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CONTENTS november

14 16

FROM THE EDITOR Through

creative collaboration, SA creatives are charting a bold new future, says Editor-in-chief Piet Smedy INSIDER Indoor plant influencer, reiki enthusiast and HerMerakai founder Nkhensani Rikhotso opens a new concept space in Joburg BOOKS A deep dive into architecture’s modern philosophies JOURNAL Fresh from a residency in Bordeaux, ceramic artist Jan Ernst documents the creative journey behind his new collection PROFILE H&G decor editorturned-interior decorator Juliette HOUSE & GARDEN NOVEMBER 2022

Arrighi de Casanova is championing feel-good interiors brimming with colour and pattern H&G VISITS Escape to a whitewashed home in Plett designed by The Private House Company founder Yvonne O’Brien ART Elana Brundyn takes an exclusive tour of the art and sculpture collection of American philanthropist and collector Michael Silver DEBUT Meet Este and Rudi Franz, the megawatt duo behind CreativeCables South Africa – an exciting concept in designer lighting MENU Pasta is the order of the day at Cape Town’s New York-chic eatery Scala

DE S IG N 37

DESIGN SOLUTIONS Clever

design ideas to strike a stylish balance between form and function in your next bathroom update – from expert insight to need-toknow sanware suppliers SHOWROOM Legendary slowliving brand Pezula Interiors brings its signature mix of natural materials, local craftsmanship and laid-back luxe to a transporting new space KNOW-HOW A new gardening series by Franchesca Watson tackles gardening with the effects of climate change in mind

P H OTO G R A P H : D O U G L A S F R I E DM A N

IN S ID ER

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INTRODUCING

The Dune dining table

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CONTENTS november T HE E DI T 54

TOKYO DRIFT

In California, interior architecture and design studio Lucas draw inspiration from both the surrounding landscape and Japanese sensibilities to create a remarkable family home in the desert

HOME FREE

The Greyton family holiday home of Oggie Flooring founder Nick Gluckman shares a seamless interconnectedness with the outdoors, its babbling waterfalls and grazing livestock

SLOW & STEADY

From its sturdy bones to its sensational natural lighting, this manor-style home by Newman Architecture & Design oozes personality without being overdone

NATURE NURTURE

Grootbos Private Nature Reserve honours our fynbos with a groundbreaking new book, Grootbos Florilegium, brimming with punctilious detailing of floral structures, bursting seed pods and vibrant beetles

SENSING A PATTERN

ON THE COVER: Tokyo Drift, p54. Photographed by Douglas Friedman.

50 4

HOUSE & GARDEN NOVEMBER 2022

ALL THINGS BRIGHT AND BEAUTIFUL

At once sassy and subtle, this contemporary penthouse in Cape Town is characterised by contrasting hues – and curves in all the right places

S UB S C R IB E To Condé Nast House & Garden and receive 9 ISSUES for only R506 0800 204 711 condenast@inl.co.za

P H O T O G R A P H S : E L S A YO U N G , K A R L R O G E R S / V I G N E T T E

A minimalist at heart with a panache for exciting textures, managing director of Home Fabrics Marc Shotland brings to life his dream of a Parkhurst home with a tailored selection of colour

Round wall mounted basin spout. MBS05-CH & Mixer finish set. MW03-FIN-CH. Basin: RAW Collection by Concrete Nation.

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PIET SMEDY EDITOR-IN-CHIEF ART ART DIRECTOR THEA PHEIFFER GRAPHIC DESIGNER NOSIPHO NGQULA GRAPHIC DESIGNER ALEX STEWART COPY SENIOR COPY EDITOR LISA ABDELLAH JUNIOR COPY EDITOR ESIHLE MNGINI INTERIORS & GARDENS GARDENS EDITOR HEIDI BERTISH DECOR EDITOR GEMMA BEDFORTH EDITORIAL GROUP MANAGING AND LESLEY MATHYS SYNDICATION EDITOR MANAGING AND WALTER HAYWARD SYNDICATION EDITOR CONTRIBUTING WRITERS NATALIE BORUVKA TECLA CIOLFI JAN ERNST NELISIWE MASANGO SHAI RAMA JESSICA ROSS JENNIFER WORTHINGTON-SMITH CONTRIBUTING EDITORS ELANA BRUNDYN (ART) MARNUS NIEUWOUDT (STYLE) FRANCHESCA WATSON (GARDENS) STEVEN WHITEMAN (BOOKS) CONTENT NATION MEDIA (PTY) LTD CEO SAMANTHA SUBRAYEN PERSONAL ASSISTANT ISABEL KOUL

OPERATIONS GENERAL MANAGER PAUL MYBURGH FINANCE CONTROLLER MARJORIE LOTTERIE ADVERTISING JOHANNESBURG HEAD OF SALES SHANA RAHAMAN ACCOUNT MANAGERS LORRAINE BRADLEY, WENDY ROBINSON, ANNE ATKINSON AND DERYNNE KLAVER CAPE TOWN HEAD OF SALES CHARLOTTE NUTMAN ACCOUNT MANAGERS NADIA PEREIRA AND PASCAL DAVRAY SALES REPRESENTATIVE ITALY ANGELO CAREDDU (OBERON MEDIA) DIGITAL DIGITAL TRAFFIC MANAGER ARTHUR MUKHARI DIGITAL CAMPAIGN MANAGER VINÉ LUCAS CONTENT PRODUCER LUTHANDO VIKILAHLE BRAND PROPERTIES AND EVENTS BRAND MANAGER DESIREE KRIEL EVENTS MANAGER LERATO MOLEFE PRODUCTION & CIRCULATION GROUP PRODUCTION MANAGER JEAN JACOBS PRODUCTION COORDINATOR CHARNÉ PHILLIPS CIRCULATIONS MANAGER FREDERICK SMIT CIRCULATIONS COORDINATOR BERTINA ELLIS CAPE TOWN HEAD OFFICE Content Nation Media (Pty) Ltd 10th Floor, Convention Towers, Heerengracht Street, Cape Town, 8001 Tel 021 344 0500 www.houseandgarden.co.za REPRODUCTION Studio Repro PRINTING Novus Print Montague Gardens DISTRIBUTION Allied Publishing (Pty) Ltd, 32 Wepener Street, Booysens, Johannesburg 2016 ฀ ฀ ฀ ฀ ฀ Tel 011 248 2418 (Direct) RESEARCH Publisher Research Council

SUBSCRIPTION ENQUIRIES Tel 080 020 4711 / 031 308 2022 Email kznsubs@inl.co.za © 2020 Content Nation Media (Pty) Ltd. Copyright subsists in all work published in this magazine. Any reproduction or adaptation, in whole or in part, without the written permission of the publishers is strictly prohibited and is an act of copyright infringement, which may, in certain circumstances, constitute a criminal offence. Manuscripts, drawings and other materials submitted must be accompanied by a stamped addressed envelope. However, Condé Nast House & Garden cannot be held responsible for unsolicited material. ISSNs 1028-9895

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from the editor

capture the unique flora. Meanwhile, on the Helshoogte Pass near Stellenbosch, American businessman, philanthropist and art collector Michael Silver charts a new course for his already impressive collection – championing contemporary African art. Cultural entrepreneur (and master collaborator in her own right), Elana Brundyn visited Michael and his partner Stephanie on their farm-cum-sculpture garden to uncover why our artists have captured this global collector’s heart. Of course, there is no creative endeavour more collaborative than that of the designer and the homeowner. Just ask Home Fabrics’s Marc Shotland or Nick Gluckman of Oggie Flooring – industry leaders themselves – who partnered with savvy architects and decorators to bring their dream-home visions to life, or the teams at Newman Architecture and Design and One Design + Development, who cleverly translated the desires of their clients into wonderfully personal spaces. And while each of these stories is something special, it is when we take a step back and see them all fall into place in the larger, brilliant constellation of South African creative enterprise that you cannot help but feel wonder – and excitement – for what the coming season will hold. To quote Michael Silver, I hope we’re ready. PI ET S M E DY, E D ITO R- IN- C HI E F @piets medy

FAC EBO OK

W EB SI TE

TAB LET

I NSTAGR AM

Join the conversation Follow our daily posts Read us on the go. Go behind the scenes @HouseGardenSA houseandgarden.co.za Download your copy @houseandgardensa from zinio.com

NE WS LE T TE R

P H O T O G R A P H : S E B A S T I A N VO I G T

Creativity has a marvellous way of transferring, like electricity, between like minds – a current that, when shared, seems to double in power. What I am really describing here is, of course, collaboration, and in this issue we celebrate the design superconductors – the co-working creatives – whose shared energy has produced white-hot results. Locally, ceramic artist Jan Ernst and indoor plant influencer Nkhensani Rikhotso take us on their creative journeys – the former through Brussels, Milan and Bordeaux, the latter from the reels of Instagram to a fully fledged brick-and-mortar concept space in Joburg. These are unusual stories, certainly, which makes their success all the more thrilling. Speaking of the thrilling unusual, green spaces are not exempt from the benefits of these crafty collabs – and no one has done it on a scale quite like Grootbos Private Nature Reserve owners Michael and Heine Lutzeyer, who joined forces with botanist (now director of conservation at the reserve) Sean Privett. Working together, they not only mapped the region’s rare, indigenous plant life but went on to discover new specimens that would inspire the Groosbos Florilegium – part natural-science compendium, part visual storybook – which saw a collection of artists and illustrators

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P H OTO G R A P H : SA R A H D E P I N A

THE SCOOP ON SHOPPING, STYLE, DESIGN & CULTURE

NKHENSANI RIKHOTSO, FOUNDER OF HERMERAKAI, AT HER RECENTLY OPENED INDOOR PLANT CONCEPT STORE IN JOBURG

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

EMPIRE OF Nkhensani Rikhotso – or HerMerakai to her followers – talks us through what centres her today, how nurturing plants nurtures her, and how she’s building a green, new business

TEXT NELISIWE MASANGO PHOTOGRAPHS SARAH DE PINA

THE SUN 12

HOUSE & GARDEN NOVEMBER 2022

khensani Rikhotso lives a passionately-led life of balance, calm and purpose for herself and her son — protecting everything close to her as intuitively as she created them. Mother, business owner and self are identities Nkhensani has grown into unreservedly. By the time 12 000-and-counting Instagram followers caught onto her plant-parenting magic, her inner self-work of discovering a new identity had long begun. Her awareness of the benefits of interacting with nature inspired her to green up her home. One plant marked a definitive way to affirm her healing journey, and hundreds of green girls later, learning to care for plants wholesomely fed into lessons on caring for herself. Soon, followers and plant parents alike would reap the harvest of her work. HerMerakai evolved from a lush lifestyle page into a business serving indoor plant styling and care products. It was not easy discovering what it takes for plants to thrive. One thing Nkhensani is sure about is that paying attention pays off. ‘I think the best way to learn plants is to observe,’ she says, explaining that once she had studied space, lighting, watering and nutrient needs of plants, trial and error led to a growing instinct: ‘You start to see patterns of behaviour within plants. You pick up the nuances. Plants tell you what they need, all you have to do is simply observe.’ With each repotting or watering session, the intention with which she nurtures her plants influences how she tends to herself. The time Nkhensani spends observing their vitality while tending to their needs nudges her into introspection on her own vitality. Understanding plants has made it easier to define what she needs to thrive. ‘I know, during this season, that I need things that make me feel connected to my sense of self.’ This concise list includes the grounding and elation only her son evokes, the people who know her well past her successes, and meeting her own emotional and mental needs, be it a salt bath or a solo date. Nkhensani foresees expanding the HerMerakai Indoor Plant Concept Store into new spaces and introducing new products. Its essence is to make understanding and caring for plants easier for her customers, and Nkhensani can attest that it is possible. HerMerakai hermerakai.com @her.merakai

