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VISIT DESIGN SHOW AUSTRALIA

DESIGN SHOW AUSTRALIA comes to Sydney’s ICC (International

exhibits and speaker panels. Whether you are specifying projects and want to see the latest design pieces all in one place or would like a hit of design wisdom from Australia’s leading creative and business talents, it’s a perfect opportunity to reconnect with your design peers. With more than

brands

Design Show Australia is a must-visit event for

Book for a business of interior design talk with Belle editor Tanya Buchanan and interior design star Greg Natale plus a fabulous line-up of presentations from design-savvy guest speakers. An exciting collection of exhibitors will have their best new pieces on display plus there’s a suitably ambient place to meet for a drink – the Lincoln Gin Lounge by Cult x Four Pillars.

EVENT DETAILS

ICC SYDNEY, EXHIBITION CENTRE

TRADE: THURSDAY, OCTOBER 20, 2022, 10AM-5PM

TRADE: FRIDAY, OCTOBER 21, 2022, 10AM-5PM

TRADE AND PUBLIC: SATURDAY, OCTOBER 22, 2022, 10AM-4PM

DIMITRI

ROBERT GORDON

CHIC AGENDA Our dapper man-at-large Steve Cordony shares his eclectic and exclusive finds from his recent expeditions.

IDA FINALISTS The judges have had their say and we reveal the finalists in this year’s Belle Fanuli Interior Design Awards.

BELLE BOUTIQUES Sunny Queensland gets a dose of understated elegance with the opening of design and furniture purveyor Great Dane in Brisbane.

RIGHT NOW Fashion classics with an edge meet Brahman Perera’s vibrant and original interiors at Henne boutique in Melbourne.

ART Our curatorial colleague Harry Roberts tours the latest hangs in a selection of galleries.

ARCHITECTURE Andrew Burges embraces a collective architectural response.

CREATIVE SPACE Tamsin Johnson’s new atelier reflects her love of vintage beauty.

MAN Flying higher in aviator style

WOMAN Take off in high-achieving 90sinspired looks that are slick and fresh.

LIBRARY Design lovers rejoice – new volumes are here for your reading pleasure.

LUXE COASTAL Stylish spaces that draw you out to deep-sea blues.

vintage

EDITORIAL

Editor-in-chief Tanya Buchanan

Creative director Lauren Camilleri

Managing editor Matilda Ringrose

Senior copy editor Janice Hogg

Chief copy editor, Homes Sarah Pickette

Art director, Homes Marissa Foye

Junior designer, Homes Saffron Sylvester

Art production Matus Kundrat

Stylist, Homes Sophie Wilson

Contributing editors

Steve Cordony (Style director-at-large), Karen McCartney (Architecture), Judy Pascoe (Library), Melissa Penfold, Carli Philips (Melbourne), Harry Roberts (Art), Jean Wright (Design)

EDITORIAL

CONTRIBUTORS

Tom Blachford, Sharyn Cairns, Darren Christison, Stephen Crafti, Tom Ferguson, Alana Landsberry, Jessica Matthews, Chris Pearson, Carli Philips, Prue Ruscoe, Toby Scott, Anson Smart, Lillie Thompson, Pablo Veiga, Dave Wheeler

ADVERTISING

Commercial manager, Homes Rhyl Heavener

Brand executive Julia Maher, (02) 9282 8038

Advertising production manager Kate Orsborn, (02) 9282 8364

Director of sales, agency & direct Karen Holmes, (02) 9282 8733 Head of direct sales, VIC, SA & WA Will Jamison, Will.Jamison@aremedia.com.au Queensland head of sales Judy Taylor, (07) 3101 6636

Creative director Clare Catt, (02) 8116 9341 Production planner Sally Jefferys, (02) 8116 9385 Advertising production Dominic Roy, (02) 9282 8691

MARKETING, RESEARCH & CIRCULATION

Marketing director Louise Cankett Senior research and insights analyst Ania Falenciak Subscriptions campaign manager Jesvin Vincent, (02) 9263 9865

ARE MEDIA

Chief executive officer Jane Huxley Group publisher, Homes Shane Sutton National director of sales Andrew Cook

Business manager Georgina Bromfield

Circulation and insights manager Nicole Pearson

Data and distribution manager Joshua Blanshard

Street, Sydney

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riginal, fresh, exciting, and inspirational. How else to describe the entries in this year’s  Belle Fanuli Interior Design Awards? Designers who have been wrangling stop-start projects during the pandemic made entering the awards an urgent priority this year, and we received our most extensive group of entries ever. And, wow, have some designers been busy! One of my job’s privileges is seeing the evolution of Australian designers’ work from when they first arrive on the scene and how they morph and enhance their design DNA along the way. The projects are inspirational, and we can’t wait to unveil them over the coming issues. For this year’s finalists, see page 35.

Onthetopicofwelcomeoriginality,Iwasluckytoattendamediapreviewofthephenomenal new enhancement of the Art Gallery of New South Wales set to open on December 3. It is incredible and is what Sydney has long needed. The original buildings of AGNSW have been beautifully restored and opened up. The new building designed by internationally acclaimed architectural firm SANAA floats on Gadigal Country and soars to meet Sydney Harbour. This is the brilliant landmark venue we have needed to welcome international and local artists and to show large-scale exhibitions. One of my favourite areas was a former underground fuel bunker which has been restored and boasts lines of industrial concrete pillars and seven-metre ceilings – this 2200 metre-square space will host its inaugural exhibition work by ArgentinePeruvian sculptor Adrián Villar Rojas when it opens in December.

We are all hopefully looking forward to having a somewhat more normal summer in Australia. The coast, particularly homes with a water view, plays into our idea of Australian summer. Head to page 83 for some homes with enviable ocean vistas.

I love our cover and am a fan of Tamsin Johnson’s work and her subtle way of mixing vintage with contemporary elements in such an original way. Her exposure to travel, antiques and interiors from childhood has given her an innate ability to create gorgeous, engaging, authentic and comfortable spaces. We talk to Tamsin and do a little interiors shopping on page 69.

Finally we pay our respects to Queen Elizabeth II, the admirable, inspirational and formidable woman who devoted her life to public service and had some very Belle-worthy interiors! Queen Elizabeth II led with wisdom, resilience, courage, vigour, grace and style for 70 years, and her comforting and enduring presence on the global stage leaves an unfillable void. Thank you, Your Majesty.

Enjoy the read and see you next issue for the announcement of this year’s Belle Fanuli Interior Design Awards.

Tanya Buchanan, Editor-in-chief

PHOTOGRAPHY STEPHAN JULIARD (PORTRAIT ), LISA SHERIDAN/ROYAL LISA/HULTON

ARCHIVE/GETTY IMAGES (QUEEN ELIZABETH II), JENNI CARTER (ART GALLERY NSW)

LEFT PRINCESS ELIZABETH AT HER DESK IN HER SITTING ROOM AT BUCKINGHAM

PALACE, SEPTEMBER 19, 1946. RIGHT A SCONCE FROM TAMSIN JOHNSON.

THE TANK SPACE IN THE NEW BUILDING AT THE ART GALLERY OF NEW SOUTH WALES.

02_BRONZE AGE

Known for his artistic candles and lights, Paris-based designer Patrick Coard has now released a unique set of sculptures crafted in bronze-patina brass. These handmade pieces, including the Oval Queen (pictured), are available at Becker Minty in Sydney. beckerminty.com

CHIC

There are things to see, places to be: the latest destinations and designs unfailingly fire the creative mind of stylist Steve Cordony. Here’s what he has his eye on now ...

03_PERFECT POUR

Elevate your servingware with the delightfully minimalist ‘Alor’ ceramic milk or honey pourer, one of the latest collection from Cisco & the Sun. ciscoandthesunhome.com

Proving that modularity is a big trend in design, the new Din mosaic tile collection by Mutina allows for endless creative expressions. Featuring fashionfocused colours, the range is available in two finishes and assorted sizes. artedomus.com

Editedby

agenda

04_FIRED UP

Aptly titled ‘Alchemy’, Sarah Ellison Studio’s latest lighting collection – designed in collaboration with ADesignStudio – uses a temperature-managed firing process that imbues each piece with a unique finish and crystallised look when illuminated. sarahellison.com.au

STEVE CORDONY

01_MOD SQUAD

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05_AMERICAN DREAM International hotel group Aman has opened its first hotel on the US East Coast. Located within the historical Warren and Wetmore-designed Crown Building on Fifth Avenue, the Aman New York is redefining luxury with a seamless mix of Gilded Age glamour and modern organic style. aman.com

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07_RISING STAR

There is nothing better than the scent of freshly baked bread – and even though the lockdowns are over, you can still hone your bakery skills with this cast-iron bread oven from Le Creuset. lecreuset.com.au

09_NEW ORDER Shaker is a collection of lifestyle accessories created by Denmark-based textile brand Kvadrat in collaboration with Belgian designer Raf Simons. Based on the concept of creating beauty from order, the range of pared-back essentials includes a tote bag, key chain, throw rug, leather magazine strap and more. kvadratrafsimons.com

08_ON THE CASE

Antler’s Clifton range of luggage is hand-finished and colour-fast, meaning any scratches will stay true to the colour of each piece. Perfect for your next local or international sojourn. antler.com.au

1010_LEGEND STATUS

Filled with wooded depths, piquant spices and an aqueous stillness, the latest genderless perfume from Aesop, ‘Eidesis’, draws upon the myth of Narcissus and Echo. aesop.com

11_ESCAPE KEY

Hinterland House is the latest virtual concept by renowned designer Daniel Boddam. The speculative project, set in remote Byron Bay, showcases Boddam’s sleek architectural and furniture designs. It offers an ideal way to explore his latest collections from the comfort of home. danielboddam.com

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13_CHARMING PRINTS

The latest addition to the Apulianinspired Alex and Trahanas home and table collection is the hand-painted table linen from Stamperia Artigiana, made by the Marchi family in a time-honoured tradition dating back to the 17th century. alexandtrahanas.com

12_LIGHT TOUCH

Australian brand Rubble loves to rethink traditional lighting design. The ‘Rubbleorah’ offers a timeless yet playful update of the classic menorah candelabrum used in Jewish celebrations. rubbleworkshop.com

14_ADD TO CART

The Gubi ‘Basket’ lounge chair by Joe Colombo honours the classic hand-weaving technique used in rattan basketry. We love its organic lines, modernist aesthetic and innovative approach to materials. cultdesign.com.au

Fusing sculpture and illumination, the handmade Caitlin Robson ‘Hook’ lamp from McMullin & co. is as much an artwork as it is a functional table light. mcmullinandco.com

18_SOFT OPTIONS

Ready-made cushions have come a long way. Franka offers a brilliant collection of furniture and accessories, including cushions in round, bolster and lumber styles. franka.com.au

17_TRUE LUXURY While spending the European summer in Italy, one of the absolute highlights for me was staying at Palazzo Ducale Guarini, a 14th-century villa located in the heart of Scorrano, Puglia. Along with this property, The Thinking Traveller offers access to some of the most amazing villas and houses in Italy, Greece and Mallorca. Being able to stay inside a piece of history, with the option to book private chefs and tours of local landmarks, makes travelling to this region all the more amazing – and something to remember forever. thethinkingtraveller.com

191719_BLUE MOOD

Inspired by the ocean hues of India’s famous Bar Palladio, Walter G’s new collection, Palladio, includes the ‘Kauai’ cushion in Fresh Azure. walter-g.com.au

15_WE’RE HOOKED

16_PARADISE FOUND

Designed by Luca Nichetto, the Paradise Bird furniture collection by Wittmann blends beauty and comfort. domo.com.au

22_COLOUR THERAPY

Play is the latest home and jewellery collection from Dinosaur Designs and celebrates the joy of colour and form. dinosaurdesigns.com.au

23_CLASSIC FOOTPRINT

Highlighting Tod’s timeless collection of bags and footwear, the brand’s heritage campaign celebrates true craftmanship through product and process. tods.com

20_CHIC SHAPING

Taking inspiration from Haydenshapes’ contemporary take on utilitarian surfboard design, Hayden Cox has launched his first fashion foray, debuting a RTW collection exclusively with Mr Porter. mrporter.com

21_SCULPTED SEAT

Crafted from Nero Antico marble, the ‘Kafa’ stool by Christophe Delcourte is as much a piece of sculpture as a functional form. ondene.com.au

24_ROSY GLOW

With Spring in full swing, my favourite drink for the warmer months, Rameau d’Or, not only looks chic on the table, but will transport you to its Provence origins on a sunny afternoon. rameaudorwines.com

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25_HERITAGE FRAGRANCE

Having recently visited the flagship store in Florence, we are excited that centuries-old fragrance house Santa Maria Novella has opened a second outpost in Sydney’s Strand Arcade. It embodies the soul of the historic brand, as well as carrying the beautiful new handwash and cream in its signature scents. santamarinovella.com.au

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27_GO-TO FOR GLOW

Created with Dr Gregor Reid, the UN’s probiotics expert, ‘DS-01 Daily Synbiotic’ is Seed’s first consumer product and available now to order online in Australia. seed.com

26_BASKET CASE

Always worth a visit when in Byron Bay, Tigmi Trading’s latest arrivals include the ‘Soniah’ pendant light (above) and the ‘Strikha’ table lamp (right) from Ukrainian brand, FAINA. tigmitrading.com

28_RELAXED CHIC MEETS MELBOURNE

Taking his laidback luxury home brand into Melbourne, Charles Hinckfuss has opened a light and airy space on Chapel Street filled with art, furniture and homewares. mcmhouse.com

INTERIOR DESIGN AWARDS

Congratulations to the outstanding finalists in this year’s Belle Fanuli Interior Design Awards.

IN PARTNERSHIP with leading furniture and design brand Fanuli, Belle is delighted to announce the finalists in this year’s Interior Design Awards. Now in its twelfth year, this prestigious program recognises excellence in Australian interior design and decoration. Winning designers and their work will be published in Belle’s December/January 2022/23 issue on sale November 21, 2022. We are grateful for the support of all of our sponsors and to all the exceptionally talented entrants. This year’s program attracted the most entries ever received in the history of the awards. For a look at the finalists and their inspirational work, turn to page 37.

PHOTOGRAPHY JUSTIN ALEXANDER (THE BAKERY), KA THERINE LU AND TOM FERGUSON (LANEWAY GLASS HOUSE), ANSON SMART (LAYER CAKE, SYDNEY TOWNHOUSE, MIDDLE PARK RESIDENCE, KYLE BAY), LILLIE THOMPSON (TERRA HOUSE), FELIX FOREST (WILKINSON VILLA), PRUE RUSCOE (PLAYA HOUSE), DEREK SWALWELL (ALWAYS)

PHOTOGRAPHY DAVE WHEELER (AUTOR E MODA FLAG SHIP, RACHEL GILBERT), AN SON SMART (LO&CO, YIRRANMA PLACE, GENOVESE COFFEE HOUSE, ACE HOTEL SYDNEY, BREADWINNER), TIMOTHY KAYE (INSIGHT BODY AND MIND), LILLIE THOMPSON (HENNE, REL INQUE, ENTRECÔTE PRAHRAN), PABLO VEIGA ( WYER & CO), GAVIN GREEN (SHEETH HEADQUARTERS) ALAN JENSEN (OSBORN HOUSE), TOM FERGUSON (AR TURO’S), SEAN FENNESSY AND TOM BLACHFORD (SOCIET Y)

A passion for Scandinavian furniture set Great Dane founder Anton Assaad on a mission to connect Australian style lovers with Danish artisans and makers.

NORTHERN

Photography TOBY SCOTT

LIGHTS

This page ’Australia’ sofa by Illum Wikkelsø upholstered in Great Dane fabric. Poiat ‘Petit Bastone’ sideboard by Antrei Hartikainen and Poiat ‘Fiori’ coffee table with hand-carved flowers. Getama ‘Plank’ chair by Hans J. Wegner. Le Klint ‘Bouquet Pendant 5’ by Sinja Svarrer Damkjær. Skruf ‘Pallo’ large vase and ‘Kollon’ small vase designed by Carina Seth Anderson.

This page, clockwise from top left The Great Dane logo graces the wall in the new store which features iconic products such as the Snedkergaarden ‘Johansen’ table and console by Mads Johansen and Miyazaki ‘DC09’ chairs by Inoda + Sveje. Fliegenbein floor lamp by Kalmar Werkstätten. Trizo21 ‘Austere’ chandelier by Hans Verstuyft. Getama ‘Ring’ armchair by Nanna Ditzel. Great Dane ‘String’ shelving system in Oak. Skruf ‘Holmen’ vase by Carina Seth Anderson. The original red-brick facade of the Brisbane premises. ‘Plank’ armchair by Hans J Wegner with Arne Vodder sideboard and Fliegenbein ‘SL’ standing lamp.

