a foundational financial footing that would allow the venue to more readily withstand changes in the economic climate.

Venue staff continued its effort to strike a balance between booking popular sell-out performances and bringing strong cultural programs to the community, even if such shows did not sell as well. Doug Rippeto noted it was a delicate balance

but a simple formula for success: “raise enough money to bring in quality entertainment, knock people’s socks off, make more money and on and on.”

Families were welcomed to the Vilar Center on Friday nights in 2002 for free family centric films. Many children came in costume, and the series enhanced the image of the venue as a community asset, bringing many new faces into the space.

Online ticketing was implemented in the 2002 – 2003 season, pleasing customers and improving ticket sales with real-time, ‘round-the-clock purchase options. Online ticket sales continued to make up a larger percentage of all purchases in 2003 and beyond.

In 2003, John Galvin stepped down as VPAC committee chair, and Doug Rippeto took the reins. “I was inspired to pick up where John left off,” Rippeto noted. “I wanted to get to a whole new level of success at the Vilar Center for the Arts.” Rippeto’s leadership kicked off 13 years of positive cashflow for the venue of which Rippeto and the committee were immensely proud.

The Vilar Center Guild3 was formed in 2004 with the mission of reaching out to the entire Vail Valley and building awareness, accessibility and audiences.

The Guild fulfilled its mission through community outreach, fundraising, events and performance underwriting. During the years in which the Guild operated, it provided tickets to local students and senior citizens; gave books and tickets to children through partnerships with the Literacy Project, the Magic Bus and the Buddies program; and offered scholarships for students at the Vail Performing Arts Academy and Vail Valley Academy of Dance. The Guild also provided significant underwriting support for VPAC performances.

In 2005, another ballot initiative was requested and passed by Beaver Creek Metropolitan District voters to fund capital improvements and reserves for the venue. This allowed for needed upgrades and replacements to ensure the theater had the latest technology and could continue to attract worldclass artists. It also once again showed how much the local community valued the theater, and was willing to step forward and support the venue’s mission.

The additional funding also allowed more programming with a high level of name recognition, which was met with excellent audience approval. The venue’s reputation as an exceptional facility continued to grow.

From 2005 to 2007, investment on artists’ fees continued to climb, as did ticket sales. Ticket prices in 2007 were the highest ever for the venue, and tiered ticketing was offered to maximize profitability but also ensure affordability. Higher profile artists were booked, allowing the Vilar Center to compete with other local performances, particularly in the summer months.

The 2006 – 2007 winter season saw record attendance, with incredibly positive audience response to the programming and performance quality.

During a 2008 rebranding effort, the current name, “Vilar Performing Arts Center” was given, rather than the original name, “The Vilar Center for the Arts.” The VPAC’s website was also upgraded at this time. A new logo was also created.

The VPAC was not immune to the economic downturn in 2008. However, the venue found new ways to continue to offer excellent programming even though the overall number of shows was reduced. The recession also coincided with the VPAC’s 10th anniversary, yet the VPAC community found many ways to celebrate the benchmark.

Staff was challenged to find exceptional artists and present highquality performances on a smaller budget. A virtual tour of the venue was available online, along with an updated website that included “VPAC Radio,” providing music samples of upcoming artists long before the streaming services were readily available.

The Black Crowes swooped into the VPAC in November 2009. This show set several records, including selling out within four hours of tickets going on sale and the highest attendance the venue had seen to date.

A box office was added in Vail in 2010 to sell VPAC tickets to Vail-based visitors, both in person during box office hours and via a ticketing computer if the box office wasn’t staffed. VPAC signage was placed on I-70 and at the EGE airport to attract prospective customers.

3Original Guild members included Cindy Bright, Patti Burrows, Tommie Campbell, Terry Cohen, Suzy Donohue, Pam Elsner, Sallie Fawcett, Ginny Forstmann, Linda Galvin, Kris Gary, Debra Goldman, Jean Graham, Pat Hammon, Suzanne Hoffman-LeBlanc, Ruth B. Johnson, Melanna Marcellot, Carolyn McGinnis, Sandra Morgan, Candace Palmer, Vicki Rippeto, Suzanne Scharf, Mary Webster and Bonnie Vogt.

In March 2010, Kris Sabel noted the VPAC had more confirmed summer performances than ever before at the same time of year.

In mid-2010, Tony O’Rourke left his post at Beaver Creek Resort Company, taking a similar position in South Lake Tahoe. He was presented with a lifetime pass to the theater as thanks for his years of service and partnership.

In early 2011, a “freeze team” was formed to help potential customers find the VPAC from the plaza to parking lots. They handed out flyers to encourage last-minute sales and wore bright jackets and “ask me” buttons to attract visitors.

The VPAC committee experimented with allowing beverages into the theater in 2011, enhancing the guest experience. Although the original impetus was not to increase food and beverage sales, such an increase was noted quickly by staff. The concern over spilled drinks and messes was not realized, and the allowance of drinks in the theater became permanent thereafter.

Underground Sound launched in fall 2011 as staff looked at creative ways to fill the shoulder season with performances by up-and-coming artists to attract locals to the theater. The purchase price included seven concerts and a free drink at each concert. A variety of other innovative marketing tools were used to generate ticket sales as well, and Underground Sound remains a popular series to date.

In 2011 VVF entered into an agreement with the Vilar Center Arts Foundation and Beaver Creek Resort Company to assume full and exclusive operational responsibility for the Vilar Center and its programs and activities.

The VPAC Guild launched Nurturing Future Artists (NFA) in 2011, a program that provided middle and high school students with free or buy one get one tickets to evening performances. The Guild’s original president, Cindy Bright, stepped down in 2011 and Doris Dewton took over as president.

Some of the early STARS performances went over better than others.

The VPAC got a new logo in 2011, created in conjunction with a larger overall rebranding effort undertaken by the Vail Valley Foundation.

In 2012, the VPAC held its first-ever summer donor appreciation event; to this point, such events were only held in the winter.

The VPAC saw the most diverse lineup of quality performances in its history in 2013, along with the venue’s most challenging ticket sales to date. However, Jonas Kaufmann and Anna Netrebko gave highly sought-after performances that season, with a quarter of the Netrebko audience traveling to Beaver Creek specifically to attend her performance. A greater percentage of shows were presented in acoustic format, focusing more on the artist and vocals.

Allison Kraus played a return show during the 2014 season. At the time of this performance, she held the distinction of

most-awarded singer and most-awarded female artist in Grammy history, with 27 wins.

Capital projects in 2014 included sound booth enhancements, concession area improvements, loading dock enlargement and dressing room upgrades. The website was upgraded to include a mobile-friendly view and mobile ticketing capabilities, which delighted guests who had requested such features for ease of access.

In 2015, Beaver Creek hosted the FIS World Alpine Ski Championships. Also in 2015, Doug Rippeto, who served as VPAC committee chair since 2003, confidently passed the torch to Alexia Jurschak after a lengthy search for a successor. He noted, “It was the best decision I ever made. She had the same fire in her belly to take the VPAC to the next level, and she’s been a superstar, just like I thought she would.”

Alison Krauss, September 3, 2011.

In 2016 the Committee wrote a new mission: to provide the broadest possible range of cultural, entertainment, educational and artistic activities in a year-round performing arts venue for the benefit of our community, its visitors and strategic partners.

Also in 2016, Kris Sabel stepped down after 17 years of service. “Kris deserves a ton of credit. At a time when performing arts centers of our size were struggling, he helped raise the quality of our bookings and instituted many of the new programs that have become traditions at the VPAC,” said Alexia Jurschak.

Peter May noted, “Kris did a great job. He recognized early that the VPAC could get artists traveling from Denver or Aspen going to Utah and have them stop in Beaver Creek along the way. That helped our cause immensely.” With a long tenure of success in the position and at the venue, expectations were sky-high. The search for a new executive director was on.

At a time in the industry where performing arts centers of our size were struggling, [Kris] helped raise the quality of our bookings and instituted many of the new programs that have become traditions at the VPAC.”

—ALEXIA JURSCHAK

Former Executive Director Kris Sabel welcoming attendees to a holiday performance.

Alexia and Jerry Jurschak with Jonas Kaufmann January 13, 2013.

A NEW ERA (2016 – 2020)

Duncan Horner was hired as the VPAC’s Executive Director after an extensive international search. Horner was from the U.K. but had been living in Colorado for years. He was hired in 2011 as Vice President of Marketing for the Vail Valley Foundation ahead of the 2015 Alpine World Ski Championships.

Following the success of the Championships, Horner hadn’t considered getting into the performing arts business. Yet, as the search for an executive director intensified and the right candidate failed to materialize, Horner realized he filled many of the requirements for the position at the VPAC. Despite searching far and wide, the next leader had been in the Vail Valley all along.

“I had deep boots to fill when I arrived,” Horner noted, acknowledging that Kris Sabel had left the VPAC in excellent shape. “The staff was incredible, everyone was very generous in getting me up to speed, and we worked well as a team.” It also helped that Horner knew the area, the people and had extensive VVF experience.

“The front-of-house staff was incredibly knowledgeable, which allowed me to focus on programming improvements to cater to a younger demographic,” Horner noted of the desire to keep

performances that their core audience appreciated while also filling the theater with different genres that would appeal to underrepresented viewers. At the time of Horner’s start, the average occupancy from season to season was 55%. By the time Horner left, it was 75%.

As Horner settled into his new role, the VPAC celebrated its 20 th Anniversary in 2017, continuing to flourish under the leadership of Horner and Alexia Jurschak, committee chair. Marketing teasers began earlier in the year to generate excitement for upcoming performances, which included Kinky Boots, Béla Fleck with Brooklyn Rider, RENT, Trombone Shorty, BalletX, Jim Gaffigan and fan-favorite Lyle Lovett, among many others.

Digital marketing kiosks were placed in strategic Beaver Creek locations to increase visibility and generate interest. The partnership with Vail Resorts continued, providing further integration into the central booking process with VR and Beaver Creek lodging partners.

In 2018, the Beaver Creek Resort Company extended the capital improvements funding agreement for another 10 years, solidifying the continued financial assistance for needed VPAC upgrades.

The May Gallery underwent an extensive remodel in 2019 Including rotating art collections from local gallery partners was one of the goals in the new space. The gallery had looked much the same aesthetically since it opened. Peter May noted the upgrade was beautiful in its evolution from the original look, as well as how it morphed into a patron’s lounge and gathering place for like-minded donors with a love of and passion for the arts.

Horner and staff worked to add more diversity in programming to attract new audiences, including more family, comedy and a broader range of concert bookings, including country shows.

Horner noted some anomalies – exceptional performers who didn’t fill the house or resulted in subpar ticket sales –but many highlights as well, including record-breaking ticket sales for up-and-coming bluegrass artist Billy Strings, who is now a superstar.

In 2019, the Beaver Creek Metropolitan District aligned its support for capital improvements to meet the same term as that of the Beaver Creek Resort Company, which had reupped its commitment the prior year. This gave the venue and staff the financial security to ensure the VPAC’s success in the years to come.

When the VPAC committee meeting adjourned in December 2019, its members, along with Vail Valley guests and residents, were getting ready for a stellar Christmas performance lineup.

No one knew that in just a few short months, the world would shut down and performing arts venues worldwide would be empty.

Duncan Horner on stage prior to National Symphony Orchestra of Ukraine March 14, 2017.

20 th Anniversary Logo.

Horner oversaw the remodel of the May Gallery, shown here in 2019.

UNFORSEEN INTERMISSION (2020 – 2021)

“Everything changed after the Sam Bush concert,” Horner said of the performance on March 9, 2020. “We thought we were safe in the Vail Valley bubble. There was no reported COVID in the community. And then everything changed.” Just days later, normal life in the valley came to a screeching halt.

Horner noted the VPAC was soaring to new heights surpassing board and audience expectations, until March 2020. It was disappointing, to say the least, with so many unknowns for patrons, staff and the larger community.

The VPAC was in good company with other performing arts centers across the world, but in many ways uniquely positioned and supported to make something – anything –happen to bring culture, music and joy to audiences when in-person performances were not feasible. Beaver Creek Resort encouraged the VPAC to function in whatever capacity possible.

“We knew we had to keep a skeleton staff at the bare minimum,” Horner emphasized. “Many people had been here for years, and to lose them, their knowledge of the venue, and so many years of hard work would have been devastating.” Because of this commitment and foresight, when the time came, the VPAC

was the first performing arts venue in the state and possibly the nation to reopen to live music.

But the more imminent question was helping local performers, many of whom completely lost their means of employment when public gatherings ceased. The community in and upon which the VPAC was built continued to exemplify the spirit of the entire Vail Valley. “How can we help?” donors and staff wanted to know. And help they did.

The pandemic buzzword was “pivot,” and the VPAC embraced the opportunity to change course while fulfilling its mission to bring diversity and excellence in artistic, entertainment and educational activities.

Out of both need and want, the Ghost Light Sessions were born. Named after the one light always kept on in a theater –“to ward off the spirits that are known to inhabit theaters and to keep people from walking off the edge of the stage in the dark,” Owen Hutchinson laughingly shared – it was a fitting way to keep moving forward.

The Ghost Light Sessions began on May 7, 2020, and featured beloved local and regional artists doing virtual concerts,

Sam Bush March, 9, 2020. Photo by JohnRyan Lockman.

The VPAC’s ghost light, a single bulb left shining whenever a theatre is dark.

Pilobolus, on March 11, 2020, was the last show held before the pandemic struck.

livestreamed for free from the stage. Though the theater was empty for the first concerts, the gratitude emanating from the artists easily filled the room, as did the joy felt by the worldwide audiences that tuned in for the shows. During the performances without a live audience, the artists played with their backs to the theater seating, a theater anomaly to say the least.

These performance opportunities supported the artists, many of whom had no other means of income at the time. It also exposed the VPAC to a world-wide audience.

In June 2020, as COVID restrictions loosened slightly, a small number of physically distanced and masked guests were able to return to the theater to enjoy live music by the likes of Rocky Mountain Grateful Dead Revue, Johnny Schlepper Band, Brother’s Keeper, Drunken Hearts and Bonfire Dub, among others.

These 15 shows were also livestreamed, reaching over 200,000 online viewers.

Between shows, staff performed much-needed improvements to modernize the theater for a post-pandemic world. In addition to the livestream upgrades, new digital robotic cameras were added to the theater, as well as LED house lighting, and improved air filtration in the theater.

The VPAC hosted an August 2020 concert with internationally acclaimed violinist Joshua Bell and his wife, soprano Larisa Martinez. A limited in-person crowd was invited to attend the outdoor performance in addition to a virtual audience via a global livestream. Said Horner, “this has been an opportunity for us to … be noticed. More and more artists have wanted to perform here, and more and more people want to support what we have here, which is, we believe, something extraordinary.”

Joshua Bell and Larisa Martinez, August 14, 2020 at the Gerald R. Ford Amphitheater.

Ghost Light Session attendees were of the very first to once again enjoy live music after the onset of the pandemic.

In September 2020, the VPAC joined thousands of venues across the nation partaking in Night of Lights, lighting up the venue in red to draw attention to the grave effects the pandemic continued to wreak on the live performance industry.

As the pandemic dragged on, the VPAC, including donors and staff, recognized the ongoing need to support gig workers who could not work even close to the full schedules they relied upon for a living. With the help of Eagle County Commissioners, the VPAC applied for and procured $150,000 in funds to offer as grants to Eagle County entertainment industry workers affected by the pandemic – including artists, but also available to the multitude of behind-the-scenes workers.

The need was clear, as over 2,000 applicants requested funds. “We did everything we could to help,” Horner noted. “So many people are necessary to make our performances happen each year, and we wanted to help bridge the gap during an unprecedented time.”

In the winter 2020 – 2021 season, the VPAC hit its pandemic stride, offering streaming performances and allowing a limited number of in-house viewers through its Residency program, during which artists came and stayed in the area for a week, settling in and rehearsing and then offering multiple performances before departing at week’s end. These performances included free tickets for local essential workers, first responders and teachers.

The Residency program kicked off with a creative dance world premiere by renowned dancer and choreography Micaela Taylor. The performance culminated with a live world-wide livestream and broadcast on Rocky Mountain PBS (Public Broadcasting Service).

March 7, 2020, Runaway Grooms, the VPAC’s first livestream broadcast, from an empty venue.

September 1, 2020, Night of Lights when theaters shined red across the world.

Micaela Taylor’s All Star Band during the VPAC’s Residency program, January 7 – 9, 2021.

January 14 – 16, 2021, Residency artists: Robert Randolph Feat. G. Love, Michael Kang & Special Guests Garrett Sayers of The Motet, Nigel Hall of Lettuce and Nikki Glaspie of The Nth Power. Photo by JohnRyan Lockman.

March 3, 2021, Residency artsists: Oteil Burbridge Trio.

Photo by JohnRyan Lockman.

March 22, 2021, Residency artist: Chris Thile. Photo by Jon Resnick.

February 25 – 27, 2021, Residency artists: The Infamous Trio Feat. Chris Pandolfi, Andy Hall & Jeremy Garrett. Photo by JohnRyan Lockman.

February 12 – 14, 2021 Residency artists: John Popper & Ben Wilson of Blues Traveler. Photo by JohnRyan Lockman.

March 4 – 6, 2021 Residency artist: Citizen Cope.

Photo by Jon Resnick.

March 26 – 27, 2021, Residency artists: The California Honeydrops.

Photo by Jon Resnick.

January 28 – 30, 2021, Residency artist: Keller Williams. Photo by JohnRyan Lockman.

This was a period of learning, experimentation, and growth for the staff. We maintained our mission and programs, our staff structure, and we were spring loaded and ready to return!”

—DUNCAN HORNER

In all, the VPAC offered 14 artist residencies, 21 standalone events and 70 total events. This exposed a close-knit group of artists to the VPAC at a time when work was extremely limited for in-person performances. The outdoor activity opportunities were also a draw for many artists who came and made the Vail Valley their home away from home for a week.

Executive director Duncan Horner noted, “This was a period of learning, experimentation and growth for the staff. We maintained our mission and programs, our staff structure and we were spring-loaded and ready to return!”