TOP DOWN A SELECTION OF INDOOR PLANTS; THE NEW HERMERAKAI INDOOR PLANT CONCEPT STORE INTERIOR OPPOSITE PAGE NKHENSANI RIKHOTSO

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

P H O T O G R A P H S : N O R M A R C H I T E C T S , S O F T M I N I M A L , G E S TA LT E N , 2 0 2 2 ( L E F T ) ; C TA C R E AT I V E A R C H I T E C T S , 2 H I E N , P H O T O : H I R OY U K I O K I , B R I C K BY B R I C K , G E S TA LT E N , 2 0 2 2 ( T O P R I G H T ) ; WA L L M A K E R S , P I R O U E T T E H O U S E , P H O T O : J I N O S A M , B R I C K BY B R I C K , G E S TA LT E N , 2 0 2 2 ( B O T T O M R I G H T )

NOTES ON STYLE & SUSTAINABILITY Material and modus operandi come into focus this month with the release of two must-have tomes that inve stigate the guiding prac tices and philosophies of present-day architec ture TEXT STEVEN WHITEMAN

BOOKS

SOFT MINIMAL: A SENSORY APPROACH TO ARCHITECTURE & DESIGN BY GESTALTEN, R1 500; BRICK BY BRICK: ARCHITECTURE AND INTERIORS BUILT WITH BRICKS BY GESTALTEN, R1 200 BOTH PEZULA INTERIORS

Soft Minimal: A Sensory Approach to Architecture & Design (Gestalten) Guided by the purpose of wellbeing, the essence of Norm Architects’ style is balance: richness focused by restraint, simplicity imbued with warmth, and complexity heightened by order. Be it architecture, interiors or furniture, Norm’s unique brand of soft minimalism speaks to the mind as much as the body, creating and curating spaces for all. The first self-curated monograph by Norm Architects, Soft Minimal showcases a range of works that facilitated its establishment as a key figure within Nordic design. Presenting residential and commercial projects throughout Scandinavia, Italy and Japan, Norm reflects on Scandinavian traditions, modernist principles and the importance of natural materials. Exploring a creative process that makes the visual speak to all senses, the book becomes insightful, inspirational and deeply poetic.

Brick By Brick: Architecture and Interiors Built with Bricks (Gestalten) Oh, the horror of misused face brick; the tasteless neighbourhood nightmare. Or perhaps the oft misplaced clay friend to design and advancement? You be the judge. The venerable brick is one of the oldest and most sustainable building materials worldwide. It is simple yet versatile, modest yet resilient, global in usage yet local in appearance. Recently, young architects have been rediscovering the circular use of brick and embracing its warm, aesthetic appeal to design some of today’s most exciting buildings. Brick by Brick showcases the best examples of modern brick applications on residential buildings and interiors. These forward-looking projects push the boundaries of brick architecture and design, revitalising traditional forms and making them contemporary, showing how human civilisation can help build our future. Q

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

DIARY OF

For three months, ceramic artist Jan Ernst travelled from Brussels to Milan and onto Bordeaux for a working residency, where he would realise his newest collection. This is his journey TEXT AND PHOTOGRAPHS JAN ERNST

AN ARTIST 16

HOUSE & GARDEN NOVEMBER 2022

JOURNAL

MONDAY, 16 MAY I woke up to the smell of fresh croissants and the sounds of Brussels outside my window. An Uber driver and some kid on an electric scooter were having a debate over traffic rules, but I was in the capital of Europe, and nothing was going to ruin the moment. Filled with excitement, I navigated cobblestone streets, crossing canals and open piazzas with angelic sculptures towering over the throngs of tourists. Here I was, after months of preparation in beautiful Belgium to showcase my new WOMB lighting collection with Galerie Revel. Collectible Design Fair attracts designers from all over Europe. For three days, the Vanderborght Building transforms into a display of functional art and collectable design that challenges traditional craftsmanship and pushes contemporary materials. After a week of setting up the booth, entertaining the press and meeting new faces, we got on a train and left for Bordeaux.

WEDNESDAY, 01 JUNE The day started with my 10km cycle next to the Garonne River from La Tresne into Bordeaux city centre. What used to be a Roman village had evolved into a metropolis with fountains, cathedrals and city gates with spires that could set the backdrop for an old-school Disney movie. After collecting images and old maps from the library for what would be the basis of my residency project, I headed over to Studio Primitif, a shared space for ceramic enthusiasts and my workspace for the next few weeks.

CLOCKWISE FROM TOP LEFT OBELISK ANSPACH FONTIJN IN BRUSSELS; GALERIE REVEL’S BOOTH AT THE COLLECTIBLE DESIGN FAIR 2022; BORDEAUX PALAIS DE LA BOURSE; PLACE DE LA COMÉDIE; LARGE ‘WOMB’ PENDANT LIGHT IN WHITE STONEWARE OPPOSITE PAGE ‘ABSTRACTION BORDELAISE’ RELIEF AT GALERIE REVEL NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

JOURNAL

MONDAY, 09 JUNE Like a freshly graduated student, I stuffed a backpack full of clothes and left for Milan – and Salone. It was sweltering, and the streets were buzzing with artists and designers all competing for the city’s hottest commodity: a taxi with aircon. Later that afternoon, the city smelled like jasmine as I walked back to my Airbnb from the Duomo di Milano. For the first time, everything was quiet, and I realised that I had never experienced something quite like this moment. Sandwiched between the sheer grandeur of the architecture and the ubiquitous glamour of luxury fashion flagships, I felt quiet gratitude, having just met my representatives from Galerie Philia and Collection Gallery for the first time.

THURSDAY, 23 JUNE It has been more than a month since my arrival – and I am back in France. The residency project has evolved from paper to maquette, and the first pieces are coming out of the kiln. Prince [owner of Gallery Revel] and I decided that the composition had to reflect the landscape of Bordeaux as a wine region to tie it back to South Africa, specifically Cape Town. From my research and exploration of the area, I decided to interpret natural elements – the vineyards and dunes – in an abstract manner with the Garonne River as a central organising element in the work.

FRIDAY, 15 JULY

CLOCKWISE FROM TOP LEFT JAN ERNST WITH A RELIEF FRAGMENT; PLANNING THE RELIEF; RELIEF FRAGMENTS AT THE RUINS

HOUSE & GARDEN NOVEMBER 2022

Today I am overjoyed. All fifteen pieces made of chamotte clay survived the final firing. Up to now, we have only seen the individual elements, but putting the puzzle pieces together and seeing a complete composition felt incredible. Without realising it, the organic nature of the work started resembling something archaeological dug up from a historic site.

WEDNESDAY, 13 JULY Winding through the winelands, we headed to a dilapidated chapel on top of a hill that would serve as the location for an outdoor photoshoot. The soft morning light illuminated the structure through thin medieval slits in the wall and set the mood for discovering ‘relics’ from a past life.

TUESDAY, 02 AUGUST It is my last day in Bordeaux, and we are hanging the work in the gallery. We waited for late afternoon to switch on the LED light in the relief and take the final interior images. As the photographer puts away his camera, melancholy fills me. The next time the work is displayed will be at Paris Design Week, and by then, I will be back in Cape Town and my studio. But, for now, I drink good wine and swim in the Mediterranean with my partner Colin.

SATURDAY, 06 AUGUST After 10 glorious days of travelling to Saint-Émilion, Arcachon, Marseille and Paris, it was time to return home. The South of France was captivating with natural settings, such as the Calanques with olive trees hanging from cliffs over crystal clear water and the quaint town of Cassis (and the best seafood). Colin and I took a train back to Paris, where we spent two days exploring the city. I really wanted to see the Fondation Louis Vuitton – and everything about it was breathtaking. The scale, innovation of material and artistic genius reminded me why I love being a designer and maker. We had our last meal on the terrace of a typical, red-awninged Parisian restaurant in Montmartre before heading back to the hotel. France had been a journey, but every experience led to something greater. My camera roll is filled with memories and my heart is full. Jan Ernst jan-ernst.com Q

CLOCKWISE FROM TOP RIGHT BIARRITZ BEACHFRONT; JAN AND HIS PARTNER, COLIN; LUSH BALCONIES IN BIARRITZ; SUMMER LUNCH OF TOMATO TART AND WINE; FONDATION LOUIS VUITTON NOVEMBER 2022 HOUSE GARDEN

PROFILE

Driven by a desire to create feel-good spaces brimming with colour and pattern, Cape Town decorator Juliette Arrighi de Casanova shares her unique approach to interior design TEXT JENNIFER WORTHINGTON-SMITH PHOTOGRAPHS GREG COX

HOUSE

GARDEN NOVEMBER 2022

he verb ‘to zhuzh’ means to improve something, to boost its character, giving it sophistication and flair – which is exactly what decor editor-turned decorator Juliette Arrighi de Casanova (whose nickname – in a noteworthy case of nominative determinism – is ‘Juj’) does for her clients when they hire Juj Living. ‘I am all about beauty. When I have got beautiful things around me, they are bringing me joy,’ says Juliette, whose energy is bright, colourful and full of feeling, while her empathy and eye enable her to create spaces that tell a story but still make them effective and functional. For Juliette, there is something deeply personal about being able to not only enter but change people’s homes, and the vulnerability and trust that goes with that is not something she takes lightly. Adaptability is a hallmark of Juj Living’s practice; creating rooms that can as easily be shown off at a cocktail party as settled into with a private cup of tea. By determining what is important to a client, what makes them happy, and what pieces or fabrics spark inspiration, she is able to make their space work in more ways than one. What began as styling and decorating has expanded into an online shop, sparked by the debilitating effect of this pandemic. Undaunted by the inability to enter clients’ homes, Juliette used the time she had been given to create a product – thus, the Juj Living Candles were born. Juliette believes in constantly expanding her knowledge and skillset. ‘I will not stop learning. I do not think I will ever stop learning,’ she says, describing the experience of her candle-making journey. She met with various candlemakers, learned about the process, and now has a selection of candles available on her online store, among other beautiful items that bring her signature refined maximalism to any space lucky enough to home them. This resourcefulness – and talent for making connections – has grown and continues to grow not only Juj Living but also the local businesses and charities with whom Juliette works. She is currently in collaboration with the Butterfly Art Project, an organisation that uses art as therapy for children in need. ‘I want everyone to thrive,’ she says, discussing the evolution of her role as the bridge between her clients in Cape Town, looking to update their spaces, and local artists and creators. As Juliette’s business expands into new niches and projects, one thing remains constant: every place she enters is left with a little more Juj. Juj Living jujliving.com

TOP DOWN JULIETTE’S SIGNATURE ‘BUJI JUJI’ WILLOW CANDLES IN BLACK AND BLUE; COLOUR, PATTERN AND FABRIC ARE THE HALLMARKS OF A JUJ LIVING INTERIOR OPPOSITE PAGE DECORATOR JULIETTE ARRIGHI DE CASANOVA

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

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VISITS

Block Party

T E X T: L I S A A B D E L L A H ; P H O T O G R A P H S : S E A N L I T C H F I E L D ; F L O R A L S T Y L I N G : J U S T I N C H A R E T T E D E S I G N

With this scenestealing, playful yet elevated apartment in Manhattan’s vibey West Chelsea, interior designer Justin Charette channels bold colours and New York’s contemporary art capital

THE ARTWORK IN THE MAIN BEDROOM IS BY ASCHELY VAUGHAN CONE AND THE CHAIR IS CUSTOM IN SCALAMANDRÉ FABRIC

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

moment one steps into the foyer of this residence, the wallpaper itself serves as art. A Kelly Wearstler for Lee Jofa design packs a graphic punch and sets the tone for the homeowners’ favourite colour palette: shades of blue, from electric to lulling. The homeowners, Bella and Elio Boyd, a couple, both South African entrepreneurs in their thirties, moved to Manhattan and fell in love with this 232-square-metre full-floor space, private yet ‘close to the area’s happening scene, its nightlife, galleries and restaurants,’ they say. The couple had just clothes and suitcases and needed to be in the apartment within 90 days. The project would involve starting from scratch, painting the entire home, sourcing brand new furniture, and even removing a wall – a tight deadline that would scare off most designers. Not native New Yorker Justin Charette, whom the homeowners appointed to execute it for his direct nature, discerning eye and can-do attitude. They asked him to infuse his style into their space – serenity, restraint, layered minimalism – while injecting colour, texture and pattern. ‘A clean, modern aesthetic often calls for neutral palettes, so I was excited to delve into colour,’ says Justin.

