Washington City Paper (September 2, 2016)

CITYPAPER Washington

Housing complex: politics: xxxx x D.C. reNt food:Ploys xxx xx 7 arts: xxxx xx food: CaN Club grub be memorable? 19 film: DC shorts 23

Free Volume 36, No. xx 36 WashiNgtoNCityPaPer.Com sePt moNth 2–8, xx–xx, 2016 2016

Would-be assassin John Hinckley won release from St. Elizabeths.

Fellow patient Franklin Frye died in custody after serving 45 years over a $20 necklace.

By Jim McElhatton P. 14

©2016 Goose Island Beer Co., Goose IPA®, India Pale Ale, Chicago, IL | Enjoy responsibly.

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2 september 2, 2016 washingtoncitypaper.com

INSIDE

14SYSTEM FAILURE

John Hinckley won release from St. Elizabeths, but Franklin Frye never had a chance.

By Jim McElhatton

4 Chatter DistriCt Line

7 Rent Ploys: How D.C. landlords are exploiting rent control laws to jack up prices after “concessions” expire 8 Loose Lips: Councilmember Mary Cheh’s investigative mission 10 The Potanist 11 Gear Prudence 12 Savage Love

D.C. FeeD

21 Young & Hungry: Blending club with cuisine on 14th St. 23 United Swill of America: Chronicling crappy beer 23 Underserved: A black-lime infused cocktail at Hazel

arts

23 Salute Their Shorts: Select reviews from this year’s DC Shorts film festival 26 Film: Olszewski on In Order of Disappearance and Disorder

27 Galleries: Capps on “Perspectives: Michael Joo” at the Sackler Gallery 28 Curtains: Klimek on Satchmo at the Waldorf 29 Shorts: Gittell on Complete Unknown

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accessible to you. Beginning July 6th, our redesigned website will be available at www.dcpsc.org.

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The Public Service Commission of the District of Columbia

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Ensuring Safe, Reliable and Quality Energy & Telecom Services

NOTICE OF COMMUNITY HEARINGS

INFORMATIVE

PUBLIC INPUT SOUGHT ON WASHINGTON GAS LIGHT COMPANY’S APPLICATION, FORMAL CASE NO. 1137, 1325 G StreetRATE N.W., Suite 800 Washington, D.C. 20005 * 202-626-5100* www.dcpsc.org IN THE MATTER OF THE APPLICATION OF WASHINGTON GAS LIGHT COMPANY FOR AUTHORITY TO INCREASE EXISTING RATES AND CHARGES FOR GAS SERVICE.

Just Like You.

This Notice informs the public that the Public Service Commission of the District of Columbia (Commission) seeks input on the application submitted by the Washington Gas Light Company (WGL) requesting authority to increase existing rates and charges for gas service in the District of Columbia to collect approximately $17.4 million in additional weather-normalized annual revenues. The Public Notice can be accessed online at www.dcpsc.org. A hard copy of the Public Notice can be obtained by calling (202) 626-5150.

The Commission will convene four community hearings at the following locations on the specified dates: Tuesday, September 20, 2016 University of the District of Columbia Community College 801 North Capitol St., N.E. Washington, DC 20002 6:00 p.m. – 8:00 p.m.

Wednesday, September 21, 2016 D.C. Public Service Commission 1325 G St., N.W., Suite #800 Washington, D.C. 20005 Directly following the Commission’s 11:00 a.m. Open Meeting

Wednesday, October 5, 2016 Southwest Public Library 900 Wesley Place S.W. Washington DC 20024 6:00 p.m. – 8:00 p.m.

Saturday, October 15, 2016 Thurgood Marshall Academy 2427 Martin Luther King, Jr., Avenue S.E., Washington, DC 20020 10:00 a.m. – 12:00 p.m.

31 City Lights: SNL’s Darrell Hammond takes the stage at Arlington Cinema and Drafthouse this weekend.

31 Music Those who wish to testify at the community hearings should contact 34 Galleries the Commission Secretary by 5 p.m. three business days prior to At home, at work or on-the-go, we understand that District residents, business 36 Theater the date of the hearing by calling (202) 626-5150. Representatives 37 Film and government need up-to-date and auseful information.

That’s of organizations shall be permitted maximum of five minutes for oral why we presentations; individuals shall be permitted a maximum of three minutes. upgraded our website. It is easy-to-use and makes our information m 38 CLassiFieDs If an organization or an individual is unable to offer comments at the accessible to you. Beginning July statements 6th, our may redesigned website will be availa community hearings, written be submitted to the Public Diversions Service Commission of the District of Columbia, 1325 G Street, N.W., at www.dcpsc.org.

39 Crossword Suite 800, Washington, D.C. 20005 until November 18, 2016.

“People are getting screwed.”

—Page 7

Any person who is deaf or hearing-impaired, and cannot readily understand or communicate in spoken English, and persons with disabilities who need special accommodations in order to participate in the hearing, must contact The Public Service Commission the Commission Secretary by 5 p.m. seven business days prior to the date of the hearing.of Persons wish to testifyof in Spanish, Chinese, Amharic thewho District Columbia or Korean must also contact the Commission Secretary by 5 p.m. three Ensuring Safe, Reliable and Quality Energy & Telecom Services business days before the day of the hearing so arrangements can be made for translation services.

The number to call to request special accommodations and interpretation and translation services is (202) 626-5150.

1325 G Street N.W., Suite 800 Washington, D.C. 20005 * 202-626-5100* www.dcpsc.org

washingtoncitypaper.com september 2, 2016 3

CHATTER The 911 D.C. fans of long reads cheered last week’s cover story by Ruben Castaneda about Adrian James, once a celebrated Metropolitan Police Department officer who ultimately lost his badge and became an informant in a murder case implicating a top Marion Barry aide (“Extinguished Career,” Aug. 26). “Heck of a read,” Helder Gil (@hgil) tweeted. “Great follow-up piece from @RCastanedaWP on a stoNEAR ANNAPOLIS, ry from his book on the crack years in IN CROWNSVILLE, MD D.C.,” Caitlin Dearing Scott (@ cdearingscott) wrote. Castaneda is the author of a 2014 memoir titled S Street Rising: Crack, Murder, and Redemption in D.C., which chronicles not only the height of the Saturdays & Sundays crack epidemic in D.C. but also through October 23rd his own struggle with addiction while covering the drug scourge 10 am - 7 pm for the Post. “GREAT piece … that Rain or Shine features #BloomingdaleDC,” @ teamcouscous wrote, referring to the neighborhood where James once took out a notorious cop killer in a violent shootout. “Wow. You should read this,” wrote Nicole Mann (@nikkimann17). In response to Matt Terl’s profile of The Washington Post’s new Wizards beat writer Candace Buckner (“Buckner’s Basketball Diaries,” Aug. 26), Brian Urrutia (@bpu77) wrote, “Nice intro to the Post’s new Wiz beat reporter from this wks City Paper.” The @BulletsForever Twitter account highlighted one of Buckner’s more illumi-

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nating comments—“My introduction to [Wizards] fans was just their utter disappointment”—noting “#WizardsTwitter has a brand.” And Ben Sumner (@ benjaminsumner) put fan angst in perspective: “Great article on @CandaceDBuckner who just reminded me that the Wizards are NOT as bad as the 76ers.” Like Terl, K. Travis Ballie (@KTravisBallie) noted that Bucker is “also the only AfricanAmerican woman covering the NBA beat in the nation.” Reader @mimiph was the peanut gallery outlier.

Apparently resentful of Buckner’s observation that Wizards fans enjoy wallowing in their own misery, she wrote, “This is extremely offensive.” Reader response to Jeffrey Anderson’s reporting on the neighborhood policing legacy of outgoing Police Chief Cathy Lanier (“Community Disengagement,” Aug. 26) was mixed. “Good overall look at the challenges of Chief Lanier’s tenure,” Jason Terry (@JTinDC) wrote. Eugene Puryear (@EugenePuryear) was less impressed: “Pretty cool you ran a story on Lanier’s critics without talking to anyone from the Movement for Black Lives.”

—liz garrigan Want to see your name bold on this page? Send letters, gripes, clarifications, or praise to editor@washingtoncitypaper.com.

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DistrictLine Rent Ploys

Landlords exploit D.C.’s rent control laws, jacking up prices after “concessions” expire.

Darrow Montgomery

Tenant Pat Remick

By Andrew Giambrone Pat Remick is bracing herself for a battle with her landlord.

A senior who qualifies for limited rent increases under D.C. law, she moved into 3003 Van Ness Apartments in 2012. The residential complex sits between the law schools of Howard University and the University of the District of Columbia in leafy Ward 3, and is composed of two highrises linked by a groundfloor lobby. It’s in a prime location—a fiveminute walk from both the Van Ness-UDC Metro station and Rock Creek Park—and contains roughly 600 units, ranging from

Housing Complex

studios to two-bedrooms.

Built in the 1970s, the rent-controlled property has perks to boot: spacious rooms, a 24-hour fitness center, even an Olympic-size pool. And it’s relatively affordable for the tony ward.

Or at least it purports to be.

Remick learned this the hard way over time. While the former homeowner hopes to hold onto her one-bedroom apartment, she’s grown tired of rent negotiations with Equity Residential, the company that owns 3003 Van Ness. “They become more stressful year after year,” she explains.

Remick and half a dozen other tenants interviewed say Equity has a misleading practice of offering annual “concessions,” or discounts, on units, subject to its discretion. The custom undermines the meaning of “rent con-

trol,” residents say: It’s not what they signed up for.

District law limits increases for rent-controlled units to 2 percent plus the Consumer Price Index—a measure of inflation—once a year, and to the CPI alone for disabled or elderly tenants like Remick. She received a leaserenewal letter last September, when the CPI was set at 1.5 percent (today it’s 0 percent).

So Remick anticipated a new rent of $2,030 a month, or 1.5 percent above the $2,000 she’d been paying. But the company’s memo, containing the letterheads of Smith Property Holdings—an Equity affiliate—and the Department of Housing and Community Development, showed a “new rent charged” of $2,783, effective at the end of December.

Shocked by the new figure, Remick fought to

get her rent lowered to $2,030 a month. She threatened to file a tenant petition with the city if Equity didn’t reassess.

“I find this to be a ridiculous exchange we have every year,” Remick says. “It’s all a charade. I don’t understand how a building can claim it’s rent-controlled when it’s not related to payments.”

That’s the crux of an ongoing dispute between the tenants of 3003 Van Ness and Equity, a $24 billion company founded by business mogul Sam Zell. Equity has more than 300 properties boasting upwards of 85,000 apartment units across the U.S., including Boston, New York, Seattle, San Francisco, and D.C. Its corporate office declined to comment.

Harry Gural, who heads the property’s tenant association, alleges that Equity “outmaneuvers” those unfamiliar with concessions, which he believes the company applies illegally. He suspects that the practice is “fairly widespread” within the District, equating it to a “bait-and-switch” scheme and “false advertising.” Gural says more than 30 units at 3003 Van Ness have contacted him about rent negotiations. There are probably many more going through the motions with Equity who are too afraid, uninformed, or old to push back, he adds.

On Equity’s webpage for 3003 Van Ness, rents and floor plans are depicted side-byside. Scroll down further and Equity disclaims, “Quoted rent may include a concession.” It doesn’t specify how steep that discount would be, or from what value it would be subtracted. Tenants say those figures generally come up at the point of lease signing. Many agree to go through with the agreement when management tells them a higher, non-discounted rent is merely a formality or for internal purposes.

Months later, renewal letters like the one Remick received describe that figure as a tenant’s “current rent charged,” which Equity uses to calculate a percentage “adjustment.”

This modification often results in renewal rates that are hundreds of dollars—and in some cases over $1,000—above the monthly rent a resident pays. Usually, that’s when an anxious or irked renter contacts the company, and negotiations begin. Although savvy tenants can achieve rent increases that fall within “2 percent plus CPI” of their payments, others aren’t as fortunate.

“The key issue here is what the word ‘rent’ means,” Gural explains. “99.9 percent of the people out there think it’s what you pay every month—or what they take out of your bank account every month. Equity says it’s what they wish it were, to have head room. People are getting screwed.”

washingtoncitypaper.com september 2, 2016 7

To corroborate Equity’s rent policies, City Paper called the 3003 Van Ness leasing office as a prospective tenant. The property has “maximum rents that can be charged on an apartment,” an agent says, some of which are “way beyond what the market would bear.” When that’s the case, Equity offers concessions that reduce rent payments. “What you see [on the website] is absolutely what you would pay,” she says. For example, a one-bedroom advertised with a rent of $1,950 a month (utilities included) has a maximum of $2,352, so Equity would offer a $402 concession on it for one year.

Such discounts are determined “based on the market,” the agent notes. But she’s unable to provide an average or median concession amount, adding that “at least 75 percent of the apartments” at 3003 Van Ness receive “competitive” ones.

Asked about future lease renewals, the agent says any increases would apply to the “maximum rent.” A tenant could “come and talk to us and we can figure out what kind of concession we can give” after receiving a renewal notice from Equity two to three months before a lease expiration.

In communications with tenants, Equity has argued that it isn’t doing anything illegal by offering concessions, a practice that’s becoming more common, housing advocates say. But a difference in interpretation of the District’s rent control laws seems to be at play.

Joel Cohn, legislative director for the D.C. Office of the Tenant Advocate, says rent-concession cases have formed a “groundswell” over the past several years, involving a “gray area” of laws governing rent control. So far, though, decisions by the Office of Administrative Hearings, D.C.’s small-claims court, haven’t favored tenants. And OAH’s rulings don’t set precedent.

Still, if such a case were to come on appeal, Cohn believes there’s a strong argument “that is yet to be heard in full that some rent concessions are operating as de facto rent ceilings.”

Rent ceilings were abolished in 2006 as part of housing reforms spearheaded by Jim Graham, then Ward 1 Councilmember. Be-

fore that, landlords had to report two numbers to the District for rent-controlled units: the ceiling, or maximum allowable rent, and “rent charged,” what a tenant paid each month. But because of loopholes that permitted owners to raise prices on these units, the discrepancies between the two were “getting so wildly large that tenants were being subject to huge increases,” Cohn recalls. For instance, one dubbed the “vacancy high comparable” allowed landlords to bump up a given unit’s rent to that of a similar unit when a vacancy occurred. Legal increase thresholds for units that become vacant are now lower.

“Say there’s a grandma in one unit with a low rent ceiling, and another [separate] unit with a lot of turnover—students tended to be there, say—where the rent ceiling would be way, way above the rent charged,” Cohn explains. “Within one fell swoop of grandma vacating her unit, the rent charged to that unit would jump to a much higher rent, leading to an instant loss of affordability.”

Cohn notes that owners use concessions as leverage during lease negotiations. While tenants have a right to go month-to-month after their first year, many of them feel pressured into signing annual leases with significant rent increases when an owner threatens to “whammy” them by reducing or eliminating concessions. “Rent control is supposed to mean that the rent increase is going to be manageable and predictable,” Cohn says, adding that concessions can “violate the letter and spirit” of D.C.’s laws. The facts that the term “rent concession” doesn’t show up in the books, and that “rent charged” isn’t explicitly defined, benefit landlords.

A 2011 report by the Urban Institute found that up to 80,000 housing units across approximately 4,800 properties in the District were “potentially subject to rent control.” Of those properties, 5.4 percent were located in Ward 3 (where 3003 Van Ness sits), the lowest share in D.C. Still, about a fifth of the rent-controlled buildings in that ward had 51 or more units— larger than those in other parts of the city.

All that’s to say that rent concessions affect thousands of D.C. residents. As Gural and Shirley Adelstein—a neighborhood com-

missioner who lives at 3003 Van Ness—point out, rents based on purported maximum numbers could be generating substantial profits for owners in the aggregate. “It often takes some time for people to become aware of what’s going on,” says the ANC commissioner, who moved into the Equity property two years ago.

“People would contact Harry or me— or both of us—in a real state of stress and despair not knowing what to do because the increase that was proposed would have essentially priced them out of their home.”

(Over the weekend, Adelstein got a renewal letter showing a more than $1,000 increase in the rent she and her husband pay for their one-bedroom-plus-den unit. They plan to negotiate.)

One fix to the alleged distortions in prices at rent-controlled buildings could be an official investigation into owners’ policies and practices. Another would be a legislative clarification of existing laws. A spokeswoman for Ward 3 Councilmember Mary Cheh says her office is drafting a pertinent bill.

Meanwhile, residents are losing patience.

Nick and Katie Pettet plan to leave 3003 Van Ness for another building in the neighborhood, less than a year after settling in. The newlyweds says they intend to file a tenant petition with the District, seeking to recoup some of their relocation expenses, after Equity tried raising their payments from a little under $1,800 a month to $1,930. According to documentation the two provided, Equity was basing that increase on a rent adjustment up

By Will Sommer

Cheh helped run an investigation into Mayor Adrian Fenty’s frat brothers’ contracting woes and the bizarre saga of a city fire truck bound for the Dominican Republic.

Then, as Vince Gray’s reign began, Cheh ran a hearing in which she peppered bizarre former mayoral candidate Sulaimon Brown with questions about how he landed

an administration job. The biggest headline that day may have been that Brown refused to remove his sunglasses, but the hearing helped launch the federal investigation that went on to doom Gray’s mayoralty.

Now Mayor Muriel Bowser may have to endure a Cheh inquisition of her own.

Cheh and the mayor have already tussled

Go Your Own Cheh Like some kind of Wilson Building Forrest Gump, Ward 3 Councilmember Mary Cheh always seems to be around w h e n t h e r e ’s a mayoral scandal.

Loose Lips

8 september 2, 2016 washingtoncitypaper.com

Darrow Montgomery

DistrictLine

to $3,468: precisely 2 percent above a “current rent charged” of $3,400.

At most, the Pettets were expecting a monthly uptick of $35 a month, not an effective 9-percent jump. Like other tenants, it seemed impossible to them that their one-bedroom could be worth $3,400. Though they’ve enjoyed living at 3003 Van Ness with their cat, they say they’re fed up.

“We just wanted to get out and not deal with this anymore,” Nick says, citing “financial and ethical” reasons. As a matter of principle, the couple notes, Equity betrayed their trust by brushing off their appeals to D.C. law during days of back-and-forth with the leasing office.

“We didn’t feel we could sign and say, ‘We agree with what you’re doing,’” Katie adds.

“Then, what leverage would you have the next time?”

“The outcome we would like to see is that landlords raise rent based on the rent you pay, not just some other number,” she explains.

“We feel taken advantage of, but we know we’ll be OK.” CP

over everything from the mayor’s proposed all boy’s public school to Cheh’s early opposition to FreshPAC, the Bowser-aligned Super PAC that fizzled under public scrutiny last year.

In her latest clash with the mayor, Cheh plans to investigate a big-dollar contracting controversy at the District’s Department of

District

Line

General Services that resulted in the resignation of the agency’s chief and the exit of two other top brass, which WAMU first reported.

At the center of the ugly episode is the classic poster child of local government dysfunction, the city’s Certified Business Enterprise program. CBE status is meant to give local, often minority-owned businesses an advantage in contract bidding. But when CBE-certified District mega-contractor and Bowser campaign donor Fort Myer Construction lost out on two bids, City Administrator Rashad Young stepped in.

Young directed DGS director Chris Weaver to fire the two staffers who had awarded the contracts to a significantly lower bidder. Weaver resigned shortly thereafter.

In his Aug. 12 resignation letter, Weaver said he was leaving the agency for personal reasons. But Cheh, who chairs the Council’s Committee on Transportation and the Environment, isn’t buying it.

“I don’t believe that’s true,” Cheh says. “I believe it had everything to do with the people being fired.”

To turn the case into an investigative hearing and win subpoena power, though, Cheh will need to convince a majority of her committee colleagues. That might be a tough sell with Bowser-aligned councilmembers like Ward 2’s Jack Evans and Ward 4’s Brandon Todd. Also on the committee are Ward 5’s Kenyan McDuffie and Ward 6’s Charles Allen. (McDuffie said in a statement that he’ll support a subpoena powers vote if it’s necessary for the investigation).

Even if Cheh can’t subpoena witnesses, she has other ways to try to uncover what happened. “Whoever I get to come, I will put them under oath,” she says.