The VPAC was able to maintain its vision, and commitment to the community as it continued to deliver exceptional performing arts experiences during a time when other performing arts venues could not.

More change was on the way for the VPAC in early 2021, as Duncan Horner made the decision to move back to the UK to be closer to family. When the executive director role became available, another nationwide search was undertaken with little

success. Vail Valley Foundation President Mike Imhof had a lightbulb moment when he realized they already knew someone who could fill the role: former VPAC Development Director, Owen Hutchinson.

In truth, Hutchinson’s VPAC tenure began in 2011 with his first internship, followed by another one the next summer. He was introduced to every facet of the organization and venue and was able to observe how different executive directors performed the job over time. Hutchinson returned to the Vail Valley after college, working for Vail Jazz before the executive director job beckoned him back to Beaver Creek.

“Duncan’s leadership absolutely took the facility to the next level,” Alexia Jurschak noted. Hutchinson agreed, praising Horner’s trailblazing leadership, noting the way he took risks to develop audiences and serve the larger community.

Of Hutchinson’s time in the role, Jurschak enthused, “Owen is taking the VPAC into the stratosphere.”

Because of the continued strong leadership, even during this transition period, the VPAC was incredibly successful, posting financial gains when many other performing art centers struggled to keep the doors open.

In fact, the VPAC expanded its donor base during the pandemic years, capitalizing on the widespread exposure the venue enjoyed with its livestreams and the notoriety of being one of the only venues providing in-person indoor performances early in the pandemic.

By July 2021, the VPAC was open at full capacity, much to the delight of performers and audiences; both groups were hungry for the exceptional experiences they’d come to know and love at the venue.

Overall in 2021, it became clear the board, donor and staff efforts paid off during the 2020–2021 winter season. The average age of attendees reached its lowest ever, with attendees in the 25–34 age category experiencing huge growth. More audience members than ever intended to return to the VPAC for future shows, and locals made up 65% of the audience – the highest percentage ever.

Hutchinson and Jurschak both recalled the influx of new residents to the area during the pandemic was a boon for the VPAC. “We had a surge of donors who were excited about the VPAC and more than willing to contribute,” Jurschak said, “Particularly after being treated to live, indoor performances when almost nowhere else in the country was providing such entertainment,” Hutchinson added.

LeAnn Rimes performing on July 25, 2021. Photo by Jon Resnick.

Allman Betts Band on performing on June 27, 2021, VPAC’s first full-capacity show since the COVID shutdown.

Photo by JohnRyan Lockman.

When summer 2021 tickets went on sale, a record 679 tickets were sold in a single day. Live music was about to make a major comeback in the Vail Valley and beyond. Some of the season’s highlights included Yo-Yo Ma with special guests and Tedeschi Trucks Band. These shows comprised the highest artist fees to date for the venue and proved that investment in significant talent was successful, elevating the entire season and increasing donor support. The Rippeto expectation of the cyclical nature of improved programming, audience satisfaction and donor attraction continued to hold true.

Tedeschi Trucks Band performs on August 3, 2021. Keb’ Mo’ performs on August 28, 2021.

The financial success of the VPAC was also a win for the Vail Valley Foundation, both of which had projected losses earlier in the year. This represented a full-circle comeback for the VPAC and was a testament to the collaborative and symbiotic relationship between the two entities.

In 2021, an administrative adjustment officially merged the Vilar Center Arts Foundation (VCAF) with the Vilar Performing Arts Center, eliminating an ongoing source of confusion for donors and creating one set of financials. VPAC would now become one consolidated 501(c)3 nonprofit under the leadership and management of the VVF, and moving ahead using the VPAC name and strong associated brand.

As 2021 came to a close, the VPAC had met the challenge of the year, finding unique ways forward, using sheer will, creativity, innovation and an unbreakable spirit to bring entertainment to a worldwide audience.

The ghost light and its namesake series helped reimagine performing arts, shining the way through the darkness and fittingly similar to the immense but worthy effort it took to get the VPAC off the ground from its inception more than two decades before.

Yo-Yo Ma, Chris Thile, Stuart Duncan, Aoife O’Donovan and Edgar Meyer as Not Our First Goat Rodeo on August 15, 2021.

Paul Hoffman of Greensky Bluegrass performs on July 10, 2021.

Jimmie Vaughan performs August 26, 2022.

Jazz at Lincoln Center Orchestra with Wynton Marsalis performs February 17, 2022.

Fruition fills the theater on March 12, 2022.

THE SHOW MUST GO ON (2022 and Beyond)

Audiences were ready to return to the theater in 2022 in a much more customary fashion, and the VPAC welcomed them with open arms. Show attendance was significantly higher than projections, and contributions exceeded expectations as well. Theatergoers were back!

The 2022 summer season saw record-breaking ticket sales and many sold-out shows.

Planning for the 25th Anniversary was well underway by 2022, with staff, donors and audiences excited for what was on the horizon. This included the procurement and installation of a Dale Chihuly chandelier in the lobby above the grand staircase, a one-night only performance by Norah Jones, and many other surprises (see 25th Anniversary section).

When such milestones are achieved, there is merit in looking back to see how far you’ve come, and there is also something special about looking forward at the seemingly infinite possibilities for the future. Those who are intimately involved with the VPAC have done both during this celebration.

“The pandemic allowed many people to reaffirm their love of art and culture and what they draw on for motivation and inspiration,” Owen Hutchinson mused. “Norah Jones’ performance and our 25th Anniversary Celebration was magical, bringing together many of the facility’s most significant advocates and those who will carry the legacy forward. The arts transcend generations, bring communities together and unite us all.”

Harry Frampton noted Pete Siebert, one of Vail’s original founders, was defined by his commitment to excellence, and Frampton believes this high level of achievement is reflective of the entire Vail Valley, driving the VPAC and community into the future. “In this Valley, we want to be the best, and that includes performing arts.” That said, Frampton believes it’s difficult to project even a couple years down the road, given how quickly things are changing in the world at large.

“The VPAC team needs to constantly adapt, look ahead and know that people all find something in the arts that they enjoy. And remember that the performing arts can be a teacher, helping all of us to adapt to this ever-changing world,” Frampton said.

Alexia Jurschak has had a front row seat for a variety of changes and improvements at the VPAC, and she keenly understands how important evolution is. “We need to continue evolving with technology, to provide the best possible product for our guests. We need to evolve with the live performing arts and provide what our audience desires.”

Said longtime supporter and donor Bill Stevens, “When we celebrate 25 years of the Vilar Center, we are not only celebrating what’s happened, but what’s to come in the future. We’re very much looking forward to the vibrancy of the Vilar Center and what it brings to the community and visitors.” Bill and his wife Jarona made a long-term commitment to the VPAC, noting they wanted to ensure such performances were available to audiences for years to come. “If you haven’t been to the Vilar Center, you need to go,” Jarona said simply, while also mentioning her shock and delight at the number of guests who travel to Beaver Creek specifically to attend shows at the theater.

Harry Frampton addressing VPAC supporters at Rippeto Family Chandelier Unveiling Ceremony. Photo by Chris Kendig.

Former Beaver Creek Vice President and Chief Operating Officer Nadia Guerriero, expressed her appreciation for the VPAC, noting it was “a gem in Beaver Creek Village, with robust programming and a commitment to execute worldclass performing arts experiences at the highest level. It is a vibrant part of our guest experience, and a destination in and of itself.”

VPAC staff members agree and believe it will continue to thrive well into the future. Production Manager Shane Huebner noted, “The VPAC will continue to pull bigger acts.” Citing the support of management and the board, Huebner has no doubt the VPAC “Will continue to attract the best production people in the industry,” he predicted.

Cheyenne Mendoza, the VPAC’s Technical Director, agrees that the theater has a stellar reputation in the industry among performers and their crews for its technical excellence. “The sound system gives an incredible performance in all seats, and that became the ultimate selling point. No band or artist will ever walk into the VPAC and say the system isn’t good enough,” Mendoza asserted. “It’s about strengthening the connection between audience and artist, and that’s exactly what we’re able to do.”

Regardless of who you ask, the future of the VPAC is as bright as the LED lights shining onto the stage. Though unforeseen events – pandemics, snowstorms and drought years – can and do affect the VPAC, its audiences, and the staff, there holds one certainty in the theater that is an appropriate reflection of life itself: the show must go on.

There is no doubt this will happen with the donors, staff, performers, audience members and the setting of the Vail Valley – all will come together to ensure the next 25 years and beyond hold as much success as the last 25.

The VPAC team needs to constantly adapt, look ahead, and know that people all find something in the arts that they enjoy. And remember that the performing arts can be a teacher, helping all of us to adapt to this ever-changing world.”

—HARRY FRAMPTON

BEHIND THE CURTAIN: STORIES FROM PEOPLE WHO WERE THERE (Various

Years)

While fundraising, planning and execution were happening to ensure a successful launch of the Vilar Performing Arts Center, staff was needed to perform everyday operations, including ticket sales, food and beverage, cleaning, staging and managing the needs of visiting performers.

Staff came and went over the years, and many shared fond and funny memories from their time at the venue. From the original staff to those who are there today, it’s clear the VPAC is a very special place to work.

As Harry Frampton said, “It all comes down to the people,” and the people made the VPAC hum.

Employees who were with the venue in its earliest years recall the incredibly hard work, but also the gut-busting laughter and the camaraderie of working towards the success of the theater. Every current and former employee who offered comments touched on the theme of doing whatever it took to get the job done.

“There were many nights I slept under my desk,” Martha Brassel recalled when she served as the audience and artist services manager. “We all brought our dogs to work,” Jen Mason shares, “or else they wouldn’t have been fed or let outside!” Some artists were averse to the dogs, and others were thrilled. “Lyle Lovett always invited the dogs into the green room with him,” Mason noted.

Speaking of dogs, staff dubbed the venue’s elevator “the bad dog, because it never came when you called it,” Brassel shared. “You never knew what floor it was on.” Brassel recalled getting a good workout sprinting up and down the stairs to find the elevator when it was needed.

Dogs weren’t the only animals at the VPAC. Erik Brown, current Director of Special Projects & Infrastructure, recalled the complexity of hosting the musical CATS, which was the only time the VPAC hosted a four-truck show (that’s a performance requiring four semi-trucks filled to bursting with equipment, scenery, costumes, etc.) in which every last piece of equipment was unloaded and used on stage. “We also got to collaborate with

An American in Paris, January 22, 2020. Large scale Broadway productions have brought a wide variety of interesting challenges to the VPAC staff.

Photo by Barry Eckhaus.

the head carpenter for the show,” Brown noted, which is highly unusual, but which made the show so much easier to set up.

The VPAC gained an industry reputation for being an amazing place to work, even early on. “I applied four times before I got a call,” said Dean Davis, current Facilities Manager. “I’d heard about the VPAC and wanted to work there. So I sent a resume once a year until they hired me.” Davis started in October 2006 and has never looked back. He began as technical director and shifted when the need for a facilities manager arose. He can tell you how many times each panel of the hand-etched donor recognition walls have shattered due to conga lines gone awry and an assortment of guest-related episodes, along with why the bottom of the theater seats look like waffles – “They’re designed to be as similar to a human body as possible to ensure the sound is the same no matter how full or empty the theater.”

Shane Huebner, Production Manager explained the intricacies of timing, planning and logistics when welcoming artists and crews to the VPAC. He previously worked country and rock shows, so he vividly remembered his first show as a VPAC employee, the Broadway hit Once. The show included three trucks loaded with equipment, and a very long day. When it came time to reload everything postshow, the third truck didn’t wait for the required staff escort and got stuck coming up the hill in the middle of a storm. “They had to cancel the next show, and the third truck had to be extracted and come back the next day. We like to joke that we had to load out Once... twice.”

“I got to drive Al Green to the airport,” noted Owen Hutchinson, who was a 19-year-old intern at the time.

Anna Netrebko performs on March 25, 2013.

Photo by Zach Mahone.

CATS performs March 4 – 5, 2010.

Photo by Zach Mahone.

Al Green performs on September 1, 2008.

Photo by Zach Mahone.

I’m not their boss. I’m their biggest cheerleader. This amazing venue wouldn’t be what it is without the dedication of our amazing staff.”

—ALEXIA JURSCHAK

“He had lots of wisdom to share about his career, love, life and other things. I was so excited, and I called to tell my dad about it right away!” Hutchinson lamented that he later received what he thought was a voicemail from Green himself, inviting Hutchinson to visit and come to a church service in Green’s pentacostal church in Memphis, where The Reverend is pastor. Alas, Hutchinson later learned it was his father, pranking him with an impressive impersonation of the ‘70s soul legend. “It was still one of the greatest performances I’ve seen at the VPAC, and such a fond memory,” despite the disappointment that followed.

“The staff often calls me ‘boss,’” Alexia Jurschak shared and then explained why it’s a misnomer. “I’m not their boss. I’m their biggest cheerleader. This amazing venue wouldn’t be what it is without the dedication of our amazing staff.” Jurschak also shared a story about opera superstar Anna Netrebko, who performed at the VPAC in 2013. “We’d host the artist and a small number of guests at Splendido at the Chateau,” Jurschak shared. There were always French fries on the table,” a Splendido delicacy. Jurschak encouraged Netrebko to try one and after initially refusing, Netrebko’s willpower ran out. “She couldn’t stop eating them, and just looked over at me and said, ‘these [expletive] fries!’” Jurschak laughs. “Every time she visited, those fries were her best friend and worst enemy!”

Volunteer and part-time house manager John Merritt recalls Jay Leno’s two visits to the VPAC. “He was phenomenal, as a performer and a person,” Merrit notes. “He came with no entourage, and he was very approachable.” Perhaps Leno’s only complaint had nothing to do with the VPAC and everything to do with location: “He flew home on his private jet every night, even if he was doing a multi-night performance,” Merritt said. He also recalled the roundabout way in which Leno helped a friend sell a car that belonged to John Denver. Leno, a car buff, didn’t want to buy the vehicle, but he had a friend who did and helped facilitate the sale. “That’s the kind of person he is,” Merrit said. “He says he’ll do something, and he does it.”

The celebrities aren’t always on the stage, volunteer and assistant house manager Tom Russo noted. “I noticed someone in the box seats with their leg on the ledge, so I was en route to handle it. As I got closer, I realized it was skier Lindsey Vonn,” recovering from one of the many injuries she sustained during her skiing career. Needless to say, Lindsey’s leg remained on the ledge throughout the performance.

Speaking of world champion skiers, a famous downhiller who shall remain nameless was the only guest staff can recall being politely asked to leave the venue after having overstayed (and over consumed) his welcome.

EMBRACING COMMUNITY

Community performances connect people, create conversation and promote camaraderie. The Vail Valley and resort community of Beaver Creek have particularly strong community ties, as the original founders had no choice but to band together to succeed.

“All great communities need a place where people come together, and we see that in performing arts. That is, in essence, what has happened here,” shared Harry Frampton, a VPAC founder who served as the Vail Valley Foundation’s Chair for the organization’s first 35 years.

Former Executive Director Duncan Horner seconds this sentiment. “The Vail Valley has amazing people. Those who came originally did the work to make things like the VPAC happen, an enormous act of volunteerism. The generations who followed have continued in this same spirit, continuing achieving the unimaginable.”

When a performing arts venue in Beaver Creek was first envisioned, despite the many obstacles that lay ahead, there was an underlying desire for community, evident in each of the people who worked to make the vision a reality.

All great communities need a place where people come together, and we see that in performing arts. That is, in essence, what has happened here.”

—HARRY FRAMPTON

We have kids from all different schools, ethnicities, and backgrounds working together. Many of them never would have met without becoming involved in the arts. It’s so fulfilling to see the camaraderie and watch these children blossom as performers, gaining confidence in all areas of their lives.”

—ANNAH SCULLY, VAIL PERFORMING ARTS ACADEMY

“There’s really a performing arts center under the ice rink?” Guests and visitors may delight in learning about the venue for the first time, but but many in the Vail Valley community and particularly those in Beaver Creek have taken full advantage of the VPAC for the past 25 years.

There was even a time when the arts came to you if you were unable to make the trek to the VPAC. The Arts in Healing program, which ran from 2009 – 2015, was a partnership between the VPAC and the then – Vail Valley Medical Center (now Vail Health). Visiting performers went to the medical center’s healthcare settings, bringing events to those who were unable to attend the VPAC due to age, illness, disability, or other circumstances. Artists and audience members were delighted by this opportunity to connect and break the “fourth wall” of performance.

The von Trapps participated in the Arts in Healing program and noted, “We started singing ‘The Hills are Alive’ from ‘The Sound of Music’ and our voices carried through the Shaw Cancer Center. Soon, patients, nurses and family members were lining the halls listening to us sing. One woman, curled up in her wheelchair, covered in blankets, had tears running down her cheeks as we sang. It was an amazing experience.”

This communal experience is why donors Bill and Jarona Stevens frequently attend VPAC shows: “Social experience, artistic relief and involvement,” are things that performing arts bring. “It’s not only entertainment for us, but for the valley… We think it’s extremely important to have the diversity of entertainment but also diverse audiences,” they shared.

Jarona notes the Stevens’ belief in art and its importance for “mental and physical health, and expression,” in any community.

This sense of community in the arts is something the earliest donors recognized, and one that current attendees continue to appreciate.

“When you’re sitting at a show and people start to get up and dance … and you see the number of people who have forgotten their everyday troubles and they’re totally joyous … to know you’re making a contribution to that many people’s quality of life, there’s no greater reward,” shared Doug Rippeto, who served as Chair from 2004 – 2016.

“Making a contribution to the community, to someone else’s quality of life, is a real source of satisfaction,” Rippeto noted.

Buckman-Blount

Community

Use Fund (Community Performance Fund)

Each year, the Vilar Center Community Performance Fund underwrites the technical, production, labor and theater usage cost for approximately ten local dance, music and theatrical performances. The fund gives local artists the opportunity to experience the excitement of performing on an incredible stage with professional production quality and support.

The program was founded in 1997 with a generous donation from Robert Buckman and Red Blount, both of whom felt strongly that their donations should entice the next generation into the performing arts.

