Viany Sutisna CV PORTFOLIO

VIANY SUTISNA a rc h i te c tu re por tfolio - s e le cte d work s 2014 - 2016

EDUC ATION

LANGUAGE

National University of Singapore (Aug 2015 - present)

English (Fluent) Mandarin (Passive) Bahasa Indonesia (Native)

Bachelor of Arts (Architecture)

Saint Joseph’s Institution International (Jan 2013 - Nov 2014)

International Baccalaureate (IB) Diploma

SOFTWARE

ACHIEVEMENTS NUS City Exhibition 2016 | Selected Works

Jun’16 - July’16

NUS Design Yearbook 2016 | Selected Works I believe in the difference that architecture and design can make. With a fascination for the discipline’s considerations regarding functionality and aesthetic impact, I hope to pursue this subject matter in much depth for the beauty and betterment of the spaces we live in.

CONTACT Viany Sutisna Tel: +65 9115 5310 viany_sutisna@hotmail.com

2016

IB Scholarship Award

Jan’13 – Nov’14

ACSIS U19 Volleyball | Gold Medal

Jan’13 – Nov’14

Adobe Photoshop Adobe InDesign Adobe Illustrator

NUS City Exhibition 2017

Aug’15 – present

Google SketchUp AutoCAD Rhino Grasshopper (basic) ArchiCAD

NUANSA (Indonesian Theatrical Production)

Aug’15 – Mar’17

Microsoft Office (Word, Excel, Powerpoint)

AC ADEMIC

EXPERIENCE

Publicity Co-Head

Sets Designer Creative Marketing www.nuansacp.com

Construe and Construct V Lecture Series

Oct’16

Curatorial Team

Cambodia Housing and Slum Upgrading Project

Jun’16

Student Helper (under the supervision of Professor Junko Tamura)

Indonesian Catholic Community (ICy) Special Projects Head

EXTERNAL

Aug’15 - Jun’16

INVOLVEMENT

WSSA Singapore

Jun’16 – present

Dale Carnegie Generation.NEXT Programme

Jun’13 - present

Designer www.wssasg.org

Group Leader www.dalecarnegie.co.id

Woodshop Lasercutter 3D Printing

OTHER Red Cross Youth Volleyball Basketball Painting

INTERESTS

PROJECTS

01

Community Museum

02

Music Cube: John Cage into Architecture

03

Artist Dwelling

03

Hand - drawn Documentation

Site: Beach Road HDB Estate, Singapore

Site: Gillman Barracks, Singapore

Site: Gillman Barracks, Singapore

Space Asia Hub, Singapore Love Lane, Penang

01

01 “COMMUNITY MUSEUM” A museum’s function is to preserve and showcase. However, often, museums focus on being artworks themselves instead of being a setting for engagement for the public and the artwork it holds.

Especially for a community museum that is to be set in the heart of an old HDB estate, the site bounded by Beach Road, Crawford Street, and North Bridge Road, the museum should be a response to the texture of the existing habitial actions and routines of the residents.

Colonising public space, especially around corners and columns is evident on site.

This museum uses this behaviour as a mechanism that allows residents to actively preserve their daily rituals and showcase them to the public.

Galleries are on two levels - the ground level being completely accessible to public and for residents to colonise, following the existing grid and the “corner”-like tectonic, while the upper level galleries and surrounding spillover activity spaces are for gallery goers, resident artist and staff to colonise for discussion and collaboration.

6

Golden Mile FC

12

7

“FIELD OF INFLUENCE”

Blk 1 - 6

TOWARDS CHOSEN SITE

Blk 7-9

13 MSCP

COLUMN CONFIGURATIONS (ALONG WALKWAY)

Column Configurations on site

NPP

SHOPS

Vehicular Intensity

17

14

Mapping of columns with relation to informal activity

15

Mapping of “corners” with relation to informal activity SITE PLAN

SITE ANALYSIS 7

GALLERY 1 ACTIVITY SPACE

PRIVATE COLLECTION

NPP

GALLERY 2

NPP

GATHERING CORNER GATHERING CORNER WORKSHOP ACTIVITY SPACE

ARTIST STUDIO

GROUND LEVEL

GROUND LEVEL | Scale 1:200

S-01

S - 01 1:200

8

ARTIST RESIDENCE

UPPER LEVEL PLANS LEVEL 1 | Scale 1:200

S-02

S - 01 1:200

SECTIONS

STRUCTURAL SYSTEM OF GALLERY 9

“Gallery Spaces and Corners�

Partial Model of Main Space

Column configurations adapted from site are distributed on ground level for public and residents to colonise.

