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U . S . B R A N C H O F F I C E S S O U T H E A S T W h i t n ey O t t o, J a c k i e O r w i g Te a l l , B l a z e, O t t o & A s s o c i a t e s , 704 6 51 1204

S O U T H W E S T V i r g i n i a D a v i s , W i s d o m M e d i a , 214 526 38 0 0 W E S T C O A S T Cy n t h i a M c K n i g h t, C M M e d i a S a l e s , 310 291 2730; Ku r t D e M a r s , D e M a r s M e d i a , 415 990 1999

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THE DESIGN OF THE FUTURE

W h at d o th e Audi sph ere c on cept cars h ave in c ommon with V itra d esig n furniture? A g re at d e al! B ecau se e x cellent d esig n mean s setting n ew st an d ard s with a brilli ant i d ea th at oth ers foll ow.

FOR TH E USE R A S WE LL A S FOR TH E V I E WE R .

T rendsetti ng desig n exceeds a l l ex pe ctations, just as Aud i does w ith its fam i ly of concept ca rs Aud i is setti ng sta nda rds that w i l l shape the desig n of concept veh icles for the nex t few de cades t o come. T he Head of Bra nd , Aud i, Hen r i k Wenders, des cr ibes the idea of prog ress as fol lows: “ You have t o lead ver y ea rly w ith a ver y go od idea , so that the others ca n fol low you ”

Te ch nolog ica l i n novations creat e the space for v isiona r y desig n , a nd ele ctr i fication creat es new f reedom t o ex per ience the i nt er ior of a veh icle Te ch n ica l ach ievements, i n combi na tion w ith a fa r sight ed compa ny that bold ly implements g reat ideas, were what d rove the desig ns of legenda r y f u r n itu re icons such as the “ E ames Cha i r ” or the “ Pa nt on Cha i r ” T he a rch it e ct , Ver ner Pa nt on , had t o travel across Eu rope t o fi nd a su itable pa r tner i n the desig n g ia nt Vitra D r M at e o K r ies, D i re c t or of the Vitra Desig n Museum i n Wei l am R hei n , is thus the r ight ex per t t o ex pla i n what constitut es the desig n of the f utu re “ It needs att ention t o deta i l T he desig ner Cha rles E ames sa id: the deta i l is not the deta i l, it ’ s the desig n ” Aud i approaches its v ision of Huma n C entr icity w ith th is obsession for deta i l

“ T he veh icle be comes a n ex per ience dev ice We desig n f rom the i nside out a nd ca n then put pe ople’s needs at the cent er of the desig n

pro cess, ” says Wenders To ach ieve th is, the develop ment pro cess, wh ich prev iously led f rom the eng i ne t o the chassis t o the i nt er ior, was tu r ned upside dow n “ Wa nti ng t o creat e someth i ng complet ely new requ i res a cer ta i n attitude, a lot of cou rage a nd a lot of cu r iosity,” not es Wenders, “ a nd desig ners a re at a ver y spe cia l i nt er face ”

T here is ha rd ly a desig n d iscipl ine as complex as ca r desig n It is tied t o ingenu ity a nd a more susta inable mindset ,, engages w ith people’s desi res, a nd offers a n ind iv idua l ized exper ience. I n the Aud i concept ca r, the f usion of form, f unction, a nd the d ig ita l d imension is v isible “ We fami l ia r ize people t oday w ith the exper iences of the f utu re ” , says Wenders. A good way t o str ive even more t owa rds t omor row

With the Aud i activesphere concept a symbiosis of elega nce a nd f u nctiona l ity Aud i conti nues t o sha re the bra nd’s v ision of the f utu re a nd prem ium mobi l ity

To le a r n mor e , v i sit

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I f yo u h a ve w a n d e rl u s t a n d a l ove o f d e s i g n , t u r n to o u r c ove r s to r y o n t he h o m e of f a s h ion cou ple S a l l y a n d M ic h e l Pe r r i n o n Mex ico’s P a c i fi c co a s t T hei r h ide away i n C o s t a C a reye s b e c a me even more pre c iou s to t hem du r i n g t he C OV I D 1 9 p a n d e m ic , w he n t he y d e c a m p e d t he re f ro m L o s A n gele s w it h t he i r t wo te e n a ge d au g hte r s W h at t he y fou n d i n Mex ico i s s o m e t h i n g a l l t he h o m e s i n t h i s i s s u e p rov id e : t he s e t t i n g to fi n d a d e e p e r s e n s e of o n e s el f a n d a n o p p o r t u n it y to e s c a p e n o t j u s t o u t i nto t he world , b u t i nwa rd , to o ◾

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PI N E C U PS BY N ATA LIA TRIANTAF Y LLI

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TO P R I G H T: D e t a i l o f a b a s r e l i e f. R I G H T: T h e s t o r e ’ s b e a u t y a l c o v e . hermes com

If h e a ve n i s a p l a c e o n e a r t h , l u x u r y a c o l y t e s w i l l s u r e l y fi n d i t o n t h e t o p fl o o r o f N e w Yo r k C i t y ’ s n e w H e r m è s f l a g s h i p H e r e , g u e s t s a r e g r e e t e d b y a d o m e d c e i l i n g c o m p o s e d o f 2 0 b a s r e l i e f p a n e l s b a s e d o n i n k d r a w i n g s b y t h e F re n c h a r t i s t F r a n ç o i s H o u t i n e a c h o f w h i c h to o k m o r e t h a n 1 0 0 h o u r s t o c r e a t e ; t h e y h a d t o b e i n s t a l l e d o n s i te w i t h a c u s to m m a d e l i f t i n g c r a d l e . T h e re s u l t i s a s m u c h a n e n g i n e e r i n g m a r v e l a s i t i s a t e s t a m e n t t o t h e a r t i s t i c i n t e g r i t y o f t h i s f a m e d l u x u r y b r a n d a n d t h a t ’ s b e fore you n o t ice t he exq u i s ite le at h e r g o o d s b e n e at h it

A t a p p r o x i m a t e l y 4 5 , 0 0 0 s q u a r e f e e t , 7 0 6 M a d i s o n Ave nu e i s o n e of t h e l a r ge s t He r m è s o u t p o s t s i n t h e wo rld T h e s t o r e i s , i n f a c t , t h r e e b u i l d i n g s c o m b i n e d : a n e o Fe d e r a l s t y le l a n d m a r k b a n k b u i ld i n g f ro m 1 9 2 1 fl a n ke d by t o w n h o u s e s I t s i t s j u s t u p t h e b l o c k f r o m t h e f o r m e r He r m è s fl a g s h ip, clo s e d t h i s ye a r, a rou g h l y 2 0 ,0 0 0 s q u a re fo o t s p a ce t h at h a d s e r ve d t he b r a n d s i n ce 2 0 0 0 .

T h e n e w s to re c e n te r s g u e s t s ’ co m fo r t w h i l e co u r t i n g t h e i r s e n s e o f w o n d e r, t h a n k s t o a f o u r a n d a h a l f y e a r renovat ion overse en by D en i s Montel , a r t i s t ic d i re c tor a nd

B Y S E A N S A N T I A G O P H O T O G R A P H S B Y N I C H O L A S C A L C O T T

g e n e r a l m a n a g e r o f R e n a D u m a s A r c h i t e c t u r e I n t é r i e u r e ( R DA I ) Fo u n d e d by He r m è s a r t i s t ic d i re c to r P ie r re A lex i s D u m a s ’ s l ate m o t he r i n 1 9 7 2 , R DA I h a s b e e n work i n g o n t he b r a n d ’ s re t a i l s p a c e s s i n c e 1 9 76 “ He r m è s i s a ve r y c re a t i ve compa ny, ” Montel says “ T here i s no fi xed bra nd ident it y it ’ s a l w a y s a n e vo l u t i o n S o we t r y w i t h o u r d e s i g n s to a c co m p a ny t h e b r a n d , to b e a n o t h e r way o f ex p re s s i n g t h e h o u s e va l u e s . We d o n’t wa nt it to fe e l l i ke a d e p a r t m e nt s to re . ”

T he core va l u e at He r m è s i s , of cou r s e , it s d e d ic at io n to c r a f t t h e c o m p a n y h a s 5 2 wo r k s h o p s i n F r a n c e , w h e r e i t e m ploy s m o re t h a n 6 ,0 0 0 c r a f t s p e o ple a n d t h at e m ph a s i s o n a r t i s a n s ’ s k i l l s i s i n e v id e n ce t h rou g h o u t t he i nte r io r

C olo r i s u s e d to e s t a bl i s h a d i a lo g u e b e t we e n ro o m s i n t he h i s to r ic a l b u i ld i n g , a cce nte d w it h a m a n o r wor t hy d e e p g re e n , a n d it s conte m p or a r y cou nte r pa r t s , w he re s pa ce s a re o u t f i t t e d i n b e i g e s t r a d d l i n g s h a d e s o f p i n k F r o m t h e te r r a z z o fl o o r i n g to t he j a c q u a rd wa l l f a b r ic s , e ve r y fi n i sh i n t he s p a ce i s c u s to m , a s a re t he f u r n i s h i n g s

L E F T: I n t h e j e w e l r y s a l o n , a d i s p l a y p a n e l i s u p h o l s t e r e d i n a w o v e n j a c q u a r d f a b r i c w i t h a n a b s t r a c t e d m u s h r o o m m o t i f d e s i g n e d b y G r e t h e S ø r e n s e n .

R I G H T: O n t h e f i r s t f l o o r, t h e o r i g i n a l v a u l t g a t e a n d a c l o c k p a y h o m a g e t o t h e s e c t i o n o f t h e s t o r e t h a t w a s a b a n k .

T h i s i s a l l i n ser v ice to t he wa res of each of t he m a i s o n ’ s 1 6 métiers, f r o m t h e m o r e r e c e n t i n t r o d u c t i o n s a b e a u t y a l c ove s w a t h e d i n g o l d l e a f l a c q u e r e d w a l l p a p e r, a s s e m b l e d o n s i t e , s h o w c a s e s r o w s o f P i e r r e H a r d y d e s i g n e d l i p s t i c k t u b e s to t h e e q u e s t r i a n a c c o u t r e m e n t s o n w h ic h t he b r a n d wa s fou n d e d i n 1 8 3 7.

Mo s a ic t i le s a n d t he He r m è s co at of a r m s i n l a id on t he g r o u n d f l o o r a r e f a m i l i a r s i g n a t u r e s , a s i s t h e G r e e k k e y m o t i f t h a t f r a m e s t h e m a i n e n t r a n c e a n d c e i l i n g B u t t h e t h r e a d s b e t w e e n t h e v a r i o u s r e t a i l e n v i r o n m e n t s a r e

m o re e p h e m e r a l by d e s i g n Mo nte l a n d h i s te a m wo rke d to c re ate a v i s u a l l a n g u a ge t h at felt u n iq u e to N e w York w h i le e m p h a si z i n g t he con n e c t io n b e t we e n t he c it y a n d P a r i s , t he m a i s o n ’ s f o u n d i n g c a p i t a l . “ We t r e a t i t l i k e a n e m b a s s y, ” s ay s Sy bi l D e b u , R DA I a rc h ite c t a n d p roj e c t d i re c to r.