Annah Scully, founder of Vail Valley Arts Academy, was an early supporter and community client, taking advantage of this fund. “I immediately wanted to get local kids there,” she recalls. “Giving young performers the opportunity to perform on a stage like that is life-changing!”

Scully also discussed the importance of bringing children across the valley together. “We have kids from all different schools, ethnicities and backgrounds working together.

Jarabe Mexicano performs for Vail Valley 4th & 5th grade students on April 30, 2019.

Photo by Jon Resnick.

STAR PWR Presented by Vail Performing Arts Academy, fall of 2020. Photo by Jon Resnick.

Many of them never would have met without becoming involved in the arts. It’s so fulfilling to see the camaraderie and watch these children blossom as performers, gaining confidence in all areas of their lives.”

For some young performers who got their start in the community and performed on the VPAC stage agree. Serena Kozusko grew up in the Vail Valley and performed on the VPAC stage with Vail Valley Academy of Dance and the Vail Youth Ballet Company. She noted, “The Vilar Center shaped a lot of my experiences growing up, and it’s absolutely part of the reason I decided to pursue professional performing.”

Kozusko now lives in New York City and has many friends in the performing arts industry. “One of my friends is a booking agent with a well-known firm, and she definitely knew about the Vilar Performing Arts Center. It’s got that kind of reputation!”

Jonathan Windham is another local artist who grew up performing onstage at the VPAC. “It really opened my eyes to the world of performing arts,” he noted.

“It was so amazing and inspiring to see such a diverse program being performed on that stage, and then getting to be up there myself. I’ll never forget seeing Hubbard Street Dance Chicago and being so captivated, I looked at my mom and said, ‘That’s what I want to do’.”

Windham went on to perform with the American Repertory Ballet, Fiddler on the Roof on Broadway, Metropolitan Opera (NYC), Deutsche Opera Berlin and also performed back at home with the Vail Dance Festival. He will next be performing as a soloist with KAMEA Dance

Former Vail Valley student, Jonathan Windham.

Photo Credit: Teodora Simova.

STARS performance featuring Click Clack Moo on December 14, 2010.

Photo by Zach Mahone.

STARS show featuring Diavolo, February 7, 2012.

Photo by Zach Mahone.

Company in Israel next season. Windham continues to chase his dreams, and hopes to be back on the VPAC stage in the future.

In addition, local music, dance and art students can receive free tickets to VPAC performances, nurturing their love of performance and providing rare opportunities to see artists at the peak of their careers, fueling future dreams for local children.

Community Performance Fund grant recipients have included:

Battle Mountain High School Music Festival

Eagle County Charter Academy, which held many talent shows at the venue

Eagle County Literacy Project, which hosted an annual Spell-a-bration at the VPAC for many years

Eagle Valley Children’s Chorale

Eagle Valley Habitat for Humanity

Friends of Dance

Resource Center of Eagle County

Symphony in the Valley

Vail Performing Arts Academy

Vail Youth Ballet Company

Vail Valley Academy of Dance

Vail Valley Festival of Words

Vail Valley Theater Company

The VPAC also welcomes community nonprofits, hosting fundraisers, lectures and other performances at a reduced cost to organizers.

In fall of 2020, YouthPower365, Vail Performing Arts Academy and the Vilar Performing Arts Center hosted an all-inclusive theater workshop. Photo by Jon Resnick.

Vail Valley Dance Academy Winter Recital December 5, 2006.

Spell-a-bration celebrated literacy in Eagle County in the 2010s.

The STARS program has been at the heart and soul of VPAC’s community outreach for decades. Photo by Zach Mahone.

STARS (Support the Arts Reaching Students)

Perhaps the crown jewel for the VPAC in the community service department is the STARS program. It stands for: “Support the Arts Reaching Students,” and nearly every person asked commented on the importance of this program and the absolute delight in bringing students into the theater.

Annually, the venue welcomes more than 8,000 visits from local students. The valley’s youth are able to experience the VPAC at no cost, providing valuable arts exposure they might not otherwise receive without the STARS program.

STARS began as a reduced-cost ticket program, but generous donations soon ensured these performances were free for local children. They now account for nearly 20 annual shows at the VPAC.

Martha Brassel coordinated these performances as part of her duties at the VPAC during her tenure from 1998 through 2010. “Most elementary kids hadn’t seen anything like this before,” Brassel shares. “They got all dressed up and had an incredible time. Arts exposure is so important for children.”

Adds Red Sandstone Elementary teacher Matt Felton, “I’ve been a teacher for eight years, and we have utilized the STARS program every year. They always provide a myriad of shows and give the opportunity for students to experience different art forms they may never have explored on their own. This can be a transformative experience for some as they never thought of dance or acting as cool, but then attend a show and find it both moving and cool!”

The performances align with teachers’ lesson plans, and curriculum connections are called out in the performance summaries shared with teachers. These events also provide platforms for attendees to discuss relevant issues like bullying, cultural awareness and daily struggles children face, as well as the importance of setting and working towards goals and dreams.

Over the years, middle and high school students have also attended free performances, experiencing Shakespeare or opera often for the first time. “The STARS program does a fantastic job really spanning the gamut of shows they provide and do a wonderful job finding age-appropriate shows as well,” shared Felton.

The Frechette Family Foundation created a $1 million endowment for the STARS program,which ensured it would continue well into the future.

“We try to introduce our students to new genres of music and theater. The performers always do a great job being interactive and allowing the students to be a part of the performance. Students become much more engaged when they are incorporated into what they are learning about.”

When the program was first envisioned, there was a nominal ticket fee. However, even that fee was a roadblock for some children and families. In 2002, a generous underwriting offer by local Bobby Hernreich ensured all STARS programs were offered free to local youth, from tickets to bus rides and long lead times on scheduling, which helps teachers plan their weeks and months.

Pete and Pat Frechette also underwrote the STARS series in the following years. In 2018, the Frechette Family Foundation created a $1 million endowment for the program, which ensured it would continue well into the future. The gift commemorated Pete and Pat, who were longtime VPAC supporters and frequent attendees at the VPAC’s many performances.

“The STARS program exemplifies what our parents felt makes the Vail Valley so special,” noted Kathy Frechette Tenhula and Kristy Frechette Woolfolk, Pete and Pat’s daughters who carry on their parents’ legacy through their work with the Frechette Family Foundation. “Our parents shared the same values about what community means. They wanted all children to have an

opportunity to experience the theater, arts, music and other cultural activities. STARS continues to do just that, bringing joy and learning to children while creating access for those who may not have had it were it not for this program.”

The STARS program powered through the pandemic, taking a new approach when it wasn’t safe for students to bus and gather at the VPAC. A free, virtual concept called “Meet the Experts” was launched, offering career preparedness and featuring speakers from behind the scenes in the theater world, such as lighting, technical directors, agents, performers and others.

Students were welcomed back into the theater in fall of 2021, after a year-and-a-half hiatus due to the pandemic. “STARS is such a special program,” noted Harry Frampton. “To give our local kids the opportunity to see these performances is so important.”

The Vail Valley Foundation’s Tom Boyd agrees: “Imagine growing up in a culture and community where, from the earliest age, every single kid without exception from all of our local schools can enjoy the performing arts, and share in the lessons and ideas generated by those performances” he said. “The positive longterm ripple effects of this long-standing program are staggering.”

New in 2022, STARS For Families welcomed children and parents into the theater together, outside of school hours, expanding beyond the daytime format of STARS.

“Experiencing the live performing arts as a family is a powerful way to start new conversations between parents and children, and to establish a shared appreciation for the arts in the household. We are thrilled to bring these exciting theatrical performances to local families,” said VPAC Executive Director Owen Hutchinson.

The VPAC’s community outreach programs also extend to Vail Valley residents through the Community Arts Access Program. This program ensures that residents from every corner of Eagle County have the chance to be inspired by live performances. The program partners with local non-profits emphasizing education, arts and health/human services, schools and more to distribute complimentary tickets to families who otherwise may not attend.

I think I can speak for our entire community when I say that we are exceptionally grateful to everyone who has supported the STARS programming at our venue throughout the years.”

—OWEN HUTCHINSON

One of many ‘Thank You’ notes from a young STARS attendee.

Flamenco Quartet STARS outreach at Avon Elementary, October 9, 2018. Photo by Jon Resnick.

The STARS program offers bus transportation at not cost to Eagle County students and teachers.

STARS performances feature a variety of shows from timeless

Children on their way to STARS in 2006.

STARS performance in 2014.

Jarabe Mexicano was one of the most popular STARS shows of the season in both 2019 and 2021. Photo by Jon Resnick.

STARS FOR FAMILIES Petite Musique Colorado Symphony presents, Peter Rabbit, April 4, 2023.

classics to Broadway to modern dance and more.

The Vail Valley Performing Arts Academy students performed RENT in 2006.

A STARS performance in 2014.

A STARS performance in 2015.

A 2006 STARS performance.

Primatologist Jane Goodall at the VPAC in April, 1999.

The Eagle County Children’s Chorale at the VPAC.

VOLUNTEERS

The VPAC is more than a theater - it is a central component of the valley’s social scene. This is exemplified by the venue’s volunteer program. Not only are the volunteers an essential part of the venue’s show-day operations, but volunteers are also a key component to raising the guest experience to the utmost level. Volunteers establish the culture of the venue and help create and define the venue’s tightly knit sense of community and belonging.

“You’re going to talk about the volunteers, right?” asked nearly every person interviewed regarding the VPAC’s 25th Anniversary. Using program booklets, individual interviews and photo evidence, a list of over 700 volunteers was created.

“They are a very important component of what goes on at the venue,” Alexia Jurschak stated simply.

Volunteers are essential to VPAC show-day operations.

What do the volunteers do?

Pretty much everything: checking tickets, ushering patrons to seats, helping artists sell their merchandise, accommodating late seatings, finding the nearest exit, checking coats, checking temperatures (which thankfully is a thing of the past), and giving directions from the parking garage to the venue and back. One volunteer even helped with data entry, Jen Mason recalled, as she recovered from a broken leg long ago.

For a weightier and more detailed job description, one need only check the Volunteer Manual. It was drafted, and is continually updated, by 2019 Vail Valley Volunteer of the Year and Assistant House Manager Tom Russo. “Every job description is in there, all the expectations,” he said, making these duties much more uniform when the inevitable turnover happens, or someone must fill in last minute.

“Some come and go,” noted John Merritt, part-time House Manager and volunteer since 2008. “But other volunteers have been here since the beginning.” Merritt visited the VPAC during Texas Ski Council trips to Beaver Creek and was inspired to be a volunteer because of his love of performing arts. As he got to know the volunteers, he realized each one was as varied as the people in the valley and the performers who visit the VPAC.

Each also plays an important role at the venue. “Sometimes the volunteers are the only ones connecting with the patron when they come to shows,” Merritt observed. “They’re not seeing the staff or the House Manager, but they are sure interacting with our volunteers. They truly are the face of the VPAC.”

Many interviewees discussed the volunteers’ backgrounds and careers prior to landing at the VPAC.

Said Tom Russo, “One volunteer was a theoretical physicist before coming to the VPAC. Another has a PhD in management accounting and wrote the most widely used textbook on the subject.” Still others came from cruise ship backgrounds – one couple taught line-dancing for cruise line passengers – while others were moved not only to volunteer but also become patrons. Regardless of their prior lives, each contributes their own special sauce to the venue.

Russo officially moved to Beaver Creek in 2003, and “I didn’t know anyone,” he said. “I volunteered to meet people.” His love of performance deepened during his time in Moscow in the 90s, where he noted, “You could go to the Bolshoi theater minutes before any performance and get a $15 orchestra ticket to see amazing performers.”

Tom may have gotten more than he originally bargained for, as he went from volunteer to part-time Summer House Manager to year-round Assistant House Manager. As he worked his way into more responsibility at the VPAC, he became a standard fixture at the venue.

“I always stand in the same place. I see everything going on, and every volunteer knows where to find me if they need help,” he shared. The patrons also got to know Russo through the years, often bringing him little gifts – “I got chocolate chip cookies from one,” he smiled. “And lots of hugs and gratitude from many others.” Russo does not foresee himself ever just sitting in the VPAC audience as a customer when he could be on the move, surrounded by the VPAC community, which he warmly calls, “my people.”

Former employees Martha Brassel and Jen Mason fondly recalled volunteers Thelma and Herb Rubenstein, both now deceased.

It takes a patient, fun and understanding state of mind to be a VPAC volunteer.

“Thelma stood by the door to greet guests,” Martha remembered. “She always had her little handbag dangling from her wrist,” and she often wore a fur coat to and from the venue. Jen Mason complimented her on the coat one evening and days later, received an exact replica of the fur in her office. Martha’s matching jacket wasn’t far behind, and she still has that keepsake at her home all these years later.

Jen Mason has other memories involving fur coats, which volunteers were tasked with hanging up at the coat check area. “One of the coat racks was so bogged down with heavy fur jackets, it just buckled under the weight,” she shared. “We worried that people were going to leave with the wrong jackets,” but at the end of the night, everyone thankfully went home with their own.

Volunteers often do get to watch the shows at which they volunteer, although John Merritt is certain that’s not what drives most of them to continue giving their time. “It’s not about seeing a show for free, it’s the love of the facility and what the facility does for the community.”

Former Executive Director Duncan Horner felt that the volunteerism evident at the VPAC and in the Vail Valley was a multi-generational phenomenon. “People who originally came knew it was a new community, and the generations who followed have continued in the same spirit of wanting to make it work and make it happen.”

“We couldn’t do it without the volunteers,” VPAC former Chair Doug Rippeto emphasized.

“I still have some of the volunteer nametags in my desk. It’s so hard when they pass away, many of them became like family,” said Martha Brassel.

The legacy of this group will live on as the VPAC navigates the next years and decades, continuing to be the friendly faces of this world-class venue.

I volunteered to meet people.”

—TOM RUSSO

This list is accompanied by immense gratitude to all of the VPAC volunteers over the past 25 years who have dedicated their time, support, energy and passion for the arts who have made the theater what it is today.

Please pardon our error if a name is missing and accept our sincere apologies. The VPAC team has done their best to assemble the volunteer list by going through the volunteer records of the past 25 years.

Mary Abbett

Janet Abbott

Pat Abbott

Wayne Abbott

Donna Abbruzzese

Kit Abraham

Ann Adair Smith

John Akers

Donna Albani

Dave Albro

Nancy Albro

Nancy Alexander*

Mary Jo Allen

Walter Allen

Albert Almodova

Mary Lou Alvarado

Jane Amidon

Andrea Andersen

Josh Andersen

Kim Anderson

Patty Anderson

Diane Andrews

Mike Andrews

Patricia Andrews

Trish Andrews

Maria Anjier

Ann Antonious

Ximena Aparicio

Sole Archer

Susie Armitage

Al Aronowitz

Lorinda Arpin

Edgar Arroyo

Mike Atter

Marc Attoma

Sara Aumann

Lisa Babb

Jill Bachman

Neil Bachman

James Bahan

Bob Baker

Gussie Baker

Marion Baker

Susan Baker

Barbara Baldrey

Sherri Ball

Lucy Barker

Valerie Barry

Kurt Bassett

Suzanne Bassett

Eric Beigler

Doris Beitling*

Rick Beitling*

Linda Benaderet

Bob Berger

Joan Berger

Ruth Bersagel

Bratton Bert

Charles Bertrand

Kay Bertrand

Mary Ann Best

Amy Betuker

Kathryn Birch

Amy Birdsall

Indre Biskis

Katie Black

Kym Black

Susan Black

Jilly Blackett

David Blackwell

Linda Blackwell

Katelynn Blalock

Charles Blaurer

Claire Blaurer

Susan Bock

Karleen Bonaly

Megan Boord

Ethel Borgem

Diane Botkin

Barbara Bower

Norman Bowles

Steve Boyer

Carol Brannigan

Joerg Braun

Rita Braun

Cathy Brown

Katelynne Brown

Greg Brozovich

Susan Brozovich

Lois Bruce

Dick Buccholz

Margo Buccholz

Evie Budd Rosen

Joe Bunnell

Chuck Bunting*

Bryan Burke

Dawn Burke

Carol Burlingame

Darcy Buster

Kate Butler

Colleen Byrd

Jim Cahill

Linda Cahill

Al Campbell

Carol Campbell

Buddy Carey

Sue Carey

Jack Carnie

Joan Carnie

Kevin Carpenter

David Carson*

Judy Carson*

Betty Carter

Leslie Carter

Sam Carter

Quianna Castro

Kris Cashman

Joan Chambers*

Karen Chandler

Suzanne Chandler

Jean Chatterton

Lucy Cheatham

Tenie Chicoine

Rece Chilton

Susan Chipman

Joyce Chizmadia

Jaye Clare

Cassie Clark

Fran Clem

Diane Coggin

Sandy Collins

Mary Lou Colton

Alan Comerer

Kathy Comerer

Kelly Conley

Samantha Connolly

Vincent Conway

Terry Copeland

Judy Countryman

Keith Countryman

Al Couture

Rita Couture

Jody Cox

Susan Crawford

Jim Crine

Pamela Crine

Joleen Crock

Mary Lou Croisant

Jackie Crumb

Mildred Cuebas

Matthew Cull

Randy Cummings

Michael Curry

Robert D’Agostino

Gary Daniel

Janett Daniels

Randi Davis

Wink Davis

Stephanie Daum

Jennifer Dean

Charlotte DeChant

Elizabeth Dekanich

Joel Dekanich

Myra Derning

Doris Dewton

Bob Dienst

Jocelyn Dienst

Barbara Dobrot

Vicki Dodd

Sue Donalson

Don Donnalley

Judy Donnalley

Dee Dosch

Annie Dowd

Irwin Drangel

Loren Dumont

John Dunham

Debbie Durben

Richard Durben

Linda Dyal

Judy Dyer

Judy Edeen

Richard Eisner

It’s not about seeing a show for free, it’s the love of the facility and what the facility does for the community.”