WHAT DO YOU LOVE ABOUT YOUR NEW BRISBANE STORE AND HOW DOES IT REFLECT THE WORK THAT YOU DO? It is a true reflection of everything we love about classic and contemporary Scandinavian furniture. A unique collection and curation that celebrates and honours our makers across Denmark, Sweden, Finland and beyond. A passion we are beyond excited about sharing with Queensland. WHAT IS YOUR PROCESS FOR SELECTING PIECES FOR THE STORE? Our creative director Megan Marshall spent many hours consideringthenaturalbeautyandenviablesummerheatofQueensland. This inspired a new palette of materials including textural natural fibres such as linen and cotton to complement and enhance the beauty of the products in their new home. As always, a blend of intimate and whimsical settings to enchant. WHAT ARE SOME OF YOUR FAVOURITE PIECES? The centrepiece and heart of any home, for me, will always be dining. Our range of tables and dining chairs are defined by the legacy their designers have left behind such as the handwoven papercord ‘Møller 77’ dining chair by J. L. Møller, a third-generation family business now helmed by Kirsten Møller, his granddaughter. Paired elegantly with a Mads Johansen dining table based on the designer’sobsessionwithsuspensionbridgesandengineering. Careful consideration is given to every plank of wood selected in the creation of a Johansen table to create a seamless flow of grain. HOW WOULD YOU DESCRIBE YOUR PERSONAL STYLE? I’m a purist at heart and my passion for vintage design remains. Integrity in design means much more to me than fleeting styles or trends. I’m immediately drawn to artists, makers or designers honing their craft in a meaningful way to them. Often Scandinavian style can be thought of as stripped back or minimalist, however I feel that this is a horrible misconception and if you are lucky enough to be invited into a Scandinavian’s home, you

will find it is much more layered and intimate. It is that softness and beauty that we try to capture in our collections. WHAT IS YOUR FAVOURITE TRAVEL HAUNT? Ett Hem Hotel in Stockholm, Sweden, designed by Ilse Crawford, and the Svenskt Tenn store located on Strandvägen in Stockholm. WHAT IS YOUR FAVOURITE SCENT? On a recent trip to Copenhagen we discovered a new range of sculptural diffusing objects and fragrances that heighten the senses and intensify our spatial experience. Studio Pneuma scents evoke feelings of connectednesstosomethingreal,authenticandnatural.Weareexcited to bring their beautiful products to Australia. A personal favourite is their refreshing oil blend of geranium, basil and lavender called ‘Floating Leaf’ evoking the scent of pulling stems out of a river and softly squashing them together. WHAT ARE SOME OF YOUR FAVOURITE ASPECTS? We searched Brisbane for many years for the right location. We loved the building’s architecture, in particular that it has been lovingly restored to its original red brick facade. We also love our new community of like-minded creatives in the area. It is a very special place. HOW DOES THE INTERIOR DESIGN REFLECT YOUR BRAND’S STYLE AND SENSIBILITIES? Great Dane is a home focusing on a layered and intimate sensibility. We invite our customers to come and sit, touch, smell and experience all of their senses in our home. A place to make yourselfcomfortable,takepartinthecurationorselectionofpremium materials. HOW HAVE YOUR CLIENTS RESPONDED? We hosted our opening a few weeks ago and the response was overwhelming. We have certainly felt the pull from our loyal clients up north. Touching and experiencing our pieces, we feel, is a really important part of our business. We sell luxury synonymous with an unsurpassed level of detailing – and we know that no amount of googling can compare with human touch. We know our clients feel this way too and we are excited to finally extend our range and unparalleled customer service to Queensland.

This page, from top Miyazaki ‘Kai #42’ dining chair in Cognac by Kai Kristiansen next to the ‘String’ shelving system in Oak with Trizo21 ‘Aude’ table lamp in Brass. Nuura ‘Blossi’ table lamp by Sofie Refer on Snedkergaarden ‘AV03’ tallboy by Arne Vodder. Great Dane ‘Klassik’ papercord bed from Great Dane. Snedkergaarden ‘AV04’ lowboy by Arne Vodder. ‘Møller #63’ bench by J.L. Møller. Le Klint ‘Lamella’ pendant lights by Takagi & Homstvedt. Trizo21 ‘Austere’ wall lamp by Hans Verstuyft. ‘Ilse’ sofa by Ilse Crawford, ‘Stobie’ coffee table by Lex Stobie and Getama ‘Ring’ chair by Nanna Ditzel. Le Klint ‘Bouquet Pendant 5’ light by Sinja Svarrer Damkjær.

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RIGHT NOW

TWIN PIQUES

When online women’s clothing brand Henne, Swedish for ‘her’, looked to launch a flagship store, it settled on Greville Street terraces in Melbourne’s Prahran. Channeling the marque’s classic lines with Scandinavian influences, interior designer Brahman Perera created a home for the apparel in natural materials and finishes in one terrace. The neighbouring property (pictured), dedicated to events, workshops and styling consultations, has a warm, residential feel with kilim rugs on floors and plinth seats, complemented by grained, whitewashed walls.

Photography LILLIE THOMPSON

Inspiration ahead: stylish boutiques, a cool collected space, architecture, design books, and more.

Double joy

Henne co-founder Nadia

Bartel shares the ethos of the fashion label with adjoining Prahran stores.

TELL US ABOUT YOUR JOURNEY WITH HENNE. HOW DID YOU GET STARTED WITH THE BRAND? Nadia Bartel: I commenced the business three years ago alongside two business partners, my sister Michelle Ring and our friend Laura Broque. Before starting Henne, Michelle and I had e-store The Connection, which housed Australian brands. This allowed us to get a good understanding of our customer.

WHAT DO YOU LOVE ABOUT YOUR NEW STORE AND HOW DOES IT REFLECT THE WORK THAT YOU DO? Our store design is focused on quality and craftsmanship.We wanted to create a special place that felt like a home so our customers would feel comfortable and inspired when they walked through the door. We love connecting with our customers and now, with our new spaces, we feel we can do that and showcase who we are as a brand.

WHAT WAS YOUR PROCESS FOR DEVELOPING THE INTERIOR DESIGN? We worked with our beautiful interior designer, Brahman Perera. It was important for us to showcase local Melbourne designers and also pieces that reflect our ethos as a brand.We looked for unique features, such as our aluminium sales counter and rich timber panelling. We chose to saturate our stairwell in periwinkle blue – inspired by the sky – to create a natural backdrop for our boutique’s earthen hues.

WHAT WERE THE REQUIREMENTS FOR THE SPACE? It was important to create oversized changing rooms so that our customers could try on pieces in a relaxed setting. They’re located upstairs, away from

This page, clockwise from top left The first terrace comprises the main store, known as Her Space, where Henne’s capsule releases are curated with a series of wardrobe-style garment displays, plinths and rails. ‘Brera’ floor mirror from Just Adele. Archer Davies artwork from Oigall Projects. Captivating books in the backdrop. Henne founders, from left, Michelle Ring, Nadia Bartel and Laura Broque with interior designer Brahman Perera. On ‘Glazuur’ display table from @ bieemele, pleated ceramic gold vase by Kirsten Perry from Pépite. ‘Alasht 02’ rug from Halcyon Lake.

This page, from top A built-in banquette seat stars in the styling terrace. ‘Falkland’ pendant light from Stylecraft. French modernist armchair from Larkwood Furniture. The periwinkleblue staircase is a stunning feature of the main store. Custom plastered pendant light in tulip shape by Brahman Perera. Wire chair from Melbourne-based Bootleg Studio. ‘Pipistrello’ table lamp on joinery from Tigmi Trading.

the hustle and bustle of the store, for added comfort. We also wanted to ensure we had enough seating throughout the boutique so that customers could relax while exploring the collection.

WHAT ARE SOME OF YOUR FAVOURITE DESIGN ELEMENTS? I love our beautiful bespoke Just Adele mirror.We also have a plaster pendant light in a unique tulip shape, created by our interior designer, which sits low in front of our blue-carpeted staircase. It really anchors the store and is one of my favourite pieces. I also love our two elegant wire chairs by Melbourne-based brand Bootleg Studio.

HOW HAVE YOUR CLIENTS RESPONDED? Our customers have really enjoyed being able to come and try on pieces in person, as we were previously solely online. They have loved the experience and they find the store to be unique and appreciate its intricate details.

WHAT ARE SOME OF YOUR TOP PRODUCT RECOMMENDATIONS? We are known for our Essentials range. That is the reason we started Henne – we wanted to create pieces with longevity. Trends come and go but we felt it was really important to create pieces that last many seasons.Certain styles have been in the range since we launched three years ago and are still integral to our collection today: for example, our long-sleeved ribbed tops, oversized knitwear, structured blazers, crisp shirting and tailored pants. These styles will always be my top picks as you can turn to them season after season.

HOW WOULD YOU DESCRIBE YOUR PERSONAL STYLE? I love a polished look and turn to classic, enduring pieces for my wardrobe.

WHAT ARE YOU LOOKING FORWARD TO SEEING IN THE COMING SEASONS? Separates dressing will be big, with long column skirts and little crops paired with oversized blazers and shirting. Vegan leather in bright colours is going to be popular, as well as relaxed summer suiting and fun,new denim cargo pants.I have also seen more metallic tones in deep purple, blue and slate coming through. henne.com.au

Edited by HARRY ROBERTS BRISBANE

SECRET HISTORY

Sancintya Mohini Simpson paints her topographic scenes on wasli, a type of handmade paper used for traditional Indian miniature painting, before arranging them in a grid formation (left) so that the fragmented picture might evoke the gaps, elisions and silences of the colonial archive. A descendent of indentured labourers sent from India to work on South African plantations, the artist and researcher explores the complexities of migration, memory and trauma. Until October 30. milanigallery.com.au

On the lookout

The art landscape is a fertile field.

LAUGHING MATTERS

A group show with a great sense of humour, ‘Play Ground’ explores the potential for fun and games to offer respite, reveal life’s absurdities and disarm us in ways that let us contend with difficult truths. The line-up includes work by Lucas Abela, Kalanjay Dhir, Oliver Harlan and Meng-Yu Yan, as well as new commissions from Billy Bain and EJ Son (right). Until November 27. thelockup.org.au

MELBOURNE FINE BALANCE

‘Barbara Hepworth: In Equilibrium’ presents more than 40 works by the late British modernist, including Eidos from 1947 (above). Inspired by the relationship between figures and the landscape, the sculptor’s sensuously organic abstractions are often ‘pierced’ with large holes, inviting tension between an emptied interior space and the material enveloping it. November 5-March 13. heide.com.au

MELBOURNE

WOVEN WORLDS

Paul Yore’s kaleidoscopic career survey ‘Word Made Flesh’ places 15 years of provocative practice across five irreverently staged spaces and culminates with a riotous new room-sized installation. The artist’s lurid assemblages and appliquéd quilts (below) stitch together a phallic phantasmagoria of pop-cultural detritus, pornography, party paraphernalia and religious iconography, all soaked in camp rainbow colours and emblazoned with Australian colloquialisms, political slogans, homophobic slurs and capitalist mantras. The tapestries and makeshift structures hold a punkish funhouse mirror to the contradictions of modern life while celebrating acts of queer worldmaking. Until November 20. acca.melbourne

MENTAL PICTURES

Showing at Daine Singer’s new gallery space in Brunswick, ‘(I’ve got) half a mind’ sees artist Kirsty Budge venture inwards, reflecting her interest in psychoanalysis with a brooding and ambiguous blend of figuration, abstraction, personal narrative and landscape. In Bubble or nothing (above), fluid forms in earthy gradations swirl and hover around an inky abyss. Until November 5. dainesinger.com

PLANET IN PERIL

Filmed over three years in remote parts of the Amazon rainforest, Broken Spectre (still, right) by Irish artist Richard Mosse reveals the devastating impact of deforestation, shifting between various scientific imaging technologies to urgently visualise an ecological catastrophe that is both incomprehensibly vast and imperceptibly pervasive. The work was co-commissioned by the NGV and is being presented across a 20-metre widescreen panorama at the gallery until April 23. ngv.vic.gov.au

FABULOUS FUTURES

Liveworks Festival of Experimental Art is returning to Carriageworks with 10 days of performances, dance parties and dynamic installations by emerging and established artists, musicians and thinkers. Among the program highlights is the premiere of a new commission from Yuriyal Eric Bridgeman comprising 19 large-scale shield paintings. The Australian-Papua New Guinean artist (right) is also among the speakers at Live Futures, a series of artist-led talks offering radical perspectives on what might be to come. October 20-30. performancespace.com.au

CROSS-POLLINATION

Mikala Dwyer’s ‘A Sun, A Flower, A Bee’ is an ecosystem of paintings and sculptures that builds on her exploration of ritual, sexuality, magic, memory and history. Suggesting an interplay between natural elements, compositions in the constructivist style of Doggod (above) buzz around a forest-like installation composed of steel and plastic. Until October 29. 1301sw.com

ADELAIDE

MOVING PICTURES

‘Gamepieces’ is the first Australian survey for pioneering multimedia artist Nalini Malani. Informed by her childhood experiences as a refugee displaced by the Partition of India, the artist’s advocacy for social justice is expressed through immersive, sensory works in which literary, historical and mythic narratives coalesce. Responding to disturbing accounts of violence, Can you hear me? (left) feels akin to being inside a racing mind with its cacophony of sound, projected drawings and literary references that play out as skittering graffiti. November 5-January 22. agsa.sa.gov.au

PHOTO FINISH

To celebrate 20 years of the Josephine Ulrick and Win Schubert Photography Award, this year’s 40 finalists face off with a retrospective of past winners, offering a unique lens on Australia’s shifting cultural landscape. The class of 2022 includes Anna Carey with her work Dream Cloud (above). Until January 8. hota.com.au

SYDNEY

GOLD

Andrew Burges, seated centre, and his team at ABA, from left: Camilla Phillips, Eric Ye, Min Dark, Diego Abé Montt, Peter Ewald-Rice, Regan Ching, Nanako Reza, Tiffany Chang, and Lily Cannon. Absent were Eva Ponsati, Charles Choi, and Jason Anderson.

GEOGRAPHY CLASS

Andrew Burges Architects is making waves in residential and public spaces alike with an approach that puts collaboration front and centre.

Portrait ALANA LANDSBERRY Edited by KAREN McCARTNEY

SOMETIMES THE KEY to unlocking the ethos of an architectural practice comes from a small phrase or expression. In the case of Andrew Burges it was the words “geography making” at the top of the Instagram account for Andrew Burges Architects (ABA) that got me thinking about what defined the practice and made it different and noteworthy. “Geography making is about giving our projects a broader context, looking at site lines, context and topography,” explains Burges. Coming back to Sydney after living in New York, the first thing that struck him was how nature was embedded in the city. “I was on the phone to a friend in New York when he asked, ‘what is that noise?’ It was the birds. That presence of nature feels like an important aspect of living here.”

If architects could be defined by key traits – The Romantic, The Showman, The Salt-of-the-Earth – Burges would be The Academic. He left The University of Sydney with a string of scholarships, a first-class degree and the University Medal, and headed to the US where he completed a Master of Architecture at Harvard’s Graduate School of Design. While he considered staying in the US as an academic, he returned to Australia because there was an opportunity to build. It was rather a shock leaving the rarefied educational world and starting the process of construction with strong theories but a rudimentary understanding of what was required. But the practice he set up in 2001 has established itself as progressive in the way it thinks about building and how it operates as an office.

“The team are all very intelligent and probably would be getting paid five times as much if they were working as young lawyers. So they’re invested in being part of this creative industry. We don’t have the tolerance for working long Japanese-style hours and you don’t learn that much about architecture just by being in an office 24/7. It is important to participate in the life of the city,” says Burges.

This approach manifests itself in the built form. One of ABA’s award-winning residential projects is Bismarck House, for landscape designer Will Dangar and wife Julia. The reinvention of a Bondi semi, it opens up to a gritty laneway in a way that allows the occupants to engage with the street and the community. Co-authored by Min Dark, the project is experimental and experiential, re-using bricks from the adjacent house and pulling garden through the length of the building. As one of ABA’s clients who toured the house observed, “It’s interesting, you kind of made it smaller to make it bigger.”

It is a house that captures the elusive quality of atmosphere: an ambiguity about materials being old or new, industrial or domestic; spaces bleeding from inside to out and vice versa; a certain rawness in seemingly unfinished surfaces, balanced with craft and beauty. “The way the project was framed by Will with his ‘go for gold’ brief gave us this freedom to be open and collaborative,” he says.

Alongside a swathe of substantial houses in metropolitan Sydney, Burges is happy to slide up and down in terms of the scale of projects. “Size is not a criteria, in that if someone has an interesting project we often take it on.” He is aware that with rising building costs and tighter budgets, the practice can’t stand still creatively. “Inventive thinking with more cost-effective materials will be ABA’s next test as a practice.”

Then there are the large-scale public projects such as the awardwinning Gunyama Park Aquatic and Recreation Centre in Zetland where ABA partnered with Grimshaw Architects. For the winning competition entry they examined Sydney’s ocean pools and translated key learnings into the experience in the complex. Underway is another massive pool design, the Aquatic Leisure Centre, Parramatta, again with Grimshaw Architects, in a bold, simplified scheme that recalls the art of James Turrell – a singular idea where the strength lies in exploiting the reductive nature of a circle set in the landscape, while cleverly minimising the building footprint. Geography making at its finest. aba-architects.com.au

This page, clockwise from top The Aquatic and Leisure Centre, Parramatta, pictured in a render, is a work in progress with Grimshaw Architects. The Brick House in Bondi plays with complementary materials in natural tones. A heritage building is modernised with a ‘pop-up’ penthouse level. The award-winning Bismarck House set on a Bondi laneway. A curved space takes public changing rooms to a new level at the Gunyama Park Aquatic and Recreation Centre.

PHOTOGRAPHY ABA, GRIMSHAW AND MCGREGOR COXA LL (THE AQUATIC AND LEISURE CENTRE), PETER BENNETTS (YARRANABEE AND BRICK HOUSE), BRETT BO ARDMAN (GUNYAMA), PRUE RUSCOE (BISMARCK HOUSE)

RHYTHMIC SPACES

DESIGNED BY ARM ARCHITECTURE, THE URBAN PLAZA AT THE NORTHERN ENTRY TO ADELAIDE RAILWAY STATION HAS WON THE CITY OF ADELAIDE PRIZE FOR 2022. THE PROJECT WAS PRAISED BY CITY COUNCILLOR AND JURY MEMBER HELEN DONOVAN, WHO SAID, “THE VAULTED SPACES, TEXTURED SURFACES AND SOFT EARTHY GLOW OF THE COLOURED GLASS ARE EVOCATIVE, SENSORY AND PROVIDE VISUAL DELIGHT — DRAWING YOU THROUGH TO THE UNSEEN RIVER BEYOND.” ARMARCHITECTURE.COM.AU

PERENNIAL BORDER ‘Valley’ by MVRDV is an ambitious mixed-use project aiming to pull life back into Amsterdam’s Zuidas business district. The buildings comprise 200 apartments, seven storeys of offices and three-storeys of underground parking alongside various retail and cultural facilities. It takes its name from a publicly accessible ‘valley floor’ on the building’s podium. Renowned landscape architect Piet Oudolf has designed vegetation, yet to be installed, focusing on year-round greenery. mvrdv.nl

LOTUS POSITION

Using the strength, flexibility and low cost of bamboo to create the Grand World Phu Quoc Welcome Center (right), VTN Architects met the brief of embodying Vietnamese culture with an ambitious cathedral-like structure expressed entirely in this singular material. Two traditional symbols, the lotus and the bronze drum, are sculpted into the dense layers of the breathtaking bamboo grid. vtnarchitects.net

NORDIC BY NATURE

RIFFING ON THE IDEA OF A GREENHOUSE TURNED INSIDE OUT, THIS SPARE STEEL STRUCTURE (BELOW) BY DANISH PRACTICE NORM ARCHITECTS IS SET AMID ONE OF SWEDEN’S LARGEST VINEYARDS. MICHELIN-STARRED RESTAURANT ÄNG ADOPTS THE IDEA THAT DINERS WILL FEEL A SENSORY CONNECTION TO NATURE – THE FIELDS AND THE SKY – WHILE THE INTERIOR FIT-OUT IS WARM BUT MINIMAL WITH OAK FURNITURE BY JAPANESE BRAND KARIMOKU. NORMCPH.COM

COLOUR BOMB

Opening in November set within the NGV garden, the Temple of Boom (right), designed by architects Adam Newman and Kelvin Tsang of NWMN, will be a key meeting place for the gallery’s performances and talks. Recreating the Parthenon at 1:3 scale, the ancient Greek temple has been reinterpreted in ways that disrupt and challenge the traditional perspective of it as an undisputed icon of Western civilisation. ngv.vic.gov.au; nwmn.com.au

PHOTOGRAPHY RENAE SCHULZ (ARM ARCHITECTURE ), HIROYUKI OKI (VTN ARCHITECTS), ADAM NEWMAN AND KEL VIN TSANG (NWMN)

AMSTERDAM

SWEDEN

MELBOURNE

VIETNAM

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Breville the Barista Express™ Impress Coffee Machine, BES876BTR4IAN1, $949.