T h e piè ce d e ré s i s t a n ce , i f o n e h a d to c h o o s e , co u ld b e t he m o n ol it h ic s to n e s t a i rc a s e t h at a nc h o r s t he s p a ce M ad e o f P o r t u g u e s e l i m e s t o n e s t r e n g t h e n e d w i t h p o s t t e n s i o n c a ble s , it to o k a l m o s t a ye a r to b u i ld “ It ’ s ve r y h i g h te c h b u t com ple tel y i nv i s i ble , ” Montel s ay s of t he s t r uc t u re ’ s com plex e n g i n e e r i n g . E l s e w h e r e , t h e o r i g i n a l b a n k v a u l t g a t e h a s b e e n r e p u r p o s e d , i n t h i s i n s t a n c e c l e ve r l y a p p e a r i n g a s a f i r s t f l o o r p o i n t o f s a l e ; t h e s e d e t a i l s k e e p t h e p a s t i n conve r s at io n w it h t he p re s e nt a n d h e r it a ge w it h i n ge nu it y

O n t he te r r a ce , l a n d s c a p e a rc h ite c t M i r a n d a B ro ok s h a s c re ate d a c h a r m i n g ro of top g a rd e n fi l le d w it h n at i ve pl a nt s , p r e s i d e d o v e r i n i c o n i c H e r m è s f a s h i o n b y a c a s t i r o n c ava l r y m a n . A fi f t h flo or atel ier hou se s a r t i s a n s i n re sidence wo r k i n g o n l e a t h e r, j e we l r y, a n d t i m e p i e c e s . “ We c o m b i n e t h e s e e le m e nt s by lo o k i n g fo r h a r m o ny, ” Mo nte l s ay s “ Yo u c a n h ave a c e r t a i n co l o r o f c a r p e t b e s i d e a c e r t a i n pi e c e o f s to n e , b u t t h e r e ’ s a n e s t a b l i s h e d r e l a t i o n s h i p b e t we e n t h e t wo I n t he e n d , it ’ s o n e s i n g le v i s io n ” ◾

A B OV E : A p r i v a t e l o u n g e o n t h e f l a g s h i p ’ s t o p f l o o r f e a t u r e s a u n i q u e l i g h t i n g s c h e m e h i d d e n b e h i n d b u i l t i n w a l l p a n e l s . T h e s o f a a n d r u g a r e c u s t o m , a n d t h e f l o o r l a m p i s b y E g g C o l l e c t i v e R I G H T: C l o t h i n g a n d a c c e s s o r i e s a r e d i s p l a y e d i n e n v i r o n m e n t s w i t h c u s t o m m i l l w o r k a n d f u r n i t u r e

C R A F T I N G L U X U R Y

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P ro or con , t he i nter iors of t he f ut u re a re com i ng toget her n icely. Here’s how a nd why.

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Pic t u re a world i n w h ich you ex i s t o n l y a s a d i g it a l avat a r You r h o m e i s d e s i g n e d w it h w a t e r f a l l w a l l s r a t h e r t h a n o a k T h e e x t e r i o r i s s u r r o u n d e d b y fl a m e s r a t h e r t h a n l u s h g r e e n l a n d s c a p e A s f o r y o u r p r o p e r t y ’ s lo c at io n , p le a s e co n s id e r t h e m o s t re m o te p a r t of t h e g lo b e , w h e re n e it h e r t h e l aw s of p hy s ic s a n d g e o g r a p hy n o r p e r m i t s a n d b u d g e t s ex i s t It ’ s h a rd to e nv i s io n , r i g ht ?

E nte r te c h’s n e w o b s e s s ion : t he m e t ave r s e A te r m c o i n e d b y t h e w r i te r N e a l S te p h e n s o n i n h i s 1 9 9 2 n o v e l Snow Crash, i t r e f e r s t o a p l a c e w h e r e v i r t u a l , a u g m e n t e d , a n d p h y s i c a l re a l i t i e s co l l i d e i n a f u l l y d i g i t a l wo rl d . I t g o e s b eyond non f u n g ible token s ( N F Ts) a nd c r y pto c u r re n c i e s a n d c r o s s e s i n t o g a m i n g I f yo u ’ ve e ve r c re ate d a h o u s e i n A n i m a l C ro s s i n g o r t he S i m s , t h e n yo u ’ ve e x p e r i e n c e d i n te r i o r d e s i g n i n t he m e t ave r s e at it s m o s t b a s ic le vel “ T h e m e t ave r s e o ffe r s a s e n s e of ‘ f a m i l i a r i t y ’ w i t h t h e p h y s i c a l w o r l d b u t c h a l l e n g e s s c a l e , m a te r i a l i t y, p h y s i c s , a n d f u n c t i o n , ” s a y s a rc h ite c t L u i s Fe r n a n d e z , w h o s e Me t a E s t ate s G a l le r y p roj e c t p u t a fo c u s o n d i s pl ay i n g a r t i n s u r re a l n a t u r a l s e t t i n g s , j u x t a p o s i n g e l e m e n t s t h a t d o n ’ t c o e x i s t i n t h e r e a l w o r l d T i f f a n y H o w e l l , t h e i n t e r i o r d e s i g n e r b e h i n d N i g h t P a l m s t u d i o i n L o s A n g e l e s , a d d s : “ Yo u c a n b u i l d s p a c e s t h a t w o u l d o t h e r w i s e b e a rch ite c t u r a l l y i m p o s s i ble i n lo c at ion s t h at on e c o u l d o n l y d r e a m o f i t ’ s a n o p p o r t u n i t y t o b r i n g d re a m s c a p e s to l i fe ”

B u t i s t h i s re a l o r s i m p l y a g i m m i c k ? A n d i f it ’ s j u s t a g i m m ic k , s h o u ld we b e ce le b r at i n g i t ? I n M a r c h 2 0 2 1 , t h e f i r s t d i g i t a l h o u s e , c re ate d by a r t i s t K r i s t a K i m , s old for 2 8 8 e t he r token s e q u i va le nt to $ 5 14 , 55 7 7 9 at t he t i m e I n A u g u s t 2 0 2 2 , F e r n a n d e z ’ s M e t a E s t a t e s V i l l a s o l d o u t a s a n e d i t i o n o f 42 , w i t h b u ye r s r a n g i n g f ro m N F T col le c tor s to awa rd w i n n i n g T V a n d fi l m p ro d u ce r s .

T hou g h it s e e m s t h at t he bi g ge s t b e n e fi t of bu y i n g a m e t a pro p e r t y r i g ht n ow i s b r a g g i n g r i g ht s , t h e re a re o t h e r re a s o n s “ T h e s e a s s e t s a re b e i n g p u r c h a s e d a s s e t s f o r s h o o t s a n d m o v i e s o r a d i g i t a l s p a c e t o e x h i b i t a r t c o l l e c t i o n s , ” F e r n a n d e z s a y s H e a l s o s e e s t h e m a s e n t e r t a i n m e n t ve n u e s o r e ve n j u s t p l a c e s t o i n t e r a c t w i t h p e o p l e i n a m o re p e r s o n a l way t h a n ove r Z o o m .

O f te n , t h e m e t ave r s e i s p o s i t i o n e d a s a n ove rco m p l i c a te d id e a . Ye t m a ny of u s a re a l re a d y t he re , u s i n g mu lt i ple pl at for m s to com mu n ic ate a n d m e e t i n t h e v i r t u a l wo r l d A n d w h i l e Fa c e b o o k ’ s p a r e n t c o m p a n y m a y h a ve ch a n ge d it s n a me to Me t a i n O c tob er 2 0 2 1 , it s pl at for m s h ave n e ve r b e e n com plex b e a co n s of i n n ovat io n A s i m ple s c rol l o n I n s t a g r a m (a n o t he r Me t a com p a ny) s h ows avat a r s of it s e m ploye e s t h at n e it h e r lo o k l i k e t h e m i n t h e m o s t b a s i c s e n s e n o r e s c h e w t h e b e a u t y s t a n d a rd s o f to d ay. P a r t of w h at m a ke s s o c i a l m e d i a i nte re s t i n g i s it s s p e c t r u m f ro m u n fi ltered re a l it y to a spi rat ion a l fa nt a s y, a nd Met a ’ s avat a rs del iver neit her A d d e d to t h a t , t h i s O c to b e r i n te r n a l d o c u m e n t s re ve a l e d t h a t H o r i z o n World s , t he compa ny ’ s met averse pl at for m , i s fa l l i n g shor t of i nter n a l p er fo r m a n c e ex p e c t a t i o n s , w i t h g l i tc hy te c h n o l o g y a n d d i s e n g a g e d u s e r s (T he compa ny ’ s stock pr ice d ipped below $10 0 for t he fi rst ti me si nce 201 5 ) B u t d o n ’ t b e f o o l e d b y o n e c o m p a n y ’ s s h o r t t e r m c h a l l e n g e s . W he t h e r we l i ke it o r n o t , g lo b a l i nte re s t i n t he m e t ave r s e i s b u i ld i n g to a fe ve r pitc h T h at m e a n s we w i l l b e s e e i n g m o re d i g it a l i nte r io r s s o o n , s i m pl y b e c au s e of j u s t h ow i nte r t w i n e d t he s p a ce i s w it h s h o p pi n g T he f a s h i o n wo rl d i s o b s e s s e d , a n d a s b r a n d s ex p a n d t h e i r d i g i t a l p re s e n c e t he y ’ re g oi n g to n e e d ple a s i n g i nte r io r s for t he i r s to re s A t t he e n d of t he d ay, it ’ s a l l a b o u t ge t t i n g p e o ple to s p e n d m o n e y

A s y o u r a v a t a r b e c o m e s m o r e l i k e y o u , i t w i l l b e i n d i v i d u a l d e s i g n e r s w h o e n t i c e u s i n w i t h i m p r ove d a r c h i t e c t u r e a n d i n t e r i o r s .

“ T h e i r u n d e r s t a n d i n g of t h e te c h n ic a l l i m it at io n s of s p a ce w i l l e a s e t h e s h i f t i n g b e t we e n t he re a l a n d d i g it a l world s , ” s ay s I s m a i l Ta z i of Tr a m e , i n P a r i s , w h o i s w o r k i n g o n a n a r t c o l l e c t i o n t h a t s e e k s t o p u s h t h e b ou n d a r ie s b e t we e n phy s ic a l a n d d i g it a l s p a ce s L i ke w i s e , d e s i g n e r s a re u s i n g t h e m e t a ve r s e a s a n e w p l a t fo r m fo r e x p l o r a t i o n “ T h e s u r p r i s e i s d i s c o v e r i n g t h a t w i t h i n t h i s s e e m i n g l y l i m i t l e s s s p a c e , y o u c a n e n cou nte r n e w c h a l le n ge s you’d n e ve r con side re d , ” s ay s H a r r y N u r ie v of C ro s by S t u d io s i n B ro o k l y n

M e t a ve r s e i n te r i o r s s t i l l fe e l s o p r i m i t i ve t h a t t h e e s c a l a t i n g h y p e se em s over w rou g ht T h at ’ s not u nex p e c ted ; most te ch nolo g ic a l ad va nce s fo l l ow t h a t p a t te r n D e s i g n i n t h e m e t a ve r s e a s i t e x i s t s n ow i s m o re a for m of e nte r t a i n m e nt t h a n a ny t h i n g e l s e T he ave r a ge p e r s o n w i l l ex p e r i e n c e i t t h r o u g h b r a n d s a n d g a m i n g m u c h s o o n e r t h a n t h e y ’ l l ow n a s e co n d m e t ave r s e h o m e o n M a r s . B u t it ’ s t h at id e a of l i m it le s s p ote nt i a l t h at w i l l u n d o u bte d l y cont i nu e to piq u e o u r col le c t i ve i nte re s t

T h o s e w h o d i s m i s s t h e m e t a v e r s e w i l l b e l e f t b e h i n d , s i m p l y b e c au s e it w i l l e ve nt u a l l y b e com e e ve n m o re p e r va si ve B ut o n l y w he n it s u r p a s s e s g i m m i c k a n d s t a r t s t o c h a n g e p e o p l e ’ s l i v e s t h r o u g h p r a c t ic a l it y w i l l i t h ave re a l i m p a c t C on side r s h o p pi n g o n l i n e f ro m you r l i v i n g ro o m : You r avat a r, b u i lt to s c a le , t r ie s o n o u t fi t s i n t he m e t ave r s e . A l l t h i s w i t h i n a w i l d d i g i t a l i n te r i o r t h a t ’ s m u c h m o re a p p e a l i n g t h a n a ny t h i n g i n re a l it y T h at ’ s t he f u t u re ◾

Kristen Bateman is a writer based in Brooklyn

“ You ca n bu i ld spaces t h at wou ld ot her w ise be a rch itect u ra l ly i mpossible.”