TOP DOWN IN THE LIVING ROOM IS A SECTIONAL SOFA, IN A CUSTOM KRAVET PERFORMANCE VELVET FABRIC, ELEVATED BY KELLY WEARSTLER FOR LEE JOFA PILLOWS; THE 3-D TRIANGLE ARTWORK BY JASON TROTTER IS ANOTHER STANDOUT FEATURE

VISITS

CLOCKWISE FROM TOP RIGHT THE DINING ROOM TABLE IS BY ROOM AND BOARD, ITS BASE REFINISHED AT AUTO-BODY SHOP; THE KITCHEN STOOLS ARE FROM BASSAM FELLOWS; THE WALLPAPER IN THE FOYER IS BY KELLY WEARSTLER FOR LEE JOFA

Fun pops of blue are incorporated throughout most of this home, in the wall coverings – midnight and pale blues – the navy velvet sectional sofa in the living room, shades of sky blue in the guest bedroom, accessories and art. Through careful repetition, Justin achieved a subtle sense of cohesion, breaking up the blues with white, grey, and black accents and hints of orange for warmth. ‘In the main bedroom, in particular, I wanted to bring the green tones of The Highline, a landscaped urban park viewed from the window,’ he says. ‘This was an opportunity to take a break from blue to avoid being too thematic.’ The neighbouring galleries inspired Justin’s bold choice of artwork. ‘I needed to give the art room to breathe, drawing attention and creating interest,’ he says. The designer incorporated large-scale pieces to balance the expansive windows. This included a print of polo players wearing cobalt-blue swimming caps by Roger Camp from New York-based Robin Rice Gallery in the living room, which is fresh, young and unexpected. And an artwork by Tyler Guinn in the dining room, tying all the colours of the neighbouring rooms together and adding texture. Justin gravitated towards bouclés, velvets, metals and stone. ‘The clients wanted the space to feel elevated and elegant while also keeping things low-maintenance,’ he says. The result is a ﬁnely edited environment, where natural materials are celebrated and comfort is always top of mind. Justin Charette Design justincharette.com Q

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

VISITS LEFT TO RIGHT THE VASE IN THE MAIN BATHROOM IS FROM FERM LIVING AND THE LIGHT FIXTURE IS FROM WAC LIGHTING; A MIRROR FROM BOWER STUDIOS HANGS BEHIND A CUSTOM BED IN MARK ALEXANDER FABRIC WITH A CUSTOM PILLOW IN HOLLY HUNT FABRIC

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HOUSE & GARDEN NOVEMBER 2022

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Self-cleaning.

Fuelled by a growing passion for contemporary African art, longtime collector and philanthropist Michael Silver is building an astounding collection amongst the Simonsberg mountains TEXT ELANA BRUNDYN PHOTOGRAPHS KARL ROGERS

HOUSE & GARDEN NOVEMBER 2022

Th e a c t of co ll e c t in g is an eccentric and innately human passion that offers unique insights into behaviour and human nature, especially when collecting habits evolve and adapt according to changing times, tastes and circumstances. Collections signify an intimate and curious relationship to ownership and they are closely tied to memories. They enable us to physically hold onto important milestones, images and events by crystallising them into tangible, personal archives. Beyond purely personal pursuits, however, collectors play an important role in preserving cultural heritage and the evolution of creative industries. Perhaps this is why the history of the art market is so closely related to the origin of collecting in the cabinet of curiosities (wunderkammer) of the Renaissance. Referring to drawers, shelves, or sometimes entire rooms, wunderkammers impressively showcased an encyclopaedic collection of art objects and other marvels. Those collections told tales of distant travel and adventure or represented tokens of taste, wealth and intelligence. Each compilation of curios was carefully sourced, arranged and preserved to the owners’ preference. By amassing a diverse collection of precious, albeit sometimes unrelated, objects, the wunderkammers of the past formed the organisational basis of museums today. That, in turn, influenced the broader art market, and although institutions have become better at curating their archives, the human urge to collect – in private or public – is ongoing. Michael Silver is, without question, not just a collector but a patron who recognises and supports African talent. Having first come to South Africa 20 years ago, he felt an immediate connection to the continent. In recognising Africa’s creative talent and unique perspectives, the businessman, philanthropist and art collector is now putting down more permanent roots in the Cape. Leveraging the relationships he has built over the years with gallerists,

MICHAEL AND PARTNER STEPHANIE THOMAS IN THE VEGETABLE GARDEN OF THEIR STELLENBOSCH FARM OPPOSITE PAGE TRANSITIONS/ DISPLACEMENTS BY LEDELLE MOE, 2012, IN CONCRETE AND, IN THE FOREGROUND, FAULT BY MICHELE MATHISON, 2021, IN STEEL, COPPER AND PATINA

artists and curators, Michael is determined to empower the African art market, meaningfully contribute to his community and expand his collection of emerging and established African artists. ELANA BRUNDYN: When did you

start collecting art, and how has your collecting journey changed over time? MICHAEL SILVER: My parents collected art and antiques. I guess I caught the bug. In the late ’70s, I began collecting works produced in New York City when the art world was centred around Soho, then an indigenous art scene sprung up

in Los Angeles, and by the late ’80s, I was collecting exclusively Californiabased artists.

How did your interest shift to the African art market? I served as a trustee of the Institute of Contemporary Art in Los Angeles before coming to Cape Town. Over the last decade, the museum has emphasised contemporary art influenced by the Black diaspora and the African-American experience, which sparked my interest. I really had little direct experience with contemporary African art before moving to South Africa. I began here NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

ART by meeting with the directors and curators of the more innovative South African and Nigerian galleries, such as Blank Projects, SMAC, Everard Read, Rele Gallery and WHATIFTHEWORLD, and listened a lot. I have collected locally for two years.

And encountering it first hand, what were your thoughts? I was astounded by its originality. While always grounded in a historical context, which could be fine art making in the western sense or traditions found only in Africa, the approach to process and materials is incredibly new, creative and fresh. And there is most definitely an Afrocentric paradigm that infuses the works.

Is there any particular type of art medium that appeals to you? I am a big fan of sculpture; both the monumental and the maquettes. It is the medium that most speaks to me. Secondarily, we collect works on canvas and paper. We also like collage as it is an amalgam of both mediums. We recently acquired a William Kentridge collage of a black rhino we really enjoy.

How would you describe your relationship with the artists you support and interact with back in Los Angeles?

TOP DOWN FROM LEFT INTIMACY BY TERESA KUTALA FIRMINO, 2021, ACRYLIC ON CANVAS, AND TRIBUTE TO AFRICAN PORTRAITURE BY BLESSING NGOBENI, 2021, MIXED MEDIA ON CANVAS; FRESH TO DEATH BY KYLE MORLAND, 2021, STEEL AND POLYURETHANE PAINT

HOUSE & GARDEN NOVEMBER 2022

I like to collect art I like from people I like. If we are purchasing, or more particularly commissioning, a contemporary work, it usually begins with some connection we have made with the artist. It is an important part of the collecting journey. We have not changed our approach now that we are collecting in South Africa.

How would you like to contribute to the art market in South Africa and empower the creative economy through collecting? I hope we will have the opportunity to contribute in many ways. In Los Angeles, we have funded artist-in-residence programs, museum art and equipment acquisitions and scholarly research. Our primary giving is in education, and here, we recently agreed to fund the early child development program at the Pebbles Project. I hope we will have similar opportunities in the art community here soon.

ART You have recently acquired a small holding in Stellenbosch and are placing sculptures in your gardens. Can you elaborate on one or two pieces? Two of our favourite sculptures in our collection are the work by South African contemporary artist Ledelle Moe and one by local artist Michele Mathison. Ledelle’s work is a six-metre, 1.2-ton concrete reclining woman in meditation and Michele’s is a steel totem we installed on an island in one of the ponds.

How do you envision the sculptures will interact with the landscape design of the Cape Winelands garden? For example, is there a material or thematic relationship between the man-made artworks and the natural environment? We hope to someday commission a work produced from natural materials found on the farm. To date, we have collected sculptures composed of more traditional materials – bronze, steel, concrete, granite – but each piece is installed with great sensitivity to the natural site and environs.

TRANSITIONS/ DISPLACEMENTS BY LEDELLE MOE, 2012, IN CONCRETE

What unique attributes or qualities do you see in works of African provenance that sets them apart from the contemporary art being produced elsewhere? The art movements that influenced European and American art practices since the Renaissance have also heavily influenced fine art created in South Africa since Europeans first arrived in the 17th century. Compositionally, local works reflect Africa’s landscape and cultures, but it was not until more recently that indigenous techniques and subject matters have truly been incorporated into the oeuvres of African contemporary fine artists.

Conversely, as a collector – both locally in South Africa and abroad – how do you see African art fitting into the larger global art narrative (if at all)? Which is to say, where do you see African art – and by extension, artists – claiming their space in the ‘bigger picture’? This is an important challenge the art world faces today. How to incorporate

traditional and indigenous art practices into the western discussion and lexicon. There has long been an appreciation for indigenous art, no doubt, but the means of critiquing western art practices versus traditional African and Asian practices has long been very different. This is changing. One example is The Classical World in Context initiative at the Getty Center in Los Angeles. There the goal is to recognise the huge influence cultures bordering on Greece and Rome had on what we think of as purely early western aesthetics. Recognising that these other cultures heavily influenced what we think of as purely western art points the way to analysing all art with the same scholarly paradigm. This will all change as African contemporary art has continuing success

at the big international art fairs, such as Frieze and Art Basel. Local galleries, including Blank Projects, are already leading the way.

