A
R
CH
I
am Evangeline Wang
王 Evangeline 族 Zu Wang
2014 Year 1
Architectural Design The University of Adelaide
2016 Year 3
• • •
Design Studio I - Landscape History Theory I Representation I
• • •
Design Studio III - Urban Design Environment II Construction II
• • •
Design Studio V - Architecture Construction III Representation III
• • •
Design Studio II- Architecture Construction I Environment I
• • •
Design Studio IV- Architecture History II Representation II
• • •
Design Studio VI- Landscape History Theory III Environment III
Content 02 Project one---Pavilion Redesign
Personal Interests
Skills
3 rd Year of Undergraduate 6.050 / 7.000
2015 Year 2
GPA
a1650994@student.adelaide.edu.au
AutoCAD
0450 907 554
Rhino
Revit
05
Project two---City Corner Revitalisation
08
Project three---Archi School
13
Eco-Harbour
16
Appendix
SketchUp Ideas
HP Workstation
Personal Statement Bachelor Degree in Adelaide
Year One All-in Exhibition -Design Studio I -Design Studio II -History Theory I Year Two All-in Exhibition -Design Studio III -Construction II
2014 Photoshop 2014
2015
Other Skills Creativity Responsibility
Year Three All-in Exhibition -Design Studio V
2016
Communication Team Work Time Management Model Making
1
Illustrator
Indesign
Maxwell
After studying Architectural Design at the University of Adelaide for three years, I start to understand the quote "The more I learn, the more ignorant I find myself to be.” In my case, the more I meet architecture, the more confusing I become. I would call myself just a beginner who is trying to knock on the door of architectural design. This is because my imagination on architecture in the past does not fit in the real-world practice. Architecture is an art but it requires much more rational thinking than art. There are so much more knowledge and practices needed for being a further architect. Nevertheless, the journey of study is just about to begin after my graduation from Bachelor of architectural design. This three-year training assisted me to understand some very fundamental yet vital design principles. The skill of idea illustration and concept visualisation has been improved greatly. More importantly, my mindset of architectural design in past has been completely changed. The desire of further investigation on architectural design is clear and strong.
Pavilion Redesign
Representation II 2015
Teahouse in Czech Republic Built for a family that wanted a peaceful, contemplative spot on the southern edge of a garden, the teahouse, completed last year, is actually the third variation of an unostentatious style that architects David Maštálka and Lenka KÅ™emenová developed after they travelled together to Japan while still students at Prague's Academy of Art, Architecture and Design. In Japan, they drank tea in traditional chashitsu. This design is trying to achieve a place that can be described as a modern "micro-space, beautiful and cozy and comfortable to stay in for hours." Site Plan
Floor Plan 1:200
Elevation 1:200
Elevation 1:200
Section 1:200
Section 1:200
Exploded View
Lumière -Redesign of
1. Butterfly Roof
2. Intersection
3. Maze
3
The design,Lumière (Light), is inspired by Tanizaki’s quote on emptiness and shadow. This structure has no particular function but empty space for light and shadow. The idea of maze is also brought into the plan, which means visitors would feel lost once they enter the space so that they could sense the darkness around them. Whenever they look up, in contrast, they will be able to see light penetrating into upper area between timber beams. In the centre, the original circular walls and flax rope structure of the Black Teahouse are kept. A plant is positioned right in the centre to emphasize the sense of emptiness and tranquillity. It also symbolises hope under light. The contrast between light and dim shadow in this space fulfil Tanizaki’s idea of empty space of sole light and shadow.
Elevation 1:100
Light Square is named after William Light who was one of the founder of South Australia in order to commemorate his effort for leading South Australians through darkness to a brighter future. In that sense, Lumière is designed to lead visitors to pass through dark maze space and find out light in the central area, which imitating the journey of South Australians working for a brighter future by passing through historical down time.