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DARWIN’S DELIGHT

T he upcom i ng Ti ffa ny auction at Ch r istie’s celebrates t he n at u ra l world’s m a ny facets.

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o w n a b i t o f t h e e r a ’ s d e c o r a t i ve g l a m o u r C h r i s t i e ’ s h a s a m a s s e d m o re t h a n 4 0 T i ff a ny S t u d io s o b j e c t s to b e a u c t i o n e d o f f o n D e c e m b e r 9 i n M a n h a t t a n , r a n g i n g f r o m Fav r i le g l a s s a n d ico n ic l i g ht i n g to p ot te r y a n d e n a m e l w a re . T h e l o t s , w h i c h m a i n l y c o n s i s t o f p i e c e s p ro d u ce d b e t we e n 1 8 9 5 a n d 1 9 2 0 , h i g h l i g ht t h e e xc e p t i o n a l l y fi n e q u a l i t y o f L o u i s C o m fo r t T i ff a ny ’ s g l a s s work s h o p s i n t he e a rl y 2 0 t h c e n t u r y M o t i f s f r o m t h e n a t u r a l w o r l d r u n t h r o u g h t h e c o l l e c t i o n : F l owe r s a n d ot h e r fl o r a a nd f a u n a o ffe r a cou nter p oi nt t o t h e s t o r y o f a r a p i d l y m o d e r n i z i n g wo rl d fo l l ow i n g t h e I n d u s t r i a l R e vo l u t i o n . T h e h a n ke r i n g for g re e n e r y i n t he e r a wa s m e t w it h a n e q u a l l y e nt hu s i a s t i c e m b r a c e o f g e o m e t r i c p a t t e r n s , r e p e t i t i ve f o r m s , a n d v i b r a nt hu e s T h e s e p oi nt s of i n s pi r at io n blo s s o m e d i n t h e m e t a l w o r k i n g o f T i ff a n y ’ s a t e l i e r s , w h e r e t h e c o m p a n y ’ s c r a f t s m e n s e a m le s sl y m a r r ie d m ate r i a l s a n d te c h n iq u e s T h e l a m p s o n v i e w a t C h r i s t i e ’ s h a v e b e c o m e s o m e o f t h e m o s t r e n o w n e d w o r k s t o c o m e o u t o f T i f f a n y S t u d i o s , a n d t h e d e t a i l o r i e n t e d s k i l l s o f t h e s e s t o r i e d a r t i s a n a l w o r k s h o p s a r e o n f u l l d i s p l a y T i f f a n y ’ s l a m p s we re s o u g ht a f te r t h e n , a s n ow, fo r t h e i r a l l e n co m p a s s i n g re fi n e m e nt ba s e s we re a s b e au t i f u l a s s h ad e s , color s we re p a i r e d i n u n e x p e c t e d a n d i n ve n t i ve w a y s , a n d s h a p e a n d s c a le we re o p p o r t u n it ie s for con s t a nt ex p e r i m e nt at ion .

A c i r c a 1 9 0 2 l a m p i n b l u e , g r e e n , a n d o r a n g e c a r r i e s t h e n a m e D r a g o n fl y fo r t h e g r a c e f u l i n s e c t s t h a t d e co r a te i t s i n t r i c a te s h a d e T h e p i e c e i s a s s t r i k i n g f r o m a b ove a s i t i s f r o m b e l o w, w h e r e a b a s e i n p a t i n a t e d b r o n z e t a k e s t he for m of a p on d b u r s t i n g w it h c at t a i l s a n d l i l ie s Mot he r N a t u r e ’ s d e l i g h t s a p p e a r a g a i n i n a r a r e G e o m e t r i c a n d Tu r t l e b a c k c h a n d e l i e r. T h e r e i s a l s o a L a b u r n u m t a b l e l a m p c i r c a 1 9 1 5 w i t h e d g e s t h a t f o l l o w t h e fl o we r p e t a l s ’ for m s , a nd a n E l ab orate Pe ony t a ble l a mp w hose t it le u nder s e l l s t h e i n t r i c a c y o f i t s d e s i g n a d e c o r a t i ve m e n a g e r i e , j u s t i n t i m e for t he le a s t g re e n of s e a s o n s Camille Okhio

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Al t h o u g h t h e p a s t c o u p l e o f ye a r s a r e n o t e n t i r e l y i n t h e re a r v ie w m i r ro r, a s a w h ole , hu m a n it y s e e m s to h a v e r e b o u n d e d B u t o n e a s p e c t o f t h e l o n g i s o l a t i o n t h a t t h e p r i m a r y b a t h r o o m b e c a m e a r e f u g e w h e n e v e r y o n e w a s a l w a y s h o m e h a s r e m a i n e d We ’ v e d e velop e d a n u ny ield i n g n e e d for p e r s on a l s p a ce , a n d t h at ’ s n o t s o m e t h i n g we ’ re a p t to g i ve u p q u ic k l y. B a t h r o o m s a s w e k n o w t h e m a r e a r e l a t i v e l y r e c e n t p h e n o m e n o n A nc ie n t R o m a n s a n d m e d ie va l E u rop e a n s , for i n s t a n c e , u s e d p u b l i c f a c i l it ie s fo r c o m m u n a l b a t h i n g , t hu s b o t h ge t t i n g c l e a n a n d s o c i a l i z i n g I t wa s n’t u n t i l t h e e a rl y 2 0 t h ce nt u r y t h at h av i n g a d i s c re te bat h ro om i n on e ’ s hou s e wa s re ga rded a s de r ig ueu r. Tod ay, people redoi n g t hei r bat h s a re p u s h i n g h a rd to ke e p a n d ex te n d t h at s e p a r at io n . A n n a K a r p, C E O of N e w York d e s i g n bu i ld fi r m B ol s ter, s a y s s h e i s s e e i n g a s h i f t i n p r i o r i t i e s : P e o p l e a r e p u t t i n g m o re m o n e y i n to a s p a c e ’ s ove r a l l l a yo u t t h a n i n to e x p e n s i v e t i l e s a n d f i x t u r e s A d d i t i o n a l l y, s o f a s a n d b u i l t i n s h owe r s e at i n g h ave b e co m e m a i n s t re a m T h i s i s p a r t i a l l y fo r c o m fo r t ; b u t a l s o , “ fo r t h o s e w h o a r e a g i n g i n p l a c e , i t h a s b e c o m e q u i t e c o m m o n i f p e o p l e a r e s t a y i n g i n t h e i r h o m e f o r a ve r y l o n g t i m e , ” K a r p s a y s ( I t ’ s a l s o h a n d y t o

h ave a le d ge fo r s h av i n g o n e ’ s le g s ) S o m e of h e r cl ie nt s a re s e e k i n g s o u n d i n s u l a t i o n , w h i c h i n c l u d e s u s i n g h e a v i e r do or s for add it ion a l pr i vac y

For L os A ngeles i nter ior desig ner Pa mela Sh a m sh i r i , t he pr i m a r y bat h room is more a nd more about wel l ness a nd how t hat is ach ieved: “ W hat si ng u la r spa r it ua l does t he cl ient wa nt to get out of it? Because you usua l ly ca n’t do ever y th i ng. ” (With s pace con st ra i nt s , somet i me s you h ave to cho ose b et we en a la rge soa k i ng t ub a nd a stea m shower ) T hese room s a re of ten m o re m u lt i f u nc t ion a l a s p e o ple n ow m e d it ate a nd work , s o f u r n it u re such as a r mcha i rs a nd a r moi res a re fi nd i ng thei r way i n S h a m s h i r i o n ce l i ve d i n a R ud ol p h S ch i n d le r h o u s e t h at feat u red a bat h room w it h heated floors on wh ich she wou ld l ie a nd work for lon g p er io d s . A lt hou g h it h ad on ly shoji do ors , w hen t hey were closed t hey sent a cle a r mess a ge: “ Ever yone k new I was i n sel f ca re mode ”

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I n t h is issue: t he d rea m iest i nter iors a nd h ig h jewel r y to i n spi re you r w i nter escape.

n a t e r r a c e d h i l l s i d e , h i g h a b ove Mex ico’s P a c i fi c co a s t , sit s a v i l l a n a m e d C a s a Tor re T h e r e s i d e n c e i n a n a r e a n e a r J a l i s c o d e v e l o p e d b y t h e l a t e I t a l i a n b a n k e r G i a n Fr a n co B r i g n o n e a n d d u b b e d C o s t a C a r e y e s ( “ t o r t o i s e s h e l l s ” i n S p a n i s h ) i s h o m e to f a s h io n wo rld b o n v i va n t s S a l l y a n d M i c h e l P e r r i n Fo r M i c h e l , t h e c h a i r m a n o f h i s f a m i l y ’ s 1 3 0 ye a r o l d F r e n c h l e a t h e r g o o d s h o u s e , Pe r r i n P a r i s , a n d h i s A m e r i c a n ex p a t w i f e , S a l l y, w h o s e r v e s a s t h e h e r i t a g e b r a n d ’ s c r e a t i v e d i re c tor, C a re ye s i s more t h a n a p a r t t i m e e s c a p e , it ’ s a way of l i fe “ It ’ s a pl ace t h at h a s brou g ht u s g re at j oy, ” s h e s ay s T h e y w e r e i n t r o d u c e d t o C o s t a C a r e y e s w h e n t h e y we re i nv ite d d ow n f rom L o s A n gele s for a bi r t hd ay p a r t y 14 ye a r s a g o “ It wa s a re a l wate r s he d m o m e n t fo r u s we j u s t fe l l i n l ove w i t h t h e v i b e , ” S a l l y s a y s . W i t h t h e i r t wo t h e n te e n a ge d au g hte r s i n tow, t he cou ple re t u r n e d l ate r t h at ye a r for a fe w we e k s at C h r i s t m a s a n d we re tot a l l y h o o ke d “ T he c o m m u n i t y w a s s o w a r m a n d f r i e n d l y, s o we k e p t c o m i n g b a c k ye a r a f te r ye a r a n d re nte d d i ffe re nt hou s e s e a c h t i m e , ” M ichel s ays T he n i n e a rl y 2 01 9 t hey le a r n e d C a s a Tor re wa s for s a le , a n d t he s t a r s h a d s u d d e n l y a l i g n e d T he y s old t hei r L . A . h o u s e a n d s t a r te d a n e w c h a p te r l i v i n g b e t we e n P a r i s a n d B r i g n o n e ’ s wo rld .