What is it about South Africa – and particularly the Western Cape – that has struck a chord with you? It can be difficult to explain love at first sight. We travel a lot, but the moment we came to the Western Cape to visit friends, we felt a special connection that is difficult to describe. The people are so lovely. The juxtaposition of the natural untamed beauty with an incredibly sophisticated art, food and wine culture is intoxicating. I have a feeling the Cape will soon become a much better recognised international culture and arts centre. I hope it is ready. Q

NOVEMBER 2022 HOUSE GARDEN

DEBUT

THE CABLE GUYS Creative-Cables South Africa, who began their journey in 2019, now have a new Cape Town showroom and exciting plans for the future TEXT YASHNA BALWANTH PHOTOGRAPHS ADRIAAN LABUSCHAGNE

Originally from the Eastern Cape, Rudi and Este Franz, a couple and co-owners of Creative-Cables South Africa, chose to relocate their family to follow their dream of running a lighting company that could fill a gap in the marketplace. The pair had noticed the difficulty in locating good quality cables in South Africa and the readymade lights that were not up to spec. So, they began researching companies and came across Creative-Cables, based in Torino, Italy. It took a few email exchanges for the Franzes to hop on the next plane to Italy and have their contract signed – Creative-Cables was officially coming to South Africa. The brick-and-mortar store opened in October 2019 in the Stellenbosch valley, and all seemed on track until the pandemic struck. Rudi and Este needed to think on their feet and form a suitable solution, leading them to move their family to Cape Town. Their current store at the Woodstock Exchange is more of a design space for you to pick your items, mix and match and play with various elements to create your perfect light. Every part of their lighting is customisable, from base to fabric cable, bulb and lamp holder. You can use the basic elements in a thousand different ways which means no light ever has to look the same. In addition to supplying the lighting components, Rudi and Este also offer a free design service called Illuminate Me! to help you with lighting advice if you feel a little overwhelmed with the many options. Rudi and Este are currently working on stands they hope to implement soon in various stores across the country. These will allow you to easily customise your light, view a rendered image of the finished product and place your order online. All in all, it sounds like a win and the easiest way to personalise lighting. Creative-Cables South Africa creative-cables.co.za Q

HOUSE & GARDEN NOVEMBER 2022

RUDI AND ESTE FRANZ

EVERY part of their LIGHTING is customisable, from BASE to fabric CABLE

PENDANT LAMP WITH TEXTILE CABLE AND ‘BELL M’ LAMPSHADE IN GLOSSY WHITE CERAMIC, PENDANT LAMP WITH FABRIC CABLE R4 134 AND BOTTLE CERAMIC LAMPSHADE WITH RUST CORTEN EFFECT, R3 600

‘FERMALUCE’ METAL LAMPSHADE WITH CYLINDER, IN BRASS AND BLACK CANVAS, R2 128

‘FERMALUCE’ WOOD WALL LIGHT WITH RAFFIA LAMPSHADE, R2 356

‘FERMALUCE’ METAL BRUSHED BRONZE WALL LIGHT WITH BENT EXTENSION, R1 190

PENDANT LAMP WITH FABRIC CABLE AND DOUBLE TUB-E14 WOOD AND METAL SHADE, R1 982

‘ARCHET(TO)’ TRANSPARENT WALL MOUNT FOR PENDANT LAMPS, R580

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

NOT YOUR MAMMA’S PASTA THE KING OF CARBONARA OPENS CAPE TOWN’S FIRST PASTA BAR 34

HOUSE & GARDEN NOVEMBER 2022

n Church Street, mere minutes from Cape Town’s culinary hub of Bree Street, sits Scala Pasta, the newest addition to the CBD’s ever-growing eatery portfolio and the first pasta bar of its kind in the city. Restaurateur Paolo Carrara (Burger & Lobster, Iron Steak and Hacienda), together with his partners Niko Tiftikidis and Anthony Protoulis, has tapped into the pasta bar trend that has emerged in major cities around the world by teaming up with his longtime friend and Michelin-star chef Luciano Monosilio to serve tapas-style pasta dishes of established recipes with an edge. ‘From the moment you arrive at Scala, you will think funky, trendy and modern but all done with Italian class. With each bite, we want our guests to be transported to Italy as if they are eating at Luciano’s restaurant in Rome. Everything we serve and how we serve it is how Luciano does at his restaurant. You cannot get more Italian than that,’ Paolo enthuses. Meaning steps in Italian, Scala pays homage to the famed La Scala Opera House in Milan, and its open-plan design allows one to see into the kitchen and watch the drama unfold, much like one would at its namesake. With their focus very much on pasta as the main attraction, Scala utilises their kitchen as a stage to present the three kinds of pasta they create daily in their

“Pasta Laboratory” – semolina, organic eggs and tipo 00 flour. Luciano is affectionately dubbed the King Of Carbonara, so it is no surprise that his signature carbonara is a mustorder. Influenced by his seminal years in Rome, the balance of egg and Parmigiano Reggiano and Pecorino Romano results in a lightly coated al dente (with a bit of a bite) pasta that surprises with crispy bursts of guanciale (pork cheek). When asked when his fascination with carbonara began, Luciano explains, ‘It started in 2012 at my first restaurant Pipero al Rex. I put all of my modern knowledge and finedining techniques in every one of my dishes to make them subtle, in a good way, as I did with the carbonara.’ Paolo also recommends the pici cacio e pepe (cheese and pepper), a complementary blend of crushed black peppercorns and Pecorino Romano that creates a vibrant, tangy sauce to accompany the hand-rolled 00 pici. Egg tortellini, filled with coal-roasted tomatoes and accompanied by light lashings of burrata (cow’s milk Italian cheese) and a healthy dusting of black truffle is another highlight on the pasta menu – from which it is suggested to order three to five dishes per couple. Even though pasta is the main character, meat, poultry, seafood and vegetarian dishes – prepared using their premiere Josper charcoal oven imported from Spain – make up Scala’s scrumptious supporting cast, with executive chef Justin Barker overseeing daily kitchen proceedings. With a twist on the simplicity of classic staples, Scala has refreshed traditional Italian cuisine for a modern era and a new generation primed to fall in love with pasta all over again. Scala Pasta @scalapasta Q

CLOCKWISE FROM TOP LEFT A DELICATE DESSERT; THE MOODY INTERIORS TAKE INSPIRATION FROM NEW YORK-STYLE EATERIES; CHEF LUCIANO MONOSILIO OPPOSITE PAGE SPAGHETTO DI SEMOLINA ALLA CARBONARA – THE HOUSE SIGNATURE

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

T E X T: YA S H N A B A LWA N T H ; P H O T O G R A P H : N A I N OA

KNOW-HOW AND DECOR DETAILS THAT MAKE THE LOOK

TRAVETINE FREESTANDING BATH AND BASIN WITH METAL FINISHES IN A MASTER BATHROOM BY INTERIOR DESIGN AND ARCHITECTURE STUDIO NAINOA

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

REST ROOM RESET Give your bathroom an instant style upgrade with these high-luxe materials and finishes

GOLD ACCENTS COMPLEMENT POLISHED STONE IN THIS BATHROOM BY DESIGNER THERESA OBERMOSER IN LONDON

THIS BATHROOM, DESIGNED BY BANDA PROPERTY, RUNS THE SAME MARBLE THROUGHOUT – FROM SHOWER TO VANITY – TO CREATE A HIGH-IMPACT, UNIFIED SPACE

Stone With its timeless finish and luxurious appeal, stone is always on trend for bathrooms. Marble is a popular choice for the powder room due to its subtle shade range and deeper-coloured veins. While natural stone can be expensive, there are alternative engineered solutions that achieve the look without the hefty pricetag. Go bold by extending the slab beyond the vanity countertop and running it as high or low as possible for a standout feature sure to amp up your bathroom credentials [1] or introduce burnished metalic sanware and finishes for added glamour [2]. bandaproperty.co.uk; tointeriordesign.com

‘ARCH’ MIRROR, R1 499, WOOLWORTHS

‘ARK’ BASIN IN SABLE BROWN, R6 210, VICTORIAN BATHROOMS

P H O T O G R A P H S : V I G O J A N S O N S , B E N A N D E R S , E L S A YO U N G , S U P P L I E D

TRADITIONAL BASIN MIXER, R5 764, FLUSH BATHROOMS

THE ‘MANHATTAN’ DOUBLE-CURVED BASIN FROM VICTORIAN BATHROOMS PAIRS BRILLIANTLY WITH MODERN KIT-KAT TILES

3 PATINATED, NONUNIFORM TILES GIVE THIS BATHROOM BY LA GRANGE INTERIORS A RICH, TIMELESS FEEL

GRAPHIC ‘GEOTILES PAWN’ TILES FROM STILES GIVE THIS OTHERWISE MINIMAL BATHROOM A PLAYFUL EDGE

Tiles The most popular choice for a bathroom finish, tiles are easy to clean and can withstand extreme moisture while being quick to adapt to even the most classic design schemes [3]. They can be cost-effective (when compared to natural stone and timber) and come in various colours and finishes. High-gloss, patterned and patinated designs [4, 5] are having a moment this year, and so are asymmetrical shapes, as our approach to bathrooms becomes more experimental and personal. victorianbathrooms.co.za; stiles.co.za; lagrangeinteriors.co.za

OBLONG TILE IN TERRACOTTA, FROM R1 350, WOLKBERG

‘BAU’ TILE IN BALLITO, FROM R1 350, WOLKBERG

Timber Contrary to popular belief, wood is completely safe to include in your bathroom space, provided that it is properly treated to withstand water damage and there is sufficient ventilation to avoid moisture buildup in the bathroom. The use of timber imparts warmth, both visually and to the touch, making it ideal for barefoot spaces.

7 HAND-GROOVED VANITY DRAWERS BY ANATOMY DESIGN

8 A LIGHT-FILLED, RELAXED BATHROOM BY PLAY ASSOCIATES

FLUTED TIMBER CREATES DYNAMIC SHADOW PLAY IN THIS SPACE BY MALAN VORSTER ARCHITECTS

HOUSE & GARDEN NOVEMBER 2022

Hand-grooved oak vanity drawers with aged-copper handles add just the right amount of detail, personality and texture to an otherwise highly functional room [6]. From mirrors to corner chairs, wooden accent pieces are a great way to add a timber touch to your bathroom – and can be easily changed when revamping [7]. Also, add warmth to clinical all-white spaces by incorporating more wood from ceiling to floor – yellowwood or oak works best [8]. And if you are looking at fluted wooden panels instead, they serve a dual purpose to allow enough daylight to filter through yet provide adequate privacy [9]. anatomydesign.co.za; play-associates.com; malanvorster.co.za; flushbathrooms.co.za

P H O T O G R A P H S : G R E G C OX , S U P P L I E D

THE GENEROUS VOLUME AND SOFT CURVES OF THE ‘OMNIA’ FREESTANDING BATH FROM FLUSH BATHROOMS PERFECTLY SUITS THIS ALLTIMBER SPACE

T HE S WE E T SPOT

Washed in light and filled with irresistible books, accessories and fashion alongside homeware and furniture, Pezula Interiors’s new address is a veritable candy store for grown-ups TEXT JESSICA ROSS PHOTOGRAPHS GREX COX PRODUCTION PIET SMEDY

