Malplaquet

Spellbound in Spitalfields The ‘Gentle Author’ writes a blog every single day about his life in the heart of London. We join him on a visit to a magnificent Spitalfields home, lavished with a collection of natural history specimens, old masters, architectural and religious artefacts. Welcome to Malplaquet House PHOTOGRAHS: PHILIPPE DEEBERST

majestic four storey mansion (completed in 1742 by Thomas Andrews). Here I recognised a moment of anticipation comparable to that experienced by Pip, standing at the gate of Satis House before being admitted to meet Miss Havisham.

Let me admit, for years I have paused to peek through the railings, but I never had the courage to ring the bell at Malplaquet House before.

Ushered through the gate, up the ▲

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WALKING EAST from Spitalfields down the Mile End Road, I arrived at the gateway surmounted by two stone eagles and reached through the iron gate to pull on a tenuous bell cord, before casting my eyes up at Malplaquet House.

Hovering nervously on the dusty pavement with the traffic roaring around my ears, I looked through the railings into the overgrown garden and beyond to the dark windows enclosing the secrets of this

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‘In 1998, when they bought Malplaquet House from the Spitalfields Trust, the edifice had not been inhabited in over a century’

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garden path and through the door, I was not disappointed to enter the hallway that I had dreamed of, discovering it thickly lined with stags’ heads, reliefs, and antiquarian fragments, including a cast of the hieroglyphic inscription from between the front paws of the sphinx. Here my bright-eyed host, Tim Knox, director of the Fitzwilliam Museum, introduced me to landscape gardener Todd LongstaffeGowan with whom he restored the house.

In 1998, when they bought Malplaquet House from the Spitalfields Trust, the edifice had not been inhabited in over a century, and there were two shops, ‘F.W. Woodruff & Co Ltd, Printers Engineers’ and ‘Instant Typewriter Repairs’ extending through the front garden to the street.

Yet this single-minded pair recklessly embraced the opportunity of living in a building site for the next five years, repairing the ancient fabric, removing modern accretions and tactfully reinstating missing elements – all for the sake of bringing one of London’s long-forgotten mansions back. Today their interventions are barely apparent, and when Tim led me into his Regency dining room, as created in the 1790s by the brewer Henry Charrington and painted an appetising arsenic green, I found it difficult to believe this had once been a typewriter repair shop. Everywhere, original paintwork and worn surfaces have

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street, concealing the garden which had already been planted and the front wall of the house which was repaired, with windows and front door in place.

Then, on Christmas Eve an exceptionally powerful wind blew down the Mile End Road, and Tim woke in the night to an almighty ‘bang’ to discover that in a transformation worthy of pantomime, some passing yuletide spirit had thrown the shopfronts down into the street to reveal Malplaquet House restored. It ▲

been preserved, idiosyncratic details and textures which record the passage of people through the house and ensure the soul of the place lingers on. The success of the restoration is that every space feels natural and, as you walk from one room to another, each has its own identity and proportion, as if it were always like this.

By December 1999, the shops had been almost entirely removed leaving just their facades standing on the

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About the Gentle Author The Gentle Author’s ambition is to write at least ten thousand stories about Spitalfields life at the rate of one a day, this will take approximately 27 years and four months! “Who knows what kind of life we shall be living in 2037 when I write my ten thousandth post?” he comments. “I do not think there will be any shortage of material, though it may be difficult to choose what to write of because the possibilities are infinite. Truly all of human life is here in Spitalfields.”

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‘As even a cursory glance at the photos will reveal, Tim and Todd are ferocious collectors!’

was a suitably dramatic coup, because today the house more than lives up to its spectacular theatrical debut – it is some kind of curious masterpiece.

I hope Tim will forgive me if I confess that while he outlined the engaging history of the house with professional eloquence – as we sipped tea in the first floor drawing-room – my eyes wandered to the recumbent wild sheep under the table eyeing me suspiciously. Similarly, in the drawing-room, my attention strayed from the finer points of the architectural detail towards the ostrich skeleton in the corner.

As even a cursory glance at the photos will reveal, Tim and Todd are ferocious collectors, a compulsion that can be traced back to childhoods spent in Fiji and the West Indies. They have delighted in the opportunities Malplaquet House provides to display and expand their vast collection of ethnographic, historical, architectural and religious artefacts, natural history specimens and old master paintings.

Consequently, as Tim kindly led me from one room to another, up and down stairs, through closets, opening cupboards in passing, directing my gaze this way and that, while continuously explaining the renovation, pointing out the features and giving historical context, I could do little but nod and exclaim in superlatives that www.antiquexplorer.com www.vintagexplorer.co.uk

grew increasingly feeble in the face of the overwhelming phantasmagoric detail of his collection.

He confessed how fascinated he is by the everyday life of the Mile End Road including the taxi office across the road that has remained open night and day since he first came to live here. We walked into the walled yard at the rear, canopied by 300-year-old tree ferns, and wondered at the echoing sound of a large community of sparrows that have made their home in this green oasis. It is a paradox of submitting to the spell of this remarkable house that the familiar external world is rendered exotic by comparison.

I have been in older and grander houses, but Malplaquet House has something beyond history and style, it has pervasive atmosphere. It has mystery. It has romance.

You could get lost in there. When I came to leave, I shook hands with Tim and lingered, reluctant to move, because Malplaquet House held me spellbound. Even after my brief visit, I did not want to leave, so Tim walked with me through the garden into the street to say farewell, in a private rehearsal for his own eventual departure from Malplaquet House one day.

With thanks to The Gentle Author (www. spitalfieldslife.com) and photographer Philippe Debeerst (www.photoeil.be) March-April 2016 Antiquexplorer 21