Tempus Magazine | Issue 85 | Winter 2024 by Vantage Media

TIMELESS INSPIRATION

E XC L U S I V E

A NEW ERA

Putting the all-electric Rolls-Royce Spectre through its paces

MARIA SHARAPOVA | 2024 TRAVEL TRENDS | THE BRITISH LUXURY REVIEW I SSUE

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Elegance in every environment Last winter, we brought in Iceland’s first floating glass igloos, setting them up for our private clients on a frozen glacial lake. That meant epic views of the swirling northern lights from the comfort of their plush beds, alongside their own private ice bar, sauna and cold plunge. After all, whether it’s a milestone celebration on a private Kenyan conservancy or a Norwegian superyacht adventure for the whole family, we know a thing or two about bringing ultra-luxury to extraordinary places. That’s all while personalising everything, down to the finest detail.

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Reinventing the wheel

bulk of a Rolls-Royce Motor Car gliding effortlessly around lush and winding country roads? What should seem out of place just makes sense, as our team captured so perfectly with our shoot. We emerge from Rolls-Royce Goodwood, waft through the natural splendour of the South Downs National Park, and head on to explore the historic landmarks of Cowdray — an estate that embodies many of those same attributes of sustainability, heritage and leadership. Shot expertly by GF Williams, this is the Spectre as we see it: a feat of contemporary engineering steered by history and bursting with storytelling. And, as you will read on page 50, it’s also really fun to drive. In addition to this landmark edition, our Winter edition rings in 2024 with a series of forward-facing features, from new hotel openings (72) and global design trends (84) to wild wellness experiences that will make you scream (20)! We also speak to some of the biggest names in luxury: Grand Slam tennis star Maria Sharapova shares her new role with Aman (16), Moët & Chandon chef de cave Benoît Gouez looks to the brand’s 300th anniversary (78), and I visit CERN with Carla Fendi Foundation president Maria Teresa Venturini Fendi to discover why science is truly a work of art (88). Happy New Year and enjoy the issue.

here’s something r o m a n t i c about RollsRoyce Motor Cars. Even the luxury marque’s most technologically advanced automotives have a whisper of history about them. Perhaps it’s the brand’s longevity (the first Rolls-Royce was launched in 1904) or the way in which its innovations and inventions are embedded in our history — where would we be now without the RollsRoyce Merlin aircraft engine? For younger car enthusiasts, too, there’s something special about the way in which Rolls-Royce keeps its quintessentially British appeal while being a positive leader within the luxury industry, proactively embracing ethical luxury through process and in practice. The company is a leader in inclusive hiring and training, protects heritage crafts and technological advancement alike, and its Goodwood factory is eco-friendly and on track in its plan for Net Zero by 2050. The new all-electric Spectre epitomises that inspirational blend of invention and heritage, and it was exactly that character that I most wanted to capture when I first proposed our exclusive editorial photoshoot (page 38) — Spectre’s only editorial photoshoot to date. Yes, it’s an EV — but first and foremost, it’s a Rolls-Royce. After all, is there anything better than the impressive

Michelle Johnson Editor-in-chief

THIS IS THE SPECTRE AS WE SEE IT: A FEAT OF CONTEMPORARY ENGINEERING STEERED BY HISTORY AND BURSTING WITH STORYTELLING

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update from the world of luxury lifestyle

Contributors

Editorial team Editor-in-chief Michelle Johnson michelle@tempusmagazine.co.uk

Rikesh Chauhan Menswear guru and Tempus style columnist Rikesh brings big coat energy to his pick of the winter season’s statement outerwear (112)

Creative Director Ross Forbes ross@tempusmagazine.co.uk Digital Editor Shivani Dubey shivani@tempusmagazine.co.uk Wealth Editor Lysanne Currie

Peter Malmstrom Quantum Group founder, philanthropist and classic car collector Peter puts the Rolls-Royce Spectre to the test on page 50

Motoring Editor Rory FH Smith Chief Sub-Editor Dominique Dinse COMMERCIAL

Becki Murray Can we stay forever young? Cosmetic science journalist Becki explores the gamechanging longevity treatments transforming skincare (92)

Head of Partnerships Dan Scudder dan@tempusmagazine.co.uk +44 (0) 203 519 1005 VANTAGE MEDIA Chairman Floyd Woodrow Managing Director Peter Malmstrom COVER IMAGE

GF Williams Automotive photographer GF Williams gets to grips with the all-electric Rolls-Royce Spectre in our exclusive cover shoot on page 38

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The all-electric Rolls-Royce Spectre, exclusively photographed on location at the Cowdray Heritage Ruins. Photo: ©GF Williams/Tempus Thanks to: Rolls-Royce Motor Cars and Cowdray Article on page: 38

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CONTENTS

10 The luxe list Our New Year guide to the finest gifts and most exciting new launches of the season 16 A winning match Grand Slam champion Maria Sharapova on her new mission as a wellness champion 20 Mind, body & soul Discover the wild wellness experiences shaking up self-care in 2024 24 Adventure without limits Head to the South Pole with an expedition like no other 28 The British Luxury Review Look back on a year of fascinating trends with Tempus’s annual review 32 The shape of Xú Rising star of bespoke jewellery Edward Xú invites us into his studio 36 The spirit of Soho Alex Robson on the vibrant inspiration behind The King of Soho’s super-premium spirits 38 Exclusive: A new era Tempus takes the all-electric Rolls-Royce Spectre for a spin in our cover photoshoot and review 56 Winning watches Celebrate the best contemporary timepieces from the Grand Prix d’Horlogerie de Genève 62 Race for the crown McLaren Racing’s Zak Brown on how the team’s young stars are ready for Formula 1 glory 66 Island community We head to the Maldives for a romantic retreat of pure luxury 72 Brave new world 2024 is the year for truly spectacular hotel launches. Discover the five-star destinations on our radar 78 The taste of things to come Moët & Chandon chef de cave Benoît Gouez looks to the future of Champagne 84 House rules Interior designers share their predictions for 2024’s biggest trends 88 Gateway to discovery We join Maria Teresa Venturini Fendi at CERN to find out why science is an artform 92 Who wants to live forever? Examine how the search for longevity is impacting our approach to beauty and wellness 96 A certain vintage Bacchus Wines raises a glass to bottles with true ageing potential 98 Go your own way As Sir Mick Jagger pledges his wealth to philanthropic causes, is this the start of a new trend? 103 RE:VIEW Inside the members-only restaurant shaking up Soho, plus our pick of this season’s best events and launches 108 Save the date The finest events of the season 112 Big coat energy Tempus style columnist Rikesh Chauhan layers up for the winter runway

ISSUE 85

38 A new era

The LUXE LIST Ring in the New Year with our guide to the most exciting new launches and finest seasonal gifts

EDXÚ The award-winning brand by jeweller Edward Xú is making waves in high jewellery thanks to the designer’s architectural craftsmanship, sustainable practices and bespoke offerings. While he is best known for his custom creations, the brand’s stunning collections are equally enchanting. Pixel – inspired by the retro mobile game Snake – fuses whimsical geometric shapes with delicate materials, while his minimalist Orbit collection is inspired by architecture and physics — and love itself — complete with halos of diamonds to represent the moon. The art deco Iper collection is full of elegant gems and, finally, the ethically constructed Tears collection is inspired by the issue of climate change, with shapes taken from melting icebergs. A glittering future lies ahead for this brand. Read our exclusive interview with Edward on page 32 edxulondon.com

Louis Vuitton Tambour The new Louis Vuitton Tambour collection marks a new era of watchmaking for the high-fashion maison. With three new expressions retaining classic elements of the original 2002 release — such as the drum-shaped case and engraved bezel — while introducing an elegant integrated bracelet to complement each of the three new references: steel and rose gold with grey dial; 18ct yellow gold with textured white dial; and 18ct rose gold with classic brown dial (left). Each 40mm watch is a statement piece for men and women, thanks to its slim silhouette, with satin-brushed precious metals and combinations of matte and polished surfaces adding subtle intrigue with an extraordinary level of attention to detail. Contemporary and timeless.

The Scotch Malt Whisky Society 50th Anniversary Cask Club For the first time in its 40-year history, the world’s biggest whisky club is offering those who appreciate the finer things in life the opportunity to own the entire contents of a cask of single malt Scotch whisky. As part of the Society’s 50th Anniversary Cask Club, participants (individuals or groups of friends) can enjoy the ultimate whisky experience of following a cask’s 10-year journey from cask to bottle. Tasting samples will be drawn at key points throughout the decade, with the cask bottled in 2033 when the whisky turns ten years old, and the Society hits its half century. Slàinte! smws.com

Westley Richards Annual Special Edition Westley Richards luggage has developed something of a cult following, being as appropriate for a weekend in the city as for a month’s safari in Africa. For autumn 2023, this prestigious English brand is launching its first annual special edition of the company’s celebrated travel bag collection (right), offering a further degree of exclusivity. For 12 months only, each design is available in a unique Italian walnut suede, trimmed with Westley Richards signature bark-tanned smooth leather in a matching dark brown shade. » westleyrichards.com

uk.louisvuitton.com 11

Ekstedt at the Yard Located in Great Scotland Yard hotel in Westminster is a restaurant that should be in everyone’s New Year’s Resolutions. Multi award-winning Michelin-starred chef Niklas Ekstedt’s first restaurant outside of Stockholm is a triumph of traditional techniques and contemporary flavour. Yes, there’s seasonal ingredients and an impeccable wine pairing options for the variety of tasting menus (choose from three or six courses), but the real power of the restaurant is the traditional technique of cooking and smoking over birchwood, utilising only natural heat, soot, ash, smoke and fire. Dishes such as juniper-smoked venison and whole grilled red mullet will delight the palate; and don’t miss out on Ekstedt’s signature flambadou oyster — the single best oyster dish you might ever have. ekstedtattheyard.com

The King of Soho Capture the spirit of Soho with The King of Soho’s range of exceptional super-premium London gin and vodka (right). Their original London Dry combines bold use of flavours — including grapefruit, sweet orange peel, juniper and cassia — with an effortlessly smooth finish, while the Variorum pink gin incorporates notes of strawberry, floral chamomile and citrus for a delightfully soft profile. The newest addition to the family is the ultra-premium Copacetic Vodka — an exceedingly fine vodka made entirely of English wheat — which is buttery smooth with an undercurrent of toasted crumpet and pepper. Each can be enjoyed either as a sipping spirit or as a fine base for cocktails with real character — the perfect accompaniment to any party mood. Find out more about The King of Soho on page 36 spiritofsoho.com

Tyde In collaboration with BMW and Designworks, Tyde presents the world’s largest hydrofoil motor yacht (left), to be delivered in autumn 2024. At 15m in length, the personal day yacht uses foiling technology adapted from sailing racing to glide through the water — the vehicle rests on hydrofoils below the water level, with the hull floating above the water surface, saving almost 80% energy and allowing for smooth sailing even in swell. Battery-powered and climate-friendly, the Tyde Icon combines advanced automotive technology and progressive design specifically geared towards yachting fans interested in innovative and sustainable luxury products. That’s what we call making waves… tyde.one

Co-Lab 369 x Kate MccGwire Art and fashion combine in serious style with Co-Lab 369’s new Enigma Collection (left). Each design meticulously developed from the original artworks of British sculpture Kate MccGwire, this collection of four limited-edition luxury scarves allows one to become the canvas for the artist’s exceptional style. What’s more, Co-Lab 369 — founded by designer Michelle Lindup — is committed to sustainable and responsible production from Como, Italy, using finest silk, wool and cashmere fabrics, all with beautiful hand-finished edges. And with two additional special Christmas gifting editons, you’ll be a true work of art… colab369.com; @colab369

Esprit de Parenchère Bordeaux Supérieur Rouge This exquisite Bordeaux from award-winning Château de Parenchère is an instant collectible, combining highly concentrated yet elegant flavour with truly impressive ageing potential. A blend dominated by Cabernet Sauvignon and Merlot, the wine is aged in French oak barrels for 12 months on fine lees to produce a standout product that exemplifies the Château’s terroir and style. A full-bodied wine available exclusively from Bacchus Wine PLDC, the flavour profile blends notes of chocolate, tobacco, spiced plums and sweet spices. A future classic. Age your wines to perfection with our guide on page 96 bacchuspldc.com

The Palace, a Luxury Collection Hotel, Madrid An icon reimagined, the former Westin Palace, Madrid has joined The Luxury Collection and is undergoing a major transformation to begin its new future as The Palace. Opening in Q3 2024, the treasured hotel (left) will welcome guests with a fresh look designed by interior designer Lázaro Rosa-Violán, which will preserve and enhance its legacy, while bringing a contemporary connection to Madrid’s thriving artistic, cultural and social scene. The hotel, originally commissioned by King Alfonso XIII in 1912, is located in the city’s UNESCO World Heritage site, the Landscape of Light. Get ready to say bienvenido… » the-luxury-collection.marriott.com

Extra Large Edition Candle Edition Hotels’ new sumptuously sized candle (right) will fill your home with seasonal cheer. Featuring the five-star stable’s lusted-after signature scent — a custom fragrance blending notes of Sicilian bergamot, black tea and cedar wood — and hand-poured in France, the four-wick, 2kg candle has a burn-time of 184 hours. Crafted with black wax in a sleek black ceramic glazed vessel, this minimalistic piece lends itself to any decor, so you can capture the sense of holiday relaxation and revitalisation even after you’ve unpacked back home. Heaven scent. shopedition.com

Balenciaga x Jacob & Co Luxury fashion house Balenciaga has launched its first high jewellery collection, in an exclusive collaboration with Swiss watchmaker and jeweller Jacob & Co. Entitled Diamant, the small but fabulously formed collaboration features two necklaces, a ring and a bracelet, all hand-crafted in 18-carat white gold and white diamonds. The Typo set features a pendant necklace and a two-finger ring that both spell out ‘Balenciaga’, while the BB set — made up of a wide-set chain necklace (left) and similar styled bracelet — is inspired by Cuban Link gold chains. With the collection available only at Balenciaga’s Rodeo Drive flagship store in LA, or by private appointment at the George V couture store in Paris on request from the maison’s website, this is the perfect statement piece for fans of the brand. Blingtastic. balenciaga.com

Pullman Editions Art Deco prints Pullman Editions designs striking, original limited-edition posters that capture the enduring appeal of art deco. Their newly commissioned posters feature glamorous winter sports and summer resorts around the world, as well as the world’s greatest historic automobiles. Evoking memories of holidays and special occasions, their modern take on the art deco classics provide a vibrant and creative way to decorate your home and also make super original gifts. There are over 100 limited-edition designs available online, with prices starting at £420. pullmaneditions.com

BillecartSalmon Coffret Exception 2 Billecart-Salmon was founded in Mareuil-sur-Aÿ in 1818 by husbandand-wife team Nicolas Francois Billecart and Elisabeth Salmon, and is one of the few maisons in Champagne that is still family-owned and run. Long known for its range of premium wines and sustainable winemaking techniques, the champagne house has now released this limitededition Coffret Exception 2 gift set (right) combining two of its exceptional expressions — the Brut Réserve and Nicolas François 2008. Crafted for the perfect festive tipple, this set is certain to ring in the New Year in style. harveynichols.com

The Spa at the Manor House Hotel A new addition to the already impressive spa space at The Manor House Hotel in Alsager, Cheshire (below), offers a soothing rustic experience for all the senses. The alpine-inspired Woodshed offers guests in search of relaxation a covered retreat from outdoor spa spaces – which include the UK’s first swim-up bar, panoramic laconicum (or steamroom) with swing seats, and ice-cold plunge pool — as well as a new relaxation area and three new treatment rooms offering a spa menu of TempleSpa and Tribe517 pampering rituals. The stunning new spaces join the 2,000 sqm English Country Spa Garden, with its summer house, hydrotherapy pool and unique Salt Spa experience. A true winter warmer. manorhousealsager.com

A winning match Former tennis superstar Maria Sharapova on her new mission as a wellness champion

Words: Michelle Johnson

Aman’s 35 global hotels, resorts and residences are known for being intimate retreats and luxurious havens for its guests, from the flagship Amanpuri (‘place of peace’) resort in Thailand to the metropolitan oasis of Aman New York. As Aman’s new global wellness ambassador, Maria will co-create a series of retreats and wellness programmes, each tailored to different resorts and destinations. The partnership, Maria says, was inspired by her visits to various resorts in the global stable as she “made the transition from professional athlete to businesswoman and mother”. “I was so fortunate to get years of incredible physical and mental training, which now helps me perform at the highest level in all my endeavours,” she says, adding she wants to offer guests, “access to coaching and training, designed for elite athletes, that will serve the pursuit of their personal and professional aspirations”. »

aria Sharapova is a born champion. The Russian tennis star’s 20-year career saw her win 36 titles, a silver medal at the 2012 London Olympics and dominate her field with 21 weeks as world number one. She is also one of just 10 women to achieve a career Grand Slam, putting her alongside the likes of Serena Williams, Martina Navratilova and Billie Jean King in the tennis hall of fame. At the peak of her career, Maria trained and competed nearly constantly, with a strict fitness regime designed to hone her body to peak performance. But, as any tennis fan or player knows all too well, the game is as much about mental resilience and strategy as it is physical preparation. Little wonder, then, that Maria’s latest project would look to combine physical and mental wellbeing in a series of high-performance wellness programmes for Aman.

