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YEAR IN REVIEW: 2018 IN LOCAL POLITICS, FOOD, HOUSING, SPORTS, THEATER, AND MUSIC, PLUS A LOOK INTO 2019 AT THE NATIONAL GALLERY OF ART
Portrait of the Artist as a Young Punk For more than three decades Cynthia Connolly has honed a DIY ethos to become one of the region’s most accomplished artists. P. 8 By Alona Wartofsky
Capital One Arena • Washington, D.C.
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Merriweather Post Pavilion • Columbia, MD
THIS WEEK’S SHOWS
Margo Price w/ Lilly Hiatt ..................................................................... Th DEC 27 The Pietasters w/ Big D and the Kids Table • The Forwards • Ponytails & Cocktails • DJ Selah ... F 28 GWAR w/ Iron Reagan & Against The Grain ................................................... Sa 29 D NIGHT ADDED!
FIRST NIGHT SOLD OUT! SECON
White Ford Bronco: DC’s All-90s Band .................................................. Su 30 JANUARY
Ozomatli w/ Chopteeth Afrofunk Big Band .Th 3 No Scrubs: ‘90s Dance Party
with DJs Will Eastman and Ozker • Visuals by Kylos .......................F 4 BENT: A New LGBTQ Dance Party featuring DJs Lemz, KeenanOrr, and The Barber Streisand // Performances by Pussy Noir, Donna Slash, and Bombalicious Eklaver ..............Sa 5
Jay Pharoah This is a seated show. ........................F 11 Jumpin’ Jupiter and The Grandsons w/ Virginia and The Blue Dots & Dingleberry Dynasty ...............Sa 12 ALL GOOD PRESENTS
The Wood Brothers w/ Priscilla Renea ..........Th 17 & F 18 Cracker & Camper Van Beethoven ....Sa 19 Super Diamond .....................Th 24 Guster w/ Henry Jamison ...........F 25 & Sa 26 Poppy Early Show! 6pm Doors ......Th 31 Amen Dunes w/ Arthur Late Show! 10pm Doors ....................Th 31
Daley & JMSN ............................F 1 Sharon Van Etten w/ Nilüfer Yanya ............................W 6 Mandolin Orange ....................Th 7 COIN w/ Tessa Violet Early Show! 6pm Doors ........................F 8 BASS NATION PRESENTS
Space Jesus w/ Minnesota • Of the Trees • Huxley Anne
Late Show! 10:30pm Doors ..................F 8 ALL GOOD PRESENTS
Spafford ....................................Sa 9 Panda Bear w/ Home Blitz ......M 11 Dorothy w/ Spirit Animal .........Tu 12 Andrew McMahon in the Wilderness w/ Flor & Grizfolk .......................W 13 Bob Mould Band w/ Titus Andronicus ...................Th 14 Galactic feat. Erica Falls (F 15 - w/ High & Mighty Brass Band)
.......................................F 15 & Sa 16
The Knocks w/ Young & Sick • Blu DeTiger ...Su 17 Jacob Banks ...........................Tu 19 LP w/ Korey Dane........................W 20
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MANY MORE SHOWS ON SALE!
9:30 CUPCAKES BELATED STILL COUNTS!
The best thing you could possibly put in your mouth Cupcakes by BUZZ... your neighborhood bakery in Alexandria, VA. | www.buzzonslaters.com
FINAL WEEK!
Whitesnake • Extreme • Warrant • Skid Row • Vince Neil • Kix and more! .....................................................MAY 3-5 For a full lineup, visit m3rockfest.com
Slayer w/ Lamb of God • Amon Amarth • Cannibal Corpse ................................ MAY 14 Train/Goo Goo Dolls w/ Allen Stone ...................................AUGUST 9 Ticketmaster • merriweathermusic.com • impconcerts.com
FEBRUARY
ALL GOOD PRESENTS
M3 ROCK FESTIVAL FEATURING
Lincoln Theatre • 1215 U Street, NW Washington, D.C. THIS MONDAY!
ALL GOOD PRESENTS
STEEL PULSE: Big Up New Year’s Eve
w/ Nkula & Zedicus
and Abyssinia Roots ........................ DEC 31
Story District’s Top Shelf . JAN 19 AN EVENING WITH
ALL GOOD PRESENTS AN EVENING WITH
The Mavericks ........................ MAR 8 Alice Smith ................................. MAR 9 AURORA w/ Talos....................... MAR 10 José González
& The String Theory............ MAR 20
The Disco Biscuits............... JAN 25 Norm Macdonald ................. MAR 21 Must purchase two-night pass (with 1/26 Whindersson Nunes .......... MAR 23 Disco Biscuits at The Anthem) to attend. Meow Meow + ED! T ADD D NIGH FIRST NIGHT SOLD OUT! SECON Thomas Lauderdale Neko Case w/ Margaret Glaspy .. JAN 27 (of Pink Martini) .............................. MAR 25 Spiritualized ............................APR 16 Capturing Pablo: An Evening with DEA Agents Citizen Cope .............................APR 17 Steve Murphy & Javier Pena Imogen Heap With special guest A Conversation on Pablo Escobar’s Take Down and the Hit Netflix Show Narcos ................... FEB 2
Guy Sigsworth of Frou Frou ............... MAY 3
Yann Tiersen (Solo In Concert) .........................MAY 24
Fred Armisen ............................ FEB 8 AN EVENING WITH Story District’s Apocalyptica Sucker For Love ................... FEB 14 Plays Metallica By Four Cellos Tour .MAY 28 • thelincolndc.com • U Street (Green/Yellow) stop across the street!
9:30 CLUB PRESENTS AT U STREET MUSIC HALL
gnash w/ Mallrat & Guardin .... Sa JAN 19 Windhand w/ Genocide Pact ..........Th 24 The Brummies ..........................F 25 KONGOS w/ Fitness .............. Sa FEB 2 Ripe w/ Brook and the Bluff & Del Florida ......W 6 Cherry Glazerr w/ Mannequin Pussy .......................W 13 MHD ..........................................F 15
UnoTheActivist ........................Sa 16 9:30 & TRILLECTRO PRESENT MadeinTYO w/ Thutmose & Key! ..... M 18
Julia Holter w/ Jessica Moss ........Tu 19 Parcels ....................................W 20 Gang of Four ...........................Th 21 AJ Mitchell w/ Marteen .................F 22 The Suffers .............................Sa 23 Donna Missal ..........................Su 24
• Buy advance tickets at the 9:30 Club box office • 930.com
TICKETS for 9:30 Club shows are available through TicketFly.com, by phone at 1-877-4FLY-TIX, and at the 9:30 Club box office. 9:30 CLUB BOX OFFICE HOURS are 12-7pm on weekdays & until 11pm on show nights, 6-11pm on Sat, and 6-10:30pm on Sun on show nights.
HAPPY HOUR DRINK PRICES impconcerts.com AFTER THE SHOW AT THE BACK BAR! 2 december 28, 2018 washingtoncitypaper.com
PARKING: THE OFFICIAL 9:30 parking lot entrance is on 9th Street, directly behind the 9:30 Club. Buy your advance parking tickets at the same time as your concert tickets!
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INSIDE
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COVER STORY: PORTRAIT OF THE ARTIST AS A YOUNG PUNK
8
The ever-evolving art of local legend Cynthia Connolly
DISTRICT LINE 4 Loose Lips: Pols made a variety of bad choices over the past year 5 Housing Complex: D.C. continued to be suffocatingly expensive in 2018
SPORTS 6 2018 in Sports: From playoff runs and championship parades to bad attitudes and broken bones, D.C. sports delivered drama this year. 7 Ahead of the Game: Etan Thomas addressed social justice issues during an era of athlete neutrality.
FOOD 12 2018 in Food: The best dishes and biggest dining stories of the year
ARTS 15 Listen Up: City Paper writers on their best music moments of the year 16 2018 on Stage: Our theater critics on their favorite theatrical experiences of the year 17 Second Looks: The five best photographs exhibited in D.C. in 2018 18 Galleries: Going into 2019, the National Gallery of Art’s future looks bright. 19 Film: Our critics on their favorite flicks of 2018
CITY LIST 20 22 23 23 24
Music Books Dance Theater Film
DIVERSIONS 25 Savage Love 26 Classifieds 27 Crossword On the cover: Photography by Darrow Montgomery
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EDITOR: ALEXA MILLS MANAGING EDITOR: CAROLINE JONES ARTS EDITOR: MATT COHEN FOOD EDITOR: LAURA HAYES SPORTS EDITOR: KELYN SOONG CITY LIGHTS EDITOR: KAYLA RANDALL LOOSE LIPS REPORTER: MITCH RYALS HOUSING COMPLEX REPORTER: MORGAN BASKIN STAFF PHOTOGRAPHER: DARROW MONTGOMERY MULTIMEDIA AND COPY EDITOR: WILL WARREN CREATIVE DIRECTOR: STEPHANIE RUDIG CONTRIBUTING WRITERS: MICHON BOSTON, KRISTON CAPPS, CHAD CLARK, RACHEL M. COHEN, RILEY CROGHAN, JEFFRY CUDLIN, EDDIE DEAN, ERIN DEVINE, CUNEYT DIL, TIM EBNER, CASEY EMBERT, JONATHAN L. FISCHER, NOAH GITTELL, SRIRAM GOPAL, HAMIL R. HARRIS, LAURA IRENE, LOUIS JACOBSON, CHRIS KELLY, STEVE KIVIAT, CHRIS KLIMEK, PRIYA KONINGS, JULYSSA LOPEZ, NEVIN MARTELL, KEITH MATHIAS, PABLO MAURER, BRIAN MCENTEE, BRIAN MURPHY, NENET, TRICIA OLSZEWSKI, EVE OTTENBERG, MIKE PAARLBERG, PAT PADUA, JUSTIN PETERS, REBECCA J. RITZEL, ABID SHAH, TOM SHERWOOD, MATT TERL, SIDNEY THOMAS, DAN TROMBLY, JOE WARMINSKY, ALONA WARTOFSKY, JUSTIN WEBER, MICHAEL J. WEST, DIANA MICHELE YAP, ALAN ZILBERMAN
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DISTRICTLINE 2018 in Local Politics Well, 2018 has been a trip. Despite a relatively sleepy election cycle, we saw an unlikely Council alliance, an ill-timed trip to Mexico, and perhaps the best argument for making criminals out of those pesky Metro gate jumpers. Now it’s time for LL readers to kick back and relive some of the high (and low) lights from the year.
LOOSE LIPS
Best open government martyr LL readers might remember Traci Hughes, the former director for the Office of Open Government who scolded District agencies for violating open records and open meetings laws. As the first director for that office, Hughes blazed the trail for government transparency in the District. From 2013 until February, Hughes took on the Department of Consumer and Regulatory Affairs, the United Medical Center’s board of directors, and the appointments of administrative law judges. Most commonly, she tells City Paper, she saw agencies improperly closing meetings to the public. But some of Hughes’ opinions apparently ruffled a few of Mayor Muriel Bowser’s feathers, according to sources familiar with the situation. In February, when Hughes’ five-year term was up, the Board of Ethics and Government Accountability, whose members are appointed by the mayor, voted not to reappoint her. Hughes has said previously and in a more recent interview with City Paper that she believes some political pressure contributed to the board’s vote. “All these things happened coming into an election year,” she says. “If I were mayor, and my government is being called out in some pretty public ways for noncompliance on some things that could be potentially damaging and politically embarrassing … if I were her handler I would probably advise they contain it.” Hughes adds that she does not believe Bowser had any direct involvement in her not getting reappointed. Going forward, she believes the office, and particularly the director, needs more independence. Most unholy alliance On one side you have Ward 2’s Jack Evans, a fiscally conservative Democrat, who hasn’t met a TIF he doesn’t like. On the other you have At-Large Councilmember Elissa Silverman, a former analyst for the left leaning DC Fiscal Policy Institute, and arguably among the most, if not the most, progressive
member of the Council. Rarely do the two see eye to eye. But this year Evans and Silverman came together as the two most outspoken opponents of Ward 7 Councilmember Vince Gray’s efforts to skirt an important review process for the construction of a medical facility in Ward 8. Gray’s plan to waive the “certificate of need” to construct a hospital in Southeast D.C., as well as a new 200-bed addition at George Washington University Hospital in Foggy Bottom forged their bond. (A certificate of need tells lawmakers and the public whether a new medical facility is in fact needed.) Evans represents residents in Foggy Bottom, who say the area around the George Washington University Hospital campus is already too crowded and cannot accommodate another medical facility. Silverman argued that the study of need will tell the Council exactly where and what kind of health services the District needs. Howard University and the labor unions representing workers at the United Medical Center, which the new Ward 8 hospital will likely replace, also objected to the deal. In the final hours of the final day for D.C. councilmembers to pass legislation this year, Gray scored a hard-fought victory that seems to have satisfied everyone—except Evans and Council chair Phil Mendelson. The final bill passed 10-2 with Evans and Mendelson as the two dissenters. It included at least some considerations for unionized workers and for Howard University College of Medicine. But the Foggy Bottom residents got nada. Worst campaign trail proposal On the primary campaign trail this year, AtLarge Councilmember Anita Bonds came awfully close to suggesting that D.C. police officers should employ a highly controversial and racist policing tactic known as “stop-and-frisk.” At a Ward 3 Democrats candidate forum in June, Bonds said police should be more “vigilant” on crime and in checking for illegal weapons, as City Paper contributor Cuneyt Dil reported. “One way is to just have some random, ‘Hello, how are you doing, Mr., Ms., do you have any weapons with you?’” Bonds said to the laughter of the audience. “Seriously, seriously. Sometimes that works. And we really have to recover these guns quickly.” Bonds later denied advocating for implementing a stop-and-frisk policy, which in
4 december 28, 2018 washingtoncitypaper.com
Jack Evans
Darrow Montgomery
By Mitch Ryals
saying that those public transit miscreants who don’t pay their fair share “might as well have reached over and grabbed my wallet and tooken $2 out of it.” Alas, it was all for naught. The bill passed 11-2, with Evans and Mendelson dissenting.