Bowser’s administration wants to frame the DGS shake-up as a case of employees run amok. In a Monday WAMU interview, Young claimed that department’s contracting system, which gave CBEs less of an advantage in bidding, was “indefensible.” Similarly, Bowser spokesman Rob Hawkins said in a statement that the administration is eager for a hearing on “our intolerance for those who seek to undermine local and minority businesses.”

For now, Cheh says she’s just asking questions.

“We have some mechanism to clear the air,” Cheh says. “I never wanted the Sulaimon Brown thing. I never wanted to investigate the craziness with the fire truck.”

CP Got a tip for LL? Send suggestions to lips@washingtoncitypaper.com. Or call (202) 650-6925.

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Potanist Dear Potanist: Can I accept donations from my friends for the weed I grow? What’s the worst that could really happen if I do?

—The High Defiant Is it illegal? Yes. Will you get busted for it? Unlikely, but this hinges on many factors. Some choices can make you more or less likely to be busted, and some can make it worse for you if you ever are caught. Specifically, consider the quality of the friends you choose to “help” and how vocal they are in general, particularly about you and what you’re up to. The size of your grow operation can also weigh heavily in court. Being way over the legal limit is a no-no, leaving you at risk of incurring the full wrath of local law enforcement and/or the feds. Larger amounts of cash and quantities of cannabis exchanged will definitely leave you worse off than a gram or two. The worst-case scenario? Well, how does felony distribution sound? We’ve already covered in previous columns how you can’t take money for your herb in D.C. no matter what you personally call that money. If you have more than a pound of marijuana laying around and that’s your game, then that kind of charge is

I’m a triathlete so not smoking or vaping, and I have some friends that swear by tincture. I’m a bit apprehensive but think I’m ready. How is the effect different from edibles or smoking?

—The Numbing Man By definition a tincture is an alcohol solution, and in this case the alcohol has been infused with cannabis! Depending on how this exquisite elixir is ingested, it offers instant elevation or a slower release. When taken under the tongue (careful to check if dilution is required!), the effect can be virtually immediate. A single milliliter is a nice kick, but if you are new to this, take only a drop and hold under the tongue. Wait a few minutes to see ‘where this particular green dragon is flying, bruh…’ before adding another. If you add several or more milliliters to your favorite craft beer (you already knew that hops and cannabis are related, smarty pants!), the effects tend to be similar to munching a cookie. It’s slowly delivered and a less heady, more somatic experience. Without knowing who concocted the specific infusion you have, your best bet is to be patient.

—TP

Here’s an idea: Give your weed away for free and have your friend express gratitude by helping to pay your soaring electric bill.

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a real possibility. Here’s an idea: Give your weed away for free and have your friend express gratitude by helping to pay your soaring electric bill. I don’t know about you, but with with 12 plants, The Potanist’s is a few hundred bucks a month.

—The Potanist My nephew gave me a plant and I want to grow it outside on my patio. Is that going to get me into trouble?

—Auntie Em Jay Well, first of all, we’re already into the yearly autumn cannabis flowering period, so it probably won’t get any bigger before it starts producing flowers. I hope she is somewhat robust already.

In any case, if it’s not in plain view from public property, then you can go for it. Put her in the backyard or back patio in full sun where no one can see and legally you are in the clear. —TP

10 september 2, 2016 washingtoncitypaper.com

I’ve recently had a couple of friends get really sick from edibles. How do I make sure that doesn’t happen to me?

—The Hesitant Hippie Even The Potanist is wary of edibles. It’s far more difficult to manage the effects of anything once it’s inside your body, so always err on the side of caution. One cookie may be four servings! Unless you know the chef and they know your constitution, take a dose you imagine might be too small first, and gauge the effect. This is a complex topic that we will revisit because there are many factors, including what’s eaten up to an hour later! Until then, be safe out there.

—TP Email your burning questions to potanist@washcp.com.

Gear Prudence Gear Prudence: My friend and I were walking up to a Bikeshare station, where there were just two bikes left. When we got closer, I saw that there was a tourist standing in front of the kiosk slowly navigating the screens to get a bike. We’re both Bikeshare members and had our keys out and ready to go. My buddy said we should just take the last two bikes because we’re members, but I thought we shouldn’t since the tourist was already in the process of checking out. In the end, we didn’t take the bikes, but would it have been wrong if we did? —Must Everyone Mull Bikeshare Etiquette, Reasonableness Dear MEMBER: Probably. There’s both a text and a subtext here that GP will unpack.

The primary question is, when does the Bikeshare bike belong to you? Is it when you begin to go through the touchscreen at the kiosk, when you swipe your credit card, when you receive your code to unlock the bike, when you approach your selected bike, or when the bike is actually under your butt? GP is inclined to think that it’s much closer to when the process begins than when there’s actual possession. In that regard, your initial judgment was correct: One of the bikes “belonged” to the tourist. But the subtext of all this is the question of whether members with keys are more worthy of bikes than tourists. And the answer is no. Every Bikeshare user is equal and your key confers only convenience, not greater priority.

—GP Gear Prudence: I have noticed a preponderance of mopeds and motorized scooters in the bike lane lately. While I know the low-powered ones are legally allowed to do this, it still seems dangerous.

The riders also don’t seem to look out for bikes and weave in and out of the bike lane whimsically.

What are your thoughts on this scourge? Shouldn’t bike lanes just be for bikes?

—Motorized Or Pedal Equality Demanded?

Dear MOPED: First, the law. A motor on your two-wheeled apparatus doesn’t disqualify you from use of a bike lane, provided that you’re not riding a motorcycle, which D.C. law regards as anything with more than a 50cc engine or capable of traveling faster than 35 miles per hour.

As you rightly state, there are motorized vehicles that don’t meet these thresholds, and legally these are permitted in bike lanes. Should they be there? GP doesn’t know. Most bikes in the city aren’t going more than 15 miles per hour, and adding much faster traffic to the narrow strip of pavement that constitutes most bike lanes seems likes a recipe for trouble. At the same time, they’re not cars either, so if responsible moped riders are willing to accept that sometimes bicyclists might slow them down—and to behave accordingly in those cases—changing the law to ban them outright seems unnecessary. —GP Gear Prudence is Brian McEntee, who tweets @sharrowsDC. Got a question about bicycling?

Email gearprudence@washcp.com.

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I have been seeing sex workers for 30 years, and I shudder to think how shitty my life would have been without them. Some have become friends, but I’ve appreciated all of them. Negative stereotypes about guys like me are not fair, but sex work does have its problems. Some clients (including females) are difficult. These difficult clients aren’t typically violent; more often they’re inconsiderate and demanding. Clients need to understand that all people have limits and feelings, and money doesn’t change that. But what can we clients do to fight stupid, regressive, repressive laws that harm sex workers?

—Not A John You can speak up, NAJ. The current line from prohibitionists—people who want sex work to remain illegal—is that all women who sell sex are victims and all men who buy sex are monsters. But talk to actual sex workers and you hear about considerate, regular clients who are kind, respectful, and sometimes personally helpful in unexpected ways. (A sex worker friend had a regular client who was a dentist. He did some expensive dental work for my uninsured friend—and he did it for free, not for trade.) You also hear about clients who are threatening or violent—and how laws against sex work make it impossible for them to go to the police, making them more vulnerable, not less, to violence, exploitation, and abuse.

There is a large and growing sex workers’ rights movement, NAJ, which Emily Bazelon wrote about in a terrific cover story for the New York Times Magazine (“Should Prostitution Be a Crime?” May 5, 2016). Bazelon spoke with scores of sex workers active in the growing and increasingly effective decriminalization movement. Amnesty International recently called for the full decriminalization of sex work, joining Human Rights Watch, the World Health Organization, and other large, mainstream health and human rights groups.

But there’s something missing from the movement to decriminalize sex work: clients like you, NAJ. Maggie McNeill, a sex worker, activist, and writer, wrote a blistering piece on her blog (“The Honest Courtesan”) about a recent undercover police operation in Seattle. Scores of men seeking to hire sex workers—the men ranged from surgeons to bus drivers to journalists—were arrested and subjected to ritualized public humiliation designed to discourage other men from paying for sex.

“These crusades do nothing but hurt the most vulnerable individuals on both sides of the transaction,” McNeill wrote. “The only way to stop this [is for] all of you clients out there get off of your duffs and fight. Regular clients outnumber full-time whores by at least 60 to 1; gentlemen, I suggest you rethink your current silence, unless you want to be the next one with your name and picture splashed across

12 september 2, 2016 washingtoncitypaper.com

newspapers, TV screens and websites.”

The legal risks and social stigma attached to buying sex doubtless leave some clients feeling like they can’t speak up and join the fight, and the much-touted “Nordic Model” is upping the legal stakes for buyers of sex. (The Nordic Model makes buying sex illegal, not selling it. In theory, only clients are supposed to suffer, but in practice, the women are punished, too. Bazelon unpacks the harms of the Nordic Model in her story—please go read it.) But sex workers today, like gays and lesbians not too long ago, are coming out in ever-greater numbers to fight for their rights in the face of potentially dire legal and social consequences.

A father who pushes his son into a dress is just as abusive and unfit as one who forbids his son to wear a dress.

Clients need to join the fight—or perhaps I should say clients need to rejoin the fight.

In The Origins of Sex: A History of the First Sexual Revolution, which I read while I was away on vacation, author Faramerz Dabhoiwala writes about “Societies of Virtue” formed all over England in the late 17th century. Adulterers, fornicators, and Sabbath-breakers were persecuted by these groups, NAJ, but their campaigns against prostitutes were particularly vicious and indiscriminate. Women were thrown in jail or publicly whipped for the crime of having a “lewd” appearance. The persecution of streetwalkers, brothel owners, and women guilty of “[walking] quietly about the street” went on for decades.

Then a beautiful thing happened.

“In the spring of 1711, a drive against ‘loose women and their male followers’ in Covent Garden was foiled when ‘the constables were dreadfully maimed, and one mortally wounded, by ruffians aided by 40 soldiers of the guards, who entered into a combination to protect the women,’” Dabhoiwala writes. “On another occasion in the East End, a crowd of over a thousand seamen mobbed the local magistrates and forcibly released a group of convicted prostitutes being sent to a house of correction.”

Male followers of loose women, soldiers of the guard, mobs of seamen—not altruists, but likely clients of the women they fought to defend. And thanks to their efforts and the efforts of 18th-century sex workers who lawyered up, marched into court, and sued the pants off Society of Virtue members, by the middle of the 18th century, women could walk the streets

without being arrested or harassed—even women known to be prostitutes.

I’m not suggesting that today’s clients form mobs and attack prohibitionists, cops, prosecutors, and their enablers in the media. But clients can and should be out there speaking up in defense of sex workers and themselves. Sex workers are speaking up and fighting back— on Twitter and other social-media platforms, sometimes anonymously, but increasingly under their own names—and they’re staring down the stigma, the shame, and the law on their own. It’s time for their clients to join them in the fight.

—Dan Savage

I’m a 26-year-old gay male, and I like to explore my feminine side by wearing female clothes. I have a boyfriend who likes to do the same thing, but he doesn’t have the courage to tell his parents that he’s gay and explores his feminine side by wearing female clothes. I want to adopt early school-age boys and teach them that they can explore their feminine side by wearing female clothes. My question has two parts. First, in regard to my boyfriend, how can I encourage him to tell his parents he’s gay and wants to explore his feminine side by wearing female clothes? Second, in regard to adopting early school-age boys, how do I teach an early school-age boy that it’s OK for him to explore his feminine side by wearing female clothes and also teach him that he doesn’t have to be gay at the same time?

—Dressing A Future Together Wear whatever you like, DAFT, but please don’t adopt any children—boys or otherwise, early school-age or newborn, not now, probably not ever. Because a father who pushes his son into a dress is just as abusive and unfit as one who forbids his son to wear a dress. You two don’t need kids, DAFT, you need a therapist who can help your boyfriend with his issues and help you with yours (your extremely odd and potentially damaging ideas about parenting, not wearing female clothes).

Before I sign off: a big thank you to the Dan Savages who filled in for me while I was on vacation—Dan Savage, Orlando-based sportswriter; Dan Savage, London-based theatrical marketing executive; and Dan Savage, Brooklyn-based designer. You guys did a great job!

And here’s something clients of sex workers can do without going public: The Sex Workers Outreach Project (SWOP) is running a pilot program to help incarcerated sex workers.

Send a book to an imprisoned sex worker, become a pen pal, or make a donation by going to SWOPbehindbars.org and clicking on “10 Ways to Help Incarcerated Sex Workers.”

Non-clients are welcome to help, too! —DS Send your Savage Love questions to mail@savagelove.net.

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Darrow Montgomery

St. Elizabeths

14 september 2, 2016 washingtoncitypaper.com

Would-be assassin John Hinckley won release from St. Elizabeths. Fellow patient Franklin Frye died in custody after serving 45 years over a $20 necklace.

By Jim McElhatton On aug. 24, 1971, attorney James S. Dawson, III, wrote to a worried former client who was locked up at St Elizabeths Hospital amid a rampage that saw 18 mental patients go to jail for setting fires to couches, trashing offices, and smashing windows.

“I got you acquitted of your charges on the grounds of insanity,” Dawson wrote to Franklin Frye, who was accused of stealing a $20 necklace and wanted to know when he was finally going home. “Cooperate with your doctors and when you get well, you’ll get out,” the lawyer continued.

That was 45 years ago. Since then, thousands of people have been released from what is now a mostly vacant hospital for the mentally ill, as patient population rolls plummeted from more than 4,000 to less than 400. Among those most recently ordered free: St. Elizabeths’ most infamous patient, John Hinckley, Jr., who shot President Reagan in 1981 and was found not guilty by reason of insanity.

Scores of others simply walked away. Within months of Frye’s arrival in 1971, The Washington Evening Star reported that more than 100 patients were missing without leave, as hospital officials blamed unlocked doors and disinterested security guards. After a while, the escapees were simply dropped from the patient rolls.

But not Franklin Frye.

He died of cancer on May 11 after spending virtually his entire adult life inside St Eliz-

abeths, which was transferred from federal to city oversight in the mid-1980s. He was 70 years old. If he had pleaded guilty to the petty theft with which he was charged, he may have spent a few weeks in jail. Unlike inmates who know their sentences, the criminally insane are admitted indefinitely. And under the law, it doesn’t matter much what offense put Frye there in the first place—or that he insisted until the end that he didn’t steal the necklace.

“It’s not a fair world,” says Dr. Allen Frances, former chair of the psychiatric department at Duke University, comparing the starkly different outcomes in the Frye and Hinckley cases. “If someone has resources and external support, they get a very different deal than people who are poverty stricken.”

It’s impossible to say for sure whether paid counsel would have been able to secure Frye’s release, but surely his case would not have been so egregiously ignored by the court system. From 2008 to 2014, the U.S. District Court for the District of Columbia, which had oversight of Frye’s case, lost track of it, as a motion for his release sat on the docket of a dead judge before anyone finally noticed more than five years later.

U.S. District Court Chief Judge Beryl A. Howell tells City Paper the delay was “unacceptable.” Since learning of the lapses in Frye’s case, she says the District’s federal court has adopted measures to ensure motions don’t languish in old closed cases involving presid-

ing judges who are no longer on the bench.

Judge Howell, who was appointed two years after the Frye case resurfaced, says that she has ordered St. Elizabeths to provide annual reports, which she will personally inspect, on any patients whose closed cases come under the court’s review.

In addition, she says, the court has new procedures to identify and reopen any criminal cases in which a motion was filed on the docket of a judge no longer on the bench. She says one such case has been discovered so far.

“It helps me sleep better at night,” Judge Howell says of the changes.

But they didn’t come soon enough for Frye. While his motion sat ignored, his family watched as attorneys for Hinckley vigorously advocated for the would-be assassin’s expanding freedoms. Since 1991, there have been more than 600 docket entries in the Hinckley case, compared to fewer than 60 in Frye’s case.

“It’s so unfair,” says Frye’s niece, Jevon Holmes. “It’s like the case wasn’t important to anyone.”

Over the years, Holmes sometimes asked her uncle about Hinckley. “I’d ask him, ‘Do you know this guy?’ because I wanted to know.

And he said, ‘He’s on the same ward as me.

Of course, I knew him.’” Family members say Frye talked about playing cards with Hinckley and helping to look after the feral cats Hinckley took to feeding on the hospital grounds.

D.C. officials declined to answer specific questions about Frye or his care, including several his family raised both before and after his death, alleging abusive treatment over the years. “To respect his privacy and follow the law, we can’t discuss details of his medical treatment, but Mr. Frye received the best treatment available to help him recover,” Phyllis Jones, director of legislative and public affairs for the D.C. Department of Behavioral Health, wrote in an email.

Dr. Roger Peele, a former psychiatric department chief at St. Elizabeths who worked at the hospital from 1979 to 1995, says he has no recollection of Frye but doubts any concerted effort to keep him at the hospital.

“There are these reviews constantly taking place about whether patients needed to remain,” he says. “You wanted the people to get out. That was the goal.” Peele says the patient population has dropped from about 6,000 when he first arrived to fewer than 400 today.

“Today, hardly anybody stays that long.”

On Jan. 26, 1971, the crime roundup section of The Washington Post included the following among dozens of newly reported indictments: “Franklin H. Frye, 24, of 4926 11th St. NE, robbery in connection with the theft of $20.” The brief went on to name the victim.

A woman by the same name lives in a dingy apartment building about four hours outside of Washington. She doesn’t answer phone

washingtoncitypaper.com september 2, 2016 15

Courtesy of brother William Frye

Franklin HOpkins Frye was born on Jan. 31, 1946, the middle child of Mildred and William Frye.

As multiple family members tell the story, his father had just been fired from his job and was out drinking when a few friends teased him about how they had just been over to see Mildred—a ridiculous taunt, given that she had just given birth to Penny days earlier.

“My mother was a fine woman, a beautiful woman, and the guys would say, ‘Oh man, we just left your wife,’” Penelope says, recounting the family stories. “They were probably just teasing him because they knew they could and they knew it would bother him.”

Enraged and likely drunk, Penelope says, her father stood on the doorstep and shot a round through the door. Franklin, just a toddler, fell from his mother’s arms, hitting his head hard on the floor. As a baby, family members talked about how Franklin would be the smartest in the family, but they never talked that way again.

The court has sealed reports from St. Elizabeths, but a 2014 filing by the U.S. Attorney’s Office characterized Frye’s mental illness as “schizoaffective disorder, bipolar type” and, among other things, “borderline intellectual functioning.”

At Shaw Junior High School, Frye struggled.

“But they just passed him along,” his brother William says. At home, things went missing: watches, clocks and even television sets. Frye’s siblings say he wasn’t stealing, but just insatiably curious and perhaps compulsive about wanting to understand how things worked. He tinkered and took things apart, but struggled to put them back together again.

As a teenager, Frye moved in with his father. “She didn’t know what to do with him,” William says of his mother. “She sent him to live with my father, and it was a terrible mistake.” When his father’s watch went missing, the younger Frye was sent off to Cedar Knoll, a reform school where he lived for years, despite Mildred’s persistent attempts to win his release, Penelope says.

“My father just didn’t want to be bothered,”

The tattered old papers give no indication what, if anything, city officials said in response.

Franklin Frye as a child

One of the last photos of Franklin Frye

Courtesy of niece Jevon Holmes

calls to a number listed under her name. She doesn’t answer her door. She doesn’t respond to notes slipped underneath it and left with the apartment manager.

Yet, she is perhaps the only person alive who can say, with any certainty, whether Frye was even involved in the petty crime that resulted in a lifetime spent inside St. Elizabeths.

As Frye told anyone who would listen, he was hanging around a neighborhood friend named Squirt on the Mall with a few other guys, according to his sister, Penelope Campbell. Someone else grabbed a woman’s necklace and the crowd took off running—everyone except Frye.

“Maybe they ran and Frankie decided to take the blame,” she says. “But he would always tell me he didn’t do it.”

Older brother William Frye says his brother saw no need to run away. “He said, ‘I didn’t do anything to the lady, so why should I run?”

William says. “His whole life was ruined.”

William says. For years, he says, his mother tried to get Franklin out of Cedar Knoll. Indeed, among papers her family discovered after Mildred’s death is a Feb. 10, 1964, letter she wrote to the chief of the city’s child welfare department, pleading for Franklin’s release.