BARISTA QUALITY

From your morning espresso to an afternoon ristretto, the compact Breville the Barista Express™ Impress Coffee Machine delivers user-friendly precision, grinding your beans perfectly then transferring them directly into the portafilter whilst delivering the perfect dose and assisted tamp with less mess and fuss. Electronic PID temperature control offers increased temperature stability, and Breville’s unique Impress™ Puck system ensures a perfect water-topressure ratio for café-quality coffee, every time.

TIP: If you’re serious about your coffee, a manual machine lets you create rich, flavoursome coffee exactly the way you like it. Skip the line at the café and espresso yourself!

Cappuccino Cheesecake with Raspberry Coulis / Find the recipe at hn.com.au/recipes

BLEND PERFECT

Express your coffee style at home or in the o ce with the latest in barista-quality coffee machines with an impressive range of features.

BELOW Integrated with intelligent dosing technology, which automatically calculates the dose based on the last grind to prepare itself for the coffeemaking process.

FAR BELOW You’re in control with the assisted tamping handle that ensures a café-quality coffee at home.

FROM HOT CHOCOLATE TO ICED COFFEE, THE JURA Z10 AUTOMATIC COFFEE MACHINE LETS YOU EXPERIMENT WITH HOT AND COLD DRINKS TO TAKE YOU THROUGH THE DAY. ESPRESSO MARTINI ANYONE? AUTOMATIC STYLE

Behind the sleek styling and easy touch interface of the Jura Z10 Automatic Coffee Machine lies a responsive system designed to create custom hot and cold brew coffees to order. Featuring 10 programmable coffee strength levels and 10 milk foam temperature levels, you can choose between hot and cold extraction processes for your coffee, your way. Jura’s clever bean recognition system senses and grinds beans to perfection to create balanced and flavoursome results every time.

Chocolate Almond Tart with Coffee Meringue / Find the recipe at hn.com.au/recipes

FAR LEFT Featuring a product recognising grinder to make quick work of grinding different kinds of beans to the right fineness level.

LEFT Short or long, hot or cold? Choose your favourite coffee with 32 specialty recipes to choose from.

TIP: For a truly authentic tiramisu or an after-dinner affogato, an automatic coffee machine is the ultimate in-house barista when you’re entertaining.

TIP: Ideal for busy households, an automated machine saves you time and effort by grinding, brewing, pouring, and even heating and frothing milk at the touch of a button.

De’Longhi

EXPLORE MORE

Your favourite coffee is at your fingertips with the De’Longhi Eletta Explore Coffee Machine. The touch panel interface makes exploring your options a breeze. With up to 42 one-touch recipes and the new LatteCrema Hot and Cool milk feature you can create both hot and iced coffees, personalised in strength and quantity, at the touch of a button. For coffee lovers on the move, the new To-Go function matches standard travel-size mugs and cups with tailored recipes for when you want to take your coffee with you.

Cherry Mocha Eclairs / Find the recipe at hn.com.au/recipes

FAR LEFT This stylish automatic machine features a generous 2L water tank and easily refillable bean storage for busy households.

LEFT User-friendly touch functionality lets you control strength, temperature and grind for every style of coffee from luscious lattes to rich ristrettos.

TAKE THE FUSS OUT OF YOUR COFFEE WITH AUTOMATED OPTIONS AT YOUR FINGERTIPS. QUICK AND EASY IS THE ORDER OF THE DAY.

RIGHT Automatic milk frothing and adjustable milk texture and temperature settings will take your lattes and cappuccinos to the next level.

FAR RIGHT Short on time? With three-second heat-up, the stylish and compact Nespresso Creatista has your morning coffee sorted.

IF YOU’RE PARTICULAR ABOUT YOUR COFFEE YOU’LL LOVE THE NESPRESSO CREATISTA BY BREVILLE’S 11 MILK TEMPERATURE SETTINGS AND EIGHT MILK TEXTURE OPTIONS.

CREATIVE POSSIBILITIES

The Nespresso Creatista Pro Coffee Machine by Breville offers coffee aficionados the quality and convenience of Nespresso capsules with customisable manual features for the best of both worlds. Create your masterpiece with eight coffee recipes. Its automatic steam wand and milk frother allow you to choose from 11 milk temperatures and eight milk textures, via the intuitive touch screen panel. The dual Thermojet heating system helps extract the perfect temperature-controlled dose of coffee while simultaneously texturising milk to create latte art like a pro.

Raspberry, Coffee and Salted Caramel Ice-cream Biscuits / Find the recipe at hn.com.au/recipes

Nespresso

The fresh, light-filled interiors of Tamsin Johnson’s Paddington, Sydney, showroom offer the perfect clean slate to show off an everevolving cornucopia of exciting objects.

Collective

W

HAT WERE THE REQUIREMENTS FOR YOUR SHOWROOM, AND WHAT INITIALLY APPEALED ABOUT THE SITE? The showroom is an ideal size. I needed more space, and also a great location, proximal to my existing office on William Street. It also has big doors which helps! I have quite frequent container arrivals from Europe with many pieces to turn over. It also has a perfect natural light and a generous office space on the first floor that I can get messy if need be. From a design perspective it didn’t need a lot, it is a shell to show my wares and they really fill the space. It is more an evolving exercise in curation.

WHAT DID THE ALTERATIONS ENTAIL (IF ANY)? These required a bit of new glass, a little metal- and iron-work, and paint. It is a simple warehouse-like shell so it more was a case of stripping it out entirely to maximise floor space for the antique stock, and maximising the north aspect and natural light. The bathrooms, albeit small, were an excuse to add rather lavish excitement in the form of gold leaf walls among the dynamic working space of the main showroom.

WHAT INFORMED THE SELECTION OF FURNITURE, ART, FITTINGS AND FINISHES?

Everything is for sale in there, so it is simply the full catalogue on display rather than a highly designed interior in that sense. It is a working space which changes as the antique pieces move in and out. So the interior is a rather basic shell to retain focus on the goods. The pieces I will naturally arrange as best as I can curate but they are never permanent so it is a constantly dynamic space. The important thing is that it is full! I want it to feel like an endless cornucopia of exciting objects that will always strike a chord with someone.

HOW DOES THE SPACE REFLECT YOUR DESIGN SENSIBILITIES? It is a shop after all so more a curation of objects, since these will constantly change it is an amalgam of ideas more than a unitary or finished design idea in that sense. It simply has to carry the objects elegantly and is naturally light and fresh feeling.There are

Space

This page, clockwise from top left A melange of desirable objects including 1980s and Eames coat hooks, a FontanaArte picture frame and a Stilnovo table lamp on a Belgian 1940s wall console. Myriad mirrors and lamps inhabit the space. 1980s French coffee table and timber brutalist French stool. Pair of 1960s French onyx vases and Murano ashtrays. Opposite page, clockwise from top left French abstract artwork ‘Ava’ by unknown artist. 1950s French rattan and bamboo lounge setting. 1930s French outdoor setting upholstered in a Dedar striped fabric. Previous page Tamsin Johnson in her eponymous boutique in front of a selection of French antique gilt mirrors, Murano pink vase, 19th-century Italian console and a 1980s silver sculpture.

some signature embellishments of mine,the metalwork for example, that dress what is otherwise a very changeable working space.

WHAT DO YOU ENJOY ABOUT WORKING IN YOUR SHOWROOM? It acts as scrapbook of ideas,a working inventory that I can draw down on for my interior jobs.Having much of my inventory present helps with scale and perspective when visualising the interiors I am working on. It is also fresh and naturally light. I want browsers to be captivated by the prolific objects in the same way they excite me. It is that feeling of not knowing where to look which gets me excited.

COULD YOU DESCRIBE A TYPICAL WORKDAY? Busy, busy, busy. It starts with children and ends with children and everything in between is a mixture of planning, creating as much mental room for the designing itself and zipping around to client meetings.

IF YOU DIDN’T LIVE IN SYDNEY, WHERE ELSE WOULD YOU LIVE? Paris, or Milan. But we have it good here so only for a stint.

WHO HAVE BEEN SOME OF YOUR ENDURING CREATIVE INFLUENCES? YSL. Vervoordt. Vreeland. Loos. Don McQualter ... and all the unnamed people out there who did it themselves with their own personal oddness and imagination.The mixture of beingAustralian and having the privilege of travel is the underlying real creative influence, so we have a different viewpoint here. Globalised but isolated. Confident and just carefree enough, elegant as necessary.

WHICH OTHER DESIGNERS, ARTISTS AND ARCHITECTS ARE INSPIRING YOU? Artists tend to have the freedom and special sort of lunacy required to have freer thought when it comes to design so they inspire me most. There are so many great aesthetes working in their domains that it would be unfair to isolate individuals.

WHAT PROJECTS ARE YOU LOOKING FORWARD TO? My husband’s new store, the P Johnson Femme space, just around the corner on Elizabeth Street in Paddington. There is scope here for the space to be playful, but mixed against a classical sort of restraint and maturity. The site is a former townhouse so will offer some challenges. It is different to a home but the target sensation isn’t too different. It needs to be cosy and welcoming. tamsinjohnson.com; pjt.com

This page, clockwise from top left The Victoria Street, Paddington, shopfront with operable door and new graphics by TRiC studio. The bathroom’s gold-leaf wallpaper was laid by hand with The Water Monopoly pedestal and Perrin & Rowe brass taps from The English Tapware Company. A selection of European mirrors from the 18th century to the 1990s.

Tom Cruise in Top Gun (1986).

Wing

Black leather and steel pack an almighty punch.

Produced by SOPHIE WILSON

WILSON

BEAUTIFUL AUSTRALIAN HOMES: IV

Reflecting the diversity of the Australian design landscape today, sophisticated city residences are presented alongside idyllic coastal escapes and classic country boltholes in the latest in the series of Belle Beautiful Australian Homes. There is an abundance of inspiration to be found within the pages of this volume which takes readers on a grand tour of fabulous abodes brought to life by top Australian interior designers and architects, as well as the passionate collectors and aesthetes who call these addresses home. Are Media Books, $60

Bon vivants

Designers set the scene for the good life.

THEEVOLUTION OFHOME

A modern take on classic English decorating from respected designer Emma Sims-Hilditch, whose work transcends trends and focuses on craftsmanship, refinement and tranquillity. The author takes an holistic approach to design for “a new era” in which people live healthy and vibrant lives in tune with the seasons and embrace a slower lifestyle. Emma Sims-Hilditch, Giles Kime, Rizzoli, $120

STEPHEN SILLS: A VISION FOR DESIGN

A stellar design name in the US, Stephen Sills is highly sought after for his take on contemporary luxury. This is his third book and in addition to gorgeous images of his room compositions he also articulates his thought processes in essays on architecture, material innovation and landscape. Homes in New York, Connecticut and Florida are featured as well as conversations with collaborators in design such as Martha Stewart, and a foreword by Tina Turner.

David Netto, Rizzoli, $135

UNDER THE SUN

The ultimate fantasy escape, this debut book from French photographer Roland Beaufré captures 21 halcyon, sun-splashed homes around the world from Tangier to Mexico. Designers and tastemakers have opened the doors to their exclusive residences, showcasing the magnificent style that befits their vibrant settings.

Roland Beaufré, Rizzoli, $125

Edited by JUDY PASCOE

JEAN-LOUIS DENIOT –DESTINATIONS

A truly international designer, Paris-based Jean-Louis Deniot’s deft touch is on display from Moscow to Milan and New Delhi to London. His second book reveals his latest projects – every one masterpieces of thoughtful composition, testament to his training in architecture. With a refined style that segues from elegance to whimsy, Jean-Louis’ schemes are timeless and highly individual.

Pamela Golbin, Rizzoli, $135

PARISIAN BY DESIGN

Injecting a little French savoir faire into a home’s interior is easily achieved with guidance from decorator David Jimenez. His chic, inimitable schemes seem effortless with their personality-laden layers of art, artefacts, books and textures. Here are ideas on everything from table settings to paint colours as well as a guide to the best flea markets, antique dealers and galleries in Paris and New York.

Diane Dorrans Saeks, Rizzoli, $120

TASMANIA LIVING

A passion for nature and sustainability, as well as beauty and facility underpins the design of the diverse residences featured here. Whether older homes that have been sensitively revived or futuristic marvels, there is a wealth of spectacular homes in our most southern state. From the Koonya Glass House to the Crump Tree House, innovation, idiosyncrasy and eco awareness reign supreme and provide the spark to fire the imagination. Marita Bullock, Joan-Maree Hargreaves, Thames & Hudson, $70

BLOOM

”Flowers are fleeting bursts of joy,” declare the authors of this book on growing blooms inside your home. The fourth book by Belle creative director Lauren Camilleri and Sophia Kaplan, partners in online store Leaf Supply, the indoor plant experts cover the science of flowers and their care before detailing some 60 species, grouped by season, to bring colour and form to balconies and interiors all year round. Lavishly illustrated, this book is an essential companion for green thumbs and budding indoor gardeners alike. Lauren Camilleri, Sophia Kaplan, Smith Street Books, $55 EDITED STYLE

Sophistication is to the fore in these serene settings created by Suzanne Kasler, encompassing beach houses to country getaways. In a companion volume to her other two books of interior design inspiration for Rizzoli, the Atlanta-based A-list designer mixes American and European eclectic furnishings to create comfortable living spaces founded in tradition, pretty palettes, and timeless style. Suzanne Kasler, Rizzoli, $110

THE ELEGANT LIFE

Incorporating an element of the magical into his designs, Alex Papachristidis presents ‘Rooms that Welcome and Inspire’. Artisanal pieces and bold ideas are his hallmark. The New York-born designer, who says he was “born to shop”, uses his fine eye for detail in this book to also advise on how to create wonderful table settings by mixing contemporary dishes with vintage objects. Alex Papachristidis, Mitchell Owens, Rizzoli, $140

ARENT & PYKE

Juliette Arent and Sarah-Jane Pyke have a flair for the unexpected and their designs always surprise in the best possible way. This, their first monograph, explores ‘Interiors Beyond the Primary Palette’, demonstrating their dexterity in mixing colours, elements, eras and styles to maximum effect. Homing in on their sophisticated and uplifting colour pairings through a stunning range of recent projects illustrates the joy and optimism their designed interiors can express. Juliette Arent, Sarah-Jane Pyke, Thames & Hudson, $80

These glamorous homes embody the joys of beachside living at its most convivial.

SEA SURE

by Secret Gardens fringes

Photography TOM FERGUSON

by the Aran Islands and

at House of Waterford

the Aran

the heritage of Irish craftsmanship in the brilliance of Waterford. Crafted to be loved, enjoyed, and treasured forever.

SWEPT AWAY

Dazzling surrounds and endless sea views mesmerised the owners of this quintessential beach house, now newly open ed up.

More than a decade ago, interior designer Daniela McMurdo and her husband returned to Sydney after having lived in London for years. “We decided to look for a weekender by the beach so that our children could experience Australian beach life just as I had and which James was keen to embrace as he was from the UK,” explains Daniela. “We were looking for a place not far from where we lived so we had the flexibility of using it regularly, including commuting over the summer holidays. Our search began with the northern beaches and ended there pretty quickly as we found our perfect weatherboard in Palm Beach. As soon as we walked through the front door we were mesmerised by the view out to the ocean.”

WHY DID YOU EMBARK ON THIS PROJECT AND WHAT WAS THE BRIEF?

We decided to make some upgrades to our quintessential 1950s beach house as our family needs had changed. We transitioned from arriving together at the weekend after work and school commitments, to our children driving there independently with their friends and studying there in the peace and quiet. During the pandemic we would go there to unwind and spend special time together. The brief was to convert the downstairs photographic dark room and storage area to create a new bedroom and ensuite bathroom and upgrade the house entry and frontage including hard and green landscaping. We wanted to retain the relaxed feel so no matt paint on the walls, no marble, no polished plaster and no cream sofas: nothing was to be too precious.

WHAT WERE THE CHALLENGES OF THE PROJECT AND HOW DID YOU RESOLVE THEM WITH YOUR DESIGN SCHEME? We were lucky and didn’t experience any major challenges as we were working with an existing home and landscape. This meant that the design for the

This page Adding its stripy presence to the living room, B&B Italia Up Series 2000 ‘Up 5_6’ armchair and ottoman by Gaetano Pesce from Space. The antique table features favourite pieces including the Londolozi table lamp from House of Isabella and a small white urchin vase from @scalacollective. On wall, abacus from a Hong Kong antique store and a printer’s drawer from London. Opposite page, from top A new Jetmaster wood-burning fireplace was installed in the living and dining area.

White artwork by Antonia Perricone Mrljak. Oak table from London with ‘Miami’ side chairs from Naturally Cane. Artwork above oak bench by Heidi Tansey. FDB Møbler ‘J83B’ bench in oak from Finnish Design Shop. Tall antique ebony wood sculpture from Manilla, Philippines. The kitchen was stripped back and all new carcasses, benchtops and appliances were installed with joinery by Anthony Ritchie of North Shore Custom Cabinetmaking. Splashback in mini picket tiles in Sky from Di Lorenzo.