SHOWROOM teven Whiteman makes a beeline for one of his newest shop arrivals as I follow behind in close pursuit. We quickly arrive at a display table where he picks up a box covered in a joyful network of colourful squiggles, admiring it from all angles. ‘Look!’ he says, beaming as he thrusts it into my hands. Unboxing it, I find it houses an ingenious little embroidery kit by The Fabled Thread, an Aesop-inspired (of the storytelling – not skincare – kind), sew-it-yourself take on the cautionary tales made for a stitching enthusiast. ‘It is our latest darling. Isn’t it so clever? What a present!’ It is as if Steven is a kid who has just landed in a proverbial candy store, if the candy store in question was a symposium of carefully collected, artfully displayed objets and accessories – the design equivalent of a sweet tooth. But this is no candy store; it is Pezula Interiors’s new address, just across the road from its former location yet far removed from it too. ‘The previous showroom was quite dark,’ he says. ‘Cosy, romantic, but dark. With everything that has happened in the world, there is a push to become less austere and more utilitarian in how you decorate.’ The move was serendipitous for co-owners Steven and partner Camilla who, when the property across the road became available, saw an opportunity to satiate their inclination for space-making in an allnew home. Here, the Whitemans get to spend their workday experimenting, reimagining and playing. ‘Camilla and I are the luckiest people in the world because, together with our talented team in store, we get to indulge in creativity and make the space beautiful every day.’ The new showroom is not just beautiful, it is fresh and inviting. So much so that when I ask, ‘Is Pezula a design shop chiefly for designers?’, a family of seven out-of-towners drop in for a browse, as if on cue. They are instantly drawn to the library of coffeetable books that line one of the walls – collectable cookbooks, fashion tomes and design bibles that make you want to pull up a chair and leisurely thumb through them on a languid Saturday morning. Make no mistake, designers are regulars too, often stopping by to buy up whole display vignettes for one of their interior projects. This is the very thing that sets Pezula apart from the many other design boutiques dotted across the country. It is not just a showcase for their own tactile collection of consciously-made furniture, for fabrics – nautical beach linen by Australian brand Business & Pleasure Co. instantly transports you to halcyon coastal summer holidays – and for the lighting that would fit right in on the set of a Nancy Meyers film, as you might expect of a respectable design showroom. It is tastefully filled with items that surprise and delight – scents, games, crafts, art…

TOP DOWN SIKA-DESIGN ‘CELIA’ HEADBOARD IN ANTIQUE, R6 690 (ALSO AVAILABLE IN NATURAL FINISH); ASSORTED CERAMICS AVAILABLE IN BOTH THE CAPE TOWN AND PLETTENBERG BAY SHOWROOMS OPPOSITE PAGE THE ARCH BY DESIGNER CRAIG KAPLAN IS UNDOUBTEDLY AN ARCHITECTURAL MUST-SEE IN THE NEW RETAIL SPACE

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

‘With EVERYTHING that has happened in the WORLD, there is a push to become less AUSTERE and more utilitarian in how you DECORATE’ STEVEN WHITEMAN

HOUSE & GARDEN NOVEMBER 2022

SHOWROOM LEE RUFFLE BINGA WALL HANGING BASKETRY AT THE SHOWROOM ENTRANCE OPPOSITE PAGE ASSORTED ‘FISH FRIENDS’ MARINE PRINTS HANG ABOVE WOVEN TABLES BY ESWATINI BRAND MADWA

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

TOP DOWN SLOW-BAKED DANISH CERAMICS; ASSORTED CUSHIONS BY WHITEMAN & MELLOR OPPOSITE PAGE BESPOKE RUG BY HERRINGBONE WITH ART BY CAROLINE GIBELLO

Then there is the fashion. Camilla’s latest find is a range of linen Grecian dresses that call for balmy summer afternoons. It is a touch of the Balearic, a solid dose of Cycladic and a thread of Swazi, all grounded by local originals resulting in a sort of Afro-Aegean contemporary mashup that just works. And it is washed in natural light, which only highlights the raw, earthy materials such as rattan, clay and seagrass that are complemented by splashes of bold colour. ‘There is this everpresent theme of rattan throughout, a lot of natural material – things that are crafted, not mass produced and generic.’ Those outside of the Western Cape will be thrilled to hear that Pezula is launching an ecommerce site soon, so you can fill your house with its pieces at the tap of your fingertip. But when in Cape Town, why shop online when this is right on your doorstep? To use a familiar design analogy, Steven compares Pezula Interiors’s new home to a blank canvas. ‘Here, there is no limit to what we can do. We can make the space into anything we want on any given day. It is like coming to a play school.’ Pezula Interiors pezulainteriors.co.za Q

HOUSE & GARDEN NOVEMBER 2022

SHOWROOM

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

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P H O T O G R A P H : G R E G C OX , D O U G L A S F R I E D M A N

DON’T MISS AN EDITION

A MIX OF GRASSES, THATCHING REEDS AND SILVER HELICHRYSUMS MAKE BEAUTIFUL, LOW-IRRIGATE MIX OPTIONS FOR DRY GARDENS. THE STELLENBERG NURSERY IS OPEN MONDAY TO FRIDAY, 9AM-4.30PM

KNOW-HOW

Gardens for the Future

DRY GARDENS In the first part of a new series on gardening in a world gripped by climate change, landscape designer Franchesca Watson talks to us about dry gardens and putting the environment first TEXT FRANCHESCA WATSON PHOTOGRAPHS ELSA YOUNG

N LESS THAN A GENERATION,

our gardens may have very few remaining lawns, as keeping them in pristine condition requires an overreliance on water and chemicals. The former is in increasingly short supply and the latter we should no longer be prepared to do at the cost of our environment’s health.

IN SUMMER rainfall areas, it is possible to create an ecological meadow, dubbed a ‘freedom lawn’ instead. This is essentially a grassy surface that still caters for family life, a mix of grasses and flowering plants that is mown as infrequently as possible and to which chemicals are never applied. In Africa, we have the benefit of being able to mix tufted local grass species with traditional runner types, low-growing dandelions, bulbs and daisies, all of which take care of themselves. A wilder, more relaxed look requires a bit of a perception shift – this is no cricket pitch, but once you have made the leap you will never look back.

IN WINTER rainfall areas, lawns

TOP DOWN CLIMBING ALOE (ALOIAMPELOS CILIARIS VAR. CILIARIS); KLAASLOUWBOSSIE (ATHANASIA CRITHMIFOLIA) ; THE BLUE-FLOWERED ANNUAL, HELIOPHILA

become impossible without irrigation during dry summers. Replace them with tightly knitted local groundcovers, such as Osteospermums, clumping succulents and low-growing Helichrysums interspersed with fragranced Mediterranean herbs such as creeping thyme and marjoram, which can be walked on sporadically.

Alternatively, use indigenous clumping grasses interspersed with pathways and earth or gravel clearings for play and circulation.

GRAVEL GARDENS can be lovely, especially if finer gravels are used and the plantings are imaginative. Gravel acts as a mulch and conserves water by preventing the soil beneath from drying out as quickly. Many plants adore these conditions – try lavenders, rosemary, Pelargoniums, Salvia clevelandii, Verbenas and Malephoras, to name a few. The list of plants, local and Mediterranean, that thrive in dry conditions is enormous. As plants fill out over time, the ratio between gravel and plant cover will tip decidedly towards plant cover, and the overall effect will be soft and gentle.

IN REALLY DRY AREAS, a xeriscape approach can be taken. I have always loved the work of Steve Martino in Arizona and the American Southwest, and I find it more and more of an inspiration as water use and scarcity escalate. Desert plants are often structurally beautiful and have great drama. They are difficult to put together, though, and require some skill in curating groupings of smaller plants juxtaposed with larger architectural varieties, such as aloes, euphorbias and trees. Walls, stone and gravels all make great bedfellows with this look. Franchesca Watson 082 808 1287 franchescawatson.com NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

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P H OTO G R A P H : D O U G L A S F R I E DM A N

SUPERB HOMES AND STYLISH GARDENS

INTERIOR ARCHITECTURE AND DESIGN FIRM LUCAS IMAGINED THIS CALIFORNIA HOME AS A BALANCE OF JAPANESE INFLUENCE AND THE ORGANIC ENVIRONMENT

Full story overleaf

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

T O K YO DRIFT Embracing the Japanese philosophies of wabi-sabi and harmony with nature, this Lucas Interior-designed home finds cool and calm in the California desert TEXT PIET SMEDY PHOTOGRAPHS DOUGLAS FRIEDMAN

YABU PUSHELBERG ‘RUA IPANEMA’ SWIVEL LOUNGE CHAIRS FROM AVENUE ROAD SIT BY THE STEEL-PANELLED FIREPLACE WALL AND FAIR DESIGN COFFEE TABLE. AN ENY LEE PARKER ‘OO’ CLAY LAMP RESTS BEHIND THE CUSTOM SOFA

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

THE LARGE STONE KITCHEN ISLAND ‘FLOATS’ IN THE MIDDLE OF THE KITCHEN, WITH URBAN ELECTRIC METAL PENDANTS AND BARSTOOLS COVERED IN DARK UPHOLSTERY BY THOMAS HAYES

pa r t desert oasis, part Zen garden, it would not be a stretch to call this California home a veritable Yin and Yang of design; a balance between equal and opposing forces – light and dark, mass and air, nature and man – that finds not just cohesion but dynamic synergy. ‘The house is designed so that you are aware of the setting in every part of the home,’ says David Lucas, creative director at Lucas interior architecture and design studio, who, with his sister, principal designer Suzie Lucas, spearheaded the project. A ‘ nd, thanks to its configuration, it takes full advantage of the beautiful desert weather.’ This becomes immediately apparent upon entering the home’s private courtyard, which leads to the front door and open-plan interior spaces beyond and concludes at a glass wall providing views of the surrounding golf course and distant mountains. ‘It really sets the mood for the house,’ says David, whose team worked closely with the landscape architect to create an entry courtyard that felt ‘as if you had crossed into a spiritual space.’ Inside, the floor plan is arranged so that a main, central room encapsulates the communal areas – kitchen, dining and living rooms – and leads out onto a covered lanai, also complete with a conversation space, dining area and outdoor grill and kitchen. In addition to this, there is a separate speakeasy-style bar, which can also be accessed off the main courtyard. ‘Private wings extend off of these larger, main entertaining spaces that are centred in the home to separate more intimate spaces, such as the media room and bedrooms, and to allow our clients to relax and retreat to,’ says Suzie. ‘We focused on the flow and function of the various living spaces to achieve a cohesive experience,’ continues David. ‘Each design decision needed to have the effect of unburdening our clients from their daily lives to create an environment where they could truly relax.’ Drawing on the surrounding desertscape – wheat-toned sand, sun-scorched rock, silvery greens and weathered timber – David, Suzie and their team wove the NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

ALEXANDER LAMONT ‘WOVEN ORB’ COPPER LANTERNS FLANK A CUSTOM BED IN THE PRIMARY BEDROOM

story of the land into every element of the home’s interior design. ‘The house is so connected to its environment that it felt necessary to let this drive decisions around texture and colour,’ says David. ‘Broadly speaking, we embraced the concept of wabisabi as a macro influence on the design. We wanted forms and materials to feel beautifully imperfect and simple.’ Using the already existing exterior and interior limestone as a springboard, a tightly edited, mostly neutral palette was employed, punctuated by pops of metallic while bespoke oak cabinetry throughout was lightly cerused to accentuate the natural grain. This Japanese element appears again in the wet room, complete with restorative soaking tub and reflecting pool (the latter inspired by the moon viewing platform of Katsura Imperial Villa). ‘It is not so literal in most of the home but is a spirit that can be felt throughout.’ Perhaps the most deftly played dichotomy within the home is that of air and mass, where robust, rectilinear architecture is juxtaposed with softer, free-flowing forms, such as the Alexander Lamont ‘Woven Orb’ lanterns or the statement ‘Oo’ clay lamp by Eny Lee Parker. ‘Overall, we sought to express the feeling of being grounded in the house, so much of the design has a low centre of gravity, but is balanced with levity and light,’ says David. ‘Many of the interior architectural features and furniture are detailed to float, such as the indoor and outdoor kitchen islands. These are massive stone blocks that have a strong negative reveal at the floor that make them appear to hover in space. This play on weight and weightlessness is expressing the idea that, while grounded, our spirit is light.’ Lucas lucasinterior.com Q