16 september 2, 2016 washingtoncitypaper.com

“I was not informed of the time and date of his trial and was thereby prevented from providing him with competent counsel,” she wrote.

“Furthermore, I have not yet been informed of the charge or charges for which he was imprisoned nor of the terms of his confinement.”

On June 10, 1971, the clinical director at St. Elizabeths informed Mildred via letter that her son was being held there by court order after being found not guilty by reason of insanity. Frye wrote to his lawyer for help. But Dawson told him he was no longer assigned to the case. Later, Frye had a string of public defenders assigned to look after his case for the rest of his life.

Within months of Frye’s arrival, riots broke out at St. Elizabeths, which at the time was under federal control. Soon, the hospital came under scrutiny from congressional auditors, who found patients waiting years to be released because of failed discharge planning.

As they languished, the patients grew “disillusioned and had begun to deteriorate in their behavior,” auditors found.

Penelope says the early visits to see Frye left her with little to do but watch her overmedicated brother “walking around like a zombie pissing on himself. … They didn’t want to hear anything he had to say.”

Frye’s court files described a pattern of onagain, off-again troubling behavior over the years, including a failure to follow hospital rules, which his siblings insist he never exhibited to such a degree until he got to St. Elizabeths. A 2001 attempt to release him ended after a few months because of what one memo described as a “rapid deterioration” in Frye’s mental capacity.

Among the documents in Frye’s case files was a government attorney expressing concern that he denied his mental illness and said he would not take any medication if he was released.

“In summary, defendant’s inability to comply with hospital rules and prescribed medication has resulted in his extended confinement,” the attorney wrote.

Franklin’s last mOntHs were spent being shuttled between St. Elizabeths and hospital rooms for cancer treatment. “I started praying to God when he got sick to take him away,” Penelope says. “He was miserable over there.

He’d cry and say, ‘I don’t have no business being over here.’”

On occasional day trips to see family, Franklin loved to dance, sing, and dress nicely. At Thanksgiving, he needed the help of a wheelchair, was noticeably gaunt, and hardly talked.

“He wasn’t the same,” Holmes says. “I’m not sure if he thought we were looking at him different. Some people shun you when their health is declining because they don’t want the family to see them that way.”

A few weeks after Franklin’s death, some of the patients joined his family to hold a ceremony at the hospital. One patient sang a song he wrote for Franklin. Months later, sitting in his backyard, William still recalls the lyrics.

“He said, ‘In this life, the wind blows. Sometimes it goes into the valleys, and the wind blows. Sometimes it goes to the mountains,

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A song written by Franklin Frye and the wind blows. But sometimes, it blows into trouble, and yet the wind still blows.’”

“And then he said, ‘The wind has blown and now he has gone away, because the wind has blown.’”

Frye’s Family believes spending all those years inside St. Elizabeths made him sicker, effectively trapping him, because it became impossible for him to show the improvements necessary to be released in the first place.

“You’re in a situation where you’re being told constantly what to do, and that for me, even after a few weeks, I would be disturbed,” says Mary Nell Clark, an attorney for Disability Rights DC, a nonprofit that monitors the hospital. “That’s what institutional living does, and that’s why we try so hard to get people into the community to receive services there.”

Frye’s family members say he wasn’t spared abuse over the years. Penelope recalls Franklin being shoved once by someone upset about how his new shoes left scuff marks on the cafeteria floor. He tumbled on the jagged metal edge of a garbage can, she says. Eventually, he’d lost 75 pounds and nearly died of blood poisoning, she adds.

Franklin had hope that he could spend the last years of his life outside of the hospital. It seemed more than possible when the D.C. Public Defender’s Service filed a motion for his release in April 2008. But then it took more than five years to be transferred from the docket of Judge John Garrett Penn, who died in 2009.

The D.C. Public Defender’s office did not respond to inquiries about Frye’s case, and most of the lawyers working on it over the years have since left. William Miller, spokesman for the U.S. Attorney’s Office in Washington, says the office entered into a consent order for Frye’s release to a nursing home based on his “significant physical and mental deterioration.”

“The fact that he died before his placement is unfortunate, and our condolences go out to his family,” Miller says.

Ironically, in death, the court system was far more efficient in handling Frye’s case.

Five days after he died on May 11, 2016, the proceedings of United States v. Franklin Frye were closed.

CP Email Jim McElhatton at jimmcelhat@gmail. com.

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Visit lisner.gwu.edu or call 202.994.6800 for more information or to purchase tickets. /GWLISNER

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washingtoncitypaper.com september 2, 2016 17

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Dine Dance Revolution

The 14th Street Corridor is flooded with spots trying to blend club with cuisine.

MeMories of Meals at Masa 14 are a little hazy for most Washingtonians. Especially for those who visited on Tuesdays, when allnight happy hour pricing meant swilling vodka-spiked strawberry lemonades in the downstairs bar before texting both exes to see who would show up on the roof for a little grind time (raises hand). Or, maybe it was the bottomless brunch that led to hazy recollections and Netflix-and-nap (raises hand).

But now, some diners are making new, and unexpected memories, at Masa 14, one of 14th Street’s first nightlife hubs. Instead of typical club grub, they’re delighting in foie gras and black truffles on house brioche, and later, dry-aged dairy cow with chanterelles and huckleberries. These dishes fly out of Chef Ryan Ratino’s kitchen and land with grace— and the occasional liquid nitrogen cloud— in front of diners at the chef ’s counter that launched in May. The 26-year-old’s resume includes stints at Michelin-starred Big Apple restaurants Caviar Russe and WD-50, plus a term as executive chef at Virginia’s L’Auberge Provencale.

At $80 per person for about 10 courses ($125 with wine), D.C. diners hungering for a meal that’s both artful and technically impressive should be lining up to try it, but they’re not.

“It’s tough,” Ratino says. “Masa’s not known for something like that. We’re getting bookings, but only here and there.”

What’s stifling success, both in terms of reservations and nods of enthusiasm from the press, is Masa 14’s reputation as a nightlife establishment—the kind where drinks flow and food is regarded as merely sustenance, not something to be savored. “I think the people who do come have an amazing time and find it super odd that we have this,” Ratino says.

“That’s what I feel like is the hardest part, opening people’s minds up that something else is in the building that’s unlike anything offered before.”

Masa 14 Partner Kaz Okochi admits that when the restaurant opened they had a young crowd in mind, one that likes to stay out late.

Okochi’s instincts were right, and the par-

Young & hungrY

ty crowd came in huge numbers. “Of course, we’re happy it was bringing in money, but still our focus is on the food.” Over the years, interest in the kitchen got lost, and Okochi says they have to work hard to change perception.

Other restaurants face the same problem.

Once booze and a bumping atmosphere are the bigger draw, it’s more difficult to sell the food as serious. “I remember Lima, the chef was really good and I told a lot of people they serve great food, but a lot of people didn’t think it was a restaurant,” Okochi says of Lima Lounge & Fujimar Restaurant, which shuttered in January 2015.

With rising rents and growing competition, it’s obvious why a restaurant might want to embrace its lounge side, stay open later, and host a DJ: There’s a higher profit margin on alcohol, and people demand places to party. Just look at the lines snaking around the block for Marvin and Provision No. 14 long after the last canoodling couple finishes a meal. But can clubs and reputable cuisine coexist?

Yes, says Washingtonian magazine food critic Ann Limpert. “I’m in search of really good food wherever it is,” she says. “That goes for every type of place, whether it’s for a gas station or a club.”

But execution matters. Limpert describes a meal at Bar Pilar—another 14th Street spot popular with the drinking crowd where Chef Jesse Miller helms the kitchen. “We had an 8:30 dinner, and at 10 a DJ sets up and starts playing Ja Rule and J. Lo,” she says. “We were eating our brisket for two, and it was so incongruous—I expected that downstairs but not upstairs.”

Comparatively, Marvin and Provision No. 14 in the same neighborhood execute the dining and dancing dichotomy well because the spaces for each are separate. “We never have to ask people to leave or drop the disco ball on them,” says Marvin general manager Justin Marshall. The spaces share one entrance, but the doorman has a list of the restaurant’s reservations, and diners can cut the line to reach their tables.

Same goes for Provision No. 14, with its downstairs dining room and DJ-fueled upstairs lounge that has a separate sound system. As a perk, servers invite dinner guests to

Chef Ryan Ratino plates at Masa 14.

Laura Hayes

By Laura Hayes

use the back stairs to access the upstairs area, giving them first dibs.

When Mike Bramson was preparing to open Provision No. 14 with his Social Restaurant Group partners, he was warned that a dual concept can be tough. “We were told it’s hard to pull off, to have a solid culinary program and have that nightlife,” Bramson says. “I’ve seen it be successful overseas, so I wanted to attempt it.” He feels they are satisfying customers in the kitchen and upstairs.

Like Masa 14, both Marvin and Provision No. 14 have made recent chef hires to bring more attention to the dining room. Chef Angel Franco, formerly of Compass Rose, minibar, and Maketto, is consulting on Marvin’s menu while Provision No. 14 just hired new chef de cuisine Jacob Williams.

But it’s not easy for clubby restaurants to attract chefs with clout, says nightclub partnerturned-restaurateur Reese Gardner, who’s behind Copperwood Tavern, Orange Anchor, and others. He says restaurants have a better shot at longevity when they’re focused on the food. It’s about balance and finding a way for concepts to complement each other, which remains difficult.

“I know a lot of chefs, and none of them want to work in a place that has a DJ booth,” he says. “The customers don’t appreciate them, they don’t take it seriously, and when you do dancing and stand-up drinking, it’s very tough on the venue.”

CP Eatery tips? Food pursuits? Send suggestions to lhayes@washingtoncitypaper.com.

washingtoncitypaper.com september 2, 2016 19

DCFEED Grazer

what we ate this week: Bomboloni Sardinian ricotta doughnuts with tiramisu gelato and salted caramel, $16, Fiola Mare.

Satisfaction level: 5 out of 5. what we’ll eat next week: Ground duck mousaka with potatoes, eggplant, kefalotyri cheese, and duck stock reduction, $25, Mourayo. Excitement level: 3 out of 5

United Swill of America A toast to David Chang!

The District is currently awash in myriad macro brews and regional expressions—AKA the shitty beers Momofuku CCDC founder David Chang famously can’t stop (won’t stop?) guzzling. And he’s not alone. Local tastemakers occasionally still wrap their well-trained lips around old —Warren Rojas

favorites. Here’s what they love, and what they don’t.

Derek Brown, owner/operator of Columbia Room, Eat the Rich, Mockingbird Hill, The Passenger, and Southern Efficiency Yea: My “cheap, watery swill” is Bud Light. I truly love it.

Nay: I don’t really like PBR. Sorry, hipsters.

Greg Engert, beer director/brewer at Neighborhood Restaurant Group Yea: Just this past weekend, as a groomsman slated for a later speech in an Upstate [New York] wedding, I gladly tapped, cracked, and sipped ice cold cans of Utica Club.

Nay: My earliest drinking involved one of the old-school classics—Genesee Cream Ale—and this undoubtedly encouraged my desire for something more when it came to American beer.

Patrick Mullane, co-founder/vice president at Hellbender Brewing Company Yea: My go-to cheap-ass beer is Miller High Life. I spent a few years moonlighting in the kitchen at the old Toledo Lounge in Adams Morgan. The kitchen was 110 degrees and the servers would bring me a cold bottle of High Life towards the end of the night.

Nay: Straight Budweiser—A.K.A. Bud Heavy.

It’s sickly sweet and sits in my stomach like a rock. One can will end my night.

Michael Saccone, general manager of Hank’s on the Hill and Twisted Horn Yea: High Life has always been and always will be my go-to cheap beer of choice. I’ve always found it to be super light and crisp and refreshing.

Nay: Bud Light, which I absolutely despise.

Jon Taub, chef/owner of Bub and Pop’s Yea: Steel Reserve 211— cheap and gets you where you’re trying to get to.

Nay: Steel Reserve—it already deleted five years of my life.

Tony Tomelden, owner/ operator of The Pug and Brookland’s Finest Yea: I’m a whiskey guy 99 percent of the time. If I have to drink a beer, it’s generally Coors Light.

Nay: Not really any specific one I refuse to drink.

Rob Weland, chef/owner of Garrison Yea: I drank a lot of Schaefer back in the day growing up in New Jersey. Cheap and cold!

Nay: Milwaukee’s Best— the Beast. That’s just terrible beer.

Want to try some nostalgic shitty beer? Head here: Miller High Life— Milwaukee, Wis. The self-proclaimed “champagne of beers” has been fueling benders since 1903. Pound one at Molly Malone’s or Twisted Horn.

Narragansett Lager— Providence, R.I. A blast from the past for suds=sipping New Englanders.

Pound one at Boundary Stone or Luke’s Lobster.

20 september 2, 2016 washingtoncitypaper.com

National Bohemian— Baltimore, Md. Natty Boh was Charm City’s claim to adult beverage fame before The Brewer’s Art upped the ante.

Pound one at Eat the Rich or The Pug.

Pabst Blue Ribbon— Milwaukee, Wis. A private equity firm absorbed the onetime dive bar staple in 2014. Pound one at The Big Hunt or Hill Country.

Yuengling Lager— Pottsville, Pa. The oldest continuously operating brewery in America has been cranking out thirst quenchers for nearly two centuries.

Pound one at Black Jack or Clyde’s.

UnderServed The best cocktail you’re not ordering

What: Transfigurations, with black limeinfused Dolin Blanc Vermouth, Neisson Rhum Agricole, and dry Curaçao, garnished with grated black lime.

Where: Hazel, 808 V St. NW; (202) 8474980; hazelrestaurant.com Price: $11 What You Should Be Drinking: Black limes—which lose their water after drying out in the sun—are prized in Middle Eastern cuisine for their sour, smoky, and earthy flavor. Chef Rob Rubba uses them in both a crudo dish and a cheesecake dessert. When Neighborhood Restaurant Group operations director Peter Koll sought to incorporate a kitchen ingredient into the botanical, aperitif-heavy list, the black lime made sense. “We played around with a few different things like kaffir lime and Thai basil, but ultimately black lime really stood out,” he says. The fruit, purchased in Union Market, is smashed, added to the vermouth, refrigerated, and allowed to steep for about two days—just long enough to add bitterness. It’s then stirred with Neisson Rhum Agricole and dry Curaçao, strained, and garnished with grated black lime. Like other drinks on the cocktail menu, the name is a hat tip to Star Trek: The Next Generation.

Why You Should Be Drinking It: Citrus-forward cocktails can come across as one-note, but not so when they incorporate something as unexpected as the Persian culinary staple. “It’s super clean and really lets the complexity of the black lime show through without the bitterness,” Koll says. Infusing the fruit in delicate blanc vermouth offsets the tartness, and Rhum agricole gives it a vegetal component that matches the limes’ earthiness and fermented funkiness.

Dried peels from the laraha, a Valencia orange-like fruit that’s distilled into dry Curaçao liqueur, augment the drink’s citrus taste. “Once people get it, they’re really surprised with how delicate it is and how good it is as a start to their meal,” Koll says. The best pairing might just be that aforementioned black lime-topped hamachi crudo, served with crispy rice, radish, hibiscus, and smoked yogurt.

—Kelly Magyarics

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Witness the BEST Mind-Magic show in DC with TV Mentalist Alain Nu, The Man Who Knows! This show is presented at the Trinidad Theatre at the Logan Fringe Arts Space, run by the Washington, DC non-profit Capital Fringe.

Thursday @ 8:30pm TickeTs - $20 Trinidad Theatre - Logan Fringe Arts Space 1358 Florida Ave NE 20002

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After months of delays, Joe’s Record Paradise finally opens new location. washingtoncitypaper.com/arts

Salute Their Shorts A Done Deal

Let’s hear it for brevity. In a time when most movies—especially summer blockbusters—rarely clock in at less than two hours, it’s not hard to have a deep appreciation for the art of the short film. Introduce characters, plot, and wrap it all up in less than 20 minutes. DC Shorts gets this, and that’s why—now in its 13th year—it’s one of D.C.’s most celebrated film festivals. And this year is no exception.

City Paper’s critics previewed samplings of each showcase, and below you’ll find our (short, because we, too, celebrate brevity) reviews of the good, the bad, and the downright weird in this year’s festival. —Matt Cohen

It was damp, dark and smelled like wood: Odysseus and his men await inside the Trojan Horse for their famous ambush, but their conversations are more Seinfeldian than bellicose. Oh, and the dialogue is in German, which adds to the hushed nuttiness of it all.

(Side note: Alec Baldwin should do a comedic reboot of The Hunt For Red October.)

and a Romani trailer park is really a small story about power—and how the young clumsily absorb its lessons.

My Aleppo: An observational documentary about a Syrian family that has resettled in South Africa. They grapple with their decision to flee, as every Skype conversation with people back home is freighted with worry. The camera doesn’t capture much, but the film becomes an intimate portrait of dread and guilt.

SHOWCASE 5: SHIFTING PERSPECTIVES

SHOWCASE 3: WAR AND PEACE

Mine: What happens when two people grow old together and then stroll into a restricted wooded area, looking for a long-buried item?

Grim and unfunny things—and a ham-handed metaphor or two.

film

By Joe Warminsky Conversations are the key to Showcase 3, serving as a reminder that conflict often comes with a huge side-helping of talk—some of it mundane, some of it loaded. The climax of Patriot stings, and a brief rumination on jihad (in the broadest sense) makes My Aleppo resonate.

Patriot: Xenophobia and sexism are front and center for an English girl with a politically active father. But what plays out in a wheat field

Showcase 3 screens Friday, Sept. 9 at 6:30 p.m. and Sunday, Sept. 11 at 7:30 p.m. at Landmark’s E Street Cinema.

By Tricia Olszewski If there’s any theme to DC Shorts’ Showcase 5, it’s that youth is wasted on the young. Two shorts have boys (On the Roof ) and girls (Balcony) acting dumb, with potentially serious consequences. In Youth, meanwhile, a longmarried couple’s determination to recapture the titular bloom is derailed. Other entries range from pointless to sublime, with most falling somewhere in between. Its best entry, however, makes this showcase worth the price of admission alone.

Harder Not Smarter: This 46-second animated film wouldn’t be so puzzling if not for

its title, which has little to do what goes on: An ER employee pretends he’s a doctor and offers split-second diagnoses. He’s neither working harder nor smarter, just idiotically.

DCDC: A doc about the DC Downhill Club, a group of guys who search for neglected Districtarea swimming pools in which to skate. These dudes aren’t Lords of Dogtown trespassers, instead going up to the doors of houses with unfilled pools and offering the homeowners, say, a bit of yard work in exchange for the right to clean up the pool and rock their ’boards. It’s win-win for all involved, and makes for a winning documentary as well.

Frogman: This film is told from the perspective of an adult son whose father was a “frogman,” or the equivalent of a Navy SEAL before there was such a thing. He then became a spy, leaving behind his family in mystery as he’d suddenly vanish for an unknown length of time or speak a code word to have his team show up at the door.

The frogman’s wife claims that she still doesn’t know the particulars of her late husband’s job, which makes the documentary both intriguing

washingtoncitypaper.com september 2, 2016 23

CPArts and somewhat frustrating.

Mine

Balcony: A British schoolgirl tries to do good, protecting and befriending an Afghan classmate who never socializes and is regularly mocked. But then she does something stupid that has fatal consequences. The themes expand beyond being an outsider to sexual abuse and how different kids respond to it—which gives this film some weight, but not enough to compensate for the melodrama.

Fragile Storm: The standout of the group, this film packs a lot of power into its nearly 10 minutes. A young woman is apparently held captive by a man in the beginning of his senior years. He’s alternately gruff and tender with her, but all she wants to do is escape. The twist is brilliant and heartbreaking, and its message will resonate long after its ending.

On the Roof: Even in the Middle East, boys will be boys. But these boys are of the dangerous, dare-provoking variety, bullying the weakest or the different among the group.

One of the bullied has a revelation when he’s almost killed pulling a stunt, and it’s one that finally gives him the sense of freedom to be himself. It’s applaudable.