Grand Slam fitness: Maria Sharapova (previous and below) shares her training secrets with Aman guests (opposite)

The first retreat will be held at Amanpuri, situated on a private peninsula on the coast of Phuket, in February 2024 – coinciding with the resort’s 35th anniversary. “Our idea was to curate an experience that helped Aman guests experience a highperformance mindset in their daily lives,” explains Maria. “Whether you’re a CEO or a mother who has to perform each day, this experience is one that I’ve programmed based on how I would train as an elite athlete.” Hosted by Maria, the three-night Performance and Recovery retreat will offer a personalised wellness journey where the elite athlete will curate and mentor guests through experiences and activities, sessions with expert trainers, and incorporate pioneering technologies that Maria uses daily. “The intention is to take the group through practices and routines that I incorporated into my career but to make them applicable to any fitness level,” she says. “Everyone is hoping to get more out of their fitness, recovery and mindset. “Guests’ days will be organised with activities focused on mindset, breathwork, workouts for different levels of strength, and recovery practices with a specific focus on muscular and wellbeing recovery and clean eating.” Group activities, dining experiences and Q&A sessions with Maria and her guest practitioners are also designed to add to the exclusive experience. Meanwhile, for guests who want to dip their toe into the world of high performance without the commitment of a retreat, Maria has designed half-day Strength & Recovery experience at Aman New York. Launched in September, the session featured an optimised performance breakfast menu at the hotel’s restaurant, Arva (developed by Maria and executive chef Jeremy Price), followed by an hour’s strength training and conditioning session, and finished with a Banya treatment, reflexology and 111Skin treatment in one of the destination’s private spa houses. “Aman Resorts was always a place of refuge and restoration for me,” says Maria. “During my career I would get one week off per year, a week where I didn’t have to train or wasn’t preparing for a tournament and each of those weeks, I would visit an Aman property around the world. It was my retreat from the intense season.” With many more optimised, Grand Slamworthy itineraries to come, it’s clear Maria’s guests will be reaping the benefits of her performance mindset for years to come. aman.com 18

WELLNESS

THE INTENTION IS TO TAKE THE GROUP THROUGH PRACTICES AND ROUTINES THAT I INCORPORATED INTO MY CAREER BUT TO MAKE THEM APPLICABLE TO ANY FITNESS LEVEL — Maria Sharapova

MIND, BODY & SOUL Tempus takes a look into the fascinating wellness trends creating a scream for 2024…

Words: Judy Cogan

ith a new year upon us, we are already looking to what 2024 has in store to help us feel revitalised, rested and calm. The good news is there are plenty of wellness options that deliver optimum serenity while escaping the well-trod confines of a spa. From scream therapy in the Lake District to wild running in Chamonix and a 1,400-acre biophilic wellness community in Atlanta, you’ll be spoiled for choice on how to nurture mind, body and soul in 2024. Here are the key wellness trends to know about right now. »

WELLNESS

MIND | SCREAM THERAPY Feeling stressed to the hilt is enough to push anyone to scream into a pillow. But with Scream Therapy, a cathartic solution to pent-up emotions and tension, you can let rip loudly and with free abandon at Armathwaite Hall Hotel (right) — all while looking out to the picturesque Bassenthwaite Lake and surrounded by 400 acres of woodland and countryside. Also referred to as primal scream therapy, the powerful age-old practice promises to balance emotions, reduce anxiety and nurture a profound sense of well-being from deep within. Primal therapy was first developed by Dr Arthur Janov in the 1960s. Dr Janov speculated that screaming your heart out could help release any repressed childhood trauma and help people recover from it. And, according to The Guardian, women-

only ‘scream groups’ are forming worldwide as a sure-fire way to release the frustrations and pressures of everyday life. Lucy Dunn, scream therapist at Armathwaite Hall Hotel and Spa, says: “Scream therapy is a great way to release a build-up of tension and stress. All you need is somewhere you feel comfortable to have a good scream. Although it can be done inside and quietly by screaming into a pillow, it can feel better if you are outdoors and we’re in a great location to let it all out. “After a good scream you can walk through the woodland to the lake or have a relaxing massage in the Spa. Screaming can help to relieve the stress hormones cortisol and adrenaline from the body and release feel good hormones – endorphins.” Armathwaite Hall Hotel near Keswick, the Lake District armathwaite-hall.com

SCREAMING CAN HELP TO RELIEVE THE STRESS HORMONES CORTISOL AND ADRENALINE FROM THE BODY AND RELEASE FEEL GOOD HORMONES — Lucy Dunn, scream therapist

BODY | RUN THE WILD For an unforgettable alpine adventure consider Run the Wild’s running and yoga weekend in the French Alps this summer. Based out of a four-star spa hotel with Mont Blanc as a majestic backdrop, you can expect to enjoy running, yoga, exploration and relaxation. Each day starts with a 1315km guided run along winding trails that cut through enchanting pine woods and along balcony paths overlooking stunning valleys (left). After a morning of exercise unwind and restore with daily yoga classes. The sessions cater for all abilities and compliment the running by focussing on releasing muscle tension, enhancing flexibility and building strength. Running experience (and some stamina) is required, but it’s not all hard work. There’s a cheese and wine tasting on the first day, and a beer and cheese tasting on the second. You can also relax in the outdoor heated

pool, ease the muscles in the jacuzzi and sauna or enjoy a glass of French wine on the outdoor terrace. Simon James, running guide and founder of Run the Wild says: “We promise to make trail running fun. The weekend is both focussed on running stunning trails and taking part in restorative yoga as well as making sure there is time to relax in one of the most beautiful mountain locations in the world. “Our running guides bring the trails to life with facts about the plant life, local history and geology of the area as well as teaching runners how to improve their technique. We do that in a supportive and encouraging environment. Running and yoga both connect our bodies to nature and provide time away from our otherwise busy lives and all with a backdrop of the French Alps. Come and lose yourself in nature.” Chamonix, France runthewild.co.uk

WELLNESS SOUL | BIOPHILIC WELLNESS When a spa-break no longer delivers on your wellness demands, immerse yourself in nature at Serenbe (this page), an intentionally designed 1,400-acre biophilic wellness community just 45 minutes from Atlanta, Georgia. This destination offers guests culture, food, and the arts all through a wellness lens. There’s a charming boutique inn, 25-acre organic farm, spa, gourmet restaurants and miles of forest trails. You can call upon your own wellness concierge to curate bespoke itineraries of all the wellness activities at your fingertips such as goat yoga, labyrinth meditation walking, guided hikes and forest bathing, which is proven to reduce stress, lower blood pressure, increase energy and improve sleep. You’ll return feeling restored and inspired having tried some imaginative new things. Labyrinth walking is a particularly unique experience. Follow a single path through what looks like an elaborate maze, but while there are twists and turns there are no tricks or dead ends — the labyrinth represents the journey inward to our true selves and the everyday world. Garnie Nygren, Serenbe’s chief operations officer says: “This community is centred around biophilic principles that value nature, passion, creativity and community to nurture the soul. Eat locally sourced produce from the organic farm, stables full of horses that can be ridden along miles of trails and nationally known artists exhibit in galleries across the street. “Generations both old and young are taking wellness, particularly getting back in the outdoors, more seriously and many are embracing the art of slow living. We expect that nature therapy (immersive, nature-focused wellness activities) will only continue to grow in popularity in 2024. “The moment you step into a forest, you will find a sense of awe and calm – it makes us all feel better and there are decades of scientific research that supports this feeling. This is a founding principle of Serenbe – biophilia – the idea that we are as humans innately attracted to and connected to nature. When we slow down and become immersed in the natural environment by engaging all senses, we feel invigorated and restored.” Serenbe, Atlanta, Georgia US serenbe.com

Adventure without limits Showcasing fly-in expeditions to the centre of Antarctica, luxury operator White Desert opens its newest camp: Echo Base

Words: Sam Bradley

trip to Antarctica is never for the faint of heart, but this dramatic and onceinsurmountable landscape has become one of the world’s most fascinating expeditions for the true adventurers among us. White Desert, the luxury tour operator specialising in the south pole, has now launched its third camp, Echo Base, to join its existing Whichaway and Wolf ’s Fang offerings. Inspired by a visit from astronaut Buzz Aldrin, the futuristic space-themed camp consists of six state-of-the-art en suite sleeping pods, as well as luxurious communal dining and relaxing pods. Trips to Echo Base are targeted at luxury explorers with a price tag to match (a five-day stay starts from $62,500 per person, or $104,000 per person as part of a full buy-out) and, as one might expect, the resulting experience is truly, genuinely and magnificently unforgettable. The immediate impression upon landing on a freshly groomed, blue ice runway is the complete otherworldliness of Antarctica’s scenery. This is a vast, beautiful and largely untouched continent; the air is so clear and crisp that distances can be hard to gauge, as its possible to spot mountain peaks (nunataks) over 100km away. And yes, there are mountains – contrary to popular belief, the landscape consists of more than just endless ice. Far from cities and crowds, the silence is so absolute that the crackling and crunching sounds from simply walking over ice seems to travel for miles. And it may be a desert, but there is still wildlife down in this corner of the world, from penguins to migratory birds such as petrels. »

IMAGES: WHITE DESERT

LUXURY ON ICE For the explorers of long-ago, Antarctica represented cold, dangerous and lonely voyages from which a return was anything but guaranteed. Thanks to White Desert, founded in 2005, guests can swap the frostbite for champagne and enjoy unforgettable activities in this frozen paradise. At Echo Base, guests can learn to climb an ice cliff with crampons and axes or choose to clamber and crawl through a natural ice tunnel – a completely organic and all-encompassing frozen blue world created by nothing but wind and water. Maybe climb a nunatak to gaze out over the frozen ocean or (if you’re feeling bold) don your crampons for a stroll out over the surreal rolling waves of ice or even venture out on an overnight ski tour. Perhaps most memorably of all, take a 2.5hour trip on a Second World War Basler BT-67 plane to Atka Bay, where you’ll spend the day admiring up to tens of thousands of Emperor penguins and their offspring in their natural habitat. Depending on the timing of your visit, you could be met by the sound of a multitude of hungry, noisy chicks all calling their parents – or the sight of the dads sliding back after a successful fishing trip. Still keen for more? It’s not often the logistics of a trip make the highlights reel, but this is a well-deserved exception. Each season a large ship delivers equipment to the coastline – which, in this case, is a 40m high ice cliff. Items are craned up onto the ice and then driven 500 miles along the Fimbul Ice Shelf, dodging deadly crevasses the whole way to camp. It takes dozens of machines (piston bullies, planes, 4x4s and 6x6s) and more than 120 staff to run an adventure of this magnitude – little wonder then, that it operates only for the four months of summer. If just surviving this harsh landscape is a challenge, then providing the level of luxurious treats and spoils made available to guests is all the more impressive. Much thought has been put into the dining, which ranges from gourmet curry nights to delights such as pemmican – a calorie rich meal of dried meats that would have been eaten by early explorers. The outdoor picnics are even more show stopping, with canapes, champagne, hot chocolate and even commemorative Shackleton beers served in the most spectacular locations. One such evening set-ups reveals a final feat of logistics: a party in an unforgettable snow lounge, with igloo bar complete with fine whiskies and cosy fur rugs, which are much needed to counteract the -5˚C chill.

STORIES BEYOND COMPARE Working in such an ecologically sensitive environment, the sustainability of the operations is a very necessary focus. White Desert pioneered the use of sustainable aviation fuel in their aircraft – they have been carbon neutral since 2007 – and all the pod suites are primarily heated from solar energy. The camps are completely temporary, and so can be dismantled and removed at any time, while even the waste management is a feat of logistics with all consumables shipped off the continent at the end of the season. A final highlight is the presence of White Desert’s extraordinary guides and staff, whose stories of Antarctic adventure are beyond compare. Take Manu, for instance, who was one of the lead guides in the search for Shackleton’s lost ship Endurance, which sunk in 1915; or Marco, who holds the record for climbing the most 6,000m mountains in the world. Equally impressive is camp manager Vila, who is the only woman to summit Everest and complete a solo expedition to the South Pole. The guides all have a genuine love for adventure so, no matter how active you are, you’ll be in expert and enthralling company. White Desert offers many ways to experience the white continent at the bottom of the world, from a 24-hour Greatest Day fly-in trip ($14,500 per person) to their all-encompassing 24-day Ultimate Antarctica experience – for which they have partnered with pioneering adventure company, Cookson Adventures – and which comes complete with yacht, helicopter and even a submersible expedition. Other options include a seven-day geographic South Pole and emperor penguin trip ( from $98,500 per person) or a five-day photographic trip ( from $62,500 per person) to witness the emperor chicks taking their first steps. And new adventures to come include the launch of White Desert World, a 21-day luxury trip to ten destinations, with a maximum of 50 guests travelling in a customised Boeing to all seven continents, which is set to launch in January 2025. White Desert also works with Cookson Adventures to build experiences out of Cape Town or Patagonia before and after the trip, to ensure every expedition is unique and truly unforgettable. Visit white-desert.com and cooksonadventures.com to find out more

Snow limits: Echo Base hosts a range of Antarctic adventures

BRITISH LUXURY REVIEW From stealth wealth to dinosaur collectors, we take a look at how the British luxury sector has fared over the last 12 months Words: Lysanne Currie

2023 28

his year could be seen as a triumphant 12 months for luxury. Globally, this was a year in which the world’s richest person was LVMH’s Bernard Arnault, breaking the decade-long stranglehold on the title by tech billionaires like Elon Musk. Consultants at Bain & Company calculated the luxury goods market had a market value of €345bn (£300bn) at the start of 2023, estimating it would grow by 5-12%.

The UK is still one of the world’s largest luxury markets, home to nearly 2.85 million dollar millionaires (those with wealth over $1m/£800,000). In the UK, the return of international visitors after pandemic travel restrictions lifted last year has benefited luxury retailers such as Harrods (which reported a 52% sales increase), London’s uber-luxe hotels and the super-prime property market.

2023 observed another interesting trend: in a year marked by several conflicts (Ukraine; the Middle East), energy shortages and a cost of living crisis, there was a decline in ostentatious displays of wealth as the super-rich sought succour in the muted tones and privacy of ‘stealth wealth.’ We look at these and other factors which have shaped the world of British luxury over the last 12 months… »

BRAND POWER The power of luxury brands shows no sign of waning: YouGov’s Q3 poll of the most popular luxury brands found that 98% of those surveyed had a strong showings for Rolex, Vivienne Westwood, Barbour and Mulberry. Gen-Z rated Stella McCartney particularly highly, with the fashion company popular with 51% of those surveyed. Harrods has experienced strong sales in the last two years, recording a 52% sales increase to £994m in year to January 2023, partly attributed to the return of bigspending visitors. The enduring ability of luxury brands to raise prices – even in tough economic times – has meant the sector has remained largely impervious to inflation. It could also be argued that, in 2023, luxury has never been more accessible — due, in part, to a spate of innovative collaborations (think Adidas partnering with Stella McCartney or Raf Simons) and inventive brand extensions such as jewellers Mejuri hosting a gelato pop-up (the Scoop Shop) in London’s Soho this summer.

Forecasts estimate London’s luxury sector 2024 could value

£28-30bn

2.6m The number of dollar millionaires (wealth over $1m/£800,000) in the UK

QUIRKIER INVESTMENT TRENDS INCLUDED PALAEONTOLOGY. A T-REX SKELETON SOLD FOR $6M

(£4.7M) AT A ZURICH

£5.6bn spent on luxury fashion in 2023

AUCTION IN APRIL

INVESTMENT BEHAVIOUR Investment in art continued apace in 2023. Auction houses celebrated a record year in 2023 with art sales during the recent autumn auction season projected to reach $2.5bn (£2bn) of art. The year before, the three big British auction houses – Christie’s, Sotheby’s and Phillips – sold £14.3bn worth of art and other collectibles. Christie’s made nearly half of this sum (£7bn, up 34% from 2021).

Rare wines and whisky also proved to be a popular investment: in November, a bottle of Macallan 1926 single malt whisky broke the record for the world’s most expensive bottle of wine or spirits, having been sold at Sotheby’s for £2.1m. Quirkier investment and collectible trends included palaeontology, with a T-Rex skeleton selling sold for $6m (£4.7m) in April, and a 154-million-year-old camptosaurus being sold at Frieze London last year.

M O S T P O P U L A R LUX URY B RA N D S IN THE UK 2 0 2 3

57%

56%

53%

50%

48%

47%

Calvin Klein

Rolex

Hugo Boss

Swarovski

Chanel

Dior

Sources: Walpole/Cadogan; UBS; Statista.com; unwto.org; Yougov.co.uk; Forbes.com; The Financial Times; The Guardian; Karen Millen/Google Data

PROPERTY AND HOTELS More than 160 properties worth £10m were sold in the UK in the year until March 2023, with an average of £19m a sale, according to analysis by estate agent Knight Frank and data provider LonRed, with international buyers largely behind the surge in demand. London dominates the list of expensive locations in the UK. However, outside of the capital, sales of super-prime ‘country houses’ hit a 15-year high. Second homes are also booming: research from the ONS shows 2.1m households in England report having at least one second property. In hospitality, recent additions to London’s luxury hotelscape include The Peninsula, Raffles London and Mandarin Oriental Mayfair, with many more to come in 2024. Experiential offerings at these hotels such as restaurants, gyms and wellness spaces (some equipped with cryotherapy chambers and offering bespoke medical programmes with IV drips and plasma therapy) are all part of the allure for guests. Recent experiential hotel trends include membership clubs and ‘fourhands’ dinners (where pairs of famous chefs create collaborative banquets; Alain Ducasse and Wolfgang Puck recently teamed up to create a £633 feast at London’s 45 Park Lane hotel).