Smeg ‘Portofino’ 900mm oven in White. Previous page To expand the deck and make it more usable, a central staircase was removed. ‘Palissade’ bench from Hay.

This page, clockwise from top left A collection of vintage items on the outdoor deck off the bunk room. Secret Gardens landscaped this courtyard off one of the bathrooms. Rug from Pampa. Panelling was installed along the living room wall. The sofa was reupholstered in a “Scandi blue”, says Daniela. B&B Italia ‘Husk’ chairs in oak from Space. Wooden coffee table from London. Sisal rug from International Floorcoverings Australia. On cabinetry, pulls in natural leather from MadeMeasure. Opposite page, from top On the newly expanded main deck is a Kristalia ‘Nori’ slatted extension table from Fanuli with colourful outdoor chairs from Ke-Zu. Billie the French bulldog in a favourite spot on the deck next to the Dedon sunlounger from Eco Outdoors.

new rooms had to suit the exact space we had. The new bathroom ensuite ceiling wasn’t as high as we would have liked and we had to incorporate a bulkhead. However, knowing you have no choice about things sometimes makes the project easier.

ARE THERE ANY PARTICULAR CONSIDERATIONS WHEN REDESIGNING A HOME IN A COASTAL SETTING SUCH AS THIS? Yes! To access the ocean view from as many areas of the house as possible.

WHAT WERE SOME OF THE IDEAS AND INFLUENCES THAT SHAPED YOUR DESIGN? The original architectural style was late 50s and even though some upgrades had taken place over the years, luckily each paid justice to the simplicity and beautiful location of the home. We were mindful to retain this mid-century design. Matt Cantwell and Nicholas Tuttle from Secret Gardens nailed the scheme for improving our entry and frontage and interpreted the look we were after, so much so that we didn’t make one change to their landscape design.

HOW WOULD YOU DESCRIBE THE COMPLETED HOME AND WHAT ARE SOME OF YOUR FAVOURITE DESIGN ELEMENTS? The renovation we undertook has only made it all the more comfortable, open plan, slightly quirky, filled with light and, above all, inviting. Our favourite design elements are part of the hard landscape design including the addition of more sandstone, the vertical zigzag entry steel balustrade, the patterned privacy screens and the quartz carpet in the carport and entry landing.

HOW DOES THE PROJECT RESPOND TO THE SURROUNDING LANDSCAPE? The property has just been given a new lick of paint and looks like the original cottage that was built years ago when Palm Beach had several quintessential weatherboard beach houses.

WHAT INFORMED THE SELECTION OF FURNITURE, ART, FITTINGS AND FINISHES? To be honest, the furniture scheme evolved from original pieces we purchased or had made when we first bought the house 20 years ago and other pieces and art are from various moves from London and Hong Kong. I believe that classic welldesigned furniture can transcend any scheme. They can be reupholstered or refinished and still be your hero pieces. The fittings and finishes were all chosen with classic, effortless, stylish and functionality in mind. All was to be easy to use including no instructions for guests!

WERE YOU HAPPY WITH THE EXECUTION? HOW DO YOU USE THE SPACE? Yes, we were happy. We had a great working relationship with Contemporary Builders and the result is a project we can all take pride in. We are continuing to use the home on weekends and for large family gatherings, including Easter and Christmas. Our adult children have recently moved to London and we hope the memories they have of Palm Beach will not only stay with them forever but bring them back to visit regularly. scalaandromano.com; secretgardens.com.au; contemporary builders.com.au

This page, from top In the guest bedroom, sisal floor rug from International Floorcoverings Australia. New doors and louvres were installed throughout, opening up the house to the outdoors and sea breezes. The master bedroom features a custom bedhead by Daniela and linen and pillows from Analu. On the private deck, outdoor ‘Trace’ sofa from Tait upholstered in Nassau In+Outdoor fabric in ‘Indigo’ from Westbury Textiles. Moroso ‘Osorom’ coffee table from Mobilia. Honore Deco ‘Croisette’ chairs from Bastille and Sons.

BATHING BEAUTY

Swimming in a swell of Bondi’s natural charms – sea, sand intimate dinner à deux as it can effortlessly accommodate

These pages, from left Finishes and soft furnishings in the living room were influenced by the large Frank Hodgkinson artwork. The builder helped un-curve the five-metre piece, which originally had been painted onto a curved wall in the owners’ previous house. Living Divani ‘Extrasoft’ sofa from Space with ‘Macleay’ cushion from Greg Natale Flagship Store. Massproductions ‘Puddle’ oak coffee table from District. Rope sculpture from Tolla Inbar. A Charles Blackman artwork above the Escea fireplace. Massproductions ‘Sander’ glass side table from District with Arnaud Barraud ‘Wavy’ cup from The DEA Store. Hand-knotted Gabra rug from Halcyon Lake. Custom joinery designed by Ricci Bloch made by JP Finsbury. ClassiCon ‘Euvira’ rocking chair and ClassiCon ‘Roattino’ floor lamp by Eileen Gray from Anibou. Custom French mattress by Ricci Bloch upholstered by Atelier Furniture. Timber flooring in Bistre from Tongue n Groove.

Photography PABLO VEIGA Styling JACK MILENKOVIC/ATELIER LAB

and endless skies – this home can as easily embrace an a party for 20 or more.

Creating the feeling of being on holiday while at home was the starting point for this Bondi Beach apartment, with interiors by Ricci Bloch Architecture + Interiors. The owners were looking to renovate, says architect Ricci Bloch, with the intention that one day they would downsize from their house, as all their four children had now moved out and married. What was the brief? Originally we were asked to renovate the kitchenandredotheexternalspacestomakethemmoreusable with a better indoor-outdoor connection. As the design process evolved, the project became a full renovation. It was key for the owners to be able to cook for just the two of them, but at other times cater for 20-plus guests. Rooms in use dayto-day also had to be flexible and easily converted to bedrooms when their kids and grandkids living overseas come to visit. Additional to the permanent guestroom, the study doubles as another bedroom as does the TV and wellness room. What were the challenges of the site and how did you resolve them with your design scheme? Being so close to the ocean, durability was a challenge along with noise reduction and managing privacy from the street, bringing light into dark corners, as well as maximising space. The kitchen needs to cater for kosher cooking and regular large-scale entertaining so it accommodates two of each major appliance, delineating separate areas for meat and milk without obvious visual cues.

This page, from top Evoking sea foam, swirling Storm granite from Worldstone Solutions shrouds the monolithic island bench by Euro Marble. Cassina vase on island from Space. Finishes and textures were selected for their durability, minimal maintenance and reflective properties to lighten up dark areas. Bronze Archier ‘Highline’ pendant light from Rakumba. ‘No.811 Hoffmann’ chairs from Thonet attend the dining table with ‘Cocoon’ knitted vessel by Ruth Levine. Custom joinery by Ricci Bloch made by JP Finsbury includes the bar. In the living room, ‘Puffy’ armchair by Faye Toogood from District and Coco Flip ‘Sequence’ side table from Cult. Artworks by Charles Blackman (left) and Tim Storrier. Timber flooring in Bistre from Tongue n Groove.

Are there any particular considerations when designing a home in a coastal setting? Materials and finishes are a big consideration, and the experience of coming in from the beach on summer days. We designed the front gate to provide texture to the facade and for privacy. As you enter there is an outdoor shower and hooks on which to hang towels and beach gear. Space under the common entry stair was maximised to store a pull-out barbeque and pool equipment. The renovated plunge pool uses fresh water so you don’t have to shower again when you get out. What were some of the ideas and influences that shaped your design? Cataloguing the large art collection to work out what would be included and so needed re-framing. Finishes were selected to bring the beach vibe and light inside while also ensuring they were durable enough to withstand the harsh salty environment and at the same time creating spaces that felt elegant and timeless but relaxed. How would you describe the completed home and what are some of your favourite design elements? I love everything about the project, but my favourite aspects would have to be the Venetian plaster walls in the corridor which reflect both the daylight and the beautiful surroundings. I also love the master bedroom with its hidden walk-in-robe and ensuite where we were able to maximise natural light coming in from an existing skylight so it feels like a welcome surprise.

This page, clockwise from top left Hem ‘Puffy’ chair and footstool by Faye Toogood from District. On custom joinery, Roll & Hill ‘Atlas’ table lamp from Space with assorted vessels from Greg Natale Flagship Store, The DEA Store and Spence & Lyda. Artwork by Melissa Egan. Outdoor lighting from Gardens At Night, Fibonacci ‘Anda’ lounge chair in Reed from Janus Et Cie and pot from Garden Life. ‘Porto’ outdoor table and benches, and ‘Garonne’ limestone pavers, all from Eco Outdoor. Custom entry gate designed by Ricci Bloch made by Chunk Design. On column, Trencadis mosaic from Tekno Tiles. Vitrocsa sliding doors.

This page, clockwise from below left Custom bedhead by Ricci Bloch upholstered by Atelier Furniture. Pillowcases and sheet from InBed with Case Studies throw from Spence & Lyda. Massproductions ‘Crown’ armchair from DIstrict. ‘Leo’ bedside table from Grazia & Co with glass from The DEA Store. Artwork by Eve Hannah. Carpet from Whitecliffe Imports. Iconic views from the pool. Custom vanity and sinks by Euro Marble in Carrara marble from Granite & Marble Works. Microcement wall finish by Idea Creations. Custom bronze-framed shower screen from Chunk Design with wall in Carrara mosaic tiles from Bisanna. Custom mirrors made by JN Custom Metal. Astra Walker tapware and heated towel rails in Iron Bronze. ‘Shiro’ bowl from The DEA Store. Købn ‘Crema’ towel from Oliver Thom.

How does the project respond to the surrounding landscape?

Colours and textures from the environs were brought inside Materials used to maximise the views include Venetian plaster in the main hallway connecting living and sleeping spaces. This reflects the light and images of the ocean and waves down the corridor and was also used in the powder room adjacent to the entry courtyard to reflect light and the landscape. Microcement in main bathroom evokes the texture of sand and also reflects the light. What informed the selection of furniture, art, ttings and nishes? Some furniture from their previous house was re-upholstered while other pieces were new or custom made. Fittings and finishes, including fabrics, were selected to tie in and maintain a balance with the larger art pieces, suit the timeless aesthetic and withstand the harsh environment. The fabrics were also selected to suit all modes of use and are easy to clean and maintain.

Were the owners happy with the execution? “Extremely happy,” they say. “Our brief was to achieve a timeless, elegant result while still honouring the beach vibe. It is our sanctuary and when you are inside the apartment it is very nurturing.” riccibloch.com.au

HOMES

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spectacular homes sitting pretty in myriad locations in unrivalled style.

HEAD TURNER

Newly reinvented by architects Potter & Wilson into a luxurious and expansive residence, this Balmoral property revels in filtered light and drinks in stunning vistas of Sydney Heads. See Strong Point, p98

Photography PRUE RUSCOE

STRONG POINT

This newly designed home’s strength of character comes not just from its robust materials but also the confident embrace of its bayside position with gun-barrel views of Sydney Heads.

These pages, from left Architects Potter & Wilson made the most of the spectacular views in their redesign of this house in Sydney’s Balmoral. A materials palette of concrete, steel and glass is softened with planting by Spirit Level. The existing pool was downsized and reshaped to better fit with the house. The dining area enjoys the views and is bathed in natural light. SP01 ‘Smith’ dining table from Space and B&B Italia ‘Vol Au Vent’ chairs designed by Mario Bellini.

A trio of Astep ‘Model 2065’ pendant lights by Gino Sarfatti from Mobilia illuminates the setting.

With sunlight splicing through the street-level garage and tantalising glimpses of Sydney Harbour and the Heads creating an impressive sense of arrival this is a house that promises – and delivers – much. The spectacular position wedged into the slopes above Balmoral in Sydney’s north demanded a stunning design to match and architects Imogene Potter and Simon Wilson of Potter & Wilson certainly delivered on the brief.

The clients had bought the battleaxe block in 1992, acquiring an 80s “modern box, architectural and of its time”, although with surprisingly minimal windows and low ceilings. “Even then it was unconventional for the area, which primarily consisted of Federation-era houses,” says the owner. The most outstanding feature was the uninterrupted panoramic view across Sydney Harbour to the Heads. “Whatever the weather it has an enormous impact – a storm rolling in, a sunset, the sparkling blue water – each has distinctive appeal,” the owner says.

While the house underwent several renovations over the years the time came when “it no longer suited how we wanted to live”, says the owner. It was begging to be reinvented into a luxurious and spacious residence, maximising the amazing viewsandbefittingthelocation.ImogeneandSimonimmediately noted the house’s defensive response to the morning sun and its tentative connection to the harbourside setting. “We imagined the external skin of the building as a way of filtering the views and light,” says Imogene, and this informed their choice of sculptural faceted concrete and slim steel elements for the facade.

Maintaining the existing concrete floor slabs as a framework the architects, along with Bill Clifton of Robert Plumb Build, created a robust structure that relies on massed planting, »

This page A six-metre steel shelving unit is a dramatic addition to the living area separating it from the stair. Curated items on shelves include custom planters by Robert Plumb, ceramics from Geoffrey Hatty Applied Arts and steel sculptures by Korban/Flaubert. 1930s Jindrich Halabala chairs from Nicholas & Alistair sit with a ClassiCon ‘Bell’ side table from Anibou. The fine Le Klint ‘Pliverre’ floor lamp from Great Dane contrasts with the sturdy Flos ‘Taccia’ table lamp by Castiglioni set into the shelf behind. Opposite page, from top K.i.s.s curtains in Putty from Unique Fabrics filter the strong light while not obscuring the outlook. Artek ‘Side Table 606’ by Aino Aalto from Anibou. The pool is a magnet for the owners’ grandchildren and a great backdrop for entertaining. The house looks out on the tennis court.

These pages “The interior is a balance of big gestures and fine detailing – working through the scale of the space and introducing intimacy helped define the quality of the pieces,“ says Sarah Johnson of Sarah Johnson Studio who, with Karen McCartney of Design Daily, helped curate the furnishings. The soaring double-height ceiling and expansive glazing promote a feeling of luxury and openness. B&B Italia ‘Tufty-Too’ sofa from Space. Minotti ‘Song’ coffee table from De De Ce. A vintage bronze Japanese vessel from Geoffrey Hatty Applied Arts sits on top of the SP01 ‘Smith’ table from Space. Abrash bamboo silk rug in Storm from Cadrys. Astep ‘Model 2065’ pendant lights by Gino Sarfatti from Mobilia K.i.s.s. curtains in Putty from Unique Fabrics. Flooring throughout is a custom terrazzo mix cast in situ.

«

deftly executed by Spirit Level, to soften the amalgam of concrete, steel and glass. Approached along a landscaped driveway the property is accessed at the highest level, descending to the five bedrooms and library on the middle floor, and to the double-height living, kitchen and dining areas on the ground floor leading to the pool. On the lowest level a self-contained guest apartment faces onto the tennis court. Six bathrooms and a cellar round out the amenities.

The mood throughout is one of quiet luxury. The owners favoured a monochrome palette, so the materials were restricted to blackened steel and timber for the stairs and living room shelving, and stained oak for the joinery in the

kitchen and other areas. The island bench features an insync black granite benchtop – Black Forest in a leathered finish – which adds texture and “gives life and movement when lit”, says Imogene. As the project progressed, muted blues and greens were also included to reflect the context of the house set among the trees and by the water.

Space is emphasised with voids in the living and dining rooms creating a feeling of generosity. The two-storey steel shelving that separates the stairs from the living area is a dramatic addition, that “emphasises the height of the room but is given human scale because of the detailing and the books and personal objects it holds”, says Imogene. »

This page, clockwise from top The mezzanine living area has a Fogia ‘Retreat’ modular sofa and Handvärk ‘Studio’ floor lamp, both from Fred International. ‘Innate’ coffee table from Spence & Lyda. Arflex ‘Cradle’ armchair by Neri&Hu from Space. The staircase in blackened steel and timber is separated from the living area by the feature shelving unit. Cabinetry in the study is in stained oak veneer. Thonet cantilevered chair in walnut and mesh from Anibou. Vintage lamp from Geoffrey Hatty Applied Arts. Artwork by Robert Preston. Opposite page The kitchen island bench in Black Forest granite keeps to the monochrome theme. Cabinetry in stained oak veneer and steel shelving. BassamFellows ‘Circular’ stools from Living Edge. Custom LED linear pendant light from The Lighting Guild. Glass vase from Cassina.

SPEED READ

» Architects Potter & Wilson were engaged to breathe new life into an 80s ‘box’ located in Sydney’s Balmoral on a sloping site with mesmerising harbour views. » Using the concrete floor slabs as a framework they articulated a svelte structure in concrete and steel spread over three levels and including a pool and tennis court.

» As the owners preferred a monochrome palette, the interior language of the house is blackened timber and steel expressed in the staircase, the joinery and the black granite kitchen benchtop. Muted blues and greens were added later in the project to reflect the house’s position surrounded by trees and water.

» Sarah Johnson Studio and Karen McCartney of Design Daily curated the furnishings, introducing a mix of vintage and contemporary pieces with a focus on ceramics, sculpture and glass accessories to add personality and interest to the cavernous spaces.

This page The main bedroom has a De La Espada ‘McQueen’ bed from Spence & Lyda. The wall behind is panelled in a Martyn Thompson Studio jacquard. Bed linen from Bedouin Societe. Boiled wool throw from Jac+Jack. ‘Møller #63’ bench from Great Dane Opposite page, from top Artworks by Sokquon Tran in the dressing room adjacent to the master bedroom. In the bathroom, an Apaiser ‘Chi’ bath with Brodware ‘Minim’ tapware, all from Candana. Walls in Carrara marble from CDK Stone and floor in terrazzo cast in situ by Allseal. Bespoke vanity with Carrara marble top.

« The double-height glass doors and windows draw in an abundance of nature – blue sky, bush and the ever-present glittering harbour.

The furnishings, curated by Sarah Johnson Studio and Karen McCartney of Design Daily, serve to temper and soften the structure and the strong graphic nature of the design. Contemporary Australian pieces, as well as vintage finds, form the backbone, complemented by international design classics. “There are unconventional elements, a mix of high and low,” says Sarah, “with pieces sourced from Etsy, 1stdibs and local auctions as well as special buys such as an exquisite c1960 table lamp in glass and metal, and a Japanese bronze vase.”