The Quantum Lighter: An unbelievable premise makes for an unsatisfactory film, culminating with you wishing as much ill on one of the main characters as the woman who walks out on him.

Youth: Another heartache, though with less force than Fragile Grace. A senior couple saves money to undergo procedures that will extend their lives. But after the wife’s is successful, the man finds out it will be more difficult for him.

His decision is a slightly pulled gut-punch, but affecting nonetheless.

Showcase 5 screens Friday, Sept. 9 at 9 p.m., Monday, Sept. 12 at 5 p.m., and Wednesday, Sept. 14 at 9 p.m. at Landmark’s E Street Cinema.

SHOWCASE 7: EXPRESS YOURSELF

By Casey Embert Showcase 7 uncovers a myriad of emotional experiences, ranging from loaded conversations to hilarious displays of rebellion.

With a gasp-inducing ending, A Done Deal proves to be the highlight of the showcase, but you won’t leave without a few chuckles and adorable “awws” provided by the other films.

A Done Deal: Remy, a high-strung hitman for a small-town mobster, is sent to kill Fernand, an older, lackadaisical associate, because he talks too much. But a cringe-worthy “Who’s

On First”-type misunderstanding about Star Wars and Star Trek derails Remy’s explicit plan to send Fernand to sleep with the fishes. What transpires is a grim story that morphs into a hilarious dark comedy.

Air-Mail: Whimsical, paper-like animation creates an adorable story in which a simple girl falls in love with a macho boxer she could only dream of meeting. But her pesky black cat, perhaps sensing the woman’s palpable yearning, captures the boxer’s innocent goldfish as well as a bird made out of love letters to connect the two would-be lovers. It all proves that maybe cats are a girl’s best friend.

Buck: Pack your bags! We’re goin’ on a guilt trip! A hungover, teenage DJ is dragged out of bed early in the morning and forced to go hunting with his father. Dad lays on the typical parental guilt when he tells his son that hunting is the way of life and partying isn’t going to get him anywhere. Yes, we’ve heard it all before. The son rolls his eyes into oblivion but unwittingly makes right with his father by the end of the film. Still, we get it already: Parents just don’t understand.

The Real American: Alya, a Russian exchange student, faces a multitude of strange cultural barriers as she celebrates her 17th birthday with her American host family—a judgmental wanna-be mother figure and a super creepy “American Dad”—along with a snooty group of Rotary Club members. Alya proves to be the heroine of the film as she throws her middle fingers up at the cultural divide and shows her-

24 september 2, 2016 washingtoncitypaper.com

self to be more genuine—and American—than any of these assholes.

Sing For Your Supper: An idiom comes to life in this short film directed by Mu Son, in which a man with laryngitis struggles to acquire a decent meal in a totalitarian society where the quality of one’s food depends on their ability to actually sing for it. The man’s bleak future takes a saccharine sweet twist when he meets a charming rebel with a cause, and love—or just a good ol’ song and dance—saves the day.

Bursting at the seams with optimism, it feels like a really long commercial for something wholesome, like Campbell’s Soup or Kraft Singles.

Showcase 7 screens Saturday, Sept. 10 at 2 p.m. and Monday, Sept. 12 at 7 p.m. at Landmark’s E Street Cinema.

SHOWCASE 11: VIVA HISPANICA

By Noah Gittell Showcase 11 is dedicated to Latin cinema, but its best films focus on strong and soulful women. From singers to wrestlers to maids, these women are pushing back against the status quo and fighting for their claim on love, dignity, or even the right to earn a living. In the process, they claim our imagination, too.

Soy Cubana: This 16-minute documentary about the Vocal Vidas—an all-female, a capella quartet in Santiago de Cuba—accomplishes a lot in its short runtime. It showcases the group’s unique sound (part Cuban, part black

gospel, with a bit of Bobby McFerrin), illuminates the lives and dreams of each of its members, and even makes a political case for art itself. “A people without culture is easily dominated by other forces.”

Luchadora: In Mexico, Lucha Libre wrestling is the second-most popular sport, trailing only soccer. Luchadora is an engaging portrait of Luna Magica—female wrestler and single mom—and how a culture often characterized by machismo has reacted to the presence of a strong, famous, and powerful woman.

Breakfast with Tiffany: A sweet, young man wakes up early to carry out a secret mission: breakfast in bed for the beauty sleeping at his side. This film is split into two: The first half is a bumbling romantic comedy, but it reaches a sad, startling conclusion as we come to grips with who the woman is and how they ended up together. Engaging but manipulative.

Eden Hostel: A comedy narrated by a porcelain Virgin Mary hanging on the wall of a brothel, Eden Hostel is compelling but too cutesy to be really effective. Ultimately, it tries to do too much, mixing a predictable mismatched romance with some trite human truths. Well told, but not worth the telling.

Rosa: Easily the stand-out of the group, Rosa explores the dichotomous existence of the housemaid with nuance and passion. The eponymous character cleans the home of a beautiful, wealthy young couple, and has an unshakeable bond with their young son. When things go wrong—as they

do, tragically, in the second half—she is carelessly shoved aside. Gripping and haunting.

La Cueva Sagrada (The Holy Caves): A cloying high school comedy, The Holy Caves is the story of an unpopular teenager who starts a sex hotel in his father’s house in order to win the girl of his dreams. You got that? Me neither.

The film is almost offensively stupid, but it is cut together with confidence and style. If only that were enough.

Showcase 11 screens Saturday, Sept. 10 at 7 p.m., Tuesday, Sept. 13 at 9 p.m., and Thursday, Sept. 15 at 5 p.m. at Landmark’s E Street Cinema.

SHOWCASE 12: THE PRICE OF FAME

By Alan Zilberman Everyone will be famous for 15 minutes, but that doesn’t mean that everyone should. Fame is a fickle mistress, as these shorts can attest, and while some of them only deign to explore cliches, others are genuinely inspired.

Bullet: This is a documentary about David “The Bullet” Smith, a human cannonball who comes from a family of other human cannonpersons. It’s nostalgic, well-photographed, and concise enough to get its point across.

An Average Story: A government economist discovers “The Most Average Man in Israel,” who eventually exploits the title for financial gain. Any worthwhile statistician would tell you that an average measures central tendency, so individual data points are irrelevant. The short is wry and funny, but its premise gets a failing grade.

Enfant Terrible: Idiots at an art gallery accidentally destroy an artist’s installation, which is literal trash. This is a dark comedy, full of energy and cynicism, even if going after modern art is low-hanging fruit.

I Used to Be Famous: This is a short fable about a washed-up boy band star, and how he struggles to connect with an audience. Many shorts strive to be moving, but this one actually gets there since the hero starts as a believably self-absorbed asshole. Shocker! He does not end up that way.

Rate Me: This is the best short from the two showcases I’ve seen. It takes an online call girl service, and literally adapts 12 reviews of the same young woman. The ratings range from sincere insight into violent misogynistic fantasies, all the while the young woman remains silent. This is a shocking, inventive look at male entitlement.

Somebody Else: The Manic Pixie Dream Girl trope finally finds its way to mainland China. This

might have been moving to the young man who wrote it, but it’s instantly forgettable to his audience—hence the unintentionally ironic title.

Showcase 12 screens Saturday, Sept. 10 at 7:30 p.m., Tuesday, Sept. 13 at 5 p.m., and Thursday, Sept. 13 at 5 p.m. at Landmark’s E Street Cinema.

SHOWCASE 13: CAREFUL WHAT YOU WISH FOR

By Margaret Carrigan The magical-realist Zero M2 stands out in Showcase 13, which, as a whole, promises plenty of cringe-worthy moments, both comical and dramatic. Other notables include the simple and poignant 40 Aniversario and the visually poetic Boy-Razor.

40 Aniversario (40th Anniversary): Over an endearing home-cooked anniversary breakfast, a couple celebrates their marriage by revealing what they’ve hidden from each other for 40 years. Director J. Enrique Sánchez keeps the film’s cinematography simple as the entire narrative plays out calmly around the table, which only highlights the increasing absurdity of the pair’s confessions.

Boy Razor: On a hot summer day at a water park, a young boy seeks revenge on his bullies.

Director Peter Pontikis keys up the story’s suspense well with minimal dialogue, and the film reminds us that being the bigger person is rarely painless.

Red Rover: A teenage couple flees their fundamentalist family preparing for Doomsday only to discover the end is truly nigh. The film strikes an eerie tenor, but is ultimately just a trite teen romance about sentimentalism and unmet expectations.

Sundae: A mother bribes her son with the promise of a sundae to find her husband’s mistress. Unfortunately, kids will say anything to get ice cream, resulting in a botched sneak attack on the Other Woman. Simple and darkly funny.

Zero M2 (Zero Square Meters): Broke and discouraged, a student seeks an affordable apartment in overcrowded Paris. He finds a great deal on a studio, but soon realizes it’s too good to be true as the landlord increasingly sizes down the space due to a loophole in the lease. Director Mat Landour skillfully toes the line of moody, magical, and mirthful.

PRESENTS

LABOR DAY WEEKEND

Music Festival HISTORIC LINCOLN THEATRE 1215 U Street NW, Washington DC

SEPTEMBER 2 – 4, 2016 THREE NIGHTS OF MUSIC Free Tickets. Featuring jazz, blues, rock, funk, Go Go, Americana and more.

For more information and performance listings: www.dcarts.dc.gov • 202-724-5613

Showcase 13 screens Saturday, Sept. 10 at 9:30 p.m., Tuesday, Sept. 13 at 5 p.m., and Thursday, Sept. 15 at 9 p.m. at Landmark’s E Street Cinema.

For much more coverage of DC Shorts, visit washingtoncitypaper.com/arts. washingtoncitypaper.com september 2, 2016 25

Film

Built to Thrill

Hans Petter Moland’s latest jocks Tarantino in the most shameless ways, while the co-writer of one of last year’s best foreign-language films delivers an astonishingly mediocre thriller.

Disorder

In Order of Disappearance

In Order of Disappearance Directed by Hans Petter Moland

Disorder

Directed by Alice Winocour

By Tricia Olszewski A gentle Norwegian snowplow operator goes berserk in Hans Petter Moland’s In Order of Disappearance. If you’re thinking that it’s because of the abundance of the white stuff in the small town of Tyos, you’re technically right—it’s just not the kind of white stuff that you need cleared from your driveway.

Nils (Stellan Skarsgård) has just won Citizen of the Year for his dedication to keeping his neighborhood’s roads passable. He’s somewhat uncomfortable about being honored for “something you enjoy doing.” But he gives a short speech anyway and enjoys the evening out with his wife, not knowing that it would be his last peaceful one for some time: The next day, the couple is told that their son is dead, killed by a drug overdose. “Ingvar was no drug addict,” Nils tells a cop. He’s convinced that his kid was murdered. And thus the titular disappearing begins.

Moland’s film is like the inverse of his 2010 offering, A Somewhat Gentle Man, also starring Skarsgård. (Kim Fupz Aakeson penned both.) In that story, Skarsgård played a gangster freshly released from jail, no longer in-

terested in violence and wanting to patch things up with his son, who tells people his father is dead. Here, his Nils is equally stoic, but his desire to inflict harm on others suddenly skyrockets.

As Nils gets one name after another—each going up the chain of drug-dealer command— he goes full Death Wish, doing so with such remarkable ease that it’s necessary to seriously suspend disbelief. (Before his killing spree starts, Nils seems intent on offing himself, but it’s a fleeting moment that never resurfaces.)

His choice of victims—specifically, well, the order of their disappearance—unintentionally escalates a gangster war between a Norwegian cartel led by the Count (Pål Sverre Hagen) and an “Albanian” one led by Papa (Bruno Ganz).

One of the Count’s henchmen must constantly correct him: “They’re Serbs.”

It’s a running joke in this Tarantino imitation, along with snickers about Nils’ last name (Dickman) and philosophical theorizing about, for instance, how warm-weather countries don’t have welfare. The black humor isn’t front and center, though, which results in the jokes sometimes hitting awkwardly amid the brutal, bloody violence.

Nils himself disappears for a while as Moland chooses to focus on the true gangsters, and his wife is out of the picture as soon as the bloodletting begins. There are so many ne’erdo-wells stuffed into the film that they get confusing; Papa and his crew are late-chapter introductions, for one, and the faces become

26 september 2, 2016 washingtoncitypaper.com

so interchangeable that an odd sub-sub-plot about two thugs who are having an affair gets lost entirely.

Moland somewhat humorlessly marks each death with black screens serving as grave markers, each adorned with a cross (or star of David) and the full names of the deceased. But neither the humor nor the drama are strong enough not to feel derivative. Even Tarantino’s go-to surf music is dispatched occasionally. Moland may have included it to pay homage, but it only serves to remind you that you’re watching a lesser movie than Pulp Fiction.

DisorDer’s protagonist is also involved in a war—but it’s one that’s going on mostly in his head. Vincent (Matthias Schoenaerts, Rust and Bone) is on leave from the military for PTSD. Despite what his doctor tells him, he’s convinced he’ll be leaving on another tour soon. In the meantime, though, he takes a security job watching over the guests of a highprofile party at a lavish Lebanese businessman’s home.

The next morning, a buddy who also worked the party tells Vincent that the host is looking for someone to look after his wife, Jessie (Diane Kruger), and son while he goes on a short business trip. So Vincent stays on—partly out of boredom, partly for the money, and partly because he’s a little taken with the elegant blond missus. Who cares if he’s paranoid? After all, it’s not paranoia if they’re really out to get you.

Director and co-writer Alice Winocour has fashioned a thriller that’s efficient but largely unimaginative, which is surprising considering that her previous writing credit was Mustang, arguably last year’s best foreignlanguage film. (Her collaborator here is JeanStéphane Bron.) It’s not long before the wife and kid are followed and attacked—while with Vincent—and the reason isn’t terribly compelling. Nor is what the thugs are after, actually.

Sure, your pulse quickens a little when the bad men show up. But the fact that the young son never even cries is telling.

Besides the serviceable acting by Kruger and Schoenaerts, the best aspect of Disorder is the sound. From the tinnitus that rings Vincent’s ears to the Hans Zimmer-by-way-ofHitchcock score, what you hear is often more exciting than what you see. Streamlining a film to cut out the fluff can be a great thing; editing it till its bones show, however, is obviously less than ideal. The final scene is, admittedly, a bit shiver-inducing, suggesting that Winocour’s instincts were at least in the right place. But if the last 30 seconds of a movie is all that your audience remembers, perhaps next time you should be a bit more paranoid about whether what you’re committing to screen is truly worthwhile.

CP In Order of Disappearance opens Friday at Landmark E Street Cinema.

Disorder opens Friday at the Angelika Pop-Up.

galleries

Point of Skew

Michael Joo’s large-scale works are a grand gesture that doesn’t quite feel right in the Sackler Gallery’s awkward space.

“Perspectives: Michael Joo”

At the Arthur M. Sackler Gallery to July 9, 2017.

By Kriston Capps Michael Joo’s proJect at the Arthur M. Sackler Gallery is hard to see in context. His work, the latest in the museum’s splendid “Perspectives” series of Asian contemporary art installations, occupies the museum’s pavilion, same as the others in the series. Spacious and filled with light, the lobby pavilion is easily the best gallery the museum has to offer. But Joo’s piece is far more delicate and asks much more from its surroundings than other “Perspectives” shows. Maybe no space is quite up to the task.

Joo’s “Perspectives” exhibit includes a tapestry and a mobile. Both objects take as their subjects the Korean red-crowned cranes, which migrate through the vast no man’s land between North and South Korea known as the Demilitarized Zone. Joo used silver nitrate and 3D scans of dead cranes from the Smithsonian’s National Museum of Natural History collection to create an abstraction—a tapestry of a sort, or perhaps a painting or photo print. His suspended mobile, comprising brass bars and volcanic-rock weights, traces the migratory patterns of the birds as tracked by satellites.

With his work, Joo seeks to balance natural and technological sources as well as digital and traditional techniques. The mobile in particular is a compelling choice for representing partition in Korea, as it suggests stability and harmony; the political reality is teetering and fragile. Deploying such an iconically mid-century modernist gesture is a pointed comment in context. South Korea is one of the nations that is leading the 21st century, while North Korea has never moved much beyond the 19th century.

That same asymmetry can be found in Joo’s painting, which pairs 21st-century digital scanning with 19th-century photo-printing methods.

Nature knows no DMZs: The message in Joo’s piece is plain. But the Sackler pavilion is not the easiest place to receive it. The mobile is meant to move, for example, but the air inside the museum is still. (A museum staffer obliged a request to thwack it with a newspaper, setting the piece into motion and turn-

ing its brass beams into chimes that collide in satisfying gongs.) Stillness isn’t a problem for Joo’s mobile. It reads well as an abstraction in space.

But the sounds of Crocs-clad museum visitors clomping down the stairs into the lower levels of the subterranean Sackler gallery, make it impossible to hear either the soft clangs of the piece in motion or the utter silence of the mobile in repose.

Balance and tension are the critical components in so much of Joo’s work. While he is at times fond of using common or familiar objects in his sculptures, he eschews the snarkiness of post-minimalism. Consider “Expanded Access” (2011), a series of mirrored blown-glass sculptures that take the shape of cloth VIP rope barriers, interconnected in swooping peaks and valleys; or “Dissembled (version 2)” (2013), low-slung ironglass and ceramic sculptures that depict a pile of SWAT-gear shields.

Joo’s “Perspectives” show is even more lyrical than those examples. It calls for quiet, even solitude.

Unfortunately, that’s not something the Sackler can deliver. The Jean Paul Carlhian–designed underground complex that houses the Freer and Sackler Galleries (also the National Museum of African Art) is the Mistake on the Mall: Some works just won’t work in these spaces. The sunlight that streams into the Sackler pavilion will no doubt cast Joo’s show in different aspects as the season changes from summer to winter and back again. (And to be sure, “Perspectives” would be worth repeat visits if it were hung inside the museum gift shop.) Still, the echoes from the museum chamber are maddening. Just as Joo’s work relies on the weight of different tensions against one another, it also seeks some kind of balance with the viewer, too. An elusive state.

One rather interesting aspect of the Sackler’s hanging for this show is how Joo’s 2D and 3D works come together inside the gallery.

It’s hard to get a good view of the paintinglike piece without also taking in the sculpture;

Installation view of “Migrated” by Michael Joo (2016). it’s just not a white-cube show. That’s a feature, not a bug. The best perspective may be from the floor, looking up through the installation to the 13-foot tall abstraction, which rises high along the wall.

“Perspectives” expresses an elegant concept: Military patrols along both sides of the 160-mile long DMZ have preserved, for

more than 60 years, an unparalleled ecological preserve for the red-crowned crane. That the DMZ could be a source of beauty, that nature can thrive where progress has failed, is a keen and gorgeous insight.

CP 1050 Independence Ave. SW. Free. (202) 6331000. asia.si.edu.

washingtoncitypaper.com september 2, 2016 27

TheaTerCurtain Calls

Cheek to Bleak Satchmo at the Waldorf

By Terry Teachout Directed by Eleanor Holdridge At the Atlas Performing Arts Center to Sept. 25

GREAT PERFORMANCES AT MASON CFA.GMU.EDU

The original cast of Broadway’s Jersey Boys

THE MIDTOWN MEN SATURDAY, SEPTEMBER 24 AT 8 P.M.

This performance is part of the ARTS by George! benefit.

Not a performance of, nor affiliated with the show Jersey Boys.

TICKETS ON SALE NOW! 888-945-2468 OR CFA.GMU.EDU

28 september 2, 2016 washingtoncitypaper.com

Located on the Fairfax campus, six miles west of Beltway exit 54 at the intersection of Braddock Road and Rt. 123.

PoPs, the much-admired 2009 Louis Armstrong biography by Wall Street Journal drama critic Terry Teachout, was essentially a work of redemption. While even Armstrong’s harshest critics acknowledged the originality of his trumpet playing, he didn’t become beloved by being a genius. He got there by being an entertainer. By performing that beatific eyeroll and smile. By letting Joe Glaser—his powerful, mob-connected manager, whom Armstrong called “my Daddy” in Glaser’s 1969 New York Times obituary—keep him on the road 300 nights per year, playing to increasingly white audiences. By recording material white audiences loved, even if Armstrong thought it was shit: Most notably, the title song of the musical “Hello, Dolly!”Armstrong thought so little of Jerry Herman’s tune that neither he nor his band could recall it soon after the session where they’d cut it. But their version was huge, ending The Beatles’ 14-week reign of the pop charts in 1964.