UK’s high-end tourist market valued at

LONDON'S MOST EXPENSIVE

£35bn

HOTEL ROOM IS REPORTED TO

London’s the most expensive street is Phillimore Gardens in Kensington, where the average home is worth

£23.8m

BE CLARIDGE'S PENTHOUSE SUITE, PRICED AT

£60,000 PER NIGHT

Travel in Europe reached

90% of pre-pandemic levels

58% of travellers plan to spend more for unique experiences

In May 2023, Google searches for ‘quiet luxury’ rose by

373%

AI & Technology sector investments delivered significant returns in 2023

THE RISE OF STEALTH WEALTH Stealth wealth is the name given to the lifestyle of the ultra-wealthy who showed signs in 2023 of spurning conspicuous consumption in favour of leading low-key lifestyles and wearing understated fashion in tasteful, muted colour palettes devoid of logos. Despite stealth wealth’s lack of ostentation, its clothing is likely to be made of the finest quality material (merino wools, cashmere knits) and emphasise craftmanship, artisanal values or tailoring. Heritage brands such as Bruno Cucinelli and Loro Piana saw profits increase in 2023, while stealth wealth was also seen everywhere from Succession to the prime minister’s wife, Akshata Murty (also one of the UK’s wealthiest women) who was seen wearing £570 suede slippers. Stealth wealth isn’t limited to fashion: it can also be glimpsed in luxury travel, with UK companies such as Pelorus and Natural World Safaris offering trips to secluded areas such as Svalbard and Antarctica. Anonymity is also the watchword at the new Apollo’s Muse in London’s Mayfair, which is marketed as the “most private of private members’ clubs”, with membership limited to a mere 500 people.

The of

shape

Xú

With his cubism-inspired luxury label EDXÚ, Edward Xú has become one of the jewellery world’s most exciting rising stars. We find out what inspires the designer’s new generation of jewels Words: Judy Cogan

f you haven’t heard of award-winning jewellery designer Edward Xú (right) before now, consider this your official introduction. The 34-year-old started his namesake London-based brand EDXÚ two years ago with a focus on handcrafted architectural and mindful pieces that are inspired by everything from cubist art to 90s computer games like Tetris and Snake. The designer graduated from Central Saint Martins College in 2011 and trained with celebrated names including Solange Azagury-Partridge and Tateossian. After completing an MA in luxury brand management, Edward say it “felt natural to start my own brand combining my creativity and business vision. I love independence.” Now, each piece is handcrafted in the brand’s studio in London’s Hatton Garden, offering bespoke pieces as well as a ‘Reimagine’ service – a sustainable service that transforms existing or heirloom jewellery into new masterpieces. He believes every piece he makes, be it a new collection, a reimagined bracelet or a bespoke ring made from scratch to mark a special occasion, has a hidden story. Here, we speak to Edward to find out more about this upcoming designer and his vision. »

STYLE

Modern mindset: The Tetris-inspired Chiara ring; Marquise earrings from the Tears collection (left)

JEWELLERY IS FOR EVERYONE: IT’S NOT SEASONAL, IT’S GENERATIONAL

Edward, what goes into reimagining an existing piece of jewellery? We revisit a client’s old jewellery as a sustainable surface to repurpose. It might be old family heirlooms, an engagement ring or sentimental piece. It’s always something to celebrate. One client recently wanted a pair of cufflinks reimagined. They were actually costume jewellery; worthless in value, with no gems and I think a clay- or marble-based metal. That’s quite far removed from fine jewellery, but the client told me the cufflinks were his dad’s and held sentimental value. That is so special. I want to help our clients capture meaningful moments in a piece they can keep forever. The human side to jewellery really inspires me. How does the bespoke process work? A client might come in for a private consultation having seen something they like – be it on Instagram or a geometric painting at an exhibition, or some kind of architecture. We get all the key information from them, come up with a proposal and use 3D renderings to suggest gemstones or techniques. The client can change things at any point and we only start to make the piece when they’re 100% happy. On average, from the first consultation to the finished piece, it takes around three months. It’s an education every time. In the end the piece is usually completely different to their initial vision and ideas, but it’s my job to make sure it’s something they love. How does the client’s story influence your design process? It could be a memory, a hidden message or personal story, but there is always a deeper meaning behind every piece. Each piece is aesthetically pleasing, but I am invested in the messages it holds. How every clasp is set, the direction of an angle and positioning of gemstones, is all deliberate and thoughtful. Ultimately, what makes jewellery special is the meaning behind it.

What inspires your jewellery designs and new collections? I find art, especially cubism styles and bright primary colours, incredibly inspiring. I love to work in an architectural way with sharp angles and a minimalist style. I like the idea that we live and work inside architecture and that jewellery lives on us. Exactly what inspires me changes all the time. It can be travel, an art exhibition, or retro games like Tetris or Snake. If I see something in the street, I capture it on my phone and put the photo in a folder to later revisit when I start designing a collection. Everyday life always throws up new inspirations. It’s always evolving, always changing. Who do you have in mind when you design your collections? All the pieces I make are designed to be gender neutral. I want to create jewellery that can be appreciated and worn by anyone, and can’t be identified as masculine or feminine. I wear every single piece in our collections. Our clients are female, male and nonbinary, and everyone buys pieces from all the collections. I just try to make beautiful pieces that people will love. Jewellery is for everyone: it’s not seasonal, it’s generational. If you could collaborate with anyone, who would it be? He has passed away, but the French painter, sculptor, and filmmaker Fernand Léger. He created his own personal form of cubism and uses very clean primal colours in a very abstract way. I really love his work and it constantly inspires me. It would have been amazing to collaborate with him, maybe to translate one of his paintings into a jewellery collection. What are your favourite gemstones to work with? We use a wide range of gemstones. For bespoke pieces it tends to be finer gemstones such as sapphire, diamonds and rubies. But we work

on collections with amethyst and topaz, which catch the eye. I absolutely love the shine and brilliance of diamonds. And sapphires don’t just come in blue, but yellow, pink, champagne, green, purple and two colours in one, which is quite rare. It’s a beautiful stone. What’s your biggest achievement so far? The awards are amazing, and I’ve had so much support and exposure. They give a little boost to a designer like me. I took part in an exhibition at The Goldsmith Centre with other young designers last year and the King came to visit our studio and the exhibition. The Goldsmith’s Centre has provided me with so many amazing opportunities. It’s a great organisation that really helps young jewellery designers. Are you aware of your identity as a designer in the outside world? I think the perception people have of me as a designer is more accurate than the one that I have of myself, because you don’t see yourself as other people see you. People say I use a lot of negative space, which is true. The pieces are often cut out and open ended. I love having openness in my designs. With the asymmetrical pieces, it might look random, but I have tried out hundreds of directions and angles to get it perfect in my mind. I hope people see we are ethical and mindful. All of our jewellery is made using 100% recycled material and not mass produced. It’s important for me to take on young designers as apprentices. I was trained at one of the best jewellers in London: I want to give others that opportunity. edxulondon.com

THE SPIRIT OF SOHO The King of Soho’s Alex Robson tells us about capturing the essence of London’s most exciting neighbourhood with

oho has a unique legacy among central London’s distinctive neighbourhoods. From its origins as an aristocrats’ playground to its Victorian reputation as the home of music halls and less reputable entertainment, to its contemporary status as the capital’s entertainment district, Soho is the home of theatre, freedom and character. It’s that very intrigue and flamboyance that Alex Robson and her business partner, Howard Raymond, wanted to capture with their premium spirits brand, The King of Soho. Launched 10 years ago, The King of Soho comprises two super-premium gins—London Dry and a pink Variorum Gin, and the new ultra-premium Copacetic Vodka. Key to Alex’s approach is her wish to capture the playful nature of Soho itself—seen in everything from the smooth flavour profiles of the spirits to the colourful (and completely sustainable) glass bottles, and the Spirit of Soho character— complete with top hat and fox’s tail—that adorns them. “Everything we do is inspired by Soho,” Alex says, when we meet at The Kiosk Bar at Sophie’s Soho. “We’re a small batch production, we’re playful but connected to the community, and I think there’s beauty in that.” The name itself is inspired by Howard’s father, nightclub and property tycoon Paul Raymond. “Both our fathers were gin drinkers, and we wanted to celebrate them,” she explains. “Howard and I first talked about making our own gin 11 or 12 years ago. It really was that classic thing of scribbling a business plan on a serviette in a bar – the next thing we knew we were off and running.” The first The King of Soho gin, a London

Dry, soon followed, making waves thanks to its bold use of flavours, including grapefruit, sweet orange peel, juniper and cassia. “This was before the gin revolution—or resurgence, as I like to say—so the market was very juniper led. Grapefruit is the forbidden fruit, which made it even better,” she says. A pink edition followed in Variorum Gin, incorporating notes of strawberry, floral chamomile and citrus. “I call it my party gin. It’s slightly softer, so it can appeal to a different palette, taste or mood,” says Alex. The newest addition to the family is the exceedingly fine Copacetic Vodka—made entirely of English wheat near London and lovingly distilled “more times than we could count”. Buttery smooth with an undercurrent of toasted crumpet and pepper, it is as much a sipping spirit as a fine base for cocktails. “I like having the option of flavours that cover every possible mood,” says Alex. “If I want a straight martini, I’ll use the London Dry— with an olive, not a twist. The Copacetic Vodka lends itself to a dirty martini, which I can drink at any time of day. If I’m feeling something a bit softer, then it’s a Variorum cocktail.” Variorum is a particularly refreshing base for imaginative cocktails—such as the Pretty in Pink cocktail at Everyman Cinema and their latest creation, ‘The SohoLIFF’ (right), a recipe The King of Soho has created for this year’s Soho London Independent Film Festival. “It’s great fun—a cherry twist on the classic Bramble,” says Alex. “I love cherries. When I first started putting them in my gin, people were horrified! People can have quite rigid ideas about cocktails, but the beauty of our brand is that we’re experimental. We believe 36

that it’s about what you enjoy—anything goes.” The King of Soho is proud to sponsor this year’s festival, adding the annual film event to its impressive list of community ventures, from International Women’s Day events to honouring Soho’s LGTBQ+ history and supporting local artists and music. “This history is embedded in the community and it’s what inspires its creativity, so it’s important to give back.” As a business leader (and established judge for the Lloyds Bank British Business Excellence Awards) Alex says this authenticity—as well as sheer tenacity—is the key to success in today’s environment. “It’s important to be authentic and agile in business; if you’re not, you don’t survive,” she says. “Business in general is very hard at the moment, but I feel women in particular have seen a backslide since Covid-19. We’re a female-led brand, which is something that’s getting harder to find because there’s a lack of venture capital investment, despite femaleled enterprises being particularly efficient,” says Alex. “You have to think strategically and be tenacious.” As for what Alex credits for her success, it all comes back to that Soho spirit. “You’ve got to be playful in life. Even when life is serious, you have to find the joy,” Alex says. “I think I have a playful side to my personality; I have a lot of fun doing what I do, and I want our customers to have fun, too. I want to bring joy to people’s lives the only way I know how, and I hope that energy passes on.” Discover more at spiritofsoho.com and follow @thekingofsoho

IMAGE OF ALEX ROBSON: SANDRA VIJANDI

her premium spirits

A NEW ERA Combining state-of-the-art technology with the heritage craftsmanship for which it is so well known, Rolls-Royce Motor Cars debuts its most highly anticipated luxury automotive to date. Meet the all-electric Spectre

Words: Rory FH Smith | Photography: GF Williams | Art direction: Ross Forbes 38

EXCLUSIVE MOTORING

ince Carl Benz applied for a patent of his the three-wheeled motor car in the late 1800s, engineers have honed, developed and perfected the formula for combustionengined automobiles. While the progress over the course of a century has been hugely impressive — transformative, even — it stops just short of revolutionary. That word is reserved for the era in which we currently find ourselves — the age of the electric car. While mass-market carmakers have been experimenting with electric power since the turn of the millennium, this revolution has been slow to reach the rarefied world of superluxury. Screaming V12-engined supercars and silky smooth V8-powered limousines have long been the preferred method of propulsion for those fortunate few, until now. Enter, the rakish Rolls-Royce Spectre. Though far from the first electric car to hit the streets, the Spectre represents a significant sea change for the super-luxury sector. Pipping the likes of Bentley to electric car production by a good two years, Rolls-Royce has drawn a mighty impressive line in the sand for others to aspire to. “To be the first electric car was not the target for Rolls-Royce,” says the marque’s design director, Anders Warming. “The target was to deliver the right thing when it was ready, and that turned out to be 2023. “This is the only electric offering at the pinnacle of luxury — and we know that.” To understand the significance of the Spectre, we must first look back over Rolls-Royce’s 120year history. The company was born from a meeting between Charles Rolls and Henry Royce at Manchester’s Midland Hotel, and it soon got to work creating some of the world’s most advanced and luxurious motorcars. Fast becoming a firm favourite for the wealthy and well-heeled in the early 20th century, Rolls would build completely custom cars equipped with everything from gold-plated bodywork to firearms and flagpoles. Even TE Lawrence — the real life Lawrence of Arabia — used a fleet of Rolls-Royces to reliably cross the desert in the First World War. The cars made such an impression with the intelligence leader, he reportedly said his nine Rolls-Royces were “more valuable than rubies”. After the halcyon days of the early 20th century, in the new millennium Rolls-Royce was brought under the wing of German powerhouse BMW in 2003. Shortly after came the marque’s first milestone modern car for some time, the imposing Phantom VII, which set the course of the company’s design direction going forward. The car was a radical reinterpretation of the traditional Rolls-Royce design language, with its ocean-liner proportions, stately slabsided coachwork and imposing, upright grille. Upping the opulence was the follow-up Phantom Coupe, which arrived in 2008. Based on the Phantom, the Coupe was the limousine’s sleeker, two door sister — a car that would lay the foundations for the Spectre. »

THE SPECTRE REPRESENTS A SIGNIFICANT SEA CHANGE FOR THE SUPER-LUXURY SECTOR... ROLLS-ROYCE HAS DRAWN A MIGHTY IMPRESSIVE LINE IN THE SAND FOR OTHERS TO ASPIRE TO Goodwood style: Our journey begins at the Rolls-Royce factory in Goodwood, West Sussex (main), before gliding through the South Downs (this page and previous)

MOTORING

Radical beauty: The Spectre shows off its near-silent driving through the South Downs National Park; (below, l-r) Sleek interior, large wheel size and the Spirit of Ecstasy

THE BEAUTY OF A CLEAN, WHOLE SHAPE FROM THE GRILLE ALL THE WAY TO THE BACK. THERE’S SOMETHING SO REWARDING ABOUT THAT SIMPLICITY – Anders Warming

RADICAL DESIGN “This car is radical,” says Anders, speaking to Tempus at his design studio in Goodwood. “When you see Spectre, it is clear that it references the heritage of the Phantom Coupe. Just because of its size, its overall length and — the most radical aspect — the large wheel size.” While it’s a detail most buyers and admirers will overlook, the Spectre’s proportions are what make this car so special. Alongside its 23-inch wheels, the Spectre features the longest doors yet fitted to a modern Rolls-Royce, measuring in at 1.5m each. Opening the rear-hinged ‘coach doors’ to the outside world is an event in itself, while the automatic push-button close function ensures that shutting them feels just as special. “These radical proportions were difficult to make happen. So, today we look at it and it’s almost as if that’s exactly what it was supposed to be. It’s quite otherworldly, if I do say so myself,” says Anders. Standing back and admiring the Spectre at its home in Goodwood, where we begin our journey through the bucolic South Downs, it’s possible to appreciate the bold surfaces and sheer faces that make the two-door coupe so unmistakably Rolls-Royce. Against the backdrop of the charming countryside and narrow, winding lanes that wrap around the Goodwood factory and estate where Spectre is built by hand, and on towards the sensational 16,000-acre country estate of Cowdray — where we stop by both the magnificent Cowdray Heritage Ruins and elegant Cowdray House — this car commands presence wherever it goes. “What was really important for me was the surface language,” says Anders, referring to what he describes as “sheer monolithic beauty”. “You have a surface that is completely uninterrupted from the front to the rear — without any interfering lines, light catchers or anything like that — just the beauty of a clean, whole shape from the grille all the way to the back. There’s something so rewarding about that simplicity.” While its rakish looks will be all most people get to experience, Spectre’s greatest surprise is in the way it drives, and piloting this 5.5m, all-butsilent land yacht is a stealthy experience. While a combustion engine powered Rolls-Royce was far from shouty — it was hard to make out the engine noise even with a mighty 6.7-litre V12 upfront — the Spectre is on another level of nearsilent driving. When ensconced in the beautifully appointed cockpit or the surprisingly spacious rear seats, all but the slightest touch of road and wind noise is eradicated. When it comes to acceleration, thankfully the Rolls is more reserved than its other all-electric peers. While so many electric cars are far too eager to exercise their ability to accelerate at pace, the Spectre’s acceleration is stately rather than neck-snapping. The marque’s engineers tuned the throttle response, adding a slight delay to make for a smoother traffic-light dash. Despite that, the near three tonne Spectre will cover 0-60mph in just 4.4 seconds and roll on to a top speed of 155mph. »