The design has three concept: 1.‘Butterfly Roof’: the idea of having a slightly curvy roof is to imitate the lightness of wings of butterfly. 2.Intersection: the interaction left on timber beams are replaced by clear resin for manipulation of light penetration. 3.Maze: concrete maze is used in plan to give a sense of myth. Elevation 1:100
Exploded View
External View
Plan 1:100
Internal View
Section 1:100 Internal View
City CornerRevitalisation
Design Studio V 2016
Pultney Street
Angas Street 1. A block of mass is placed into the site
2. Roof top descends based the shape of the surronding buildings
3. Substraction is made to unblock the views of the surronding buildings
5.Views for the apartment are considered. Hence, on the top of the model, space is brought back for gfor good exterior view
6. In order to broaden the laneway Bewes Street, space for market area are taken away
The street corner carpark between Angas Street and Pultney Street 4. blocks are substracted to give both apartment and market space north sun light
7. The residential building is formed with a permeable market connecting both a main street and a laneway
Laneway will be boraden
SIte Images of street corner
5
Street Life Revitalisation The design concept of this project is to integrate the market space and apartment into one project that can help to rejuvenate the neighbouring life in the area. The site is located between Pultneney Street ,Angas Street and a small lane way called Bewes Street. In order to bring vitality into small side street and lane way, my design concept focus on how to revitalise the Bewes street. The concept diagrams show the process of my design. From the beignning of a block mass into a substratction model concpet, site context and project programming are all considered throught out the process. Also, the integration between the market space and the apartment space is also thought through.
Section 1:250
Market Plan Section 1:250
Apartment Plan Section 1:250
Model Image
Market Render
7
Street View Render
Archi-School
Representation III 2016
Body Outline
Tango Dance
Afterwards, the intervention of void space made this form more interesting. The goal of this assignment is to design a new building for architecture school. Hence, functional arrangement and fenestration will be considered.
Movement
Coarse Representation Extrude surface based on curves obtained from Tango Performance
...synchronization is important...
a ...spin and spin...
b ...mutual position and relationship...
c ...good sculptural ending... ...good eye contact...
Bounding Box Cutting Build bounding box can wirecut gradually
Solid Soild obtained
Void space formation 1. Model Model
2. Wire Cutting
3.Void Space
The final model is hung by two wires. The reason behind is that by doing so, the volume or space below the object can be sensed. Also, by putting in human figures, this physical model starts to give more architectural spacial experience and atmosphere.
9
4. New Form
Facing North Terrace Better view of the Adelaide Green Belt
5. Section Restricted View
Restricted View
North Terrace New Archi-School The north and south views for the site are much less restricted compared to the east and west view. Hence, the oject with void space emphersing the the north and south virews is selected.
Facing Rundle Mall Less Natural view My Site Area
View 1
This form with void space is selected to be the starting point of the design of the architectural school.
Tutorial Studio
?
Internal view for the void space
Circulation Common area
Other Lecture Theatre
View 2
Staff
In order to provide sufficient space for everyone, each functional space will be arranged according to its usage volume.
7
Internal view for the void space
Some programmes like student area, staff office, lecture theatre and circulation are considered.
View 3 600 + 2000+ 400 +1000 =4000m2
4 2
New Archi-School Spatical Design Circulation Common Area
Circulation Common Area
Undergraduate Studio
Postgraduate Studio
Tutorial Rooms(back)
Staff Office Storage
Multiuse Void Space for connection
Lecture theatre
Hub Central
Gallery Entry Reception
Lecture theatre
Removed Volume
The arrangement of functional spaces inside the school is based on the shape and daily activities of students and staffs. The bottom part is used for both gallery and lecture halls because of the slop ground. Two light wells provide spaces for gathering and serve as marking point for different functional areas. Students and stuff area are separated. Lifts and fire staircases are located at the back of the building because the front facade is reserved for the better view of north terraces.