In other words, Armstrong achieved immortality by being—in the estimation of younger peers like Dizzy Gillespie and Miles Davis—an Uncle Tom. And over the decades, Teachout argued, increasing discomfort with the grinning, non-threatening persona Armstrong cultivated made critics undervalue his contributions to music and culture.

Teachout’s one-man-play Satchmo at the Waldorf, which followed his book by a couple of years and had a long off-Broadway run in 2014, compresses this line of thinking into a series of monologues set mostly in Armstrong’s dressing room. (Set designer Andrew Cohen evokes the luxury of a vanished era in Mosaic Theater Company’s sturdy new production.)

It’s 1971, and Armstrong is in the last weeks of his life, having traded his brutal touring sched-

ule for a cushy residency at the Waldorf Astoria Hotel. Backstage huffing oxygen from a can, he is moved to defend his legacy.

Craig Wallace, the ever-reliable D.C. actor who embodies Armstrong, also slips into the personas of two other figures: Glaser, the manager who engineers his client’s transformation into a mainstream entertainer, and Davis, who acknowledges Armstrong’s gift while condemning his pandering. Wallace sells these quick-changes easily, straightening his posture and adopting a more nasal tone when performing as Glaser, and donning sunglasses and a quicker cadence when he’s Davis. Teachout’s decision to have a single actor play all three parts has more to do with practicality than psychology: This Glaser tells us things Armstrong never knew.

It’s only so helpful to compare Satchmo with Signature Theatre’s concurrent show about a pioneering black musician with a complicated sense of his identity, Jelly’s Last Jam. For one thing, this is a play, with no singing or dancing and just a smattering of Armstrong recordings played over scene changes. But if it gives us fewer examples of its subject’s genius, it offers more insight into how its subject thought of himself, as supplied by … Louis Armstrong.

He began making audiotapes of his performances, but also of his conversations and private reflections, in 1947. Teachout was the first biographer to take advantage when these tapes became available in 2002. The play quotes at least one passage from the tapes verbatim, when Armstrong observes, “Every white man in the world got one [n-word] at least— they just love his dirty drawers.” A little later, he laments that the black audience that used to come see him in New York City has moved on, now preferring to hear Davis (“a stuck-up doctor’s son”) play the Village Vanguard. But he can still count on white crowds to turn out.

Wallace lets his mostly-white audience absorb that and laugh before continuing.

This is not the first production of Satchmo where this fourth-wall-breaking joke has operated in this way, and it won’t be the last.

—Chris Klimek 1333 H St. NE. $20-$40. (202) 399-7993. atlasarts.org.

FilmShort SubjectS

IdentIty Heft Complete Unknown

Directed by Joshua Marston complete unknown is a dreary movie built on an irresistible idea. It features a beautiful protagonist who literally reinvents herself every year or so, bouncing from city to city, changing her name and background, learning new trades, and breaking off relationships before they get serious. She is an intriguing, complex person, but what makes her fascinating is what makes the movie fail: We can’t invest in a character who isn’t invested in herself.

Rachel Weisz plays “Alice,” previously known as Consuelo and Jennifer. Early on, she makes eyes at a sweet, portly economic analyst in a New York cafeteria, which gets her invited to his best friend’s birthday party.

She knows what she’s doing. The friend is Tom (Michael Shannon), who immediately recognizes her as the girl who got away. Tom has an identity crisis of his own; his wife has been accepted to graduate school in California, but he isn’t sure if he wants to tag along. So when his disappearing high school sweetheart shows up at his house with a different name, a great new look, and an offer to school him in the art of personal re-invention, it’s something like a cosmic coincidence. Or maybe just shoddy screenwriting.

Director Joshua Marston (Maria Full of Grace) films these early scenes with a clear sense of purpose. His characters often hide in the corners of the frame, with negative space dominating their view. It highlights their disconnectedness, emptiness, and mutually selfdestructive focus on what’s absent from their lives. Like everything else about the film, it’s a choice that is more interesting than effective. It’s mysterious and beguiling, yes, but the film doesn’t have a story in its pocket—nor

the character development or point-of-view— to pay it off.

When Tom and Alice reunite, Complete Unknown seems to click into place, and the negative space disappears. Alice flees the party, and Tom follows into her world, ready to embrace her way of invented life. A friendly senior citizen (Kathy Bates, in her element) injures herself on the street, and they pose as doctors, and follow her home to offer her treatment. In the comfort of the apartment she shares with her Haitian husband (a sparkling Danny Glover), Tom exercises his muscles of re-invention, with both his future and his past (which, Alice shows, is always subject to revision) in the balance.

The actors are well-cast, but the script simply gives them too big a hill to climb. Weisz ably hints at a river of pain underneath her icy hot exterior, but the parameters of her character require her to remain frustratingly out of reach. We never like her because we never know her. Meanwhile, Shannon is always watchable, but his character is too passive to be compelling. Tom can’t decide whether to stay with his uncommonly attractive girlfriend, and when he abandons her that night to follow Alice, he can’t even bring himself to feel liberated by his decision. She lives in the moment, but he’s just a tourist there, which means neither can carry a compelling emotional arc.

Maybe Complete Unknown would have worked better as a comedy. You know, one of those ‘80s movies in which a buttoned-up urbanite learns to let loose with the help of a freespirited dream girl. All the elements are there: An awkward domestic situation, an escalating series of lies, and a potentially wild, rambunctious night in the city. To turn this into compelling drama is an ambitious undertaking. At the very least, you’d need an artist with a penetrating understanding of his characters and what drives them, and Complete Unknown just doesn’t have that. Just like its protagonist, the film seems to have forgotten what it is, or it never knew in the first place.

—Noah Gittell Complete Unknown opens Friday at Bethesda Row.

Amos Lee The acclaimed singer-songwriter makes his Kennedy Center debut with music from his new album, Spirit.

Sep. 13 at 8 p.m. | Concert Hall TICKETS ON SALE NOW! (202) 467-4600 | KENNEDY-CENTER.ORG Tickets also available at the Box Office. Groups (202) 416-8400 washingtoncitypaper.com september 2, 2016 29

I.M.P. PRESENTS Merriweather Post Pavilion • Columbia, MD

The Lumineers w/ BØRNS & Rayland Baxter ............................................. SEPTEMBER 10 WPOC WEEKEND IN THE COUNTRY FEATURING

THIS WEEK’S SHOWS

Little Big Town • Rodney Atkins • Dustin Lynch and more! .................OCTOBER 15 & 16

ALL GOOD PRESENTS

The Claypool Lennon Delirium w/ Marco Benevento ............................ Th 1 Diggy Simmons hosted by WPGC 95.5’s OWN Tony Redz w/ Shade Jenifer .Su 4 Television w/ Chris Stamey .............................................................................Tu 6 of Montreal w/ Ruby the Rabbitfoot .................................................................W 7 SEPTEMBER

Dinosaur Jr. w/ Cloud Nothings .......................................................................Th 8 Marian Hill w/ Vérité & Shaed Early Show! 6pm Doors ....................................... Sa 10 MIXTAPE 8 Year Anniversary Party with DJs Matt Bailer & Shea Van Horn Late Show! 11pm Doors ........................................................................................... Sa 10 Peaches w/ Cakes Da Killa ..............................................................................Su 11 Angel Olsen w/ Alex Cameron ....................................................................... Th 15 Cherub w/ Frenship & Boo Seeka ...................................................................... F 16

R.I.P. 2Pac - 20 Years of West Coast Hip-Hop -

A Dance Party with DJ lil’e ............................................................................ Sa 17

Built To Spill w/ Hop Along & Alex G .............................................................Su 18 Okkervil River w/ Landlady ............................................................................ M 19 Lush w/ Tamaryn ...............................................................................................W 21 Blind Pilot w/ River Whyless Early Show! 6pm Doors ........................................... F 23 ALL GOOD PRESENTS

The Revivalists w/ The Temperance Movement Late Show! 10pm Doors ........... F 23 George Clinton and Parliament Funkadelic ...................................... Sa 24 Princess featuring Maya Rudolph and Gretchen Lieberum ...................Su 25

GET A DEAL!

Weekend in the Country 4-pack: Two lawn tickets to each show - save $45!

• For full lineups and more info, visit merriweathermusic.com • 930.com

Echostage • Washington, D.C.

Melanie Martinez .................................................................................. SEPTEMBER 22 Glass Animals w/ Pumarosa .................................................................. SEPTEMBER 25 NIGHT ADDED!

FIRST NIGHT SOLD OUT! SECOND

CHVRCHES ....................................................................................................OCTOBER 18 Die Antwoord ...............................................................................................OCTOBER 23 FOALS w/ Bear Hands & Kiev .........................................................................NOVEMBER 3 Grouplove w/ MUNA & Dilly Dally .................................................................NOVEMBER 9 Good Charlotte & The Story So Far

w/ Four Year Strong & Big Jesus ....................................................................NOVEMBER 15

Two Door Cinema Club w/ BROODS ....................................................NOVEMBER 17 2135 Queens Chapel Rd. NE • Ticketmaster

DAR Constitution Hall • Washington D.C.

The Head and the Heart w/ Declan McKenna ........................................OCTOBER 22 Lindsey Stirling ..........................................................................................OCTOBER 24 Ticketmaster

TRUTV PRESENTS

Adam Ruins Everything Live! with Adam Conover This is a seated show. . M 26 Yuna................................................................................................................... Tu 27 Buzzcocks w/ Residuels ..................................................................................W 28 Bob Moses w/ No Regular Play & Weval ........................................................ Th 29 U STREET MUSIC HALL PRESENTS

Bakermat & Sam Feldt ............................................................................... F 30 OCTOBER

The Growlers ................................................................................................... Sa 1 Warpaint w/ Facial ............................................................................................Tu 4 The Temper Trap w/ Coast Modern ...............................................................Th 6 U STREET MUSIC HALL PRESENTS

Neon Indian & Classixx .................................................................................F 7 The Faint w/ Gang of Four ................................................................................. Sa 8 U STREET MUSIC HALL PRESENTS

What So Not w/ Tunji Ige • Michael Christmas • Jarreau Vandal .................. M 10

MANY MORE SHOWS ON SALE!

9:30 CUPCAKES

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The best thing you could possibly put in your mouth Cupcakes by BUZZ... your neighborhood bakery in Alexandria, VA. | www.buzzonslaters.com

1215 U Street NW Washington, D.C. THIS THURSDAY!

Gad Elmaleh ................................................................................................ SEPTEMBER 1 The Gipsy Kings feat. Nicolas Reyes and Tonino Baliardo w/ Galen Weston Band .. SEPT 9 Blood Orange .............................................................................................SEPTEMBER 13 KT Tunstall w/ Conner Youngblood ............................................................SEPTEMBER 14

IN CELEBRATION OF THE OPENING OF THE NATIONAL MUSEUM OF AFRICAN AMERICAN HISTORY AND CULTURE

Preservation Hall Jazz Band ................................................................... SEPTEMBER 23

Peter Bjorn and John w/ City of the Sun & Cleopold .............................. SEPTEMBER 24 Ryan Bingham and Brian Fallon & The Crowes w/ Paul Cauthen . SEPTEMBER 28 Jake Bugg w/ Syd Arthur ............................................................................SEPTEMBER 29 Jim Norton- Mouthful of Shame Tour ..................................................FRI, OCTOBER 7 Two Shows - Live taping! 6pm & 10pm Doors. 10pm Show On Sale Friday, August 26 at 10am

Patti Smith - in conversation with 9:30 Club co-owner Seth Hurwitz about her bestselling

memoir, M Train .................................................................................................. OCTOBER 12 Ticket purchase comes with a paperback copy of M Train.

Melissa Etheridge: MEmphis Rock & Soul Tour ............................................ OCTOBER 19 WESTBETH ENTERTAINMENT PRESENTS

Dylan Moran ................................................................................................. OCTOBER 20

AEG LIVE PRESENTS

Bianca Del Rio .............................................................................................OCTOBER 22 THE BYT BENTZEN BALL COMEDY FEST PRESENTS THE MOST VERY SPECIALEST EVENING WITH TIG NOTARO & FRIENDS FEATURING

Tig Notaro, Aparna Nancherla, and more! .......................................OCTOBER 27 BRIDGET EVERETT Pound It! with special guest Michael Ian Black ....................OCTOBER 28

9:30 CLUB PRESENTS AT U STREET MUSIC HALL

STUFF YOU SHOULD KNOW LIVE WITH JOSH AND CHUCK ...................OCTOBER 29

Bibi Bourelly w/ PJ ........................F SEP 2 The Album Leaf w/ Sister Crayon ...... W 14 Wifisfuneral w/ Danny Towers • Lucky Chops...................................... Sa 17 Ski Mask the Slump God........................... Sa 3 Julien Baker w/ Grayling .................... M 12 Selah Sue w/ Polly A ............................ F 23

“Weird Al” Yankovic, Malcolm Gladwell, Dave Hill, and more! .OCTOBER 30

• Buy advance tickets at the 9:30 Club box office

A UHF LIVE COMMENTARY FEATURING

Henry Rollins Election Night Spoken Word ............................................NOVEMBER 8 Chris Isaak ...................................................................................................NOVEMBER 12 The Naked And Famous w/ XYLØ & The Chain Gang of 1974 .................NOVEMBER 15 NIGHT ADDED!

FIRST NIGHT SOLD OUT! SECOND

Ingrid Michaelson .....................................................................................NOVEMBER 22 Andra Day w/ Chloe x Halle ..........................................................................NOVEMBER 25 • thelincolndc.com • U Street (Green/Yellow) stop across the street!

Tickets for 9:30 Club shows are available through TicketFly.com, by phone at 1-877-4FLY-TIX, and at the 9:30 Club box office.

9:30 CLUB BOX OFFICE HOURS are 12-7PM Weekdays & Until 11PM on show nights. 6-11PM on Sat & 6-10:30PM on Sun on show nights.

PARKING: THE OFFICIAL 9:30 parking lot entrance is on 9th Street, directly behind the 9:30 club. Buy your advance parking tickets at the same time as your concert tickets!

HAPPY HOUR DRINK PRICES

AFTER THE SHOW AT THE BACK BAR!

30 september 2, 2016 washingtoncitypaper.com

930.com

CITYLIST

INER

60S-INSPIRED D

Music 31 Galleries 34 Theater 36

Serving

EVERYTHING from BURGERS to BOOZY SHAKES

SPACE HOOPTY

A HIP HOP, FUNK & AFRO FUTURISTIC SET with Baronhawk Poitier

FRIDAY NIGHTS, 10:30 - CLOSE

BRING YOUR TICKET

AFTER ANY SHOW AT

Club

TO GET A

FREE SCHAEFERS

SABBATH SUNDAY NIGHTS Punk/Metal/Hardcore Classics

10:30 pm - Close $5 Drafts & Rail Specials

Music rock

Hill Country BarBeCue 410 7th St. NW. (202) 556-2050. Guthrie Brown. 9:30 p.m. Free. hillcountrywdc.com. linColn tHeatre 1215 U St. NW. (202) 888-0050.

Labor Day Weekend Music Festival. 6 p.m. Free. thelincolndc.com.

Vocal

tHe Hamilton 600 14th St. NW. (202) 787-1000.

Tony Sands. 8 p.m. $18–$39.50. thehamiltondc.com.

dJ Nights

BlaCk Cat 1811 14th St. NW. (202) 667-4490. Mousetrap Indiepop Dance Night with DJ Mark Zimin. 9:30 p.m. $10. blackcatdc.com.

DC9 1940 9th St. NW. (202) 483-5000. 90s Tracks Dance Party. 10:30 p.m. $5. dcnine.com.

SongByrD muSiC HouSe anD reCorD Cafe 2477 18th St. NW. (202) 450-2917. Booty Cheeks Dance Party with DJs Detroyt, Chloedees, and Burymeinamink. 10:30 p.m. $5–$10. songbyrddc.com.

World

kenneDy Center millennium Stage 2700 F St. NW. (202) 467-4600. Khatanbold Urlagbataar. 6 p.m.

Free. kennedy-center.org.

couNtry

Jiffy luBe live 7800 Cellar Door Drive, Bristow.

(703) 754-6400. Zac Brown Band, Drake White and the Big Fire. 7 p.m. $30.50–$74.50. livenation.com.

Blues

BetHeSDa BlueS anD Jazz 7719 Wisconsin Ave., Bethesda. (240) 330-4500. Popa Chubby. 8 p.m. $20. bethesdabluesjazz.com.

BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. Chris Thomas King. 8 p.m.; 10 p.m. $25–$30. bluesalley.com.

Jazz

mr. Henry’S 601 Pennsylvania Ave. SE. (202) 5468412. Steve Washington with Dial 251. 8 p.m. Free. mrhenrysdc.com. national gallery of art SCulpture garDen 4th Street and Constitution Avenue NW. (202) 7374215. Fred Hughes Trio. 5 p.m. Free. nga.gov. twinS Jazz 1344 U St. NW. (202) 234-0072. John Russell Lamkin III. 9 p.m.; 11 p.m. $15. twinsjazz.com.

electroNic

9:30 CluB 815 V St. NW. (202) 265-0930. Flume, Basenji, Kenton Slash Demon. 7 p.m. (Sold out) 930. com.

flaSH 645 Florida Ave. NW. (202) 827-8791. Andrea Oliva, Jubilee. 8 p.m. $5–$12. flashdc.com.

located next door to 9:30 club

CITY LIGHTS: Friday

Friday

eCHoStage 2135 Queens Chapel Road NE. (202) 503-2330. Armin Van Buuren, Ruben de Ronde. 9 p.m. $50. echostage.com.

2047 9th Street NW

Film 37

u Street muSiC Hall 1115 U St. NW. (202) 588-1889.

Bit Funk, Juan Zapata. 10:30 p.m. $10. ustreetmusichall.com.

FuNk & r&B

aCre 121 1400 Irving St. NW. (202) 328-0121. Kenny Sway and the Unknowns. 10 p.m. Free. acre121.com.

darrell haMMoNd

When Saturday Night Live announcer and former cast member Darrell Hammond takes the stage at Arlington Cinema and Drafthouse this weekend, he might very well spend his time acting out the presidential election. Known equally well for his impression of Bill Clinton and Donald Trump, the skilled improviser could probably create a compelling one-man-show about the Republican nominee and the potential first spouse. He knows both characters down to their annoying, albeit iconic, hand gestures. If you’re hoping to avoid political talk for a night, hope Hammond dumps the characters and starts describing his own life. His 2011 memoir, God, If You’re Not Up Here, I’m Fucked, describes episodes of drug abuse and self harm, not-so-rosy topics that nevertheless influence Hammond’s demeanor and work. In the years since the book came out, Hammond’s returned to Saturday Night Live but encountered another personal setback: being replaced in the role of Colonel Sanders in Kentucky Fried Chicken commercials by Norm Macdonald. In the apparently competitive world of greasy chicken promotion, the jokes must write themselves. Darrell Hammond performs at 7:30 p.m. and 10 p.m. Friday and 7 p.m. and 10 p.m. Saturday at Arlington Cinema and Drafthouse, 2903 Columbia Pike, Arlington. $32. (703) 486-2345. arlingtondrafthouse.com.

—Caroline Jones BirCHmere 3701 Mount Vernon Ave., Alexandria.

(703) 549-7500. The Manhattans featuring Gerald Alston. 7:30 p.m. $49.50. birchmere.com. tHe Hamilton 600 14th St. NW. (202) 787-1000. Jonathan Sloane Trio. 10:30 p.m. Free. thehamiltondc.com. u Street muSiC Hall 1115 U St. NW. (202) 588-1889.

Bibi Bourelly, PJ. 7 p.m. $15. ustreetmusichall.com.

saturday

Jiffy luBe live 7800 Cellar Door Drive, Bristow. (703) 754-6400. Korn, Rob Zombie. 6:30 p.m. $25–$69.50. livenation.com. linColn tHeatre 1215 U St. NW. (202) 888-0050.