MOTORING

History and technology: The all-electric Spectre is right at home at Cowdray House (main) and visiting the Cowdray Heritage Ruins (this page) SLEEK, SVELTE AND SILENT “What we’re looking at is a statement of grace and waftability,” says Anders, calling on a well-used word from Rolls-Royce’s unique vocabulary. Few carmakers could get away with such a grandiose term, but ‘waft’ is quite possibly the only word to describe the way a Rolls rides. Spectre feels about as far removed from a low-slung sportscar as you can get — and that’s no accident. “When you drive behind a Rolls-Royce, be it a Spectre, Ghost or Phantom, you feel that the car is almost hovering; gliding over the road. It’s not sitting like a sportscar,” says Anders. When it comes to all-electric driving, range is everything. Since electric cars started cropping up more frequently over the past two decades, ‘range anxiety’ has been the buzzword — the term used to

describe the feeling of being low on battery but far from a charge point. Thankfully, the Spectre’s large proportions have been put to good use and buried in the bodywork lies a 102kWh battery, which is good for 329 miles WLTP (travelling at an average speed of 28.8mph). Like all electric cars, it’s best to prepare for covering fewer miles, with everything from the outside temperature and on-board tech impacting an electric car’s range. While the £330,000 starting price will ensure the Spectre remains a rare sight, it’s a hugely significant car for one of the oldest carmakers in the world. “Spectre is an extremely important milestone in the form language and the design of Rolls-Royce, because that is the door we’re going to go through for the future,” says Anders. “That means technologically, and in terms of size and

proportion. This sheer monolithic beauty will be an important part of a way forward.” As a sleek, svelte and silent sign of what’s to come, Spectre is more than a status symbol or a wonderful way to move about — it’s Rolls-Royce’s line in the sand, separating its combustionengined past from its all-electric future. “In history if you know where you come from, you know where you’re going,” says Anders. “The pathway forward, for us, is the one through Spectre.” CREDITS AND THANKS: Car provided by Rolls-Royce Motor Cars, rolls-roycemotorcars.com Shot on location at Rolls-Royce Goodwood and Cowdray, cowdray.co.uk

MOTORING

CONTEMPORARY CRAFTSMANSHIP Rolls-Royce is well-known for creating a truly bespoke journey for its clients, beginning at the eco-friendly factory atelier in Goodwood. The luxury marque may be racing into an electric future, but its dedication to bespoke design and hand-built craftsmanship continues to set it ahead of the pack. We put the spotlight on Goodwood’s greatest automotive artisans

SYMPHONY OF STARLIGHT The now-famed starlight headliner (opposite) is an impressive option for custom vehicles. The original fibre-optic constellation — as seen in the Spectre — is a replica of the night sky over Goodwood on 1 January 2003, when the first Phantom was manufactured at the Goodwood plant.Meticulously assembled by hand on the spotless factory floor, artisan craftspeople place up to 1,600 fibre-optic stars into tiny perforations in the roof lining. Custom commissions can depict any constellations or a bespoke graphic pattern, as well as shine in any colour, for an illuminating interior that is all your own. COLOUR THEORY A bespoke car often begins with the exterior (top left). Rolls-Royce’s team helps to guide you through the 44,000 existing colours in the marque’s collection — or, if that’s not exclusive enough, you can create your own signature colour with the help of your bespoke planners. Colours can be inspired by anything from clothing, watch straps, flowers and, on one occasion, an Australian tree frog. “We’re not just creating a car, we’re creating new design artefacts that can last the rest of time,” said bespoke planner Sarah Hollowday. “It’s an honour to be part of the process, because it’s the first step for customers.” AGAINST THE GRAIN The interior surface centre — lovingly referred to as the ‘old wood shop’ — is a cornerstone of Rolls-Royce’s dedication to heritage craftsmanship. The marque makes use of its extensive material library to create the most premiums veneers or carved solid body components or, for an even more personal touch, can work with a piece of wood of your choosing — such as a tree from your estate. Even more impressive are some of the intricate traditional crafts, like bespoke lacquering and marquetry (centre left), that are available to customers. MATERIAL WORLD From carefully reared and hand-crafted leather, coloured to the most rigorous standard to match your colour choice, to hand-embroidered materials to personalise your car (bottom left), the interior trim department never shies away from new artistic projects, no matter how intricate the work. Take, for example, an embroidered peregrine falcon designed for a bespoke Wraith in 2019. The piece, which adorned the car’s leather headliner, took nearly 250,000 stitches to create. “The Falcon embroidery became a labour of love,” said Josh Liles, bespoke embroidery specialist. “Technically, it is exceptionally difficult to embroider this density of stitches onto leather. Embroidery puts stress and tension on leather causing a physical wave in the material, which naturally, is unacceptable in a Rolls-Royce.”

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GOODWOOD TO GLENCOE Tempus puts the Rolls-Royce Spectre through its paces on a highland road trip for the all-electric ages

Words: Peter Malmstrom

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olls-Royce Motor Cars has carved a clear path of luxury innovation stretching back over a century to their foundation in 1906. In those early days, motoring was an adventure where routes had to be meticulously planned and petrol stations were a rarity. Rolls-Royce, from the very birth of motoring, personified the pinnacle of luxury motoring in this new, exciting and independent mode of transport. By the 1930s, transcontinental motoring became the new Grand Tour and, for an adventurous elite, Rolls-Royce was at the forefront of this pioneering movement. Innovation went hand-in-hand with luxury, and Rolls-Royce was known to carefully balance the needs of the owner with the definition of their brand. No better example of this was a lever on a 1934 Rolls-Royce Phantom, which simply said: ‘Not to be used in Great Britain’. This mysterious lever bypassed the exhaust to deliver more power while speeding through the Swiss Alps but, of course, the additional noise was inconsistent with the marque’s reputation for silent and effortless motoring — and so this interesting compromise was found. This innovation would prove en vogue some 80 years later, with supercars regularly changing their harmonics at the touch of a button or blip of the throttle. »

It wasn’t long ago, when in conversation with former Rolls-Royce Motors CEO Torsten Müller-Ötvös, that I considered aloud whether the heritage brand would be the last car manufacturer to go electric, given the driving force of its powerful V12 engines. Unbeknown to me, work on Spectre was already well underway. Rolls-Royce ventured into the brave new world of EVs in October 2023, staking 120 years of reputation and motoring excellence on its vision of what electric luxury motor cars should represent through these transitional years of fundamental changes in the industry. Spectre was therefore ready for the world — but was the world ready for Spectre? Having never driven an electric vehicle before, this ambitious review to put Spectre to the test was set to be a totally new experience. Thinking back to those early pioneering days of motoring — and understanding that with EVs it’s all about the range — I set about challenging Spectre to deliver a luxury tour of Scotland, visiting some of the finest hotels and most spectacular scenery in the United Kingdom along the way. Range would be the biggest challenge, but we planned to test that to the max and I was convinced that careful planning — and dining in carefully selected stop off points equipped with EV charging — would be the key. Arrangements were made and the scene was set for the most ambitious test of Spectre’s capabilities yet. THE BEST LAID PLANS Early on a rainy, windswept morning at the Rolls-Royce Technology Logistics Centre in West Sussex, I was handed the key to a glistening Spectre. From the driver’s seat, the familiar starlight headliner and opulent interior greeted me, and the beautifully crafted Spectre logo, with its galactic swirl, shone from the glovebox fascia. Pressing an EV accelerator for the first time is a strange experience. Spectre literally moved off without a sound as I pulled out of the carpark. All I could hear were my hands moving on the steering wheel — such is the noise suppression and attention to detail. The silence remained as we pulled away up to 60mph while, at higher speeds, tire noise from contact with the road and the gentle flow of air over the wing mirrors was the only sound evident in the cabin. I reached for the media controls and selected some classical music and this ultra-high performance sound system,

even at its lowest setting, immediately drowned all external noise, providing background music appropriate to explore Spectre’s personality and unique features. In the military they say that no plan survives first contact. Suddenly, I realised what the big number staring at me from the beautifully crafted dashboard meant: the range was significantly less mileage than I required to reach my first waypoint just north of Cambridge. In addition to starting out with just 70% battery charge, the range had been compromised by the cold weather. Cold temperatures reduce EV battery performance and, with heated seats and cabin climate controls set to a comfortable ambient temperature, the car’s range was wellshort of my first destination. It dawned on me that I would have to experience my first EV charge alone. After being directed to an EV charging point on the M11, near Stansted, I reversed the Spectre into the space between charging cars and connected to the available port, only to be met with an error. Hastily deploying the famous umbrella from the car’s front wing, panic and gloom set in as I wrestled with the charging station in the rain — until another EV driver called out: “It’s probably the charging point, mate”. Apparently, this happens quite often with public charging points. Soon enough another became available, and I plugged in only for the Spectre to predict a charging time of 1hr 50mins. Not what I’d signed up for, I sought out a coffee as I realised I would never make the fabulous lunch venue we had planned, where a four course meal and EV charger beckoned. However, I had encountered the strong electric car community and, naturally, the Spectre created a lot of interest. Within minutes, fellow drivers huddled in the drizzle to provide many hints and tips for my continued journey. Happily, Spectre’s battery charged much quicker than estimated, rapidly reaching 80% before slowing down, significantly. Hey presto! We were off and running. THE SOUND OF SILENCE On the open road, the Spectre is masterful. All chagrin from my unexpected charging experience fell away as I powered north in absolute serenity. With my friend and co-pilot joining me onboard (with technical skills far superior to my own), the full navigational magnificence of Spectre came to life: its systems identifying charging points, predicting mileage and length of charge — all

Epic landscape: Prestonfield House, Edinburgh (right), before the Spectre took on the Skyfall Roads (below)

designed to optimise performance. My inexperience meant we had missed our lunch appointment and so, with a passing visit to Greggs and yet more coffee, we decided to make a sprint, with a series of shorter stops, to our Edinburgh hotel, Prestonfield House. A five-star hotel by James Thomson, owner of Edinburgh’s celebrated Witchery by the Castle, Prestonfield House came highly recommended as a city oasis. As our reward for making it north of the border, it was a very welcome sight as we arrived in the falling light. I was blown away by the welcome we received. Festive decorations adorned an immaculately detailed classical décor, with rich interior architecture, and artworks packed into a stunning interior. The bedrooms were rich, warm and inviting with classic designs, and punctuated by spectacular views of the mountains and beautifully manicured lawns. Although we were in the heart of Edinburgh city, the expanse and layout of Prestonfield’s grounds gave the impression of being deep in the countryside. With Spectre safely stored and hooked up to the hotel’s charging point, it was our chance to relax and enjoy Scottish hospitality, and a sublime à la carte menu coupled with a hugely impressive wine list, which we dived into with relish. The next morning, with a reassuring 100% charge on the Spectre, we pushed on towards Fife. There, the renowned Fife Arms welcomed us for lunch before we headed over Strathdon — and drifting snow — in –5˚C weather that Spectre took in its stride. Sophisticated electronics kicked in to manage the lack of traction as the car moved confidently through treacherous conditions. The sprint north and across to the west coast, and our next pitstop at Inverlochy Castle, was a delight. The well-maintained and constantly twisting A86 and A82 tested the Spectre’s poise into corners. The car’s incredibly low centre of gravity, with no heavy engine or gearbox, together with its overall weight meant it was sure-footed with virtually no body roll through corners and, without an automatic gearbox hunting for gears, Spectre accelerated smoothly out of the corners, pulling away effortlessly with progressing torque on demand. Braking was progressive and the low weight transfer reassuring, which meant the Spectre was moving much faster than it would appear. The smoothness of ride and silent surroundings made for exceptional distance coverage without fuss or fluster. »

A NEAR-PERFECT CAR The next morning, following a sumptuous full Scottish breakfast, we stepped out from the luxurious Inverlochy Castle into a sub-zero morning. The Spectre was noticeable in that it had totally defrosted itself of its own volition, and was ready to go. The drive through the ‘Skyfall’ road — where scenes from the 007 film was shot — on the way down to the A66 on our way home was spectacular, with some of the finest scenery on the planet racing past our windows. Loch Lomond glistened as the sun burst through the clouds, with ice and snow at the corners of the road as we began our journey south and back to the factory where this marvel of modern engineering had been created. In summation, Spectre is incredible. It encapsulates everything that Rolls-Royce represents in terms of technical excellence and luxury. It embraces new technology and electric power, with smooth delivery of constant, uninterrupted power. Combined with its near-silent running — a feature that has for so long been the hallmark and essence of Rolls-Royce — the Spectre has stepped into a new definition of the art. If you accept and embrace this new way of driving, and accommodate Spectre rather than expecting Spectre to accommodate you — particularly if asking so much of it as I was, in terms of range — then you have the near-perfect car. After all, if you were running Spectre out and back within its range, to plug it back in at home during the night, you would never need to see the inside of another petrol station again — a very attractive proposition for many of its owners. For lengthier trips, I would suggest planning overnight stays or longer lunches en route, to ensure the ability to recharge — thus preventing lengthy stops at public charge points while you drink your body weight in coffee. Within the parameters of its extensive capabilities, Spectre is the next generation of definitive Rolls-Royces that take driving luxury to the next level. Attention to every detail and cutting-edge technology come together to deliver a truly world-class luxury experience that, I believe, heralds the next phase in RollsRoyce’s illustrious history as the number one luxury car manufacturer in the world. rolls-roycemotorcars.com

WINNING WATCHES Celebrate the very best of contemporary watchmaking with these prize-winning timepieces from the Grand Prix d’Horlogerie de Genève

Words: Shivani Dubey

he Grand Prix d’Horlogerie de Genève unveiled its 2023 prize list of award-winning timepieces on 9 November at the Théâtre du Léman in Geneva. The event honoured the best of contemporary watchmaking by awarding 19 winners, chosen by an expert jury led by historian and writer Nick Foulkes. The most significant distinction for best in show — the “Aiguille d’Or” Grand Prix — was awarded to Audemars Piguet for its Code 11.59 Universelle (pictured). The Special Jury prize, which rewards an outstanding personality or institution in the watchmaking world, was handed to Svend Andersen and Vincent Calabrese for creating the Académie Horlogère des Créateurs Indépendants — the Academy of Independent Creators in Watchmaking (AHCI) — an organisation devoted to supporting and promoting independent clock and watchmakers. Brands including Bovet 1822, Bulgari, Christopher Ward, Dior Montres, L’Epée 1839, Laurent Ferrier, Piaget, Raymond Weil and Ulysse Nardin were also celebrated by the jury in the event’s range of other categories. Here, we put the spotlight on some of the best innovations showcased at this year’s GPHP. »

“AIGUILLE D’OR” GRAND PRIX | AUDEMARS PIGUET, CODE 11.59 ULTRACOMPLICATION UNIVERSELLE RD#4 Audemars Piguet’s best in show timepiece (right) features the usual staples of hours, minutes, days, months, years and a stateof-the-art, realistic depiction of the lunar cycles. This watch pays tribute to the brand’s legacy of high complications by incorporating 40 different functions, including 23 complications. With an 18-carat white gold case, black dials and an intuitive ‘supercrown’, the watch is a celebration of the manufacture’s horological savoir-faire. audemarspiguet.com

AUDACITY PRIZE | MAISON ALCÉE, PERSÉE AZUR Maison Alcée’s Persée Azur allows the customer to assemble their own numbered clock — it can’t possibly get any better than that for watch fans. The clock’s 233 components and 17 watchmaking tools come in a box set, along with a compendium to guide you through the assembly process. This unique timepiece (left) contains a white nickel galvanic bath on plates and bridges, gold galvanic bath on gears and colourless anodizing on the dial and plates. With the Persée Azur, Maison Alcée hopes the customer “finds escapism in a manual activity, experience how it feels to be a watchmaker and create harmony with them”. maison-alcee.com

MEN’S COMPLICATION WATCH PRIZE | VOUTILAINEN, WORLD TIMER Voutilainen’s World Timer (left) is a unique cushion shaped wristwatch that Finnish watchmaker Kari Voutilainen has envisioned for the 21st century — youthful, casual, and crafted in stainless steel. The timepiece is contemporary yet still retains the essence of a Voutilainen watch. While featuring the usual hours and minutes, the case also features 24 engraved divisions to represent the world’s time zones. The world time function is driven by a rotating 24-hour disc with day and night sectors and a peripheral city ring. » voutilainen.ch

CHRONOGRAPH WATCH PRIZE | PETERMANN BÉDAT, CHRONOGRAPHE RATTRAPANTE Petermann Bédat’s Chronographe Rattrapante (right) is a bridge between classical watchmaking and contemporary spirit. The case, made of platinum, has been entirely redesigned and recomposed with individually soldered, stepped lugs; the dial echoes the Petermann Bédat signature. With this chronograph, founders Gaël Petermann and Florian Bédat also make good on their promise of having a jumping instantaneous minute counter. The chronograph is also a monopusher, which helps it achieve the balance between technology and aesthetics, cementing the watchmakers’ status in highend watchmaking. petermann-bedat.ch

ICONIC WATCH PRIZE | ULYSSE NARDIN, FREAK ONE Ulysse Nardin’s Freak One (left) is a celebration of modern horological art and cutting-edge mechanical expertise––and is still wowing prize juries months after its launch at Watches & Wonders. With its disruptive design and technical components, it breaks every rule of traditional watchmaking. A direct descendant of the original Freak 2001, the Freak One has no dial, no hands and no crown. Instead, its orbital flying one-hour carousel tourbillon helps in telling the time, letting the design be dictated by the mechanics. This timepiece also makes good on Ulysse Nardin’s promise towards sustainability—Freak One has an integrated rubber strap made of 30% recycled production waste. ulysse-nardin.com

WATCHES

GRAND PRIX WINNERS Innovation Prize: Hautlence, Sphere Series 1 Chronometry Prize: Ferdinand Berthoud, Chronomètre FB 3SPC “Horological Revelation” Prize: Simon Brette, Chronomètre Artisans Ladies’ Watch Prize: Piaget, Hidden Treasures Tourbillon Watch Prize: Laurent Ferrier, Grand Sport Tourbillon Pursuit Calendar and Astronomy Watch Prize: Bovet 1822, Récital 20 Astérium Sports Watch Prize: Tudor, Pelagos 39 Jewellery Watch Prize: Bulgari, Serpenti Cleopatra Artistic Crafts Watch Prize: Piaget, Altiplano Métiers d’Art - Undulata “Petite Aiguille” Prize: Christopher Ward London, C1 Bel Canto Challenge Watch Prize: Raymond Weil, Millésime automatic small seconds Mechanical Clock Prize: L’Epée 1839, Time Fast II Chrome Special Jury Prize: Svend Andersen and Vincent Calabrese