New York City was ruled a violation of citizens’ Fourteenth Amendment rights due to the disproportionate number of African-American and Latinx people that NYC police stopped. Stop-and-frisk has been a contentious issue in the District as well, as advocates and the courts push the Metropolitan Police Department to collect data on the practice as required under D.C. law. ACLU attorney Shana Knizhnik told City Paper in June that while Bonds’ comments don’t specifically call for a stop-and-frisk policy, the councilmember’s suggestion could be a slippery slope. “What she described is not equivalent to stop-and-frisk, but I think what we’re concerned about is it would lead to such practices, and officers would interpret such a command from a D.C. councilmember to do more of these things,” Knizhnik said. Best argument against decriminalizing Metro fare evasion LL has to hand it to Jack Evans. The guy sticks to his guns, even in the face of certain defeat. When the Council debated a measure to decriminalize Metro fare evasion, Evans threw out every argument he could think of. He suggested that a report showing racial discrimination in fare evasion citations was inaccurate and dismissed racial discrimination as a compelling reason to change the law in the first place. He quoted historian Margaret MacMillan’s description of Woodrow Wilson— “When he was convinced, as he often was of the rightness of his cause, he regarded those who disagree with him as not wrong, but evil.” He appealed to those who do pay their fares, saying they ultimately shoulder the burden. He said that no one has ever been arrested solely for fare evasion, arguing that the arrest only happens if an alleged fare evader does not comply with police. And in a final plea, Evans went personal,
Best use of the nickname “Slim” in a text message to a councilmember In the run up to this year’s general election, Josh Lopez, a Bowser ally, injected himself into the at-large Council race between incumbent Councilmember Elissa Silverman and challenger Dionne Reeder. The mayor threw her support behind Reeder, who ended up losing by 12 percentage points. In a text exchange between Lopez and Ward 8 Councilmember Trayon White, first reported in vague terms by The Post, Lopez pushes White to voice his support for Reeder. Lopez: “Slim you going to tell your constituents to vote or nah” White: “Fuck is you talking about” Lopez: “Are you going to tell your folks to vote or keep acting like a bitch and stay silent?” White: “Trayon White ain’t never been no bitch … where you going to be at 1:30 p?” Lopez became a controversial figure in the local political scene this year. He was one of two Bowser appointees to the DC Housing Authority, where he lasted just three months before resigning. Lopez stepped down from the DCHA after he organized a “unity rally” to support White after the councilmember took heat for repeating a conspiracy theory that the Rothschilds, a wealthy Jewish family, control the weather, the World Bank, and the federal government. During the rally, Lopez held the megaphone for Nation of Islam representative Abdul Khadir Muhammad, who called Silverman a “fake Jew” and later, off mic, called Jews “termites.” Best excuse to miss a Council vote Councilmember Trayon White was conspicuously absent for one of the most important functions of D.C. government—the preliminary budget vote. The first-term lawmaker was looking to move past a few negative news stories about his comments regarding the Rothschild family and a donation from his constituent services fund to a Nation of Islam convention where its leader, Louis Farrakhan made anti-Semitic remarks, as The Washington Post reported in April. (White reportedly paid the money back.) It’s perhaps understandable that White would want an escape. Throw in the fact that the freshman lawmaker was turning 34, and a spot on the beach in Cabo San Lucas, Mexico, looked much more appealing. As his 12 colleagues gave initial approval for the $14.5 billion budget, White was posting videos to his Instagram Story that showed him relaxing by the water. CP
DISTRICTLINE
2018 in Housing
hired to work on the project. Reunion Square was a proposed tax increment financing project in Anacostia that would have boasted tens of thousands of square feet of retail and office space, as well as some affordable housing. White sunk that deal in November, arguing that it was too generous to the developer. Another tax increment financed project, the redevelopment of Rhode Island Avenue NE’s Brookland Manor, passed the D.C. Council this winter. Dozens of residents and their advocates lobbied against the project, believing that it will lead to the displacement of low-income families and those with large households. DCHA broke ground this year on Parkway Overlook, an apartment complex on Robinson Place SE long-planned for redevelopment. Once home to 1,000 low-income residents, the property fell into disrepair, with $5 million in vacant property taxes owed at one point on the complex. And hitting back against landlords they say violated the city’s housing code, tenant associations across the city organized actions against them this year, launching rent control strikes in Brightwood Park and legal action in Deanwood, among others. Dozens of these tenants live in apartments without heat or clean water, and where mold, pests, and crumbling infrastructure are the norm.
By Morgan Baskin EvErywhErE across D.c., from Trinidad to Anacostia and Michigan Park, it’s getting more expensive to live. For the first time, the Washington Business Journal reported in October, the median sales price of a single-family home in the District topped $700,000. (It’s now north of $730,000.) Renters aren’t exactly having better luck: Though median rental prices are down slightly since 2017, it’s still about $2,160 a month to rent a one-bedroom apartment. In the shadow of a ballooning housing market, there was a slew of high-level departures this year. Chiefs of the Office of Planning, Department of Consumer and Regulatory Affairs, and Department of General Services—all of whom have a hand in where (and how well) people live—were asked to step down shortly after Mayor Muriel Bowser’s re-election. Budget cuts threatened some of the District’s most vulnerable people, as well as lauded non-profit housing organizations, and Attorney General Karl Racine announced lawsuits against some of the District’s worst slumlords. City Paper also reported on a little-known program within DCRA that helps big developers pay more to fast-track large construction projects, like an Apple store in Mount Vernon Square’s Carnegie Library, as well as the startto-finish mess that was the construction of a luxury hotel in Adams Morgan. Below, some of the most significant pieces of news from this chaotic year. The biggest takeaway? It is very, very expensive to live in D.C. DC General At the beginning of the year, Mayor Bowser doubled down on her commitment to close DC General, the city’s largest family homeless shelter, by the end of 2018. Smaller replacement shelters in wards 4, 7, and 8 opened a month apart from each other this fall, though the latter two were delayed after the company hired to build them bungled the job. (And residents of the Ward 4 shelter are already complaining about its quality.) Neighbors of planned homeless shelters in wards 3 and 5 continued to mount legal challenges against each of them, though construction is now underway on both. A court recently gave approval to the shelter in Ward 3, allowing the final phases of its construction to move forward. Construction is also ongoing on Ward 6’s shelter, and District officials plan on opening the three of them between the summer of 2019 and spring of 2020.
Darrow Montgomery/File
HOUSING COMPLEX
In October, Bowser finally shuttered DC General on what would have been Relisha Rudd’s 13th birthday. (Rudd was a resident of DC General when she went missing in 2014. Law enforcement officials have not located her in the intervening years, and she was last seen at a Holiday Inn Express with a janitor who worked at the shelter.) Advocates for the homeless loudly protested Bowser’s decision to fast-track the shelter’s closure, arguing that she did so to offer valuable District land to Jeff Bezos for Amazon’s East Coast headquarters. (The company eventually announced that it would split HQ2 between Long Island City, New York, and Crystal City, Virginia.) DC Housing Authority The DC Court of Appeals struck down a redevelopment plan this spring for Barry Farm, the beleaguered public housing complex in Ward 8, where District officials later found traces of lead. The discovery, made during a structural audit of DCHA’s housing portfolio, was representative of more pervasive issues across the authority’s housing stock. Almost one-third of its units are nearly uninhabitable, the audit found. DCHA will need an estimated $343 million next fiscal year to make interim repairs, and is prepar-
ing a commensurate financial ask from the city come budget season in the spring. Also this year, a member of DCHA’s board of commissioners stepped down after he organized a “unity” rally where an attendee referred to Jews as “termites.” A seniors-only apartment complex in Ward 6, the Arthur Capper senior center, endured a mammoth fire this summer that displaced dozens of residents. Many of those seniors are living in hotels around the city until Capper is restored. The American Civil Liberties Union of D.C. filed a lawsuit against DCHA this year after security guards of a DCHA property allegedly violated the Americans with Disabilities Act. Filed in U.S. District Court on Aug. 30, the lawsuit alleges that a “profoundly deaf ” tenant of Ward 2’s Claridge Towers, who experienced difficulty breathing, was unable to access health services in a timely fashion. Affordable housing developments Ward 8 Councilmember Trayon White held demonstrations against the construction of two housing developments in his ward—Maple View Flats and Reunion Square. White protested the construction of Maple View Flats, alleging that the developer, Tim Chapman, lied about how many Ward 8 residents he
Legislative news A controversial move to limit how frequently homeowners list their spaces on Airbnb passed the D.C. Council, even after the District’s chief financial officer estimated that the city could lose $21 million annually in hotel tax revenue. The Council also introduced a bill to seal eviction records, and passed separate measures to make ownership of limited liability companies more transparent, make the Tenant Opportunity to Purchase Act more restrictive, and help curb rent concessions scams. The Bowser administration finally published regulations to implement the District Opportunity to Purchase Act, which will allow the city to buy apartment buildings, ostensibly providing another opportunity to keep rental units affordable. The D.C. Council also weighed how to legislate around eviction reforms, after the U.S. Marshals Service told City Paper in April that it would change its enforcement of evictions. USMS no longer mandates that landlords move former tenants’ belongings onto the street, making evictions in D.C. more like those in other major metropolitan areas. Former Councilmember Kathy Patterson, now D.C.’s auditor, released multiple reports this year criticizing the District’s efforts to preserve and create affordable housing. Those include audits skeptical of the efficacy of an affordable housing “trust fund” within the Department of Housing and Community Development, as well as an audit criticizing DCRA’s ability to effectively oversee the abatement of housing code violations. CP
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Keith Allison/flickr
SPORTS
Advanced metrics suggest that the Wizards made the right move in trading away fan favorite Kelly Oubre Jr. and bringing in Trevor Ariza. Simply put, Oubre’s presence on the court had been hurting the team. washingtoncitypaper.com/sports
2018 in Sports
turnaround from last place to qualifying for the MLS playoffs. “No one was talking about us, and now everyone can’t stop talking about us,” said midfielder Paul Arriola. “It’s a good feeling to be able to win and I think the work that we have put in has paid off. But we’re not done yet.” The team would lose a little over a week later in penalty kicks to the Columbus Crew in the knockout round of the MLS Cup Playoffs in front of a sold-out crowd at Audi Field.