Extra Open Space
New Archi-School Model/Renders Fire Stair
Fire Stair
Common Area Staff Student Others Circulation via Lift Circulation via Staircase
11
Circulation via cat walk
Plans 1:200
New Archi-School Model/Renders
3.Void Space
The strategy of the fenestration of this building is based on sum path and exterior view. The yellow area below is the area where sun light can penestrate the facade. The blue area indicates where the sun light cannot go into the interior area.
Day Render
Night Render
Physical Model
Internal Render
Eco-Harbour Port River Adelaide - Ecological Riverside Design Studio VI 2016
56
Green revitalization today, for a sustainable urban forest tomorrow Port Adelaide is famous for its riverside industrial area where the source for the regional income. Taperoo, where is located in the centre of the Lefevre Penisula, is witnessing the transaction of the area form the early industrial area to a more vibrant and ecofriendly region. However, pollution, stagnant horizontal movement and the lack of attraction in the re g i o n n e e d to b e a d d re s s e d .
The following project is aiming to bring biodiversity, recreational and economic vibrancy into the riverside a re a t h ro u g h t h e l a n d s ca p i n g method of Anticipating. Through three phases of soil remediation, redesigning and revitalization, the riverside of Port River would transfer into an ecological green space with a recreational and shopping area. It will become the new attraction point in the region. Together, we would make Taperoo a green revitalized urban area.
Eco-Walk The Evergreen Platform 55
Forest Interconnectivity Penrice Soda
200
Ecological Riverside
Annual Rainfall (mm) High Mean Low
180 160 140 120 100
STRATHFIELD TERRACE
80 60 40 20 0
Dec
Jan
Summer
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Winter
Spring
Port River Depth(10.8m)
Port River Depth(10.5m)
Autumn
Width: 310m
Width: 200m
52
Nov
51
Port River Depth(10.1m)
Mg
Mercury Port River/Soil It is poisonus to nervous system.
High: 2.2m Low: 0.6m
Cu
Copper Port River/Soil Overdose would damage liver.
High: 2.36m Low: 0.7m
Pb
High: 2.2m Low: 0.6m
Lead Port River/Soil Damage brain and liver.
Cd
Cadmium Port River/Soil Damage kidney, lung and liver.
N
C12H27Sn
Tributyltin(TBT) Port River/Soil Toxic biocide for marine organism.
IDENTIFY PROBLEM 1. Lacking of commercial area 2. Lacking of horizontal movement
OCPs
Organochlorines Port River/Soil Toxic pesticide
PCBs
Polychlorinated biphenyls(PCBs) Port River/Soil Electrical apparatus coolant
Port River-Marine Pests 50
3. Pollution 2. Lacking of green canopy
56
Black bream Acanthopagrus butcheri
sabellid fan worm Sabella spallanzanii
Australasian snapper Pagrus auratus King George whiting Sillaginodes punctatus
European shore crab Carcinus maenas
Southern sea garfish Hemiramphus brasiliensis
Sea Cabbage Ulva rigida
54
500m
500m
STRATHFIELD TERRACE
53
Dinoflagellates Wikispecies:Dinoflagellata
New Zealand greenlip mussel Perna canalicula
55
55
STRATHFIELD TERRACE
Sea grapes Caulerpa racemosa
52
Port River-Local Fish Types
Port River-Local Bird Species OAD
Na2Co3
Soda Ash Soil/Port River Co3-make the soil acidic.