It ’ s b e e n a l mo s t 55 ye a r s si nce B r i g n o n e fi r s t s e t eye s on t he n e a rl y si x m i le s t re tc h of j u n g le , cl i ff s , a n d b e a c he s t h at m a ke u p C o s t a C a re ye s Pe e r i n g d ow n f rom t he co ck pit of a s i n g l e e n g i n e C e s s n a i n 1 9 6 8 , i n s e a rc h of a n id y l l ic s p o t to re t i re w i t h h i s f a m i l y, h e i n s t a n t l y b e c a m e e n a m o re d w i t h t he a re a , a n d t he re s t i s color f u l l y p re s e r ve d h i s tor y.

O n ce a n u n i n h a bite d co a s t l i n e t h at h a d to b e a c c e s s e d by b o at a nd ex plore d on hors e back , C o s t a C a reye s i s n ow a n e x c l u s i v e e n c l a v e o f a b o u t 6 0 s t u n n i n g p r i v a t e h o m e s d e s i g n e d i n w h a t ’ s b e c o m e k n o w n a s t h e C a r e y e s s t y l e W i t h t h e i r o p e n a i r, t h a t c h e d r o o f p a l a p a s , c u r v i l i n e a r a r c h i t e c t u r e , a n d e l e c t r i f y i n g l y c o l o r f u l f a c a d e s , t h e s e c o a s t a l c a s t l e s d o t t h e r e g i o n ’ s m o d e s t e x p a n s e l i k e d e l i c i o u s c o n f e c t i o n s . A p a r t f r o m h i s a r c h i t e c t u r a l i d e o l o g y, B r i g n o n e ’ s m i s s i o n a l o n g w i t h t h a t o f f i v e d e c a d e s o f re s i d e n t s h a s a l way s b e e n to s u p p o r t t h e lo c a l com m u n i t ie s a n d s a fe g u a rd t he va s t a re a of we t l a n d s a lon g t he co a s t , w h ic h i ncl u d e s a s a nc t u a r y for s e a t u r t le s

D e s i g n e d b y M e x i c a n a r c h i t e c t D i e g o V i l l a s e ñ o r a n d b u i l t i n 1 9 8 8 , t h e Pe r r i n s ’ fi ve b u n g a l ow r a s p b e r r y s h e r b e t a n d g o l d e n ye l l ow h u e d h o m e , w i t h i t s l i v i n g p a l a p a a n d t h re e s e p a r ate d i n i n g p a l a p a s e a c h u s e d at d i ffe re nt p a r t s of t h e d ay b a s e d o n t h e s u n ’ s p o s it io n i n g o ffe r s g lo r io u sl y u n o b s t r u c t e d v i e w s o f P l a y a R o s a a n d t h e c o a s t l i n e T h e

p r o p e r t y ’ s l u s h t r o p i c a l g a r d e n s c a m e w i t h t h e i r o w n i n c r e d i b l e p e d i g r e e , h a v i n g b e e n c r e a t e d b y E r i c N a g e l m a n n , t h e l a n d s c a p e d e s i g n e r b e h i n d L o t u sl a n d , t h e f a ble d b o t a n i c a l g a r d e n i n M o n t e c i t o , C a l i f o r n i a “ C o m m u n i n g w i t h n a t u r e t h e o u t s i d e e x p e r i e n c e i s a l m o s t m o r e i m p o r t a n t t h a n b e i n g i n s i d e , ” M i c h e l s a y s . “ We d o n’t h a ve g l a s s w i n d o w s a n y w h e r e i n t h e h o u s e . I t ’ s a l l o p e n t o n at u re , a n d t h at ’ s t h e ke y e le m e n t It ’ s ex t r a o rd i n a r y, l i ke a m ov i n g p a i nt i n g yo u c a n s t a re o u t at t he s k y a l l d ay ”

M o s t o f t h e f u r n i t u r e i s b u i l t i n , i n c l u d i n g e x p a n s i ve l o u n g e s t y l e s e a t i n g , s i d e t a b l e s , a n d p l a t fo r m b e d f r a m e s “A p a r t f ro m a fe w pie ce s of a r t wo rk , we d id n’t i m p o r t a ny t h i n g f r o m t h e L . A . h o m e , ” n o te s S a l l y o f t h e t h o u g h t f u l l y c u r a t e d i n t e r i o r s . “ N o n e o f i t w o u l d h a v e w o r k e d , a n d b e s i d e s , i t ’ s n i c e to h a ve a f re s h s t a r t ” A t t h e b e g i n n i n g o f t he p a n d e m i c , t h e Pe r r i n s s p e nt s i x mont h s l i v i n g com for t a b l y i n t h e w e l c o m e o a s i s , w i t h m i n i m a l f u r n i s h i n g s , l e a r n i n g h ow t h e i r l i fe s t y l e fi t w i t h t h e h o m e ’ s fl ow F r o m h i r i n g a m a s te r wo o d wo r ke r a n d s k i l l e d u p h o l s te re r b a s e d i n n e a r by v i l l a ge s to s ou rc i n g re t a i le r s of i n d i ge n o u s go o d s , t he cou ple c re ate d t h ei r ow n ve r s ion of S h a n g r i l a .

W he n i n re s id e nce , t he y ’ re u p e a rl y m a n a g i n g b u s i n e s s i n P a r i s , a n d , w h i le t he d ay s a re f u l l , t he re ’ s a l ways t i m e for f u n a n d r e l a x a t i o n “ I s w i m i n t h e o c e a n e a c h a f t e r n o o n , a n d w e p l a y b a c k g a m m o n a n d h a v e c o c k t a i l h o u r e v e r y n i g h t , ” s a y s M i c h e l , w h o f a v o r s a n A m e r i c a n o ( “ i t ’ s a N e g r o n i w i t h o u t g i n ” ) w h i l e h i s w i f e p r e f e r s a s p i c y m a r g a r it a at g a m e t i m e . “ T he re ’ s a word i n Fre nc h , ludique, w h i c h m e a n s w h i m s i c a l , c l e ve r, ” S a l l y s a y s “ I t h i n k t h a t ’ s w h a t w e w e r e t r y i n g t o a c c o m p l i s h w i t h t h i s h o u s e t o ke e p it l i g ht a n d pl ay f u l ” ◾

I n t h e d i n i n g p a l a p a , t h e t a b l e w a s r e i m a g i n e d u s i n g s e v e r a l c o l o r s o f f l o o r i n g p a i n t . L o c a l l y m a d e e q u i p a l e b a r r e l c h a i r s ; w a l l a r t b y M a r i e K h o u r i ; s c u l p t u r e b y L ø r a g & S ø n d a g .

O P P O S I T E : S a l l y P e r r i n w e a r s a M a r c o d e V i n c e n z o s k i r t w i t h a P e r r i n Pa r i s b e l t b a g , a n d M i c h e l P e r r i n i s i n a s h i r t b y E t r o C u s t o m 198 5 Vo l k s w a g e n B u g w i t h w i c k e r s e a t s

T h e o u t d o o r l i v i n g r o o m h a s a C a r e y e s s t y l e b u i l t i n s o f a , a n d t h e c o c k t a i l t a b l e i s b y l o c a l a r t i s a n s M o n k e y c o n s o l e t a b l e b y M a r i o L o p e z To r r e s ; l a m p s b y R o s a r i o G u e r r e r o; w a l l a r t b y S a u l Ka m i n e r

A s e c o n d d i n i n g p a l a p a , w i t h a t h a t c h e d r o o f m a d e o f d r i e d p a l m l e a v e s , o v e r l o o k s t h e Pa c i f i c O c e a n D i n i n g t a b l e ’ s r e s i n t o p b y M o n i c a C a l d e r o n ; c h a n d e l i e r b y M a r i o L o p e z To r r e s ; b a r r e l c h a i r s c o v e r e d i n l e a t h e r b y P e r r i n Pa r i s

mu n i ng w it h n at u re is a l most more i mpor ta nt t h a n bei ng i n side.”

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R I G H T: I n t h e b a t h r o o m , t h e h a n d c a r v e d w o o d m i r r o r i s b y D a v i d H u r w i t z , a n d t h e s c o n c e s a r e c u s t o m

B E LOW: T h e A c a p u l c o c h a i r s b y a r t i s t M a r i l o C a r r a l s i t i n o n e o f t h e b u n g a l o w b e d r o o m s u i t e s T h r o w a n d p i l l o w d e s i g n e d b y S a l l y P e r r i n w i t h E L E S t u d i o

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A r c h i t e c t C h r i s t i n a S e i l e r n ’ s Cy c l a d i c s t y l e v a c a t i o n h o m e o n t h e G r e e k i s l a n d o f Pa r o s D e s i g n e d b y S t u d i o S e i l e r n A r c h i t e c t s ; l a n d s c a p e b y E L a n d s c a p e . F o r d e t a i l s , s e e R e s o u r c e s

B Y C A M I L L E O K H I O P H O T O G R A P H S B Y M A T T H I E U S A L V A I N G

A n a rch itect ’ s fa m i ly home i n Greece i nv ites g uests to ta ke i n t he v iew a nd appreciate h istor y.

n t h e G r e e k i s l a n d o f P a r o s , w he re t he Sw i s s b or n , C olu m bi a U n i v e r s i t y t r a i n e d a r c h i t e c t C h r i s t i n a S e i l e r n h a s b u i l t a v a c a t i o n h o m e f o r h e r s e l f a n d h e r f a m i l y, s t r o n g w i n d s a r e a s p e r s i s t e n t a n e l e m e n t a s b l u e sk ie s a n d cle a r s e a s . “ T h i s hou s e c a m e out of ve r y pra g m at ic a n d rom a n t ic not ion s , ” s ays S ei ler n , w ho h ad no pl a n s to bu i ld on t he site at t he t i me i t w a s i n h e r i te d f ro m h e r l a te i n l a w s T h e n l o c a l re g u l a t i o n s c h a n g e d , forc i n g h e r h a n d : It wa s bu i ld n ow or lo s e t he r i g ht to bu i ld fore ve r

T h e r e s u l t i n g h o u s e i s o f a p i e c e w i t h S e i l e r n ’ s s t u d i e d a p p r o a c h , de s pite it s u n ex p e c te d ge n e s i s He r 16 ye a r old L on d o n a n d N e w Yo rk b a s e d f i r m , S t u d i o S e i l e r n A r c h i t e c t s ( S S A ) , h a s d e v e l o p e d a r e s e a r c h i n t e n s i ve p r a c t i c e t a c k l i n g b r i e f s a s v a r i e d a s c o n c e r t h a l l s , p r i v a t e l i b r a r i e s , a n d r e s t a u r a n t s S h e r e c o u n t s a n e a r l y c o l l a b o r a t i ve proje c t i n Z i m ba bwe a s a c a re e r t u r n i n g p oi nt : “A t t he t i m e , con s t r uc t ion m a te r i a l s we re h a rd to c o m e by I f we n e e d e d g u t te r s , fo r e x a m p l e , we wo u l d h a ve to c u t t h e m o u t o f s to n e we fo u n d o n s i te S o m e t i m e s yo u h ave to work i n a tot a l l y d i ffe re nt way f rom w h at you a re u s e d to ”