By Kelyn Soong
March 15: As expected, free agent quarterback Kirk Cousins, who broke several records while in D.C. and went viral for screaming, “You like that!” at a television camera, signed with the Minnesota Vikings. He agreed to a three-year contract worth about $84 million. April 27: The Wizards’ caustic season mercifully concluded with a six-game loss to the Toronto Raptors in the first round of the NBA Playoffs. (As a reminder of the tension level, John Wall publicly called out his teammates and the front office a day after the loss.) June 7: Mark this day on your calendars. The Washington Capitals beat the Vegas Golden Knights, 4-3, in Game 5 of the Stanley Cup Finals, to finally end the 26-year D.C. sports championship drought in the four major leagues. Thousands of fans witnessed the victory at the watch party at Capital One Arena, and wiped away tears before swarming downtown D.C. in celebration. “I’ve never experienced anything like this,” one of the fans, Anthony Moton II, told City Paper that night. “Everyone is out here. This is so exciting. I can’t fucking explain it, it’s so crazy. … All that’s going on in our country, this city needs this so bad. We haven’t had a winner. Our city needs this and I’m here for it.” June 28: Wayne Rooney, international superstar, and to date the most popular D.C. sports athlete on social media, arrived at Dulles International Airport to hundreds of screaming fans. Though some questioned Rooney’s true pur-
Darrow Montgomery/File
The WashingTon fooTball team is on its fourth starting quarterback of the season, and fans often leave FedExField early, disgusted with the on-field product. The Wizards are mired in mediocrity, and can’t avoid questions about locker room chemistry. The owner of the Nationals doesn’t believe that Bryce Harper, the homegrown MLB superstar, will be returning to the District. But D.C. sports fans can still feel good about 2018. All they need to do is go inside Capital One Arena, look up at the rafters, and say, “At least that happened.” That’s where the Capitals’ Stanley Cup Championship banner hangs. Here’s a look back at a historic year in D.C. sports. pose in signing with an MLS team, one thing was clear: His arrival generated an excitement for the franchise that D.C. hadn’t felt in several years. “It is fantastic to be joining D.C. United at such an exciting time in the club’s history with the new stadium opening in just a few weeks,” Rooney said in a news release. “Moving to America and MLS fulfills another career ambition for me. I have the hunger to be a success here and will give D.C. 100 percent.” July 14: D.C. United debuted Audi Field, the team’s brand new, $500 million stadium at Buzzard Point. The summer evening was an on-field success, but the protest from the team’s supporter groups and a freak accident in which a railing hit a D.C. United staff member (giving her a concussion) marred the festive opening night. July 17: Nationals Park hosted MLB’s biggest stars and baseball fans from around the world for the MLB All-Star Game. One night earlier, Harper won the Home Run Derby in thrilling fashion while wearing a D.C. flag headband. July 28: Sports owner Ted Leonsis won his second championship when the Washington Valor of the Arena Football League won the four-team playoffs after finishing with a 2-10 regular season record. (This one wasn’t quite as exciting as the Caps’ victory.) Sept. 12: The Mystics defied odds all season and made it to the WNBA Finals. Global basketball icon Elena Delle Donne
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and veteran guard Kristi Toliver led the way for the team but the Seattle Storm swept the Mystics in three games. “I think it’s important to realize that we just rebuilt this team last year with bringing in Elena and Kristi and some other pieces,” guard Natasha Cloud told City Paper after Game 3. “In our second year we’re a championship-caliber team. We’ve continuously progressed from semifinals to the finals. There is another level to this team, so we have a lot to be proud of.” Sept. 22: Mayor Muriel Bowser and other D.C. politicians gathered with sports figures and members of the community for the ribbon-cutting of the Entertainment and Sports Arena in Ward 8. Sept. 26: The Nationals beat the Miami Marlins, 9-3, in their last home game of the season. But this date is significant for another reason: Harper may have played his last game at Nationals Park with the home team. He arrived at the stadium three and a half hours early to soak in the atmosphere and put on the Nationals’ white jersey for what was potentially the final time. He is now a free agent. Oct. 16: Toliver became one of the few female coaches in the NBA when the Wizards named her as an assistant coach. “I’d love to be a coach in the NBA, that would be a dream,” Toliver told City Paper a few months earlier. Oct 21: D.C. United completed its miraculous
Oct. 31: The University of Maryland fired D.J. Durkin as its football coach one day after reinstating him. Controversy surrounded the school after the heat stroke death of linebacker Jordan McNair and reports of a toxic football culture. Durkin was in the third year of a five-year deal and was paid approximately $5.5 million to not coach the team. In December, Maryland announced that D.C. native and former Alabama football assistant coach Michael Locksley will take over as head coach of the Terps. Nov. 3: The Capital City Go-Go, the Wizards’ G League affiliate, made its debut at the Entertainment and Sports Arena in Ward 8. The announced crowd of 2,383 included NBA Commissioner Adam Silver. Nov. 18: Exactly 33 years after Joe Theismann suffered a broken leg that ended his career, the Washington football team’s starting quarterback and offseason pick-up Alex Smith broke his right tibia and fibula after being sacked by Houston Texans’ Kareem Jackson. Smith would require several surgeries due to infections and would not be released from the hospital until Dec. 16. Washington has started three different quarterbacks since his injury. Dec. 3: The D.C. Overwatch esports team (owned by Washington City Paper owner Mark Ein) unveiled its logo and official team name, Washington Justice, ahead of season 2 of the Overwatch League. Washington assistant coach Kyoung Ey Molly “AVALLA” Kim will become the first female OWL coach. The franchise’s first match will be on Feb. 16 and the team will be compete at the Blizzard Arena in Burbank, California. Dec. 17: In a surprise trade that almost didn’t happen, the Wizards said goodbye to Kelly Oubre Jr. and Austin Rivers and welcomed back Trevor Ariza. Dec. 23: The local NFL team was officially eliminated from the playoffs for the third straight season, and the ninth time out of the last 11. CP
SPORTS
Ahead of the Game Former Wizards player Etan Thomas addressed social issues during an era when athletes stayed politically neutral. By Aman Kidwai
Rob/flickr
Michael Jordan would have never called the President of the United States a bum. Jordan’s famously neutral approach to politics during his run as the most recognizable athlete on the planet bucked a decades-long trend. In the 1960s and 70s, well known athletes like Kareem Abdul-Jabbar, Muhammad Ali, Bill Russell, Billie Jean King, Jim Brown, Arthur Ashe, and many others took serious action for causes they believed in, such as the civil rights movement or ending the Vietnam War. They followed in the footsteps of Jackie Robinson and the generation that worked to overcome segregation across the sporting world. But in the 1980s and ’90s, an exponential rise in the financial incentives of professional sports made Jordan and his contemporaries wary of rocking the boat. Owners, league executives, media members covering the games, and advertisers all had a vested interest in keeping their sports entertainment products politically neutral, and star players were compensated handsomely for it. During his nine-year NBA career, Etan Thomas played alongside many big names, including Jordan on the Wizards. He had a decidedly different view, and a far more outspoken attitude, on social matters than athletes in his era—a view that has made a recent resurgence with today’s NBA superstars like Carmelo Anthony, Steph Curry, and LeBron James, who called Donald Trump a “bum” on Twitter while criticizing his decision to “uninvite” Curry and the Golden State Warriors to the White House. Thomas, 40, was ahead of his time in using his platform to address social causes, and sees the advocacy of today’s athletes as a marker for a new era. “For LeBron to be able to take the stances that he takes kind of goes against the prevailing stance that Michael Jordan took,” Thomas recently said at a panel about athlete activism at The Aspen Institute. “What LeBron is doing is changing everything for athletes.” Thanks to social media, prominent athletes today have better control over their messages and more opportunities to connect with supporters of a cause. Back when Thomas was playing, his commentary on social issues didn’t get as much attention. Traditional media outlets simply
Etan Thomas in 2005
weren’t interested in unpacking his opinions on topics like the death penalty or the war in Iraq. “I don’t think political athletes were taken seriously,” says Dave Zirin, a journalist who covers the intersection of sports and politics for The Nation and on his podcast, Edge of Sports. “It wasn’t a thing where they saw good copy, or they thought it would actively repel readers, and that’s why they made that decision to walk away from these terrific stories.” Zirin, then a reporter for the Prince George’s Post, was the first person to publish a story on Thomas’ opposition to the Iraq War back in 2003. “Then it kind of went viral before going viral was a thing,” says Thomas. Of course there was backlash, but Thomas was well prepared to back up his opinions. He started to become active on social issues in high school after a negative experience with the police in his hometown of Tulsa, Oklahoma. When he spoke publicly about it, in the media and as a member of the debate team, he realized the platform that he had as a prominent athlete. Once in the NBA, Thomas’ voice only grew, but his position as a role player limited the platform to spread his message. He noticed that his higher-profile teammates and superstars in the league were reluctant to speak up, though not necessarily because they didn’t care. Political and social issues did come up in the locker room, says Thomas. As an example, he
recalls having lengthy chats with his Wizards teammate and NBA All-Star Gilbert Arenas about the importance of voting and elections. “All my teammates, we all had conversations about what was going on at the time,” Thomas says. “Just guys sometimes don’t make it public.” Now, in addition to having better means of spreading a social message, and benefitting from a new example set by the game’s top stars, there is also greater acceptance of athlete activism from those in power. Thomas was fortunate to have the support of thenWizards owner Abe Pollin at the time and is heartened to hear current owner Ted Leonsis express similar feelings. “We expect so much from our athletes in the NBA,” Leonsis told Thomas in the former NBA player’s recent book, We Matter: Athletes and Activism. “So if we are asking them to be exemplars and leaders and really hold them to this incredibly high standard, why would we say, ‘Be with the people, but don’t have an opinion on issues that directly affect the people’? … These are really experienced, intelligent people who probably know a lot more about what is going on in the community than we do.” Leonsis has been supportive of current Wizards stars Bradley Beal and John Wall, who have publicly criticized President Trump’s divisive words. Thomas says that Wall told him that watching James and other NBA stars like Anthony, Dwyane Wade, and Chris Paul en-
courage younger players to speak out has inspired him. It also helps to be in the nation’s capital. Beal attended Barack Obama’s town hall on gun violence in 2016. The Mystics have gone on group trips to the Newseum and the National Museum of African American History and Culture. The WNBA as a whole is known for taking a progressive stance on social issues. “When I was playing here there were always protests going on somewhere about something,” Thomas says. “So it was not hard to find a crowd, or a circle, that feels as passionate as you feel about something and be able to intermingle and speak with them.” Eventually, event organizers started to invite Thomas to speak or to read his poetry. He has found his voice in this city as an activist, and now speaks at events across the country and hosts a radio show with Zirin on the D.C.based WPFW. While the District is unique in its proximity to political power and activity, athletes have yet to break through on Capitol Hill with national policymakers. “That’s been a space that’s been alienated from athletes,” says Zirin. “Because it feels much more like photo ops for the congresspeople more than promoting political work. … And there’s a lot of class contempt in those circles for athletes.” Instead, athletes have had more progress at the grassroots level. When the University of Maryland reinstated football coach D.J. Durkin months after the heat stroke death of Jordan McNair, three players—Ellis McKennie, tight end Avery Edwards, and offensive lineman Brendan Moore—walked out of Durkin’s first team meeting. McKennie, an offensive lineman, tweeted out his disappointment with the school’s decision and felt the community rally around his cause. Maryland fired Durkin a day later. “I think that’s a space where something that literally is hitting so close to home for these athletes,” says Dr. Michael Friedman, who teaches a course on the history of sports in America at the University of Maryland. “I don’t necessarily see what they did so much as a political statement, but as a highly personal statement. ...They probably saw this as the only way to get justice.” Thomas would have fit in with this new generation of athletes using their voice. But instead of lamenting that fact, he’s working hard to empower the nation’s youth. “As I’m going speaking at different colleges and universities, young people are energized. Young athletes are energized,” Thomas says. “You’re gonna see something big happen. I’m really looking forward to it, honestly, because change always comes from the youth. And that’s what’s happening right now.” CP
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Clockwise from left: “Washington, DC 11-20-1993,” “Page, Arizona, 5-17-1999,” “Twenty Nine Palms, California, 5-20-2001,” “Madison, Wisconsin, 4-20-1999”
Portrait of the Artist as a Young Punk Cynthia Connolly’s punk spirit is well intact, and she has more than 30 years’ worth of ever-evolving art to prove it. By Alona Wartofsky
Photographs by Cynthia Connolly
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Shortly after Cynthia Connolly published Banned in DC: Photos and Anecdotes From the DC Punk Underground (79-85), she decided her book merited inclusion in the Library of Congress. But she quickly learned that the Library would not accept the book unless its selection officer had sent her a request. Incensed that she had not received one, Connolly, then 28, slid two copies of the book in an envelope and brought them to the Library’s Jefferson Building. She presented them at the front desk, advising the clerk that they had been requested. Inexplicably, Banned in DC was added to the Library’s collection. Connolly is still not entirely sure how. “I didn’t realize it at the time, but doing something like that is really who I am,” she says. “I just think I have some good ideas, and I’m a little stubborn. It’s funny, the idea that someone in the Library of Congress would find it and be like, how did this get here?” In the 30 years since Banned in DC first appeared, the self-published book—essentially a collection of photos, flyers, and anecdotes— has sold approximately 14,000 copies and is now in its seventh printing. At a time when local media and radio largely ignored the area’s punk scene, the book celebrated the increasingly influential “harDCore,” which was remarkable for its self-sufficiency and its principled worldview. But Banned in DC is not Connolly’s only significant contribution to local culture. She moved here from Los Angeles in 1981, and during the next two decades, she played important roles at two of the area’s most revered cultural incubators, Dischord Records and the live performance venue d.c. space. After graduating from the Corcoran School of the Arts & Design, she continued to cultivate her style as both a letterpress artist and photographer, the latter in such quirky series as DC Musicians and their Favorite Mode of Transport, which has been exhibited around the U.S. and internationally. More recently as a curator, she has operated mostly in Arlington, not far from the Dischord headquarters where she worked during most of the ’80s and ’90s. Through it all, she has been driven by punk’s DIY methodology, an unrelenting work ethic, and a distinct perspective that finds wonder in the mundane. And while she is best known for Banned in DC, her most visible work is her 1982 drawing of a black sheep happily jumping away from a herd of white sheep that was the cover of Minor Threat’s seminal 1983 album Out of Step. “I rendered the white sheep sort of sophisticated and looking a bit bored in watercolor and then the black sheep in crayon to express youthfulness,” she says. “But the eyes are drawn open, which is intentional. My sheep is jumping away and has full intentions of being different and moving away from the flock.” Somewhat like Edvard Munch’s “The Scream,” Connolly’s black sheep has been endlessly duplicated—tattoos, T-shirts, phone cases, bags, pins, and necklaces. There’s even a “Minor Threat Black Sheep” embroidery hoop available on Etsy.