HOUSE & GARDEN NOVEMBER 2022

THE PRIMARY BATHROOM PULLS IN JAPANESE INFLUENCES AND TRANQUIL, WARM DESERT TONES

LUCAS DESIGNED A WET ROOM WITH A TRADITIONAL SOAKING TUB AND LARGE-FORMAT SLAB WALLS. THE TEAK FLOORING EXTENDS OUTWARDS OVER A REFLECTING POOL WITHIN A PRIVATE GARDEN

ONE OF MANY ENTERTAINING SPACES LIES WITHIN THE ENTRY COURTYARD, CENTRED AROUND AN ORGANIC ROCK FIRE FEATURE AND SURROUNDED BY HARBOUR LOUNGE CHAIRS AND GLOSTER ROCKING CHAIRS

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TOP DOWN THE GENEROUS BAR WITH THOMAS HAYES LEATHER STOOLS IN THE HOME’S SPEAKEASY. ARTWORK FROM HOHMANN FINE ART GALLERY; A LARGE, OPEN ENTRY CONNECTS THE COURTYARD TO THE MAIN ENTERTAINING SPACES

HOUSE & GARDEN NOVEMBER 2022

DESIGN NOTES FLOS ‘CONE HEAD’ STRING LIGHT, FROM R15 778, CRÉMA DESIGN

NATURAL STONE SLAB IN MOORLAND FOG, POR, CAESARSTONE

C O M P I L E D : G E M M A B E D F O R T H ; P H O T O G R A P H S : L I O N E L H E N S H AW, M I C H E L E B R A N CA , P I E R O FA S A N OT TO, S U P P L I E D

‘GILLIE’ BARSTOOL, R2 170, AURA INTERIORS

‘AVA’ OCCASIONAL CHAIR, R13 995, WEYLANDTS ‘HIMBA’ ORGANIC SHAPE BASKET IN GRASS, R1 500, ELEVENPAST

CONTEMPORARY HAND-BUILT CERAMIC BASE ‘OO’ LAMP IN IVORY-WHITE, POR, 1STDIBS

COFFEE TABLE IN ORGANIC NATURAL TEAK, R6 995, LA GRANGE INTERIORS

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

HOME FREE

THE KITCHEN WAS DESIGNED BY ZEANNE + GOSS WITH JOINERY BY MALCO

Taking a moment to pause and reflect, the Greyton countryside provided the ideal backdrop for this robust yet chic home to the Gluckman family TEXT YASHNA BALWANTH PHOTOGRAPHS GREG COX

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

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country home was always on the cards for Oggie Flooring founder Nick Gluckman. A ‘ fter I got married – I knew that before we had kids, I wanted a country home for us to spend quality time together as a young family,’ he says. This old-meets-new home in Greyton was precisely that; a 512-square-metre second home to escape the busyness of daily city life and congregate as a family within natural surroundings, enjoying outdoor activities and spending quality time together. The location was ideal, being far away enough to feel like an escape yet close enough for an easy commute. A ‘ nd while our kids are still small and their diaries simple, we want to make the most of this small town.’ says Nick. ‘Greyton as a community makes you feel connected to the space. It lends itself to things you normally would not find yourself doing, such as family hikes to the waterfall, catching up with locals on daily walks and being greeted by the grazing cows and horses.’ Architectural and interior design duo James Goss and Zeanne Duminy of Zeanne + Goss spearheaded this project, drawing inspiration from the home’s surrounding landscape. ‘This home opens up towards the mountains and incredible fields,’ says Zeanne. ‘Wherever it was possible, we opened the home to these views and created spaces where the doors could entirely fold away, creating a seamless connection with the beautiful outdoors.’ Nick had worked with Zeanne + Goss on his Tamboerskloof house before, and the design duo could include slight nuances and threads from their primary residence into their holiday one, making it feel like an extension of their home in the city. A ‘ lot of the tones and textures that we were lucky to work with previously

‘Greyton as a COMMUNITY makes you feel CONNECTED to the SPACE’ NICK GLUCKMAN

VLEI ROAD IN THE MORNING MIST, WITH HORSES FREE TO ROAM OPPOSITE PAGE THESE CENTRAL COFFEE TABLES FROM MELTONKA CAN BE RECONFIGURED NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

were pulled through to the Greyton one, but the finishes were ever so slightly more robust, with a quirky nod to the country feel through little items brought in,’ says Zeanne when asked about the influence of the design. The flooring is, of course, a point of pride in the home. Zeanne + Goss chose to highlight their beauty by contrasting the hardwood against other finishes. ‘You will see that we contrasted it against the klompie brick, which runs along the home’s spine, connecting the old with the new. While ceramic tiles are used in other areas of the home, Oggie Flooring was installed in the bedrooms, living space and other important communal areas.’ says Zeanne. This helped carry the warmth throughout the space, lending itself to the varying textures in and around the rooms. Rattan, leather and other natural fibres were well incorporated to complement the flooring but used simply and elegantly to not over-clutter. Zeanne adds, ‘We wanted to use robust finishes that they would not feel sorry for; so huge leather sofas, a massive James Mudge table and other accompanying pieces to make the home feel comfortable.’ The sleek dining chairs picked up on the language of the lights, with other black furniture pieces enhancing the massive structural beams that run throughout the home. These high ceilings provided commentary on the cathedral aspect of the space, one that was open and filled with an abundance of love and happiness. On working with the Gluckmans, Zeanne mentions, ‘There is nothing greater in this world than to be called upon again by a past client. It is such a great compliment, and we truly value the relationships we have built in this industry over time. It is great to work for clients you hold in such high regard.’ While the space has many links to their existing Cape Town life, the Greyton house was more of an ode to the Gluckman’s love of entertaining. The love of their pets, their young kids and the outdoors have really made this house a home. Oggie Flooring oggieflooring.com; Zeanne + Goss zeannegoss.com Q

TOP DOWN THE MASTER BEDROOM WITH DOUBLE SLIDING DOORS THAT LEAD TO THE EXPANSIVE BALCONY; THE KIDS’ BEDROOM UPSTAIRS IS ABLE TO SLEEP SIX

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OPPOSITE PAGE THE UPSTAIRS BALCONY OVERLOOKS MOUNTAINS, DECKED OUT IN A HERRINGBONEPATTERNED OGGIE OUTDOOR NORDICASH DESIGN

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THE BALANCE BETWEEN A MORE COCOONED OLDER STRUCTURE AND A FEELING OF SPACIOUSNESS IN THE NEW PART OF THE HOME CAN BE SEEN HERE

OPPOSITE PAGE, TOP DOWN THE FRONT ENTRANCE MEETS A LEIWATER SYSTEM; THE INDOOR SWING IS FROM THE WOOD VANDAL WORKSHOP

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WORKING TOGETHER WITH TINY HOME AFRICA, ZEANNE + GOSS CREATED AN OFFICE POD OUT ON THE POND DECK FOR NICK

‘The FINISHES were ever so slightly more ROBUST with a quirky nod towards the COUNTRY feel’ ZEANNE DUMINY

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DESIGN NOTES ‘KINGSLEY’ WIRE PENDANT LIGHT, R 4 600, NETDECOR.CO.ZA

HERRINGBONE LIVING PLANKS IN PURO ICE, FROM R1 092 PER SQUARE METRE, OGGIE FLOORING

COPPER FISH, R1 795, LA GRANGE INTERIORS

‘MOSS’ SERVER, FROM R 18 300, DOKTER AND MISSES

C OM P I L E D : G E M M A B E D F O RT H ; P H OTO G R A P H S : H A N N E L O R E VA N D E N B U S S C H E , S U P P L I E D

APS AND JARS R1 250, R1 350 , R1 450, LA GRANGE INTERIORS

‘ORSO’ EASY CHAIR, R19 000, LA GRANGE INTERIORS

MADWA ‘UMTSALA’ ROUND TRAY WITH HANDLES, R1 595, BESPOKE HOME NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

Modern architecture layered with contemporary finishes and one-of-a-kind antiques bring this family home to life – striking the perfect balance between eclecticism and simplicity TEXT SHAI RAMA PHOTOGRAPHS GREG COX

THE POOL TERRACE, WITH NATURAL STONE CLADDING, CONCRETE STAIR TREADS AND POOL COPING OPPOSITE PAGE A DIESEL ‘FORK’ FLOOR LAMP AND BUILT-IN SEATING WITH TIMBER STORAGE IN THE LIVING ROOM

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this home by Newman Architecture & Design channels a design philosophy based on timeless aesthetics, comfort and durability – emphasising architecture with good bones, which in turn leads to the interior spaces primed for experimentation. Staying true to their ethos, this manor-style home incorporates clean lines and remarkable natural lighting while avoiding overly grandiose or cluttered elements to create a perfectly-balanced and perennial look and feel that is not short of personality. Deciding to break the house down into interleading structures, rather than trying to place everything under one big roof, was one of the primary design choices made by the team at Newman Architecture & Design. ‘We focused on creating the main house – or manor building – with the secondary buildings linking in, these were clad in stone and painted in darker tones so that they can ‘disappear’ and blend into the landscape,’ says Tamsyn Bowren, head of the interior architecture and interior decor team. ‘Doing this truly helped bring down the scale and create interest in the architecture.’ The theme of interconnectedness between spaces also flows into other elements of the home: the large glass doors leading into the 76

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garden area or the cohesive use of materials in each respective room. That being said, even though material continuity is the benchmark of cohesion, these same materials were used in unique ways throughout to prevent the palette from becoming monotonous or overused. ‘We used beautiful, natural materials in different ways throughout the home. Wooden floors in some rooms, wooden panelling in others. The hard floors are also either flagstone tiles or terrazzo. We always try to incorporate the chosen finishes in each space, just used differently so that there is still an evident flow throughout, but each room has its own unique allure,’ adds Tamsyn. Connection and contrast are two somewhat paradoxical design elements that bring this manor house to life. For example, the idea of experimenting with smooth and rugged textures, light and dark tones to create opposing moods, as well as new and vintage furniture and fittings. Karen elaborates, ‘We love combining old and new! We try to have at least one standout piece of furniture per room, which we worked closely with the client to select. Some were heirlooms, and other pieces we sourced. The client has a beautiful collection of art and we wanted to use that as the starting point for the home’s palette, reinterpreting the tones into the overall scheme.’