The shelving presented a challenge but also provided an opportunity for expression and personality. “The clients are very art-focused and we all worked together to find glass, ceramics and sculpture to populate the shelving in a creative and interesting way,” says Karen. Plants in custom-made bronzed metal pots by Robert Plumb were also added to give life and a hit of greenery.

To counter the strongly masculine form of the structure the designers introduced some femininity with the selection of curvaceous pieces such as Patricia Urquiola’s ‘Tufty-Too’ sofa for B&B Italia and Sebastian Herkner’s ‘Bell’ table for ClassiCon as well as vintage 30s Jindrich Halabala armchairs. “These chairs were a defining early purchase and the flourish of their curved construction set the tone for other pieces,” says Karen.

Another early selection was the Martyn Thompson jacquard fabric that is used as panelling behind the master bed. “It is muted and mysterious while adding a note of tactility,” says Karen. Sarah adds, “The interior is a balance of big gestures and fine detailing. Working through the scale of the space and introducing intimacy helped to define the quality of the pieces.”

With so many wonderful and flexible spaces inside and out, the family love entertaining, with the pool and tennis court a particular focus for friends and family including active grandchildren. “The house feels welcoming, calm and contained, creating its own little world,” enthuses the owner. # potterandwilson.com; robertplumbbuild.com.au; sarahjohnson.studio; designdaily.com.au; spiritlevel.com.au

This page The home’s elegant street facade. Opposite page The entrance hall is warm and welcoming with its custom hand-painted wall panels in ‘Grand Chasse au Tigre dans l’Inde’ from Zuber, London and Petite Alliance honed stone and timber flooring in Tula Grey from Surface Studio. Client’s existing Christian Liaigre pendant lights. ‘Pythagore’ console by Patrick Naggar from Alexandre Biaggi, Paris. ‘Delano’ stool and glass accessories on console, all from Becker Minty.

Words JUDY PASCOE Photography ANSON SMART

Refined palette

The good life is experienced in this elegant Sydney home where fine furnishings and luxurious finishes surround the owners and their guests.

This page The casual dining area links to the kitchen with its custom-designed cerused walnut cabinetry and Michelangelo marble benchtops from Worldstone. Custom-made counter stools upholstered in Jerry Pair Leather ‘Mootual Attraction’ in Midnight from Kneedler Fauchère. Tom Faulkner ‘Exe’ dining table base with custom top from Pyrolave. Bright Chair Company ‘Cahn’ chairs from Thomas Lavin upholstered in Catherine Martin ‘Leopardo’ in Snow from Mokum. Limited-edition ‘Bird’ chandelier by Alexandre Logé from Alexandre Biaggi. Custom herringbone patterned floorboards in engineered oak from Blackwattle Hardwood Floors.

When interior designer Thomas Hamel was engagedtoworkonthisresidenceinSydney’s eastern suburbs he was presented with the clients’ wishlist – a thick folder bursting with images and a detailed creative brief for their ultimate home. They clearly know what they like and for Thomas it was a joy to work with such design-savvy clients.

“They were so thorough in their research,” says Thomas, “and knew all the shops on Pimlico Road in London and Melrose Avenue in Los Angeles and in Paris that we frequent.” The clients had been searching for just the right house in this particular suburb for some time. Once they found it they were meticulous in articulating the brief for its refurbishment. “It had to be elegant, refined and calm, but without pretension,” recalls Thomas. “Restrained in its opulence, not flashy or shiny, but organic, textured, approachable and definitely eclectic!“ The clients even described the function of each room, and Thomas says it was “marvellous” that he was given so much detail.

Last refreshed in the 1980s or 90s, the two-level c1884 home was positioned on a generous block of land – remarkable for its close-city location – which had been utilised to the best advantage with a swimming pool, a large, lush garden and a two-car garage accessed from the side street.

Architect Alec Tzannes had completed some initial design work, then Thomas and his team, including then creative director Becky Yager, set to work, armed with the ‘bible’ as he called the owners’ notes. They removed a wall beside the staircase which created a better sense of interaction and spaciousness. Moving the powder room wall permitted an unimpeded view »

This page, from top Generous lush grounds surround the house. The casual living area has ‘The Python’ chimney piece in honed Carrara marble from Chesneys, London. Above is Hanukkah 2019 by Ildiko Kovacs from Martin Browne Contemporary, which slides across to reveal the television. Custom chaises upholstered in Yuki silk from Aissa Dione Tissus, Sénégal, with a hand-forged hammered base. Dmitriy & Co ‘Belgard’ swivel chairs from Una Malan upholstered in FH Atelier Mirage collection ‘Curly Linen’ in Rice from Jean de Merry. Gregorius Pineo ‘Bantu’ coffee table, ‘Nove’ floor lamp and ‘Montauk’ sofa (in the foreground), all from Kneedler Fauchère. ‘Veteris’ rug in Ivory from Lapchi. Artworks (left) Pepe No. 1 by Leila Jeffreys and (right) Cosmos by Petrina Hicks from Michael Reid.

This page In the formal dining room, the de Gournay wall panels are from the owners’ collection. Gregorius Pineo wallpaper and ‘Xavier’ table from Kneedler Fauchère with ‘Vienna’ chairs from Tom Faulkner. ‘Celine’ pendant light from Ironware. Custom rug from Stark. Antique bar cabinet, clients’ own. Opposite page, from top left The formal sitting room’s custom sofa is upholstered in Antoine d’Albiousse ‘Velours de Fiacre’, and an existing armchair reupholstered in de Le Cuona ‘Eskimo’, both from Boyac. ‘Lancea’ table lamp from Achille Salvagni. Coffee table and ‘Serpent’ occasional table (on left), both from Cox London. ‘Antarus’ rug from Joseph Carini. The butler’s pantry behind the kitchen is also accessed from the hallway. Custom cabinetry by Thomas Hamel & Associates in Resene ‘Dark Slate’. Michelangelo marble bench top from Worldstone. Mosaïque Surface ‘Serenity’ splashback in Calacatta Oro marble with brass detailing from The Fine Line, Chicago. ‘Normandy’ copper basin from Waterworks with Zip HydroTap from Winning Appliances. In the front study, ‘Enchanted Woods’ wallpaper by Phillip Jeffries from The Textile Company on the cabinetry doors. ‘Travertine’ wallpaper in Epsilon by Fromental from Milgate. Burr poplar desk and gilded plaster pendant light, both from Rose Uniacke. ‘Delano’ ottoman from Becker Minty. ‘New Texture’ rug from Behruz Studio. Mirror from Cox London. Curtains in Kvadrat ‘Dazer’ from Kvadrat Maharam.

« through to the back of the house and brought symmetry to the large casual living area there.

To best serve the home’s impressive scale and features, layers of decoration were called for. The entry speaks eloquently to the owners’ brief with its custom-designed hand-printed figurative wall panels from Zuber offsetting the flooring in honed stone and timber. A Patrick Naggar-designed console table and the clients’ existing Christian Liaigre lanterns provide just the right amount of polish and glamour.

Formal living and dining rooms to the right feature refined furnishings and finishes, some of which, such as the de Gournay wall panels and an antique bar cabinet, were already in the owners’ collection. “It was nice to be able to mix existing pieces with new acquisitions,” says Thomas. “It meant that when they moved in it already felt like home.”

Elsewhere, rooms are impeccably detailed with bespoke wallpapers, herringbone-patterned oak flooring, and a deft mix of both new and antique furniture pieces from international design sources, crowned by sculptural light fittings.

Moments of quiet restraint are juxtaposed against flashes of exuberance such as the outwardly calm bookcases and linen cupboards that are lined with “wild” wallpapers, including whimsical patterns, Scalamandré ‘Zebras’ and Cole & Son

This page The casual sitting room leads out to the pool and garden. Gregorius Pineo ‘Montauk’ sofa from Kneedler Fauchère, upholstered in Kohro ‘Citylights’ in Methane from South Pacific Fabrics. Dmitriy & Co ‘Belgard’ swivel chair (one of a pair) from Una Malan, Los Angeles, upholstered in FH Atelier Mirage collection ‘Curly Linen’ in Rice from Jean de Merry, Los Angeles. Gregorius Pineo ‘Bantu’ coffee table and ‘Nove’ floor lamp, both from Kneedler Fauchère. ‘Veteris’ rug in Ivory from Lapchi, Chicago. Clients’ existing artwork, Pepe No 1 by Leila Jeffreys. Opposite page The side elevation with outdoor terrace furnished with Amalfi ‘Host’ chairs from Amalfi Living, Arizona, upholstered in ‘Opium’ in Azure and Silver Gold from Janus et Cie.

This page The vestibule into the master bedroom has walls papered in de Gournay ‘Fishes’, and bamboo silk carpet from Behruz Studio. ‘Pars’ console with ‘Median’ table lamp, both from Apparatus. ‘Giobagnara’ stool from Becker Minty. Clients’ existing pendant. In the bedroom beyond, Gregorius Pineo ‘Fitzgerald’ chair from Kneeedler Fauchère. Opposite page, clockwise from top The powder room vanity is crafted from a neoclassical commode with Chinoiserie decoration from Objets Plus, New York, with ‘The Edge’ basin from Boyd Alternatives. Mirror from Osanna Visconti, Milan. Apparatus ‘Loop’ sconces. Wallpaper is Nobilis ‘Opaline’ from Redelman Fabrics. For the stair, iron spindles by Van Cronenburg, Belgium. Stair runner from Behruz Studio. Artwork by Tamara Dean from Michael Reid. The casual study’s sofa was reupholstered in Logan Montgomery Textiles ‘James’ fabric from Una Malan. Sofa from Baker Furnitures. Cabinetry in ‘Masquerade’ leather in Smokescreen from Holly Hunt. Shibori rug from Behruz Studio. LLA Franc sconce from Roman Thomas, New York. Clients’ existing artwork, Field Bungendore III (Lake George) by Joanna Logue from Olsen Gallery.

« ‘Alfaro’. “I had to throw in a few twists and surprises along the way,” says Thomas.

Other details are similarly exquisite – the antiqued finish on a metal and bronze mirror, a side table with guinea fowl feather top under glass, a carved marble fireplace surround that mimics a python, and a rock crystal and alabaster light fitting, as well as silk lampshades, velvet curtains and cashmere rugs. No corner or surface is unembellished, from the powder room that fairly glows with its French capiz shell and raffia wallpaper and antique tole Chinoiserie cabinet that was found in New York and converted into a vanity to the de Gournay ‘Fishes’ wallpaper in the master suite vestibule customised with a pair of swimming turtles that had significance for the owners.

Two studies were a prescient inclusion given the home was finalised pre-Covid. Magnificently detailed, the front study is described by Thomas as a “jewel of a room” and features a desk hidden behind cupboard doors bedecked with custom Phillip Jeffries wallpaper panels. Another desk in burr poplar from Rose Uniacke is paired with a carver chair from Tom Faulkner.

The casual living and dining area at the back of the house that links with the kitchen and overlooks the pool exudes a relaxed if well-dressed vibe. A Pyrolave-topped table with seating for 10 sits under a fantastic limited-edition ‘Bird’ chandelier by Alexandre Logé – one of Thomas’s favourite pieces in the home. In the sitting area, an artwork by Ildiko Kovacs slides across the wall to reveal the television, best viewed from the ‘Montauk’ sofa by Gregorius Pineo that rests plushly on an Ivory rug sourced from Lapchi. »

« The pièce de résistance is the luxurious master suite upstairs at the front of the house. There was a lot of discussion around this as initially there was a thought to move it to the back of the house to avoid any street noise but the ceiling heights and the grandeur of the room couldn’t be replicated so the designers worked to mitigate the noise with upholstered wall panelling, heavy curtains and double glazing. The result is a triumph. A wallpapered vestibule with custom cabinetry featuring mirror, brass and straw marquetry details, a Fortuny pendant light and a glittering sunburst mirror by Thomas Pheasant leads in to the glamorous bedroom with its custom

bed from Gregorius Pineo under a Lutèce chandelier and flanked by Mondrian-style bedside cabinets. The master bathroom combines graphic floor tiles with fluted plaster wall panelling – “old world with a twist”, says Thomas – and a fitting backdropforthecast-ironbathtubfromDrummonds,London.

The final flourish in this impeccable home was to add bespoke linen and custom porcelain tableware handpainted by Marie Daâge in Paris. “The clients had great fun during Covid lockdowns setting the table each day with their different collections of china,” says Thomas. A wonderful life indeed. # thomashamel.com; tzannes.com.au; cumberlandbuilding.com.au

SPEED READ

» Thomas Hamel & Associates were approached to redesign an impressive 1880s town home in Sydney’s eastern suburbs. » Design aficionados, the owners had compiled a dossier of their favourite pieces from around the world, so Thomas had a clear idea of his requirements, which also specified “refined but not flashy – organic, textured, approachable and eclectic”. » Removing a wall beside the stair and repositioning the powder room enabled sightlines to the back of the house and a greater sense of openness and interaction. » Rooms were detailed with a selection of luxurious pieces from London, Paris and the US to complement antiques and artworks already in the owners’ collection. » Fanciful wallpapers, sculptural light fittings, tactile finishes and bespoke linen and china provide extra glamour and the ultimate icing on the cake.

This page The master bedroom ensuite features a custom fluted plaster wall finish. New Ravenna ‘Jennifer’ floor tiles in Argent Blue from The Fine Line, Chicago. ‘The Wye’ bateau cast-iron bath tub from Drummonds, London. Perrin & Rowe tapware from The English Tapware Company. Opposite page, clockwise from top left The vestibule has a Mariano Fortuny ‘Scheherazade’ pendant light from Venetia Studium paired with a mirror by Thomas Pheasant. Custom cabinetry in mirror, brass and straw marquetry by Bober Furniture, Joinery & Interiors. Bamboo and silk carpet from Behruz Studio. The vanity is a custom design with a reeded front in honed Hermès marble from Euro Marble. Alabaster ‘Shot’ wall light from Collier Webb. ‘Alabaster’ pendant light from Charles Edwards, London. Artwork by Michael Zavros from Justin Miller Art. Shagreen tray from Becker Minty. Gregorius Pineo ‘Orsay’ bed, ‘Benin’ bench and ‘Fitzgerald’ lounge chair, all from Kneedler Fauchère. Bed and bench upholstered in fabrics from Toyine, Paris. Dedar ‘Aplomb’ wall upholstery from South Pacific Fabrics. Italian Murano glass table lamp from Conley & Co. Lutèce chandelier from Pagani Studio. Custom curtains in Dedar ‘Nouvelles Vagues’ in Silver Rock from South Pacific Fabrics. Artwork by Philip Hunter from Olsen Gallery.

The glories of Italy are celebrated in this glamorous Brisbane home, which draws inspiration from icons such as the Uffizi Gallery and the Pantheon.

GRAND VISION

Words CHRIS PEARSON Photography ANSON SMART

This page Classic fluting is reprised throughout, on both walls and even on ceilings, creating grace and elegance. Gebrüder Thonet ‘Eyeshine’ large circular mirror from Space. ‘Console Occhi’ cabinet from Fornasetti. ‘Mies’ vase from Greg Natale Flagship Store. Tom Dixon ‘Plane’ short chandelier from Living Edge. ‘Crown Minor’ chandelier from Mondoluce. Polished and waxed walls in Fresco in Cemento Grigio from Porter’s Paints. Arch in brass finish. Balustrade made by builder, CHS Building. Artwork by Antonia Perricone Mrljak. Opposite page Arches, stucco and marble in the entry give immediate clues that this is an extraordinary home. Custom console by Greg Natale. ‘Stacked Cube’ table lamp from Conley & Co. Walls in oak fluting in Fresco in Cemento Grigio from Porter’s Paints. Curtains throughout by Laguna Bay Blinds. Arabescato Super White and Nero Marquina marble floor tiles and skirting from Teranova.

“W

e call this our Vatican Project,” says interior designer Greg Natale proudly surveying the arched marble hallway of this grand home in East Brisbane. From palazzos to the Pantheon, St Peter’s to St Mark’s, timeless Italian inspiration pervades these glamorous interiors, in which he feels, thanks to his own family origins, totally at home. And so, too, do owners Leticia Francini and Stephen Ninnes, painters, aficionados of Renaissance art and founders of Florentine art school Fondazione Arte Con Amore.

Leticia relishes her Italian heritage, so much so she summers in Florence, where she has owned and renovated three apartments, while also running her art school. So, little

wonder Italian bellissimi – con amore – topped the couple’s wishlist when they asked Greg to craft this three-level, fivebedroom home overlooking the Brisbane River. But you could be forgiven for thinking the Po or the Tiber flow past the bottom of the garden as you sink into the plush velvet sofas and take in the vaulted ceilings, stucco walls, marble floors and jewel-like tones.

When the couple bought the property in late 2017, it was occupied by a ho-hum noughties home, with white walls, timber floors and openings connecting it to the spectacular setting.“Itwasasizeableblock,witha15-metreriverfrontage and on one of the best streets in Brisbane, with both water and city views,” says Leticia. “But the house had damaged support beams, poor insulation, uneven ceiling levels »

This page, clockwise from top left With its sheen and rich copper tones, the de Gournay ‘Namban’ wallpaper is a feast for the eyes in the dining area. Knoll Saarinen ‘Executive‘ armless dining chairs from De De Ce. Antique smoked-glass and brass light fitting from Conley & Co. Greg Natale ‘Sottsass Grande’ marble floor tiles from Teranova. Cocktails are served in this slick corner of the living room. Bar stools from 1stdibs. Custom arched mirror with custom joinery by CHS Building. Benchtop in honed Carrara marble from Teranova. La Paloma bricks from Austral Bricks on the facade. ‘Firenze’ nesting tables from Greg Natale Flagship Store. Opposite page In the main living room, ‘Don Ignacio’ sofa from Hamilton Conte. Molteni&C ‘D.153.1’ armchair by Gio Ponti from Hub. 1950s Minotti open-back lounge chair by Gigi Radice from 1stdibs. Arflex ‘Arcolor’ side tables from Poliform. Satellite 20-bulb chandelier from The Odd Piece. Oak joinery with shelves inlaid with brass.