It was Ian MacKaye, Minor Threat frontman, Dischord Records owner, and Connolly’s former longtime partner, who had commissioned her to draw a black sheep for the album’s cover. What she gave him far exceeded his expectations. “It’s such a great image that resonates with people who have chosen to be the other, to be part of a counter-culture or the underground,” he says. “And it’s totally and completely Cynthia. The way she drew that was so joyful, which was the idea—that the black sheep is full of joy because it’s separated from this pack of bitter, unhappy conformists.” Earlier this month, Connolly presented a slide show at the Hirshhorn Museum and Sculpture Garden about Banned in DC and the culture that inspired it. Along with miscellaneous ephemera that did not make it into the book, the evening was filled with engaging anecdotes. Many in the audience appeared to have been around back in the day, but a surprising number of younger folks were there, drawn by D.C. punk’s enduring prestige. Afterward, book buyers waited patiently in line as Connolly signed copies alongside Leslie Clague, the book’s founding co-editor and contributing photographer. “Cynthia is relentless and tenacious,” Clague noted between signatures. “She kept this book going for 30 years. If she hadn’t done that, I’m not sure anyone would still be talking about it now.” When it was his turn, one of the junior members of the audience, punk podcaster Andrew Goodwin, placed his copy in front of Connolly, and looking very pleased with himself, announced, “I bought this book and I waited in line for 30 minutes just to tell you that I’m getting the black sheep tattooed on my ass.” Connolly laughed. in the yearS since Connolly hustled Banned in DC into the Library of Congress, she has honed her skills in working within the system, navigating county bureaucracy to achieve her offbeat curatorial vision. She has brought a distinct edge to Arlington’s visual arts scene with exhibits like Ellipse Arts Center’s contemporary sewn art show The Thread As the Line in 2008 and Artisphere’s 2012 Beyond the Parking Lot: The Change and Reassessment of Our Modern Landscape, which explored our responsibility to the natural environment. “Cynthia went from d.c. space to creating a very serious art scene in no man’s land, Virginia—just by being Cynthia,” says former d.c. space owner Bill Warrell. “At the same time, she’s carrying on her very real career as an artist herself. I’m watching everything that she’s doing, and I say, ‘Thank God you’ve figured out a way to get paid by the Arlington government and be who you are.’” Connolly’s prized achievement in her current gig as the county’s Special Projects Curator is the Arlington Art Truck. The white van, painted by graffiti artist and muralist Stephen Powers, tools around the county from April to October with various art projects and “ac-
“Ted Leo of Chisel with his 1965 Chevy Nova”
“Kathi Wilcox of Bikini Kill with her 1965 Plymouth Valiant”
“Jason Farrell of Blue Tip with his 1967 Cadillac Fleetwood 75 Limousine” washingtoncitypaper.com december 28, 2018 9
tions.” Last spring, the truck’s inaugural presentation was Alex Braden and Emily Francisco’s “Bipedal Soundscapes,” an interactive “sound sculpture” comprised of a stationary bike wired to a five- tiered turntable. Pedaling the bike created musical mixes—one evening in Crystal City, the records included Chuck Brown & The Soul Searchers’ “Run Joe,” Columbia Masterworks’ “The Big News of ‘59” and War’s “Platinum Jazz.” The intensity and speed of the pedaling altered the created sounds. The truck’s mission—“to blur the line between participant and presenter”—is reminiscent of D.C.’s hardcore punk scene, where bands performed alongside stage-diving fans. In this case, the artists watched while their audience created music that was distorted and noisy, but music nonetheless. Connolly hovered around the proceedings, chatting amiably with tentative pedalers. Wearing a white lab coat over her clothes and carrying a clipboard, she resembled a laidback modern-day alchemist in saddle shoes. A careful observer might have also noticed that her signature shoes are painted on the side of the Art Truck, an homage by her friend Powers. (About those saddle shoes: Her association with punk might lead one to expect combat boots, but unpredictability is a Connolly trademark. She’s also into waltzing, square dancing, and playing banjo.) Braden can’t think of anyone besides Connolly who could make “Bipedal Soundscapes” happen in Arlington. “It takes a very specific person to translate some harebrained scheme that an artist comes up with into something that can get funded by a board in this relatively litigious environment where everybody’s worried about risk and liability,” he says. “Something like this makes no sense here,” he adds. “But Cynthia wanted it to happen and now it’s happening.” Later, Connolly explains that she has recently found connections between her disparate bodies of work both as a curator and an artist. “It dawned on me that all my artwork was about documenting or supporting a community or it was work that inspired surprise and wonder,” she says. “What I like most about science, art, and math is discovery, and exploration and discovery is what I do as an artist and a curator. “The Art Truck is a perfect example. It’s by happenstance. There’s serendipity. What the hell is this doing here?” Connolly was raised in Los Angeles’ Pacific Palisades coastal neighborhood, where she could observe the ocean from the windows of buses that ferried her to and from school. “It was really meditative and stabilizing, you know. The earth is way mightier than we are,” she says. “I think my energy, who I am, is a direct result of that California energy.” Her parents divorced when she was 9 years old; around that time, her mother returned to school to study law. Jane Bogart, a friend since middle school, describes their neighborhood’s
Cynthia Connolly’s original drawing of the Minor Threat Out of Step album art
milieu: “A lot of families were divorcing, a lot of kids were a little bit adrift,” she says. As a teen, Connolly was turned off by the male-dominated surf culture around her and was instead drawn into L.A.’s punk scene. Bogart recalls seeing The Decline of Western Civilization with Connolly and hanging out together at L.A. punk clubs like the Starwood and the Vex. They also attended an Adam And The Ants parking lot performance at Tower Records on Sunset Boulevard, where members of Black Flag distributed stickers that read, “Black Flag Kills Ants on Contact.” The 1980 exhibit on the Russian avantgarde at the Los Angeles County Museum of Art provided a pivotal moment for Connolly. “I was already going to punk shows, and then that exhibit just drove it home for me. I realized I wanted to be in a group of people who are thinking new ideas and creating new things,” she says. “Women were actually part of the movement in punk, and they weren’t just considered groupies. In punk, there were women and musicians who were actually doing things.” When Connolly’s mother Vera moved to D.C. to work for the Reagan administration,
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her two daughters came along, though Cynthia temporarily returned to L.A. to complete high school. Cynthia and her sister Anna met MacKaye and his brother Alec soon after they arrived in D.C. “The L.A. punk scene was super important to me, and they were L.A. punks,” Ian recalls. “I just thought that was super cool.” After graduating, Cynthia returned to D.C. in the summer of ’81 and immersed herself in the burgeoning local punk scene. Minor Threat and fledgling bands like The Faith and Iron Cross rehearsed in the basement of her mother’s Northwest house. In the years that followed, she often spent time helping around Dischord House, the Clarendon bungalow where MacKaye and Dischord co-founder Jeff Nelson lived as roommates and operated the increasingly influential punk label. Eager to foster connections between the L.A. and D.C. punk scenes, Connolly sold the LA zine Flipside at shows here. She also shot photos for Flipside and wrote a D.C. scene report under the name “Morticia.” After graduating from the Corcoran in 1985, she moved briefly to San Francisco. There, she worked for punk magazine Maximum Rocknroll and
its photo zine, If Life Is a Bowl of Cherries, What Am I Doing in the Pit? Both inspired her to mastermind the Banned in DC book. “I knew I needed to go back to D.C. and do this book about the D.C. punk scene because if I don’t do it somebody else is going to do it, and it’s going to be awful and they’re going to write these essays, and it’s just going to be so boring.” Sneering at “essays” and “boring,” she sounds like the teenage punk version of herself. “I really wanted to do what I ended up doing, which is collect stories from people and just put those stories alongside photographs and the flyers, so the reader experiences it almost firsthand,” she says. Unlike Mark Andersen and Mark Jenkins’s Dance of Days: Two Decades of Punk in the Nation’s Capital, which explored local punk with reporting and analysis, Banned in DC feels more like a grungy subterranean yearbook. “It’s the most heartfelt publication I can think of that era,” says Connolly’s friend and fellow photographer Lely Constantinople. “No one’s trying to wrap it up in a nice little curatorial bow for you. It’s just the raw feed of what it looked like, and felt like, and smelled like. To me, that is the absolute perfect use of photographs and of book-making and the perfect marriage of the two.” In 1987, Connolly started booking d.c. space, where she remained until the club’s closing in 1991. Her tenure at the club—which hosted a variety of punk, rock, jazz, theater, poetry, experimental film, performance art, etc.—broadened her understanding of the local arts scene. She loved the job for a variety of reasons. “The steps going downstairs were really precarious, totally unsafe by today’s standard,” Connolly recalls. “The bathroom was totally teeny weeny, and so creepy and weird … I couldn’t believe they let drunk people go down those crazy stairs. I remember going downstairs to that bathroom and thinking, ‘This is the best job ever. These stairs are so crazy, and this bathroom is so disgusting, but so cool. There will never be a job like this ever again.’” starting in 1992, Connolly took over zine and radio promotions for Dischord, where she would remain for the next decade. After a successful 1999 solo photography exhibit in Seattle titled Landscapes, Ice Machines, People, Stuff, she decided it was time for her work to be shown in Europe. Relying on a network of punk contacts she collected at her Dischord day job, she toured the continent lugging a box of her own unframed photographs—from Rome and Milan to Zurich, Berlin, and Bilbao. Not surprisingly, her approach to showing her work had a distinctly punk feel. “Cynthia beats down that door all the time,” says Constantinople. “[She] says, ‘I’m still here. And guess what? I’m going to put all my shit in my car and I’m gonna drive it around to you, just like a band would. I’m going to drive all my shit to your wall and I’m going to put it up in your music venue and you’re gonna look at it.’ That takes serious balls.”
From left: “Olympia, Washington, 7-1997,” “Narragansett, Rhode Island, 9-6-2011,” “Selma, Alabama, 9-17-2003,” “Petaluma, California, 6-25-2001” More recently, Connolly’s art has been welcomed by more traditional establishments. Her photography series Letters on Top of Buildings— inspired by the neon rooftop letters in Hollywood and downtown L.A. remembered from childhood—has been acquired by L.A.’s J. Paul Getty Museum. Here, the Museum of American History has at least a dozen of her photographs—images of ice machines, phone booths, and arrow signs. And the National Museum of Women in the Arts recently collected her zine Big Lots and her handmade limited-edition letterpress book East to West: Trucks Driving. While high-profile personages who have bought her work include Nick Hornby and Michael Stipe, thousands of less celebrated clients own her photo postcards. She says she has printed and sold 135,000 photo cards, mostly on her own with minimal distribution from Dischord. “It was so much fun,” she says. “I once met a woman who said she keeps a set of my postcards in her glove compartment.” Connolly left Dischord in 2002 to start a year studying at Auburn University’s prestigious Rural Studio. There, she extensively photographed the surrounding Alabama countryside, built a darkroom in a rickety barn, and collaborated with a local artist to build a vegetable stand for an organic farmer. An avid gardener, she worked on Saturday mornings for 20 years at the Arlington Farmers Market. She waxes eloquently about the scent of cool soil as it warms and her favorite vegetables—“tomatoes, obviously and then organic green beans.” In the front yard of her tidy brick house, she grows those and arugula, radishes, and an array of herbs. Her house feels like a place where one could easily spend several days without boredom. Outside, tucked against the side of her garage, is a phone booth that she bought in Giles County, a part of rural Virginia she has come to love almost as much as her native California. Inside, visitors will find an assortment of art works, many of them acquired through trades
Four sets of Cynthia Connolly’s postcards with artist friends. Walls of bookshelves indicate the breadth of her restless interests and intelligence: There’s a book on California water rights, America’s Instrument: The Banjo in the Nineteenth Century, and a comprehensive history of “Old Southern Apples.” There’s Sally Mann and Walker Evans, books by Rebecca Solnit and Zora Neale Hurston, and an album by The Fall. Many of her Ice Machine photos are on the wall, including “Kleer Kube Ice” from Moruya, Australia, “Polar Ice” from Pittsboro, Indiana, and liquor store ice from Atlanta, Georgia. “When I was a kid in L.A., I never saw snow. I’d always try to pretend, oh it’s Christmas, it’s winter time,” she explains. “The only place I would see snow is on ice machines. In L.A., you’re always thrown in the car as a kid, and you’re driving around. I would see ice machines in the parking lots with the little frosty
letters, and that’s the snow. Later I started taking photographs of them, and then I realized if you look at all those ice machines together, you see connections and communities. The distribution networks are seen by the type of design on the machine.” Through much of her work, there is a commitment to building and supporting subcultures, whether of D.C. punks or inanimate objects like ice boxes and telephone booths, which she says she tries to make “nearly animate as though they’re in their own community.” Bill MacKaye, Ian’s father and an ardent admirer of Connolly’s work, explains how she achieves this. “Cynthia captures the details that go unnoticed by others,” he says. “And by doing that, she can enchant the ordinary.” Connolly’s basement laundry room doubles as her darkroom. “It’s pretty cra-
zy because there’s dust, and dust on prints is confounding,” she says airily. “Now I have a method of sponging everything down before I work.” A Zorlac skateboard with her famous sheep hangs just above her workspace. She can’t remember whether the company asked permission, but they sent free boards to her and every member of Minor Threat. Hers is not displayed upstairs because, well, it’s a skateboard. Connolly keeps the original sheep illustration unframed in a flat file drawer here in the basement. She has never considered hanging it upstairs. “I just don’t want that to be the conversation,” she says. “I’ve done so many other things.” A spate of 2013 news stories about the licensing of Out of Step T-shirts, including one in this publication, neglected to mention Connolly, even though she is clearly credited on the back of the album and receives royalties for every licensed item sold. And for all her accomplishments, several of her friends have noted that while the sheep is so iconic, the artist who drew it remains mostly anonymous. “Not a lot of people know that she did that,” says Constantinople. “It’s fucked up. I don’t know if this is a stretch, but this is what maledominated culture does to the world.” But maybe the artist doesn’t need validation for her black sheep because she is essentially content, joyfully and intentionally moving in her own direction. Connolly once heard about an office party in Portland, Oregon, that offered an array of free tattoos, one of which was her black sheep. “That bugs me because the context of Minor Threat is removed, but I guess there’s nothing you can do about it,” she says cheerfully. “But I have definitely said to people, ‘Your black sheep tattoo? I drew that.’ And they’re looking at me like, who’s that crazy old lady who says she drew the black sheep? That’s the most hilarious thing ever.” CP
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DCFEED
what we ate this week: Chopped brisket sandwich and a side of mashed potatoes, $13.75, Hill Country Barbecue Market. Satisfaction level: 3 out of 5. what we’ll eat next week: Monkfish katsu sando with Japanese mustard, cabbage, and tamarind tonkatsu sauce, $15, Fuyu inside Whaley’s. Excitement level: 5 out of 5.
2018 in Food
mission of DMV Black Restaurant Week, and there a number of notable black-owned restaurants who did not participate. They hope to grow the event next year.
By Laura Hayes 2018 was a year of growth and growing pains. Diners went to new destinations, including The Wharf and the Union Market District, and found more robust options in Navy Yard and on H Street NE. Less sophomoric nightlife neighborhoods like Adams Morgan, the 14th Street NW corridor, and Georgetown experienced significant change. Georgetown is on the path to becoming a thriving restaurant neighborhood once again thanks to the end of a 27year liqu or license moratorium, but Adams Morgan and 14th Street saw turnover as the clock ran out on five- and 10-year leases. The fourth quarter of 2018 in particular brought major closures including Taylor Gourmet, Acadiana, J. Paul’s, and CF Folks. Oh, and almost every Mike Isabella Concepts restaurant. D.C. is still largely an embarrassment of riches when it comes to dining options. From fine dining to fast casual, Washingtonians can try food from around the world without leaving the beltway. But growth has been uneven. East of the river in wards 7 and 8, there are less than 10 sit-down restaurants and just three full-service grocery stores. The D.C. Council advanced three pieces of legislation aimed at incentivizing food businesses to open in these underserved communities. 2019 will be about whether or not they work. Read on for more highlights and lowlights of 2018.
Best dishes I ate this year: Chicken and dumplings at The Dabney, squash blossom crab rangoons at Rose’s Luxury, salmon collar at St. Anselm, whole fried red snapper in brown stew at Kith/Kin, salmon en croute at Primrose, impossible potstickers at The Source, squid ink pasta with fresh tuna crudo at Centrolina, chicken parm florentine at Unconventional Diner, steak shawarma bowl at Charcoal Town, chicken skin dumpling at Spoken English, fried scallops at Stevensville Crab Shack, dal makhani at Pappe, fried shrimp donburi at The District Fishwife, and pozole at Ellē.