LADIES’ COMPLICATION WATCH PRIZE | DIOR MONTRES, GRAND SOIR AUTOMATE ETOILE DE MONSIEUR DIOR This timepiece is the first time Dior Grand Soir has ventured into the world of creative complications with mechanical automation. This watch tells the story of the birth of the House of Dior: On 18 April 1946, Christian Dior was walking down the streets of Paris when he found a star on the ground, inspiring him to create his now-iconic couture house. This watch presents this journey through its animations. The dial, imagined as a dreamlike scene, unfolds like a small theatre. The different layers create depth and immerses the wearer into a night’s stroll. By activating the automaton, the sky of this diorama becomes the theatre of a true enchantment. dior.com

Race for the crown McLaren Racing CEO Zak Brown is ready to take back the podium with his talented young team, as the Formula 1 powerhouse plans to follow in the tiretracks of 60 years of racing royalty Words: Rory FH Smith

he California sun beats down hard on the Sonoma Raceway as the Velocity Invitational — America’s answer to Goodwood Revival — kicks off with force. The thunderous sound as hundreds of vintage racing and road cars warm their engines is immense. Think of any racing legend from the past 100 years and the chances are they’re represented in some shape or form here. While the paddock is inundated with racing royalty, there is one name that’s particularly prominent: McLaren. Now a household name, the marque was founded by New Zealand-born racing driver Bruce McLaren 60 years ago to develop and racing cars, alongside his role as lead driver for the Cooper Grand Prix team. Since then, the team has entered 950 races, claimed 503 podiums, 183 race wins, 12 drivers’ championships and eight constructors’ championship titles. With legends such as Emerson Fittipaldi, James Hunt, Niki Lauda, Ayrton Senna, David Coulthard, Kimi Raikkonen and Sir Lewis Hamilton as it’s alumni, McLaren is undeniably one of the greatest names in motorsport history. Yet, in recent years, the podium has been just seconds out of reach, with the team coming fourth in 2023, fifth in 2022, and fourth in 2021. Today, the mammoth task of restoring that reputation falls to young British talent Lando Norris and Australian Oscar Piastri. While

that’s a sizable amount of pressure for two of the youngest drivers on the grid — they are aged 24 and 22 respectively — overseeing their efforts is seasoned McLaren CEO Zak Brown. Together, the trio, alongside the support of the full McLaren team, have just rounded off another Formula 1 season, finishing fourth behind Ferrari. Occupying the top two spots were — you guessed it — the ever-dominant Red Bull Racing, with Mercedes as runners up. “Our last championship-winning car was too long ago,” says Zak Brown with a smile, sitting in his suite overlooking the racetrack. On the other side of the glass, historic McLaren Formula 1 cars, once driven by the likes of Alain Prost, Mika Hakkinen and Hamilton are screaming their way around the track for all to see. “Just a few legends,” quips Brown. While the team’s finishing position at this year’s F1 Championship was far from its glory days of the 1980s and 1990s, when McLaren won seven of its eight championship titles, it made good progress over the course of the season. In 23 races, Lando and Oscar collected nine podiums between them, including seven second-place finishes. “We just need to keep doing what we’re doing,” says Brown. “All the upgrades we put on the car worked, the drivers got the job done, the pit stops were great and the reliability was strong.” »

MOTORING

PIT STOP Despite rounding off the season with a grand total of 302 points, the team — like the rest of the paddock — appeared to be leagues behind the Red Bull Racing juggernaut in the championship standings. In McLaren’s case, it was 558 points behind, to be precise. Now with some valuable time off before the 2024 season starts in March, working out what exactly Red Bull was doing differently in the 2023 season will be at the top of all the F1 team bosses to-do lists, especially Brown’s. “We need to find a few tenths — I don’t think we were that far behind. What we don’t know is how early Red Bull stopped developing. We were all catching Red Bull [by the end of the season] but is that because they were standing still? I don’t think we’ll know the answer to that until next year and we see how early they got started on their 2024 car.” By the end of last season, McLaren’s front man Lando had closed the gap considerably between him and Red Bull’s threetime champion Max Verstappen. With just eight seconds separating the two, the top spot wasn’t that far out of reach for the young British driver. “Eight seconds over an hour and half is not much,” reasons Brown. Now approaching his sixth season racing in F1, Lando is still the British team’s leading light. Still, speaking to him ahead of F1’s star-studded Las Vegas race, the Brit was cautious. “It’s the lowest downforce track of the season, so the car always feels worse,” he warned. “On the street circuit, with cold temperatures, you need to understand how to get the tyres to work with low downforce — it’s a big question for the team and for me.” Lando was right to be cautious. On the third lap of the race, the British driver had a high speed crash, ending up in the wall and retiring from the race early. The driver blamed a combination of factors for the incident, with, “the obvious one being [that] there is quite a big bump [in the track]. Then the cold tyres,” he explained to Autosport Magazine immediately after the race. “Following a lot of cars through all of this, you have even less downforce than what you already have. And then a couple of other little things in the background that just made this bump have a bigger effect.”

TEAMING UP Despite Lando’s dramatic end to Formula 1’s showstopper, the young driver has other issues on his plate going into the 2024 season––namely his younger teammate, Oscar Piastri. Having already notched up two podiums, including a second place, Oscar’s debut season in the sport went very well indeed. Zak had fought hard for the young driver, who battled contractual disputes to sign with McLaren ahead of the 2023 season. When asked what he initially saw in Oscar, Zak doesn’t hesitate. “He had a very similar career to Lando — winning everything in his first year, which is always a sign of an exceptional driver,” he says. “He’s someone who adapts quickly to new machinery, new tracks and a new series. It was pretty clear that when you saw his junior career, which mirrored Lando’s, that he was going to be an all-star — and it looks like we were right.” With two future stars in its midst, McLaren could well be close to returning to its former, championship-winning glory. Determined to make that happen sooner rather than later, Zak and his team will be targeting more podiums and wins in the forthcoming season. “It’s going to be tough but you see how quickly things change. We were the ninth-quickest team at the start of the [2023] season and we ended up fourth,” explains the McLaren boss. Whatever surprises the 2024 season is likely to bring, keep a close eye on the papayacoloured cars when the racing kicks off in Bahrain on 2 March 2024. As Zak says: “We’re done with being the best of the rest — we want to get on the podium now.”

High velocity: On track at California’s Velocity Invitational (previous and left); McLaren Racing CEO Zak Brown ( far left and below) with drivers Lando Norris and Oscar Piastri, and team principal Andrea Stella

Island community How do you improve paradise? Tempus heads back to the Maldives to discover the resorts — and the people — making the world’s best island resorts truly special

Words: Peter Malmstrom 66

TRAVEL

ince the 1960s, the Maldives has held the crown when it comes to perfecting the art of pure, unspoiled and uninterrupted relaxing holidays. Today, the Maldives offers a whole host of luxury experiences spread across the series of islands that make up the archipelagic country. Both natural and man-made islands, surrounded by coral atolls, stretch across the ocean’s otherwise unblemished surface. The islands are populated by sumptuous tropical vegetation — home to birds, spectacular fruit bats, reptiles and small mammals — which create secluded island paradises on which world famous hotel brands can redefine the art of private luxury and pure relaxation. I was therefore delighted when I got the call to learn a little more about how JW Marriott Hotels and the W Hotels & Resorts, two of the world’s most iconic luxury hotel brands, had created their visions of paradise in this

legendary, romantic holiday destination. I had not been to Malé — the Maldives' capital — for more than 20 years, so upon arriving from London I was struck by the massive improvements that two decades of catering for the world’s elite had brought upon this tiniest of capital cities. We were greeted by staff from the JW Marriott Maldives Resort & Spa — our first destination — and any anxiety about venturing into the unknown simply evaporated as we were whisked to their waiting Range Rover for the shortest transfer in history, round to the city’s new and wonderfully efficient seaplane terminal. One of Malé’s most impressive improvements, the Maldivian Seaplane Terminal hosts the world’s largest fleet of seaplanes, operated by Trans Maldivian Airways. The airline has been the glue binding the Maldives’ 1,190 islands and atolls together and, with their 61 de

Havilland Twin Otter seaplanes, provide quick and efficient transport to even the furthest resorts. After freshening up with cold towels and refreshments in the VIP lounge, we soon boarded our seaplane for the 50-minute flight to the JW Marriott resort, siuated the north of the Maldivian island string, almost on the equator. As we approached the island, we could see the crescent-moon shape of the of the resort, covered with rich vegetation working well with the scattered buildings, and a shoreline of pure white sand created by the coral that surrounds the island. To the northwest, a string of luxurious stilted villas peeled away from the island and into the Indian Ocean, providing the over-water experience that is now the hallmark of the region’s best hotels, each providing uninterrupted panoramic views across a glistening turquoise sea. »

A WARM WELCOME On touching down, the plane was expertly maneuvered to the jetty where it felt like the resort’s whole compliment of staff had turned out to greet us with what our host told us was a traditional Maldivian royal welcome, complete with singing and drumming as we walked ashore. I was immediately struck by the feeling of a closeknit community coming together to deliver a family feel and, indeed, the JW Marriott is a familyfocused resort offering extensive experiences for all ages that goes well beyond the honeymoon destination limitations of other resorts. Happily, this multigenerational orientation did nothing to disturb the peace and tranquility of the resort. Extensive and fully supervised crèche facilities provided a host of activities for the young ones — I saw fun and laughter from a mixed group of toddlers obviously enjoying their vacation in paradise — while for the teens there was a fully equipped common room with PlayStation, TVs and billiards. On a brief tour of the island’s facilities and nine restaurants to get my bearings, I was struck by how few fellow guests I saw roaming the beautifully manicured paths through

the vegetation. The hotel was fully booked, yet its design means you rarely encounter large numbers of people except in the resort’s interesting and varied restaurants and bars. The welcome and level of service is underpinned by the fact that the staff outnumber the guests (even at full capacity) by nearly two-to-one, and the efficiency with which the resort is run — from gardeners to the butlers assigned to each villa — is all done behind the scenes, making for a totally relaxing and stress-free stay for guests. Our beach pool villa was an impressive 274sqm duplex with a light and airy bedroom, sumptuous bathroom, and two sitting areas — one below and a relaxing lounge area above. The glass walls that wrapped around our sleeping area looked out onto the pool area, with loungers both in and out of the sun. Our villa was surrounded by deep, lush vegetation that provided perfect privacy from the equally impressive neighboring villas lined along the sunrise and sunset shorelines. The design of these villas meant we could enjoy the privacy of our pool area and then, simply walking through the angled vegetation at the foot

of the pool, suddenly be on the beach (complete with welcoming private loungers), looking out over warm coral sand and crystal blue waters, all crowned by a perfectly blue sky. In keeping with the resort’s impressive design characteristics, the Kaashi treetop restaurant provided beautifully-prepared Thai cuisine in a novel setting — guests dined across a series of private platforms in the trees, joined together by wooden steps and rope bridges in the foliage, looking out over the spectacular seascape. Evening dining at Japanese restaurant Hashi and Maldivian grill Shio was another special treat, where our hosts Mohit and Juliette navigated the menus for us to deliver a feast of exquisite detail and variety from these unquestionably worldclass dining experiences — complimented by a fine choice of wine from the resort’s Wine Room. Alas, all good things come to an end, and I was very sad to leave the JW Marriot and its exceptional team, who had made our stay so lovely. But, unlike unlucky honeymooners returning to a cold and rainy England, I was buoyed by the fact that we were simply island hopping — and a stay at the W Maldives was our next treat. »

Warm welcome: Beach Pool villas at JW Marriot Maldives (previous); (clockwise from above) Sunset over the island, inside the villa, relax at the spa deluxe room, the spa pool

TRAVEL

THE ISLANDS ARE POPULATED BY SUMPTUOUS TROPICAL VEGETATION, CREATING SECLUDED ISLAND PARADISES ON WHICH WORLD FAMOUS HOTEL BRANDS CAN REDEFINE THE ART OF PRIVATE LUXURY AND PURE RELAXATION

BEACH CHIC Returning to the immaculate seaplane terminal in Malé we were met by the equally immaculate W Maldives staff. Our baggage was seamlessly reloaded onto another Twin Otter seaplane and we were whisked off to the W Maldives, only a 30-minute flight from the capital. On landing at the W’s heart-shaped resort we received a warm welcome from the hotel management team and were driven to our beach residence by one of the destination’s brightly-coloured electric buggies — each of which is named after the famous celebrities who have enjoyed a stay here. “Madonna”, driven by our wonderfully charismatic and extremely knowledgeable host Ariko, navigated us to our beachside villa, complete with private swimming pool and a spectacular sea view looking out over the dark blue Indian Ocean towards Sri Lanka. The décor was unmistakably W, with rich dark woods and subdued lighting synonymous with the brand of cool chic. The décor reminded me of excellent stays in New York, Miami and, of course, LA in past years. The setting, however, was uniquely Maldivian, with all the facilities housed on the resort’s Ari atoll and a huge sweeping wing of 27 beach villas and 50 over-water villas — including some palatial bungalows, such as the Extreme Wow Ocean Haven — with private pools and terraces facing west towards the legendary Maldivian sunset. The W boasts a superb over-water spa, where experiences range from beauty treatments to robust massages, leaving us perfectly zombified — only to be revived by a wide range of cocktails

available in the oceanfront Sip bar, poolside or back at our perfectly-equipped villa. After an interesting floating breakfast experience, we were relocated to an overwater villa to experience the full range of treasures at the W. Again, the quintessential W design came through — this time with a huge apex ceiling sitting over the bed, which gave a feeling of space and height. Glass walls from left to right offered uninterrupted view across our balcony and pool area, to the cargo net protruding over the sea promising hours of relaxation with the lapping waves below. The W has an altogether more grown-up feel compared to the welcoming and familyorientated JW Marriot. The design can only be described as cool, and the island felt more populated, with guests mingling in communal areas. This was clearly a couple’s location, where meeting people socially in the resort’s many bars and restaurants was as much a part of the experience as the plentiful opportunities for seclusion, peace and quiet. The nightlife at the W is much more adult orientated, and the exceptional quality of the restaurants made it easy to see why W Maldives attracts so many celebrity visitors who want to combine the Maldives’ unspoiled island beauty with a familiar W look and feel. Fire — the resort’s jungle-meets-beach dining concept, which came highly recommended by Ariko — was of particular note; an expert kitchen delivered a superb meal combining culinary delights unique to the Maldives. The elevated backyard grill and charcoal dining experience offered perfectly grilled meats complimented

by the finest French wines, coming together for a truly exceptional experience. The resort’s other restaurants include Fish, specialising in local seafood, and Kitchen, which combines soulfood with an all-day bistro concept. The Maldivian wildlife — and particularly the aquatic life surrounding both these island communities — is quite simply breathtaking. With turtles and dolphins as regular visitors to these waters, and every variety of tropical fish just below the surface, there is a world of colour and tranquility just yards from the shore for guests to discover by snorkel — as well as many other aquatic activities offered by both resorts. For a taste of relaxing luxury, the Maldives is the destination of choice for quiet individual reflection, whether as a couple or as a family. Which resort you choose is key to the flavour, and fine tuning exactly what you are looking for will only add to an incredible experience. If I was asked which of these fine island hotels I preferred I could honestly not decide. Both delivered an exceptional experience and are jewels in the crown of their respective and well-respected brands. Each resort has its own personality but, above all, what made my stay exceptional were the people who make these masterpieces of luxury function, and who represent these world-class brands in a truly beautiful and unique way. I can only extend my thanks to all the staff in these wonderful communities for delivering a true and authentic luxury experience that you would find hard to beat anywhere else in the world. marriott.com

Ocean cool: W Maldives style is present in the Sip Bar (below left), Wonderful Beach Oasis villa (below right) and over-water spa (right)

B R A V E N E W W O R L D With time fast becoming the one thing most of us cherish as a true luxury, it’s no surprise that spending habits have shifted in the last decade with an increasing proportion of wealth now spent on experiences over possessions. And, given the boom in new five-star hotels set to open worldwide in 2024, where you spend that time may just be the greatest luxury of all. Discover the most exciting new launches to inspire your wanderlust Words: Lauren O’Neill

AMAN NAI LERT BANGKOK HOTEL, THAILAND Since launching its unique brand of luxury 35 years ago with the 1988 opening of Amanpuri in Phuket, Thailand, Aman has amassed 35 hotels worldwide. Ten further projects are planned, one of which sees Aman return to the country where it first started – this time in Bangkok. Opening in 2024, The Aman Nai Lert Bangkok Hotel (left) will be nestled among the tropical gardens of the capital’s historic Nai Lert Park and will feature 52 suites, up to 50 Aman Residences and an Aman Club. Set across floors 11 to 28, the elevated rooms afford guests views of the park’s lush greenery, as well as the Bangkok skyline. Designed by Jean-Michel Gathy of Denniston, Aman lovers can expect the brand's trademark sympathetic approach to interiors and architecture, capturing the essence of its locality and surroundings. » aman.com 73

THE EMORY, LONDON The three London hotels of the Maybourne Hotel Group – Claridge’s, The Connaught, and The Berkeley – need no introduction. Now it is set to add a fourth property in the capital to its portfolio. The Emory (right), to open in Knightsbridge in early 2024, will be London’s first all-suite hotel. 60 rooms will be set over nine floors, with each floor designed by a different renowned interior designer, including André Fu, Alexandra Champalimaud and Patricia Urquiola. Beneath ground, guests can find a spa, gym and 22m pool. Dining comes courtesy of chef Jean-Georges Vongerichten, who brings his much-loved ABC Kitchen concept to London for the first time, offering guests exclusive access to the hotel’s rooftop with 360-degree views of the city. the-emory.co.uk

ROSEWOOD AMSTERDAM Rosewood’s impressive collection continues to expand in 2024 with four new properties set to open globally, including Rosewood Amsterdam, the group’s first property in The Netherlands. Guided by its ‘sense of place’ philosophy, Rosewood Amsterdam will pay homage to its locality. Housed in the former Palace of Justice, an architecturally and historically significant building, the 134-room hotel (right) sits on the Prinsengracht (Prince’s Canal), one of the most stunning waterways in the city’s Unesco World Heritage-listed Canal District. Featuring three internal landscaped courtyards courtesy of renowned landscape designer Piet Oudolf, the hotel will also be home to three restaurants and bars – its main restaurant taking centre stage at the heart of the hotel, flanked by two of its courtyards – an Asaya spa with indoor swimming pool, and a sizable 3,000sq ft ballroom. rosewoodhotels.com

THE LANA, DUBAI Dorchester Collection is known for its global collection of heritage hotels, such as The Beverly Hills Hotel in LA, Le Meurice in Paris and, of course, The Dorchester London, each with its own rich history. In February, the group will make its mark in the Middle East with its first address in Dubai. The Lana (left), a new 30-storey tower designed by Foster + Partners, is located in Downtown Dubai, overlooking the Business Bay area, and features 225 guest rooms, all with floor-to-ceiling windows, a spa and wellness centre on the 29th floor, and a rooftop pool and nightlife spot. Guests will be able to dine at one of eight new culinary concepts at the hotel from the likes of Michelin-starred chefs Jean Imbert and Martín Berasategui. » dorchestercollection.com

GUESTS WILL BE ABLE TO DINE AT ONE OF EIGHT NEW CULINARY CONCEPTS AT THE HOTEL FROM THE LIKES OF MICHELINSTARRED CHEFS JEAN IMBERT AND MARTÍN BERASATEGUI

ONE&ONLY KÉA ISLAND, GREECE Forgo Mykonos and Crete in 2024 and head to the lesser-known, self-sustained island of Kéa. Just off mainland Greece, one hour from Athens by boat from the port of Lavrio, the secluded island will welcome a One&Only resort in spring. The all-villa beachfront accommodation (above) will encompass 95 bungalows, 18 residences, two villas and 14 One&Only private homes, all set among 65 hectares on the west side of the island. Allowing guests to tap into the natural rhythms of this undiscovered gem, curated adventures including hiking, cycling and trail running, ocean exploration, and the holistic wellness experiences One&Only is known for. All-day dining comes courtesy of its relaxed taverna, with additional outlets including a beach club and pool bar, and all ingredients will be organic, seasonal and sourced from the island.