This page The media room off the hallway boasts rich ruby hues. ‘Coast’ sofa from Fanuli. Greg Natale ‘Diane’ carpet from Designer Rugs. Multicolor Nero terrazzo floor tiles from Worldstone Solutions. Vintage Italian Murano glass and brass mirrors from Conley & Co. ‘Hexo Mini’ downlights from Est Lighting. Greg Natale ‘Delaunay’ rug from Designer Rugs. Opposite page, from top Greg Natale ‘Delaunay’ rug from Designer Rugs. Lumen8 ‘Crown Minor’ chandelier from Nemo. Willy Rizzo burlwood table from 1stdibs. Stairs in Nero Marquina marble from Teranova. Kitchen benchtop and splashback in Paonazzetto marble. ‘Lantern 2‘ brass and porcelain pendant light and sconces from Apparatus. Verner Panton ‘Series 430’ barstools from Great Dane.

« and an exterior in plastered polystyrene. We quickly decided to demolish and rebuild.”

While they hired an architect to do the initial plans, Greg Natale of Greg Natale Design later steered the project. A mutual love of marble with a sprinkling of serendipity put the two parties in contact. “I came across Greg’s marble tile range, which was perfect for the house we wanted to achieve,” says Leticia, but delving further she was smitten by his interior design. “He has this amazing ability to layer textures, colours and patterns, and I love his attention to detail.”

For her new home, she was inspired by the majesty of marble, as well as elegant arched doors and windows, alla moda in upmarket European homes. “We wanted our home to feel spacious and elegant – with a timeless quality that marble provides,” she says. “We also wanted quality products, drawing on the Italian idea that things are built to last.”

A primary passion is Paonazzetto marble, used in one of her favourite buildings, the Pantheon in Rome. A friend in Carrara put the couple in contact with the owner of the local caves, who took them on a tour. “There we chose the marble for our fivemetre kitchen island, splashback, scalloped bar top and fireplace, all from the same cave where the floor of the Pantheon came from. That historical link felt very special.”

“Leticia is passionate about Italy,” says Greg. “This home was about the dark and moody, with arches and marble floors, complete with borders and inlays, in the style of the Vatican or the Uffizi Gallery.” And, setting the theme from the street, »

« the couple specified a black brick exterior with arched windows, giving the clue that this house could never be ordinary.

First up, he raised the ceilings from the 2.7 metres on the original plans. “To realise their grand vision, it was important the home had three-metre ceilings or more, so it had to be reengineered accordingly.” And the floor plan was tweaked. Entry is through a soaring two-storey atrium on the middle level, which leads to the main living areas, while four bedrooms sit upstairs and a fifth is on the lowest level, which it shares with a generous home theatre and outdoor living areas abutting a pool.

“We had to create something amazing, so we introduced arches and de Gournay and Gucci wallpapers, which are the focus of the home,” says Greg. “My spaces are glamorous and uplifting to walk into, but also warm, comfortable and liveable.”

Colour, pattern and texture are inextricably interwoven in these layered rooms. “Leticia loves brick and dark terracotta, used on the exterior, so we spilled this colour throughout, including into the main bedroom, with brass accents.” There it is contrasted with a cooler mint, offset by a scalloped fluted ceiling in blush pink. The organic moire carpet echoes the marble throughout, chosen over the geometric prints, for which Greg is well known. “They would be too harsh in this space –this is much softer.”

Meanwhile, the formal lounge features a mustard-velvet sofa, marble coffee tables and 1950s vintage lighting, together with »

This page In the adult daughter’s bedroom, ‘Iconic’ bed and bench from Theodore Alexander. Hotel Collection ‘Iridescence’ queen duvet cover from Macy’s. ‘Gowrie’ cushions from Greg Natale Flagship Store. Fornasetti ‘Procuratie Con Vista’ wallpaper from Cole & Son. ‘Cleo’ large chandelier from Kelly Wearstler. ‘Gala Lips’ table lamp from Jonathan Adler. Greg Natale ‘Moire’ carpet from Designer Rugs. Opposite page, clockwise from top left ‘BCAA’ chandelier from Christopher Boots. In the lower ground spa, mosaic wall finger tiles from Teranova. Greg Natale floor tiles from Teranova. ‘Median’ wall lights from Apparatus. ‘Venezia’ hob-mount basin set with Murano glass handles from Rogerseller. The CBD vista from the rooftop. ‘Bitta’ sun loungers and cushions from Kettal. Planter from Garden Life.

SPEED READ

» When the owners bought this property overlooking the Brisbane River in 2017, it was occupied by an ordinary home with structural issues.

» They decided to demolish and rebuild using a local architect. But they asked interior designer Greg Natale to tweak the plans to make it grander and more imposing, using the public buildings of Italy as his inspiration. » That impression is immediately created on the street, with a facade in dark brick with arched windows. And the imposing theme is continued inside with archways, stucco walls and lashings of marble. Texture is further celebrated in the fluted walls, plush velvets, handcrafted wallpapers. » A lush palette of deep terracotta is offset by brass, mint and black to create a beguiling and moody interior.

« two brick-hued Minotti chairs and a contemporary custom rug by Greg. Vintage mid-century furniture and accessories rub shoulders with handcrafted pieces.

Polished stucco, deep-charcoal fluted Tasmanian oak walls and ceilings, handcrafted wallpapers and lashings of marble celebrate texture. And surprises abound, such as the bar, with its leather fluting, while the arched tunnel-like hallways make even the transitional spaces intriguing.

“Every time we open the massive front door, in steel and glass, and walk into the six-metre atrium, we feel a sense of awe,” says Leticia. “A sense of grandeur overwhelms you and this sensation continues throughout the house.

“But my favourite room has to be the dining room. You are surrounded by the exquisitely hand-painted de Gournay wallpaper, which shimmers in gold tones, framed by Venetian stucco arches, tiled in Greg’s black-and-white marble tiles, and topped off by the dining table that Steve and I found in Florence.” Greg echoes that choice, even selecting the head-turner as the cover for his new book, The Layered Interior.

That dining room is a tantalising taste of Italy down-under, bravely served up with brio and boldness. #

Greg Natale’s latest book, The Layered Interior, published by Rizzoli, will be launched in October. gregnatale.com.

This page, clockwise from top left In the main ensuite, bath surround and splashback in Jurassic marble from CDK Stone. Focus ‘Facet’ wallpaper from Arte. ‘Manhattan’ tapware from Brodware. ‘Pedestal’ side table from R&Y Augousti. Vintage artwork client’s own. In the dressing room, Artemest ‘Geo‘ pouf by Lorenza Bozzoli. ‘Fizi’ wall sconce from Articolo. Greg Natale ‘Tempo’ marble floor tiles from Teranova. ‘Bitta’ sun lounger and ‘Cala’ dining table and chairs, all from Kettal. ‘Delta’ sconces from Inlite. Landscape design by Myles Baldwin. Opposite page In the main bedroom, bedhead by Greg Natale. Vintage bedside table, side table and vintage lamp, all from Conley & Co. ‘Forbes’ cushion from Greg Natale Flagship Store. ‘Heron’ wallpaper from Gucci. Focus ‘Facet’ wallpaper in ensuite from Arte.

These pages A series of outdoor living platforms that respond to the fall of the site were landscaped by Eckersley Garden Architecture. One of the most dramatic changes was made to the home’s facade. While Max May’s original structural beams still traverse the upper level, they now appear behind a veil of perforated aluminium, creating privacy and diffusing the northern light.

Words

CRAFTI Photography

Designed by architect

Max May, this 1980s

classic in Malvern has been thoughtfully reworked to preserve the spirit of the original.

SECOND COMING

T his spacious three-level home in a coveted enclave in Melbournecouldhaveeasilylostits‘soul’iftheowners, builder Neil McLennon and his wife, Melany, hadn’t purchased it. They missed out the first time it was put on the market in 2016. “Then, in 2019, my daughter was walking past the property and told us that an auction board had just gone up,” says Neil, director of Neocon, who with Melany and their two adult children, Hanako and Angus, weren’t going to miss out a second time around. “We saw its potential even though two of the bedrooms were too small and the basement parking was far too large for our two cars,” says Neil, also conscious the land was in a flood zone and would require council permission to allow the subterranean space to be transformed into a separate wing (the land slopes some six metres to the rear boundary).

Understanding the lay of the land and council guidelines enabled Neil to convert the basement level into the children’s wing, comprising two bedrooms with ensuites, together with a generous living area, the latter featuring the original raw concrete ceiling. “Angus and Hanako are at an age where they are contemplating moving out. But Melany and I are certainly keen to have them at home as long as they wish,” says Neil.

When architect David Neil of Neil Architecture first inspected this home, he was aware that it was a Max May design, and could see how the spaces could be opened up to create a contemporary family home that both respected its DNA, while offering ideas that would take it into the 21st century. “The house was virtually in original condition. And when we received council permission to transform the basement, the renovation plan quickly unfolded,” says David. While the basement level is now predominantly the children’s domain, the ground level brings the family together – an open plan kitchen, dining area and a bar, with cascading timber steps leading to the main living area. He removed the wall between the kitchen and dining area (previously a galley-style kitchen) and on the first floor, a former bedroom was reworked by removing walls either side to create a large study/home office for Neil, allowing for unimpeded views into the living areas. The ‘snug’, adjacent to the kitchen, offers the perfect reading nook, with an aspect to the courtyard-style garden at the front of the house.

This page, clockwise from top left Looking from the sunken lounge room towards the front of the house, with the ceilings lined in silvertop ash. In the entry niche, custom joinery in Elton Group ‘Evenex’ in Deep Grain Oak. More silvertop ash for the ceilings and joinery in the kitchen, with ‘Verdi Alpi’ honed stone flooring from G-Lux and Normann Copenhagen ‘Hyg’ bar stools from District Riverbend artwork by Peter Cole. Opposite page, clockwise from top left In the entry niche, existing terracotta floor tiles. Artwork by Greg Wood. Ceramics by Bruce Rowe. In the background, an Objekto ‘Paulistano’ armchair from Hub. Steps lead to the garage. The front lounge room features a Moroso ‘Diesel’ sofa from Hub and B&B Italia ‘Husk’ swivel chair and footstool from Space. Reed carpet in Merle 105 from Signature Floors. Artworks by unknown artist from Hub.

« Although many of the spaces remain in their original location, most of the surfaces, with the exception of the terracotta tiles at the entrance, have been changed. While the kitchen featured faded timber joinery and laminate benches, it now has maroon-coloured joinery, Terra Rossa marble benches and a splashback (with a distinctive red vein) and a feature wall of blood-red tiles. “We were looking for earthy tones evocative of the 80s but not trying to replicate that period,” says David, who had suggested that the unusual bay window adjacent to the stairs, leading to the second living area, be removed for a cleaner more contemporary aesthetic. However, Neil was keen to retain this form, previously constructed in timber and glass, and now set with an aluminium framework. “It was the right move,” says Neil, who enjoys using the staircase and seeing the birch forest (also reminiscent of the 80s) every time he uses the stairs. The pot plants inside further blur the division between indoors and out. And while the cork floors formed part of Max May’s scheme, there is now new cork and this time it has been limed to complement the home’s white-painted bagged-brick walls.

The home’s facade changed dramatically. May’s structural beams still traverse the upper level, but now appear behind a veil of perforated aluminium, creating privacy and diffusing light. One area that hasn’t changed significantly is the main bedroom suite on the first floor that extends across the northern elevation Complete with a large bedroom, a generous walk-in dressing area and a spacious ensuite, only the finishes needed attention - marble in the bathroom and new timber joinery for the wardrobes. ForNeilandthefamily,thepastandpresenthavecometogether, well beyond their initial expectations. “We love the quality of the light as well as the quirky details. And we rarely have to turn lights on during the day, even in the children’s wing,” says Neil, who appreciates how the light continually changes the way the spaces feel, including within the home’s central void. “And it still has that slightly 80s feel, perfect for entertaining,” he adds. # neilarchitecture.com.au

This page, from top Lush gardens can be enjoyed from nearly every room. When the afternoon sun appears, exterior aluminium blinds are activated with the flick of a switch. In the dining area, ‘Atticus’ table by Lowe Furniture and MDF Italia ‘Flow’ chairs, all from Hub. Joinery by G.C & B.S. Koumas throughout. Moller ‘#63’ bench in Soaped Oak from In Good Company. Moooi ‘Non Random’ pendants from Space. ‘Raw Cork’ flooring for main downstairs area from Market Timbers. Opposite page, from top In the kitchen, timber veneer upper cabinetry in Dulux ‘Rusted Crimson’, with benchtops in ‘Terra Rossa’ marble from G-Lux and Inax ‘Fab2 105N’ wall tiles from Artedomus. Artek ‘Rocket’ bar stools from Anibou. Miele appliances. Behind a dining-area niche lies a walk-in pantry. Artworks on shelves by Greg Wood.

SPEED READ

» Originally designed by architect Max May, this 80s classic in Malvern has been reworked by David Neil, director of Neil Architecture. » The owners, Neocon director Neil McLennon and wife Melany, were keen to preserve the ‘spirit’ of May’s design while creating a comfortable family home in the process. » Too-large car parking on the basement level was converted to a separate wing for the couple’s adult children

» The ground level is the family zone with an open plan kitchen, dining area and a bar, with cascading timber steps leading to the main living area. » On the first floor, a former bedroom was reworked by removing walls either side to create a large study/home office for Neil, allowing for unimpeded views into the living areas. » On the facade, May’s structural beams still traverse the upper level, but now appear behind a veil of perforated aluminium, creating privacy and diffusing the northern light. » A new carport is now conveniently placed at the front accompanied by the courtyard-style garden.

new

and new pool

While the garden still contains the original swimming pool, the glass

surrounding it were replaced with a steel fence.

This page Stylish pieces fill one of the children’s bedrooms, with a Hay ‘Tray’ table and Vipp ‘Vipp522’ wall lamp, both from Cult, and a Normann Copenhagen ‘Hyg’ swivel chair from District. Custom desk built by cabinetmaker. Artwork by unknown artist. Opposite page, clockwise from left Wardrobes in ‘Evenex’ laminate in Deep Grain Oak from Elton Group line the children’s dressing room. ‘Savanna’ carpet in colour 3112 from RC+D. Grey tones in the main bedroom ensuite, with ‘EM-5305’ terrazzo floor tiles from Signorino and Fiandre ‘Colour Studio’ wall tiles from Artedomus. Faucet Strommen tapware from Design Precinct. Calacatta Gold marble vanity benchtop from G-Lux. Looking back at the rear of the house from the pool deck. New large sliding doors were installed

These pages, from left The kitchen island features an ‘Eridani’ brushed brass finish and ‘Grafias’ pewter base from Astor Metals topped with Calacatta Manhattan from Euro Marble. A vintage pendant light from Conley & Co hangs above. At the rear, turquoise Green Granite joinery from Euro Marble is juxtaposed with a splashback in custom-made aged brass finish from Axolotl. Florals from Seed Flora. The Brodware Halo X collection tapware from Candana has been positioned at the rear to leave the island seamless for hosting and presenting a buffet or grazing meals. Grégoire De Lafforest ‘Ray’ stone bowls for Collection Particuliére from The Future Project. Ceiling in Resene ‘Triple Fog’ polished plaster. Poco Designs created a luxurious custom bar unit with perforated metal from MelMAC Interior Joinery.

The bar island features a custom aged-brass finish from Axolotl. Vintage decanter and cups and Kelly Wearstler ‘Precision’ tray, all from Becker Minty.

Happy HOUR

The more the merrier at this top-floor Sydney apartment where there’s any excuse for a party.

This page Anchoring the room is a custom ombré rug by Poco Designs from Designer Rugs and custom sofa made by Pro Metal Design upholstered by Intoo in Larsen ‘Alston’ fabric in Snow from Domus Textiles. ‘Atlas’ poufs upholstered in Kelly Wearstler ‘Tessellate’ fabric from Elliott Clarke, ‘Tomyris’ armchair upholstered in Kelly Wearstler ‘Rarity’ fabric from Elliott Clarke and ‘Slice Me Up’ coffee table, all from Pietro Franceschini Studio. ‘Chital 2’ side table in shagreen and brass from Kifu Paris. Walls in Dulux ‘Snowy Mountains’ quarter. Opposite page On the vintage Italian travertine console from Conley & Co is a handblown pink glass vase by Studio Erik Olovsson from 1stdibs. Kelly Wearstler ‘Kiss Box’ brass lips box from Becker Minty. Walls and ceiling in Porter’s Paints ‘Papyrus’ and ‘Jute’ mixed polished plaster from Stanford Finishes. ‘Sea Anemone’ mirror by Pia Maria Raeder from 1stdibs. The blue door at the end of the hallway made by MelMAC Interior Joinery is painted in Porter’s Paints ‘Explorer’. Herringbone timber flooring throughout from Woodos.

J

ust three days after moving back into their apartment, this Sydney couple threw a party. And, ever since, they’vehostedaneventaweek.Evidently,entertaining was high on the agenda when it came to briefing Poco Designs for the re-imagined floor plan, gut and refit of the home they had been living in for the last 15 years. The vibe? It was all about channelling a modern take on retro New York with a splash of Los Angeles thrown in by way of daring fabrics and furniture from California-based Kelly Wearstler.

Poco Designs had assisted the clients with some cosmetic changes a number of years ago, but back then they wanted a dark, rich and moody scheme to suit the existing base build. “The brief was different this time around,” says Poppy Tzaneros, director of Poco Designs. “It was all about joyful, uplifting colour and pushing the boundaries with something offbeat and out of the box.” Now in a different stage of life, the clients wanted something luxurious they could enjoy and that would be conducive to entertaining. When it came to the floor plan, things were entirely reconfigured to benefit party planning with a master suite tucked well away at the other end of the apartment.

Impactful from the moment of entry, a chunky vintage Italian travertine console table and a trio of fried egg-shaped ‘Sea Anemone’ gold mirrors by Pia Maria Raeder greets guests. Directly ahead – behind a door painted in a glossy cornflower blue – is the ensuite and master bedroom, outfitted with vintage Murano pendant lights. A small but inconvenient study was removed and replaced with a custom joinery unit featuring perforated metal cupboard fronts.

Around the corner, a central gallery runs the length of the home, the walls a soft, flesh-hued polished plaster. To the left is a large main bathroom with a floating vanity in Rosa Valencia marble and Renaissance marble mosaic floor tiles from Teranova made with honed marbles in Indian Green, Rojo Alecante, Nero and Crema Marfil Calacatta. From here, two optional paths lead to the rear public space: continuing straight ahead, or taking a corner turn that leads to a little jigsaw of spaces comprising a guest bedroom, powder room and open study that loop through to back.