Labor Day Weekend Music Festival. 6 p.m. Free. thelincolndc.com. rHizome DC 6950 Maple St. NW. 75 Dollar Bill, Ben Bennett, Abstract Human. 8 p.m. $10. rhizomedc.com

dJ Nights

rock

BirCHmere 3701 Mount Vernon Ave., Alexandria.

(703) 549-7500. Bill Kitchen, Austin De Lone and Too Much Fun, Tom Principato Band. 7:30 p.m. $29.50. birchmere.com.

BlaCk Cat BaCkStage 1811 14th St. NW. (202) 6674490. Kevin Seconds, Steve Soto. 8:30 p.m. $12. blackcatdc.com. tHe Hamilton 600 14th St. NW. (202) 787-1000. Justin Trawick and the Common Good. 10:30 p.m. Free. thehamiltondc.com.

roCk & roll Hotel 1353 H St. NE. (202) 388-7625.

Bey vs. Jay Dance Party with DJs Basscamp and The Lothario. 10 p.m. $10. rockandrollhoteldc.com.

World eCHoStage 2135 Queens Chapel Road NE. (202) 503-2330. Aster Aweke, Madingo Afework. 10 p.m. $48.40. echostage.com.

HowarD tHeatre 620 T St. NW. (202) 803-2899.

Reggaefest featuring Bimshire, Maya, Maga, Tech.

10:30 p.m. $20. thehowardtheatre.com.

washingtoncitypaper.com september 2, 2016 31

AREYOUAWINNER?

PROvEIt!

Blues

BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. Chris Thomas King. 8 p.m.; 10 p.m. $25–$30. bluesalley.com.

Carter Barron ampHitHeatre 4850 Colorado Ave. NW. (202) 426-0486. D.C. Blues Festival. Noon.

Free. nps.gov.

Jazz

mr. Henry’S 601 Pennsylvania Ave. SE. (202) 5468412. Denyse Pearson and her Gentlemen of Distinction. 8 p.m. Free. mrhenrysdc.com. twinS Jazz 1344 U St. NW. (202) 234-0072. John Russell Lamkin III. 9 p.m.; 11 p.m. $15. twinsjazz.com.

electroNic

9:30 CluB 815 V St. NW. (202) 265-0930. Flume, Basenji, Kenton Slash Demon. 7 p.m. (Sold out). 930. com.

DC9 1940 9th St. NW. (202) 483-5000. Body Werk with Graham Hakte, Trevor Keen, Andy Grant, Katrina Mir. 10:30 p.m. $2–$5. dcnine.com.

Visit washingtoncitypaper.com/promotions and enter to win anything from movie tickets to spa treatments!

You can also check out our current free events listings and sign up to receive our weekly newsletter!

flaSH 645 Florida Ave. NW. (202) 827-8791. Justin Martin. 8 p.m. $10–$15. flashdc.com. tHe Hamilton 600 14th St. NW. (202) 787-1000.

Howard Jones, Stronger Sex. 8 p.m. $24.75–$32.75. thehamiltondc.com. muSiC Center at StratHmore 5301 Tuckerman Lane, North Bethesda. (301) 581-5100. Kraftwerk 3-D Concert. 8 p.m. (Sold out) strathmore.org. u Street muSiC Hall 1115 U St. NW. (202) 588-1889.

Jerome Baker III, Rex Riot, Lean Quatifah, Mista Selecta, Kristy La Rat, Brad Piff. 10:30 p.m. $5. Wifisfuneral, Ski Mask the Slump God, Danny Towers. 7 p.m. $15. ustreetmusichall.com.

FuNk & r&B

BlaCk Cat 1811 14th St. NW. (202) 667-4490. Celebrate the Life and Legacy of Prince with DJs Dredd and O’s Cool. 9:30 p.m. $10–$12. blackcatdc.com. wolf trap filene Center 1551 Trap Road, Vienna. (703) 255-1900. Salt-n-Pepa with Spinderella, All4-One, Color Me Badd, Coolio, Tone Loc, Rob Base, Young MC. 7 p.m. $37–$80. wolftrap.org.

suNday rock

BirCHmere 3701 Mount Vernon Ave., Alexandria.

(703) 549-7500. Sawyer Fredericks, Amy Vachal. 7:30 p.m. $20. birchmere.com.

iota CluB & Café 2832 Wilson Blvd., Arlington. (703) 522-8340. Lisa Said, Don Zientara, Fuzz Queen. 7:30 p.m. $12. iotaclubandcafe.com. linColn tHeatre 1215 U St. NW. (202) 888-0050.

Labor Day Weekend Music Festival. 6 p.m. Free. thelincolndc.com. roCk & roll Hotel 1353 H St. NE. (202) 388-7625.

Porches, Japanese Breakfast, Rivergazer. 8 p.m. $15. rockandrollhoteldc.com.

classical u.S. Capitol weSt lawn East Capitol and First streets NW. National Labor Day Concert. 8 p.m. Free. visitthecapitol.gov.

go-go HowarD tHeatre 620 T St. NW. (202) 803-2899.

W.H.A.T. Band, Reaction, New Impressionz. 11 p.m. $30–$80. thehowardtheatre.com.

Blues BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. Chris Thomas King. 8 p.m.; 10 p.m. $25–$30. bluesalley.com.

Jazz BoSSa BiStro 2463 18th St NW. (202)667-0088.

Gypsy Jazz with Gyula and the D-Mons. 9:30 p.m.

Free. bossadc.com. twinS Jazz 1344 U St. NW. (202) 234-0072. Joe Vetter Quartet. 8 p.m.; 10 p.m. $10. twinsjazz.com.

electroNic eCHoStage 2135 Queens Chapel Road NE. (202) 503-2330. Alesso. 9 p.m. $40. echostage.com. flaSH 645 Florida Ave. NW. (202) 827-8791. DJ Twinn, DJ Sean Morris. 9 p.m. $10. flashdc.com.

SounDCHeCk 1420 K St. NW. (202) 789-5429. MK. 10 p.m. $15. soundcheckdc.com. velvet lounge 915 U St. NW. (202) 462-3213.

Tropixxx Labor Day Party. 6 p.m. velvetloungedc.com.

MoNday Blues

mr. Henry’S 601 Pennsylvania Ave. SE. (202) 5468412. Mark “Muleman” Massey, Billy Earheart. 7 p.m.

Free. mrhenrysdc.com.

CITY LIGHTS: saturday

75 dollar Bill

As far as origin stories go, New York’s 75 Dollar Bill’s is about as simple as they get: It all started with a box. One day, percussionist Rick Brown saw a wooden box on the sidewalk, wondered what it would sound like, and took it home with him. “It sounded good and, combined with my natural pack-rat tendencies, that meant I had to have it,” he told Bandcamp recently. The box was used in various jams with fellow musicians, but it wasn’t until guitarist Che Chen heard it that 75 Dollar Bill came into fruition. Chen was looking to start a new project and “as soon as I heard Rick playing that box, I thought, ‘That’s the sound.’” What’s that sound, exactly? It’s a mesmerizing, drone-y project that combines Chen’s North African-inspired riffs and guitar playing style with Brown’s minimalist percussion. It’s a fusion of styles from various regions that add up to something unique and mesmerizing. You’ve got two chances to catch the duo this weekend, as it performs Saturday at RhizomeDC in Takoma, and Sunday at U Street’s Red Onion Records. It’s a rare chance to see big sounds coming from such a minimal set up, which, yes, still includes that box. 75 Dollar Bill performs with Ben Bennett and Abstract Human at 4 p.m. at Rhizome DC, 6950 Maple St. NW. $10 suggested donation. rhizomedc.org.

—Matt Cohen 32 september 2, 2016 washingtoncitypaper.com

tuesday

World

9:30 CluB 815 V St. NW. (202) 265-0930. Television, Chris Stamey. 7 p.m. $35. 930.com.

couNtry

rock

DC9 1940 9th St. NW. (202) 483-5000. Khruangbin. 9 p.m. $12–$15. dcnine.com. warner tHeatre 513 13th St. NW. (202) 783-4000.

Widespread Panic. 8 p.m. $56. warnertheatredc.com. wolf trap filene Center 1551 Trap Road, Vienna. (703) 255-1900. Meghan Trainor, Hailee Steinfeld, Common Kings. 7 p.m. $32–$65. wolftrap.org.

World

HowarD tHeatre 620 T St. NW. (202) 803-2899.

Richard Bona. 8 p.m. $25–$45. thehowardtheatre.com. kenneDy Center millennium Stage 2700 F St. NW. (202) 467-4600. Rajab Suleiman and Kithara. 6 p.m. Free. kennedy-center.org.

Jazz

BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. Sharon Clark. 8 p.m.; 10 p.m. $25. bluesalley.com.

WedNesday rock

9:30 CluB 815 V St. NW. (202) 265-0930. of Montreal, Ruby the Rabbitfoot. 7 p.m. $25. 930.com.

DC9 1940 9th St. NW. (202) 483-5000. Bright Light Bright Light, Chelsea Shag. 9 p.m. $15. dcnine.com. roCk & roll Hotel 1353 H St. NE. (202) 388-7625.

Basement, Eskimeaux, Ovlov. 7:30 p.m. $15–$18. rockandrollhoteldc.com.

----------

HowarD tHeatre 620 T St. NW. (202) 803-2899.

Kassav. 7 p.m. $30–$40. thehowardtheatre.com. kenneDy Center millennium Stage 2700 F St. NW. (202) 467-4600. Yvette Landry Trio. 6 p.m. Free. kennedy-center.org. liBrary of CongreSS CooliDge auDitorium First Street and Independence Avenue SE. (202) 7075507. Yvette Landry Trio. Noon. Free. loc.gov.

3701 Mount Vernon Ave. Alexandria, VA • 703-549-7500

For entire schedule go to Birchmere.com Find us on Facebook/Twitter!

Tix @ Ticketmaster.com 800-745-3000

Jazz

2

FuNk & r&B

3

twinS Jazz 1344 U St. NW. (202) 234-0072. Bobby Muncy Quartet. 8 p.m.; 10 p.m. $10. twinsjazz.com.

BetHeSDa BlueS anD Jazz 7719 Wisconsin Ave., Bethesda. (240) 330-4500. Amy Winehouse Tribute with Elise Testone. 8 p.m. $20. bethesdabluesjazz.com.

BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. EWF Tribute Band. 8 p.m.; 10 p.m. $20. bluesalley.com.

BoSSa BiStro 2463 18th St NW. (202) 667-0088.

Souldown Jam Sessions. 9 p.m. Free. bossadc.com.

thursday rock

9:30 CluB 815 V St. NW. (202) 265-0930. Dinosaur Jr., Cloud Nothings. 7 p.m. $30. 930.com.

BetHeSDa BlueS anD Jazz 7719 Wisconsin Ave., Bethesda. (240) 330-4500. Mike Peters. 8 p.m. $20–$25. bethesdabluesjazz.com.

BlaCk Cat BaCkStage 1811 14th St. NW. (202) 6674490. Priests, Diat, Vacant Life. 7:30 p.m. $10. blackcatdc.com.

warner tHeatre 513 13th St. NW. (202) 783-4000.

Widespread Panic. 8 p.m. $56. warnertheatredc.com.

DC9 1940 9th St. NW. (202) 483-5000. Highasakite, Tigers Are Bad For Horses. 9 p.m. $12–$15. dcnine.com.

wolf trap filene Center 1551 Trap Road, Vienna.

(703) 255-1900. Don Henley. 8 p.m. $42–$112. wolftrap.org.

gypSy Sally’S 3401 K St. NW. (202) 333-7700. Back to School Indie Night Feat. Wylder, Valley Queen, & Courtesy Tier. 8 p.m. $10. gypsysallys.com.

CITY LIGHTS: suNday

troPiXXX laBor day Party

Since 2011, Velvet Lounge’s first-Sundayof-the-month dance party Tropixxx has been making it tough to wake up for work on Monday morning. The spiritual successor to Dave Nada’s Moombahton Mondays, Tropixxx has been passed down like an older brother’s record collection, from Nada to Billy The Gent and Cam Jus before landing with current residents Mathias, The Lothario, and The Clown Prince. This year, the formerly-monthly party has been saved for special occasions, and this weekend’s lineup certainly fills the bill: Brooklyn DJ-producer Rizzla (pictured), who reps both groundbreaking label Fade to Mind and queer club collective KUNQ, headlines the mammoth, nine-hour event. The night also features Luny, a moombahton original from Sydney, Australia, Brooklyn’s Vermillion Bird, Bronx pair El Blanco Nino and Bassbear, and D.C. artist Flash Frequency. Thankfully, this edition of the party is on the Sunday before Labor Day, giving revelers an entire day to recover from the tinnitus and tormina caused by a potent cocktail of bass-heavy club music and cheap Jameson shots. The show begins at 6 p.m. at Velvet Lounge, 915 V St. NW. Free. (202) 462-3213. velvetloungedc.com.

—Chris Kelly

Anna & UNCLE EARL Elizabeth THE MANHATTANS

Sept 1

featuring

GERALD ALSTON

“Twin Twang Rides Again”

& TOO FUN BILL KIRCHEN/AUSTIN DELONE MUCH BAND and TOM PRINCIPATO Amy 4 SAWYER FREDERICKS Vachal

MO’Fire

9

featuring

IN GRATITUDE: A Tribute to Earth, Wind & Fire Motown & More: A Tribute to Motown & Soul Legends 10 THE SELDOM SCENE & JONATHAN EDWARDS Rick 11 HAL KETCHUM Brantley Jenny 15 THE PROCLAIMERS O. EUGE GROOVE 16 Laura 17 MATTHEW SWEET Tsaggaris 18 GARY PUCKETT & UNION GAP 21 THE MARSHALL TUCKER BAND 22 THE SMITH SISTERS ‘35TH ANNIVERSARY SHOW!’ with AL PETTEWAY

23

MAYSA & HER FUNK SOUL SYMPHONY

24

OWEN LAITH AL-SAADI DANOFF

‘25/50 Silver & Gold Celebration!’ w/FRANK McCOMB 25 From “O Brother, Where Art Thou?”

SOGGY BOTTOM BOYS Dan Tyminski, Barry Bales, Rob Block, Stuart Duncan, Mike Compton, Pat Enright

feat.

27

UPCOMING SHOWS FRI | 9/2 | 10:30PM THE NEIGHBORS PRESENTS

BOOTY CHEEKS DANCE PARTY SAT | 9/3 | 10PM RAPTURE DANCE PARTY 70S, 80S, 90S NEW WAVE

SUN | 9/4 | 10PM GROOVE CONTROL DANCE PARTY FRI | 9/9 | 8PM BURLESQUE CHOCOLATE LOUNGE SAT | 9/10 | 7:30PM C.W STONEKING FRI | 9/16 | 7:30 PM ARC IRIS, SUPERHUMAN HAPPINESS SAT | 9/17 | 7:30 PM FLASHBAND: SHOW + OPEN JAM

BILLY BRAGG & JOE HENRY

29 30

SHINE A LIGHT TOUR

LUNA PB A’NGELA WINBUSH ritta hilliPs

Oct 1 WMAL Free Speech Forum w/Chris Plante, Brian Wilson,

Larry O’Connor, Mark Levin

2&3

EL DeBARGE

4&5

An Evening with

LYLE LOVETT

6

AND

ROBERT EARL KEEN

DAVID BROMBERG’S BIG BAND “Bucket List Birthday Bash!”

with special guests Larry Campbell & Teresa Williams

7

funky METERS washingtoncitypaper.com september 2, 2016 33

$10 BURGER & BEER MON-FRI 4 P M -7 P M

TRIVIA EVERY M O N D AY & W E D N E S D AY

$3 PBR & NATTY BOH ALL DAY EVERY DAY

HowarD tHeatre 620 T St. NW. (202) 803-2899.

Uncle Acid and the Deadbeats, Danava, The Shrine. 8 p.m. $20. thehowardtheatre.com. rHizome DC. 6950 Maple St. NW. The Sloth Ensemble, Ben Bennett. 8 p.m. $10. rhizomedc.com. roCk & roll Hotel 1353 H St. NE. (202) 388-7625.

Vandaveer, Stripmall Ballads. 8 p.m. $15. rockandrollhoteldc.com. wolf trap filene Center 1551 Trap Road, Vienna.

(703) 255-1900. Don Henley. 8 p.m. $42–$112. wolftrap.org.

oPera 600 beers from around the world

Downstairs: good food, great beer: $3 PBR & Natty Boh’s all day every day *all shows 21+

SEPTEMBER 1ST

UNDERGROUND COMEDY SHOW STARTS AT 8:30PM

SEPTEMBER 2ND

BURLESQUE IS COMING: A GAME OF THRONES DOORS AT 8PM SHOW AT 9PM SEPTEMBER 3RD

RIDDLE ME TITS: A BURLESQUE TRIBUTE TO BATMAN VILLIANS DOORS AT 8PM SHOW AT 9PM SEPTEMBER 4TH

STARR STRUCK COMEDY

kenneDy Center family tHeater 2700 F St. NW. (202) 467-4600. Janai Brugger. 7:30 p.m. $39. kennedy-center.org.

hiP-hoP

verizon Center 601 F St. NW. (202) 628-3200.

Kanye West. 8 p.m. $29.50–$165.00. verizoncenter.com.

World

Hill Center at tHe olD naval HoSpital 921 Pennsylvania Ave. SE. (202) 549-4172. Mehmet Polat Trio. 7:30 p.m. $12–$15. hillcenterdc.org.

Folk

tHe Hamilton 600 14th St. NW. (202) 787-1000.

Three Women and The Truth. 8 p.m. $20–$45. thehamiltondc.com.

Jazz

BlueS alley 1073 Wisconsin Ave. NW. (202) 3374141. The Power Trio: Dennis Chambers, Bob Franceschini, and Tom Kennedy. 8 p.m.; 10 p.m. $25–$30. bluesalley.com.

electroNic

Galleries

arlington artS Center 3550 Wilson Blvd., Arlington. (703) 248-6800. arlingtonartscenter.org.

OngOing: “Light Wishes Only to be Land.” Arlington Art Center Resident Artist Becca Kallem curates this group exhibition that looks at the different ways depth and texture are reflected on canvases. Featured artists include Tom Bunnell, Mike Dowley, and Liz Guzman. Aug. 13 to Oct. 2. OngOing: “Texture of the City.” Students in Capitol Hill Arts Workshop’s Photography Institute showcase the work they created over the summer in the center’s Jenkins Community Gallery. Aug. 13 to Oct. 2.

BrentwooD artS exCHange 3901 Rhode Island Ave., Brentwood. (301) 277-2863. arts.pgparks.com.

Opening: “Other Worlds of Imagination and Wonder.”

Ceramic artist Laurel Lukaszewski and glass sculptor Joseph A. Corcoran create site-specific works for Brentwood Arts Exchange in this immersive exhibition. Curator Jennifer Lindsay arranges the artists’ work next to each other, forcing visitors to consider the size, shape, and materials of each piece. Sept. 6 to Nov. 12. Opening: “District Clay.” View pieces made at the Northeast D.C. ceramic studio that offers classes and creative space for sculptors of all abilities in Brentwood Arts Exchange’s front window Sept. 6 to Nov. 12.

CroSS maCkenzie gallery 1675 Wisconsin Ave. NW. (202) 337-7970. crossmackenzie.com. Opening: “Cindy Kane.” The painter presents a variety of pieces from her ongoing “Birds” series. Sept. 2 to Sept. 30.

FuNk & r&B

Honfleur gallery 1241 Good Hope Road SE. (202) 365-8392. honfleurgallery.com. OngOing: “10th Anniversary East of the River Exhibition.” Artists who work, live, or have roots in Wards 7 and 8 showcase their work at this annual exhibition. This year’s showcased artists include Mei Mei Chang, Wesley Clark, and Deborah Terry. July 29 to Sept. 16.

kenneDy Center millennium Stage 2700 F St. NW. (202) 467-4600. Manny Kellough Trio. 6 p.m.

Free. kennedy-center.org.

montpelier artS Center 9652 Muirkirk Road, Laurel. (301) 377-7800. arts.pgparks.com. Opening: “Steven Williams.” The mixed-media artist combines influences from science fiction and found objects in his colorful pieces. Sept. 3 to Sept. 25. Opening: “Allen

flaSH 645 Florida Ave. NW. (202) 827-8791. Claptone. 8 p.m. $20. flashdc.com.

