The exhibition’s title, Instant Karma, is almost a oxymoron, and already seems
to settle these pieces into an ambivalence between the fleeting instant and the
long road, while the titles of the individual works, taken from several different languages,
are equally enigmatic and instead of offering any explicit interpretations,
they further broaden the mystery. As observers, we quickly understand we must
step outside our pre-existing categories to correctly grasp the abundance of the
artist’s work.