ALLOWING GUESTS TO TAP INTO THE NATURAL RHYTHMS OF THIS UNDISCOVERED GEM

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TRAVEL

THE TOKYO EDITION, GINZA Just a few years after the successful launch of Edition’s first Tokyo outpost in Toranomon, Edition Hotels plans to establish a second address in the city, this time in the upmarket shopping and entertainment district, Ginza. Opening in early 2024, the new construction (right), designed by Japanese architect Kengo Kuma with the vision of Ian Schrager, features 86 guestrooms, and will bring to the neighbourhood vibrant bars and restaurants that are sure to become social hotspots – including an outdoor roof bar serving natural wines, as well as the debut of Edition’s signature Punch Room in Japan which, as the name suggests, serves up unique, punch-focused cocktails. editionhotels.com

WARREN STREET HOTEL, NEW YORK Next February, renowned designer Kit Kemp’s Firmdale Hotels is scheduled to open its third property in New York, Warren Street Hotel (right). Located in the city’s Tribeca neighbourhood, the boutique hotel will inject its creative and playful brand of luxury hospitality into Lower Manhattan. The boutique hotel is made up of 57 uniquely designed bedrooms and suites, and 12 residential suites across the upper 11 storeys. Suite guests can expect floorto-ceiling windows affording skyscraper views across the Hudson River, with some featuring private terraces to soak up the atmosphere of this spirited, vibrant neighbourhood. firmdalehotels.com

The taste of things to come Benoît Gouez, Moët & Chandon’s cellar master, shares the secrets of his new masterpiece blend and the future of champagne itself, during our exclusive visit to the Château de Saran Words: Michelle Johnson 78

n the heart of Chouilly in the Champagne region stands Château de Saran, the opulent private stately home built by Jean-Rémy Moët (grandson of the founder of Moët & Chandon) in 1801. This picturesque estate, overlooking lush vines in every direction, was beautifully renovated in 2019, and is today a 14-room destination reserved for friends of the champagne house: the ultra-exclusive guest list has previously included the Queen Mother, Kate Moss, Roger Federer and Jay-Z — and, now, Tempus. I’m here to preview a new haute oenologie cuvée masterminded by chef de caves Benoît Gouez in

celebration of Moët & Chandon’s 280th anniversary. The Collection Impériale Création No 1 is the first of 20 limited-edition champagnes to be released in the build-up to the brand’s 300th anniversary in 2043, encapsulating nearly three centuries of savoir-vin through the combination of complex flavours and maturation. “The idea with Collection Impériale is that every single creation should be very different,” Benoît explains as our glasses are filled for an interview apéritif. “There is no desire to be consistent to one idea, instead it’s about harmonising the profile to the base champagne.” 79

Création No 1 balances seven remarkable vintages, with the richness of Moët’s 2013 grand vintage as its base. “The 2013 has a classic profile, like a champagne from 50 years ago,” say Benoît, pointing to the year’s abnormally late harvest for the flavour. “I have lived such a late harvest only once in the past 25 years. It’s completely unique.” The cuvée is then brought to life by the 2012, 2010, 2008, 2006 and 2000 vintages (all aged in oak casks), before being finished with the bottle-aged 2004 after its second fermentation. The blend has no added sugar at dosage, which Benoît explains is key to its minerality. »

THE FUTURE IS NOW Despite such an awe-inspiring back catalogue to draw on, Benoît says it is the future of champagne that inspires him. “I’m not nostalgic at all,” he explains. “You can’t recreate the past. Everything has changed — the vintages, technology, how

we live and work, the climate. There is no way to recreate a vintage from 1959 because the vineyards are not the same anymore. “I have great respect for our predecessors, who were able to craft amazing champagnes in challenging circumstances — and we are very privileged to still have some of these bottles — but my feeling is that we should live in the moment. Let’s understand what’s happening now and look at how we should adapt our winemaking.” This forward vision is evident throughout Moët & Chandon’s many programmes — including the ambitious Natura Nostra agroecology programme. Designed to meet the challenges of climate change and protect the terroir for future generations, Natura Nostra is working within the Champagne community to regenerate the region’s soils and biodiversity through such measures as protecting forests and native species and establishing biodiversity corridors through the vines. “Natura Nostra is a more global vision. Our vineyards are integrated with the forest, rivers and people of Champagne, so we became conscious that we have a chance — and I would also say we have a duty — to restore the balance,” says Benoît. “We exist in an ecosystem where the quality and style of our champagne comes from what can’t be moved away. You can plant our grapes or set up a champagne press anywhere in the world, or move all our people to another country, but what makes champagne unique is what can’t be moved — the climate, the soil, the terroir,” he adds. “If we lose [the terroir], we lose our identity — and champagne is all about identity.” As for the climate crisis, a threat that Champagne has long been battling, Benoît is optimistic about the region’s ability to adapt and

Raise a glass: Benoît Gouez (opposite) celebrates the launch of Collection Impériale Création No 1; Moët & Chandon’s historic cellars (above); vineyards at Loge de Montaigu (previous)

overcome. “So far, we’re confident and positive,” he says. “If you look at the story of Champagne, the champagneur has always been clever and quick to adapt. The fact that we blend different varietals, vintages, reserves; it’s all about how we adapt to the climate changes and evolve to produce wines of excellence.” With Collection Impériale Création Nos 2 to 8 already safely ageing in the climate-controlled caves, and more grand vintages scheduled to launch in 2024, Benoît has plenty of reasons to be excited for the future of the maison — yet, he remains humble about his contribution. “The house has been here for 280 years; I’ve been here for just 25 years. It’s just a moment in the life of Moët & Chandon,” he says. “But I’m looking towards the next generation. What I really want is to leave these wines in even better shape than when I received them.” As for the character of his champagnes, Benoît says that consistency, versatility and accessibility are the watchwords of every release, no matter how exclusive. “Our wines are made to be drunk, not tasted,” explains Benoît. “We have a very sophisticated way to grade the quality of a champagne, on a scale from A to C. An A-rated champagne is the one that, as soon as I finish my glass, I order a second one. “That’s our definition of a great champagne. It’s as simple as that,” he says. “Do you like it? Do you want a second glass?” Enjoying the Collection Impériale Création No 1 as we gaze over the vibrant and ever-evolving vineyards that surround the château, the answer is a resounding: yes. moet.com

IMAGES: G SGURA; CHARLES LAFON; FOR MOËT & CHANDON

“That’s really the beauty of this project,” says Benoit. “I would struggle to describe non-vintage as a highly creative process because we must stick to the established style; it’s really about light evolution. Vintage is more creative, in the sense that we start from scratch, but it relies on the climate of the year itself, and so is still somewhat limited in the possibilities. “With Collection Impériale, I rely on the different profiles of vintages, and elevate those through the ageing process. I create diversity of the wines and, from there, create a unique blend,” he explains. “It takes much more work and patience compared to vintage and non-vintage — and it is possible only because we have the expertise and heritage within Moët & Chandon.” Chief among this heritage are the brand’s remarkable terroir and historic cellars. As the largest champagne house in the world, Moët & Chandon today owns 1,190-hectares of vineyards, and 28km of sprawling cellars beneath Épernay, the historic region’s capital. The Unesco World Heritage caves are nothing short of enchanting — during a tour earlier in the day, I spotted graffiti spanning from the 1800s, a welcome mark of the human touch behind every champagne toast. For Benoît, too, the cellar still has many secrets to share. In 2010, the cellar master discovered two historic wines not featured in the inventory: a pink champagne dating from 1978 and, the oldest wine in the cellars, a white vintage from 1869.

PARTNER FEATURE

The world’s biggest whisky club launches 50th Anniversary Cask Club

he world’s biggest whisky club, The Scotch Malt Whisky Society, was established in Edinburgh in 1983 by a group of friends who clubbed together to buy a single cask of whisky. 40 years on, the Society has around 40,000 members around the world. Now, for the first time in its 40-year history, the Society is coming full circle and offering those who appreciate the finer things in life the opportunity to own the entire contents of a cask of single malt Scotch whisky. The Society has launched a 50th Anniversary Cask Club, which will see participants—individuals or groups of friends—enjoying the ultimate whisky experience of following a cask’s 10-year journey from cask to bottle. The cask club is aimed at discerning whisky lovers, friends looking to share a fun

experience and also those with a milestone to celebrate in 2033 – such as a 50th birthday. Tasting samples will be drawn and shared at key points throughout the decade, building to the casks being bottled in 2033 when the whisky turns 10 years old, and the Society hits its half century. Batches of new-make spirit have been handselected from two Scottish whisky distilleries, each renowned for its unwavering commitment to quality, and laid down into casks. Two types of casks are available. One is peated from an island distillery, the other is unpeated from a Speyside distillery established in the late 19th century. Whisky lovers who join the Society’s 50th Anniversary Cask Club will also receive a gift box including a certificate of ownership in a frame made of cask staves, an invitation (with a plus one) to the Society’s 50th Anniversary 82

VIP party in Edinburgh, and one year’s membership to the Society that can be gifted to a friend or loved one. Prices range from £4,000 to £5,500, depending on cask type. In 2033, the contents of your cask will be bottled and decorated with a unique 50th Anniversary Cask Club celebratory label design, personalised with the owner’s name and signature. “If you join us for this special 10-year journey, you are not just purchasing whisky inside the cask,” explains the Society’s brilliantly named Head of Whisky Creation, Euan Campbell. “You’re acquiring a work of art that will be aged to perfection. You will have a front-row seat to see how the whisky inside the cask matures over time, and be able to savour samples throughout the experience.” Find out more at smws.com

The ultimate experience: Head of Whisky Creation Euan Campbell launches the 50th Anniversary Cask Club

HOUSE RULES Tempus tracks down some of Britain’s most pioneering interior designers to discover the key trends set to dominate our living spaces for 2024 Words: Judy Cogan

LU X U RY S H O P P I N G V I B E S | FA M E E D K H A L I Q U E Fameed Khalique, founder Clients used to come to us and want to replicate their favourite hotel, but nowadays we’re seeing requests to recreate the designs of luxury retail spaces (right) – we’ve been asked to source the materials and textures used in the new Tiffany store in New York and, for another of our clients, they wanted to replicate the walls from a specific place, like the Dior store. fameedkhalique.com

CONVERSATION PITS | OWN LONDON Alicia Meireles, associate director of interior design Influenced by my love of 20th-century design, I’ve recently rediscovered the power of playing with architectural levels to create intimate spaces for conversation with friends (right inset), and we will see this come to life in 2024. Opening up a void where the seating group is then created eliminates the necessity of having walls to define the lounging area. It adds a powerful feature to the room which excites guests; however, the downside is that it’s not always accessibility friendly. » ownlondon.co.uk 84

JOYFUL STATEMENTS | THORP Philippa Thorp, founder Now more than ever, people are driven by a desire for sumptuous and unique homes (right). However, as we head into 2024, our clients are prioritising beautiful objects and furniture that bring them pleasure and enjoyment. Rather than investing in the fabric of the building, they choose pieces of long-lasting quality that they can admire every day – such as a striking painting – that will add value even when they move to a different property. thorp.co.uk NATURAL MAXIMALISM | NAOMI ASTLEY CLARKE Naomi Astley Clarke, interior designer As the trend for creating personal and unique interiors evolves, in 2024 we’ll see a shift towards ‘maximalism meets nature’ (below). People want to express themselves, have fun with it and not take life too seriously, but also keep materials and finishes sleek and natural. Think of oak floors paired with a wild Pierre Frey patterned curtain and marmorino walls. Large indoor plants, such as olive and fig trees, will rule 2024, alongside healing crystals. These natural elements will be used in an impactful way, creating stylish design statements. naomiastleyclarke.com

DESIGN UNCONVENTIONAL COLOUR | MATTHEW WILLIAMSON Award-winning British interior designer For 2024, I predict unusual colour combinations will become more commonplace as people strive to create unique homes. Colourdrenched walls ( far left) can be the single most effective and affordable way to transform and elevate a space. If finding colours that work well together from scratch feels like a struggle, while out and about take pictures on your phone of colour combinations you see and think work well together. I snap palettes and patterns that catch my eye almost every day. matthewwilliamson.com

ORGANIC SHAPES | HYDE HOUSE Joanna Hauptman, co-founder In 2024 we will see interior trends build upon the foundations laid in previous years. Comfort, sustainability and warmth play an important role in how an interior scheme makes us feel. We therefore predict that organic curves are here to stay. The comforting appeal of sinuous shapes helps to soften a scheme and allows makers more creative freedom to add a touch of modernity and artistry to pieces (above right). Building on the love of bouclé comes corduroy, mohair and weaves. There will also be a return to timber in its natural state, in the form of both reclaimed wood and in veneer from oak to mahogany. hydehouse.co.uk

COLOUR, COLOUR, COLOUR CHAMPALIMAUD DESIGN Courtney Brannan and Jun Chun, principals

People are looking to have more fun with colours and experimenting tastefully with bright and bold design rather than sticking to the neutral, muted palettes that have dominated in recent years. Infusing spaces with a playful attitude and moving away from predictable colour palettes brings a youthful and fresh take. Think layers of high-quality materials complemented by colours like moody marsala, resonant ruby and grounded garnet – warm, neutral colour bases in a palette of deep earth tones touched with accents of brick, oxblood red, saffron yellow and marigold. (Raffles Singapore, left.) champalimaud.design 87

Gateway to discovery Maria Teresa Venturini Fendi on the mysteries of the universe and how the Carla Fendi Foundation is fusing art and science at CERN – with women at the forefront of innovation Words: Michelle Johnson

eep beneath the fields of Switzerland, one of the modern wonders of the world is revolutionising our understanding of the universe one discovery at a time. I'm visiting CERN – the European Centre for Nuclear Research – to celebrate the launch of its new Science Gateway, and its Back to the Big Bang pavilion, supported by the Carla Fendi Foundation. The Science Gateway, created by CERN director-general Fabiola Gianotti and designed by architect Renzo Piano, offers education and outreach to visitors of all ages, with interactive exhibitions that shed light on our evolving understanding of the origins of the universe, quantum physics and more. CERN, and its international team, has been at the heart of many of science’s most fascinating discoveries – the most famous being the Higgs Bosun particle in 2012 – and it is nothing short of awe-inspiring to witness first-hand the engineering marvels that are the Large Hadron Collider and Project Atlas particle accelerators. Equally inspiring is Maria Teresa Venturini Fendi (right), president of the Carla Fendi Foundation (and niece of its founder), who has expanded her aunt's legacy to not only support emerging artists and creatives but to celebrate achievement in STEM. Founded by Carla Fendi – one of the legendary five Fendi sisters, who revolutionised the fashion dynasty and the industry itself – in 2007, the foundation promotes cultural events in Italy and around the world. It has only expanded its mission with the Science Gateway, where visitors to the Back to the Big Bang pavilion will journey through the stages of the universe through interactive activities and experiments, and enjoy a permanent art gallery inspired by the mysteries of the universe. »

Please tell us more about Back to the Big Bang at CERN’s new Science Gateway. Back to the Big Bang retraces the history of the universe, starting 13.8 billion years ago. It’s a journey into the past, showing the formation of the first stars, nebulae and galaxies, providing a representation of the early universe and the visible universe, with a tactile timeline that goes through all the phases of its evolution. The Cosmic Microwave Background wall is also represented, as well as the Inflation Wall, which marks the earliest moments we can experimentally recreate. The first objective was to create an immediate sense of wonder, curiosity and fascination – a moment of surprise, even without immediate comprehension. Things might look hard to understand but are made

so beautiful and accessible thanks to the instruments, telescopes and installations that fill the 200sqm area. How does science inspire art and culture? Art and science are not separate universes; a contemporary approach to culture cannot ignore science. Scientific issues have affected the work of hundreds of artists, while creative concepts have inspired the research of many scientists. In today’s world, science affects all aspects of life and, therefore, of culture. Its progress is so fast and widespread that culture needs to [catch] up. I believe we should be all part of this evolution and would therefore create an even stronger connection between science and culture. We should also consider disadvantaged communities and less advanced countries: access to science has become a fundamental human right, like life, work, freedom, gender equality and environment. Women have gradually gained at least partial recognition in art, the same is going to happen in science, with great mutual benefits. My opinion is that scientists will be the next icons. What are some of your proudest achievements with the foundation? Carla Fendi's legacy is rich with significant contributions to the preservation of Italian artistic heritage, like the restoration of the historic Teatro Caio Melisso in Spoleto, Umbria, a precious theatre dating back to the 17th century, and which was renamed Spazio Carla Fendi. But we also promote innovation and have commissioned and supported the production of many contemporary events. I started a collaboration with the Mahler & LeWitt Studios, also in Spoleto, to support residency programmes for new generations of artists and designers. Together we also co-produced a gigantic artwork by Turner Prize winner Tai Shani.