SounDCHeCk 1420 K St. NW. (202) 789-5429. BT. 10 p.m. $20. soundcheckdc.com.

BoSSa BiStro 2463 18th St NW. 202-667-0088.

Christos DC, Fendika. 9:30 p.m. $10. bossadc.com.

DOORS AT 7PM

SEPTEMBER 5TH

DISTRICT TRIVIA STARTS AT 730PM

SEPTEMBER 6TH

LAST RESORT COMEDY

DOORS AT 8PM SHOW AT 830PM SEPTEMBER 7TH

PERFECT LIARS CLUB DOORS AT 6PM DISTRICT TRIVIA STARTS AT 730PM

SEPTEMBER 8TH

UNDERGROUND COMEDY SHOW STARTS AT 8:30PM

SEPTEMBER 9TH

LAST RESORT COMEDY

DOORS AT 8PM SHOW AT 830PM SEPTEMBER 10TH

BLACK MARKET BURLESQUE

DOORS AT 8PM SHOW AT 9PM 1523 22nd St NW – Washington, DC 20037 (202) 293-1887 - www.bierbarondc.com @bierbarondc.com for news and events

34 september 2, 2016 washingtoncitypaper.com

CITY LIGHTS: MoNday

et’teFFah/the aPPles

For the past 15 years, the Kennedy Center has celebrated the work of local theater companies with its annual Page-to Stage Festival.

This weekend’s festival brings together more than 50 companies who will present new material throughout the arts complex over the course of three days. Like the Capital Fringe Festival, the offerings are a bit scattershot, covering everything from the emotional health of former first lady Mary Todd Lincoln to the sexual and gender identities of a group of young friends. Monday’s lineup features a piece for young audiences inspired by Booker T. Washington and a piece about a girl’s mixed martial arts hobby, but the highlight comes late in the day when Algerian theater collective Istijmam presents the American premiere of Et’teffah/The Apples, which follows the repression and religious violence that occurred during the nation’s so-called “dark decade” of the 1990s. Combining true stories with dark humor, this show is exactly what the long-running festival is about: new, challenging ideas that don’t take themselves too seriously. The play begins at 6 p.m. at the Kennedy Center Family Theater, 2700 F St. NW. Free. (202) 467-4600. kennedy-center.org.

—Caroline Jones

CITY LIGHTS: tuesday

1811 14TH ST NW

www.blackcatdc.com

SEPTEMBER F

“NeVer Forget”

Alan Sislen, now a D.C.-area landscape and architectural photographer, lived in New York City in the 1990s and frequently commuted through the World Trade Center. Starting within four weeks of the Sept. 11 attacks, Sislen began to visit Ground Zero regularly to capture photographs of the devastation, especially ad-hoc tributes and memorials. Sislen says he found the process of documenting the landscape through photography cathartic. While his work didn’t start as an artistic project, Sislen says, he returned to the site often, even after moving to the D.C. area in 2002.

“Over time, the area began to embrace a new normal,” he says. “Slowly, the debris was removed. The politicians and public agreed to reconstruction of buildings, a museum, memorials, and a new transportation hub. Then the construction began. There is a renewed vitality in the area, and a demonstration of the resilience of the people of New York City.” Now, as the 15th anniversary of the attack approaches, Sislen claims he only has a few more images he’d like to make. So he’s taken the opportunity to take stock, assembling 42 images that document the incremental transformation at Ground Zero “to help tell a story of devastation, mourning, hope, and renewal.” The exhibition is on view Fridays through Wednesdays 10 a.m. to 6 p.m. and Thursdays 2 p.m. to 8 p.m., to Oct. 16, at Multiple Exposures Gallery at Torpedo Factory Art Center, 105 North Union Street, Alexandria. Free. (703) 838-4565. torpedofactory.org.

—Louis Jacobson Linder.” Linder, a former sculptor who has turned to drawing, showcases a series of ink works on paper.

Sept. 3 to Oct. 30.

StuDio gallery 2108 R St. NW. (202) 232-8734. studiogallerydc.com. Opening: “Magic Chef.” Photographer Carolee Jakes presents a series of photos and prints inspired by an image captured through a hotel window. Aug. 31 to Sept. 24. Opening: “Multiverse.”

Lisa Allen presents a series of black and white film photos developed in a way that gives the images an other worldly feel. Aug. 31 to Sept. 24. Opening: “Spirit of the Mountain.” Artist Freda Lee-McCann adds to traditional Chinese landscape paintings by incorporating thumbprint images and ancient poems written in traditional calligraphy. Aug. 31 to Sept. 24. torpeDo faCtory art Center 105 N. Union St., Alexandria. (703) 838-4565. torpedofactory.org.

Opening: “The Art of Politics.” Painter Michael Fischerkeller applies a street art aesthetic to this series of works exploring the intersection of art and con-

POPA CHUBBY THE JEFF BRADSHAW FRIENDS WEEKEND CELEBRATION

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W/ FRANK MCCOMB, MAYSA & CHELSEY GREEN

W 7

SU 11 W 14 TH 15 F

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AMY WINEHOUSE TRIBUTE

BY AMERICAN IDOL FINALIST ELISE TESTONE COCO MONTOYA

PLUS THE CATHY PONTON KING BAND

HUMP DAY

WITH TROUBLE FUNK

NICK COLIONNE THE BEAT HOTEL

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JUST ANNOUNCED F

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KING SOUL VS. SOUL CRACKERS

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9/27 THE LEGENDARY

COUNT BASIE ORCHESTRA 10/2 MELBA MOORE 10/12 MIRIAMM TURNS BETHESDA BLUES & JAZZ PINK 10/14 MORRIS DAY AND THE TIME 2 SHOWS 10/19 MIKE PHILLIPS

7719 Wisconsin Ave., Bethesda, MD (240) 330-4500 www. BethesdaBluesJazz.com Two Blocks from Bethesda Metro/Red Line Free Parking on Weekends

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SEPTEMBER SHOWS

TUE SEPT 6TH

RICHARD BONA

THU 1

THU SEPT 8TH UNCLE ACID AND THE DEADBEATS

FRI 2 FRI 2 SAT 3

SUN SEPT 11TH

THE TEMPTATIONS REVIEW FT. DENNIS EDWARDS

SAT 3 THU 8

TUE SEPT 13TH

MOLOTOV

FRI 9 SAT 10

SAT SEPT 17TH AMEL LARRIEUX SAT SEPT 24TH

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LEGACY OF PRINCE DANCE PARTY W/ DJ DREDD STEVE SOTO & KEVIN SECONDS PRIESTS DIAT

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GOD IS AN ASTRONAUT

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DEATH

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washingtoncitypaper.com september 2, 2016 35

SHARLTO CHARLIE RICHARD ANNA JOHN MARGO COPLEY DAY JENKINS KENDRICK KRASINSKI MARTINDALE

“FIERCELY FUNNY.” -Peter Travers, ROLLING STONE

THE HOLLARS WRITTEN BY JIM STROUSE DIRECTED BY JOHN KRASINSKI WWW.SONYCLASSICS.COM

EXCLUSIVE ENGAGEMENTS START FRIDAY, SEPTEMBER 2

temporary political issues. Sept. 7 to Oct. 2. OngOing: “Explorations, Part 2.” Potomac Fiber Arts mem-

bers create scenes from the Amazon, Mount Everest, the north and south poles, and other planets in this group show. Aug. 30 to Oct. 2. Opening: “Impressive Expressions: Patterning in Clay.” Members of the Kiln Club display their delicately scored and decorated pottery in this group show. Sept. 5 to Oct. 2. Opening: “A (Mis)Perceived Physique: Bodyscapes by Three Women Artists.” Artists Carolina Mayorga, Allana Clarke, and Lauren Kalman investigate the way women’s bodies have been represented in art over time in this group show curated by Kayleigh Bryant-Greenwell. Sept. 3 to Oct. 16. Opening: “Never Forget.” Photographer Alan Sislen reflects on the 15th anniversary of the September 11th attacks in this series of images that chronicle the journey from grief and sorrow to renewal. Sept. 6 to Oct. 16.

StreetSense StreetSense Theater

WASHINGTON, DC ARLINGTON BETHESDA Landmark’s FAIRFAX Landmark’s E Street Cinema AMC Loews Shirlington 7 Bethesda Row Cinema Angelika at Mosaic (202) 783-9494 amctheatres.com (301) 652-7273 (571) 512-3301

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Come from away This new musical tells the heartwarming true story of how a small Canadian town cared for 6,579 airline passengers stranded there following the September 11th attacks. When 38 planes were diverted to its doorstep, the town of Gander doubled in size, playing host to an international community of strangers and offering food, shelter and friendship. Featuring a rousing score of folk and rock music, the production honors the better angels of our nature, revealing hope and humanity in a time of darkness. Ford’s Theatre. 511 10th St. NW. To Oct. 9. $20–$73. (202) 347-4833. fords.org.

StreetS

BlaCkBerry Daze In the aftermath of World War I, an alluring young man transfixes a small Virginia town and changes the lives of three women living there. Local favorites TC Carson and Roz White star in this musical adapted from the novel by Ruth P. Watson. MetroStage. 1201 N. Royal St., Alexandria. To Oct. 9. $55–$60. (703) 548-9044. metrostage.org.

CervanteS: el último QuiJote (tHe laSt Quixote) Cervantes has died in the street and a intoxi-

Jelly’S laSt Jam Jazz pianist Mark G. Meadows plays the title role in this musical biography of pioneering jazz artist Jelly Roll Morton, portraying the highs and lows of his career and personal life. Signature Theatre favorite Matthew Gardiner directs this lively production that features songs like “That’s How You Jazz” and “Good Ole New York.” Signature Theatre. 4200 Campbell Ave., Arlington. To Sept. 11. $40–$79. (703) 820-9771. sigtheatre.org.

tHe laSt SCHwartz The Schwartz family has been on their last legs since Papa died a year ago. Norma’s husband isn’t speaking to her, Herb and Bonnie are having baby troubles, and Simon wants to be an astronaut. Throw a sexy wanna-be Hollywood starlet into the mix, and you’ve got the recipe for a yahrzeit gone perfectly wrong. Theater J Artistic Director Adam Immerwahr makes his D.C. directorial debut in this absurd and thoughtful comedy. Theater J. 1529 16th St. NW. To Oct. 2. $27–$57. (202) 777-3210. theaterj.org. loBBy Hero A security guard and his tightly wound supervisor become participants in a criminal inves-

CITY LIGHTS: WedNesday

yVette laNdry trio

IT WAS A VERY GOOD YEAR

A TRIBUTE TO FRANK SINATRA FRIDAY SEPT 2

A JOHN LENNON BIRTHDAY TRIBUTE: VOL 2

ClouD 9 Colonial Africa and 1970s London intersect in this engaging drama from acclaimed playwright Caryl Churchill. As characters try to understand the ways they define themselves, the forces of gender and politics cause them to reconsider their places in the world. Studio Theatre. 1501 14th St. NW. To Oct. 16. $20–$85. (202) 332-3300. studiotheatre.org.

StreetSense

angelS in ameriCa Round House Theatre and Olney Theatre Center collaborate to bring both parts of Tony Kushner’s monumental work about a group of New Yorkers in the early days of the AIDS epidemic to the stage. Combining fantasy elements with history, the play is presented in two parts and will be performed in repertory. Round House Theatre Bethesda. 4545 East-West Highway, Bethesda. To Oct. 30. $36–$56. (240) 644-1100. roundhousetheatre.org.

LIVE the

viSartS 155 Gibbs St., Rockville. (301) 315-8200. visartsatrockville.org. Opening: “Noise, Body, Music.”

Musicians and visual artists collaborate to explain how our personalities and lives are in this exhibition featuring work by Michael Schiffer & Nate Alex Lewis, Farrah Skeiky, FK Alexander, Antibody Corporation, and Fire-Toolz. Sept. 7 to Oct. 16.

cated man insists that the person who killed him is the renowned poet Lope de Vega. This same man recounts the secrets Cervantes shared with him, revealing the most tempestuous periods in the great writer’s life and the ferocious creativity of his final years. Performed in Spanish with English surtitles.

GALA Hispanic Theatre. 3333 14th St. NW. To Oct. 2. $22–$45. (202) 234-7174. galatheatre.org.

Pick up a copy today from vendors throughout downtown D.C. or visit www.streetsense.org for more information.

36 september 2, 2016 washingtoncitypaper.com

Breaux Bridge, Louisiana’s Yvette Landry sings her honkytonk tunes in a Southern drawl, accompanied by her own acoustic guitar picking and her band’s pedal steel and fiddle. The boozy tunes sound like the perfect backing tunes for a night at the bar but since the Library of Congress auditorium doesn’t exactly resemble a Gulf Coast dive, listeners and dancers will have to let the lyrics and twang of songs like “Three Chords and a Bottle,” “Fishing’s Better Anyway,” and “120 Proof ” carry them down to the bayou. Landry, who has played with Cajun and Creole musicians like Joel Savoy and Geno Delafose, occasionally adds those unique styles when she ups the tempo on the zydeco-inspired, accordion-backed “Yeah You Right,” or warbles “Valse D’orphelin,” a relaxed waltz. She has a series of swinging, Bob Wills-inspired cuts and quick-paced line dance numbers in her repertoire, but her mournful, wallow-in-your-bourbon-and-think-about-your-ex tracks with maudlin titles like “Another Lesson Learned” or “A Church, a Courtroom and then Goodbye” showcase the type of lyricism she likes best. The Yvette Landry Trio performs at noon at the Library of Congress Coolidge Auditorium, 10 First Street SE. Free. (202) 707-5000. loc.gov. —Steve Kiviat

tigation in this drama that examines how race, identity, and gender influences our moral choices. Alex Levy, 1st Stage Artistic and Managing Director, leads this production of Kenneth Lonergan’s play. 1st Stage.

1524 Spring Hill Road, McLean. To Oct. 8. $15–$30.

(703) 854-1856. 1ststagetysons.org.

RepoRt to an academy Scena Theater presents Franz Kafka’s dark drama about a captured ape who ensures his survival by imitating his human companions and ultimately presents his work to a collection of scientists. Atlas Performing Arts Center. 1333 H St. NE. To Sept. 25. $20–$35. (202) 399-7993. atlasarts.org.

Satchmo at the WaldoRf Louis Armstrong recounts his monumental career as a professional musician and his experiences working during the civil rights movement in this acclaimed off-Broadway show that’s presented at Atlas by Mosaic Theater Company of DC. Atlas Performing Arts Center.

1333 H St. NE. To Sept. 25. $10–$60. (202) 399-7993. atlasarts.org.

URinetoWn A lovestruck young man challenges a powerful corporation set on banning the use of private toilets during a massive water shortage in this lively musical from Mark Hollman and Greg Kotis.Constellation Theatre at Source. 1835 14th St. NW. To Oct. 9. $25–$55. (202) 204-7741. constellationtheatre.org.

Film

the hollaRS John Krasinski makes his directorial debut with this comedy about a young man who is forced to return home after his mother is diagnosed with a brain tumor at the same time he prepares to become a father. Starring Richard Jenkins, Margo

Martindale,and Anna Kendrick. (See washingtoncitypaper.com for venue information) complete UnknoWn As a man contemplates moving to a new state with his wife, he reconnects with an old flame at a dinner party. The only problem?

She changes her identity often and denies knowing him. Rachel Weisz and Michael Shannon star in this mystery directed by Joshua Marston. (See washingtoncitypaper.com for venue information) moRgan An engineered human child, built in a lab, attacks one of the scientists who built her and a corporate troubleshooter must decide whether to terminate Morgan’s life in this spooky technological thriller. Starring Kate Mara, Jennifer Jason Leigh, and Toby Jones. (See washingtoncitypaper.com for venue information) the 9th life of loUiS dRax A psychologist becomes wrapped up in his study of a boy recovering from a near-fatal accident in this scientific thriller from director Alexandre Aja. Starring Jamie Dornan and Aaron Paul. (See washingtoncitypaper.com for venue information) the light BetWeen oceanS A lighthouse keeper and his wife living in Australia in the years following World War I adopt an abandoned baby and raise her as their own. As she grows, a chance encounter with a mysterious woman leads the family to question their connection to her and their child. Alicia Vikander, Michael Fassbender, and Rachel Weisz star in this historical drama based on the novel by M.L. Stedman. (See washingtoncitypaper.com for venue information)

CITY LIGHTS: THURSDAY

THE MOST REVOLUTIONARY ‘ ’ ’”

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JEWISH MOVIE SINCE SCHINDLER S LIST. - Stephen Marche, ESQUIRE

“AN ELEGANT AND INTIMATE MOVIE.

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To Drea m is to Live

CLOUD 9

It’s pretty amazing how a play written almost 40 years ago about the specific cultural and political issues of the period can hold startling relevance today, but Caryl Churchill’s Cloud 9 shows that both great art and social conflict last. Dealing simultaneously with sexual politics and feminism in colonial Africa and swinging 1970s London, the drama tackles gender identity in a way that feels timeless and, unfortunately, timely. The status of women in many parts of the world haven’t changed greatly over the decades. Churchill bends theatrical genre and gender roles to create a work that remains honest and a whole lot of fun. Local hero and Shakespeare Theatre Company Artistic Director Michael Kahn leads the production. Kahn’s last work for Studio, a poignant staging of Torch Song Trilogy, earned rave reviews and his take on Cloud 9 promises to be just as engaging. The play runs Sept. 7 to Oct. 16 at Studio Theatre, 1501 14th St. NW. $20–$85.

(202) 332-3300. studiotheatre.org.

—Diana Metzger

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E.L. Haynes Public Charter School PUBLIC NOTIFICATION National School Lunch Program Participant

Adult Services

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INGENUITY PREP PUBLIC CHARTER SCHOOL NOTICE OF INTENT TO ENTER A SOLE SOURCE CONTRACT

Legals SUPERIOR COURT OF THE DISTRICT OF COLUMBIA 2016 ADM652 PROBATE DIVISION Name of Decedent, Thelma Chen Notice of Appointment, Notice to Creditors and Notice to Unknown Heirs, Leopold Chen whose address is 705 Lake Vista Drive, Forest, VA 24551 was appointed Personal Representative of the estate of Thelma Chen who died on March 10, 2016 with a Will and will serve without Court supervision.

All unknown heirs and heirs whose whereabouts are unknown shall enter their appearance in this proceeding. Objections to such appointment (or to the probate of decedent’s Will) shall be filed With the Register of Wills, D.C., Building A, 515 5th Street, N.W., 3” Floor, Washington, D.C. 20001, on or before 2/18/17.

Claims against the decedent shall be presented to the undersigned with a copy to the Register of Wills or filed with the Register of Wills with a copy to the undersigned, on or before 2/18/17, or be forever barred. Persons believed to be heirs or legatees of the decedent who do not receive a copy of this notice by mail within 25 days of its first publication shall so inform the Register of Wills, including name, address and relationship.

Date of first publication: 8/4/16.

Personal Representative: Leopold Chen. TRUE TEST COPY /s/ ANNE MEISTER Register of Wills. Name of Newspapers: DWLR, WASHINGTON CITY PAPER. Pub Dates: Aug. 18, 25, Sept. 1, 2016.

WASHINGTON LATIN PUBLIC CHARTER SCHOOL REQUEST FOR PROPOSALS Issued: September 2, 2016 The Washington Latin Public Charter School solicits expressions of interest in the form of proposals with references from qualifi ed vendors for Educational Travel Services. We specifi cally seek a vendor to arrange an educational trip to Morocco in the spring of 2017. Questions and proposals may be e-mailed directly to aporcelli@latinpcs.org and gizurieta@latinpcs.org with the subject line Educational Travel Services.

Deadline for submissions is 12pm (noon) September 9, 2016. No phone calls please. E-mail is the preferred method for responding but youYOUR can also mail (must arrive FIND OUTLET. by deadline) proposals and supRELAX, UNWIND, REPEAT porting documents to the followCLASSIFIEDS HEALTH/ ing address: MIND, BODY & Public SPIRITCharter Washington Latin School http://www.washingtonAttn: Finance Offi ce citypaper.com/ 5200 2nd Street NW Washington, DC 20011

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38 September 2, 2016 Out with the old, In with the new Post your listing with Washington City Paper

Student Assessment and Professional Development Services Ingenuity Prep Public Charter School intends to enter into a sole source contract with The Achievement Network for student assessment and professional development services to help identify and close gaps in student learning for the upcoming school year.