—JOHN MERRITT

Janet El Bitar

Rochelle Enlow

Denise Erhart

Tom Erhart

Dana Erickson

Leon Escude

Vicki Escude

Karen Eyrich

Kathy Fagan

Kristin Fawcett

LaVonne Feigeles

Mike Feigeles

Tracy Feldman

Jeff Ferber

Carol Ferguson-Muldowney

Linda Ferguson-Muldowney

Jim Ferraco

Sue Ferraco

Dian Ferrara

Joseph Ferrara

Bob Finlay

Eleanor Finlay

Phyllis Finlay

Buzz Finn

Starlyn First

Donna Fitts

Dawn Fogarty

Robert Foley

Sarah Foley

Jane Forrest

Charlene Foster

Lee Foster

Donna Foutz

Ryan Fowler

Jonathan Frank

Sarah Franke

Jay Freeberg

Barbara “Babs” Frei

Elaine French

Beth Frommer

Cathie Futernick

Ann Gallo

Jaime Gallo

Rita Gancewski

Laura Garbe

Warren Garbe

Gay Gardner

Jodie Gardner

Joan Garton

Lulu Garton

Carolyn Garvie

Gary Gauger

Ilene Gauger

Colleen Gauron

Joye Gelo

Elaine Gelvin

Maria Gerbel

Netia Gerken

Donald Gerstein

Helen Gerstein

Amy Giambalvo

Marilyn Gill

Linda Gilles

Sarah Gillespie

Earl Glenwright

Stephanie Glenwright

Jackie Goldberg

Ashton Goode

Estella Goodspeed

Robert Gouterman*

Sheila Gouterman*

Mary Ann Graham-Best

Pam Green

Pat Gregory

Richard Gretz

Donna Griffin

Tom Griffin

Karen Griffith

Matt Griffith

Stephen Grillo

George Gross

Amy Guerico

Greg Gunter

Molly Haley

Timothy Haley

Jane Hall

Jessica Hall

Margaret “Peg” Hamil

Pat Hammon

Rachel Hancock

Loretta Hand

Patti Harkreader

James Harrison

Michael Hartel

Sylvia Harvey

Jennifer Haskell

Anne Hatch

Robert Hauge

Bob Hay

Mark Heinbaugh

Patricia Helt

Mauricio Henao

Rhonda Hickman

House Manager George Nimmo and Executive Director Owen Hutchinson.

Tamara Higgins

Christy High

Joel High

Betsy Hill

Myrna Hines

Nancy Hines

Cheryl Hiser

Barbara Hoch

Lynn Hoehn

Summer Holm

Rich Houghton

Sandy Houghton

Mary Houston

Sherry Houston*

Sandy Hower

Marcia Howland

Sarah Hoza

Linda Hryckowian

Bill Hubbard

Bonnie Hubbard

Barbara Huggenvik

Mark Huggenvik

Nancy Hughes

Samantha Huntley

Owen Hutchinson

BJ Huttner

Walter Huttner

Judy Inglis

Sharon Iversen

Don Jackson

Jan Jackson

Amanda Jaffe

David Jaffe

Elizabeth James

Dana Johnson

Eric Johnson

Heidi Johnson

Karin Johnson

Linda Johnson

Laura Johnston

Dennis Jones

Linda Jones

Russ Jones

Jill Kammerer

Jeanette Kapp

Amy Karpas

Bruce Karpas

Joe Kaspar

Lori Katlein

Judy Kearney

Cathy Keil

Daniel Kelsey

Lana Kelsey

Pamela Kennedy

Bentley Kent

Nancy Kerby

Karen Kern

Andrew Kerrigan

Hunter Kettering

Heather Keys

Dan King

Tyler Kirwan

Jim Kleckner

Wendy Klein

Janet Kleinhardt

Tom Kleinhardt

Bob Kleinman

Maddy Kleinman

Alexandra Kluttz

Taylor Klutzz

VPAC Volunteers under the newly-installed Rippeto Family Chandelier.

Years of Arts, Culture, Community & History

[Volunteers] are a very important component of what goes on at the venue.”

—ALEXIA JURSCHAK

Janet Marie Mueller El-Bitar

Nancy Murk

Mark Murphy

Dawn Nelson

Susan “Suzi” Netzeband

Mike Newman

Suzette Newman

Jim Nielsen*

Joyce Nielson*

George Nimmo

Ardyth Nimon

Julie Norberg

Eric Noreen

Sandee Noreen

Mark Nothnagel

Robye Nothnagel

Nancy Nottingham*

John O’Neill

Jane Obernessar

Joan Oesterle

Chris Offutt

Joy Okman

Catherine Oliver

Susan Olmsted

Judy Olson

Larry Olson

Pamela Olson

Clarisa Ortega

Stacey Osborne

Kirstin Ovind

Phyllis Owens

Tom Owens

Patti Pack

Stephanie Paris

Roger Pack

Mary Morgan Parker

Susan Parker

Antonia Parrish

Vito Parrish

Gary Lee Patton

Janet Perdzock

John Perdzock

Elizabeth Perner

Chuck Peterson

Cindy Petrehn

Catherine W. Phelps

Nancy Pickrel

Elizabeth Pierce-Durance

Sydney Pittman

Kim Porter

Pinky Porter

Stephen Porter

Sandy Powell

Tim Powell

Barbara “Bubba” Powers

Jeri Powles

Steve Powles

Graham Predeger

Lorry Prentis

Rachel Preston

Michael Pukas

Emil Pulick

Rosemary Pulick

Alisa Rader

Fred Rader

LeeAnn Rader

Denise Rahe

Annette Ramer

Milton Ramos

Patti Rasmussen

Kayetta Rea

Lindsay Reichman

Delfina Reid

Linda Reimer

Michael Reimer

Jeff Reiter

Lea Renay

Brandi Resa

Jillan Richardson-Rohrscheib

Herman Richman

Margaret Richman

Joyce Riedel

Joshua Rigby

Sharon Rioux

Anne Robertson

Joanne Rock

Daniela Rodriguez

Margaret Rogers

Rick Rogers

Sue Roitman

Kelly Ronquist

Connie Roscoe

Virginia Rose

Evie Rosen

Donna Rosenberg

Ann Rosenwald

Harriet Rosenwald

Paul Rosenwald

Teri Ross

Phyllis Rounds

Rollie Rounds

Herb Rubenstein*

Thelma Rubenstein*

Stephen Rucki

Barbara Ruh

James Ruh

Andrea Running

Susan Russel

Gail Russell

Tom Russo

Rita Sacks

George Saunders

Nancy Saunders

Mike Sawatzki

Gwen Scalpello

Gary Scanlon

Linda Scanlon

Linda Schain

Dakota Schatz

Nicole Scheiblberg

Wolf Scheiblberg

Kim Schilling

Robert Schilling

Carol Schimmer

Christine Schlichting

Joan Schmidt

Joe Schmitt

Laura Schneider

Bill Schulz

Eula Schulz

Don Schurman

Jackie Schurman

Lois Schwager

Anne Schwartz

Bernie Schwartz*

Bobbi Schwartz*

Jon Schwartz

Stephanie Schwartz*

Shelby Scott

Pat Seabry

Christine Sena

Bill Sepmeier

John Serba

Beth Shadur

Step Shaffer

Anne Shatas

Dianne Shearer

Jack Shearer

Jean Shearon

Monica Shelton Reusch

Ricki Sherlin

Steve Sherlin

Charlie Sherwood

Nhandi Singleton

Brooksie Shull

Karen Shupe

Daniel Siebert

Eric Simon

Karen Simon

Bonnie Sims

Buddy Sims

Barry Skolnick

Bob Smith

Karen Smith

Norma Smith

Shirley Smith

Sara Snowwhite

Ilsa Soar

Tom Soar

Barbara Sonnier

Robyn Spain

Karen Spearing

Chad Spears

Nancy Spears

Betty Speir

Maria Spinelli

Rick Spitzer

Jack Sprackling

Dori Spydell

David Staat*

Jill Stautner

Zuzana Stefanikova

Sharon Stenson

Gail Stone

Darlene Stookey

Rachel Strommen

Sydney Summers

Maria Szczecina

Margaret Szindler

Kathie Talbot

Richard Tatara

Cindy Tatsumi

Tat Tatsumi

Bonnie Taxman

Chuck A. Taylor

Chuck L. Taylor

Pearl Taylor

Carri Tedstrom

Susenne Telage

Anne Marie Tellefsen

Donna Tennant

Lewis Thatcher

Dawn Theelke

David Thomas

Brian Thompson

Laurie Thompson

Marcy Thompson

Pete Thompson

Margaret “Peg” Thorne

Christopher Thrall

Cynthia Thrall

Ali Tice

Melinda Tierney

Brenda Torres

Margie Towle

Marcy Tracy

Rachel Trattler

Terri Treadway

Cynthia Tripp

Michelle Troconis

Eve Trumpmore

Sheri Tymkovich

Sue Urkow

Valerie Valene

Bryan Valentine

Betsy Van Beek

Steve Van Beek

M.J. VanBerg

Marta Vastagh

Stephen Vastagh

Barbara Vaughn

Melvin Vaughn

Debbie Vernell

Hank Vernell

Bonnie Vesey

Jack Vesey

Hailey Vest

Kris Vest

Carrie Mae Wack

Adele Waring

Christina Warner

Dave Watson

Sarah Watson

Valerie Watts

Dana Weber

Jennifer Weisberger

Margot Welch*

Norman Welch*

Grace Wellwerts

Connie Werner

Hank Werner

Jane West

Bernice White

Brendan White

Leila White

Maria White

John Whitehouse

Lew Whitman

Siggi Whitman

Charlene Whitney

Susie Wilder

Gail Wilke

Michelle Wilkie

Ralph Wilkie

Dave Willemssen

Bruce Williams*

Jessica Williams

Mary Clare Williams*

Andre Willner

Gina Willner

Bob Willoughby*

Joan Willoughby*

Ann Wilson

Arthur Wilson

Barbara Wilson

David Wilson

Linda Wilson

David Wineman

Jessica Winter

Reini Winter

Julie Winters

Karen Wolfe

Mallory Wolfe

Carole Wolff Sowers

Dean Wolz

Linda Wolz

Ronda Woodall

Allison Wright*

Geoffrey Wright

Nancy Wright

Kelly Young

Greg Yung

Judy Yung

Andrew Zaback

Stayce Zamora

Linda Zerangue

Rachel Zhu

Diane Ziegler*

Mike Ziegler*

Clifford Zinda

Georgie Zinda

Toby Zneimer

Keenan Zopf

High Praise

Artists and performers across the numerous genres and fields who graced the VPAC stage often signed the guest book in the green room before departing. Nearly every note included a nod to the venue’s beauty, the amazing staff, a welcoming audience and perhaps the best indicator of the VPAC’s universal appeal: the desire to return as soon as possible. And though not nearly as often, performers routinely expressed thanks for the oxygen that was sometimes needed to get through such a high-altitude performance!

Notably, there were signatures, scribbles and heartfelt thanks in 2020, a reminder of the VPAC’s incredible efforts to promote live performances during the unprecedented COVID-19 pandemic. The artists were as thrilled as the audiences to be back onstage.

Here is a sampling of the words, and sometimes art, that found its way into the guest books.

Kristin Chenoweth with the Colorado Symphony, August 13, 2022.

Photo by Jon Resnick.

25 Years of Arts, Culture, Community & History

One of the most beautiful theaters, if not the prettiest, that we’ve ever had a chance to play in.”

—ALISON KRAUSS | 2011

This is the No. 1 house for sound and beauty. It’s better than fabulous.”

—ART

GARFUNKEL | 2008

Photo by Zach Mahone.

Since I’ve been involved with the VPAC committee, no artist or performer who has graced our stage had left without expressing a deep desire to come back.”

—ALEXIA

JURSCHAK

This theater, all wood, is like an extension of the nature all around us.”

—LES VIOLONS DU ROY | 2015

Photo by Rob Pretchl.

—BÉLA FLECK | 2012

—SMOKEY ROBINSON | 2013 It’s magic to play here, winter or summer!”

I love this room.”

Photo by Zach Mahone.

Photo by Zach Mahone.

The VPAC is a beautiful venue. The staff and management made it a beautiful experience.”

I can truly say that playing at the Vilar Performing Arts Center this year was one of the highlights of my 2018 touring schedule. It’s hard to find a better sounding venue.”

—TRACE BUNDY | 2018

Photo by Zach Mahone.

—MICHAEL MCDONALD | 2014

Vilar Center rocks!”

—CHRIS ISAAK | 2016

Photo by JohnRyan Lockman.

Photo by JohnRyan Lockman.

This place feels more like a small group going out for a coffee than a show!”

—HOWIE MANDEL | 2019

So happy to be back performing and spreading the love here at one of my favorite venues.”

—LEANN

RIMES | 2021

Photo by Jon Resnick. Photo by Jon Resnick.

This hall… these sounds… it’s like candy for me playing here. Few halls of this size are as warm and generous.”

—CHRIS THILE | 2021

What a beautiful place, what a great audience.”

—KATHY MATTEA | 2000

Photo by Jon Resnick.

Photo by Jenise Jensen.

That (VPAC) is a really great venue… a tight little room, really cool.”

—KEB’ MO’ | 2021

Photo by Jon Resnick.

These country stars were hosted by VPAC

at the Beaver Creek golf course. After performing and then continuing on their tour, Alexia got a text from one of the group members stating, “We already miss our Beaver Creek mom!”

Photo by JohnRyan Lockman.

Chair Alexia Jurschak

Thank you, Vilar PAC! We love being here!” —BODYTRAFFIC | 2019 Thank you for a wonderful evening and great oxygen!” —COMEDIAN JOE PERA | 2023

Photo by Chris Kendig.

This is a wonderful venue for immediate, engaging music making.”

—TAKÁCS QUARTET | 2017

Photo by JohnRyan Lockman.

The VPAC is very special to me because of the distinct ‘Colorado’ architecture, the beautiful wood beams and the sheer plushness of the room make it a joy to return.”

—KELLER WILLIAMS | 2021

This

place is the bestest!”

—LEFTOVER SALMON | 2019

Photo by JohnRyan Lockman.

Photo by JohnRyan Lockman.

It feels like home here… the team feels like family and we enjoyed our stay so much!”

—BRONKAR

LEE, COLLISION OF RHYTHM | 2020

What a beautiful venue, what a beautiful crowd.”

—THE

WOOD BROTHERS | 2023

Photo by JohnRyan Lockman.

You all went over and beyond to take care of us. It was our – and my – distinct pleasure working with you in your amazing venue and fully competent staff.”

—THE COMMODORES TOUR MANAGER | 2011

Some popular destinations have a vibrant cultural scene such as Beaver Creek, Colo., which is home to the Vilar Performing Arts Center, which hosts high-caliber plays and music performances.”

Older kids will enjoy mountain biking and hiking to Beaver Lake, while parents relax with a concert at the Vilar Performing Arts Center.”

Add some culture to your powder-chasing, check the schedule at Beaver Creek’s Vilar Performing Arts Center.”

A world-class performing arts center located directly below the Beaver Creek Village ice rink. The Vilar Performing Arts Center is known for hosting everything from global-famous symphonies, Cirque du Soleil shows, classic rock concerts to throw-back movies. There is something for everyone with shows running almost every night during ski season.”

No need to travel for world-class theater, concerts, comedy, and dance performances. The Vilar Performing Arts Center hosts a steady lineup of internationally acclaimed acts throughout the winter.”

VPAC theater interior photo by Kent Pettit.

THE BUILDING

The individual stories of those involved with the VPAC always tie back to the venue itself, which seems to have taken on a life of its own.

Said current Executive Director Owen Hutchinson, “I’ve been fortunate that the VPAC keeps calling me back, and I’ve said ‘yes’ every time.”

The VPAC would not exist if numerous people and organizations hadn’t also said yes… to the crazy idea of putting a performing arts venue under an ice rink, to funding the facility when it was financially unviable, to dreaming up innovative ways to attract artists and promote programming.

An interior design team1 ensured every aspect of the theater was meticulously researched, planned and based on a communal desire to include each necessary element to make the venue exceptional on every level and reflect the unique nature of Colorado’s mountains.

Inspiration was taken from a small German theater in Munich, the Kunstler Theater, which seated just over 600 patrons. Those planning the VPAC paid careful attention to the design elements that made such a small venue successful, including a horseshoe layout reminiscent of 10 th century opera houses, to ensure every seat in the house had an unobstructed sightline to the stage.

The team also drew on the intimacy and glamour of European theater, blending it with the imagery of Colorado’s autumnal palette to ensure the theater had a rich, warm color and feel. Carpets and fabrics had autumnal colors, and all natural pine woods were used on the walls and facia – the first venue of its kind to incorporate this. Chair seating was selected for optimal comfort, as well as colors that complemented the interior design palette.

Even amid upgrades and remodels, the original group’s design choices are honored. Executive Director Owen Hutchinson laughed recalling his first day on the job, when a carpet replacement was taking place. “It looked exactly the same when they were done!” he said. “I’ve since come to appreciate that the look of the venue will always remain true to the original

1The interior design team included John Boll, Bob Brotman, Pat Hammon, Alison Knapp, Phil Smiley, Craig Tuber and Alberto Vilar.

There’s a sense of connection with the audience that a major stadium or a large theater doesn’t offer.”

—OWEN HUTCHINSON

concept,” he shared. The carpet in particular was meant to reflect the Colorado forest floor. The comfort and beauty of the venue may divert attention from the technical and mechanical systems that truly make the VPAC one of the country’s premier performing arts centers.

Hutchinson also noted the intimacy of the VPAC, which is a draw for performers and audiences alike. “The artists can see the faces of their audience, without being blinded by the lights. There’s a sense of connection with the audience that a major stadium or a large theater doesn’t offer.” It’s more like “experiencing the arts in the round.” The audience members know and appreciate what they do. “That’s why great artists come back to the VPAC over and over again.”

Another nod to European design was visible outside the theater, where an escalator moves visitors up and down with ease. This is believed to be the first time escalators were used outdoors at an American ski resort, adding to the venue’s appeal.