Cuisine that had the biggest year: Indian Indian food spiced things up in D.C. Newcomers that opened at the end of 2017 and throughout all of 2018 included Masala Story, Karma Modern Indian, RASA, Pappe, Bindaas’ Foggy Bottom location, Spice 6’s Chinatown location, and Bombay Street Food. Two more, Glassey and Punjab Grill, will open in the new year. Chef we loved to hate: Mike Isabella After former Mike Isabella Concepts employee Chloe Caras accused him of “extraordinary” sexual harassment, one of D.C.’s bestknown chefs took the low road and completely unraveled. Don’t forget the Instagram post
Laura Hayes
YOUNG & HUNGRY
that depicted a custom championship wrestling belt with the insignia of his restaurants on it that was accompanied by the hashtag #everybodyhatesme. What if he had instead settled quickly, publicly apologized, and vowed to invest serious resources into cleaning up his company’s work culture. Would he have had a chance to come back, even if he didn’t deserve one? Instead, diners departed and closures came swiftly, ultimately leading Mike Isabella Concepts to file for Chapter 7 bankruptcy in December.
dead: The Red Hen mix-up Bloomingdale’s charming rigatoni restaurant was dragged into a national scandal in June when a Lexington, Virginia, restaurant with a similar name didn’t let White House Press Secretary Sarah Huckabee Sanders finish her meal. (Disrupting the meals of Trump administration officials was a popular diversion in 2018.) “In terms of the truth decay, you have to remember that we didn’t do anything,” Chef Mike Friedman told City Paper after days and days of nasty calls, Yelp bombing, and even death threats.
Best show of solidarity: Restaurants telling Nazis where to shove it When a small group of white supremacists came to the District for the “Unite the Right 2” rally that was over before it started, restaurants hung signs and sent tweets informing these out-of-towners that they weren’t welcome. They had the right to do so—restaurants are legally allowed to turn away white nationalists and other “fringe ideological groups.” The Passenger stole the show with a sign that said, “Is your mom proud of you today? Prolly not if you’re Nazi scum.”
Biggest D.C. food milestone: DMV Black Restaurant Week This fall three Washingtonians came together to put on DMV Black Restaurant Week to highlight black culinary and bar talent as well as black-owned restaurants in D.C., Maryland, and Virginia. In addition to restaurants and bars offering deals, there was a conference and a bartender competition. One of the chief goals was to start building pipelines to black ownership. The founders, Andra “AJ” Johnson, Dr. Erinn Tucker, and Furard Tate, caught some flack for including a handful of what they called “allied restaurants” that weren’t black-owned but supported the
Sign that nuance and common sense are
12 december 28, 2018 washingtoncitypaper.com
Worst dishes I ate this year: Funnel cake with candied jalapeños and sweet cream cheese at the Montgomery County Fair, tacos at Taqueria Local, blintzes at Russia House, pomegranate guacamole at Whole Foods, and the meatball pocket at the Maryland Renaissance Festival. Biggest food fight of the year: Initiative 77 The battle over the ballot measure that sought to eliminate the tipped minimum wage was the food story of 2018. Initiative 77 forced diners to think about the complex way restaurant workers are paid and issues they face, such as wage theft and sexual harassment. It also mobilized a segment of the D.C. population—servers and bartenders— that haven’t traditionally been involved in local politics. Currently D.C. and 43 states use a tip credit system. In D.C., restaurant owners can pay tipped workers as little as $3.89 per hour so long as their tips carry them over the standard minimum wage ($13.25). If tips fail to carry a worker’s earnings over the standard minimum wage, the employer must cover the remainder. Initiative 77, which was put on the ballot by New York-based labor group Restaurant Opportunities Center United (ROC), would have gradually increased the tipped minimum wage in eight increments until it equalled the standard minimum wage of $15 in 2025, thus eliminating the tip credit and two-tier wage system.
DCFEED Proponents of 77 argued that if workers were to receive the full minimum wage directly from their employers, the measure would reduce wage theft and decrease sexual harassment and racial inequality in the workplace. Opponents believed that the measure’s increased labor costs would force some establishments to close or cut jobs and would ultimately reduce take-home pay for tipped workers. With the stakes being so high—hospitality is the second biggest industry in D.C.—this chess match drew hundreds of thousands of dollars in campaign donations. The names of the campaigns on each side contributed to the confusion. “Save Our Tips,” largely backed by the Restaurant Association of Metropolitan Washington and the National Restaurant Association, was misleading because 77 doesn’t outlaw tipping. Its backers thought that if restaurants have to raise menu prices to absorb increased labor costs, diners may not dine out as often and may not tip as generously when they do. ROC’s “One Fair Wage” campaign was also a misnomer. All tipped workers are entitled by law to the same minimum wage. What changes is who pays the lion’s share of the money— the public, through gratuities, or the employer. Proponents of 77 argued that the tip credit system creates too many gray areas, making it more challenging to protect workers from wage theft. This spring, City Paper combed through federal complaints against District businesses that violated the Fair Labor Standards Act over the past two years. About 40 percent of the 97 complaints were from restaurant or bar employees and of those, almost all were from kitchen staffers who don’t typically share in gratuities. These dishwashers, prep cooks, and line cooks, who are predominantly minorities, would not have benefitted from 77. José Andrés came out against the ballot measure in June for this reason, telling City Paper, “As it stands, the system is designed to allow servers to earn as much as 100% or more per hour than cooks. Increasing the tipped minimum wage will only make the current wage disparity more extreme and place downward pressure on small business margins.” City Paper interviewed upward of 150 tipped workers who work at a variety of establishments while reporting on 77. Almost all expressed anger and dread at the thought of the implementation of 77. Only a handful of tipped workers spoke out in favor of Initiative 77. But that doesn’t mean more supporters aren’t out there. Tipped workers who supported 77 were reluctant to come forward and disclose employment information, citing fears of retaliation from their employers or the opposition. They were
up against tipped workers who had owners on their side, and the interplay between the two groups on the street and on social media was fierce. Voters passed the ballot measure 55 percent to 45 percent on June 19. About a month later, seven of 13 D.C. councilmembers introduced a bill to repeal 77 outright. They cited misleading language on the ballot and conversations with tipped workers. There were three provisions on the ballot. The first asked voters if they wanted to see D.C.’s minimum wage increase to $15/hour. That increase was already approved in 2016. “Worker after worker is saying we don’t want this … There’s something out of whack here when what I’m hearing from non-workers who say this is good for workers while workers are lining up and saying no it’s not,” Council Chairman Phil Mendelson said at the hearing preceding the repeal vote. The 16-hour hearing on the repeal bill kicked off at 11 a.m. on Sept. 17 and lasted until 3 a.m. on Sept. 18. More than 250 people signed up to testify. On Oct. 2 the Council voted 8-5 to repeal 77, but only after Councilmember Elissa Silverman introduced a compromise that would have kept Initiative 77 in place for non-restaurant tipped workers like valets and restaurant workers who are indirectly tipped like bussers. The amendment failed. A second vote two weeks later sealed the deal, drawing immediate backlash from voters and community activists such as Rev. Graylan Scott Hagler. The wards that voted most favorably for Initiative 77 were predominantly African-American, and Hagler looks at the issue through a national lens of voter suppression. In response, Hagler teamed up with ROC leadership and cannabis activist Adam Eidinger to launch the Save Our Vote campaign with the goal of getting the repeal repealed through a future ballot referendum. Organizers collected more than the required 25,000 signatures in a matter of days, shelling out $200,000 to get the job done. But at the exact moment the signatures were being submitted to the DC Board of Elections, a D.C. Superior Court judge ruled that BOE failed to provide the public with proper notice about the referendum, effectively killing it. This conversation will bleed into 2019 and well into the future, as the head of D.C.’s ROC office vows to continue fighting for “One Fair Wage.” Stakeholders will have to keep asking if eliminating the tip credit is the perfect or nearperfect solution for addressing the local restaurant industry’s most pressing issues. CP Eatery tips? Food pursuits? Send suggestions to lhayes@washingtoncitypaper.com.
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perimental rap performances this year, you’ve seen him finish his set by hurling his body through the drums and onto his happily unfazed and resilient drummer, Rob Stokes. It’s an endearingly punk moment, channeling a legacy of musical defiance in one reckless leap; both a reverse stage dive and an audacious hug. —Lindsay Hogan
Listen Up City Paper’s music writers recount their favorite moments in music in 2018.
I’m not one for year-end lists. I’m not opposed to them completely, but I find that there’s something inherently misguided about ranking art in any sort of definitive manner. Experiencing art is a completely subjective experience in and of itself. So in lieu of a traditional “year-end list,” I gave City Paper’s music writers a simple prompt: What musical moments of 2018 moved you? This could take the shape of an album, a song, a concert, a lyric—whatever. The single caveat: It had to be, in some way, local. Here’s what they picked. —Matt Cohen Bathtub Republic’s Final Farewell Festival, July 28-29, 2018 For two hot summer days and nights, the beloved house venue Bathtub Republic ended its five-year run with relentless sets from BRNDA, Tony Kill, Light Beams, Luke Stewart, Anthony Pirog, The North Country, and 20 other artists indebted to the house’s hospitality and commitment to do-it-yourself art and music. Unlike the quiet, unexpected deaths of countless other DIY venues, Bathtub’s celebration of wildly diverse and loving performances replaced any sadness and regret with picturesque togetherness, creative momentum, and local pride. —Lindsay Hogan Every time Sir E.U ended his set by jumping through the drum kit, onto his drummer If you made it to the end of any of Sir E.U’s vividly chaotic, ex-
Lorde at The Anthem, April 8, 2018 and Impalers, Red Death, and Asesinato at Comet Ping Pong, August 23, 2018 A mess of outstretched hands reached over the barricade in an attempt to graze Lorde, as she descended from the stage at The Anthem last spring. As star-shaped confetti fell like snow from the ceiling, the audience rode a collective pop-fueled high. Months later, bodies overflowed out the doors of Comet Ping Pong’s back room as Austin hardcore outfit, Impalers, and locals Red Death and Asesinato conducted the space. A familiar abandon was present among those packed from wall-to-wall. Though a far cry from the posh waterfront venue eight miles south, the electricity in this small room was akin to that in a crowd with 1,000+ attendees a few months prior. The scene, however, was admittedly a bit sweatier. —Callie Tansill-Suddath The sounds of the city on the evening of the Washington Capitals’ Stanley Cup victory It started with silence as we held our breath, but it quickly crescendoed with car horns and chants of “We won the cup!” bolstered by the exuberant go-go bands at full throat. The sound of an entire city overcome in the present is the most unforgettable musical moment in 2018. —Justin Weber The Thousand Incarnations of the Rose: A Festival of American Primitive Guitar, April 13-15, 2018 The Thousand Incarnations of the Rose festival in Takoma Park in April 2018 was not only a celebration of Takoma Park native and solo guitar legend John Fahey, but a reckoning, too. Rare is the festival that lets one geek out about a niche fandom and also question and move beyond its biases and limitations. —Justin Weber The Hip-Hop Museum At the tail end of 2018, Jeremy Beaver—aka DJ Boom—the owner of the Listen Vision Studios and WLVS Radio launched a partnership with Culturehouse, the Southwest art gallery and performance venue formerly known as the Blind Whino. The most interesting part of this collaboration is the creation of the Hip-Hop Museum, DC, described as “the largest collection of hip-hop memorabilia in the world.” The official launch of the museum will be Jan. 18 with performances by Melle Mel and other rap legends. —Sidney Thomas Beat Konductaz beat battle The Beat Konductaz beat battle drew D.C.’s most talented DJs, rappers, and producers to a non-descript single-family house on Rhode Island Avenue NE. Grand Whizard emerged victorious and he will face the winners of other beat battles in a tournament-style format. DJ Ohlow founded Beat Konductaz to help local producers and audio engineers find better and more lucrative placement for their music. —Sidney Thomas Foo Fighters at Merriweather Post Pavilion, July 6, 2018 Somehow, some way, the Foo Fighters managed to avoid play-
Andras Fekete, leader of D.C. art-rock ensemble Boat Burning, has died.