From t he n on , S S A h a s cou nte re d t he We s te r n t r a d it ion of a rc h ite c t u r a l i m p o s i t i o n , p r o d u c i n g wo r k i n fo r m e d b y l o c a l m a t e r i a l s a n d t h e h e r it a g e o f e a c h p ro j e c t ’ s l o c at i o n “ We d o n’t p i g e o n h o l e o u r s e l ve s i n to o n e t y p o l o g y, ” S e i l e r n s a y s “ I t ’ s a b o u t fi n d i n g t h e r i g h t c l i e n t s , r a t h e r t h a n t he r i g ht bu i ld i n g s ” W it h her s el f a s t he cl ie nt , S ei le r n t u r n e d to t he d i a lo g u e b e t we e n n at u re a n d h i s tor y for i n s pi r at ion

Pe rc h e d o n a n i s o l a te d p e n i n s u l a ove r l o o k i n g t h e A e g e a n S e a , t h e t h re e re c t i l i n e a r, fl at ro ofe d s t r u c t u re s t h at m a ke u p t he h o m e fl ow i nto e a c h o t h e r v i a e x t e r i o r c o r r i d o r s , p o s i t i o n e d o n a n e a s t w e s t a x i s t o w i t h s t a n d t h e a t t i m e s ove r p owe r i n g w i n d s ( A w i n d c o n s u l t a n t w a s b r o u g h t o n t o h e l p f i n d s t r u c t u r a l s o l u t i o n s t h a t f u r t h e r m i t i g a t e i t s i m p a c t ) I n f o r m e d b y C y c l a d i c a r c h i t e c t u r e , t h e b u i l d i n g s f o l l o w m e d i e v a l e x a m p l e s i n t h e a r e a , u p d a t e d w i t h a c o n t e m p o r a r y b e n t towa rd s u s t a i n a bi l it y S h a r p e d ge s re pl a ce ro u n d e d o n e s , a n d p re c i s i o n i s v a l u e d ove r p a t i n a . M a r b l e d u s t f r o m a n c i e n t q u a r r i e s o n t h e i s l a n d w a s m i x e d w i t h s t u c c o t o f i n i s h t h e e x t e r i o r w a l l s o f e a c h b u i l d i n g , w h i c h a r e m a d e o f a e r a t e d c o n c r e t e b l o c k s t h a t u t i l i z e a t h i r d o f t h e m a te r i a l we i g h t t h a t p o u re d conc re te s u r f a c e s wo u l d re q u i re T h e o u t do or s pace s we re concei ve d of a s a s e r ie s of ove rl a ppi n g sl a b s t h at fol low

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t he n at u r a l te r r a i n a n d a re done i n va r i at ion s of te r r a z z o s o t h at g u e s t s c a n g o b a re fo o t “ S to n e c a n g e t m u c h t o o h o t , ” S e i l e r n s a y s “ B u t t h e te r r a z z o i s l i ke s of t b u t te r on you r fe e t ”

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ro o m i n f avo r o f a m o d e s t d i n e i n k itc h e n . S h e c a r ve d out a d e l i b e r a tel y s m a l l fo ot pr i nt for t he o p e n p l a n l i v i n g a r e a s t o a c c o m m o d a t e a s m u c h e n te r t a i n i n g s p a c e o u td o o r s a s p o s s i b l e “ T h i s h o u s e i s a b o u t t h e s u n s e t , ” s a y s S e i l e r n “ T h at ’ s w h at g u e s t s s e e a s s o on a s t he y e n te r ”

R at he r t h a n w h ite wa s he d a d o b e , she opte d f o r b u i l t i n b e d s , b e n c h e s , d e s k s , a n d h e a d b o a rd s m a d e of l i g ht g r ay m ic ro ce m e nt , a t h i n c o a t i n g t h a t d o e s n o t n e e d j o i n t s a n d d o e s n o t c r a c k C u s to m c u s h io n s a n d l i n e n s we re m a d e

i n a c o m p l e m e n t a r y c a l m a n d c l o u d y p a l e t t e . F u r t h e r i n s p i r a t i o n w a s d r aw n f rom t he i sl a n d ’ s t r ad it ion a l a rch ite c t u re i n f r a m i n g w i n dow s a n d d o o r s w i t h h a m m e re d A l i ve r i m a r b l e , a k i n to t h e o r n a te s to n e t h re s h o l d s o f P a r i a n c h u r c h e s a n d w e a l t h y v i l l a g e r s ’ h o m e s “ T h i s i s a n element we d e r i ve d f rom t he h i s tor ic a l contex t , re t hou g ht a n d re worke d s o a s t o c r e a t e s o m e t h i n g f a m i l i a r t o t h e i s l a n d y e t n e w t o t h e ex p e r ie nce , ” S ei le r n s ay s .

T h i s , o f c o u r s e , i s p r e c i s e l y w h e r e i n t h e s u c c e s s o f t h e h o m e l i e s : b r id g i n g t h e d i s t a n ce b e t we e n t h e i nte r io r a n d t h e ex te r io r ; a d d re s s i n g t he n e e d s of a f a m i l y a n d t he w h i m s of Mot he r Nat u re ; a n d m e ld i n g t he a nc ie nt p a s t w it h ou r pre s ent m o m e n t ◾

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A B OV E L E F T: A f i g t r e e o n t h e p r i v a t e t e r r a c e o f o n e o f t h e g u e s t s u i t e s

A B OV E R I G H T: I n t h e k i t c h e n , t h e d i n i n g t a b l e i s b y T h o m a s L e m u t C h a i r s i n s o a p e d o a k b y C a r l H a n s e n ; b a c k s p l a s h i n G r e y D e l t a m a r b l e b y D e l t a M a r b l e , A t h e n s

O P P O S I T E : T h e l i v i n g r o o m f e a t u r e s a b u i l t i n b e n c h U p h o l s t e r y a n d p i l l o w s b y D i m i t r i o s

Ka l y v i a n a k i s ; c o c k t a i l t a b l e b y D e l t a M a r b l e; r u g b y t h e R u g C o m p a n y

A B OV E L E F T: A s l o p e d w a l l c o n s t r u c t e d w i t h l o c a l s t o n e w a s d e s i g n e d t o b r i n g l i g h t i n t o a b a s e m e n t c o u r t y a r d .

A B OV E R I G H T: I n o n e o f f i v e g u e s t r o o m s , t h e b u i l t i n h e a d b o a r d d o u b l e s a s a w r i t i n g d e s k C h a i r b y C a r l H a n s e n .

O P P O S I T E : T h e t e r r a c e o f t h e p r i m a r y b e d r o o m o v e r l o o k s t h e A e g e a n S e a C u s t o m p i l l o w s b y D i m i t r i o s Ka l y v i a n a k i s .

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On h is mot her’s bucol ic estate nor t h of Rome, Fi l ippo Ch ia t ra n sfor m s a n aba ndoned fa r m hou se a nd tower i nto h is ow n st r i k i ng ret reat.

T h e v a s t g a r d e n s a t V i l l a L i n a , Pa o l a I g l i o r i ’ s e s t a t e n e a r R o n c i g l i o n e , I t a l y, i n c l u d e t a l l c y p r e s s e s a n d a 19 3 0 s w a t e r f a l l f o u n t a i n b y R a f f a e l e d e V i c o

O P P O S I T E : I g l i o r i ’ s s o n , F i l i p p o C h i a , r e s t o r e d t h e To r r e d e l F a l c o, a f a r m h o u s e a n d t o w e r o n t h e p r o p e r t y, w i t h h i s m o t h e r a n d a r c h i t e c t P i e t r o B e l e i F o r d e t a i l s , s e e R e s o u r c e s

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he s tor y of Tor re d e l Fa lco t he Towe r o f t h e Fa l c o n b e g i n s i n I t a l y ’ s h i l l y Tu s c i a re g ion nor t h of Rome T here , on t h e o u t s k i r t s o f t h e tow n o f R o n c i g l i o n e , P a o l a I g l io r i re t u r n e d s o m e ye a r s a g o to h e r f a m i l y ’ s e s t ate , V i l l a L i n a , a s p r a w l i n g a n d p i c t u r e s q u e p r o p e r t y s u r r o u n d e d by t h e C i m i n i , a r a n g e o f vo l c a n i c m o u n t a i n s . I g l io r i , a w r ite r a n d fi l m m a ke r w h o h a d b e e n l i v i n g i n N e w Yo r k C i t y, i n h e r i t e d a 1 9 2 0 s v i l l a , b u i l t o n t h e r e m a i n s o f o n e e r e c t e d m o r e t h a n t w o c e n t u r i e s e a r l i e r ; a n 1 8 t h ce nt u r y b ot a n ic a l g a rde n ; a n d a s y m b ol ic l a n d s c a p e c re ate d i n t h e 1 9 3 0 s b y t h e n o t e d a r c h i t e c t R a f f a e l e d e V i c o S h e n ow l i ve s t h e re f u l l t i m e a n d h a s s p e nt ye a r s t r a n s fo r m i n g

t h e e s t ate i nto a cou nt r y re t re at , w h e re s h e we lco m e s t r av e l e r s i nte re s te d i n d i s cove r i n g t he t re a s u re s of t he re g ion

B ut w h i le she re s tore d a n d d e cor ate d mo s t of t he bu i ld i n g s on t he prop er t y, she d id le ave one s t r uc t u re u ntouche d : To r re d e l Fa l co , a c r u m b l i n g 1 9 t h c e n t u r y f a r m h o u s e b u i l t a rou n d a n a nc ie nt towe r T h at i s , u nt i l it b e c a m e t he d re a m proje c t of h e r s o n , F i l i p p o C h i a (w ho i s my s te p s on).