The Big Bang: Maria Teresa Venturini Fendi and CERN director-general Fabiola Gianotti (below, centre) open the Science Gateway (top right); Right, the Back to the Big Bang Pavilion

How did your Aunt Carla influence you? I collaborated with my aunt for a long time before succeeding her as the foundation’s president. We had similarities in our characters, and I shared her constant aspiration to promote our artistic heritage, while looking to the future. One of the things I learned from her was accepting challenges without giving up in face of difficulties. I also appreciated her talent to look ahead; her ability to anticipate future trends – a quality I think I get from her. She was a famous workaholic with a brilliant personality, incredible energy and determination, and also a very refined mind. I remember how smart she was in never taking 'no' [for an answer], finding a way around [a problem] while making everyone happy. We also shared the love for our work. Finally, how does the Fendi family's legacy continue to inspire others? One of the reasons I consider myself very fortunate is that women’s empowerment is something we never had to fight for in my family. The first [role model] was my grandmother Adele [Casagrande Fendi] who, with great determination, always encouraged her five daughters [Paola, Anna, Franca, Carla and Alda] to find their way. My mother and her sisters began very early to join [Adele] at work with their individual talents and, after years of hard work, they were able to conquer a role in the history of fashion. Our family has always understood that gender equality is a fundamental right that society must guarantee, for its own good. They all knew how inspirational their example might be for other women. This is also true of the Carla Fendi Foundation and, in fact, we support the advancement of women, especially in STEM. fondazionecarlafendi.it; home.cern

IMAGES: BP SARAVESE; ANDREY ART; THE CARLA FENDI FOUNDATION

Maria Teresa, could you tell us how the Carla Fendi Foundation came to collaborate with CERN? When I became president in 2017, I wanted to follow in Carla Fendi's footsteps to honour her legacy as a patron of cultural initiatives of all kinds, from the preservation of our artistic heritage to the support of contemporary productions. But I am sure she would have approved of my choice to introduce science in the foundation’s field of interests, which I started doing with the annual Carla Fendi STEM Award. One of our recipients was Fabiola Gianotti. This gave me the opportunity to meet with her and, during one of our conversations, she talked about her idea for an innovative new centre for the promotion of science education and outreach. Her vision was so passionate and inspiring that I immediately proposed the support of the Carla Fendi Foundation to make it come true. As a donor and enthusiastic supporter, the foundation is very proud to contribute to this fantastic endeavor.

THE OBJECTIVE WAS TO CREATE AN IMMEDIATE SENSE OF WONDER, CURIOSITY AND FASCINATION — A MOMENT OF SURPRISE, EVEN WITHOUT IMMEDIATE COMPREHENSION — Maria Teresa Venturini Fendi

WHO WANTS TO LIVE FOREVER? As scientists edge ever closer to understanding the reason why we age, we ask what impact the search for longevity is having on our approach to beauty and wellness

Words: Becki Murray

or generations we’ve been searching for the answer to eternal, or at least extended, life. Yet that yearning has, until recently, felt closer to the mystical realm than the scientific. Now though, as scientists edge ever closer to understanding some of the mechanisms behind why we age, excitement around slowing or even reversing those processes is rising. Indeed, by 2030 the global longevity and anti-senescence – that’s biological ageing – market is predicted to reach $44.2bn (£35bn). “For as long as mankind has understood life and death, man has yearned for ‘longevity’,” says Eugene He, biotechnologist and founder of Invity Skincare. “We read in history books that emperors of the past would sometimes risk death just to try elixirs that were supposed to prolong their life… We still want to live for as long as we can, but the idea of breaking lifespan records is no longer a pipe dream.” So, what does the study of longevity mean

in modern terms? “Longevity science, or gerontology, is the study of ageing and its processes across various disciplines,” explains Dr You-Jin Chang, aesthetic doctor at Waterhouse Young. “Researchers explore genetics, lifestyle, medical interventions and technological advancements, and delve into biological, psychological and sociological factors, aiming to comprehend, mitigate or potentially reverse ageing.” Aesthetic doctor Parisha Acharya continues: “I like to think of it as a personalised approach to medicine, to allow us to function in the best way and live our healthiest, most efficient lives. Longevity itself is related to lifespan, but what we are now realising is that healthspan is far more important.” Unfortunately, maintaining optimal health is no easy task, and the more we learn about ageing the more complicated a process it’s shown to be. In 2013, a group of scientists

led by Carlos López-Otín, Professor of Biochemistry and Molecular Biology at the University of Oviedo in Spain, defined nine “hallmarks of aging”, including genomic instability, stem cell exhaustion, cellular senescence, mitochondrial dysfunction and telomere attrition. At the same time, David A Sinclair, a leading researcher and author of the bestselling book, Lifespan: Why We Age — And Why We Don’t Have To, linked ageing to information loss from the epigenome – the collection of chemical compounds that modify all our genetic information. Major research is needed to identify the therapies able to effectively target these factors, and this is likely to predominately fall under the category of advanced therapeutics (aka gene therapy). But, if we step out of the genetics lab, what does this research mean for the wider beauty industry – specifically aesthetics, supplements, and skincare? »

SKINCARE

FOREVER YOUNG Significantly, many traditional recommendations remain. “The ageold advice of eating and sleeping well, exercise, maintaining dental hygiene, avoiding alcohol and cigarettes, reducing stress and preventing UV and environmental damage is still fundamental to ageing well,” says Dr Acharya. But longevity principles and the surge in age-related research have coincided with an evolution in conversations around broader skin ageing, from aggressive antiageing strategies to the more positive proageing movement. Then, there’s the latest shift cropping up among leading beauty tastemakers: ‘pre-ageing’. Pre-ageing focuses on building a more holistic, 360˚ preventative plan for our skin, rather than targeting consequences like wrinkles. It’s the same general principles that power longevity research. “In the current landscape of skincare trends, there’s a notable convergence of longevity and beauty as we move into a new era of beauty, the ‘healthification’ of the industry,” says Isabel Greiner, the CEO and founder of Intuisse, a skincare brand based on delaying cellular senescence. This interest is powering a growing number of therapies, treatments, and lifestyle changes. Within skincare and supplementation, one molecule has caught collective attention: NAD+. NAD+ (nicotinamide adenine dinucleotide, a Vitamin B derivative), is an essential coenzyme found in every cell of the body. It serves as a driving force for various critical cellular processes, including energy metabolism, DNA repair and immune function. It has been linked to youth-defining features such as enhanced brain function and improved skin and hair quality. “There is well-documented research suggesting that a decline in NAD+ is an essential underlying mechanism of ageing at the molecular level, and as we age, our levels of NAD+ are at 50% by the time we reach our 40s,” says Isabel. Stress, poor diet, irregular work-life balance and poor-quality sleep also deplete NAD+. With that in mind, discussions around topping up our NAD+ levels via supplementation are now rife – with celebrities such as Hailey Bieber and the Kardashians already trying it. Elsewhere, NAD+ IV therapies are taking last year’s trend for IV drips to the next level. For example, the NADclinic on London’s Wimpole Street, offers the Executive Plus IV Infusion, aimed

at busy, individuals, with its cocktail of NAD+, vitamin C, magnesium, vitamin B and glutathione, a powerful antioxidant naturally occurring in the body. NAD+ is also drawing interest within skincare itself, due to its influence on our skin’s ability to repair itself. “When skin cells are exposed to external environmental stressors, for example UV light, they become damaged,” explains Isabel. The task of repairing them falls to a group of enzymes responsible for cellular function and DNA repair called PARPs and Sirtuins – activators for which skincare brands are actively researching. “They are the emergency services for your skin, but without NAD+ they cannot do their job,” she continues. “If the cells are not repaired, they go into a state of senescence, congregating together to cause inflammation and other telltale signs of ageing.” Research also suggests that NAD+ promotes your skin’s natural collagen and elastin production – the key structural proteins that give skin its firmness and elasticity. Traditionally, the skincare market has focused on tackling the effect of collagen and elastin depletion, namely wrinkles and sagging skin, but addressing NAD+ levels could allow a preventive approach. “For years, we’ve been relegated to drinking collagen and applying topical treatments, with the aim of increasing our collagen levels,” says Isabel. “NAD+ goes to the root cause and seems to turn back the clock on our skin cells’ collagen production.” Of course, as a skincare ingredient, NAD+ will be operating at a more superficial level than gene therapy or even supplementation, but the boom in NAD+ skincare shows promise – even for surfacelevel rejuvenation. “I see longevity science as the next most exciting milestone for the skincare category since more and more products are now formulated with science that’s based on long term cellular benefits, rather than short term sensorial effects,” says Eugene. THE BENJAMIN BUTTON EFFECT In aesthetics, too, there’s been a shift. Where attention was previously on banishing wrinkles as they appeared, like a game of whack-a-mole, the latest holistic techniques focus on actively improving skin health from within via ‘regenerative treatments.’ “Unlike typical aesthetic treatments that camouflage signs of ageing, regenerative approaches address the root cause,” explains the plastic surgeon Dr Steven Cohen. “They

really do create a ‘Benjamin Button’ effect whereby we’re reversing biological ageing. Developments in fat grafting, exosomes and polynucleotides have propelled the conversation around regenerative aesthetics to new heights.” “Polynucleotides are fast becoming the most popular skin-boosting treatment,” agrees Dr Acharya. “They are the nutrients our skin seeks to replace or regenerate cells damaged by disease, trauma, environmental or lifestyle factors. This is in contrast to the traditional medical approach, which focuses on reducing the symptoms of ageing, when possible, but doesn’t encourage the body to recuperate itself nor work more effectively in future.” Regenerative aesthetic treatments like polynucleotides also have extensive uses. “Polynucleotides not only address ageing skin and pigmentation concerns, but they are beneficial for sensitive and rednessprone skin due to their anti-inflammatory properties and the treatment can be used to stimulate hair growth,” says Dr Chang. This regenerative approach is even drawing in new demographics of patients, especially those traditionally fearful of the ‘overdone’ look associated with fillers and anti-wrinkle injections. “People are excited by treatments that utilise their body’s own natural processes,” says Dr Cohen. “We’re confidently able to make patients look like more youthful versions of themselves – which has always and will continue to be in demand.” Approaches to patient care are shifting too: “Aesthetic doctors are paving the way by educating their patients on ageing well, with lifestyle and preventative measures that will help them look and, more importantly, feel younger for longer,” says Dr Acharya. “Offering tests to help patients understand their biological age, the impact of ‘inflammageing’, and ways in which they can holistically improve their health are all becoming important aspects of the overall aesthetic experience.” By allowing the paradigm to shift from repair to prevention, and with a holistic approach to protecting (not just recovering) our mental and physical health, perhaps one day we will stop the clock on ageing – truly improving our health and lifespan. Whether that means we could ever really ‘live forever’ remains to be seen, but we are certainly entering a new era of possibilities for those seeking not just a longer life, but a more vibrant, beautiful one.

SKINCARE

Unlocking longevity NAD+ Optima Max, £74.99: with their concentrated dose of NAD+, these veganfriendly supplements are designed to help improve your mental and physical resilience over time. Nuchido Time+, £65: aiming to get to the source of NAD+ decline, these exciting NAD+ precursor supplements contain zinc, vitamin C, and niacin to support your immune health and target fatigue. Invity SuperNAD Youth Activating Facial Sheet Mask, £59: the first mask infused with NAD, this is designed to instantly help hydrate and calm your skin, making it perfect for frequent travellers. Intuisse Active NAD+ Face Serum, £210: using liposomal encapsulated NAD+, alongside pomegranate enzymes, this silky serum provides barrier support for overall healthier skin. Estée Lauder ReNutriv Ultimate Diamond Transformative Brillance Serum, £245: Estée Lauder’s luxurious formulas benefit from research into how Sirtuin activators can increase collagen production in mature skin cells. ALL SKIN’s Med Growth Factor Ampoules, found in clinics: formulated with growth factor technology that aims to trigger your skin’s natural regeneration, this antioxidant-rich formula focuses on increasing skin firmness and elasticity. Age Well with Dr Sophie Shotter: 2023’s Aesthetic Awards Medical Aesthetic Practitioner of the Year has launched a podcast, which shines a light on her 360-degree, longevity-focused approach to ageing well. Galen Clinic, London Marylebone: opening in January 2024, this longevity clinic focuses on providing science-backed age-proofing treatments, based on diagnostic testing, including NAD+ therapy, biological age analysis, as well as skin treatments.

A CERTAIN

vintage

Bacchus Wines raises a glass to the wines with true ageing potential – and tells us why, sometimes, it’s more fun not to wait

t Bacchus Wines PLDC, we love wine. What’s not to love? A wellchosen glass of wine brings us joy – entertains friends, improves a meal, and turns a dull dinner party into one worth talking about. As an independent boutique wine merchant, Bacchus Wines PLDC focuses on a small but perfectly curated collection. Our bespoke wine offer is exclusive and sourced from non-mainstream but highly regarded and award-winning vintners, who have multigenerational winemaking know-how. But when it comes to adding rare and valuable wines to our collections, how do we know what has the best ageing potential – and what to drink now? TIMED TO PERFECTION Ageing wine is the process of storing wine over time to allow it to develop and improve in flavour. In some cases, a good wine can become truly exquisite with ageing. However, not all wines are created equal. When it comes to ageing potential, some wines do not have the necessary characteristics to develop and improve over time. Acidity is essential for preserving wine and preventing it from oxidising, and so wines with low acidity are more likely to deteriorate with age. While alcohol can contribute to the complexity of a wine, too much can make a wine unbalanced and difficult to age; likewise, wines with delicate aromas are more likely to lose their fragrance over time and cuvées from warmer climates tend to have shorter ageing potential because the grapes are more likely to be overripe. Interestingly, most champagnes tend not to age well. Vintage and prestige cuvées could fare well with correct storage in cool, dark conditions, but after ten years, the effervescence can dissipate and the colour of the champagne will change. So, if you’ve been saving that special bottle from moons ago,

don’t lose it; drink it now. There are a few key factors that determine whether a wine is age-worthy. Acidity is one of the most important factors, as it helps to preserve the wine and prevent it from oxidising. Tannins, too, are rather crucial. Tannins are compounds that give the wine its structure and ‘mouthfeel’. They can be harsh in young wines but can soften over time and become more integrated with the other flavours in the wine. Like acidity, alcohol also helps to preserve wine and contributes to its complexity as it ages. Undoubtedly, some grape varieties are more age-worthy than others. Cabernet Sauvignon, Merlot, and Pinot Noir are all known for their ageing potential. AGEING YOUR WINE The time it takes for a wine to age will vary. Generally speaking, red wines tend to age better than white wines. Red wines with high acidity and tannins can age for decades while white wines with high acidity, such as chardonnay, can age well but typically peak within five to ten years. Wine likes to be stored in a cool, dark place with a consistent temperature. Ideally, the temperature should be between 1015˚C. Never store wine in direct sunlight or humid conditions as this will affect the entire structure of the wine. For both white and red wine, wine fridges are ideal if the cellar is a little full. Wine fridges keep the wine at the optimum temperature and are a welcome addition to any kitchen. When opening an aged wine, our top tip is to pour it slowly and carefully to avoid aerating it too much. Old wines can be delicate, so it’s best to take your time and savour them. If the ageing process has been successful, you will be rewarded with red wines with nuances of prunes, raisins, dried cherry, tobacco, leather and cedar. These new hints will develop over time, and you could be in for a treat. Find out more at bacchuspldc.com 96

DRINK NOW L’Équilibriste Bordeaux Rouge A deep purple-red Bordeaux with intense nuances of blackcurrant, blackberry and blueberry, and notes of peony and violet on the nose. Round on the palate with crunchy and juicy fruit. Mineral and floral flavours on a subtle and silky tannic framework. L’Équilibriste (pictured) contains no sulphites, meaning fewer preservatives. An exceptional and critically-applauded wine that pairs perfectly with roasted vegetables, grilled shellfish, or charcuterie. La Roseraie Bordeaux Rosé A light and elegant pale rosé, La Roseraie is bright yet subtle and offers excellent freshness, with floral aromas of hawthorn, lychee and rose. This award-winning rosé is ideal with canapes that include cream, vegetables, cheese and smoked salmon, as well as desserts with strawberries. The 2022 vintage – loved for its lively, aromatic nuances – was produced from direct pressing and created to obtain the most refined and delicate wine possible.