washingtoncitypaper.com/arts
ing one of the best venues in the Greater Dave-Grohl-Hometown area for more than 20 years. Massive rock shows don’t get much better than this one was. —Keith Mathias Luna Honey, Among The Rocks and Roots, Social Station, and Kamyar Arsani at Hole in the Sky, July 13, 2018 One of the best new projects from one of D.C.’s best independent labels celebrated the release of their album by capping off an eclectic night of music with a stellar performance. Everything good about the D.C. DIY music scene in one show. —Keith Mathias Huda Asfour at Atlas Performing Arts Center, May 18, 2018 D.C.-based Palestinian oud player and singer Huda Asfour’s release show at the Atlas Performing Arts Center for her album Kouni was ambitious and artistic. She performed with a diverse group including D.C.-based musicians like Zambian guitarist and producer Sitali Siyolwe, African-American trumpeter and arranger Thad Wilson, and Iranian daf player Kamyar Arsani. The performance was stellar, bolstered by striking backing videos for each song. —Steve Kiviat Spencer Taylor & The Highway Q.C.’s at the House of Praise, Dec. 1, 2018 Ninety-year-old D.C. gospel singer Spencer Taylor often leaves the heavy lifting to his bandmates in The Highway Q.C.’s. But during one song at a recent multi-show bill at the House of Praise in Northeast, he took the lead—it was a marvelous sight to behold as he and his fellow singers sauntered down the aisle singing their songs of worship. —Steve Kiviat Sarah Hughes and Elijah Easton The two definitive moments in local jazz centered around two saxophonists: Sarah Hughes, whose new band and album Coy Fish is an astoundingly original and distinctive vision, and Elijah Easton, whose residence this year at U Street’s Service Bar became appointment music. Those two also led trios into an astounding summit at CapitalBop’s Rhizome jazz loft in December. —Mike West Paal Nilssen-Love’s Large Unit at RhizomeDC, June 16, 2018 For the second year in a row, local art-rock trio The Caribbean put together their Seventh Stanine festival—a day-long endurance of some of the best experimental, rock, and outsider music in the D.C. area and beyond (and, for some reason, my dumb band). Each performance was sublime, but the clear highlight was Norwegian musician Paal Nilssen-Love leading his 19-member free-jazz orchestra on an outdoor stage. Stay weird, Takoma Park. —Matt Cohen Philip Glass Ensemble performing Koyaanisqatsi at The Kennedy Center, March 16, 2018 Godfrey Reggio’s experimental 1982 film Koyaanisqatsi is, I think, one of my favorite films of all time. That’s in no small part due to Philip Glass’ iconic, stirring score. Watching Glass lead an ensemble of a live scoring of the film at the Kennedy Center was perhaps one of the greatest performances I’ve seen. Just thinking about it makes me mistyeyed. —Matt Cohen washingtoncitypaper.com december 28, 2018 15
THEATER Botticelli in the Fire at Woolly Mammoth Theatre Company
to comic relief from D.C. native Denyce Graves and soaring melodies that reverberated around one of the best rooms in town. —CJ Best performance involving a bouncy castle: Make Believe, Rosie Herrera Dance Theatre The D.C. debut of one of America’s most important dance theater artists explored religion and romantic love, culminating with a literal depiction of over-inflated fantasies. —RJR Best solo performance: Queens Girl in Africa, Mosaic Theater Company Asking one performer to tell a personal coming-of-age story that happens to coincide with a civil war is a large undertaking, but Erika Rose was more than up to the task. Her portrayal of Jacqueline Marie Butler, a teenager who moves with her family from Queens to Nigeria in the mid 1960s, was the perfect balance of specific and relatable. —CJ
2018 On Stage The D.C. theater scene is so diverse that asking City Paper’s team of critics to name the single best thing they saw on stage in 2018 would be an exercise in futility. So instead, we’ve reflected on the year by picking our favorite shows in a variety of random categories. Yet again, D.C. stages have presented something for everyone, whether you enjoy anticapitalist musicals or Shakespearean tragedy. —Caroline Jones Best performance on a pier: The Frederick Douglass Project, Solas Nua The D.C. permitting people thought Solas Nua artistic director Rex Daugherty was crazy, but they let him put on a show on a pier last May, and what a show it was: Psalmayene 24 and Deirdre Kinahan teamed up to dramatize Douglass’ first trip to Ireland and performed it across the river from the house where he spent his final years. —Rebecca J. Ritzel Best “My First Hamlet:” Michael Kahn directs Michael Urie, Shakespeare Theatre Company The retiring STC artistic director’s final crack at Hamlet traded on the star power of its melancholy Dane, Ugly Betty regular Michael Urie, but it was a conventional, straight-down-themiddle interpretation. —Chris Klimek Best play for anyone who has ever been a teenage girl: The Wolves, Studio Theatre Sarah DeLappe’s drama about an elite travel soccer team was staged across the continent in 2018, for good reason, and Studio’s intimate
production in its Stage 4 space had all the suspence of watching World Cup PKs. —RJR Best play for anyone who has been a working mom: Cry It Out, Studio Theatre Books on finding that elusive work/life balance are easy to come by, but plays are not. Thank you, playwright Molly Smith Metzler. —RJR Best demonstration of how Botticelli and Prince were remarkably similar artists: Botticelli in the Fire, Woolly Mammoth Theatre Company Woolly’s U.S. premiere of Jordan Tannahill’s uproarious and chilling ahistorical fantasy posited the Renaissance painter as an artist torn between the flesh and spirit who eventually burned many of his secular paintings. Remember the early-aughts period, when Prince became a Jehovah’s Witness and began censoring his own ’80s hits when he performed them in concert? —CK Best excuse to stomp your feet: Anything Goes, Arena Stage Arena Stage’s end-of-year musicals can be tricky—a lot of the classics have not aged well—but Cole Porter songs and sharp tap choreography (that audiences attempted to stomp along to) made Molly Smith’s production a must-see. —Caroline Jones Best anti-communist musical: Vietgone, Studio Theatre Losing to the VC has never been as fun as in Qui Nguyen’s sex, drugs, and rock ’n’ roll
16 december 28, 2018 washingtoncitypaper.com
show about his refugee parents finding love in Arkansas. —RJR Best anti-capitalist musical: Billy Elliot, Signature Theatre A few visceral effects are lost when Billy is downsized to fit inside a black box, but the musical’s bleeding liberal heart is as big as ever. —RJR “Best” I-Know-Prolonged-Silences-AreAnnie-Baker’s-Thing-But-C’mon-Already: John, Signature Theatre Baker’s 3.5-hour drama set in a bed-and-breakfast that was a hospital during the Civil War was filled with so many pauses, per the playwright’s stage directions, that it still may not be over. —CK Best Play That’s More Reasonable in Its Allotment of Wordlessness: Small Mouth Sounds, Round House Theatre Bess Wohl’s comedic drama about a half-dozen (mostly) strangers on a silent retreat together communicated twice as much as John in half the time. That’s not hyperbole. Its run time was 105 minutes. —CK Best reimagined Stravinsky: Rite of Spring, Pointless Theatre Few shows left me as awed by D.C.’s talent as this wordless work of dance theater featuring an all-female cast, inventive choreography by Kathy Gordon, and a super creepy old crone puppet. —RJR Best Leonard Bernstein tribute: Candide, Washington National Opera Plenty of music groups honored the great American composer’s centennial with performances, but Washington National Opera’s lush production of Bernstein’s operatic adaptation of the Voltaire novella shone particularly brightly, thanks
Best multilingual play performed in a single language: Translations, Studio Theatre Matt Torney’s production of Brian Friel’s 1980 play about English occupiers in 19th century Ireland did a masterful job of conveying which characters could and could not understand one another, though we could understand and empathize with them all. —CK Best appropriation of a semi-famous early ’90s power-pop album: Girlfriend, Signature Theatre The unraveling of his marriage in his twenties inspired Matthew Sweet to write his 1991 power-pop masterpiece, Girlfriend. It was a baffling choice for a soundtrack to Todd Almond’s 2010 play about two teenage boys falling in love in Nebraska the summer after high school. —CK Best argument against trying to become a professional writer: Gloria, Woolly Mammoth Theatre Company Branden Jacobs-Jenkins worked at The New Yorker before his career as a playwright got going, which must be why this brutal examination of the naked ambition of scribes rang so true. —CK Best set to move into: The Remains, Studio Theatre Wilson Chin turned the Mead Theatre into a homey yet austere Boston apartment for Ken Urban’s comedic drama about the dissolution of a marriage. From the fancy kitchen to the artistic wallpaper, it would not look out of place in the pages of Architectural Digest. —CJ Best reward for waiting in a 12-hour digital queue: Hamilton, Kennedy Center Opera House Yes, the long wait and pricey tickets were worth it. Seeing the American musical of the moment in a building that overlooks national memorials reminded us that living in the nation’s capital can still be awe-inspiring at times. —CJ
CPARTS ARTS DESK
9:30 Club launches “Bent,” a new LGBTQ dance party to fill the void of Town. washingtoncitypaper.com/arts
Second Looks
In photography displayed in the D.C. area this year, five images stood out. They came from all over, from Mexico to Japan to Cuba to the Middle East. Here’s one art critic’s picks for the best photographic images exhibited in local museums and galleries in 2018 —Louis Jacobson
Steven Bollman In his Leica Store DC retrospective Almost True, Bollman offered an apt description of his philosophy—that even though his photographs were made over a period of 30 years and in many locales, they cover “just a few seconds in real time.” The most striking image was an homage to the signature works of O. Winston Link—a 1950s-era car outracing a cruise ship under dark skies along Havana’s Malecón.
Fred Zafran Zafran’s exhibition at Multiple Exposures Gallery, Along The Poet’s Narrow Road, was as moody and contemplative as you might expect for a meditation on a 17th century Japanese poet’s journey. Zafran made photographs along the path of Matsuo Bashō, a famous Edo-era master of haiku who cast off his possessions and hiked 1,500 miles through a wilderness region, mostly by himself, and wrote poetry. Zafran’s almost painterly image of a woman standing statue-like on a train platform embodied the notion of quiet anticipation.
Amani Al Shaali The American University Museum exhibit Tribe: Contemporary Photography from the Arab World included a wide range of deeply personal imagery from cutting-edge artists, but one that stood out was Al Shaali’s dreamlike image of a woman besieged by falling knives—a tableau that was at once particular and universal.
Nestor Ares Cortes In the eighth annual Photo Slam exhibit at Glen Echo Photoworks, Ares Cortes documented the Mexican Day of the Dead. One image was especially phantasmagoric—a photograph that peered through a stone arch toward hulking figures, crosses, and eerily lit trees at nighttime that initially seem to be aflame.
Jo Levine Levine was one of 14 photographers who contributed to the Studio Gallery’s group show, Narrative: Contemporary Photography and the Art of Storytelling. The exhibit was full of creative work, but an image by Levine was a standout: a bonfire photographed through the fire’s heat waves, as if it had been taken through frosted, textured glass.
washingtoncitypaper.com december 28, 2018 17
GALLERIES
Forward Thinking The National Gallery of Art made strides in 2018, but with an incoming new director, its future is looking brighter.
ly two dozen European masterpieces from the Soviet Union. Launching the National Gallery facilitated Stalin’s first Five-Year Plan. (Russia used to trouble Reagan-era culture warriors.) More recently, the National Gallery has made leaps and bounds toward breaking out of the political boundaries prescribed by the priests who keep the canon. Recent artists highlighted by the museum include Anne Truitt, Theaster Gates, and Barbara Kruger. Philip Brookman curated a show of early works by Gordon Parks, while Kara Fiedorek assembled diptych photographs and video from Dawoud Bey’s “The Birmingham Project” (2012)—two generations of artists asserting black culture through photography. Art by women anchored two of the museum’s best exhibitions in 2018: Rachel Whiteread and Sally Mann: A Thousand Crossings. The former, a co-production with the Tate Britain, is the culmination of the National Gallery’s acquisition of Whiteread’s “Ghost” (1990), a post-minimalist masterpiece. The formalist survey was made possible (or made easier) by the museum’s forward-looking investment in her work. That’s
18 december 28, 2018 washingtoncitypaper.com
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EarliEr in DEcEmbEr, the National Gallery of Art named its new director. Currently the president and director of the Minneapolis Institute of Art, Kaywin Feldman will succeed Earl A. “Rusty” Powell III as the fifth leader of the nation’s fine-art treasury. She may be the first person in the museum’s history to be subject to a vicious right-wing smear before day one on the job. “Obituarists looking to write the epitaph of the American art museum could do worse than ponder the elevation of Kaywin Feldman,” wrote Roger Kimball in a blistering editorial for The Wall Street Journal. He begins with her appointment as the first woman to run the National Gallery and expands his complaint to encompass every wrong turn he thinks art has made since the 1960s, seemingly laying them all at her feet. Kimball’s bellicose rant ends with a Trumpian blast: He labels Feldman as one of the “enemies of art.” Welcome to the resistance, Kaywin Feldman. An essay that Feldman wrote for Apollo magazine in May comes under special fire in Kimball’s broadside. In her piece, Feldman explains what she sees as the role of art in an era of rising uncertainty. Endless war in Syria, the plight of Puerto Rico, the crisis of Brexit, and above all, President Donald Trump’s unmoored administration are taking a psychological toll on the nation—and a museum director has a responsibility to address this anxiety. A sentence like this is kryptonite for Kimball and his New Criterion set: “Art museums are intensely political organisations—political with a small ‘p’.” “A concerned trustee at the Minneapolis Institute of Art (MiA), where I am the director, recently asked me if we would ever be the focus of protest. I assured him that we would,” Feldman wrote. She backed it up by posting a black billboard, following the first Muslim ban issued by Trump in 2017. Under the banner of the MiA, it said: “Everyone is welcome. Always.” Kimball takes exception with what his essay describes as the “National Gallery of Identity Politics.” No surprise there: Curmudgeons like to believe that fine art belongs under glass, its authority the sole function of pedigreed gatekeepers who lurk in library stacks. Above all, in Kimball’s book, art must never associate itself with the -isms of the left, which pretty much rules out any painting made after World War II. Although Kimball would do well to learn his art history: Andrew Mellon seeded the National Gallery through his purchase, in 1931, of near-
Darrow Montgomery
By Kriston Capps
show (which is traveling broadly) explores the familiar contours of Mann’s Southern Gothic condition, from melancholy shots of her naked children in their innocence to haunted photos of Civil War battlefields in their immensity. The exhibit also includes work in which Mann wrestles with race (sometimes unsuccessfully). There are historical photos of Mann’s African-American nanny, Virginia “Gee-Gee” Carter, as well as portraits of black men, the artist’s fumbling efforts to discover through the camera the people she never met growing up in a segregated society. It is not like the National Gallery to tackle race at all—much less through work that is so uncertain, and maybe even problematic. The National Gallery’s incoming director has thoughts about how politics can shape a museum. “Leaders are afraid of a misstep that could lead to vocal public protest,” Feldman wrote (in Apollo). She mentions the decision by the Whitney Museum of American Art to stand behind Dana Schutz, whose 2016 painting “Open Casket”—which depicted the gruesome open-coffin portrait of Emmett Till, murdered at 14 for the crime of being black—prompted intense criticism from black artists and viewers in the museum’s 2017 biennale. (In a coincidence, Mann, who is white like Schutz, photographed the site of Till’s murder.) Feldman correctly assessed the stakes for the museum amid calls to withdraw Schutz’s painting, but she didn’t make clear how she would respond to a similar situation. But Feldman is on the record as thinking about these issues, and she was when the National Gallery selected her. Feldman has a gimlet-eyed view on the importance of diversity on both sides of the registrar’s ledger: whose work is shown and who’s doing the showing. The National Gallery has long lacked visionary leadership, although recent curators (and board members) have taken notice of living artists, black artists, and women. With Feldman’s appointment, there is an opportunity for the National Gallery to unify around the mission of serving and representing the many cultures of the American people—to Kimball’s dismay, apparently. “Cultural leaders sometimes shy away from bold statements and agile actions in response to contemporary issues and trends,” Feldman wrote. Her impact at the National Gallery, in the form of shows and hires, may not begin to manifest until after Trump leaves the White House. But the cortisol spiked by this administration won’t leave the nation’s system as soon as he does. Division will still be the rule. Fascism will still be a menace. Finally, the National Gallery is facing up to the national reality. The year 2018 might be a turning point—the year the nation’s most important museum turned from the past to the present.