I n 2 0 0 4 , C h i a w a s 2 1 a n d s t u d y i n g p h o t o g r a p h y a t N e w Yo r k U n i v e r s i t y H e r e t u r n e d t h a t s u m m e r t o I t a l y, w he re , a s u s u a l , he shut t le d b e t we e n h i s mo t her ’ s V i l l a L i n a a n d C a s tel lo R o m itor io , t he v i n e ya rd n e a r Mont a lc i no, Tu s c a ny, w h e re h i s f a t h e r, a r t i s t S a n d ro C h i a , i s b a s e d W h i l e v i sit i n g h i s mot her, he ve nt u re d out to ex plore t he old f a r m h o u s e a n d t o w e r, w h i c h h a d b e e n u n i n h a b i t e d s i n c e t h e 1 9 5 0 s a n d w a s o n a n i s o l a t e d p a r t o f t h e p r o p e r t y i n t h e m i d s t o f a h a z e l n u t f o r e s t “ I u s e d t o p l a y h e r e w i t h m y f r i e n d s a s a c h i l d , ” s a y s C h i a , n ow t h e C E O o f t h e C a s te l l o R o m itor io w i n e r y

C o v e r e d i n b r a m b l e s , i t s r o o f c o l l a p s e d , i t w a s a m y s t e r i o u s p l a c e , e ve n a l i t t l e e e r i e A n d ye t i t s i n t e r i o r s s t i l l s h owe d t r a ce s of t h e o r i g i n a l p a s te l co l o re d p a i n t a l l s h a d e s o f g r e e n , b l u e , a n d p u r p l e t h a t h a d a d o r n e d i t s w a l l s T h a t s u m m e r, e x p l o r i n g o n c e a g a i n t h o s e r e m a i n s f r o m a l o n g l o s t p a s t i g n i t e d i n h i m a f e r v e n t d e s i r e t o s a l va ge t he bu i ld i n g

B ack i n New York , C h i a super v ised t he pl a n s sent to h i m by I g l ior i a nd P ie t ro B elei , t he a rch ite c t i n ch a r ge of re bu i ld i n g t h e f a r m h o u s e . W i t h t h e h e l p o f o l d p h o to g r a p h s , t h e y re c re ate d t he vol u m e of t he m a i n hou s e , t he old towe r, a n d a n a d j a c e n t s m a l l p a v i l i o n R e s t o r a t i o n o f t h e i n t e r i o r s b e g a n a s s o o n a s he re t u r n e d to It a l y t he fol low i n g s u m m e r “ T he ide a wa s to c re ate a pl ace t h at wa s i n t he s a m e e cle c t ic s pi r it a s t he o t h e r hou s e s on t he p ro p e r t y, ” he s ays

I n s pi r a t i o n wa s fo u n d i n t h e ge n i u s lo c i o f t h i s re g io n , k n ow n fo r b o t h t h e e l e g a n c e o f i t s R e n a i s s a n c e v i l l a s a n d t h e r o u g h h e w n f a r m h o u s e s t h a t d a t e b a c k t o m e d i e v a l t i mes At Tor re del Fa lco, for ex a mple, t he facade wa s covered

L E F T: C h i a c o l l e c t s a n t i q u e t i l e s a n d u s e d t h e m i n t h e r e s t o r a t i o n , f r o m t h e t e r r a c o t t a o n e s l a i d i n a c h e c k e r b o a r d p a t t e r n i n t h e l i v i n g r o o m t o t h e N e a p o l i t a n R i g g i o l e t i l e i n t h e e n t r y (r i g h t)

O P P O S I T E : T h e k i t c h e n h a s a b o r d e r i n h a n d p a i n t e d N e a p o l i t a n m a i o l i c a t i l e

i n a stone colore d pl a ster fi n i sh rem i n i scent of t he ex ter iors o f t h e V i l l a L a n t e d e l l a R o v e r e i n t h e n e a r b y v i l l a g e o f B a g n a i a a R e n a i s s a n c e g e m t h a t o n c e b e l o n g e d t o t h e f a m i l y o f I g l i o r i ’ s m o t h e r, A n g e l a L a n t e M o n t e fe l t r o d e l l a R o v e r e I n t h e m a i n l i v i n g r o o m o n t h e g r o u n d f l o o r, h e i n s e r te d a pat ter n of t r i a n g u l a r pi ge on hole s , a ch a r ac te r i s t ic fe at u re of r u r a l a rc h ite c t u re i n t he a re a .

C h i a a l s o lo oke d s ou t hwa rd , to Naple s a n d t he i sl a n d of C a pr i , w he re he a n d I g l ior i a re p a r t ow n e r s of V i l l a Q u at t ro Ve nt i , t h e h i s to r ic p a l at i a l h o m e b u i lt i n t h e e a rl y 1 9 0 0 s by t h e A m e r i c a n s y m b o l i s t p a i n t e r a n d p o e t E l i h u Ve d d e r W h e n s e c t i o n s o f t h a t h o u s e w e r e s o l d o f f , C h i a w h o c o l l e c t s 1 8 t h a n d 1 9 t h c e n t u r y m a i o l i c a s a l v a g e d t h e h a n d p a i nte d t i le s for h i s k itc he n a n d bat h ro om s .

T h e m i n i m a l i s t o p e n s t a i rc a s e a t To r r e d e l Fa l c o a l s o p a y s hom a ge to a d i ffe re nt C a p r i monu m e nt : t h e m o d e r n i s t V i l l a M a l a p a r te A n ot he r of C h i a ’ s p a s s i o n s , R o m a n a rc h a e o l o g y, fo u n d i t s w a y i n to t h e g r o u n d fl o o r l i b r a r y, w h e re a b o o k s h el f wa s b u i lt a rou n d a hu ge E t r u s c a n s t y le va s e , a n d wa l l m u r a l s pay t r i bu te to Pom p ei i a n d He rc u l a n e u m .

T h e h o u s e i s f i l l e d w i t h a r t b y f r i e n d s , s u c h a s L o l a S c h n a b e l , w h o s e e n g r a ve d p r i n t h a n g s i n t h e l i v i n g r o o m A n o t h e r a c q u a i n t a n c e , G i o r g i o F r a n c h e t t i , t h e l a t e c i v i l e n g i n e e r a n d a r t c o l l e c to r, t a u g h t C h i a t h e a n c i e n t R o m a n met ho d for l ay i n g ter ra cot t a flo ors , i n w h ich t i le s a re pl ace d i n a c h e c k e r b o a r d p a t t e r n a n d t h e s e a m s a r e fi l l e d w i t h a m i x t u re of m a r ble d u s t , w h ite ce m e nt , a n d wate r.

T h e r e i s a g e n r e i n I t a l i a n R e n a i s s a n c e a n d B a r o q u e a r c h i t e c t u r e k n ow n a s capriccio, c a l l e d a fo l l y i n E n g l i s h B u i ld i n g s a n d i nte r ior s of t h i s k i n d we re i n s pi re d more by a n e e d f o r c r e a t i v e e x p r e s s i o n t h a n f o r p r a c t i c a l r e a s o n s ; t h e s e w h i m s ic a l s t r u c t u re s a re of te n m o t i vate d by a d e s i re to re k i n d le lon g lo s t world s t h rou g h d e s i g n a n d d e cor a t io n To r re d e l Fa lco i s C h i a ’ s ow n p o e t ic con s t r u c t a fol l y, a n d a h o m e , t h at i s b ot h ex p e r i m e nt a l a n d t i m ele s s . ◾

A B OV E L E F T: To p a i n t t h e l i b r a r y ’ s v i n t a g e c o n s o l e , C h i a u s e d a c e m e n t b a s e d f o r m u l a t h a t w a s g i v e n t o h i m b y t h e a r t i s t Cy Tw o m b l y 189 0 s M u r a n o c h a n d e l i e r ; d e c o r a t i v e w a l l a n d c e i l i n g t r e a t m e n t s b y M a r i n a M o s c e t t i .

L E F T: I n s p i r e d b y a n c i e n t R o m e , t h e g u e s t b a t h r o o m h a s a n 18 t h c e n t u r y M u r a n o m i r r o r a n d 19 t h c e n t u r y R i g g i o l e t i l e .

A s a f f r o n y e l l o w c a s t i r o n s t a i r c a s e b y F o n d e r i a C a r n e v a l e l e a d s f r o m t h e s e c o n d t o t h e t o p f l o o r

O P P O S I T E : A g u e s t r o o m h a s a L o u i s X V c a n e d b e d a n d a 19 t h c e n t u r y f a u x m a r b l e n i g h t s t a n d S t u c c o w a l l s i n n a t u r a l o c h e r ; 19 t h c e n t u r y N e a p o l i t a n t i l e h a n d p a i n t e d t o m i m i c p a r q u e t f l o o r i n g

N a t i v e s c r u b p l a n t s , i n c l u d i n g m a n y v a r i e t i e s o f c a c t i , s u r r o u n d t h e s t a r k a r c h i t e c t u r e o f a c o n c r e t e h o m e t h a t J e n n y a n d J o n n y G r a h a m d e s i g n e d i n n o r t h w e s t e r n A r g e n t i n a

O P P O S I T E : I n t h e l i v i n g r o o m , t h e v i n t a g e f i b e r g l a s s c h a i r i s f r o m S p i t a l f i e l d s M a r k e t i n L o n d o n , a n d t h e c o c k t a i l t a b l e o n w h e e l s w a s d e s i g n e d b y J o n n y A r t w o r k s b y M a r i a n o C o r n e j o F o r d e t a i l s , s e e R e s o u r c e s .

M A R K L U S C O M B E W H Y T E

I n A rgenti n a , a w i ld h i l ltop w it h v iews of t he A ndes becomes a creative ca nva s for a L ondon la nd scape desig ner.

h e n o r t h we s te r n A r g e n t i n e p r ov i n c e o f S a l t a o ffe r s a d r a m at ic l a n d s c a p e w h e re t h e i m p o s i n g p e a k s o f t h e A n d e s m o u n t a i n s f r a m e S p a n i s h C olo n i a l a rc h ite c t u re He re , t h e f a r m w h e r e l a n d s c a p e d e s i g n e r J e n n y G r a h a m s p e n t h e r c h i l d h o o d l a t e r b e c a m e t h e s a m e pl ace s h e a n d h e r hu sba n d , Jon ny, a com m o d i t ie s b ro k e r, c h o s e to s e t t le a f te r t h re e d e c a d e s of l i v i n g i n L on d o n

T h o u g h t h e v a s t t e r r a i n o f t h e f a r m e n c a p s u l ate s a re a s for c rop s a n d c at t le , it con s i s t s p r i m a r i l y o f t h e s o r t o f u n t o u c h e d n a t u r e t h a t c h a r a c t e r i z e s t h e r e g i o n l o w s c r u b v e g e t a t i o n a n d t h e s u r feit of w i ld l i fe it at t r ac t s . “ I b el ie ve t he l a n d s c a p e shou ld d ic t ate w h at t he a rch ite c t u re b e com e s , ” s ays Je n ny G r a h a m o f t h e s i t e t h e y s e l e c t e d fo r t h e h o m e t h e y d e s i g n e d “ We fou n d a l it t le b a r re n z on e on a h i l l w he re t he re wa s n’t much w i ld e r n e s s to re move , a n d t he n t he proje c t j u s t e m e r ge d ”

T h e a m p l e o n e b e d ro o m re s i d e n c e , o r g a n i z e d a ro u n d a n i n te r i o r p a t i o , i s a conte m p o r a r y t a ke o n t h e t r a d i t i o n a l t y p o l o g y o f l o c a l f a r m h o u s e s , w i t h a n e a r by g u e s t c o t t a g e f e a t u r i n g t h e s a m e d i m e n s i o n s a s t h e c o u r t y a r d , a s i f e x t r u d e d f r o m t h e m a i n v o l u m e W i t h a l a n d s c a p e s o u n t a m e d , t h e r e i s o f t e n a d e s i r e t o m i m i c n a t u r e i n t h e

a rc h ite c t u re by e m p loy i n g n at u r a l m ate r i a l s a n d a s u b d u e d c o l o r p a l e t te B u t G r a h a m to o k a d i ffe re n t ro u te : T h e m a i n h o m e ’ s f ro n t d o o r s a re p a i n te d i n b o l d h u e s o f b l u e a s we l l a s i n o r a n g e , h e r f avo r ite color T h e j u x t a p o s it ion s t a n d s i n ple a s a nt te n s ion w it h t he e nvelopi n g w i ld e r n e s s t h at m e e t s t he f a c a d e .