IN THE KITCHEN, AGED AND BLACKENED OAK CABINETS WITH AN ULTRA-THIN ENGINEERED STONE TOP ON THE ISLAND

OPPOSITE PAGE THE CAR COURT HAS GRANITE COBBLES, STONE CLADDING, A SLATE ROOF AND ALUMINIUM SHUTTERS

TOP DOWN TIMELESS DESIGN MEETS CONTEMPORARY LIVING; KAREN NEWMAN, TAMSYN BOWREN, AND DUNCAN MACASKILL

Newman Architecture & Design pride itself on investigating a site thoroughly and interrogating the clients’ brief – both architecturally and in terms of the interior design. ‘We like to work from an early stage with other specialists, especially on landscape design, which we see as a crucial part of the overall design of this home,’ Karen says. Enlisting the help of landscape architect Tirzah Webb, the team began work on the outdoor area to create a welcoming car court to serve as a magnificent entrance to the property. This area is contained by a courtyard of buildings and is beautifully complemented by the garden and ponds at the front door. The car court provides a decent view of the home and all the materials that work in unison to give the space its identity, such as the granite cobbles, stone cladding, natural slate roof and aluminium shutters. Newman Architecture & Design source all their materials and commission specialist items from manufacturers in direct response to their clients’ aesthetics and passions, which is truly evident in this project through the usage of contrasting materials, light and space and elements of colour and fun reflecting the family’s personality. Timeless architecture with a modern interpretation sums up this home’s character. The vaulted-off, shutter-concrete ceilings in the entrance area create the first impression that the home plays with classical elements with a contemporary edge, which continues throughout. The combination of breathtaking architecture alongside alternative and classic furniture makes this manor house beyond comparable and a treat for the senses. Newman Architecture & Design newmanarchitects.co.za Q

‘There is still an evident FLOW throughout the home, but each ROOM has its own unique ALLURE’ TAMSYN BOWREN

PALE TIMBER, CHARCOAL AND WHITE TONES AND POPS OF GREENERY IN THE DINING ROOM

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

THIS SHOWER WITH A VIEW FEATURES A MARBLESLABBED WALL AND CEILINGMOUNTED SHOWER HEAD

HOUSE & GARDEN NOVEMBER 2022

DESIGN NOTES ‘RESORT’ RUG IN AFTER DARK, R3 200, HERTEX HAUS ‘MILANO’ PENDANT LIGHT IN GREY FABRIC, R2 399, LIGHTING.CO.ZA

MUUTO WOODBASED FIBRE SIDE CHAIR, FROM R10 666, CRÉMA DESIGN

C OM P I L E D : G E M M A B E D F O RT H ; P H OTO G R A P H S : S U P P L I E D

MERVYN GERS GLAZED STONEWARE SERVING BOWLS (SET OF 2), R759, YUPPIECHEF

‘SAMI’ TWO-SEATER SOFA, FROM R9 999, CORICRAFT

‘ALETTA’ SIDE TABLE, R7 342, TONIC DESIGN

LUCY JANE TURPIN ‘LAVA’ VELVET CUSHION, R1 190, UNISON STORE

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

GROOTBOS PRIVATE NATURE RESERVE IS A SLICE OF PARADISE, DIVERSE AND ANCIENT OPPOSITE PAGE ON THE COVER OF GROOTBOS FLORILEGIUM, A KING PROTEA (PROTEA CYNAROIDES) PAINTED BY JENNY MALCOLM

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nurture In celebration of 25 years spent protecting, rehabilitating and conserving rare and endangered fynbos species, a private nature reserve on the southern tip of Africa has produced a groundbreaking new book, Grootbos Florilegium TEXT HEIDI BERTISH PHOTOGRAPHS CRAIG FRASER, GARETH WILLIAMS AND DOOK NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

he flats, slopes and valleys of Grootbos Private Nature Reserve are a microcosm of the extraordinary botanical diversity that characterises the indigenous flora and fauna of the Cape Floristic Region, one of the most species-rich habitats in the world. It is also the setting for their new book. Drawn by the flora, immense vistas and ancient milkwood forests, Michael Lutzyer and his father, Heine, purchased the then Grootbos farm in 1991. When Michael took his father to view the property, the hills above the old farmhouse were awash with pink blooms of the indigenous coastal malva flower, Pelargonium betulinum. ‘Never mind the views,’ reminisces Michael, ‘it was the flowers that persuaded my father to invest in the farm with me.’ By 1996, soon after the Grootbos Lodge welcomed their first guests, Michael and Heine met young botanist Sean Privett, now Director of Conservation on the reserve and the author of Grootbos Florilegium. With Sean’s passion for conservation and gift for interpreting and sharing the stories of the fynbos, they found an immediate connection – and so began their botanical exploration of the reserve. Sean began by laying out 50 permanent five-by-ten-metre vegetation plots across the 2 500-hectare reserve. Plot by plot, 323 different plant species were recorded that year and the first species new to science, the Grootbos heath (Erica magnisylvae). Sean and Heine would uncover numerous rare and endangered plant species, including additional species new to science. A chance meeting of renowned South African botanical artist Vicki Thomas saw her commissioned to paint a number of these and the seed to create a collection of botanical art was planted. In 2019, an invitation went out to the world’s greatest botanical artists to create original artworks of the unique flora found on Grootbos. Led by Vicki, small groups of artists arrived to experience the enormous diversity and hand-select plants to paint that personally resonated. The culmination of this journey is Grootbos Florilegium, a 320-page synthesis of art, natural science and storytelling. Breaking with long-standing tradition that prescribes plants in a florilegium to be depicted as solitary specimens in isolation from their unique habitat, Grootbos Florilegium showcases them alongside their pollinators, associated insects and animals and, in some instances, in the landscape they are found. Expect meticulous detailing of floral structures, bursting seed pods, brightly coloured beetles, foraging ants, floating pollen and stripped field mice, coupled with scientific facts and narrative stories about each plant. Each chapter includes a ‘wunderkammer’ of artists’ working drawings, colour swatches and archaeological details, revealing a glimpse into the creative process and the area’s ancient origins. The result is a florilegium firmly positioned in the 21st century. It stands not only as a permanent botanical record for a world at a tipping point but ultimately connects one to the intricate relationship between ourselves and the natural environment. The Grootbos Florilegium is immersed in the natural world, informed by ecology and the fragility of our botanical heritage. Grootbos Florilegium (Quivertree Publications), available from leading bookshops from 1 November, proceeds towards conservation and community upliftment grootbos.com Q

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DETAIL OF ALLODAPINI BEE AND YELLOW TRAILING PINCUSHION (LEUCOSPERMUM PROSTRATUM) BY GROOTBOS’S ARTISTIN-RESIDENCE, CHRIS LOCHNER; FIELD SKETCH OF THE NEAR-THREATENED GOLD-ANDSILVER SHRUB (HELICHRYSUM COCHLEARIFORME) A YEAR AFTER FIRE BY DEBORAH SHAW

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A TREASURE TROVE OF DIVERSITY Grootbos continues to grow their knowledge of the remarkable diversity and ancient landscapes of the reserve. At the time of curating the book, their list of recorded plants had grown to over 900 species, seven of which are new to science. Highlighting just how biodiverse the area is, entomologists have recorded over 2 000 different insects to date, including 34 species of ants and 67 bee species, many of which play a vital role in pollination on Grootbos.

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THE B OTAN I CA L ART I ST ’S P RO C E S S Grootbos’s Artist-in-residence Chris Lochner describes how painting plants forges a deep connection with the natural world and unveils the process behind creating botanical art When a botanical artist first selects their plant, it is akin to falling in love. As with any infatuation, the first phase is marked by a period of intense discovery. The artist strives to learn all they can about their plant and the buoyancy of inspiration brings a sense of effortlessness to their work. Botanical art is, however, a time-consuming business, and as the beginner’s luck wears off, the hard work sets in. This phase often involves self-doubt, perhaps even struggle or avoidance. With perseverance, a state of flow is reached. Their initial love for the plant returns, and the fruits of their labour become satisfying. Eventually, after weeks or months, a point is reached where the artwork feels ready, and the artist can step back and let go. But once a plant has been painted successfully, the artist will feel a lifelong kinship with it. Whenever encountered in fields, gardens or photographs, they will instantly recognise the plant as they would an old friend. (Edited extract from Grootbos Florilegium)

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MARCH LILY (AMARYLLIS BELLADONNA) PAINTED BY VICKI THOMAS OPPOSITE PAGE ALL ORIGINAL ARTWORKS FEATURED IN GROOTBOS FLORILEGIUM NOW HANG IN THE NEW HANNERIE WENHOLD BOTANICAL ART GALLERY ON GROOTBOS, THE ONLY ONE OF ITS KIND IN THE SOUTHERN HEMISPHERE. THE GALLERY IS HOME TO THE EXQUISITE GROOTBOS FLORILEGIUM COLLECTOR’S EDITION, AN AWE-INSPIRING TOME MEASURING ALMOST A METRE IN LENGTH AND WEIGHING 38KG NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

Step inside a Parkhurst home with a pared-down palette and a multitude of textures TEXT SHAI RAMA PHOTOGRAPHS SARAH DE PINA

HOUSE & GARDEN NOVEMBER 2022

IN THE LIVING ROOM, SOFAS FROM SEMPER FORTIS, SWIVEL CHAIRS WITH ‘HAVANA’ FIBREGUARD DELUXE, OTTOMAN AND NESTING TABLES FROM LUMINENT

OPPOSITE PAGE ‘LES THERMES SATURNIA’ WALLPAPER PANELS BY ARTE, DINING CHAIRS BY SEMPER FORTIS AND A SOLID OAK DINING TABLE FROM LUMINENT IN THE DINING ROOM

a minimalist at heart with a panache for exciting textures, homeowner Marc Shotland envisioned a space that reflects his less-is-more approach while highlighting various textures: dark, masculine and sharp tones are layered with bold prints to create a monochromatic and moody atmosphere, reminiscent of Tom Ford’s Nocturnal Animals. Marc dreamed of a home with a tightly edited selection of colour; chocolate brown being the anchor and the interweaving of cream and black. He also wanted to eschew grey in the colour scheme, avoiding the ‘typical’ palette. As managing director of Home Fabrics, texture was always going to be an important aspect and the muted palette truly allowed these – along with the fabrics – to take centre stage. ‘The inspiration for my home was a neutral colour palette mixed with hard black metal, dark-stained oak and marble, while warmth is brought in through fabrics and wallpaper choices,’ Marc says. ‘Working in the textile and wallcoverings industry, a timeless trend I see over and over again is that neutrals remain stylish and sophisticated. They also create an easy base to start with if you want to mix it up in the future through scatter cushions, rugs and smalls.’ Due to his hectic work and travel schedule, Marc decided to ask close friend and interior designer Jessica Boyer of Jessica Boyer Interior Design to work alongside some of the Home Fabrics suppliers to pull the project together. Jessica took the project head on and carefully considered his likes, dislikes and lifestyle of an easy

lock-up-and-go situation while also being able to host dinner parties or Sunday lunches where guests can unwind in a little oasis. ‘I wanted a feeling of openness and flow, which Jessica achieved,’ Marc adds. ‘The main area of the home has long stacking doors that link the outdoor and indoor elements beautifully. It is cosy and warm in the winter with the fireplace going, yet open and breezy in the summer – the perfect balance for all year round.’ For the furniture design, Jessica worked with Dylan Joseph from Semper Fortis, and together they came up with a timeless design of bold furniture pieces that are smart enough for a formal atmosphere yet relaxed for lazing about. Dylan’s process through the design stage was hands-on and considered everything with regards to the inclusion of key pieces and textures while Jessica delved right into Home Fabrics’ FibreGuard ranges (a stain-free technology brand that allows you to wipe away any stain easily) to give Marc peace of mind that there is longevity in his furniture. The home uses Home Fabrics’s wide range of FibreGuard and employs every available texture, from linen and cotton blends to velvets, chenilles and polys, as well as FibreGuard Outdoor. ‘My home is not a museum. It is a space to be lived in and enjoyed by myself and friends and family,’ Marc adds. The ease at which everything flows without being too precious makes this home a beacon of style, texture and practicality — perfectly encapsulated from the FibreGuard, marble-esque velvet headboard in the bedroom to the Designers Guild braided, leather bed, ottoman and faux fur throw, all the way to the Arte wallcoverings that push the boundaries of bold colours and patterns — this home is a study in restrained sophistication. Home Fabrics homefabrics.co.za; Jessica Boyer jessica@jboyerinteriors.com Q

