PORTFOLIO
Architecture Drawing I
AD103
N A M E : LEONG WAN YI STUDENT ID : 1002058284
Overview 1
Lecture 4: Multiview Drawings Assignment 3a: Orthographic Projections Assignment 3b: Doors & Windows Assignment 3c: Circulation Assignment 3d: Furniture Assignment 3e: Plan Assignment 3f: Elevations Assignment 3g: Sections
Lecture 2: Architectural Drafting ASSIGNMENT 1a: Line Types & Weight ASSIGNMENT 1b: Architectural Lettering ASSIGNMENT 1c: Scale
Lecture 3: Drawing from Observation Assignment 2a: Line & Shape Assignment 2b: Tone & Texture Assignment 2c: Object Sketching
2
3
lecture 5: Model Making Assignment 4a: Model Making Assignment 4b: Model Photography
4
Architectural 0 1 Drafting Drafting – drawing with the aid of straightedges, triangles, templates, compasses, and scales – has been the traditional means of creating architectural graphics and representation, and it remains relevant in an increasingly digital world. Drawing a line with a pen or pencil incorporates a kinesthetic sense of direction and length, and is a tactile act that feeds back into the mind in a way that reinforces the structure of the resulting graphic image.
Line Types & Weight
ASSIGNMENT 1a :
using pencil
Line Types & Weight
ASSIGNMENT 1A :
using pigment pen
ASSIGNMENT 1A :
Line Types & Weight
ASSIGNMENT 1B :
ARCHITECTURE LETTERING
ASSIGNMENT 1C :
SCALE
IMPROVED :
Drawing from 0 2 Observation Despite the subjective nature of perception, sight is still the most important sense for gathering information about our world. In the seeing process, we are able to reach out through space and trace the edges of objects, scan surfaces, feel textures, and explore space. The tactile, kinesthetic nature of drawing in direct response to sensory phenomena sharpens our awareness in the present, expands our visual memories of the past, and stimulates the imagination in designing the future.
ASSIGNMENT 2A :
Line & SHAPE
ASSIGNMENT 2B :
TONE & TEXTURE
C+
ASSIGNMENT 2C :
OBJECT SKETCHING
B+
Multiview 0 3 Drawing Multiview drawings comprise the drawing types we know as plans, elevations, and sections. Each is an orthographic of a particular aspect of an object or construction. These orthographic views are abstract in the sense that they do not match optical reality. They are conceptual form of representation based on what we know about something rather than on the way it is seen from a point in space. There is no reference to an observer, or if there is, the spectator’s eye is an infinite distance away.
ASSIGNMENT 3A :
ORTHOGRAPHIC PROJECTION
B+
IMPROVED REDO ::
ASSIGNMENT 3B :
DOORS
SCALE
ASSIGNMENT 3B :
SCALE
WINDOWS
ASSIGNMENT 3C : CIRCULATION (1)
ASSIGNMENT 3C : CIRCULATION (2)
ASSIGNMENT 3C : CIRCULATION (3)
IMPROVED REDO ::
ASSIGNMENT 3C : CIRCULATION (4)
IMPROVED REDO ::
ASSIGNMENT 3C : CIRCULATION (5)
IMPROVED REDO ::
ASSIGNMENT 3D :
FURNITURE
A
ASSIGNMENT 3E :
FLOOR PLAN
ASSIGNMENT 3E :
ROOF PLAN
ASSIGNMENT 3F :
ELEVATION
ASSIGNMENT 3F :
ELEVATION
ASSIGNMENT 3G :
SECTION
ASSIGNMENT 3G :
SECTION
Model 0 4 Making An architectural model is a type of scale model – a physical representation of a structure – built to study aspects of an architectural design or to communicate design ideas. Depending on the purpose, models can be made from a variety of materials, including blocks, paper, and wood, and at a variety of scales.
MODEL PHOTOGRAPHY
SCALE 1 : 100
ASSIGNMENT 4B :
When you build a building, any building, start with the simple block model to see where that goes - Frank Gehry
The End