Running the width of the apartment is the dining area, bar, powdery blue open-plan sitting zone and kitchen, its showpiece brass and pewter island devoid of sinks or taps so it can function as a buffet or grazing station. “We love the fact that it melds with the decor rather than standing out like a kitchen,” say the clients.

Poppy says that nonetheless, it’s very much a cook’s kitchen. “It’s just less obvious because there’s a great back-of-house prep area where things are kept out of sight. This means that everything up front can be a sculptural showpiece.” The marblework was a focus and any erratic veining was a no-go. A turquoise-green granite in a calm, consistent colourway was selected and, rather than mitre the edges, the Carrara has been carved into smooth round corners. »

This page Custom Poco Designs table made by Pro Metal Design with a polished plaster top by Stanford Finishes and burnished-brass waxed finish. Venturi ‘Pear’ vases from Bohinc Studio. ‘Julius’ small chairs from Becker Minty upholstered in Brochier ‘Pavone’ fabric from South Pacific Fabrics. Portal finished in aged brass from Axolotl and walls in polished plaster by Stanford Finishes. Artwork by Dale Frank. Opposite page, from top ‘Conical’ wall lights from Studio Henry Wilson spotlight a Dale Frank artwork. Kitchen island in brushed brass and pewter finish from Astor Metals topped with Calacatta Manhattan from Euro Marble. A vintage pendant light from Conley & Co hangs above. Turquoise Green Granite joinery from Euro Marble is juxtaposed with a splashback in custom made aged brass finish from Axolotl. Florals from Seed Flora. Grégoire De Lafforest ‘Ray’ bowls for Collection Particuliére from The Future Project. Ceiling in Resene ‘Triple Fog’ polished plaster.

This page Lining the bedroom walls is Dedar Milano ‘Amoir Libre’ wallcovering from South Pacific Fabrics. The custom cushions and bedhead were upholstered by Intoo Upholstery in ‘Venice 12’ velvet from The Textile Company. Colefax & Fowler ‘Fletcher’ fabric in Ivory for bedcover. The ‘Tribeca’ side table by Alexander Diaz Andersson from 1stdibs echoes the silhouette of the bar. A vintage Murano glass and brass pendant from Conley & Co hangs above. Kelly Wearstler ‘Sou e’ bench from Becker Minty. Ceiling in Porter’s Paints ‘Parnassus’ polished plaster from Stanford Finishes. Custom rug by Poco Designs from Designer Rugs.

SPEED READ

» The owners of this top-floor apartment in Sydney’s Double Bay wanted to make a shift from the dark palette they had been living with to something lighter and brighter. » They engaged Poco Designs – who had assisted with a cosmetic refresh some years earlier – who answered their brief with pastel hues and polished plaster walls. » A new floor plan was created with entertaining at the top of the brief. » The kitchen island has no obvious appliances or tapware on show so that it can be used for grazing or buffet-style events. » The atmosphere and style the owners desired was a modern twist on retro New York with a splash of Los Angeles thrown in.

« A portal wraps up and over the heavy-set custom dining table, its burnished brass wax-finished legs and polished plaster top paired with brushed brass and velvet chairs. “We love it not only because it’s glamorous and stylish but because it now accommodates more guests,” explain the owners. An artwork by Dale Frank, sourced by the clients midway through the renovation, completes the space.

“We couldn’t have commissioned anything more perfect even if we wanted to,” says Poppy of the piece. “You couldn’t have picked a better palette than that if you tried.”

Poppy says her clients enthusiastically embraced the expression of colour. “We knew that metal was going to be a big signature so we offset that with a variety of beautiful tones such as lavender, butteryyellows,peachesandpastelbluesinthedecorandupholstery. Because it’s an apartment we didn’t want to use a busy spectrum, so we grouped the spaces into their own colour scheme.”

With its bulbous ribbing and aged-brass finish, the bespoke bar has become a magnet for guests, calling to mind a bygone era of martinis and scotch. The heavy curved profile is a silhouette repeated throughout in the joinery, marble basins, rug, bedhead and furniture. “We didn’t want tight fluting – it was more about something voluptuous and flowing,” explains Poppy. “The generous curves reduce the structural and linear nature of some of the other elements. There’s a lovely ease and sense of release.” # pocodesigns.com.au

This page, clockwise from top The ensuite vanity top and sink are clad in Rosa Valencia marble from Euro Marble with ‘PSL’ brass handles from Studio Henry Wilson. Brodware Halo X collection tapware from Candana. Kelly Wearstler mini ‘Pop’ vessel from Becker Minty with florals from Seed Flora. Walls and ceiling in custom coloured microcement from Stanford Finishes. Floor in Renaissance marble mosaic tiles from Teranova and Rosa Valencia marble skirting. The bedroom is a soft, feminine space with Phillip Jeffries ‘Vinyl Gilded Age’ wallpaper in Rockefeller Rose from The Textile Company. Vintage Murano glass lamp from Conley & Co. Kelly Wearstler ‘Sou e’ bed from Becker Minty. Walk-in-robe joinery with perforated metal cupboard fronts by MelMAC Interior Joinery. Dedar Milano ‘Amoir Libre’ wallcovering from South Pacific Fabrics. Kelly Wearstler ‘Heath’ small bowl from Becker Minty with florals from Seed Flora.

A beachside insouciance meets cocktail hour in this elegant entertainers’ dream perched above Sydney Harbour.

This page Pops of colour add spice to the dining and living areas. De La Espada ‘Elliot’ oblong table and chairs’ on K3 by Kenzo Takada ‘Kikyo Himeji Sakura-65’ rug, all from Spence & Lyda. On table, Katakuchi sake cup from The DEA Store, ‘Sentire’ vessel from Ignem Terrae Ceramics and small ‘Niemeyer Rosso’ bowl from Greg Natale Flagship Store. Lemon Yellow Field by Peter Summers from Studio Gallery and ‘Jewel’ amber vase and ‘Balloon’ ceramic bowl both by Louise Roe from Spence & Lyda on custom credenza in Calacatta Oro from Granite & Marble Works and Woodmatt black veneer from Polytec. Wall panels in ‘Glamour’ velvet in Mustard from Warwick Fabrics. Christopher Boots ‘Abacus 1500’ and ‘900’ pendant lights from Est Lighting. Opposite page Arflex ‘9000’ sofa from Space. Custom rug from Whitecliffe Imports. Custom coffee table with Dior marble top from Granite & Marble Works. Coiled #2 sculpture by Coe Studio from Tow and Line. Wall in Calacatta Paonazzo marble from Granite & Marble Works. Bronze Florentine finish on fireplace by Axolotl. Ruminating Pillars by Andy Harwood above fireplace and Wandering Companionlessly Dreaming of Love by Peter Summers on second shelf, both from Studio Gallery. On third shelf, small canvas by Kerry Armstrong and vessel by Suvira McDonald from The DEA Store.

Below, I Have Been To Paradise 2021 figurine by Vipoo Srivilasa from Olsen Gallery. Vessel from Montmartre Store.

GLAMOUR

Words CHRIS PEARSON Photography DAVE WHEELER Styling JACK MILENKOVIC/ATELIER LAB

This page, clockwise from top left ’Beauford’ sandstone pavers from Eco Outdoor and Dulux ‘Casper White’ render on the exterior lend a lighthearted air to the property. In the kitchen, Lassen ‘ML 42’ stool from Spence & Lyda. Calacatta Oro benchtops from Granite & Marble Works. Murano glass vintage vase from Conley & Co. Teapot from Montmartre Store. Joinery in Bronze Florentine finish by Axolotl and Woodmatt black veneer from Polytec. Black Fox engineered-timber flooring from EuroStyle Floors. In the entry foyer, Moooi ‘Amami’ pouf from Space. Blue Symphony and Warm Heart, Empty Room by Peter Summers from Studio Gallery. Balloon 04 vase by Louise Roe from Spence & Lyda. ‘Carter’ acrylic bowl from Greg Natale Flagship Store. XI ceramic work by Addison Marshall from Chalk Horse gallery. ‘Alpine’ and ‘Howqua’ stonework from Eco Outdoor. Walls in Dulux ‘Natural White’. Forme Bleue #20 wall sculpture by Jean Paul Mangin in the family living room. Arflex ‘Marenco’ sofa, B&B Italia ‘Alanda’ coffee table, B&B Italia ‘JJ’ rocking chair and Baxter ‘Lazybones’ armchair, all from Space. Custom rug from Whitecliffe Imports. ‘Dorothy’ side table on deck from Tow and Line.

With a mouth-watering array of restaurant projects in her portfolio, interior designer and principal of The Unlisted Collective Bianca Fraser knows how to tempt the eye and prime the tastebuds. In this home, she has served up a feast of finishes and fittings that lend an entertainers’ paradise a sense of occasion and an after-five allure. Overlooking a bay on Sydney’s lower North Shore, it’s a relaxed beachside home but, from its bronze screens to a wall of golden velvet, it also evokes a delectable downtown glamour.

Lured by the location, the owners bought the property for them and their then-teenage children in 2019. “It was just one street back from the beach and had the most remarkable view,” says the owner. A practical plus was the huge garage underneath that could accommodate a lift offering direct access to the three levels above. But there the good things ended. Built in the 90s, the house had an over-the-top curved facade, few usable outdoor areas, with – strangely for Sydney – an enclosed pool hogging the backyard, and a warren of rooms with a poor connection to the prized view. So the couple called architect Adam Hampton of Hampton Architecture. “The curved concrete facade, complete with curved glazing, was quite brutalist,” he says. “It failed to capitalise on the site and was suffocatingly hot in the mornings, nothelpedbythatindoorpool.”Shinyreflectivesurfaces,including acres of marble and stainless steel, and terracing at the front, divorcing the garden from the house, were equally uninviting.

This page In the formal living, Arflex ‘9000’ sofa from Space. LaCividina ‘Scancaro’ side table from Ownworld. Gubi ‘Pacha’ armchairs from Luumo Design. Custom rug from Whitecliffe Imports. Custom coffee table with Noir Dior marble top. Coiled sculpture #2 by Coe Studio from Tow and Line. De La Espada ‘Laurel’ side table from Spence & Lyda. On coffee table, bowl by Greg Natale from Greg Natale Flagship Store. Vintage black ashtray from Manyara Home. Dog sculpture on side table from The DEA Store. Garden sculpture designed by Hampton Architecture and made by Matt Hill.

The owners wanted to maximise that view, while ensuring a better use of space to suit a family with two soon-to-be adults. But it also had to be the great entertainer to cater for large gatherings of friends and family. “We wanted to see the view from as many rooms as possible, together with a separate and inviting entertainment area that joined seamlessly to an outdoor pool,” says the owner. As well as several living areas, they requested a bells-and-whistles, double-sized chef’s kitchen, as all members of the family are keen cooks and entertainers. Keeping much of the original four-level structure, Adam gutted the building. He installed a lift in the garage, which takes the owners straight from their cars up past a huge wall of stacked stone. Soaringupoverfourstoreys,itformsthespineandsetsthetextural tone of the building, while also grounding it firmly to its site.

In“significantsurgery,thankstoallthoseroofs,steelcantilevers and retractable awnings”, Adam removed all the fussy curves on the facade and installed recessed floor-to-ceiling glazing, while on ground level with the main living areas, he levelled off the terraced garden, so indoors and out flow seamlessly. “We also removed internal walls, so you can see right through the house to the ocean at the front, while also including screening for break-out spaces, so important in a family home,” he says. On the next level, he really went to town, or perhaps downtown, by creating a dedicated entertainment zone, including a bar and lounge area, a teppanyaki kitchen and, yes, even a virtual golf range. And he removed the roof over the pool, which he also totally refurbished. »

« He then recruited one-time colleague Bianca, with whom he had worked at BKH for five years, to provide a richly layered interior, which he considered key to such a sophisticated property. “Not your typical beachside home, the interiors juxtapose the spectacular view with textures and special finishes,” she says. “We wanted something warm, robust and timeless and for each space to take on its own identity, while also maintaining a link throughout.” Natural stone, black timber flooring and black joinery flow throughout the four levels, punctuated by a cocktail of curated materials, such as anodised metal, stainless steel, custom metal screens, backlit marble and slinky velvet panelling in the dining area “to individualise the spaces and keep them interesting”.

Colour is used judiciously. “The client loves colour, but we incorporated it in such a subtle way,” says Bianca. “The gold velvet panelling adds glamour, warmth and colour, but at the same time, it could be seen as pared back and almost neutral.” Lighting, meanwhile, enhances these finishes and adds another dimension – “almost an element of jewellery” – after the sun goes down.

So, too, does the furniture, which reflects the glamorous theme throughout. “Amazing” pieces include custom-made disc coffee tables, an Arflex sofa, an iconic ‘Pacha’ chair, designed by Pierre Paulin, and a Moooi ottoman. The latter, conveying a sense of glamour in the lower-ground lobby, sets the tone for what’s about to reveal itself as the lift rises to the upper levels.

In a home that’s entertainment central, “very much loved and enjoyed by us all, including family and friends”, the owner is hard-pressed to name a favourite element. “There are so many,” she says. “When you put your heart and soul into a project like this, everywhere you turn there is a feature that brings so much joy and satisfaction.” #

theunlistedcollective.com; hamptonarchitecture.com.au

This page The lush tropical-style garden designed by Bates Landscape can be enjoyed from nearly every room. Kentia palms (Howea forsteriana) underplanted with ginger (Alpinia zerumbet), large bromeliads (Alcantarea imperialis ‘Rubra’) and Carissa macrocarpa ‘Desert Star’. ‘Summer’ swivel chair from Grazia&Co. ‘Beauford’ sandstone pavers from Eco Outdoor. Opposite page, from top In the boy’s bedroom, Missoni bedding from Spence & Lyda. Throw from Wallace Sewell. Baxter ‘Gemma’ chair by Draga & Aurel from Space. Wall in Dulux ‘Natural White’. On shelves, black sculpture by Stephen Ormandy from Olsen Gallery, Byredo fragrance, ‘Press’ bowl by Tom Dixon from Manyara Home, white stone ashtray from Becker Minty, green ceramic from The DEA Store and Flos ‘Gatto’ table lamp from Manyara Home. Artwork by Kerry Armstrong from Studio Gallery. In the entry at bar level, ‘Classique’ round table from GlobeWest ‘Fiore Niemeyer’ bowl from Greg Natale Flagship Store. The Child standing sculpture by Luke Storrier from Olsen Gallery. Wall in ‘Alpine’ and ‘Howqua’ free-form stone finishes from Eco Outdoor

SPEED READ

» When the owners bought this home on Sydney’s lower North Shore in 2019, they were drawn to the spectacular view and the home’s proximity to the beach. » But the house was dazzlingly bright and hot, with shiny, reflective surfaces and a poor connection to its garden, not helped by the enclosed pool at the rear. And the curved facade was over the top. » They hired Adam Hampton of Hampton Architecture to gut the home, shave off the curves, create sightlines through to the view and provide a better connection with the garden. A huge wall of stacked stone forms the spine of the building, setting the textural tone. » On Adam’s recommendation, they enlisted interior designer Bianca Fraser of The Unlisted Collective to lend elegance to the interiors. » She achieved this with a cocktail of carefully curated surfaces, including metal screens, back-lit marble and a gold velvet wall

This page The main bedroom is a restful retreat well away from the communal spaces in the house, but it shares the spectacular views. B&B Italia ‘Borea’ armchair by Piero Lissoni from Space. ‘Manhattan’ abrash bamboo-and-silk rug from Whitecliffe Imports. Society Limonta ‘Scot’ throw from Ondene. Curtains in ‘Corfu’ linen in Mist from Warwick Fabrics. Opposite page, clockwise from top left A curvaceous custom ottoman is set in the main walk-in robe on a custom rug from Whitecliffe Imports. Inset in joinery, ‘Saint Germain Hemp II’ grasspaper in Gold on Gunmetal from Phillip Jeffries. ‘Prometheus 1’ chandelier by Christopher Boots from Est Lighting. In the main bedroom, custom bedside tables topped in Calacatta Paonazzo from Granite & Marble Works with bedhead in Dedar Splendido velvet from South Pacific Fabrics. Marset ‘No8’ sconce from Est Lighting. Society Limonta ‘Scot’ throw from Ondene. Serax ‘Moonstone’ vase by Eva Claessens from Becker Minty. House in Dulux ‘Casper White’ render. ‘Beauford’ pavers from Eco Outdoor. In the main bathroom, A vintage green vase from Becker Minty sits on the bathroom vanity which is topped in Verde Alpi leathered stone from Granite & Marble Works with Villeroy & Boch ‘Artis’ round bench basin in White from Argent Australia and ‘City Plus’ wall mixer in Brushed Nickel from Brodware.

These pages The house has been designed according to three pavilion-style spaces so that light and garden are accessible on all sides. The dining area, which opens onto the rear pool, features a table from Graham Geddes Antiques with Cassina ‘Cab’ chairs from Mobilia. Candleholder by Sarah Nedovic Gaunt. ‘Pillar’ display bowl from The Cool Hunter. Pot plant from Kellock Pots & Planters. Sally Knibbs, design director of Sally Caroline, selected a layered palette of neutrals for the interior styling and loose furniture including the French carved-limestone pedestal table from Parterre. Tall ‘Tulip’ vase in Indian marble from Florabelle Living. Plaster wall light from Anna Charlesworth and pair of antique sconces imported from Italy. ‘La Roche’ tumbled pavers from Eco Outdoor.

Words CARLI PHILIPS Photography SHARYN CAIRNS Styling SALLY CAROLINE

Garden aspects imbue this Melbourne home with poetic gradients of light.

IN THE LINE of SIGHT

There can be a temptation in Australia to try and maximise the size of the average residential back garden by creating a literal indoor-outdoor connection with a glass division that can, unfortunately, result in “one big blast of light”, observes Ed Glenn, design principal and director of Powell & Glenn. So, for this Melbourne home, the idea was to welcome in light but to ensure it was tempered by filtering it through a series of garden experiences on the ground floor.

This was achieved with a floor plan consisting of three pavilionlike spaces imbued with light from three directions: the front, side and rear. The footprint is bookended by two wings, linked by a passage lined in textured limestone pavers that bleed into the kitchen. “We weren’t trying to bring the exterior in – we were trying to create gradients of atmospheric light rather than just one big wash,” says Ed. “The house is about transitioning and inbetween spaces with glimpses to other courtyards.”