PERFECT FOR AGEING Esprit de Parenchère Bordeaux Supérieur Rouge A highly concentrated yet elegant wine, this cuvée offers exceptionally long ageing potential and embodies the quintessence of the Chateau’s terroir. The blend is composed predominantly of Cabernet Sauvignon, a grape with the most structure and an excellent aptitude for ageing. It is aged in French oak barrels for 12 months on fine lees, without racking and micro-oxygenation. Esprit de Parenchère is ideal after eight to 15 years (or even longer in adequate conditions). Chateau de Parenchère Cuvée Raphaël The Chateau’s flagship wine, the Cuvée Raphaël is an intense, concentrated wine with elegant tannins and a smooth, mellow finish. Named for Raphaël Gazaniol, who took over and renovated the Parenchère estate in 1958, it is produced from a selection of the most exemplary estate plots, from vines more than 40 years old. Aged in Tonçais oak barrels for 12 months, Parenchère uses the ‘micro-oxygenation’ technique, sending fine bubbles through the barrels to perfectly preserve the wine’s fruit and elegance. This wine is excellent in its first year of bottling, but ageing between four and ten years will enhance its elegance and complexity. 97

n a recent interview with the Wall Street Journal, legendary rocker Sir Mick Jagger, 80, said he was considering bequeathing his lucrative post-1971 back catalogue to charity rather than passing it on to his eight children, in the hope that his vast wealth could have a positive impact. “The children don’t need $500million to live well, come on,” he said. You can’t always get what you want, eh? And while Jagger’s eight children might be surprised to hear that their old man doesn’t consider it helpful to financially set up his offspring for life, the reported $500m windfall could make a huge difference to multiple charitable causes, although Sir Mick hasn’t specified which ones he would choose. Amazon founder and world’s third richest man Jeff Bezos has also expressed a wish to distribute the bulk of his fortune to foundations and trusted experts to use as they see fit. He has already handed country music legend Dolly Parton— famous for her own philanthropy in children’s literacy, mailing free books to children around the world from birth until they begin school—£100m to use in any way she thinks beneficial, as part of his Bezos Courage and Civility Award scheme. “All she wants to do is bring light into other people’s worlds,” said Jeff ’s partner Lauren Sánchez. “We couldn’t have thought of someone better than to give this award to Dolly, and we know she’s going to do amazing things with it.” With charitable donations on a general downturn in post-pandemic Britain, could this be the start of a new wealth management trend—and, if so, where do we start? »

Sir Mick Jagger is considering leaving his Rolling Stones back catalogue to charity instead of his eight children. And he’s not alone Words: Lysanne Currie

WEALTH

WEALTH PLANNING While the tax implications of leaving large inheritances to children are many and potentially tricky, charitable giving is tax free. And, of course, making the decision to leave your assets to charity early on—which has the potential to help so many more people than just your children— could prevent legal challenges from family members after your death. It will also have the other major benefit of teaching your children financial self-reliance ahead of time if they don’t have to depend on a windfall after your death. Inheritance tax-planning varies from person to person, says Joe Bergin, an associate director with Attivo, who advises a number of highnet-worth clients on everything from pension planning to inheritance tax. Attitudes towards the latter differ from client to client, he says. “Some people take the view, ‘I’ve paid so much tax to get to this stage, I shouldn’t be paying it again’. Others will say—which I’ve seen quite a bit recently—‘The country needs funds from inheritance tax, so I’m happy to pay it’. “And still others will say: ‘Actually, my kids have more than enough money—let’s not give them any more as it could ruin their outlook on life’.” Partly, he says, the shift is generational: selfmade people who hadn’t inherited their own money wanting their children to have the dignity of making it by themselves. Sir Mick is in good company: others wishing to leave their kids nothing include everyone from Jackie Chan (“If [my son] is capable, he can make his own money. If he is not, then he will just be wasting my money”), to Nigella Lawson (“I am determined that my children should have no financial security”). There are also clients, as Joe notes, who want to leave their legacy to charity. Last year, the value of legacies continued to be significant for charities, with 31% of legacy income coming from bequests worth over £500k. “I’ve had some clients who have talked about setting up trusts, which their kids could run on behalf of a charity.” Legacy giving is a neglected area of fundraising, in the arts in particular—tax breaks are available for those bequeathing art to British charities (provided the art is in ‘the national interest’). There is also a trend in parents helping children dip their toe in financial responsibility by involving them in charitable endeavours. Says Lucy Edwards, partner at law firm

Charity focus: Jeff Bezos awarded Dolly Parton (below) £100m to aid her philanthropic work; The National Gallery (right)

WITH CHARITABLE DONATIONS ON A GENERAL DOWNTURN IN POST-PANDEMIC BRITAIN, COULD THIS BE THE START OF A NEW WEALTH MANAGEMENT TREND? Penningtons Manches Cooper LLP, “They want their children to be socially aware; the conversation emphasis has changed from: ‘I want to make sure my children are financially mature’, to: ‘I want my children to be aware of the privileges their wealth brings them’.” If someone did want to leave their money to charity, typically, says Joe, it will be via their will, in which they’d make clear how they wanted to divvy up the funds—and which affords fewer tax breaks than if you start giving money to charity straight away. Most clients will have a charity (or charities) in mind, says Joe, but be prepared to allow them to spend your money however they see fit. As Joe says: “If you’re looking for something quite specific, check which charity meets your criteria as closely as possible”. Pledging substantial or specific amounts to charity now does remain a gamble, as you’ll still need to work out how long you’re going to live for. After all, you might need the money in the future. One client of Joe’s does indeed give to charity on a regular basis, but it’s not something he sees a lot of. “Like any inheritance, if you give it away throughout your life, there can be the worry that you will live longer than expected and need that money to live on.” But what if the legislation around inheritance tax should change—even be abolished, possibly under a new government? “It’s like any sort of legislation,” says Joe. “You just have to advise on what’s in front of you at the moment. But the sort of clients who are comfortable giving away substantial sums of money or setting up trusts will probably not be too impacted by any changes to the inheritance tax rules.” But, as he says, all these things are subject to change. “You should always expect that something unexpected could happen.” 100

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Limited to 185 tailor-made motorcycles This exceptional motorcycle is a testament to the artistry and craftsmanship that Langen put into every motorcycle. With its sleek and aerodynamic silhouette, the Lightspeed is the perfect symphony of beauty and power. The beating heart is a thunderous 1200cc V-twin, born on the race track and refined by Langen to produce 185bhp in a machine weighing just 185kg. The Langen Lightspeed is the embodiment of passion and performance.

Commission your lightspeed at: +44 (0)1942 724 059 langenmotorcycles.co.uk/reserve

RE:VIEW The members-only rooftop restaurant redefining sky-high dining

PLUS + •

Diana Verde Nieto reimagines luxury with her new book

•

Manon leaps to the stage at the Royal Albert Hall

•

The Bafta Film Awards celebrate the silver screen

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Save the date: your luxury events calendar

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FINE DINING | YASMIN

Soho nights Members-only rooftop restaurant Yasmin is setting the bar sky-high for Middle Eastern cuisine

t the very top of glamorous new private members’ club, 1 Warwick, lies one of the best kept secrets of London’s extraordinary fine dining scene. Yasmin, the club’s members-only rooftop restaurant, bar and terrace, serves up an array of some of the finest Middle Eastern cuisine in the capital — right alongside an impressive wine and cocktail list and panoramic views of Soho and its glittering surrounds. The Soho club was launched in April 2023, developed by Maslow’s, the talent behind Fitzrovia staple Mortimer House. 1 Warwick spans the six floors of a stunning historic mansion, a delightful mix of practical work and lounge spaces with sumptuous, contemporary interior design — masterminded by London- and LA-based interior architects Fettle — behind a beautifully-maintained 1910 historic façade. After a quick pitstop at the club’s public neighbourhood bistro and bar, Nessa — itself a sublime venue for an evening well-spent — we head to the sixth floor, where Yasmin’s stylish restaurant and wraparound terrace reigns. With an organic indoor-outdoor design that brings the warmth of nature to the fore even during the winter months, this is a venue that puts us immediately at ease. There is no room for stuffy, over-formal dining here, but rather an intimate and convivial atmosphere in which to impress. This is exemplified by the quality of service — informed and enthusiastic servers are on hand to assist with

any request from their members. While the ambience is lavishly welcoming, the menu by executive chef Tom Cenci is the real draw. With a selection of outstanding Middle Eastern dishes inspired by his time in Istanbul, diners can enjoy everything from mezze sharers to large plates. I am dining here with friends, so the chef is quick to offer a few stand-out dishes to be enjoyed tapasstyle as we begin with fresh colossal olives and a spinach-and-feta borek. The parsnip hummus, with golden raisins and olive oil, generously scooped up by warm, fresh flatbread, sets the bar for how this restaurant is elevating classic favourites. This is followed by plates such as hunkar begendi (slow braised lamb with charred aubergine), dolma wraps with coal roasted garlic yoghurt and crispy capers, and manti (Turkish meat dumplings) with caramelised tomato, yoghurt and mint oil, all set off by perfectly cooked vegetables and accompanied by the perfect dry wine — expertly selected to suit our range of palates and the mix of flavours on the table. With sensational food, killer cocktails, welcoming atmosphere and a terrace you won’t want to leave, Yasmin is the jewel in the crown of Soho’s most exciting new private members’ club. 1 Warwick Street, London W1B 5LR 1warwick.com Words: Michelle Johnson

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BOOK | REIMAGINING LUXURY

Sustainable luxury expert Diana Verde Nieto looks to the future

iana Verde Nieto is a powerhouse of global luxury leadership. Specialising in sustainability within the luxury sector and beyond, the Positive Luxury co-founder’s work has seen her advise companies, organisations and individuals; she was trained by Former US Vice President Al Gore at the Alliance of Climate Protection and is an advisory committee member for the United Nations Conscious Fashion and Lifestyle Network and United Nations Department of Economic and Social Affairs. Now, Diana has distilled more than 20-years of experience into a new book, Reimagining Luxury. The comprehensive guide to building a sustainable future provides “practical advice on how to shift mindsets, hearts and practices to achieve sustainable economic growth”. It contains practical tips from Diana as well as insights from industry leaders such as LVMH, L’Oréal and Kering. “In 2024, a new era of reimagination will begin, wherein innovative practices will have a significant impact on transforming the climate narrative,” she tells Tempus. “As the concept of sustainability aligns with compliance and finance, innovation and marketing will once again shine in their expertise of building businesses, winning over consumer loyalty, and facilitating sustainable economic growth. “However, the innovation landscape of 2024 has a caveat: it’s not just about creating new products, but rather improving the products already in circulation by enhancing their efficiency and resilience towards supply chain fluctuations induced by climate change,” she continues. “It’s thrilling to enter the sustain novation era of 2024.” Available from 3 January 2024 dianaverdenieto.com

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RE:VIEW

DANCE | MANON

A tale of love and decadence at the Royal Opera House

he Royal Ballet prepares to take Manon to the stage of the Royal Opera House in this famed interpretation of the original opera by Jules Massenet. Kenneth MacMillan’s choreography soars to new heights in this tale of the capricious and passionate Manon, who is torn between finding true love and eschewing her impoverished past for a place in high society. The score is developed from the work of Massenet by renowned dance musician Leighton Lucas and Hilda Gaunt. An unmissable ballet rightly making its return to the stage.

IMAGES: DAVID ROBSON/1 WARWICK; DIANA VERDE NIETO; ALICE PENNEFATHER/THE ROYAL BALLET

The Royal Opera House, Covent Garden, London. 17 January – 8 March 2024 roh.org.uk

FILM | BAFTA

Celebrate stars of the silver screen on British film’s biggest night

he EE Bafta Film Awards returns to London to celebrate a year of remarkable cinema, honouring British and international talent on both sides of the camera — from actors to filmmakers and crews. This year marks the 75th anniversary of the Bafta Film Awards, which have grown from humble roots to an international event that is thought to predict many Oscars winners. And with blockbusters such as Greta Gerwig’s Barbie, Christopher Nolan’s Oppenheimer, and Martin Scorsese’s Killers of the Flower Moon expected to be among nominees, we predict a star-studded red carpet. Royal Albert Hall, London. 18 February 2024 bafta.org

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the

SAVE DATE Your luxury events calendar for this season

21 - 24 Dec

9 - 12 Jan

CAROLS AT THE ROYAL ALBERT HALL The Royal Albert Hall is bringing Britain together for festive fun in the form of its annual carol concert. Led by the Royal Choral Society and Royal Philharmonic Orchestra and conducted by Richard Cooke, this is truly London’s favourite singalong. royalalberthall.org

PITTI IMMAGINE UOMO Florence will host the world’s most stylist fashionistos again this year at the fourday Pitti Immagine Uomo menswear fair. Hosted at the former fortress of Alessandro de’Medici, January’s edition celebrates ‘Pittitimes’ — the new rhythms of fashion. uomo.pittimmagine.com

31 Jan - 4 Feb

4 Feb

6 - 24 Feb

SALON RÉTROMOBILE This annual vintage car show hosted at the Paris Expo Porte de Versailles is a mustvisit for retro car enthusiasts. Celebrate the centenary of the UTAC Linas-Montlhéry racing circuit and discover the finest twowheelers in history. retromobile.com

THE GRAMMY AWARDS America’s biggest music event broadcasts live from Los Angeles to celebrate pop and rock to jazz and spoken word. This dazzling line up will see fierce competition from big hitters such as Taylor Swift, Miley Cyrus, Jon Batiste, Calvin Harris and The Rolling Stones. grammys.com

DUBAI POLO GOLD CUP One of the world’s most prestigious polo opens, the Dubai Gold Cup has been showcasing the Sport of Kings since 2009. Expect the world’s best polo players and ponies to compete amid a backdrop of high glamour at the Al Habtoor Polo Cup. dubaipologoldcup.com

While every effort has been made to ensure accuracy, changes to event calendars may occur. Please check with individual event organisers for more information.

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20 - 28 Jan

BOOT DÜSSELDORF It’s time to dive into the world’s largest yacht and watersports show, Düsseldorf International Boat Show. Whether your passion is superyachts or sailing, diving or destinations, Boot invites 237,000 visitors and more than 1,500 exhibitors from 68 countries. boot.com

Limited to editions of 280, our newly-commissioned Art Deco posters feature glamorous holiday destinations around the world, ski resorts in the European Alps, and the world’s greatest historic automobiles. Over 100 designs to choose from, all printed on 100% cotton fine art paper, measuring 97 x 65 cms. Priced at £420 each (inc. UK sales tax). Private commissions are also welcome. @pullmaneditionsposters All images and text copyright © Pullman Editions 2023

Pullman Editions 94 Pimlico Road Chelsea London SW1W 8PL +44 (0)20 7730 0547 info@pullmaneditions.com

Our central London gallery

V iew and buy online at www.pullmanedit ions.com

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COLUMN

BIG COAT ENERGY Tempus style columnist Rikesh Chauhan on the statement outerwear warming up your winter wardrobe

t’s official. Tell your friends and loved ones that Big Coat Energy is back. I’m not talking run-of-the-mill raincoats that are good for function, but only good for function. No, I’m talking about the really big coats. Coats so big that they require a definite article (there are quite a few of them, too). The Bridge Coat, The Car Coat, The Change Coat, The Overcoat, The Greatcoat. These are coats that’ll make you feel like you’re DCI Luther walking through the streets of London because, let’s be real, if we could be anyone in the world it’d probably be Idris Elba. Wishful thinking aside, the temperature has been dropping swiftly, so there’s no time quite like the present to invest in some quality outerwear to keep you protected against the elements — and looking incredible while doing so. The legendary tailor and icon Edward Sexton

Mottled Brown Change Coat by Edward Sexton The Sexton team are carrying on designer Edward’s legacy with this beautifully elegant Change Coat that somehow retains a classic, sweeping silhouette. edwardsexton.co.uk

passed away earlier this year, but his legacy remains in good hands with the talented team on Savile Row. A new addition to their sartorial repertoire is the Mottled Brown Change Coat. Unstructured and yet somehow maintaining the iconic Sexton silhouette, the sweeping lapels, beautiful shoulders and elegant length certainly catch the eye. A stunning wool- and silk-blend cloth makes this a spectacular choice for this winter and beyond. It’s been a while since I’ve waxed lyrical about Drake’s, but whenever there’s an option to have something reversible, 99 times out of 100, I’m all for it. What’s better is that Drake’s have such a great eye for detail and construction that having a coat that basically turns into another coat is a no-brainer. Crafted from a woollen tweed from Scotland and a water-resistant cotton from

Como, it’s made to tackle rougher terrains than one might be subjected to in London, while looking tailor made for the city. I particularly love the raglan sleeves and the beautiful colourway of the houndstooth check — it’ll go with everything, whichever way you wear it. Finally, when Simon Crompton collaborates with a brand like Private White VC, you can bet your house it’ll be something that is intricately well made, well thought out and pleasing on the eyes. The new PS English Tweed Overcoat is all that and then some. Raglan sleeve? Check. Doublebreasted centre front? Check. Relaxed fit? Check. Natural undyed herringbone? In abundance. Made in Manchester, it’s one of the most incredible overcoats I’ve seen over the last few years. Extremely limited edition, be sure to get your hands on it soon — because if you don’t, I will.

Reversible Tweed-Cotton Raglan Mac by Drake’s This two-in-one from Drake’s is a nobrainer. Combining shepherd’s check houndstooth and water-resistant cotton spun on the reverse for timeless style. drakes.com

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PS English Tweed Overcoat by Private White VC A collaboration between Private White VC and Permanent Style that commands attention. As the brand says: “It’s like being wrapped in a big tweedy blanket”. privatewhitevc.com

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