State-of-the-art light and sound systems were originally installed, ensuring audiences and performers had the best possible equipment with which to entertain. Custom printed velour acoustic panels can be raised and lowered based on performer needs. Outside noise from life above the theater was also considered and mitigated using wall-mounted acoustical springs.

Ports were installed in the walls of the theater to direct stage sound towards the audience, allowing for even greater intimacy between performers and patrons.

Such systems have been upgraded and replaced as needed to ensure cutting-edge technology is always available, along with other areas of the building. These improvements are responsive to the needs of performers, audience members, staff, volunteers and patrons, who utilize the VPAC.

Tributes to the original visionaries are also included in the building’s design. The lower level of the theater boasts “Faces of the Forest,” an etched glass wall tribute to the VPAC’s donors. The tribute was designed by artist Kathy Bradford. It spans 32 feet in length, is eight feet tall and features a back-lit wall. Viewers of the panels are delighted to find a variety of woodland creatures peeking out from behind trees, along with birds and butterflies floating among the leaves.

Facilities manager Dean Davis has overseen multiple panel replacements, as accidents tend to happen when art and humans collide – sometimes literally. “Kathy Bradford has semi-retired,” Davis noted of the artist, who has in the past re-created the wall panels as needed. “We now station volunteers strategically during performance to ensure no one accidentally breaks one of the panes!”

Despite the need for replacements and upgrades, “There are certain elements that will always remain the same,” notes Hutchinson of the VPAC aesthetic. The performers and seasons will change, but the VPAC will remain the literal and figurative heart of Beaver Creek in the decades to come.

Upgrades and Improvements

An extraordinary amount of planning went into the Vilar Performing Arts Center and its design. However, unforeseen hiccups were inevitable. Almost as soon as the curtain came down on the first season, projects were ramping up to ensure the venue operated at the highest level possible.

Carpet and woodwork touch-up and repair are a never-ending task. A seasonal rotation of fixes are an integral part of the VPAC operations calendar.

The etched-glass donor tribute wall.

Backstage rigging.

The old soundboard and lighting booth at the VPAC.

In 2003, the original coat room was turned into a permanent lower-level concessions area, which was admittedly a better use of the space; however, former house manager Martha Brassel notes there has not been a proper coat room since that time! Though many iterations continue to be envisioned, coat racks are ferried in and out of storage to serve patrons during performances.

Additionally, office spaces were few and far between in the original design, as the VPAC’s first employees officed across the street from the theater in Vail Resorts-owned offices. When Vail Resorts needed to reclaim the space, closets were repurposed as offices, which remain used today and are evidence of the intimacy that characterizes the entire VPAC.

In 2004, lighting equipment that was seldom or never used was sold and proceeds were used to purchase equipment that

enhanced efficiency and performances. Other upgrades were considered and prioritized along with changing technology.

In fall 2005, Beaver Creek Metropolitan District voters passed a tax increase for the Metro District to provide funding to support capital improvement projects for the Vilar Center. This was a game-changer, as having a consistent funding source for needed projects allowed better planning and more stability for the venue. Stage access was improved, allowing more efficiency and safety for loading performances in and out.

In 2007–2008 the elk donor wall art was expanded to gain three new panels and new backlighting. A new elevator door was installed backstage, along with a new loading platform. A platform was added to the orchestra pit, allowing additional seating for performances in which the pit was not needed.

The curtains were replaced in 2009.

The VPAC lighting system is state-of-the-art. Photo by JohnRyan Lockman.

The lower lobby bar.

An I-beam hoist was also installed to lower scenery to the stage through the new elevator and loading platform. A suspended platform and catwalk were added for storage and rigging purposes that year as well.

The old curtains lost their flame-retardant capabilities and were replaced in early 2009 along with a curtain track that surrounded the stage space on three sides, saving time and money while dampening sound and masking all offstage areas. A new stage floor composite covering was also installed, providing a clean look that did not require painting.

In 2010, the orchestra pit was enlarged, providing 38 additional seats to be used when it was not needed in a performance. This had the additional benefit of creating improved capacity for select shows. New signage for the front of theater was also completed.

The lobby furniture was upgraded in 2011, as the original design never included a vision for that area. Mismatched furniture was replaced with matching items. The year also saw a phone system and internet connectivity upgrade along with green room improvements.

In 2012, the VPAC saw a concessions remodel, spurred by the need to replace a beer cooler, which inspired a holistic look at the entire concessions area. Doorcodes replaced physical keys, improving efficiency and safety. Additional areas were re-envisioned or remodeled this year as well, including dressing rooms, the kitchen and various other spaces.

A moving light desk and expansion unit were added in 2013, increasing the ability to support shows with high production demands. The side lighting towers were also extended in response to the request of touring dance companies. Booster seats and a child changing station were purchased, increasing the venue’s family friendliness.

Installation of a waist-high safety glass barrier in front of the glass donor wall was completed in 2014, protecting both patrons and the wall itself. The original HVAC system was slated for replacement and a study began that year to determine the best course of action. New piano benches for the Steinways were also manufactured and purchased, replacing old ones.

In 2015, a video feed and screens were added to the lobbies, allowing latecomers to view the show without disturbing performers and patrons with late seatings.

Theater seats continued to be reupholstered and refinished as needed in 2016, though staff began to consider options to replace all fixed seating with a higher quality design than the original installation, aligning with industry standards and guest expectations. LED lighting was installed wherever possible, reducing energy needs and heat from the bulbs.

The orchestra pit cover was revamped in 2017, allowing the front of the stage to be used as either performance or audience area. The stage and subfloor were also replaced, providing spring for performers and support for heavy equipment.

In 2018 an upper-level concession bar was added, along with an office for the operations manager. Security measures were added for box office safety, in addition to overhead outdoor heaters to increase comfort for patrons during transactions at the box office.

The May Gallery saw multimedia and audio systems installed in 2019, supporting receptions, meetings, conference calling, intimate presentations and chamber concerts. This created an event space well equipped for hosting community functions.

Livestream equipment in the theater was upgraded in 2020, facilitating the ghost light sessions as mentioned previously. This equipment also positioned the VPAC to be competitive in the post-pandemic digital media distribution landscape. The grand piano’s pin board was replaced, ensuring the instrument was in perfect tune, and the piano’s surface was also refinished.

The freight elevator modernization project started in 2020 and was spread over multiple years. The project was critical to the VPAC’s ability to present a variety of performances.

Replacement of the HVAC air handling system was completed in 2021. This much-needed project replaced the original unit and provided state-of-the-art filtration for improved air quality, along with requiring a fraction of the space taken up by the original unit, of which one piece still remains in the utility area, too heavy and large for removal.

Touchless fixtures were installed in restrooms as well, along with touchless water bottle filling stations in the lobby.

In 2021 the elevator door was also updated, and new LED lights were added to the auditorium that were projected to last at least for the next decade. Video conferencing was added to the May Gallery, and lobby video content management system and displays were upgraded as well.

In 2022, planning was ongoing for the 25th Anniversary season and the project centered around this celebratory milestone. The Rippeto Family Chandelier was prepared and installed in fall 2022 (see 25th Anniversary section).

Regardless of what the future holds for the VPAC, there are a few certainties, and they include woodwork touch up, carpet replacement and the ongoing quest for a permanent coat room.

Sound System

In 2003, the sound system was renovated, removing the last row of seating to give the audio engineer an improved mix position.

In 2004, staff continued to troubleshoot sound consistency issues. This remained a challenging area, although some improvements were realized.

After determining the need for such an upgrade in 2005, the sound board was replaced in 2006, and in 2007, the front of house speaker system was replaced to install the latest in speaker technology with a line array system, enhancing performance quality and meeting artists’ contract demands. These upgrades were made possible using the funds from

The sound board was replaced in 2006.

the Beaver Creek Metropolitan District voter-approved tax increase to provide capital improvement funding to the VPAC.

There were additional upgrades in 2008, providing more control of the sound system. An analog console was purchased in 2009, the best technology at the time.

In 2012 the original monitor system was replaced to meet the demands of artists’ technical riders and changes in technology. The upgrade was expected to last at least a decade. In addition, the venue actively sought a solution to sound degradation problems that were likely related to power distribution.

The 2009-era analog console was replaced with a digital console in 2018, reducing noise, giving audiences improved sound quality, simplifying complex operations and reducing setup and sound check time.

Most recently, in 2022, an acoustic upgrade further improved sound quality, providing incredible sound in all seats. “No band or artist will ever walk into the VPAC and say the system isn’t good enough,” said sound designer Cheyenne Mendoza.

The system was custom crafted in France to the tune of $500,000 over a period of almost eight months and was installed by Mendoza and others over a ten-day period. It expanded the original line array system from eight to 12 boxes, adding curvature to the system so patrons in any seat will experience the same high-quality sound. It also allows for granular control of the sound.

According to Executive Director Owen Hutchinson, the new system brings the venue to the cutting edge of technology and will allow the VPAC to continue attracting bigger names to the venue.

The new line-array speakers installed in 2023.

Comedian Jay Leno, July 5, 2019. Photo by Jon Resnick.

To be certain, future upgrades will be necessary; however, the current system will serve audiences and performers well into the future.

Rippeto Family Chandelier

From the VPAC’s inception, a showstopping chandelier by world-renowned glass artist Dale Chihuly was envisioned hanging from the upper level of the venue where it could be admired all the way down the spiral staircase leading to the lower level. Chihuly even visited the venue during construction to scope out the project. However, budgetary restrictions prevented installation of the fabulous piece envisioned by the original designers. A stand-in chandelier was hung in its place, with the ultimate goal of its replacement.

When discussion of replacing the original chandelier took place, Alexia Jurschak, VPAC committee chair, asked long-time facilities manager Dean Davis if he could think of a spectacular project that might be appropriate for the 25th Anniversary. Davis recalled that a Chihuly piece was in the original plans and shared this with Jurschak.

Jurschak’s husband, Jerry, well-versed in the art auction world, was scrolling through available items one night, and came across a Chihuly that was coming up for auction.

Jerry and Alexia were able to see the chandelier before a commitment for the piece was made, as the sellers were mere minutes from the Jurschak’s New York home at the time.

“It seemed like fate,” Alexia shared.

The installation of the Rippeto Family Chandelier, by artist Dale Chihuly, in 2022.

The VPAC looks better than ever. It looks better than the first day we opened the doors.”

—MARTHA BRASSEL

The piece was generously funded by longtime committee chair and VPAC supporter Doug Rippeto, who agreed that it was the destiny for both the VPAC and the chandelier to come together. “It was meant to be. The piece and the timing were perfect.”

“The Chihuly finally came home,” said Owen Hutchinson, who knows what it feels like to make your way back to the VPAC after a long absence.

In fall 2022 one of the exclusive, Chihuly installation approved firms came to the VPAC to lead the project. Site preparation and electrical work was donated by local company Encore Electric, and scaffolding was contributed by the Gallegos Corp. The team meticulously built the 205-piece chandelier from the bottom up. The chandelier is a literal and figurative homage to how the VPAC itself was built: a sensational final product that took time, patience, the right pieces, a talented local team and a whole lot of effort and passion to get it just right.

The chandelier installation was completed just in time for the opening of the 2022 – 2023 winter season programming. Rippeto was unfortunately unable to attend the unveiling ceremony in December 2022, but laid eyes on the final product for the first time in March 2023, the night of the Norah Jones concert. “It’s absolutely magnificent,” he enthused.

Hutchinson noted there were just four unused pieces of the chandelier when the installation was completed. They’re tucked away in a nondescript – but labeled – box and hopefully won’t be needed. The chandelier was purposely hung high enough to avoid any outstretched hands that could cause damage.

Martha Brassel, former head of house at the VPAC attended the dedication of the chandelier and proclaimed, “The VPAC looks better than ever. It looks better than the first day we opened the doors.”

TOP SHOWS

Take a look at our top shows over the last 25 years!

STOMP

3/18/2000, 3/15/2002, 4/4/2007, 1/16/2010

The Broadway show that uses everyday objects as percussion instruments, thrilling audiences for over 30 years

Joan Baez

9/1/2002

Known for her contemporary folk music, this singer songwriter has engaged audiences since the 60s

Michael McDonald

7/20/2003, 12/22/2014, 8/27/2016, 7/17/2019

The soulful voice behind both the Doobie Brothers and Steely Dan

Ida & Ani Kavafian with the Santa Fe ProMusica Chamber Orchestra

2/5/1998

VPAC Opening Night Performance

Don McLean

3/13/1998, 8/23/2018

Bringing his timeless hit songs including, “American Pie”

Chick Corea

2/24/2000, 3/6/2010

Tower of Power

7/13/2001, 7/8/2004, 8/26/2007, 8/3/2018

An American R&B band, heavy on the horns, that’s been performing since the 1960s

Taj Mahal

1/19/2003, 3/26/2022

An American blues singer with a unique sound that helped shape the genre

Lewis Black

1/25/2004, 3/30/2011, 1/31/2015

Actor and standup comedian who often includes rage-inspired rants in his performances

Joshua Bell

3/10/2004, 1/29/2020

World-renowned violinist

Puccini’s La Boheme 3/02/2006, 2/11/2012, 2/18/2015

Nanci Griffith

8/26/2005

Grammy award-winning singer and songwriter

Bruce Hornsby 9/14/2006, 3/24/2012, 7/3/2017, 8/11/2022

Keb’ Mo’

4/6/2007, 8/5/2010, 8/4/2011, 2/27/2014, 8/13/2016, 8/28/2021

Holds the unofficial record for most VPAC performances by a musician

Burt Bacharach 12/29/2007, 12/22/2013

Frankie Valli & The Four Seasons 3/2/2008

Kenny G 2/23/2008, 3/24/2010, 7/11/2022

He surprised and delighted audiences by playing in the aisles

Chris Botti

3/8/2006, 7/6/2018

This Jazz trumpet phenom worked tirelessly to become a success, developing a unique style and experimenting with a variety of sounds

Kenny Loggins

7/26/2007, 3/11/2009, 7/20/2013

The Beach Boys 1/26/2008, 3/7/2009

15 Top 10 Hits including “Good Vibrations” and “Surfin’ USA”

Clint Black 7/12/2008, 3/18/2016, 3/26/2017

B.B. King 4/10/2008, 12/29/2009

Art Garfunkel 3/28/2008

Pat Benatar 8/11/2008, 7/2/2013

Rock and Roll Hall of Famer

Lyle Lovett

1/14/2009, 7/27/2014, 3/14/2016, 2/21/2018

A VPAC house fan favorite!

Blood, Sweat & Tears

7/2/2009

One of the greatest horn bands in the history of rock

Diana Krall

8/2/2009, 8/5/2012, 7/19/2017

Rick Springfield

8/29/2009, 3/7/2014

Known for iconic hits such as “Jessie’s Girl”

Renée Fleming 2/26/2010

An American soprano who received a National Medal of Arts and five Grammy Awards

Alvin Ailey American Dance Theater

3/16/2010, 3/17/2010

Designated “a vital American cultural ambassador to the world” by the U.S. Congress

Peter Frampton

8/12/2009, 8/18/2011, 7/23/2013, 8/01/2017

Singer and guitarist known for hits like “Baby I Love Your Way”

The Black Crowes 11/14/2009

CATS

3/5/2010

The 5th longest-running show in Broadway history

Natalie Cole 7/2/2010

American singer, songwriter and actress best known for her award winning album, ‘Inseparable’

Elephant Revival

10/3/2010, 3/13/2011, 10/3/2012, 4/4/2013

Mary Chapin Carpenter 7/29/2010, 7/17/2013

Carpenter visited the VPAC twice; the first time was the summer following a pulmonary embolism, recovery from which inspired her “The Age of Miracles” album

Colorado’s beloved folk sensation

Wynonna Judd 2/17/2011

Billboard named her the top country artist of the 2000s decade

Anna Netrebko 2/22/2011, 3/25/2013, 2/5/2015

World-renowned opera star who was named one of Time magazine’s most influential people and famously loved the French fries at Splendido at the Chateau

Chris Isaak 7/6/2011, 8/7/2016

Twice brought his showmanship and distinct voice and had as much fun performing as the audience did watching both times

Herbie Hancock 8/25/2010

Jazz legend who performed on the VPAC stage at age 70

Al Jarreau 12/29/2010

Critically-acclaimed studio and stage performer who won Grammy awards in pop, jazz and R&B over a four-decade span

Joffrey Ballet 3/15/2011

Sheryl Crow 6/27/2011

Crow kicked off the 2011 summer concert series; tickets for her show sold out in 36 minutes

Alison Krauss 9/3/2011, 7/25/2014

Awarded National Medal of Arts in 2019

Brandi Carlile 12/7/2011 The Commodores 12/30/2011

Lukas Nelson 10/23/2011, 7/9/2013, 2/25/2020

Making a name for himself, Nelson followed in father Willie’s footsteps

Bryn Terfel

2/18/2012, 1/27/2016

World-renowned Welsh bass-baritone

St. Petersburg State Orchestra

3/9/2012, 1/18/2015

This renowned orchestra was founded in 1967 and performs every genre and style

Al Green

7/25/2012

The soulful, Grammy Lifetime Achievement Award recipient

Rock of Ages 2/29/2012, 1/24/2019

Gregory Alan Isakov 10/14/2012, 1/29/2017

Boulder-based indie folk musician

Jonas Kaufmann 1/13/2013

German-Austrian tenor opera singer

Smokey Robinson

3/9/2013

Robinson came without a setlist, allowing audience members to request songs during his performance

Ringo Starr and His All-Starr Band

7/10/2012

Starr and his band chose the VPAC for their only Colorado performance in 2012

Michael Bolton 12/21/2012

This crowd favorite was one of the biggest headliners during the 15th anniversary season at the VPAC

Robin Williams

1/17/2013

Famed funnyman Williams was a 15th anniversary headliner and an indicator of just how far the VPAC had come in terms of attracting top talent

Arlo Guthrie

7/15/2013, 3/28/2015

Guthrie delighted VPAC crowds, even though he didn’t play the song he’s best known for – “Alice’s Restaurant”

Vince Gill + Amy Grant

8/4/2013

A summer highlight, Nashville power couple Gill and Grant performed at the venue outside of their regular tour schedule

Jim Gaffigan

3/17/2014, 2/17/2018, 2/18/2018, 2/16/2022

Gaffigan has been a frequent guest at the VPAC

Trace Adkins

8/11/2014, 7/24/2017

Country fan favorite who saluted America’s heroes in a special concert Mamma Mia 2/3/2014

Jay Leno

2/25/2015, 7/5/2019

Joyce DiDonato

2/7/2014

Putting the Di in Diva, DiDonato brought the crowd back to a time when diva simply meant the best –what a night!