Sally Knibbs, design director of Sally Caroline, who was responsible for the furniture and objects, says this informed the whole decorative scheme, right down to the outdoor settings. “Powell & Glenn are masters of light and garden aspects so we wanted our clients to really be able to enjoy the vistas,” says Sally. “The selections were about transitional spaces. It was important to treat the loggia and rear terrace as extensions of the interiors and consider them as outside rooms.” »

These pages The interior architecture was designed with a combination of contemporary lines and traditional features such as classic wainscoting. Anna Charlesworth pendant light. Custom mirror by Sally Caroline. The custom oak console with rattan door fronts by Powell & Glenn holds a hidden TV which pops up when in use. Murano vase from eModerno. ‘Camin Revisited’ custom sofa by Paolo Piva for Wittman. ‘Hestia’ occasional chair from Boyd Blue with cushions from Lucy Montgomery. Vintage Tabriz rug from Tribe Home. Owners’ own artwork. European oak floorboards from George Fethers & Co.

«

Sally’s reach went as far as importing furniture from antique dealers and contemporary suppliers in Italy and Brazil to as close as commissioning pieces from craftspeople a few suburbs away. “Much in the same way as the architecture, we layered neutrals to cultivate a spirit of timelessness. The idea was to celebrate sculptural silhouettes,” she says. Woven rope armchairs, caramel leather upholstery and rattan furniture rest against a backdrop of lining boards, wainscoting and oak joinery.

Initially, the brief leaned towards a more classic look but early discussions led to the introduction of some cleaner architectural lines layered with softer features and dressings: period-inspired fireplaces, panelled kitchen cabinetry and even smaller fixtures such as the country style Perrin & Rowe pot filler. “They wanted the light and functionality that a contemporary house brings, but having spent time in older properties wanted the warmth and comfort of a traditional home,” says Clementine Jacobs, head of interiors at Powell & Glenn. “We introduced wall panelling and skirting boards but the new, full-height joinery we used to maximise the room didn’t lend itself to cornices. This meant striking the right balance between decorative finishes and fixtures with the internal architecture.”

While the house is a new build, conceptually, the clients wanted to echo the character of the Victorian and Georgian street.

From the entry foyer, the journey steers left towards a large multi-purpose sitting room that, while open-plan, “has a number of intimate functions within it,” says Clementine. “You can sit »

This page, from top The kitchen and casual meals area is separated from the adjoining dining and family living by two columns. “They aren’t structurally necessary but they create definition – you can sit on the leather banquette and easily talk to someone in the kitchen,” says Ed. Painted in Dulux ‘Whisper White’ and ‘Irish Moor’, the joinery features ‘Vauxhall’ satin nickel handles from RH. In the shelves above the splashback in Carrara Bianco from CDK Stone are objects from Kazari + Ziguzagu and Pépite and a small artwork painted by a friend and gifted to the owners. Brazilian bar stools from 1stdibs. Visual Comfort ‘Goodman’ pendant lamps by Thomas O’Brien. ‘La Roche’ pavers on floor from Eco Outdoor. Perrin & Rowe ‘Ionian’ bench-mounted kitchen tap from The English Tapware Company. Set in the splashback above the AGA oven, Perrin & Rowe pewter pot filler from The English Tapware Company. Opposite page Custom banquette and pedestal oak table by Sally Caroline. Billiani 1911 ‘W.’ chairs by Fabrizio Gallinaro from 1stdibs.

This page, from top Flanking doors out to the garden, landscaped by Paul Bangay, are a small Jason Benjamin artwork and a Sidney Nolan work. The large front room has many opportunities within it such as the games table and the bar. Solid oak and walnut table with chess set from LuMu Studio. Custom marble, brass and concrete bar with fluted joinery in Dulux ‘Manifest’. ‘Drop’ bar stools from Heavens’ Gate. Black vessels on bar from Jardan. Apparatus ‘Cloud XL’ pendant light from Criteria. Wainscoting in Dulux ‘Whisper White’. Opposite page The study shares the front room as another intimate space within a space. Custom desk in natural leather by Made by Morgen. ‘Archibald’ chair by Jean-Marie Massaud for Poltrona Frau from Cult. ‘Fani’ lamp from Island Luxe. Custom joinery unit in American oak veneer with fluted detail and brass pulls from Pruskin Hardware. On shelves, bluestone vase from Kazari + Ziguzagu and Corbet ‘Kepler’ brass tray from Modern Times, white ceramic vessel with gold handles by Simone Karras from Pépite, ‘Flower Moss’ vase in Natural from Florabelle Living and ‘Trio’ candle holder from Studio Henry Wilson.

« and play chess at the games table, work from the corner study, or lounge on the sofa by the fireplace. Each program has its own setting.” In the corner, a dramatic bar with a smoky grey mirror and an Apparatus ‘Cloud’ pendant light unfolds onto the front courtyard.

A tiled passage runs through the heart of the house with services hidden along one side and a terrace running opposite before culminating in the rear kitchen that has been divided from the adjacent family and dining area by two columns and different floor treatments. “The idea was to give the whole back area intimacy and scale,” says Ed. “The columns aren’t structurally necessary but they create definition – you can sit on the leather banquette and easily talk to someone in the kitchen.” Just beyond is the pool and garden with the owners’ much-loved Argentinian grill. Upstairs, there are five generous bedrooms, each with their own ensuite.

Sally credits both the clarity of the brief and the strength of the architecture she “inherited” as the most significant inspiration for the furniture. “There was something classic and romantic about this home when we walked through it. The clients wanted the interiors scheme to reflect this but they also wanted it to feel fresh, a home base where their kids would want to be and bring their friends over to play. As for the front room, it’s where the adults have guests over for drinks, to watch a game or just celebrate with roaring dinner parties and dance until all hours.” # sallycaroline. com; visioneer.com.au; paulbangay.com; powellandglenn.com.au

SPEED READ

» Designed by Powell & Glenn, the concept for this house involved a ground floor plan based on three pavilions surrounded by garden and courtyards. » Two wings on either end of the house are linked by a path of internal pavers. » Rather than blast the home with light from floor-to-ceiling windows, Ed Glenn, design principal and director of Powell & Glenn, says the aim was to create atmospheric gradients of light and considered sightlines to nature. » Sally Knibbs, director of Sally Caroline, was responsible for furniture and decorative elements, taking cues from the architecture to create a scheme that is “classic, but also fresh”. » Layering a mix of neutrals, Sally sourced pieces from Italy and Brazil in addition to custom furniture by talented local craftspeople.

This page Skargaarden ‘Saltö’ outdoor armchairs from Parterre. Marset standing lamp from Est Lighting. ‘Firefly’ pillar wall light from Nocturnal Lighting. Limestone hearth and surround. Opposite page, from top The walk-in robes feature different palettes with Powell & Glenn adopting a dark moody approach for ‘his’ and using timber veneer painted in Dulux ‘Teahouse’ and Pruskin Hardware ‘Hopscotch’ knobs. Custom bedhead by Sally Caroline made by Inform Upholstery + Design in Mokum ‘Duck Egg’ fabric from James Dunlop Textiles. Fringed cushion from Lucy Montgomery. Sophie Davies ‘Twister’ table lamp on the custom nightstand by Sally Caroline made by Joel Elliott.

A light but effective revamp of thisTREE OF LIFE

Victorian terrace house has created a warm and calming family home that speaks to the owners’ lifestyle and personalities.

Words JUDY PASCOE Photography

PRUE RUSCOE Styling MEGAN

This page

The living room retains the original marble mantelpiece now fitted with a Jetmaster gas fire. Arflex ‘Hall’ armchairs from Space. Artworks on mantel by Brydie Greedy. Opposite page Opening up rooms to the hallway created a better flow and introduced light to previously dark areas. Custom dining table designed by Studio Quarters and made by Tim Noone. SP01 ‘Michelle’ chair from Space.

This page, from top In the living room, a Cassina ‘Maralunga’ sofa, Arflex ‘Hall’ armchairs and side tables, all from Space, with a Mariano Fortuny floor lamp. Astep ‘Model 2065’ pendant light with opal diffuser from Mobilia. In the casual dining area, a custom banquette and table designed by Studio Quarters and made by Tim Noone. SP01 ‘Michelle’ chair from Space. ‘Lampe de Marseille’ wall light from Mondoluce. Opposite page, clockwise from top left The avocado tree provides great shade for the SP01 ‘Jeanette’ outdoor setting from Space as well as abundant fruit. New arched timber and glass doors flood the hallway with light and create a more open connection between rooms. In the hallway is a ‘Drop Stack 3’ pendant light from Volker Haug Studio. The formal dining area has a custom-designed table by Studio Quarters made by Tim Noone from a piece of timber gifted to the owner by her father. Sculpture on table is by Clementine Maconachie of The Visuals. Arflex ‘Elettra’ dining chairs from Space. ‘O’branch VII’ custom light fitting and

‘Emu’ wall light both from Reduxr. Curtains made by Marlow & Finch in ‘Essential Linen’ in Tangerine from Cloth & Print Co.

F or an avocado-loving family, buying this house in Sydney’s eastern suburbs was a no-brainer. “Not only was it a period character home with an unusually wide frontage and close to the beach, the avocado tree in the backyard was a big attraction,” says the owner, “and now we’re never without fresh avocados!”

Among its other attractions, the 1890s Victorian terrace had ample space for the family of four and plenty of potential. Although it had been rented for years it was in quite good condition with the heritage details, including ornate ceilings, archways and marble mantelpieces, still intact.

Described as a ‘gentleman’s residence’, the owner says it “felt quite grand and serious in some areas which did not reflect our personalities or lifestyle ... We wanted to change the space so that every room would be used and feel welcoming,” she says. “We’ve always loved the character of period houses and the craftsmanship they represent, so it was important that our renovation respected the original heritage features.”

TheresaChanandJaniceYimofStudioQuarterswereengaged to work on the project, selected by the owners for “their careful design and curation of spaces without unnecessary layers”.

The brief included retaining as much of the original fabric of the house as possible – cornices, skirting and arches.

»

This page, clockwise from top left The kitchen joinery (also bottom right) is by North Shore Custom Cabinetmaking. Solid brass cabinet handles by Joseph Giles and Armac Martin Thor collection knobs from The English Tapware Company. Gebrüder Thonet Vienna single-curve counter stools from Space. Vase from Dinosaur Designs. The wine cellar joinery is by North Shore Custom Cabinetmaking. In the study Moooi ‘Menagerie of Extinct Animals’ wallpaper, and chair, both from Space. On cabinet, Joseph Giles ‘Theodore’ solid brass T-bar cabinet handle from The English Tapware Company. Opposite page The facade of the 1890s Victorian terrace house and its original detailing immediately attracted the owners.

« A larger, more functional kitchen connected to the courtyard was also requested, along with abundant natural light throughout. “We wanted to brighten up the formal living areas and reduce the tunnel effect of the hallway,” says Theresa Better utilisation and access to all parts of the home and incorporating key furniture pieces were fundamentals.

“We didn’t necessarily want the interiors and decoration to fit a particular style or period, rather they needed to reflect us and our lifestyle,” says the owner. “We wanted the house to have a sense of calm and each feature to be considered, but not excessive or over-decorated. We still wanted character and personality.” Most importantly it had to be a family home –suitable for casual entertaining and, because of the proximity to the beach, one that would welcome sandy feet.

continues, “We also extended the curves to custom pieces such as the bouclé seat at the entrance and the organic-shaped hall table.”

The design focuses firmly on ensuring all spaces are multipurpose for a busy young family, and a mood of warmth and comfort comes from the selection of tactile materials in joinery and soft furnishings.

As the owner liked the richness and authenticity of timber, oak flooring was selected and then layered with joinery in a deep walnut. “With a backdrop of warm, timeless colours and finishes, tonal changes add interest as you move from room to room while ensuring the ambience of each room feels calming and quiet,” says Theresa.

Furniture includes some high-end design pieces chosen by the owner such as the Arflex ‘Strips’ sofa and ‘Elettra’ dining chairs and the SP01 outdoor furniture by Tom Fereday. In addition, Studio Quarters collaborated with respected joiners and furniture makers for custom pieces, the most significant of which is the organic-shaped mahogany dining table crafted by Tim Noone from timber gifted to the owner by her father.

Theresa

Many of the design decisions were guided by the existing shapes and character of the home, says Janice. “The arched doors to the formal dining room echo the decorative arches in the hall. The curves of the custom banquette in the casual dining area and the kitchen island also draw on this detail, as do the mirrored shaving cabinets in the ensuite and family bathroom and the custom pebble-shaped table in the formal dining.”

Everything, from the design to the furniture and the colour palette, dovetails. The designers are particularly happy »

These pages, clockwise from left The bathroom has Fiandre ‘Fjord’ tiles in Natural White from Artedomus. Gareth Ashton ‘Byron’ stone freestanding bath. Custom vanity by Studio Quarters made by North Shore Custom Cabinetmaking. Brodware ‘City Stik’ basin mixer and bath set from Candana. ‘Float’ wall light from Articolo. Armac Martin Thor collection knobs from The English Tapware Company. ‘Portobello’ bedhead from Heatherly Design in Métaphores ‘Levant Terrazzo’ from Boyac. Baxter ‘Memo’ bedside table by Draga & Aurel and Foscarini ‘Magneto’ LED table lamp, both from Space. The powder room has a custom pedestal basin, folding mirror and shelf designed by Studio Quarters and made by North Shore Custom Cabinetmaking. Towel from Cultiver.

« with the new arched timber-framed glass doors which successfully introduce light to the hallway and open up the darker areas of the house making them more usable. “Opening up spaces and reorienting the kitchen has been critical in adding light and improving the circulation,” says the owner.

Shots of bold colour in furniture and curtains offset the restrained palette. “We love the tangerine-coloured curtains!” says Janice. “And we also love the feeling that the use of texture has created.” The owner adds, “There are so many features we love: the custom formal dining table, the Moooi wallpaper in the study, all the lighting – especially the Vibia lamp in the

master bedroom – and, of course, the ensuite which feels like a complete oasis.”

The interior seamlessly weaves the old and the new, respecting the history of the house while modernising it to suit contemporary life. For the owner, the house “feels like a true escape. It’s calm, considered, yet still has little surprise punches and a bit of unpredictability.

“It feels very ‘us’. Studio Quarters has done a tremendous job of understanding our taste and lifestyle. And the avocado tree in the backyard is everything!” #

studioquarters.com.au; pepo.com.au

This page The master bedroom has a Vibia ‘Flamingo’ pendant light from Koda Lighting. Baxter ‘Lazybones’ armchair from Space. Artwork on mantel by Clementine Maconachie of The Visuals. Vase by Robert Gordon.

SPEED READ

» A young family engaged design firm Studio Quarters to revamp their 1890s Victorian terrace in Sydney’s eastern suburbs.

Wishing to preserve the heritage features such as arches, cornices and ceiling roses, the intervention was light and mainly cosmetic, linking spaces, opening up dark areas of the home and creating a new kitchen connected to the courtyard and garden.

A calm palette was chosen throughout with pale oak flooring and rich walnut joinery enlivened by punches of colour such as in the tangerine-coloured curtains.

High-end furniture pieces were complemented by custom designs including an organic-shaped dining table crafted from a piece of timber gifted to the owner by her father.

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Pure fabrication

This page, clockwise from top left The creative process is a collaborative one between Sophie and Bruce. Sophie contemplates upcoming designs and colours in Bruce’s painting studio.

A sneak peek at the new release ‘Waratah’ woven performance fabric.

The showroom hosts fabrics for interiors projects as well as readymade cushions and table collections. Bruce sketching a new bottlebrush design. A Sydney-made English rolled armchair boasts the beautiful ‘State of Waratah’ design in Natural. If walls could talk. The Utopia Goods wallpaper collection tells stories of the Australian landscape fit for powder rooms, bedrooms and beyond.

DO YOU WORK FROM HOME OR THE OFFICE? We work from the Utopia Goods showroom – it’s one of the oldest double-storey terrace spaces on Sydney’s Oxford Street.There are six to seven rooms and a space or area for every task or mood. It’s a great building to collaborate and meet and greet clients. HOW WOULD YOU DESCRIBE YOUR WORKSPACE?

Bold in colour and pattern, comfortable and atmospheric.We’ve tried to create a showroom with the atmosphere of a ‘jazz-textile-club’ and the comfort of a living room to view colour and pattern. There are five distinct areas: front showroom, smaller client meeting room,upstairs office,Bruce’s painting studio and stockroom. WHAT INITIALLY APPEALED TO YOU ABOUT THE SPACE? Our textile line is a combination of artisan craft,the history of fabric design and new world technologies. We saw the Victorian terrace as a nod to history, creativity and a building to house different aspects of the business.We worked with the bones of the building, rather than give it a design overhaul. HOW WOULD YOU DESCRIBE THE COMPLETED SPACE AND WHAT ARE SOME OF YOUR FAVOURITE FEATURES OR PIECES? We have a large powder-coated central light fitting and a number of French farmhouse antiques that work with the textiles – it’s a colour kaleidoscope and very textural! WHAT ARE YOUR WORKSPACE ESSENTIALS? Sophie: Fabric and wallpaper memo swatches at hand, laptop, fabric, phone! And more fabric. Bruce: Paints, lightbox, computer, books. COULD YOU DESCRIBE A TYPICAL WORKDAY? Every day is varied given that we create the artwork, design the fabric,manufacture,market,export and sell our product. Much of the day involves client liaison and consultation – our creative flexibility is wider than most people might realise from the outside. We have recently transformed Bruce’s original artworks into a private commission tapestry, and are currently producing a number of custom rugs for residential clients.A single artwork from conception to finishing fabric may take between six to 18 months. DO YOU USE YOUR SPACE TO ENTERTAIN CLIENTS? Our showroom is the ultimate textile paradise.We encourage clients to visit the space to see and feel our products in person, and meet our team. It’s always such a pleasure to host people here who have travelled from regional areas, interstate or are visiting from overseas. It allows them to see where the magic begins.

WHAT PROJECTS ARE YOU LOOKING FORWARD TO? Wonderful new product launches and events are on the horizon. Fabulous locally made furniture is about to land in the showroom, additions to our performance fabric collection,a 10-year anniversary event,the introduction of luxury handmade rugs,a 2023 exhibition of Bruce’s paintings at Woollahra Gallery at Redleaf and a quick trip to India. There’s much to do! utopiagoods.com