B u i lt i n c o n c re te b l o c k , t h e h o u s e wa s i n te n d e d to fe e l n o t j u s t con n e c te d to b u t i n ex t r ic a bl y l i n ke d w it h t he l a n d s c a p e i n a l l it s s c a le s : t h e s u r rou n d i n g g re e n e r y s o clo s e to t h e g r o u n d fl o o r t h a t o n e c a n m a k e o u t a l l i t s d e t a i l s ; t h e w i d e v i s t a s o f t h e m o u n t a i n s a n d s k y f r a m e d b y t h e u p s t a i r s w i n d ow s A n d s o , t h e p ro j e c t f u n c t i o n s a l m o s t a s a n a l le go r y of o u r conte m p o r a r y con d it ion t he e n co u nte r b e t we e n t h e a r t i fi c i a l a n d t h e n at u r a l re a l m s , a s t r u g g le i n w h i c h o n e s u s p e c t s a n d , p e r h a p s u n w i t t i n g l y, e ve n h o p e s t he l at te r w i l l e m e r ge v ic tor iou s

F o r a n y l a n d s c a p e d e s i g n e r, i n c l u d i n g G r a h a m , t h e d e c i s i o n t o l e a ve a t e r r a i n l a r g e l y i n t a c t i s a n i n t e n t i o n a l o n e “ I d i d a d d s o m e a l o e p l a n t s a n d s o m e a g a ve s t h a t a re k i n d of s c at te re d a rou n d , ” s h e s ay s of h e r s u bt le d o m e s t i c a t ion s . “ I o p e n e d u p, e ve r s o sl i g ht l y, a fe w v ie w s to t he h i l l s . B u t pr i m a r i l y, it i s w i ld e r n e s s a l l a rou n d ”

I n t u n e w it h t he r u n n i n g t he m e of d ichotomy, t he sle e k i nte r ior s a re a d i ffe re nt s tor y a lto ge t he r p ol i s he d conc re te fl o o r s , d e t a i l s i n c h ro m e a n d a l u m i nu m , a n d p r i s t i n e w h ite w a l l s c o n t r a s t t h e o c c a s i o n a l a n d v i v i d l y c o l o r e d o b j e c t s a n d a r t work s . O n e p a i nt i n g , G r a h a m ’ s ow n , s t a n d s o u t a n o r a n g e c re s c e n to i d , o n e o f t h e s t u d y d r a w i n g s fo r a s c u l p t u r e s h e m a d e w h i l e l i v i n g i n L o n d o n O t h e r w i s e , t h e ro om s a re a i r y a n d m i n i m a l

E a r l y o n , t h e ow n e r s d e c i d e d t o e m b r a c e t h e i r l a r g e , f a i r l y e m p t y s p a c e s “ W h e n w e w e r e d e s i g n i n g , m a n y p e o p l e a s k e d , ‘ H o w a r e y o u e v e r g o i n g t o f i l l t h i s u p ? ’ ” re c a l l s G r a h a m . “ I s a id , ‘ I ’ m n e ve r goi n g to! ’ ”

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“ D e p end i n g on t he t i me of d ay, t here a re sh adows of t he t r e e s b e i n g c a s t o n t h e w a l l s , c h a n g i n g a l l d a y l o n g , ” s h e s ays “ You’re a l ways awa re of t he we at he r here , of w h at t he s u n a n d m o o n a re d o i n g . ” He a r i n g h e r s ay t h i s , o n e u n d e r s t a n d s h e r de c i sion to le ave mo s t wa l l s b a re ; h e r hou s e i s a s t a g e u p o n w h i c h n a t u r e i s p r o j e c t e d F o r s o m e o n e w h o t r a d e d t h e b u z z i n g s t re e t s o f L o n d o n fo r a s l i c e o f w i l d e r ne ss , t h i s d a i ly s p e c t acle i s s u rely wor t h m a k i n g ro om for ◾

J e n n y G r a h a m w i t h a v i n t a g e a r m c h a i r i n o r a n g e , h e r f a v o r i t e c o l o r

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Items pictured but not listed are from private collections

F R E N C H E V O L U T I O N

Interior design: Rena Dumas

Architecture Intérieure, rdai fr PAG E 4 2 : Wa l l u p h o l s t e r y : G r e t h e S o r e n s e n , g r e t h e s o r e n s e n d k PAG E 4 4: F l o o r l a m p: Eg g C o l l e c t i v e, e g g c o l l e c t i v e c o m F U R N I T U R E FA N TA S Y PAG E 62 : D r e s s : M a r ka r i a n , m a r ka r i a n n y c c o m E a r r i n g s : A d e a m , a d e a m c o m D r e s s : O s c a r d e l a R e n t a , o s c a r d e l a r e n t a c o m E a r r i n g s : L a r u i c c i , l a r u i c c i c o m B r a c e l e t : Ka t e S p a d e, ka t e s p a d e c o m R i n g: Ti f f a n y & C o , t i f f a n y c o m S h o e s : M a n o l o B l a h n i k , m a n o l o b l a h n i k c o m PAG E 6 3:

J a s p e r M o r r i s o n b ow l s a n d t u m b l e r s : I i t t a l a , i i t t a l a c o m Swe a t e r : S a c a i , s a c a i j p D r e s s : B ro o k s B ro t h e r s , b ro o k s b ro t h e r s c o m B r a c e l e t : Ti f f a n y & C o E a r r i n g s : L a r u i c c i S u n g l a s s e s : To r y B u r c h , t o r y b u r c h c o m S h o e s : S p e r r y, s p e r r y c o m Swe a t e r a n d p u l l ove r : D i o r, d i o r c o m Po l o: To d ’ s , t o d s c o m Pa n t s : B ro o k s B ro t h e r s S h o e s : S p e r r y S u n g l a s s e s : R a y B a n , r a y b a n c o m J a c ke t, s h i r t, p a n t s , a n d s h o e s : A r m a n i , a r m a n i c o m S u n g l a s s e s : Ch l o é, c h l o e c o m J a c ke t a n d s h i r t : O f f i c i n e G e n e r a l e, o f f i c i n e g e n e r a l e c o m Pa n t s : B ro o k s B ro t h e r s S c a r f : Ke n zo, ke n zo c o m S h o e s : S p e r r y S u n g l a s s e s : R a y B a n PAG E 6 4:

Ta p i o c a W i r k ka l a h i g h b a l l g l a s s e s : I i t t a l a Swe a t e r a n d h a t : C l o s e d , c l o s e d c o m Po l o: L a c o s t e, l a c o s t e c o m S h o r t s : R a l p h L a u r e n , r a l p h l a u r e n c o m S h o e s : L a c o s t e Swe a t e r : B ro o k s B ro t h e r s Po l o a n d s h o e s : L a c o s t e S h o r t s : L u l u l e m o n , l u l u l e m o n c o m PAG E 6 5: S u i t : L a p oi n t e, s h o p l a p oi n t e c o m S h o e s : To r y B u r c h E a r r i n g s : J e n n i f e r B e h r, j e n n i f e r b e h r c o m R i n g: S w a ro v s k i , s w a ro v s k i c o m

H E R E T O S TAY

Architecture: Diego Villaseñor, dva com mx

PAG E 7 0 : S k i r t : M a r c o d e V i n c e n zo, m a r c o d ev i n c e n zo c o m S h i r t : E t ro, e t ro c o m B e l t b a g: Pe r r i n Pa r i s , p e r r i n p a r i s c o m C a r : Vo l k s w a g e n , v w c o m PAG E 7 1: Wa l l a r t : M a r i e K h o u r i , m a r i e k h o u r i c o m S c u l p t u r e: L o r d a g & S o n d a g , l o r d a g s o n d a g c o m PAG E 73: C o n s o l e t a b l e: M a r i o L o p ez To r r e s , m a r i o l o p ez t o r r e s c o m PAG E 74: Re s i n t a b l e t o p: M o n i c a C a l d e ro n , m o n i c a c a l d e ro n n e t C h a i r u p h o l s t e r y : Pe r r i n Pa r i s PAG E 75: C h a i r s : M a r i l o C a r r a l , m a r i l o c a r r a l a r t

T O I N F I N I T Y

Architecture: Studio Seilern Architects, studioseilern com

PAG E 81: D i n i n g t a b l e: T h o m a s L e m u t , t h o m a s l e m u t c o m C h a i r s : C a r l H a n s e n , c a r l h a n s e n c o m B a c k s p l a s h: D e l t a M a r b l e, d e l t a m a r b l e c o m C o c k t a i l t a b l e: D e l t a M a r b l e Ru g: T h e R u g C o m p a n y, t h e r u g c o m p a n y c o m PAG E 8 2 : C h a i r : C a r l H a n s e n

H O U S E O F T H E FA L C O N

PAG E 9 0 : Interior design: Paola Igliori and Filippo Chia, relaisvilla lina com

T I E R R A I N C O ´ G N I TA

PAG E 1 0 2 : P u p py t oy s : Ee ro A a r n i o, e e ro a a r n i o c o m

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E L L E D E C O R ( I S S N 1 0 4 6 195 7 ) Vo l u m e 3 4 , N u m b e r 1, W i n t e r 2 0 23 , i s p u b l i s h e d m o n t h y ex c e p t f o r c o m b i n e d i s s u e s i n D e c e m b e r/ J a n u a r y/F e b r u a r y a n d J u n e/J u l y/A u g u s t , b y H e a r s t , 3 0 0 We s t 57t h S t r e e t , N e w Yo r k , N Y 1 0 019 U S A S t e v e n R S w a r t z , P r e s i d e n t & C h i e f E x e c u t i v e O f f i c e r ; W i l l i a m R H e a r s t I I I , C h a i r m a n ; F r a n k A B e n n a c k , J r , E x e c u t i v e V i c e C h a i r m a n ; M a r k E A l d a m , Chi e f O p e r a t i n g O f f i c e r H e a r s t M a g a z i n e M e di a , I n c : D e bi Chi r i c h e l l a , P r e s i d e n t ; K a t e L e w i s , C h i e f C o n t e n t O f f i c e r ; R e g i n a B u c k l e y, C h i e f F i n a n c i a l a n d S t r a t e g y O f f i c e r & Tr e a s u r e r ; C a t h e r i n e A B o s t r o n , S e c r e t a r y © 2 0 2 2 b y H e a r s t M a g a z i n e M e d i a , I n c A l l r i g h t s r e s e r v e d E L L E a n d E L L E D E C O R a r e u s e d u n d e r l i c e n s e f r o m t h e t r a d e m a r k o w n e r, H a c h e t t e F i l i p a c c h i P r e s s e Pe r i o d i c a l s p o s t a g e p a i d a t N Y , N Y , a n d a d d i t i o n a l m a i l i n g o f f i c e s C a n a d a Po s t I n t e r n a t i o n a l P u b l i c a t i o n s m a i l p r o d u c t ( C a n a d i a n d i s t r i b u t i o n) s a e s a g r e e m e n t N o 4 0 012 4 9 9 E d i t o r i a l a n d A d v e r t i s i n g O f f i c e s: 3 0 0 We s t 5 7t h S t r e e t , N e w Yo r k , N Y 1 0 019 S u b s c r i p t i o n p r i c e s: U n i t e d S t a t e s a n d p o s s e s s i o n s: $15 f o r o n e y e a r C a n a d a: $ 41 f o r o n e y e a r A l l o t h e r c o u n t r i e s: $ 6 0 f o r o n e y e a r S u b s c r i p t i o n S e r v i c e s: E L L E D E C O R w i l l , u p o n r e c e i p t o f a c o m p l e t e s u b s c r i p t i o n o r d e r, u n d e r t a ke f u l f i l l m e n t o f t h a t o r d e r s o a s t o p r o v i d e t h e f i r s t c o p y f o r d e l i v e r y b y t h e Po s t a l S e r v i c e o r a l t e r n a t e c a r r i e r w i t h i n 4 6 w e e k s F o r c u s t o m e r s e r v i c e c h a n g e s o f a d d r e s s a n d s u b s c r i p t i o n o r d e r s l o g o n t o e l e d e c o r c o m /s e r v i c e o r w r i t e t o C u s t o m e r S e r v i c e D e p a r t m e n t E L L E D E C O R P O B o x 6 0 0 0 H a r l a n I A 5159 3 F r o m t i m e t o t i m e w e m a ke o u r s u b s c r i b e r l i s t a v a i l a b l e t o c o m p a n i e s w h o s e l l g o o d s a n d s e r v i c e s b y m a i l t h a t w e b e l i e v e w o u l d i n t e r e s t o u r r e a d e r s I f y o u w o u l d r a t h e r n o t r e c e i v e s u c h o f f e r s v i a p o s t a l m a i l , p l e a s e s e n d y o u r c u r r e n t m a i l i n g l a b e l o r e x a c t c o p y t o M a i l P r e f e r e n c e S e r v i c e , P O B o x 6 0 0 0 , H a r l a n , I A 5159 3 Yo u c a n a l s o v i s i t p r e f e r e n c e s h e a r s t m a g s c o m t o m a n a g e y o u r p r e f e r e n c e s a n d o p t o u t o f r e c e i v i n g m a r ke t i n g o f f e r s b y e m a i l E L L E D E C O R i s n o t r e s p o n s i b l e f o r u n s o l i c i t e d m a n u s c r i p t s o r a r t N o n e w i l l b e r e t u r n e d u n l e s s a c c o m p a n i e d b y a s e l f a d d r e s s e d s t a m p e d e n v e l o p e C a n a d i a n r e g i s t r a t i o n n u m b e r 126