Upper level is for gallery goers, resident artist and staff to colonise for discussion and collaboration.

10

02 11

02 “MUSIC CUBE�

Totem Ancestor, is a prepared piano piece, composed separately by John Cage to complement a dance piece by Merce Cunningham.

Through meticulous mapping of musical phenomena, this project strives to discover the structure in what is seemingly chaos, translating the 2D to 3D iterations, and finally considering these spaces as habitable for living through methodical analysis.

The building site of this Cage - inspired piece is the bridge at Gillman Barracks for its 360 degree viewpoint twithin close proximity to an emerging arts hub for an patron art lover.

12

PITCH VARIANCE

DYNAMIC

DISCOVERY B1

B2

R1

R2

G1 G1G1

G2 G2

DEGREE OF CONSONANCE/ DISSONANCE

MAPPING & DISCOVERY

DESIGN ITERATION FROM 2D TO 3D

13

Specific patterns overlap systematically which translate to spaces of similar quality created by recognizable planar elements

Back

Right

Top

Left

Higher plane density indicates higher degree of privacy - to allocate functional spaces such as bedroom, kitchen, social space

Front

Section A-A’

Section B-B’

Section D-D’

Section E-E’

Section C-C’

Bottom

Section F-F’

ANALYSIS OF HABITABLE SPACES

FINAL TRANSLATION

14

“Hidden Reminiscence�

Like how John Cage creates a hidden reminiscence by using patterns in pitch variance masked under a layer of dynamic, reminiscence is created in space through visual patterns that are masked as architectural elements.

15

“External Vignette�

There is structure even in the most abstract forms; there is order even in what may seem like chaos.

16

03 17

03 “ARTIST DWELLING” Wayang Kulit is an art form which originates from the island of Java.

The “Dalang” is the pupeteer of a wayang kulit performance. He makes the performance come alive with his mastery at puppets, shadow, linguistics and philosophical insights.

Volumes wrap at a height around the bridge to form public space below it - the stage, seating space and wayang screens.

They contain the semi public and private spaces - workshops and dwelling, who becomes a puppet himself as people watch him to about his daily life.

For people travelling across the bridge, the one point perspective through frames, compartmentalised views on the right and left, and immersive experience of wayang related activities can be experienced in this new venue option.

18

9AM

6AM

Cars

Joggers

10AM

Light and Shadow studies

SITE PLAN

F&B Workers

Prefered User Pathways

Visual projection

Audio

Performance screen

The ultimate role of the puppeteer is to teach people about wayang kulit, through these three elements.

Grand immersive staircase

Enclosed spaces - private

Bridge Extension

Restrictions of the bridge: 2m wide, 1.5m high, 40m long

Total incidence of shadow (9AM+6PM+10PM)

Total preferred user pathways

SITE ANALYSIS

DESIGN ITERATIONS 19

Seating and Stage Level (1)

Dwelling Level (3)

Bridge Level (2)

Deck Level (4)

PLAN

EXPLODED ISOMETRIC 20

SECTIONAL PERSPECTIVE

“Projection” A machine that transforms during the day and night to cater for the dalang’s workshops and performances, giving an immersive, sequential experience of wayang kulit, while acting as a gateway that possesses a drawing factor into Gillman Barracks and its activities.

N I G H T | D AY

NIGHT | DAY 21

Interior Vignette One point perspective surrounded by wayang kulit elements.

External Vignette A visible beacon in the night.

22

04 23

04 Space Asia Hub Hand drawn Documentation Isometric and Details

24

04 Space Asia Hub Hand drawn Documentation Two point perspective

25

04 Love Lane, Penang Hand drawn Documentation: Building Scale Elements & Features

The local chinese say that the richmen and sailors would meet their mistresses here, thus the name Love Lane. Love Lane boasts one of the narrowest five foot lanes in Penang.

A way to identify the historical style of Penang heritage shophouses include studying the distinct features of the windows, columns, and materials in the facade.

A corner view of Stewart Lane (left) and Love Lane (right).

26

04 Love Lane, Penang Hand drawn Documentation: Human Scale and Threshold Spaces

Storefront details

Five foot way perspective view 27

Thank you for your consideration.

28