three strikes for Kimball: contemporary art by a living artist who is a woman. A Thousand Crossings, curated by Sarah Greenough and Sarah Kennel, surveys Mann’s photographs of Stonewall Jackson’s Virginia. The
CP
FILM
Have You Scene This? Our film critics pick their favorite movies of 2018. By Alan Zilberman, Noah Gittell, and Tricia Olszewski
First Reformed
Burning
Directed by Lee Chang-dong Lee Chang-dong’s hypnotic adaptation of a Haruki Murakami short story, about a love triangle between three mysterious millennials in Seoul, pulls off a remarkable trick. It keeps you captivated for nearly 150 minutes without you knowing why exactly. When its subject reveals itself in the final scene, it explodes like fire spreading through an empty room. To say more would be a crime. (NG)
Minding the Gap
Cold War
Directed by Paweł Pawlikowski In a year where A Star Is Born dominated the box office, this Polish romance about two musicians also tugged at the heartstrings, with the crucial difference that it remained admirably economical. Cold War covers decades of material in just under 90 minutes, and thanks to director Paweł Pawlikowski’s shrewd storytelling, no scene lasts longer than it must. By setting the romance against the backdrop of European political upheaval, his film reminds us that love can sometimes grow like a persistent weed among overwhelming desolation. (AZ)
The Death of Stalin
Directed by Armando Iannucci Who would have thought that the bloody regime of Josef Stalin would be the backdrop for the year’s best comedy? Adapted by Armando Iannucci (Veep, In the Loop) from a graphic novel, The Death of Stalin chronicles with comic precision the power struggle that ensues when the Soviet leader suddenly keels over. A murderer’s row of character actors— including Steve Buscemi, Michael Palin, and Andrea Riseborough—convey the exquisite tension between human atrocity and human comedy. (NG)
Eighth Grade
Directed by Bo Burnham Most coming-of-age films are told with hindsight. The stakes never feel particularly high because you can feel the grown-up behind the camera, having survived growing pains, looking back at their adolescence with nostalgia. Eighth Grade is told in the present tense, and without the reassurance that everything will work out for its nervous protagonist Kayla, the tension runs painfully high. Aided by a breakout performance by Elsie Fisher and Bo Burnham’s elegant script and direction, Eighth
ical horror film this year? I wouldn’t blame you if you didn’t, since The Little Stranger came and left theaters without much fanfare. It is a pity, since Domhnall Gleeson gives one of his alltime best performances as Faraday, a country doctor in 1940s England who ingratiates himself with a wealthy family who may or may not be haunted by a ghost. Directed by Lenny Abrahamson, who made the acclaimed 2015 drama Room, his follow-up is moody and quiet—more creepy than scary—and it arrives at an ending that re-calibrates everything we thought about these flawed people, all while still leaving room for some delicious macabre ambiguity. (AZ)
Grade bravely and honestly depicts the horror of being a person—not just a teenager—in this world. (NG)
The Favourite
Directed by Yorgos Lanthimos The two rivals in The Favourite may shoot birds for leisure, but their preferred pastime is another type of game; specifically, it’s the power struggle that the lady (Rachel Weisz) and her maid (Emma Stone) engage in to win the affection of the Queen (Olivia Colman) in Yorgos Lanthimos’ 19th-century farce. The trio of actresses, along with Nicholas Hoult, makes a delicious cast who trade barbs with lightning speed and perform physical comedy worthy of a Stooge. The Queen may be in charge, but cattiness reigns. (TO)
First Man
Directed by Damien Chazelle The lunar landing is as quiet as Neil Armstrong is sedate in Damien Chazelle’s biopic of the astronaut. There are no cheers from Houston or the television audience when contact is achieved; the event is portrayed as soberly momentous rather than rousing. That stillness (as well as the stillness of Ryan Gosling, who plays Armstrong) might have rendered the film boring. But Chazelle proves that restraint can be thrilling, showing there’s more than one way to depict a country that’s over the moon. (TO)
First Reformed
Directed by Paul Schrader Paul Schrader’s masterpiece starts off as a chamber drama, only to become something more vital and ambitious as it continues. Ethan Hawke gives the performance of
his career as Reverend Toller, whose crisis of faith transforms him from a morose intellectual into a radical man of action. Despair was a common feeling in 2018, and First Reformed suggested that the only recourse is to finally ask bigger, more painful questions. (AZ)
Free Solo
Directed by Jimmy Chin and Elizabeth Chai Vasarhelyi “Free soloing” is mountain-climbing alone without any ropes or safety equipment, and Alex Honnold is one of the sport’s top practitioners. This documentary—at times literally breathtaking—features Honnold and his quest to free solo Yosemite’s El Capitan peak. The photography is phenomenal, showing the climber on sheer precipices hanging by what seem to be only his fingernails as the film crew stays motionless, as if any movement of theirs could doom him instead. You’ll thrillingly, terrifyingly feel the same. (TO)
If Beale Street Could Talk
Directed by Barry Jenkins An ever-timely story of racial injustice is invigorated by James Baldwin’s words, the lyrical voice of director Barry Jenkins (Moonlight), and the best ensemble cast in a film this year. The story of two young lovers whose path is interrupted by systemic racism, Jenkins shuffles the timeline to emphasize their strength over their tragedy. The narrative holds, but the film may work best as a series of devastating, lovingly-crafted moments. (NG)
The Little Stranger
Directed by Lenny Abrahamson Did you know that an Academy Award-nominated filmmaker made a gorgeous psycholog-
Directed by Bing Liu This is the sort of documentary that sneaks up on you. Director Bing Liu follows his fellow skater friends as they confront adulthood without many real prospects. There is a carefree quality to the opening sections—he films their skating with effortless grace—but soon Minding the Gap becomes more probing and rigorous, with Liu confronting hard truths about past trauma. Even if you’ve never picked up a skateboard in your life, these young men are easily relatable because of how they confront their flaws. (AZ)
Spider-Man: Into the Spider-Verse
Directed by Bob Persichetti, Peter Ramsey, Rodney Rothman The brainchild of Phil Lord, the guy who made 21 Jump Street and The LEGO Movie unexpected successes, Spider-Man: Into the Spider-Verse is a gorgeous, thoughtful crowdpleaser, and easily one of the best comic book movies ever made. Everything in it is somehow a meta-commentary on the superhero genre, and also works as a traditional origin story. Spider-Verse also looks great, with animation that remixes CGI and handdrawn elements into something wholly original. Thanks to its parallel dimensions plot, there are many different Spider-Beings in this film, but that’s also another way of saying there is something here for every type of comic book fan. (AZ)
Vice
Directed by Adam McKay Christian Bale’s portrayal of former Vice President Dick Cheney isn’t just about makeup, prosthetics, or even weight gain. The voice, the half-smirk, the eyes that tiredly look at others as if they’re the stupidest people on Earth—Bale disappears in the role, giving the most impressive performance of the year. The film itself, which boasts another terrific turn by Amy Adams as Lynne Cheney, is an entertaining satire from Adam McKay about the opportunistic man who allegedly was the true No. 1 in charge during W.’s disastrous administration. The pair were awful; the movie’s sublime. (TO)
washingtoncitypaper.com december 28, 2018 19
CITYLIST Music 20 Books 22 Dance 23 Theater 23 Film 24
WORLD
Music
CITY LIGHTS: FRIDAY
FRIDAY KENNEDY CENTER FAMILY THEATER 2700 F St. NW. (202) 467-4600. NSO Music for Young Audiences: Timbalooloo Live. 11 a.m.; 1:30 p.m. $20. kennedy-center.org. U STREET MUSIC HALL 1115 U St. NW. (202) 588-1889. Jungle Fever. 10 p.m. $10–$15. ustreetmusichall.com.
FOLK
PEARL STREET WAREHOUSE 33 Pearl Street SW. (202) 380-9620. Eli Lev and The Fortunes Found. 8 p.m. $12–$20. pearlstreetwarehouse.com.
FUNK & R&B
BIRCHMERE 3701 Mount Vernon Ave., Alexandria. (703) 549-7500. Pieces of a Dream. 7:30 p.m. $39.50. birchmere.com.
GOSPEL
KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Lincoln Congregational Temple United Church of Christ Tribute. 6 p.m. Free. kennedy-center.org.
HIP-HOP
SONGBYRD MUSIC HOUSE AND RECORD CAFE 2477 18th St. NW. (202) 450-2917. Odd Mojo. 8 p.m. $12. songbyrddc.com.
JAZZ
BLUES ALLEY 1073 Wisconsin Ave. NW. (202) 3374141. Cyrus Chestnut: Tis the Season. 8 p.m.; 10 p.m. $30 –$35. bluesalley.com.
ROCK
9:30 CLUB 815 V St. NW. (202) 265-0930. The Pietasters. 8 p.m. $15. 930.com. UNION STAGE 740 Water St. SW. (877) 987-6487. Kendall Street Company & The Vegabonds. 8 p.m. $15– $25. unionstage.com.
SATURDAY EYE TO CLASSICAL I: SELFPORTRAITS FROM 1900 DJ NIGHTS TO TODAY
KENNEDY CENTER FAMILY THEATER 2700 F St. NW. (202) 467-4600. NSO Music for Young Audiences: Timbalooloo Live. 11 a.m.; 1:30 p.m. $20. kennedy-center.org.
CLASSICAL
DJ NIGHTS
BOSSA BISTRO 2463 18th St NW. 202-667-0088. Alfredo Mojica Group. 10:30 p.m. $5–$10. bossadc. com.
The selfie phenomenon, it turns out, isn’t a millennial social disorder. It’s a human behavior that for centuries had been restricted to the only people capable of self-portraiture: artists and professional photographers. Before smartphones opened the floodgates, painters were painting themselves, sculptors were sculpting themselves, and photographers were pulling timer tricks to capture images of themselves. The National Portrait Gallery, as its name implies, is the perfect institution to assemble a collection of American self portraits, and it has—largely from the works of its own collection. The urge to render oneself knows not the bounds of age, race, or gender. These pre-selfie selfies span three-ish spacious rooms, and though the video of a woman crying is irritating, most of the works are delightful. Don’t miss Faith Ringgold’s self-portrait, which comes in the form of a hand-painted quilt. The exhibition is on view to Aug. 18, 2019 at the National Portrait Gallery, 8th and F streets NW. Free. (202) 633-1000. npg.si.edu. —Alexa Mills
U STREET MUSIC HALL 1115 U St. NW. (202) 588-1889. U Sleaze Holiday Party. 10 p.m. $5–$10. ustreetmusichall.com.
FUNK & R&B
KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. D.C. Legendary Musicians Band. 6 p.m. Free. kennedy-center.org. SONGBYRD MUSIC HOUSE AND RECORD CAFE 2477 18th St. NW. (202) 450-2917. Joy Postell. 8 p.m. $10. songbyrddc.com.
JAZZ
BLUES ALLEY 1073 Wisconsin Ave. NW. (202) 3374141. Cyrus Chestnut: Tis the Season. 8 p.m.; 10 p.m. $30 –$35. bluesalley.com.
ROCK
9:30 CLUB 815 V St. NW. (202) 265-0930. GWAR. 8 p.m. $25. 930.com. BIRCHMERE 3701 Mount Vernon Ave., Alexandria. (703) 549-7500. Last Train Home with Cravin’ Dogs. 7:30 p.m. $25. birchmere.com. SONGBYRD MUSIC HOUSE AND RECORD CAFE 2477 18th St. NW. (202) 450-2917. Los Saicos. 11 p.m. $15. songbyrddc.com. UNION STAGE 740 Water St. SW. (877) 987-6487. The Werks. 9 p.m. $17–$25. unionstage.com.
SUNDAY CLASSICAL
KENNEDY CENTER FAMILY THEATER 2700 F St. NW. (202) 467-4600. NSO Music for Young Audiences: Timbalooloo Live. 1:30 p.m.; 4 p.m. $20. kennedy-center.org.
HILL COUNTRY BARBECUE MARKET 410 Seventh St, NW • 202.556.2050 HillCountry.com/DC • Twitter @hillcountrylive
NEAR ARCHIVES/NAVY MEMORIAL [G, Y] AND GALLERY PI/CHINATOWN [R] METRO 20 december 28, 2018 washingtoncitypaper.com
TICKET INCLUDES COMPLIMENTARY CHAMPAGNE TOAST. DRINK & FOOD SPECIALS WILL BE AVAILABLE THROUGHOUT THE EVENING. DOORS: 8:00PM SHOW: 9:30PM || $50/ADV $65/DOS
CITY LIGHTS: SATURDAY
GWAR
Roaches and GWAR will outlive us all. It’s hard to imagine a more unlikely survivor than these Richmond sci-fi weirdos who continue to thrive nearly 35 years into their existence. Like a shock rock Menudo, the self-proclaimed “Scumdogs of the Universe” have undergone innumerable line up changes over the years including the loss of their beloved lead singer Oderus Urungus— or David Brockie for mere earthlings—to a heroin overdose in 2014. And yet, neither death nor countless musical and cultural shifts over the past four decades has been able to squash them. In fact, their infestation has only grown to include a GWAR bar, an annual music festival called the GWAR B-Q, and its very own streaming channel. The unenviable task of opening Saturday night’s GWAR show falls to fellow Virginians Iron Reagan. Their brand of crossover thrash might be a little more down to earth than their compatriots in GWAR, but it will surely send more than a few rowdy attendees into orbit by set’s end. GWAR performs with Iron Reagan and Against The Grain at 8 p.m. at 9:30 Club, 815 V St. NW. $25. (202) 265-0930. 930.com. —Matt Siblo
CITY LIGHTS: SUNDAY
RECOVERED MEMORY: NEW YORK & PARIS 1960–1980
Befitting his twin careers as a journalist and a photographer, Frank Van Riper’s Photoworks exhibition, Recovered Memory: New York & Paris 19601980, offers an extensive sampling of both the photographs and the essays collected in his memoir. Van Riper dug through the black-and-white images he made in his New York youth and his wanderings in Paris, and, in Proustian fashion, the memories began to flow. Some of Van Riper’s images have a timeless cast, such as the woman grimacing in the Paris subway as she passes by a reproduction of Rodin’s “The Thinker,” or the kids hanging out on a planar, gum-stained sidewalk in New York. But his finest images are those that precisely encapsulate their bygone era: the linotype composing room at the New York Post, populated by men in white, rolled-up shirtsleeves, or McSorley’s Old Ale House, a crowded, sawdust-covered, sweaty haunt in lower Manhattan that Van Riper captured in all its urgent, grainy glory. The exhibition is on view to Jan. 20, 2019 at Glen Echo Photoworks, 7300 MacArthur Blvd., Glen Echo. Free. (301) 634-2274. glenechophotoworks.org. —Louis Jacobson washingtoncitypaper.com december 28, 2018 21
JAZZ BLUES ALLEY 1073 Wisconsin Ave. NW. (202) 3374141. New Year’s Eve with Cyrus Chestnut. 6:30 p.m.; 10 p.m. $110–$160. bluesalley.com.