0 01 P O S TM A S T E R: P l e a s e s e n d a d d r e s s c h a n g e s t o E L L E D E C O R , P O B o x 6 0 0 0 , H a r l a n , I A 5159 3 P r i n t e d i n t h e U S A

S I M O N W A T S O N

STATEMENT OF OWNERSHIP, MANAGEMENT & CIRCULATION

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7 Co m p le t e M a il i n g A d d re s s o f K n ow n O f f i ce o f P u b l i c a t i o n : 3 0 0 We s t 5 7 t h S t N e w Yo r k N Y 1 0 0 1 9

8 Co m p le t e M a il i n g A d d re s s o f H e a d q u a r t e r s o r G e n e r a l B u s i n e s s O f f i c e o f P u b l s h e r : 3 0 0 We s t 5 7 t h S t N e w Yo r k N Y 1 0 0 1 9 9 F u l l N a m e s a n d C o m p le t e M a l i n g A d d re s s e s o f P u b l s h e r E d i t o r a n d M a n a g i n g E d i t o r : Publ sher: Jennifer Levene Bruno, 3 0 0 We s t 5 7 t h S t , N e w Yo r k , N Y 1 0 0 1 9 E d i t o r A s a d Sy r ke t t , 3 0 0 We s t 5 7 t h S t , N e w Yo r k , N Y 1 0 0 1 9 M a n a g n g E d i t o r J e f f rey B a u m a n 3 0 0 We s t 5 7 t h S t N e w Yo r k N Y 1 0 0 1 9 1 0 O w n e r : H e a r s t M a g a z i n e M e d a I n c 3 0 0 We s t 5 7 t h S t N e w Yo r k N Y 1 0 0 1 9 S t o c k h o l d e r o f H e a r s t M a g a z i n e M e d i a , n c , i s H e a r s t Co m m u n i c a t i o n s I n c 3 0 0 We s t 5 7 t h S t N e w Yo r k N Y 1 0 0 1 9 1 1 K n ow n B o n d h o l d e r s M o r t g a g e e s a n d O t h e r S e c u r i t y H o l d e r s O w n i n g o r H o l d i n g 1 P e rce n t o r M o re o f To t a l A m o u n t o f B o n d s M o r t g a g e s o r O t h e r S e c u r i t e s N o n e 1 2 Ta x S t a t u s : N o t a p p l i c a b le 1 3 P u b l i c a t i o n T i t le E L L E D ECO R 1 4 I s s u e D a t e fo r C i rc u l a t o n D a t a : S e p t e m b e r 2 0 2 2 1 5 E x t e n t a n d N a t u re o f C i rc u l a t i o n : Ave r a g e N o N o Co p i e s o f Co p i e s E a c h S i n g le I s s u e s s u e D u r i n g P u b l i s h e d P re ce d i n g N e a re s t t o 1 2 M o n t h s : F il i n g D a t e a To t a l n o o f co p i e s ( n e t p re s s r u n) : 4 9 1 9 0 1 4 5 2 5 3 5 b 1 M a ile d o u t s d e co u n t y p a i d s u b s c r i p t o n s s t a t e d o n P S F o r m 3 5 4 1 ( i n c l u d e p a i d d i s t r i b u t i o n a b ove n o m i n a l r a t e a d ve r t i s e r s p ro o f co p i e s , a n d e x c h a n g e co p i e s ) 3 5 4 9 8 0 3 2 8 6 7 6 2 M a ile d n co u n t y p a i d s u b s c r i p t i o n s s t a t e d o n P S F o r m 3 5 4 1 ( I n c l u d e p a i d d i s t r i b u t i o n a b ove n o m i n a l r a t e , a d ve r t i s e r s p ro o f co p i e s a n d e x c h a n g e co p i e s ) : n /a n /a 3 P a i d d i s t r i b u t i o n o u t s i d e t h e m a il s i n c l u d i n g s a le s t h ro u g h d e a le r s a n d c a r r e r s s t re e t ve n d o r s co u n t e r s a le s a n d o t h e r p a i d d i s t r i b u t i o n o u t s i d e U S P S ® : 2 0, 9 8 2 1 7, 2 0 0 4 P a i d d i s t r i b u t i o n by o t h e r c l a s s e s o f m a il t h ro u g h t h e U S P S ® (e g F i r s t C l a s s M a il ) : n /a n /a c To t a l p a i d d i s t r i b u t i o n [ s u m o f 1 5 b ( 1 ) , ( 2 ) , ( 3 ) , a n d (4 )] : 3 7 5 , 9 6 2 3 4 5 , 8 7 6 d 1 F re e o r n o m i n a l r a t e o u t s i d e co u n t y co p i e s i n c l u d e d o n P S F o r m 3 5 4 1 : 6 7, 3 1 9 8 4 , 9 9 9 2 F re e o r n o m i n a l r a t e i n co u n t y co p i e s i n c l u d e d o n P S F o r m 3 5 4 1 : n /a n /a 3 F re e o r n o m i n a l r a t e co p i e s m a ile d a t o t h e r c l a s s e s t h ro u g h t h e U S P S ® (e g F i r s t C l a s s M a il ) : n /a n /a 4 F re e o r n o m i n a l r a t e d i s t r i b u t i o n o u t s d e t h e m a il (c a r r i e r s o r o t h e r m e a n s ) : 1 1 , 9 6 9 1 1 , 8 7 2 e To t a l f re e o r n o m i n a l r a t e d i s t r i b u t i o n [ s u m o f 1 5 d ( 1 ) , ( 2 ) , ( 3 ) , a n d (4 )] 7 9, 2 8 8 9 6 , 8 7 1 f To t a l d i s t r i b u t i o n ( s u m o f 1 5 c a n d 1 5 e) : 4 5 5 2 5 0 4 4 2 74 7 g Co p i e s n o t d i s t r i b u t e d : 3 6 6 5 1 9 7 8 7 h To t a l ( s u m o f 1 5 f a n d 1 5 g ) : 4 9 1 9 0 1 4 5 2 5 3 5 i P e rce n t p a d ( 1 5 c d i v i d e d by 1 5 f t i m e s 1 0 0 ) 8 2 5 8 % 7 8 1 2 % 1 6 a R e q u e s t e d a n d p a i d e l e c t r o n i c c o p i e s 5 5 ,0 7 5 5 8 4 0 0 b To t a l r e q u e s t e d a n d p a i d p r i n t c o p i e s a n d r e q u e s t e d / p a d e l e c t r o n c c o p i e s ( 1 5 c ) 4 3 1 0 3 7 4 0 4 , 2 7 6 c To t a l r e q u e s t e d c o p y d i s t r i b u t i o n ( 1 5 f ) a n d r e q u e s t e d / p a i d e l e c t r o n i c c o p i e s 5 1 0, 3 2 5 5 0 1 ,1 4 7 d P e rce n t p a i d a n d /o r re q u e s t e d c i rc u l a t o n ( b o t h p r i n t & e le c t ro n i c co p i e s ) 8 4 4 6 % 8 0 6 7 % 17 P u b l i c a t i o n St a t e m e n t o f O w n e r s h i p I f t h e p u b l i c a t o n i s a g e n e ra l p u b l i c a t i o n p u b l i c a t i o n o f t h s s t a t e m e n t i s re q u i re d W ill b e p r n t e d i n t h e W i n t e r 2 02 3 i s s u e o f t h i s p u b l i c a t o n

18 Signature and Title of Publisher

I certify that all informat on furn shed on this form is true and complete I understand that anyone who furnishes false or misleading nformation on this form or who omits material or information requested on the form may be subject to criminal sanctions ( nclud ng fines and impr sonment) and/or civil sanctions (including civil penalties)

Jennifer Levene Bruno Publisher

A q u i e t c o r n e r a t V i l l a L i n a , Pa o l a I g l i o r i a n d F i l i p p o C h i a ’ s e s t a t e n o r t h o f R o m e ( p a g e 9 0 )

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SUCH GREAT HEIGHTS

a rch itec t Fra ncoi s Per r i n on t he fi rst ed it ion of ‘A rch ite c tone s ’ [a ser ie s o f i n t e r v e n t i o n s ] d u r i n g t h e s u m m e r o f 2 0 1 2 . We m a d e t h e s e site speci fic i n st a l l at ion s for e ach room at t he Neut ra V DL hou se, wh ich i s be aut i f u l ly sit u ated i n Si lver L a ke overlook i n g t he cit y of L os A n geles A s you e nte r, t he fi r s t t h i n g you s e e i s t h i s co ol s t a i rc a s e t h at fe e l s l i ke it ’ s fl o at i n g W h e n yo u wa l k u p s t a i r s , yo u i m m e d i ate l y co m e i nto t h e l i v i n g ro o m , w h ic h i s o d d b e c au s e t h at ’ s u s u a l l y o n t he g ro u n d fl o o r T h e s p a c e i s ex t re m e l y i n t i m a te T h e ro o m te a c h e s yo u t h a t i t ’ s fi n e to s e p a r a te t h e p u b l i c a n d t h e p r i v a te a n d t h a t a h o u s e i s a b o u t d i f f e r e n t e x p e r i e n c e s . T h e w o r k I d i d t h e r e a b s o l u t e l y s h a p e d m y prac t ice t he level of con siderat ion g iven to ever y det a i l a nd t he at ten t i o n p a i d to e ve r y t h i n g f ro m t h e b u i l t i n f u r n i s h i n g s to t h e m a te r i a l c h oice s i n fl u e n ce w h at I m a ke n ow

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