ELDER R
Chemicals Metal
High: 1.95m Low: 0.4m
Port River Depth(10.5m)
1:7500
Port River-Important Local Fauna and Flora
Australian pelican Pelecanus conspicillatus Little black cormorant Phalacrocorax sulcirostris
Bottlenose dolphin Tursiops truncatus
Australian pied cormorant Phalacrocorax variu Caspian tern Hydroprogne caspia
Yellow fin whiting Sillago schomburgkii
Oystercatcher Haematopus
Flathead species Platycephalidae
Black bream Acanthopagrus butcheri
Western river garfish Hyporhamphus regularis
Grey mangrove Avicennia marina
80%
13
20%
Vertical movement due to public transport
Horizontal Movement is less than 20%
ELDER ROAD
Pollution Theoretic 300m radius (bus) Theoretic 300m radius (bus) Actual 500/300m radius Theoretic 500m radius (train) Bus Route Train Route Boat Route
Shops Freight Train
90%
Actual 500/300m radius Theoretic 500m radius (train) Bus Route
Streets are planted with trees
Train Route Boat Route
Toxic emission - heavy metals - toxic pestcide Thermal pollution - warm water leads to algae explosion - less Oxygen in water leads fish death
ELDER ROAD
50
Tree Masses Tree Alignments
Green canopy found Bushes 20% Shops Freight Train Mangrove in the site surrondings
Green Lawns Pungent Smell
$ Port River
O2 CO2
CO2
CO2
Tree Masses Tree Alignments
40。C
Bushes Mangrove Green Lawns Pungent Smell
1:7500
Evangeline Wang Zu a1650994
B
A
Phase 1: A: New Harbour - stop for the dolphin cruise - riverside promenade B: Soil Remediation - reuse the polluted industral area for landscape design by phytoremediation
Nature: Curvy
3 Artificial: Square
Connection between the five ends
1
Port River Adelaide
Phytoremediation
6 5
2 4
Phase 3: A: New Harbour - stop for the dolphin cruise - riverside promenade B: Commercial Rise - new landscaping for recreational purposes which bring in commercial opportunities - shops and resturants shall be brought in
1. Frieght Train 2. Car Park 3. Soil Remediation 4. Small path 5. Promenade/Harbour 6. Mangrove Forest
Horizontal Movement
N
Master Plan - Phase 1
3
6
Commercial belt
1
5
2 4
1:2000
Port River Adelaide
Phase 2: A: New Harbour - stop for the dolphin cruise - riverside promenade B: New Landscape - the area is cleaned up after soil remediation - new landscaping for recreational purposes
Section Cut 1
Section Cut 2 1. Frieght Train 2. Car Park 3. New Landscape 4. Wide path 5. Promenade/Harbour 6. Mangrove Forest
Before
N
Master Plan - Phase 2
7
3 6
1
5
2 4
1:2000
Port River Adelaide
Design Concepts - Anticipating
Section Cut 3
1. Frieght Train 2. Car Park 3. New Landscape 4. Wide path 5. Commercial Area 6. Promenade/Harbour 7. Mangrove Forest
After
Master Plan - Phase 3
N
1:2000
River Side View 1
Isometric Projections
Phase Three Commercial Area
Phase Three View
Phase Two New Landscape Phase Two View
Phase One Soil Remediation
Phase One View River Side View 3
15
River Side View 2
Appendix
Various Courses 2016
Pencil Sketches
Letter Mailling Syetem in Adelaide
Drawing practices
History Theory III (Above) Illustration of the critical essay
32 Laura Street - Stepney
Maylands d
Rd eh am Pa yn
Frederick St
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St on
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Division line Residential
t
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Stepney
Frederick St
R ve
Oli
nry He
Commercial Green Space
St
Site 0
1:7500
75
150m
LOCATION PLAN
The suburb of Stepney, formerly known as Section 259, was founded in 1849 by German colonist George Heinrich Muller. After gaining the freehold of the section 259 from the English landlord Pascoe St Ledger, Muller, with his fellow partner, Carsten Luhrs, turned it into, together with the adjoining sections 278 and 279(now Maylands and Evandale), a large farm named Trowbridge.
FRONT ELEVATION 0
0.5
1m
0
25
50m
30
1:2500
Followed by the subdivision made by Mueller till the Second Creek, the rest of land was sold to various buyers. Laura Street was subdivided by Henry Woodcock into narrow allotments in 1882 for sales. 32 Laura Street was firstly built as a rental property.