Boz Scaggs

2/20/2014, 7/20/2016

This rock legend performed his greatest hits for the crowd, including “Lido Shuffle” and “Slow Dancer”

John Legend 4/7/2014

12-Time Grammy Award-winner

Huey Lewis and the News

8/20/2014

Don Felder 7/21/2015

Eagles guitarist

The Producers

2/24/2016

Mel Brooks’ recordbreaking 12-Tony-award winning musical

Robert Earl Keen

3/14/2016, 2/21/2018

3/13/2022

Performed twice with Lyle Lovett and once solo

David Spade 8/11/2017

Patti LaBelle

3/19/2017

LaBelle thrilled the audience, choosing the VPAC as the only western stop on her USA tour

Snarky Puppy 2/19/2018

BalletX

World Premiere

2/9/2019, 3/25/2023

Brought 2 World Premiere Ballets by choreographer

Nicolo Fonte

LeAnn Rimes

2/27/2016, 12/30/2016

7/25/2021

Country legend! The venue gave a perfect platform for Rimes’ acoustic performances

The Revivalists

2/2/2017

New Orleans rock band with 2016 hit “Wish I Knew You”

National Symphony of Ukraine

3/14/2017

This orchestra dates back to 1918

Lord Huron 7/15/2017

Sarah Chang

3/12/2018

Chang made her debut with the New York Philharmonic at age 8!

Buddy Guy 7/30/2019

Celebrated his 82nd birthday on the VPAC stage!

Oteil Burbridge 3/18/2021, 3/19/2021, 3/20/2021

Bassist for the Dead & Company

Billy Strings 8/30/2019

Yo-Yo Ma

8/15/2021, 8/16/2021

VPAC guests were treated to a long-awaited Goat Rodeo reunion

Sonya Yoncheva 3/24/2022

This Bulgarian soprano continued the VPAC’s tradition of welcoming renowned classical artists. Her only other USA stop was the Met in New York

Kristin Chenoweth with the Colorado Symphony 8/13/2022

2-Time Tony Award winner best known as Glinda from

Tedeschi Trucks Band 8/3/2021

Wynton Marsalis 2/17/2022

American trumpeter and Artistic Director of Jazz at Lincoln Center

John Fogerty 6/30/2022, 7/01/2022

Founding member of Creedence Clearwater Revival

Norah Jones 3/3/2023

Billboard named her the top jazz artist of the 2000’s decade

The Wood Brothers 4/14/2023

Performed on the night they released the album “Heart Is The Hero” Béla Fleck & Abigail Washburn with the Colorado Symphony 2/2/2023

HIMELFARB’S TOP SHOWS

Many VPAC performers were interviewed by Brenda Himelfarb, a local journalist, to generate intrigue and interest in the artists prior to their performances, so we asked her to select a few highlights from her long history with the venue. Himelfarb said it was hard to narrow it down to just a handful, as there were so many memorable interviews throughout the years. Here is a sampling of some – but not all – of her favorites.

Martin Short

Short visited the VPAC in February 2009, bringing along the numerous characters he portrayed, for whom he was known and loved. Himelfarb called him a, “comedic chameleon,” which was a spot on way to describe characters like Ed Grimley, Jackie Rogers, Jr. and Jiminy Glick. His impressions also delighted audiences, including his portrayals of celebs like Elizabeth Taylor and Jerry Lewis.

When asked if he had a favorite character, he couldn’t decide. “It’s like asking Angelina Jolie what country she would like to adopt from,” he laughed.

Brenda Himelfarb.

For Short, like so many other comedians, he relished the performances and did a variety of different mediums, including stand up, live TV and even on the big screen in movies like Father of the Bride, the 1990s remake.

“When I’m away from the stage for too long, I get a hankering for the stage. And when I’m on the stage too long, I get a hankering to do something in a smaller situation or in front of the camera.”

Whatever he did, it nearly always elicited side-splitting laughter in viewers and kept them coming back to see what crazy shenanigans Short came up with next.

When I’m away from the stage for too long, I get a hankering for the stage.”

—MARTIN SHORT

Brian Nolan and Martin Short, February 28, 2009.

Whoopie [Goldberg] told me I was an influence on her.”

—LILY TOMLIN

Lily Tomlin

Another master of character acting, Lily Tomlin, visited the VPAC in 2009. Her most famous characters included Edith Ann, the bratty five-year-old who sat in an oversized rocking chair, to sharing random stories about herself and her family. Ernestine the telephone operator was another fan favorite, launching the phrase “Have I reached the party to whom I am speaking?” into the American lexicon.

Tomlin told Himelfarb, “I feel when I created Ernestine, I had some kind of divine intervention; somebody visited me. I don’t know how else to explain how organic it was and how it struck a nerve.”

Tomlin also paved the way for other female performers at a time when very few women were doing stand-up comedy. She was inspired by women like Phyllis Diller and Jean Carroll. In turn, Tomlin inspired another generation of performers.

“Whoopie [Goldberg] told me I was an influence on her,” Tomlin shared with Himelfarb prior to her performance.

Tomlin received numerous accolades over the years, including a Grammy, six Emmys, two Peabody awards and two Tony Awards. She shared that her favorite place to perform, however, is the stage. “It’s so immediate. So live. More personal.”

There was perhaps no better place to experience this love of stage than the VPAC, for both Tomlin and the audience!

Robert Earl Keen & Lyle Lovett

Pals Robert Earl Keen and Lyle Lovett took the stage together in March 2016

Himelfarb recounted the story of how the two friends met, which is commemorated in Keen’s well-known song, “This Old Porch.” Keen and a fellow group of Texas A&M students used to gather on the front porch of their rented house, singing and playing instruments. They also had a running commentary of everyone who rode by the house.

One of those passersby was Lovett, who asked to play with the group. So began a beautiful, long-lasting friendship between these two extraordinary storytellers.

As Himelfarb described them, “Each with a distinctive style; both having the ability to keep the listener engaged. They share the same outlook on life and both are able to laugh together about the quirky nature of people.”

Keen had a classic rock foundation topped with acoustic folk. He was in the business a long time before he felt like he’d really made it in 1988: “All of a sudden, I heard my song on the radio, back-to-back with a Sheryl Crow song,” recalled Keen. “And I thought, ’Man, this is cool.’ It was the first time that I really felt like I was a real part of the music business.”

Keen also remembered Lovett often crooning the Joni Mitchell song, “Big Yellow Taxi,” in which she sang about paving paradise to put up a parking lot.

Lamented Keen, “Every time I go to College Station and drive by where that house was [where the front porch meeting happened], I think of [Lovett] – as it is just a parking lot now.”

Robert Earl Keen, February 21, 2018.

Lyle Lovett, February 21, 2018.

It’s a tough job. I enjoy it very much.”

—JONAS KAUFMANN

Jonas Kaufmann

World-renowned opera singer Jonas Kaufmann performed at the VPAC in January 2013 to a sold-out crowd, one of only three stops in the U.S. as he undertook a world tour.

Kaufmann’s parents and grandfather introduced him to opera and other music at a young age, fostering an early love of the arts and prompting him to join a children’s chorus in elementary school.

Though he always felt called to perform, he also heeded the advice of his opera-loving parents to “learn something ‘sensible,’ something that he could use to get a job and earn a ‘decent income.’” Kaufmann enrolled as a math student at the University of Munich, trying to ignore the itch to perform. It worked – for a few semesters – “but the certainty that I wasn’t born to be a theoretician, a desk jockey, weighed heavier and heavier,” he told Himelfarb.

Kaufmann left the university and was accepted to the Academy of Music and Theatre in Munich, where he began training in 1989 to become an opera and concert singer. His journey wasn’t without struggles, as he had to learn to use his vocal instrument and did so with the help of a coach, among other important lessons learned.

He knew he was fortunate, and shared his desire for his children to do anything – anything but be in the music business. “It’s a tough job. I enjoy it very much. But I am lucky. I’m on top of the hill. The view is nice up here. But it’s also very slippery,” he said thoughtfully.

Photo by Zach Mahone.

Wynonna Judd

In February 2011, Wynonna Judd made her first and only appearance on the VPAC stage. She had five Grammy Awards and 27 years in the music business under her belt. Judd also had a lifetime of experience and struggles – many of which played out in the public eye – from which to draw.

Her voice and songs reflected her life’s journey, and she used it all to help bring her stories to her fans, both in song and in writing, a talent she honed later in her career.

Judd discussed the hard work it took to be a successful female singer, particularly the expected appearance of a woman in Nashville vs. what a man could get away with in the physical looks department. But she acknowledged how deliberately she lived her life after performing for so long, sharing with Himelfarb that you have to know how to get into the zone and how long to stay there.

“If you see me singing with the symphony and my hair is ‘jacked-to Jesus,’ and I have on all my glory, lipstick and all, and I’m singing from my toenails, you’re gonna look at me and think, ‘wow, that’s something!’ What it took to get there, we won’t even go into. But when I get there, I give the very best I have. It’s called excellence. My dad used to say, ‘Do it right or don’t do it at all.’ That’s the way I live my life.”

Himelfarb’s top VPAC artist interviews list goes on to include comedian Jay Leno, author Bill Bryson, Broadway’s STOMP and many, many more!

‘Do it right or don’t do it at all.’ That’s the way I live my life.”

—WYNONNA JUDD

Photo by Zach Mahone.

STAFF

Vilar Performing Arts Center staff, both past and present, are an incredibly important part of understanding the venue’s success for the past 25 years.

“Our staff, of course, are the heart and soul of the VPAC,” noted VVF President Mike Imhof. “We have some of the best people in the business, and their technical expertise combined with their dedication to and passion for the performing arts is on par with the best venues in the world.” When asked what makes the VPAC so special, donors Bill and Mollie Grojean did not hesitate to highlight the staff.

“The commitment of all the people who work here [is very special]. It’s lovely how kind and generous everyone is, you can really feel it.”

This is also evident in the green room guest books, which most performers thoughtfully signed after their VPAC appearances.

Statements like, “Your staff is the best in the business!” and “Every employee here was so amazingly helpful, I was treated like royalty!” and “Thank you for the warm hospitality – we were so well-cared for!” were observed again and again. This doesn’t happen by accident. Rather, it happens when the best people in the industry bring their best efforts night (or day) after night (or day).

There is little doubt that the entire community is grateful to the VPAC staff for 25 years of dedication, passion and drive; grateful for the late nights and the heavy equipment hauling, the memorable moments and the side-splitting laughter, the weather delays and the artists waylaid in the village.

For 25 years, the staff of the VPAC has been in the business of “setting the stage” for top-notch performances, and all the many great moments of the past two-and-a-half decades would not be possible without their hard work and determination.

VPAC Staff, 2022–2023

In Alphabetical Order

Erik Brown, Director of Special Projects & Infrastructure

Colton Crain, Lighting Supervisor & Production Assistant

Dean Davis, Facilities Manager

Lauren Gary, Director of Ticketing, GRFA Assistant Director

Katie Gervais, Event Services Manager

Ruthie Hamrick, Director of Marketing

Whitney Harper, Director of Philanthropy

Shane Huebner, Production Manager, VPAC & GRFA

Owen Hutchinson, Executive Director

Our Staff, of course, are the heart and soul of the VPAC.”

—MIKE IMHOF, VVF PRESIDENT

Cheyenne Mendoza, Technical Director, VPAC & GRFA

Tess Reinhold, Programming & Artists Relations Manager

Amy Sherman, Box Office Assistant Manager

Liz Todd

Box Office Manager, GRFA

Every staffer has a different role and a different experience at the VPAC. Here are some musings from current and former employees about the magical venue under the ice rink.

Every show day when walking into the VPAC, the building is buzzing. It’s an exciting place and in all of our various roles we each learn so much every day, show, season - year. If that’s discovering a new favorite musician, or looking up a last minute translation for an opera – I can honestly say it’s never boring and I love the unknown factors of the arts!”

—RUTHIE HAMRICK, MARKETING DIRECTOR

Even when I first came to the theater as an intern, it was clear to me the support and inspiration were there among staff, donors, community members, and even part-time stagehands to put on performances. There has always been huge level of motivation and drive to bring in and present amazing shows.”

—OWEN HUTCHINSON, EXECUTIVE DIRECTOR

When the VPAC first opened, so many people needed to get the operations off the ground. There was turnover, of course, but many people came and stayed and poured their hearts into it, making it so much more than a job.”

—MARTHA BRASSEL, FORMER HOUSE MANAGER AND SPECIAL EVENTS AND ARTIST SERVICES MANAGER

‘No ship, no show!’ is one of those memories that will always stick with me. When the ship for the Titanic show couldn’t fit into the elevator, (former Executive Director) Kris Sabel and a contractor friend showed up one morning at 4:00 a.m. and blasted a hole in the opposite wall. With the addition of an I-beam and crane, we were able to get that critical piece of the set onto the stage. Just a lot of people doing what needs to be done to make every performance amazing.”

—ERIK BROWN, DIRECTOR OF SPECIAL PROJECTS AND INFRASTRUCTURE

I hear so often how much people love coming to shows. Kids and interns who used to help out at the VPAC are now married adults with kids who come with them to the shows. Or in Owen’s case, come back as the Executive Director!”

—DEAN DAVIS, FACILITIES MANAGER

I’d cover for the Hospitality Director, doing dressing room hospitality, cover other shifts for coworkers, and do just about anything else – but I will not sing, dance, or play an instrument!”

—SHANE HUEBNER, PRODUCTION MANAGER

We all cared so much about how it went, no one wanted to let their coworkers down. I was in charge of changing out the magnetic sign at the base of Beaver Creek’s Centennial lift to advertise that night’s performance, and occasionally I’d forget to do it after the evening’s show.

I’d set my alarm really early the next day and make sure I got up there before the lifts opened. Everyone did their part. It was a team effort.”

—JEN MASON, FORMER HOUSE MANAGER

Marketing the venue has changed a lot. Early on, we bought kiosks for different hotels and would change out the poster every week to advertise the upcoming shows. They were so expensive, and now everyone uses their phones to get that information. Some of the kiosks are still around, though, and the one at the Dusty Boot has a “return to Shelley” sticker on it!”

—SHELLEY WOODWORTH, FORMER DIRECTOR OF MARKETING AND MEDIA RELATIONS

I was always drawn to the technical side of the arts. While some kids were daydreaming about singing in front of the mic, I wanted to know how it worked. At the VPAC, it’s nice to have the best toys, but the end goal is to improve the concertgoing experience, to make sure every system and subsystem are working together and connecting the audience to the artist.”

—CHEYENNE MENDOZA, TECHNICAL DIRECTOR

The Runaway Groom, May 7, 2020.

There was so much creativity in making each performance happen, and no time to deal with the set, equipment, or anything else it until it all comes in. The way the staff makes these performances come together time after time is truly amazing.”

—DUNCAN HORNER, FORMER EXECUTIVE DIRECTOR

You have to be able to laugh each day.”

—LAUREN GARY, DIRECTOR OF TICKETING

It’s an honor to work alongside extremely hardworking and dedicated peers. We share in something special, the common goal of bringing the performing arts to our mountain community.”

—TESS REINHOLD, PROGRAMMING AND ARTISTS RELATIONS MANAGER

Yamato – Drummers of Japan, March 9, 2023.

Photo by JohnRyan Lockman.

Pre-show at Orebolo, December 12, 2022.

Photo by JohnRyan Lockman.

Former VPAC staff presenting Buddy Guy with a birthday cake on stage! Photo by Barry Eckhaus.

Big Bad Voodoo Daddy, February 3, 2023.

Photo by Chris Kendig.

Running tech for Sam Bush, March 9, 2020.

CONVENING GLOBAL LEADERS

The Vilar Performing Arts Center has been home to several significant international events and conferences throughout its history. One event is of particular note.

The AEI World Forum was hosted by President Gerald R. Ford, beginning in 1982, as one of the first initiatives of the VVF. The event brought world leaders together in an ‘off-the-record’ environment which engendered candid conversations on important policy initiatives. Although Ford passed in 2006, the event was held at the VPAC through its final year in 2009

Board

BOARD MEMBERS THROUGHOUT THE YEARS

The Vilar Performing Arts Center Committee has been a crucial part of the venue throughout the years. Originally the Beaver Creek Arts Foundation, its members guided the venue and its staff from inception, through growing pains, and now into new realms of success with each passing year.

Members changed over the years as people moved in and out of the valley or other commitments required their time and energy.

The committee’s first chair was John Horan-Kates, followed by Craig Tuber. John Galvin took the reins for roughly three years, guiding the VPAC through tumultuous financial times. “He saw a light at the end of the tunnel,” Doug Rippeto shared, “and he felt like it was a good time to step down.”

It was 2003 when Rippeto took over as chair, marking over a decade of unwavering leadership and commitment to the VPAC, following a simple formula by which money is raised to bring in high caliber artists, wowing audiences, encouraging more donations, and upping the ante with future artists.

Rippeto never intended to stay in his role for 13 years, which he noted (with a laugh) was the, “absolute worst-paying job I’ve ever had.” He acknowledged the hundreds of small decisions in which he was involved, from allowing drinks inside the theater to assisting with maintaining the real estate transfer tax in Beaver Creek at a certain rate to ensure this important funding stream would continue for VPAC’s capital improvements. Continued support from the Beaver Creek Metropolitan District is still a main and critical source of funding.

However, Rippeto maintains his best decision was choosing current Chair Alexia Jurschak as his successor. He fondly remembered her lamenting, “I cannot raise money,” before taking the Chair in 2016. Then, as Rippeto pointed out, she led an extremely successful 25th Anniversary campaign in 2023. “She learned along the way, just like I did,” he noted.