IN THE PARED-BACK GUEST BEDROOM, THE DESK AND CHAIR ARE FROM LIGNE ROSET WHILE THE ART IS BY RONLYNNE BENN

OPPOSITE PAGE, FROM LEFT MARC SHOTLAND; THE KITCHEN REFLECTS MARC’S MINIMALIST PHILOSOPHY

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‘ The INSPIRATION for my home was a NEUTRAL colour palette mixed with hard black metal, darkstained oak and marble while WARMTH is brought in through fabrics and wallpaper CHOICES’ MARC SHOTLAND

HEADBOARD, BASE AND SIDE TABLES FROM LUMINENT AND WALLPAPER FROM ARTE IN THE MASTER BEDROOM

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DESIGN NOTES

ELÉONORE NALET ‘SERPENTINE’ OUTDOOR ARMCHAIR, POR, LIGNE ROSET

C OM P I L E D : G E M M A B E D F O RT H ; P H OTO G R A P H S : M A R I K E M EY E R , S U P P L I E D

‘SCRAPPY GREEN’ SQUARE CUSHION, R1 690, CÉCILE & BOYD

KEITH HARING ‘DOGS WITH UFOS’ GREYSCALE ARTWORK, R4 897, WEYLANDTS

‘JAMBOREE’ FABRIC IN ROUNDUP– PLATINUM, R1 1OO PER METRE, HOME FABRICS

‘MONCEAU’ DISPLAY CONSOLE, R91 760, ROCHE BOBOIS

‘WRINKLED RUST’ THROW, R1 195, WEYLANDTS NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

All things bright In this Cape Town pied-àterre, playful colour and a considered ensemble of furnishings make for a sassy and spirited home away from home

and beautiful TEXT NATALIE BORUVKA PHOTOGRAPHS KARL ROGERS/VIGNETTE

HOUSE & GARDEN NOVEMBER 2022

ANLO NEETHLING DESIGNED A STRIKING ARTWORK FOR THE LIVING AREA. THE SOFA FABRIC IS FROM HERTEX AND THE WALL LIGHT IS FROM AURA INTERIORS

OPPOSITE PAGE IN THE MAIN BEDROOM, A PAUSE AREA FEATURES A BENCH FROM ATMOSPHERE FURNITURE AND THE THREE-ARM ‘SEA’ CANDELABRA BY JAN ERNST

THE DINING SEATING IS A COMBINATION OF CHAIRS AND AN UPHOLSTERED BENCH DESIGNED BY ONE DESIGN AND DEVELOPMENT AND MANUFACTURED BY NIEUW DESIGN. THE SIDE TABLE IS FROM LEMON OPPOSITE PAGE A FRED VILJOEN ARTWORK HANGS ABOVE A CUSTOMDESIGNED DESK MANUFACTURED BY CC CUPBOARDS. THE DESK LAMP IS FROM @HOME

HOUSE & GARDEN NOVEMBER 2022

nlo Neethling of One Design and Development is not one to shrink from a challenge. So, when former clients approached him to furnish their new apartment in just four weeks, he took on the task without hesitation. ‘There was a palpable sense of urgency,’ says Anlo, recalling the initial meeting with the couple, whose work in finance and fashion requires them to oscillate between Joburg and Cape Town. ‘Three years of staying in Airbnbs and hotels had taken a toll on their wellbeing, and they longed for a base that felt familiar and personal.’ While they had anticipated finding a property on the Atlantic Seaboard, the couple’s search for a ‘smart lock-up-and-go with a short commute to the airport and city centre’ led them to Bridgewater, a vibrant mixed-use development in Century City. The secure living environment appealed to them as did the convenient access to running trails and waterways in Ratanga Park, the expansive adjacent green space. The apartment in question – a sunlit two-bedroom penthouse – presented a distinctly modern sensibility, most evident in the open-plan living space featuring seamless finishes, off-shutter concrete ceilings and bulkheads. ‘The interior spoke to our love of clean lines and minimalism, but it seemed to demand a fresh, upbeat stamp… not the sort of dark and moody scheme we tend to default to,’ say the owners. Anlo, known for his stylish contemporary spaces shot through with colour, welcomed the opportunity to help the couple navigate a new course. He launched the project with a provocative proposal: creating a focal point in the open-plan living area with a sofa upholstered in an invigorating burnt orange. To rein in the hue, he envisioned a rug in a deep shade of teal. And he conceptualised a bold print to anchor the scene and pull the palette together. It took some convincing, but Anlo eventually won the couple over. ‘We had a lengthy conversation about balance,’ he laughs, ‘and I used renderings to illustrate the proportion of colour in context to the size of the room.’ There is no doubt visual equilibrium exists in the space. Simultaneously boisterous and quiet, the aesthetic is underpinned by a play of warm and cool tones and the use of curves to mitigate bold lines.

Drawing from the bespoke print in the living area, colour is dispensed judiciously across the apartment. The guest bedroom and bathroom are swathed in mint, and the main suite, a tranquil refuge on the upper level, is punctuated by ochre. Earthy greens create cohesion. Throughout, windows have been treated with sheer curtains creating an ethereal backdrop that Anlo says ‘softens the spatial framework and reinforces harmony.’ In response to his clients’ request for ‘a unique furniture collection’, Anlo designed many of the pieces and had them manufactured by Nieuw Design – a feat considering the timeline. Informed by geometry, items such as the dining table and bench establish a graphic quality befitting a modern interior. The ‘Bahla’ chair and ‘Wadi’ side table from Bofred were introduced as statement pieces. Together with ceramics by Jan Ernst, they lend an organic element to the mix. ‘Nothing is superfluous,’ Anlo declares. ‘Everything, including the colours, was chosen to create a dynamic and engaging whole.’ One Design and Development onedd.co.za Q

‘Nothing is superfluous. EVERYTHING, including the colours, was chosen to create a DYNAMIC and engaging WHOLE’ ANLO NEETHLING

CLOCKWISE FROM TOP LEFT THE ARMCHAIR AND OTTOMAN IN THE MAIN BEDROOM DRESSING AREA ARE BESPOKE ITEMS BY ONE DESIGN AND DEVELOPMENT. A ‘WADI’ SIDE TABLE FROM BOFRED STANDS BESIDE A FLOOR LAMP FROM LEMON; IN THE MAIN BEDROOM, THE BESPOKE HEADBOARD IS UPHOLSTERED IN FABRICS FROM HERTEX. THE READING LAMP IS FROM ICONOMY; A NICHE LEADING TO THE GUEST BEDROOM WAS TRANSFORMED INTO A COMPACT WORKSPACE PAINTED IN DULUX’S MOUNTAIN SHADOW. THE CHAIR IS FROM CHAIR CRAZY

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DESIGN NOTES ‘PALMA’ ARMCHAIR, R14 289, KARE DESIGN

‘BIG BANG’ DESK LAMP, R5 900, DOKTER AND MISSES

‘FOREST CANDELABRA NO.3’ IN BLACK CLAY, POR, JAN ERNST STUDIO

C OM P I L E D : G E M M A B E D F O RT H ; P H OTO G R A P H S : S U P P L I E D

‘HALLWAY OF ARCHES’ ART PRINT, R600, BLACK SKINNY FRAME, R 1 050, BOTH KNUS FERM LIVING ‘INSERT’ SIDE TABLE, R18 620, CRÉMA DESIGN

‘THE CHAIRMAN’ COUCH IN RUST BOUCLE COLOUR, R20 990, DOUGLAS AND DOUGLAS

NOVEMBER 2022 HOUSEANDGARDEN.CO.ZA

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Every Store everystore.co.za Flos flos.com Flush Bathrooms flushbathrooms.co.za Gaggenau gaggenau.com Generation Design 011 325 5963 Glo Lighting 011 440 1781 Guideline guidelinemnf.co.za H&M Home hm.com/za Haldane Martin haldane.co.za Hansgrohe hansgrohe.co.za Haus by Hertex 021 914 3390 Hendre Bloem 082 467 1706 Hertex hertex.co.za Home Fabrics homefabrics.co.za Houtlander houtlander.co.za Infiniti Fires infinitifires.co.za Italcotto italcotto.co.za Italtile italtile.co.za James Mudge 079 448 1683 Jan Ernst Studio jan-ernst.com K. Light Import 021 552 4370 Kare Design kare-design.com Knus knus.co Kohler africa.kohler.com La Grange Interiors 021 447 3508 Le Creuset lecreuset.co.za Lemon madebylemon.co.za Lighting.co.za Light In The Box lightinthebox.com Ligne Roset 010 823 2250 LIM lim.co.za Maison Mara 021 418 1600 Makro makroco.za Mash. T Design Studio mashtdesignstudio.co.za Mavromac & Gatehouse 011 444 1584 Melissa & Doug Toys melissaanddoug.com Mema Designs 083 651 6772 Mezzanine Interiors 011 778 1200 Miele miele.co.za MJ Design Studio mjdesignstudiosa.com Mobelli Furniture & Living mobelli.co.za Moodmakers moodmakers.shop Moroccan Warehouse 021 461 8318 Moroso moroso.com Mungo mungo.co.za Mr Price Home mrphome.com Natuzzi natuzzi.com Nespresso nespresso.com NetDécor netdecor.co.za

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Newport Lighting newport.co.za Nguni Hides Online ngunihidesonline.co.za Offcine Gullo offcinegullo.com Oggie oggieflooring.com Okha 021 461 7233 Olly and Molly ollyandmolly.co.za Opia Design 072 903 5979 Pablo pablo.pablodesigns.com Patio Warehouse patiowarehouse.co.za Pedersen + Lennard pedersenlennard.co.za Pezula Interiors 021 424 2661 Pierre Frey pierrefrey.com Poliform SA poliform.it Private House Collection privatehouseco.co.za Radiant Lighting radiant.co.za Roche Bobois 021 286 0793 ROMO Fabrics romo.com Salon91 salon91.co.za Samsung samsung.com/za Setamono Tableware setamonotableware.com Sevens sevens.co.za SHF shf.co.za Smac Gallery smacgallery.com Smeg smeg-online.co.za Stiles stiles.co.za St Leger & Viney stleger.co.za Studio19 studio19.co Studio Masson 021 510 1946 Sofacompany.com 021 200 5904 Southern Guild 021 461 2856 Spazio Lighting 011 555 5555 Streamlight streamlight.co.za Superbalist superbalist.com Takealot takealot.com The Crown Collection 011 463 6060 The Private House Company privatehouseco.co.za Tiletoria tiletoria.co.za Tonic Design 011 327 2028 True Design truedesign.co.za Union Tiles uniontiles.co.za Unison Store unisonstore.co.za Valcucine South Africa valcucinesa.co.za Victorian Bathrooms 021 418 0855 Weylandts weylandts.co.za Wolkberg wolkberg.com Womag 021 447 6161 Woolworths woolworths.co.za Yuppiechef yuppiechef.com Zara Home zarahome.com/za

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