32
30 32
History Theory III (Above) Documentation of heritage building
34
SITE PLAN 0
2.5
5m
1:250
32 Laura Street, Adelaide
1:50
32A
Laura Street 01 02 03 04 05
13 14
06
15
07 08
16
09
17
10 11
18
12
17 5640m
STYLE INDICATOR 32 Laura Street 01. Party wall/parapet wall for boundary 02. Brick chimney 03. Roof flashing 04. Hipped gable roof with corrugated galvanised iron roof sheet 05. Timber fascia 06. Rock-faced sandstone ashlar wall 07. Bullnose verandah 08. Timber corner bracket in off white 09. Timber chamfered post in off white 10. Timber fretwork/frieze in off white 11. Timber picket fence - pointed/spear 12. One course brick plinth 30 Laura Street (apply to 32 Laura Street) 13. Vent external terracotta double brick 14. Brick wall - stretcher bond 15. Ogee gutter 16. Timber framed single hung sash window 17. Single side panel timber screen door 18. Timber picket fence - arrow HT III TT2 EVANGELINE WANG ZU A1650994
32 Laura Street - Stepney
Roof
Wall Local rock-fashed ashlar sandstone from Mt.Lofty Ranges (230-240mm thick)
Shed (Date of addition unknown)
Hipped galvanised iron roof painted in tile red
Red face brick wall is a distinctive style seen in Edwardian Federation style
Tall brick chimney
Stretcher bond is the simplest brick coure which reflect the economic consideration
DOOR
Tile Red
Off White
Timber fascia in off white
EXTENSION
Mid Buff
Single side panel timber screen door followed by a timber panel door with stained glass panel. With the rise of nationalism in the Federation age, more native fauna and flora motif are used. Timber frame in mid-buff colour, which is commonly seen in this era a. Leadlight on the inner door panel
Glass wall with timber frame Four panel door Addition
a.
Kitchen/dining room Skillion roof Addition
Fauna and Flora motif of the glass panel on the door
VERANDAH
Similar addition to the building on 32A and 34 Laura Street was registered in 1998 Also, it could be added by the civial engineer Downard during 1982-1991.
Party wall shared
Bullnose verandah with ogee gutter below brick string course Verandah is commonly from the late Victoria era into the Edwardian Federation era.Providing a space for works to dry boots and etc.
a.
FENESTRATION
a. Ogee gutter
Mid Buff
Double sliding window with angled brick sill
a. Square timber lattice b. 3cm coner bracket c. Chamfered 120mm post
a.
a.
b.
Off White
c.
Staggered cast iron railing fence on window Cast iron work was mass-made in the late Victorian era and was criticised in the Federation era The usage of it in this building is probably due to security reason a. Tri-Ad Finial
Timber fretwork and corner bracket in off white Edwardian Federation style a.
Timber picket fence - arrow Off White
FENCE
Ventilation Vent external terracotta double brick Late Victorian Style
Timber picket fence became popular in Edwardian Federation Tile Red era as cast iron fence was considered as out of fashion then. Timber picket fence - pointed/spear Generally 70mm x 15mm
Porch
Tile Red
Simple concrete render for verandah floor in tile red
Jack arch brick lintel The angled brick pattern on this maisonette looks similar to the popular style Queen Anne in the Federation era. However, it is a simple and modest version probably due to expenditure limitation. a. Brick - one string course
32 Laura Street reflects exclusively key characteristics of the Edwardian Federation style with its dominant sandstonr and red brick wall, tinted glass panel on the door and apparent timber fretwork for verandah. Stone work was popular in South Australia. The builder of this maisonettes indeed included this trend into the façade design even though only the street frontage reveals the effort. Last but not the least, the colour scheme of this cottage clearly synchronises the ‘Federation architectural colours’. HT III TT2 EVANGELINE WANG ZU A1650994