Alexia brought the same passion and desire to the VPAC Committee as Rippeto. Jurschak, however, faced a unique set of challenges. The first was a transition from tenured Executive

Director Kris Sabel to Duncan Horner six months after she started in the role. Horner left amid the 2020 pandemic to return to his UK roots, leaving Jurschak to oversee an Executive Director search even as the venue emerged from the global COVID-19 pandemic, possibly the most tumultuous and uncertain time in the VPAC’s history. Thankfully, Owen Hutchinson was quickly identified as far and away the top candidate. Hutchinson, who has a long history with the performing arts and the Vail Valley, answered the call. Huntchinson had previously served as the venue’s Director of Development, where he, “expanded our donor base in unbelievable fashion,” according to Jurschak.

The Committee Chair and staff alike count on the dedication of the entire VPAC committee and have since the beginning for guidance, fundraising and expertise. Their combined knowledge in business, the arts, finance, mountain communities and far beyond, have successfully navigated the VPAC over the years, with a vision to always strive for diversity and excellence.

Each performance represents the culmination of many years of preparation, artistry, vision and planning. With 25 years in operation, it would be impossible to commemorate the venue without recognizing the visionaries and leaders who saw that a performing arts theater could thrive in this unique Beaver Creek location. We celebrate the memorable performances of the last quarter-century, and we celebrate the bright future of this venue thanks to the dedication of this Committee.

Jim and Marilyn Steane with comedian Jay Leno February 25, 2015.

Paul & Mary Webster with mezzo-soprano Joyce DiDonato, February 7, 2014.

It’s truly amazing what was accomplished in the creation of this spectacular venue, and we keep the venue’s history in mind as we plan for a future that we hope is just as wonderful and inspiring as its past.”

—ALEXIA JURSCHAK, VPAC COMMITTEE CHAIR

David and Elizabeth Ginsberg with The Family Stone, July 14, 2012.

Stewart Turley and family with Smokey Robinson March 9, 2013.

VPAC COMMITTEE MEMBERS OVER THE YEARS INCLUDE:

Tim Baker

Michael Balk

Pam Bard

Bob Brotman

Jen Brown

Gina Browning

Bob Buckman

Susan Campbell

John Carlen

Jim Clancy

Doug Cogswell

Andy Daly

Julie Dalton

Jim Donohue

Johannes Faessler

President Gerald R. Ford

Harry Frampton

Stephen Friedman

John Galvin

John Garnsey

Bob Gary

David Ginsberg

John Giovando

Paul Gotthelf

Nadia Guerriero

Ron Haddock

Martha Head

Laureen Hopkins

Beth Howard

David Hyde

Mike Imhof

Nancy Inman

Alexia Jurschak

Katherine Kersten

Allison Knapp

David Kochel

Bob Lashbrook

Kent Logan

Doug Lovell

Richard MacCutcheon

Bill Mark

Peter May

Marilyn McCray

Carolyn McGinnis

Bruce Mitchell

Kent Myers

Steven Nagelberg

Brian Nolan

Tony O’Rourke

Candace Palmer

Ben Peternell

Doug Rippeto

Anne Roberts

Rich Rogel

Steve Shanley

Phil Smiley

Jim Steane

Bill Stevens

Craig Tuber

Stewart Turley

Will Verity

Bonnie Vogt

Mary Webster

Paul Webster

Gary Woodworth

Kristy Woolfolk

Alberto Vilar

Photo by Teri Fotheringham.

The vision of the Vilar Performing Arts Center is to strive for diversity and excelling in providing artistic, entertainment, and educational activities in a year-round, nonprofit performing arts venue for the benefit of Vail Valley residents, visitors and strategic partners.

25TH ANNIVERSARY CELEBRATION

Owen Hutchinson has seen many changes and iterations of the Vilar Performing Arts Center from a variety of roles, working his way up from intern to Executive Director. He notes that the 25th Anniversary celebrates “artistic excellence across genres and art forms, arts education and the role it plays for students… of our patrons and donors, and the role the arts play in our community.”

The reasons to celebrate are as varied as the audiences, programming and unique experiences of the past 25 years.

Years before this milestone anniversary, a committee was hard at work, planning and preparing for what promised to be a special season of elevated programming. The hard work and

Veronica Swift & the H2 Big Band, December 22, 2022.

Photo by Chris Kendig.

effort paid off in spades, and from the outside, it might have looked as if things came together magically. However, it required the support and effort of many patrons, staff members and the community at large.

In February 2022, the 25th Anniversary Sustaining Fund Campaign was announced. The fund was devoted to enhanced programming and landmark capital improvements to the facility, ensuring another 25 years of vibrant artistic excellence. The encouraging response and patron support emboldened organizers to increase the campaign goal to $2 million, which was exceeded!

The VPAC was closed for upgrades in fall 2022, including carpet replacement, installation of a state-of-the-art sound system, and perhaps most exciting, the welcoming of the glass-blown Dale Chihuly chandelier (outlined in a previous section).

The season fittingly kicked off with the unveiling of the chandelier, where original employees and current staff mingled, along with donors, patrons and other guests. Emeritus VPAC Chair Doug Rippeto, who generously funded the chandelier, agreed. “The whole place looks spectacular,” he shared of the venue in its 25th year. “It’s truly one of a kind.”

Previous performers and new ones graced the stage for the 25th season of the VPAC, along with some particularly special events that highlighted the venue’s milestone anniversary.

Of the 20 th anniversary, Alexia Jurschak said, “We want the next 20 years to be as remarkable as the first 20!” Five years out from that bold statement, it’s not a stretch to consider that this period at the VPAC has seen some of the best, brightest performances in its history during its 25th season.

Doug Rippeto during the 25th Anniversary celebration, March 3, 2023.

MARCH 3, 2023: 25 TH ANNIVERSARY CELEBRATION

An Evening with Norah Jones

The Norah Jones performance was the crown jewel of the season, bringing together familiar faces that were associated with the Vilar Performing Arts Center since the beginning, along with new donors who had more recently discovered the gem that is the VPAC.

Made possible by the presenting underwriter, the Frechette Family Foundation and performance underwriter Kathy Cole, the evening was magical and marked Jones’ only Colorado performance that year.

Norah Jones with the Frechette Family, March 3, 2023.

Photo by Rob Pretchl.

The staff makes sure every single person in the audience has an excellent experience. They’re amazing.”

—SARA FRIEDLE

2022 Vail Valley Citizen of the Year Sheika Gramshammer was in attendance, and said of the event and the arts in general, “We’ve seen just how much the arts are needed.” Gramshammer also appreciates that the VPAC “brings the world together. We used to be the cowboys,” she laughed. “But now, we have arts, culture, dance…”

Sarah Friedle’s enthusiasm could not be contained, as she raved about the venue, the staff and the variety of performances that the VPAC provides. “The staff make sure every single person in the audience has an excellent experience,” she shared. “They’re amazing.”

“We’ve never had anything but a great time here,” said donor Bill Grojean. “It’s incredible that a place so small can attract so much talent,” his wife, Mollie, added. “It’s the best part of living in Beaver Creek!”

Jeff Campbell pointed out that the venue looked better than ever and also noted the changing times. “For opening night 25 years ago, everyone wore tuxes,” he laughed. “I haven’t seen one yet tonight!”

Jack Hunn, Doe Browning and Sheika Gramshammer at the 25th Anniversary celebration, March 3, 2023.

The venue was full of vitality for the 25th Anniversary reception celebration, prior to Norah Jones’ performance.

MARCH 25, 2023: BALLETX PRESENTS SIDD

A Hero’s Journey – A World Ballet Premiere

Underwritten by Sara Friedle and Michael Towler, this world premiere ballet by Nicolo Fonte was co-commissioned by BalletX and the VPAC to honor the venue’s 25th Anniversary.

Sidd is based on the 1922 novel Siddhartha by Herman Hesse. The evening opened with a pre-performance conversation with Vail Dance Festival Artistic Director and BalletX Executive and Artistic Director Christine Cox in the May Gallery.

Said Friedle of commissioning BalletX for this choreography, “I saw BalletX perform The Little Prince at the Vail Dance Festival and was blown away. It was one of the best performances I had ever seen and wanted it to be the standard for VPAC’s 25th Anniversary.”

The stunning work indeed moved audiences to tears and laughter, delivering exactly what Friedle hoped for the performance.

Owen Hutchinson, Damian Woetzel, Christine Cox, Michael Towler, Sara Friedle, Nicolo Fonte and BalletX.

Photo by JohnRyan Lockman.

OTHER NOTABLE PERFORMANCES

An elevated level of programming was realized for the entire season, beyond the obvious excitement of Norah Jones and BalletX. These ‘best of the best’ offerings included the following:

Veronica Swift was joined by the Denver-based H2 Big Band to celebrate the unveiling of the Rippeto Family Chandelier in December 2022. This kicked off the VPAC’s season and the holidays with favorite songs, timeless classics and Swift’s signature style of contemporary swing.

Banjo partners in crime Fleck and Washburn brought their unique style and partnership to the VPAC stage in February 2023, accompanied by the opulent harmonies of the Colorado Symphony.

The Wood Brothers

02.24.2023

The iconic rock stars took the VPAC stage, delighting attendees with their chart hits and joyous singalongs. Noted Dean Davis, VPAC Facilities Manager who’d seen the band three decades earlier, “They were FABULOUS! Every bit as good as when I saw them in early 80s.” STYX is an example of a large format band that the VPAC was able to attract thanks to the 2022 sound and lighting upgrades!

04.14.2023

The Wood Brothers closed out the VPAC’s season in style, with material from their brand-new eighth studio album, Heart is the Hero, which was released on the day of the performance. “What a beautiful venue, what a beautiful crowd” said Oliver Wood from the stage.

25 TH ANNIVERSARY SUSTAINING FUND DONORS

A season-long silver anniversary celebration would not have been possible without the support of generous VPAC donors, which allowed staff to schedule some of its most show-stopping artists to date. The venue extends its heartfelt gratitude to the following families, foundations, corporations and individuals for their generosity, which continues to bring culture to the Vail Valley community.

STRADIVARIUS

$250,000 & Above

Frechette Family Foundation

Alexia & Jerry Jurschak

David & Molly Pyott Foundation

Doug Rippeto

VIRTUOSO

$100,000 – $249,999

Linda & Milledge Hart

Pam & Ben Peternell

Jarona & Bill Stevens

Sara Friedle & Michael Towler

Teresa Tsai

MAESTRO

$50,00 – $99,999

Cat & Todd Amacher

Jeffrey & Susan Campbell

GRAND JETÉ

$25,00 – $49,999

Priscilla Brewster

Jeffrey D. Byrne

Betsy & Jesse Fink

Donna Giordano

Mollie & Bill Grojean

Sue & Jim Liken

Melanie & Allan Nelkin

Sharmi & Kent Plaster

Marilyn & James H. Steane II

ARIA

$10,00 – $24,999

Molly & Dean Cottrill

Amy & Steve Coyer

Laureen Hopkins & Joe Menendez

Sue & Rich Jones

Olivia & Rod Miller

Debbie & Gary Packer

LaDonna & Gary Wicklund

Laureen Hopkins & Joe Menendez, March 3, 2023.

Susan and Jeff Campbell with Norah Jones, March 3, 2023.

MARQUEE

$5,000 – $9,999

Anonymous

Hennessy-Allen

Elizabeth Borow & Andrew Gittle

Debra & James Donahugh

Cheri & Roger Gardner

Jane & Ray Heller

Marlene & Ben Krell

Jody & Jeff Morgan

Amy & Jay Regan

Debbie & Ian Sacks

Meredith & Andy Sutton

Marisa Tank & David Kochel

ADDITIONAL SUPPORT

$500 – $4,999

Dorothy & Jay Ahuja

Suzy & Jim Donohue

Tori & Jim Elsner

Whitney Harper

Cathey Herren

Owen Hutchinson

Ellen & Mike Imhof

Marcia & Thomas McCalden

George Nimmo

Cynthia & Philip Pillsbury

Carole Schragen

Angela & Timothy Stephens

The Vail Daily

Ian and Debbie Sacks, March, 2023.

Rod and Olivia Miller with Trace Adkins July 24, 2017.

Nicolo Fonte, Christine Cox, Damian Woetzel, March 25, 2023.

David and Alex Hyde, March 3, 2023.

The Preservation Hall Jazz Band performance, March 10, 2023.

THE SUSTAINING FUND

This fund will also contribute to the following projects, now and into the future:

Enhanced programming throughout 2023 and beyond, including the STARS program.

Future improvement projects including:

• Projector Screen

• Artist Green Room

• Dressing Room Renovation

• Upper Lobby Bar Renovation

• Artist masterclasses outreach performances for local youth

Theater improvement projects including:

• New 20k Lumen Laser Projector & Screen

• New State-of-the-Art Wireless Microphone Package

• Acoustic Banner Replacement

• Exterior Theater Lighting Remodel

• New Sound System

• New HVAC System

• Rippeto Family Chandelier

There are multiple, significant factors that have led the VPAC over 25 years to be the incredible, iconic venue it is today. We are fortunate to have the Beaver Creek Resort Company as our longest standing and most significant financial partner. Our board leadership, from the visionaries during the early years to our board leadership today is

a driving force of excellence for this remarkable venue.”

—MIKE IMHOF, PRESIDENT OF THE VAIL VALLEY FOUNDATION

Vail Valley Foundation President Mike Imhof welcomes the audience to the Igor Butman & the Moscow Jazz Orchestra performance, October 18, 2016.

CONTRIBUTORS AND DONORS

Original Contributors

The Vilar Performing Arts Center required a monumental collaboration between a variety of partners, all of whom shared the common goal of making this one-of-a-kind venue the best in the world. From Vail Valley locals to renowned consultants, each

participant contributed unique and important knowledge to achieve a final product worthy of the accolades it received.

“We assembled the best team in the world,” Harry Frampton said simply, of a project that was anything but.

Beaver Creek Village. Photo by Cody Downard. Longtime patron Gary Wicklund.

Land Donation and Guidance

Vail Associates, Inc.

Coordinating Developers

East West Partners, Ross Bowker

Architects

Hardy Holzman Pfeiffer Associates

Pierce Segerberg and Associates, including Gordon Pierce

Monroe & Newell Engineers

ABS Consultants

Ayers & Ezer Associates

Interior Design

Hardy Holzman Pfeiffer Associates

Acoustical Consultant

McKay Conant Brook, Inc., including Ronald McKay and Timothy Hart

Theatre Consultant

Landry & Bogan, including Paul Landry and Jack Bogan

Builder

G.E. Johnson

Project Manager

William Murray

Other

Venue: Alberto Vilar

Black Family Ice Rink: Leon and Debra Black

May Gallery: Peter and Leni May

Stage: John and Marlene Boll

Projection Room: Craig and Kay Tuber

Steinway pianos: Terwilliger Family Foundation

Ongoing Support

Ticket sales only cover about a third of the operating costs for the VPAC. Therefore, donors have been an important part of the venue’s history from the very beginning and remain a critical source of funding.

Garnering contributions began with the initial fundraising campaign spearheaded by John Horan-Kates (and of course, former President Ford).

Doug Rippeto recalled, “I was an original campaign donor, and I didn’t think a lot about [what the contribution meant at that time].” Once Rippeto was a member of the VPAC committee and ultimately took over as its chair, finding donors was constantly on his mind. “I was dialing for dollars,” he laughed.

Early and continued donors, LaDonna and Gary Wicklund, discussed their initial donation. “As soon as we saw the hole in the ground, we knew we needed to put some money into the cause,” Gary shared. “We’ve continued donating because we absolutely love coming here,” said LaDonna.

As more patrons contributed, the fundraising efforts became more concerted and organized. These donors make up what VPAC Committee Chair Alexia Jurschak called, “The best donor base in the valley, if not the best of any performing arts center.”

Rippeto – correctly – predicted that if efforts to find donors continued successfully, eventually people would approach the VPAC, of their own volition, to contribute and/or perform at the venue.

Rippeto also credits the unique relationship between the VPAC and Beaver Creek Resort Company (BCRC), which officially began when a formal agreement was executed, allowing the Vail Valley Foundation to solely operate the VPAC. With such a strong relationship between the two entities, then BCRC Executive Director, Tony O’Rourke, even once ran VPAC operations during the early days of the theater’s existence.

Harry Frampton summarized the importance of the two organization’s relationship: “The Resort Company has continued to make a significant contribution to this operation. It takes governmental support. Ticket sales will not do it.”

Current Chair Alexia Jurschak also acknowledged the symbiotic role between both entities. “Both entities depend on the other for their ultimate success,” she shared. “We collaborate with the Resort Company on performances and planning, and they’ve been a wonderful partner for us.”

The Beaver Creek Metropolitan District (BCMD) and its constituents also committed to an annual contribution to fund ongoing capital improvements – something that was not covered in the venue’s original planning, but has been an important piece of the VPAC’s success. This arrangement has ensured the venue could not only survive, but thrive.

Support from the BCMD has been essential since the early 2000s and continues today, as noted by current BCMD general manager, Bill Simmons. “We receive an annual presentation from the VPAC Executive Director regarding planned upgrades and capital improvements – there’s always something going on up there,” he laughed. “They tell us what they’re doing, we sign off, and they do their thing.” Simmons

Alexia & Jerry Jurschak at the 2019 summer patron party.

also added, “Every Executive Director of the VPAC has been so passionate about making the VPAC a success.”

However, the venue also relies on significant funding In the form of individual donations, underwriting and patronage, and any contribution is welcome. “Our ultimate success depends on many people making modest donations,” emphasized Doug Rippeto.

Initially, the VPAC struggled to implement strong donor programs, and even after the Vail Valley Foundation took over, it wasn’t easy to build the robust donor support the venue enjoys today.

Vail Valley Foundation President Mike Imhof nicely summed up the importance of and gratitude for the VPAC’s donors: “Our generous donors that believe in our mission allow us, each year, to create lifetime memories through our unique and diverse programming. It is a winning recipe for sure, and we are honored to be the custodians of this wonderful community asset.”