Ingenuity Prep constitutes the sole source for The Achievement Network for student assessment services and professional development that will lead to student achievement.

For further information regarding this notice contact bids@ingenuityprep.org no later than 5:00 pm, September 2, 2016.

MAYA ANGELOU PUBLIC CHARTER SCHOOL REQUEST FOR PROPOSAL For Professional Development and Instructional Coaching Maya Angelou Public Charter School is requesting proposal submissions to provide professional instructional development for teaching staff at the Maya Angelou Public Charter High School and the Young Adult Learning Center. Proposals will be accepted through SmartSheet accessed on the See Forever Foundation’s website http://www.seeforever. org/requestforproposal and must be received by 8:00am on September 30, 2016. All proposals must include sample agenda for PD sessions and a description of coaching.

BRIDGES PUBLIC CHARTER SCHOOL Request for Proposals Bridges Public Charter School is opening a bid for Reading Specialist Support and Assistive Technology Services. Please email bids@bridgespcs.org to receive a full RFP offering, with more detail on scope of work and bidder requirements. Proposals must be submitted by Friday, September 2, 2016 by 5:00 pm via email.

Please include the bid category for which you are submitting as the subject line in your e-mail.

REQUEST FOR PROPOSALS TEACHER COACHING Ingenuity Prep Public Charter School solicits proposals for Teacher coaching. Please email bids@ingenuityprep.org to receive a full RFP offering, with more detail on scope of work and bidder requirements. Proposals shall be received no later than 5:00 P.M., Friday, September 2, 2016. Prospective Firms shall submit one electronic submission via e-mail to the following address: bids@ingenuityprep.org.

FIND YOUR OUTLET. RELAX, E.L. Haynes Public Charter School UNWIND, PUBLIC NOTIFICATION REPEAT National School Lunch Program Participant CLASSIFIEDS Euphemia L. Haynes Public HEALTH/ Charter School strives to provide healthy and nutritious meals. To MIND, BODY achieve this goal, we have partnered with the USDA and are par& SPIRIT ticipants in the National School

Euphemia L. Haynes Public Charter School strives toLegals provide healthy and nutritious meals. To achieve this goal, we have partnered with the USDA and are participants in the National School Breakfast and Lunch programs.

In addition to the meals we serve with the National School Breakfast and Lunch programs we have a no junk food policy at our school and we are proud to say the snacks served to our students are healthy as well.

In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offi ces, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, sex, religious creed, disability, age, political beliefs, or reprisal or retaliation for prior civil rights activity in any program or activity conducted or funded by USDA. Persons with disabilities who require alternative means of communication for program information (e.g. Braille, large print, audiotape, American Sign Language, etc.), should contact the Agency (State or local) where they applied for benefi ts. Individuals who are deaf, hard of hearing or have speech disabilities may contact USDA through the Federal Relay Service at (800) 877-8339.

Additionally, program information may be made available in languages other than English.

To file a program complaint of discrimination, complete the USDA Program Discrimination Complaint Form, (AD-3027) found online at: http://www.ascr. usda.gov/complaint_fi ling_cust. html, and at any USDA offi ce, or write a letter addressed to USDA and provide in the letter all of the information requested in the form.

To request a copy of the complaint form, call (866) 632-9992.

Submit your completed form or letter to USDA by: 810 1st Street NE, 9th Floor, Washington, DC 20002 • Phone: (202) 727-6436 TTY: 711 • osse.dc.gov (1) Mail: U.S. Department of Agriculture Offi ce of the Assistant Secretary for Civil Rights 1400 Independence Avenue, SW Washington, D.C. 20250-9410; (2) Fax: (202) 690-7442; or (3) Email: program. intake@usda.gov. This institution is an equal opportunity provider.

Also, the District of Columbia Human Rights Act, approved December 13, 1977 (DC Law 2-38; DC Offi cial Code §2-1402.11(2006), as amended) states the following: Pertinent section of DC Code § 2-1402.11: It shall be an unlawful discriminatory practice to do any of the following acts, wholly or partially for a discriminatory reason based upon the actual or perceived: race, color, religion, national origin, sex, age, marital status, personal appearance, sexual orientation, gender identity or expression, family responsibilities, genetic information, disability, matriculation, or political affiliation of any individual. To file a complaint alleging discrimination on one of these bases, please contact the District of Columbia’s Offi ce of Human Rights at (202) 727-4559 or ohr@dc.gov.

http://www.washingtBreakfast and Lunch programs.

Inoncitypaper.com/ addition to the meals we serve with the National School Breakwashingtoncitypaper.com fast and Lunch programs we have a no junk food policy at our school and we are proud to say the snacks served to our students are healthy as well.

and provide in the letter all of the information requested in the form.

To request a copy of the complaint form, call (866) 632-9992.

Submit your completed form or letter to USDA by: 810 1st Street NE, 9th Floor, Washington, DC 20002 • Phone: (202) 727-6436 TTY: 711 • osse.dc.gov (1) Mail: U.S. Department of Agriculture Offi ce of the Assistant Secretary for Civil Rights 1400 Independence Avenue, SW Washington, D.C. 20250-9410; (2) Fax: (202) 690-7442; or (3) Email: program. intake@usda.gov. This institution is an equal opportunity provider.

Also, the District of Columbia Human Rights Act, approved DecemLegals ber 13, 1977 (DC Law 2-38; DC Offi cial Code §2-1402.11(2006), as amended) states the following: Pertinent section of DC Code § 2-1402.11: It shall be an unlawful discriminatory practice to do any of the following acts, wholly or partially for a discriminatory reason based upon the actual or perceived: race, color, religion, national origin, sex, age, marital status, personal appearance, sexual orientation, gender identity or expression, family responsibilities, genetic information, disability, matriculation, or political affiliation of any individual. To file a complaint alleging discrimination on one of these bases, please contact the District of Columbia’s Offi ce of Human Rights at (202) 727-4559 or ohr@dc.gov.

CITY ARTS & PREP PUBLIC CHARTER SCHOOL REQUEST FOR PROPOSALS City Arts and Prep seeks proposals for Middle States of Colleges and Schools Accreditation Support Services. Prospective Firms shall submit one electronic submission via email. Proposals shall be received no later than 5:00 pm, Monday, September 19, 2016. For full RFP and to submit proposals please email bids@cityartspcs. org.

Duplexes/Townhouses For Sale Townhouse for Sale - Silver Spring Renovated 4BR/2.5 Ba w/ all new appliances, flooring & house generator so you never lose power.

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Office/Commercial For Sale Seeking partners for 5000sqft building in Cheverly, MD recording studio with video space inside and out, rehearsal space and meeting rooms, parking for 16 vehicles, private yard in rear, handicap accessiblity. Near New National Harbor MGM Hotel. Also Avail offices in NW DC/ Petworth area. $1200 -$2500 rent, utils incl. Call 202-3552068 or 301-772-3341.

Apartments for Rent

Affordable, stylish one-bedroom apartment for rent near the Catholic University/Brookland area. Conveniently located 7 minutes from Brookland, Fort Totten, and Takoma Park metro stations on the “Red Line” and the Georgia Avenue/ Petworth Metro Stations on the “ Green” line.

• This clean, neoclassical 700 square foot, 1950’s apartment features an upgraded kitchen, a large master bedroom, plenty of closet space, beautiful hardwood floors, central heat and a/c, natural light, and some added value features. The perfect home just awaiting your personal touch and minimalist lifestyle.

• Located minutes from Capitol Hill, Monroe Street Market, Bus Boys & Poets, Walmart, and YES Gourmet; walking distance to area hospitals, restaurants, shops, and entertainment. On-street parking available.

• Requirements – – $45.00 application fee via certifi ed check or U.S. Postal Money Order Only – Valid government issued photo ID – Three most recent paystubs – Three professional references • A must-see. Call (202) 415-2388 to schedule an appointment today. This affordable commuter dream-come-true will not be available for long.

• Monthly rent $1600 plus utilities (first month’s rent and deposit; 12-month lease). Special rent promotions apply with lease until October 1, 2016.

• Utilities Not Included • Non-smoking; No pets

NW,DC Furnished studio condo,large kitchen, a/c,dishwasher,washer/dryer on each floor,rooftop pool,24 hr concierge,close to 3 Metro/bus,secured bldg utilities incl. $1650 Pls. call 571-335-4225

FIND YOUR OUTLET. RELAX, UNWIND, REPEAT CLASSIFIEDS HEALTH/ MIND, BODY & SPIRIT http://www.washingtoncitypaper.com/

Moving? Find A Helping Hand Today Out with the old, In with the new Post your listing with Washington City Paper Classifieds

Apartments for Rent

1 Month Free!* 1 & 2brs offering large floor plans not usually found in the city. W/D in each apt, floor to ceiling windows, generous closets and a balcony or terrace. On-site parking, fi tness center and dog park. Walk to Brookland-CUA Metro, dining and shopping. 1brs from $1599* & 2brs from $1999*.

Call today 855-291-5612.

EHO *Limited time offer, ask for details.

1 Month Free!* 2 brs offering the largest floor plans in the Brookland area, w/d in apt and a multitude of closets.

Free on-site parking, fi tness center and pet friendly. Walk to Brookland-CUA Metro, shopping and dining. Rents starting at $1779. Call today 855-387-5355. EHO *Limited time special ask for details.

Rooms for Rent Rooms for rent in Cheverly, Maryland and College Park.

Shared bath. Private entrance.

W/D. $650-$750/mo. including utilities, security deposit required. Two Blocks from Cheverly Metro. 202-355-2068, 301-7723341.

Furnished rooms for rent $800$1,000 monthly starting August, 2016, all inclusive washer and dryer, Central air/heat, kitchen access located in Petworth, Washington DC close to the metro.

Contact Samantha 202.365.5085.

Capitol Hill Living: Furnished Rooms for short-term and longterm rental for $1,100! Near Metro, major bus lines and Union Station - visit website for details www.TheCurryEstate.com

Business Opportunities PAID IN ADVANCE! Make $1000 A Week Mailing Brochures From Home! No Experience Required.

Helping home workers since 2001! Genuine Opportunity. Start Immediately! www.WorkingCentral.Net

General

Roommates ALL AREAS: ROOMMATES. COM. Lonely? Bored? Broke?

Find the perfect roommate to compliment your personality and lifestyles at Roommates.com!

Rooms for Rent

Short-term Furnished Room along H St. NE Corridor- Capitol Hill. On busline and within walking distance of Union Station. Utilities included, kitchen access, and W/D onsite. Visit TheCurryEstate. com for more details Cost:$1,100 month.

Fully furnished room for rent in Brentwood, MD. Blocks outside of NE DC, easy access to West Hyattsville metro (green line), bus to Rhode Island metro (red line), and University of Maryland.

Utilities included for $675/month WiFi ready Call Linda 240-893-2929 or email lindajeune10@gmail.com

NIGHTCLUB: DANCERS up to $1,000 nightly. after 7pm mcdoogals 1 800 ALL NUDE AIRLINE CAREERS begin here – Get started by training as FAA certified Aviation Technician. Financial aid for qualified students. Job placement assistance. Call Aviation Institute of Maintenance 800-725-1563

Financial Services Are you in BIG trouble with the IRS? Stop wage & bank levies, liens & audits, unfiled tax returns, payroll issues, & resolve tax debt FAST. Call 844-753-1317

Moving & Hauling Best Rate Movers. Home, offi ce & apartment. DC/VA/MD. Student discounts. Short-notice moves.

Free estimates. Free boxes. Best rates in town! Call 24 hours, 202607-6156 - offi ce.

Personal Services

Indian Spiritual healer & Psychic - Pandit MAHINDRA Guruji is expert in Palm readings, face & photo reading Solutions available to all kind of problems like Love, Marriage, Husband - wife relationship problems, Job, Money, Health, Depression, Education, court cases.

Pandit Guruji is an Expert in Removing and destroying Black Magic, Evil spirits &Generation Curse, Evil eye power and he provides protection to you and your family.

Call for appointment-240-643-9718 Or 240-821-2150 Www.mahindraguruji.com

Antiques & Collectibles Antique Wardrobe, solid wood.

Asking $4000. OBO Serious inquiries only Text or Call me. Karen 240-988-2459

Garage/Yard/ Rummage/Estate Sales Flea Market every weekend 10am-4pm. 5615 Landover Rd. Cheverly, MD. 20784. Contact 202-355-2068 or 301-772-3341 for details.

Miscellaneous “Foreign Service Agent,” Teen Book Ages 12-19, by Sidney Gelb. www.barnesandnoble.com, 1-800-843-2665. Order today!

“Kids Story Book Two,”Ages 9-12. by Sidney Gelb. www.barnesandnoble.com, 1-800-8432665. Order today!

Cars/Trucks/SUVs CASH FOR CARS: Any Car/ Truck 2000-2015, Running or Not! Top Dollar For Used/Damaged. Free Nationwide Towing!

Call Now: 1-888-420-3808

Puzzle BACK IN SCHOOL

By Brendan Emmet Quigley 1

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25 One doing the podcast with you 26 Saison, e.g.

28 See 53-Across 29 Memo-routing abbr.

30 Burning residue 31 Feeling of despair 32 Requirement 33 Small carpenter 34 Words With Friends tile: Abbr.

35 Nat. that won the most medals in the 2016 Olympics 36 Supposedly unscripted programming 37 Class where you can work on your figures 38 Born overseas 43 Golden ratio symbol 44 In ___ of 47 Furniture wood 48 Climber’s ridge 49 Prep, as a turkducken 50 “Dayum” 51 Politician Hatch 52 Unified 54 “Au contraire!”

55 Fund, as a chair 57 Policy expert 58 “Heroes in a half shell,” briefly 59 Tell all, with “up” 61 Margin setting 62 2016 Olympics city

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1 2016 Republican candidate Donald labeled as “low energy” 4 Took care of, as a bill 8 Completely wrecks 14 Hospital ward, for short 15 Strong desire 16 Ark’s landing spot 17 No sharer 18 Sly’s emo boxer?

20 Letters from a Muslim’s deity?

22 Creature that conducts electricity 23 Regard as 24 Furniture wood 25 Military group 27 Gearwheel’s projection 29 Moviefone’s parent co.

30 Rouse Martin known for nailing tenets to a church door?

39 Step between fa and la 40 Provides a room for 41 Before, in poetry

42 “I need help getting this into English”?

45 Consumed 46 No later than 47 Plane part 50 Exotic pet choice 53 28-Down article 56 Ace’s stat 57 Most uncomfortable place to sleep for overnight guests?

60 Wreck Italy’s capital?

63 Since 1/1: Abbr.

64 Acquire 65 Stops outside of the city 66 General known for chicken dishes 67 Sneaker company with a red triangle logo 68 Barclays Center squad 69 Wedding promise

Down

1 Religious war 2 French school 3 Taps, e.g.

4 Bet where nobody wins 5 Go for ___ (jog) 6 White house?

7 American rival 8 Catches some rays 9 “___ was crazy and could be grounded” (Catch-22) 10 Eastern belief 11 Traveled like a grenade 12 Magic, famously 13 Panache 19 Pest-seeing cry 21 Crazy way to run

LAST WEEK: SURF’S UP C U R L O N P A W H I T E A E O N S L U T F I T O H I S R U N O L M A E B A L M F R O N A S H L S H A Y

F R T R O O I S W E S D I S N T Z I E E N S E O T T Y A S T D E Y N E

I L E D U E G N G N T I E N N N H A U N P T

A T R E T R E A L I S T S C E P U N A T E N O R G I N S I M C E S O M I N E O T E N G S T I V E R A T Y

S T I N E

T Y N E

A T O M S

Y U L E S

E N S E P O

http: oncit Musical Instruction/ Classes

Events

Licensed Massage & Spas

Out with the old, In with the new Post your listing with Washington City Paper Classifieds

A Touch of Class ,Serving Rockville, Bethesda and Potomac. Call Alexis now! (301)655-0598

Voice, Piano/Keyboards-Unleash your unique voice with outof-the-box, intuitive teacher in all styles classical, jazz, R&B, gospel, neo-soul etc. Sessions available @ my studio, your home or via Skype. Call 202-486-3741 or email dwight@dwightmcnair.com www.dwightmcnair.com

Moving? Find A Helping Hand Today

Bands/DJs for Hire DJ DC SOUL man. Hiphop, reggae, go-go, oldies, etc. Clubs, caberets, weddings, etc. Contact the DC Soul Hot Line at 202/2861773 or email me at dc1soulman@live.com.

Upcoming Shows

Out with the old, In with the new Post your listing with Washington City Paper Classifieds THE ANISSA HARGROVE EXTRAVAGANZA FEATURING GRAMMY AWARD WINNER, GLORIA GAYNOR “I WILL SURVIVE” FOR ONE NIGHT ONLY AT THE BETHESDA JAZZ AND BLUES SUPPER CLUB THURSDAY,OCTOBER 27TH 8PM 7719 WISCONSIN AVENUE BETHESDA MD

http://www.washingtoncitypaper.com/

THURSDAY, OCTOBER 27TH. TICKETS ON SALE NOW AT W W W. B E T H E S D A B L U E S JAZZ.COM https://anissahargrovemusic.com

Get your own internet radio stations or talk show and Non-profi ts we can help with grantwriting, websites, information technology, and organizational management at (202) 436-9763 if not available leave a message or wnpfm101. com

Information session on Saturday morning, September 10th about domestic, academic, gap year programs.

Higher Education Org currently has programs available for eligible applicants interested in public history, business and/or teacher education. Application process is rigorous and highly selective.

Please visit educatehigher. org/information-sessions. html to RSVP. Information session location and time details made available upon confirmation of attendance.

Visit educatehigher.org for more information.

EUROPEAN MASSAGE is absolutely the best place to get relaxing experience!

Downtown Bethesda, MD 301718-1808

Out with the old, In with the new Post your listing with Washington City Paper Classifieds

http://www.washingtoncitypaper.com/

http://www.washingtoncitypaper.com/

M

Volunteer Services Butterfl y Pavilion/Insect Zoo Volunteers needed at the National Museum of Natural History!

Handle real arthropods! Talk to Museum Visitors! Training in September! Email NMNHVolunteer@si.edu to apply and interview today!

H

Defend abortion rights. Washington Area Clinic Defense Task Force (WACDTF) needs volunteer clinic escorts Saturday mornings, weekdays. Trainings, other info:202-681-6577, http://www. wacdtf.org, info@wacdtf.org.

Twitter: @wacdtf Q?rius jr./Q?rius Volunteers needed at the National Museum of Natural History! Engage visitors with over 6,000 museum in these interactive spaces! Training in September! Email NMNHVolunteer@si.edu to apply now!

Health & Beauty Products Viagra!! 52 Pills for Only $99.00. Your #1 trusted provider for 10 years. Insured and Guaranteed Delivery. Call today 1-888403-9028

FIND YOUR OUTLET. RELAX, UNWIND, REPEAT CLASSIFIEDS HEALTH/MIND, BODY & SPIRIT http://www.washingtoncitypaper.com/

Egg Donors Needed

MOVING? FIND A HELPING HAND TODAY Financial Compensation $8,000

If you are a healthy woman between the ages of 20-29 and would like to help an infertile couple, please email info@dominionfertility.com

Out(703) with920-3890 the old, In with the new Post your listing with Washington City Paper Classifieds eggdonordc.com

washingtoncitypaper.com September 2, 2016 39

Ou old the Po list Wa Cit Cla

http:/ cityp

WICKED IS FLYING BACK TO DC

DECEMBER 14, 2016 – JANUARY 8, 2017 OPERA HOUSE TICKETS ON SALE NOW Kennedy-Center.org • 202-467-4600 The Kennedy Center Box Office • Groups 20+ 202-416-8400 Theater at the Kennedy Center is made possible by Adrienne Arsht.

Major support for Musical Theater at the Kennedy Center is provided by the Drutz Family Fund for Musical Theater.

The Kennedy Center Theater Season is sponsored by Altria Group.

Capital One® is the Presenting Sponsor of Comedy at the Kennedy Center.