It’s so special and important to support the arts where we live. For us, it’s one of the jewels of why we live here.”

—DAVID & MOLLY PYOTT

John McDonald & Rob Wright.

Annual Contributors

$1,000,000 & Above

Beaver Creek Resort Company

$250,000 — $999,999

Beaver Creek Metro District

$50,000 — $249,999

Frechette Family Foundation

Tom Grojean

Doug Rippeto

$20,000 — $49,999

Beaver Creek Property

Owners Association

Doe Browning & Jack Hunn

Ann Smead & Michael Byram

Jeff & Susan Campbell

Betsy & Jesse Fink

Nancy Gage & Allan Finney

Ann & Gary Fish

Fredman Family Foundation

Cheri & Roger Gardner

Alexia & Jerry Jurschak

Patricia & Peter Kitchak

Amy & Eugene Lee

Peed Family

David & Molly Pyott Foundation

Brooke & CP Smith

Janet & James Stanard

Sara Friedle & Michael Towler

Kristy & Bill Woolfolk

$10,000 & 19,999

Brian Addy

Karen & John Arnold

Bacca Foundation

Molly & Dean Cottrill

Catherine & Michael Demane

Debra & James Donahugh

Sheika Gramshammer

Linda & Milledge Hart

Martha Head

Doe Browning & Jack Hunn

Barbara & Timothy Kelley

Shelby & Scott Key

Anne C. Kubik

Kathy & Frank Kyle

Tony O’Rourke addresses patrons at an early fundraising event.

An early donor event.

Francie & Gary Little

Elaine & Jeffrey Lovell Foundation

Sacha & Josh McGraw

Laureen Hopkins & Joe Menendez

Sarah Malloy Millett & Peter Millett

Lisa & Mark Neporent

Gretchen & Bob Ravenscroft

Carole Schwartz

Mary Sue & Michael Shannon

The Sherrill Family Foundation -

Debbie & Skip Courtney

Marcy & Gerald Spector

Marilyn & James H. Steane II

Jarona & Bill Stevens

Catherine & James Tobin

Debbie & Fred Tresca

Teresa Tsai

LaDonna & Gary Wicklund

$5,000 — $9,999

Anonymous (4)

Dorothy & Jay Ahuja

Ric Almas

Steve & Lori Angel Family

Jane & Robert Berry

Stacy & Jonathan Berstein

Catherine & Thomas Borbone

Jeanne & Joe Brandmeyer

Priscilla Brewster

Lisa & Ronald Brill

Cathleen & Dave Bullen

Jeffrey D. Byrne

Betsy & J. Donald Childress

Janet & Curtis Clark

Brenda & Charles Clinton

Shirley & Thomas Day

Jenifer Brandeberry

& Dominic DelPapa

Jane DeNunzio

Nola Dyal

Pam & Ernie Elsner

Encore Electric

Rebecca & Scott Etzler

Jamie & Galen Faulconer

Paula & Gerald Friesen

Laura & Tommy Gilbreath

Donna Giordano

Elizabeth Borow & Andrew Gittle

Lisa & Bruce Goldman

Mollie & Bill Grojean

Jan & George Grubbs, Jr.

Kari Gyde

Kathy & Jim Haymaker

Jane & Ray Heller

Scott Herz

Herzog Family

Tricia & Kevin Hillgren

Kris & Bob Hodge

Debra & Chris Hynes

JiMMYBAR!

Sue & Rich Jones

Roberta & Michael Joseph

Sarah & Paul Karon

Amy & Bruce Karpas

Susan Kasser & Daniel Kah

Claudia & Bruce Kiely

Marlene & Ben Krell

Jennnifer & Curtis Krizek

Sue & Jim Liken

Courtney & Thomas M. Lippincott

Laura & Jeffrey Malehorn

John Manning

Tara Marsh

Ann & John Martin

Robin & Joe McClanathan

Lynn & Kevin McDonald

Hilary & Patrick McDonald

Carolyn & Rollie McGinnis

Bob Miller

Jody & Jeff Morgan

Kay & Bill Morton

Sherry Sunderman & Tom Mueller

Wendy & Skip Nichamin

Melanie & Allan Nelkin

Denise & Ray Nixon

Suzi Hill & Eric Noreen

Jody & Mark Nyquist

Debbie & Gary Packer

Sandra & Winn Parker

Kimberly Pelyk

Karen & Marc Peperzak

Pam & Ben Peternell

Lori & Warren Pierce

Cynthia & Philip Pillsbury

Sharmi & Kent Plaster

Resa & Pete Pohlmann

Suzy & Phil Quigley

Lynn & Brian Ranelle

Amy & Jay Regan

Jeffrey Reinhold

Linda & Richard Ritholz

Marilyn & David Scott

Charleen & Randall Scott

Susan & Carlos Sepulveda

Shaeffer Hyde Construction

Cassie & Wesley Sinor

Debbi & Charles Smith

Nancy Smith

Donna & W. Randolph Smith

Angela & Timothy Stephens

Marisa Tank & David Kochel

Richard & Pamela Tyre

Barbara & Kyle Vann

Paula & William Verity

Pamela Kross & Michael Watters

Gena Whitten & Robert Wilhelm

Toni & Michael Williams

Linda & Donald Winter

Betty & Michael Wohl

$2,500 — $4,999

Anonymous

Darren & Tanya Brennan

Amy & Steven Coyer

Robert J. Croteau & Karen A. Nold

Gary & Bonnie Goldberg

Michael Heidingsfelder

Marlene & Robert Josefsberg

Betsy & Mark Kogan

Manhart Foundation -

Drs. Chris & Andrea Manhart

Barbara & Richard Massman

Louise & Tradd Newton

Steven Schenbeck

Mandy & Mark Sladden

Gail & Thomas Viele

Susan & Albert Weihl

$1,250 — $2,499

Cathy & Bill Bethke

Anne & Richard Davidovich

Reg & Michelle Del Ponte

Elevated Dental

Holly & William Elliott

Sheree & Jeff Fleming

Patricia & Lawrence Herrington

Nancy & Charles Hovey

Edwin Jones

Nancy & Ron Marshall

DeAnn & Dan Maurer

George Nimmo

Kim Nottingham & Terry Nolan

Tiffany & David Oestreicher

Priscilla O’Neil

Michele & Jordan Scharg

Michelle & Zachary Smith

Cynthia Van Osdol

Brigid O’Connor & Kevin Vollmer

Nina & Kenneth Wise

$500 — $1,249

Anonymous

Hennessy-Allen

Stephen Arent

Barbara & Anthony Binsfeld

Karen Shupe & Norman Bowles

Steven Corneillier

Andrea Eddy

Jeffrey Embry

Matt Farncombe

Diane & Larry Feldman

Alison & Michael Greene

Vicki & Emil Jensen

William Kucharski

Ann & William Lieff

Diane & Jarrett Osborn

Patricia & Drew Rader

Lisa & Kenneth Schanzer

Peter Schanzer

Lisa Sidhu

Robert Spahr

Susan & Gordon Swanson

Caroline Zug & Steven Szymanski

This donor listing represents gifts made between June 1, 2022 and May, 31, 2023.

Capital Campaign Donors

Anonymous (3)

Barbie & James^ Allen

Katherine & Tom Allen

Abigail & Antonio Alvarez

Delores & Warren Androus

Stephen Arent

Karin & Ron Artinian

Rita Montesi & Art Baerlin

Betty Lou & Thomas Ball

Pam & Richard Bard

Beaver Creek Resort Company

Jayne & Paul Becker

Barb & Jack^ Benson

Debra & Leon Black

Paula & Michael Blanton

Carolyn & Red^ Blount

Marlene & John^ Boll

Leigh & John Bowen

Ryn & Russell Bowers

Debbie & Ross Bowker

Ann & Bill Boyd

Monene & Richard Bradley

Cynthia & David Bright

Mary Clare & George Broadbent

Janis Broman

Elaine & Robert Brotman

Joyce Mollerup & Robert Buckman

Margaret & John Burns

Carolyn & Gary Cage^

Mary & Nicholas Calise

Tommie & James Campbell^ Castellini Foundation

Barbara & Woodrow Chamberlain

Catherine Jones Coburn & Russell Coburn

Virginia Kraft Payson & David Cole

Kathy & Trent^ Cole

Nancy & Richard Conte

Rosalie & Hal^ Corbett

Deb & Casey Cowell

Patty & Jim Cownie

Jane & Raymond Cracchiolo

Joanne & Jack^ Crosby

Marianne Cruikshank^

Lucinda & Andrew Daly

Mallika & Robert De Haven

Karen & Dusty DeLario

Beverly & Robert Deming

LuAnn & Lew Derrickson

Suzy & Jim Donohue

Sharon & William Donovan

Catherine & Morgan Douglas^

Roz & Daniel Doyle

Eileen & John Ebin

Elaine & Gene Edwards

El Pomar Foundation

Aimee & Gerry Engle

Jenny & Wendell Erwin

Gloria & Fred^ Estopinal

Wendy & Frank Fernandes

Trish Fillo

Sharron & Gregory Finch

Joan Flood

Maureen & Gerry Flynn

Humphrey Folk

President Gerald R. Ford & Betty Ford^

Virginia & John Forstmann

Peggy & Stephen Fossett^

Marilyn & Richard Foster

Susan & Harry Frampton

Dawn & Steve^ Friedman

Anne Marie & Hank^ Frigon

Dolores & Richard Gadomski

Diane & Charles Gallagher

Linda & John^ Galvin

Helen & Russell Gies

Laila & Michael Gleason

Vivian & Stuart Goldsmith

Joni & Paul Gotthelf

Sheika & Pepi^ Gramshammer

Peggy & James Greenbaum

Neal Groff

Gail & Bob Grossman

Katherine & Edward Gwathmey

Roslyn & Ralph Halbert

Linda Halverson

Tina & Terry Halverson

Patricia & William^ Hammon

Joy & James Hansen

Winter 2018 Patron’s Party onstage at the VPAC.

John Legend and Nancy Gage, April 7, 2014.

Ellen & Mark Hara

Marilynne & Richard Harney

Carol Delahanty & Edward Harrison

Linda & Milledge Hart

Seeme & Malik Hasan

Georgia & Robert Hatcher

Martha Head

Bronce Henderson

Sally & Wil Hergenrader

Patricia & Lawrence Herrington

Mary & Jim Hesburgh

Tomisue & Stephen Hilbert

Pamela & John Horan-Kates

Francie & David Horvitz

Virginia & Charles Huether

Lois Hughes

Lisbeth & Bertil Hult

Carroll & Dwight Hyde

Nancy & Bobby Inman

Gilbert Johnson

Jerry Jones

Gretchen & John Jordan

Terri & Mathew Juechter

Alexia & Jerry Jurschak

Evi & Costas Kaplanis

Diana & James Kaylor

Patrick & Paul Kelley

Barbara & D.J. Kennedy

Carol & Geof Kirsch

Patricia & Peter Kitchak

Alison & Kim Knapp

Helena Krebs

Lawrence Kross

Mary & Bengt Kuller

Bob Lashbrook^ & Pierre Monney

Irene & Gasper Lazzara

Kathryn & Ric Leichtung

Nate Levine

Helen & Jerome Lindberg

Martha & Carl Lindner III

Frances & Craig Lindner

Charles Lloyd

Patricia Lloyd^

Karen & Walter Loewenstern

Vicki & Kent Logan

Ann & Richard Loth

Barbara & Edward Lukes

Patricia & Frank Lynch^

Helen & John Maher

Gerry & Timothy Maher

Kathleen & Bryan Marsal

Leni & Peter May

Lea & Gary McClung

John McDonald & Rob Wright

Carolyn & Rollie McGinnis

Jacqueline & John McMullen

Carolyn & Gene Mercy

Lynne & Charles Merriwether

Paula & Jeffrey Miller

Olivia & Rod Miller

Patricia O’Neil & John Moore

Mildred & Dale Moorman

Sandra & Henry Morgan

Pattie & Stephen Murray

Sammye & Mike Myers

Barbara & Kermit Newcomer

Gail Schwinger & James Norman

Ed O’Brien

Linda & Steven Odre

Jan & John Oltman

Carla Bossi-Comelli & Marco Pecori

Berta & Jorge Pitashny

Anna & Bo Polk

Larry Porter

Jane & Felix Posen

Kathleen & Forrest Preston

Amy & Jay Regan

Nancy & Ted Reynolds

Rella & Monroe Rifkin

Timothy Rigas

Doug Rippeto

Vicki Rippeto

Janice Roberts

George Robinson

Susan & Richard Rogel

Daniel Rolfes

Ella Foshay & Michael Rothfeld

Michael Sachs

Debbie & Ian Sacks

Lucille Sacks^

Joan & Jack Saltz

Susan & Anthony Sanchez

Marietta & Michael Satz

Suzanne & Bernie Scharf

Gilda Schine

Jim Schorsch^

Nancy & Karl Schultz

Joyce & Sherman Scott

Elinor & Sheldon Seevak

Meg & Kurt Segerberg

Beth & Daniel Shak

June & Thomas Shane

Helen & Vincent^ Sheehy

Linda & David Sheppard

Mary & Jon Shirley

Pamela & Rob Sibcy

Marie Simpson

Verna Mae & Philip Smiley

Pamela & Mark Smith

Meredith Smith

Jean Graham-Smith & Phil Smith

Karen & Tom Snyder

Gayle & Richard Spelts

Cynthia & Dan Spengler

Nancye & Michael Starnes

Jack Steadman

Delaine & Robert Stevenson

Genie & Robert Stine

Christine Simpson-Stokes and Kerry Stokes

Aja & Patrick Stokes

Keith Stoltz

Elfriede & Frank Stronach

Cynthia Stroum

Diane & Selby Sullivan

Marjorie^ & Donald Sveen

Jean & Richard Swank

Oscar Tang & Agnes Hsu-Tang

Linda & David Temin

Ronald Terwilliger

Peggy^ & Jere Thompson

Bonni & Max Thornhill

Susie Titus

Sydney Touchstone Lawder

Touchstone Family

Anthony Travers

Kathy & Sandy^ Treat

Kay & Craig Tuber

Summer 2018 Patron Party onstage at the VPAC.

Linda & Stew Turley

Jennie & John Tuschman

Vail Resorts

Elma & Joe Vaughan

Alberto Vilar^

Maria & Guillermo Vogel

Bonnie Vogt

William Vogt

Ellen & Mark Wagar

Gloria & Alden Wagner

Barbara Wallace

Kathleen & Mark Watson

Pamela Kross & Michael Watters

James Wear

Robert West

Jimmy Elizabeth & Carl Westcott

Susan & Wallace Whitley

LaDonna & Gary Wicklund

Betsy & George Wiegers

Judy & Alan Wigod

Gena Whitten & Robert Wilhelm

Sanda^ & Herbert Wittow

Phyllis & James Wynsma

Sally & James Youker

Sandy & David Younts

Darlene & Jack Zehren

A specials thanks to those who contributed to this publication:

Catherine Hayes – Writer

Tom Boyd – Editor

Ruthie Hamrick – Project Manager

Markit Creative – Design

Tug Rice – Illustrations

Winter 2021 Patron Party on stage.

THE SHOWS WILL GO ON

No one knows what the future holds, but the past can be a timely indicator of things to come. Harry Frampton noted the “commitment to excellence” that Vail’s founder Pete Siebert had in building the valley’s world-class ski resorts, inspiring the desire to “be the best,” whether it’s restaurants, tourism, or yes, performing arts.

In a world that’s changing quickly, the arts can ground us in the fundamentals, as individuals and a community.

Frampton said, “There’s a need for people to come together and understand each other.” He was quick to note the beauty of the VPAC – the painstaking attention to detail, the technical excellence and the beautiful furnishings – but also pointed out, “It’s what goes on inside the building that makes it so special.”

Former VPAC Chair Doug Rippeto said, “The VPAC was founded on principles only dreamers could come up with.” A fitting assessment to be sure, and one that will continue to serve the VPAC into the future, as new ideas and fresh perspectives continue to abound.

Alexia Jurschak has had a front row seat for a variety of changes and improvements at the VPAC, and she keenly understands how important evolution is. “We need to continue evolving with technology, to provide the best possible product for our guests.

We need to evolve with the live performing arts and provide what our audience desires.”

Former Executive Director Duncan Horner discussed these audience desires and how different the performing arts are than watching even a live show on a tablet or TV. “That kind of entertainment isn’t a shared experience,” Horner said.

The VPAC was founded on principles only dreamers could come up with.”

—DOUG RIPPETO

We tell everyone about VPAC.

For us, it’s the best part of Beaver Creek.”

—BILL & MOLLIE GROJEAN

“Our main challenge with some audiences is simply bringing them through our doors. Once we accomplish that, and they are drawn into the comfortable intimate setting with the acoustics and amenities you expect to find in top-tier metro theaters, then there is no turning back. It’s something they never forget, and they share that experience with others, and in many ways that is what is feeding our success.”

Donors Bill and Mollie Grojean agreed. “We tell everyone about the VPAC,” they said. “For us, it’s the best part of Beaver Creek.”

Current Executive Director Owen Hutchinson noted the best way to honor the VPAC’s legacy and carry it forward is to, “continue on the steady upward trajectory, bringing some of the greatest artists in the world to our stage.” The arts will continue to evolve, and the staff discovers new artists and explores the next great experience for audiences.

Hutchinson brings this optimism with him as the VPAC continues into the future. “The greatest show to ever play our stage may not have even happened yet,” he smiled.

Dare to dream.

Owen Hutchinson introduces Béla Fleck & Abigail Washburn with the Colorado Symphony, February 2, 2023.

Grojean Family with Cirque Mechanics, March 7, 2014.

Sincere thanks to our incredible VPAC photographers featured in this book and throughout the years including: Dan Davis, Barry Eckhaus, Teri Fotheringham, Chris Kendig, JohnRyan Lockman, Zach Mahone, Kent Pettit, Rob Prechtl, Jon Resnick. Due to the historical nature of this project, we apologize for any photographers we have missed.

Photo by Teri Fotheringham.