CITY LIGHTS: MONDAY
KENNEDY CENTER TERRACE THEATER 2700 F St. NW. (202) 467-4600. A Jazz New Year’s Eve: Patti Austin featuring Trevor Lawrence Jr. 7 p.m.; 9 p.m. $79– $89. kennedy-center.org.
ROCK
BOSSA BISTRO 2463 18th St NW. 202-667-0088. Shining Blade Sessions. 8:30 p.m. Free. bossadc.com.
DJ NIGHTS U STREET MUSIC HALL 1115 U St. NW. (202) 588-1889. The Rumpus Room: New Year’s Eve-Eve Edition. 2 p.m. $15–$40. ustreetmusichall.com.
FOLK UNION STAGE 740 Water St. SW. (877) 987-6487. David Wax Museum. 7:30 p.m. $15–$20. unionstage. com.
JAZZ BLUES ALLEY 1073 Wisconsin Ave. NW. (202) 3374141. Cyrus Chestnut: Tis the Season. 8 p.m.; 10 p.m. $30 –$35. bluesalley.com.
POP 9:30 CLUB 815 V St. NW. (202) 265-0930. White Ford Bronco: D.C.’s All ‘90s Band. 7 p.m. $25. 930.com.
WORLD KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Celtic Christmas. 6 p.m. Free. kennedy-center.org.
UNION STAGE 740 Water St. SW. (877) 987-6487. Bluegrass Festival & Tap Takeover Featuring The Plate Scrapers and Two Ton Twig. 8 p.m. Free. unionstage.com.
ROCK
FUNK & R&B
BIRCHMERE 3701 Mount Vernon Ave., Alexandria. (703) 549-7500. 22nd Annual Hank Williams Tribute featuring Cathy Fink & Marcy Marxer, The Kennedys (Pete & Maura), Robin & Linda Williams, Patrick McAvinue, and Marshall Wilborn. 7:30 p.m. $29.50. birchmere.com.
FOLK
TUESDAY
WEDNESDAY
COUNTRY
BLUES ALLEY 1073 Wisconsin Ave. NW. (202) 3374141. Chris Thomas King. 8 p.m.; 10 p.m. $25–$30. bluesalley.com.
HIP-HOP
KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Kazaxé. 6 p.m. Free. kennedy-center.org.
ROCK
We are at a high point of convergence between musical theater and opera. Today, opera companies stage musicals, opera singers appear on Broadway, and theater directors get hired to give opera productions some extra pizzazz. There’s an attitude among some that this cheapens the older genre, but the truth is it just magnifies whatever shamefulness is baked into the source material. Take Miss Saigon: Among the most detested musicals to reach blockbuster status, it is a wartime romance of a Vietnamese girl pimped out to an American G.I. In case the racism was too subtle, its initial 1989 run featured Jonathan Pryce in literal yellowface. But its inspiration is Puccini’s Madama Butterfly, a romantic tale of sex tourism and statutory rape that is a beloved standard of the opera canon. To this day, productions of Butterfly routinely feature white actors made up to look Japanese. This newer production of Miss Saigon may not have changed the musical’s—or Puccini’s—gross fascination with submissive Asian women. But it at least features an Asian cast, a step in the woke direction that the higher art form can’t be bothered with. The show runs to Jan. 13, 2019 at the Kennedy Center Opera House, 2700 F St. NW. $49–$175. (202) 4674600. kennedy-center.org. —Mike Paarlberg
BLUES
HILL COUNTRY LIVE 410 7th St. NW. (202) 556-2050. The Band of Heathens NYE. 9:30 p.m. $50–$65. hillcountrywdc.com.
WORLD
MISS SAIGON
THURSDAY
KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Sasha Masakowski as Tra$h Magnolia. 6 p.m. Free. kennedy-center.org.
SONGBYRD MUSIC HOUSE AND RECORD CAFE 2477 18th St. NW. (202) 450-2917. Amanda Rome West. 8 p.m. $15. songbyrddc.com. 9:30 CLUB 815 V St. NW. (202) 265-0930. Ozomatli. 7 p.m. $30. 930.com.
WORLD
KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Juan Carmona. 6 p.m. Free. kennedy-center.org.
Books
ALEXANDRA NATAPOFF Natapoff, a professor of law at the University of California, discusses her book Punishment Without Crime, in which she makes the argument that most people caught in the misdemeanor machine have not committed a crime and urges reform the criminal justice system. Politics and
CITY LIGHTS: TUESDAY
MONDAY BLUES
PEARL STREET WAREHOUSE 33 Pearl Street SW. (202) 380-9620. A Rockabilly & Blues New Year’s Eve Extravaganza: Rock-A-Sonics Linwood Taylor. 8:30 p.m. $30–$50. pearlstreetwarehouse.com.
CLASSICAL
KENNEDY CENTER FAMILY THEATER 2700 F St. NW. (202) 467-4600. NSO Music for Young Audiences: Timbalooloo Live. 10 a.m. $20. kennedy-center.org.
COUNTRY
BIRCHMERE 3701 Mount Vernon Ave., Alexandria. (703) 549-7500. New Year’s Eve with The Seldom Scene, The High & Wides, and Ms. Adventure. 8 p.m. $39.50. birchmere.com.
DJ NIGHTS
U STREET MUSIC HALL 1115 U St. NW. (202) 588-1889. New Year’s Eve at U Street Music Hall. 10 p.m. $12. ustreetmusichall.com.
FUNK & R&B
KENNEDY CENTER CONCERT HALL 2700 F St. NW. (202) 467-4600. New Year’s Eve at the Kennedy Center: Raheem DeVaughn and Backyard Band. 8:30 p.m. $29–$119. kennedy-center.org. KENNEDY CENTER MILLENNIUM STAGE 2700 F St. NW. (202) 467-4600. Wesley Bright and The Honeytones. 6 p.m. Free. kennedy-center.org. SONGBYRD MUSIC HOUSE AND RECORD CAFE 2477 18th St. NW. (202) 450-2917. New Year’s Eve Mardi Gras Featuring Crushfunk Brass. 10 p.m. $15–$30. songbyrddc.com.
22 december 28, 2018 washingtoncitypaper.com
KING KONG
From the very first frames of the very first films ever made, it’s been apparent that cinema is transformative. In those early days, audiences were wowed and even terrified of the moving image. There’s an urban myth about the Lumière brothers’ 1896 silent short The Arrival of a Train: The film caused a panic at its premiere because audiences actually thought a train was going to hit them. The original King Kong, released in 1933, is a prime example of cinema’s enduring legacy. It’s been remade constantly, with the most recent one—2017’s underrated Kong: Skull Island— rebooting the famed character for a new generation. But the original is a fascinating case study: Parts of it hold up as true cinematic achievement, while other parts come off as colonialist and racist. The stop-motion special effects featuring King Kong and other creatures are iconic—and the artist responsible for it, Willis O’Brien, would go on to inspire countless innovators, including his protégé, Ray Harryhausen. But many have interpreted the film as a racist allegory and cautionary tale about interracial romance. King Kong is still regarded as a cinematic classic, but like many other films of its time, it’s always important to consider how such content has aged, and reconsider how we celebrate these supposed “classics.” The film screens at 8 p.m. at Suns Cinema, 3107 Mt. Pleasant St. NW. $7. sunscinema.com. —Matt Cohen
CITY LIGHTS: WEDNESDAY
THE SOCIAL POWER OF MUSIC
You need not search long to see music’s social power: Mahalia Jackson’s soul-stirring rendition of “Take My Hand, Precious Lord” at Martin Luther King Jr.’s funeral; Jimi Hendrix melting the minds of thousands with his psychedelic take on “The Star-Spangled Banner” at Woodstock in 1969; a massive crowd in Manchester spontaneously breaking into Oasis’ “Don’t Look Back in Anger” following a moment of silence for victims of the Manchester Arena bombing. The Social Power of Music, Smithsonian Folkways’ ambitious upcoming box set, aims to capture that power across more than 80 songs that, according to the label, look at how music brings people together. Contained within this exceptional collection are songs of protest, worship, and celebration—tracks that are desperately needed in dark times. The set includes tunes from Folkways’ expansive collection, but also features some new acquisitions, including the legendary Arhoolie Records discography. The label will host a listening session at Songbyrd and offer attendees the opportunity to talk to the folks who put it together. These songs aren’t meant to be listened to alone—they’re meant to be experienced as a community. The event begins at 6 p.m. at Songbyrd Music House, 2477 18th St. NW. Free. (202) 450-2917. songbyrddc.com. —Matt Cohen
3701 Mount Vernon Ave. Alexandria, VA • 703-549-7500
BEN WILLIAMS PRESENTS HIS
7 TH ANNUAL
Dec 27 Comedy and Magic!
A HOLIDAY MUSICAL
PIFF
BIRTHDAY BASH
EXTRAVAGANZA
THURSDAY DEC
27
NRBQ
W/ DHARMASOUL DEC 28
FRIDAY SAT, DEC 29
START MAKING SENSE A TALKING HEADS TRIBUTE W/ QIET
SAT, JAN 5
ALL GOOD PRESENTS SCYTHIAN W/ KENTUCKY AVENUE SUN, JAN 6
AN EVENING WITH DAN
JUDITH BELUSHI
AYKROYD,
& MUSICAL DIRECTOR PAUL SHAFFER
“THE OFFICIAL BLUES BROTHERS™ REVUE”
JEREMY BROWN Dr. Jeremy Brown, a veteran emergency room doctor now directing NIH’s Office of Emergency Care Research, uses interviews with other doctors, researchers, and policy makers to chronicle efforts to combat influenza and prepare for future outbreaks in his book Influenza: The Hundred Year Hunt to Cure the Deadliest Disease in History. Politics and Prose. 5015 Connecticut Ave. NW. Jan. 3. 7 p.m. Free. (202) 364-1919. SARA BLISS In Take the Leap: Change Your Career, Change Your Life, writer Sara Bliss compiles the stories of more than 60 people who changed their lives, turning their dreams into reality through changing careers midstream. Politics and Prose. 5015 Connecticut Ave. NW. Jan. 2. 7 p.m. Free. (202) 364-1919.
Dance
THE WASHINGTON BALLET’S NUTCRACKER This celebrated Christmas favorite is set in historic Georgetown, combining Revolutionary War-era historical figures with the traditional Nutcracker characters. Warner Theatre. 513 13th St. NW. Dec. 28. 7 p.m. $32–$136. (202) 783-4000. warnertheatredc.com.
Theater
BEAUTIFUL: THE CAROLE KING MUSICAL This Grammy-winning jukebox musical chronicles Carole King’s rise to stardom, from her partnership with lyricist Gerry Goffin to her successful solo career, using her hit songs including “I Feel The Earth Move” and
“You’ve Got A Friend”. National Theatre. 1321 Pennsylvania Ave. NW. To Dec. 30. $54–$114. (202) 628-6161. nationaltheatre.org. ELF In this heartwarming family musical adapted from the film by the same name, a young elf learns of his true identity as a human and travels to New York to find his father while spreading the Christmas cheer. Olney Theatre Center. 2001 Olney-Sandy Spring Road, Olney. To Jan. 6. $37–$84. (301) 9243400. olneytheatre.org. INDECENT Pulitzer Prize-winner Paula Vogel’s deeply moving play tells the story of the Yiddish drama God of Vengeance, a work deemed “indecent” for themes of censorship, immigration and antisemitism when it premiered on Broadway in 1923, and the true story of the creators that risked their careers to bring it to the stage. Arena Stage. 1101 6th St. SW. To Dec. 30. $56– $76. (202) 488-3300. arenastage.org. KINGS Two D.C. congresswomen with differing approaches clash in this sharp new comedy by Alexandria native Sarah Burgess, directed by Marti Lyons. Studio Theatre. 1501 14th St. NW. To Jan. 6. $25–$55. (202) 332-3300. studiotheatre.org. MISS SAIGON From the creators of Les Miserables comes this classic, Tony-winning Broadway spectacle. When a young Vietnamese woman encounters an American G.I. in a Vietnam bar at the height of the war, their lives are forever changed. Kennedy Center Opera House. 2700 F St. NW. To Jan. 13. $49–$175. (202) 467-4600. kennedy-center.org. THE PANTIES, THE PARTNER AND THE PROFIT Playwright David Ives adapts and translates Carl Sternheim’s German comedic trilogy Scenes from the Heroic Life of the Middle Class into one play in this Michael Kahn-directed production. Lansburgh Theatre. 450 7th St. NW. To Jan. 6. $44–102. (202) 5471122. shakespearetheatre.org. THE PLAY THAT GOES WRONG Broadway and London’s smash hit comedy arrives at the Kennedy Center. The Play That Goes Wrong centers on the fictional Kennedy Center Eisenhower Theater. 2700 F St. NW.
THE MAGIC DRAGON
PIECES OF A DREAM 29 LAST TRAIN HOME 28
with special guest Cravin'
30
Dogs
22nd Annual
HANK WILLIAMS TRIBUTE SHOW! feat. Cathy Fink & Marcy Marxer, Pete & Maura Kennedy (The Kennedys), Robin & Linda Williams, Patrick McAvinue, Marshall Wilborn
31
New Years Eve with
-8pm-
THE SELDOM SCENE The High & Wides, Ms. Adventure
Jan 4
CHANTÉ MOORE THE S.O.S. BAND
10
11&12
PRESENT
RICKY SKAGGS & Kentucky Thunder
W/ SPECIAL GUEST DEE WHITE
TRAVIS TRITT 17 THE VENTURES 18, 19,20 EDDIE FROM OHIO w/ Sara Niemietz & Snuffy Walden (18,19), Jake Armerding (20)
FRI, JAN 11
21
WED, JAN 9
LIVE NATION PRESENTS Prose at The Wharf. 70 District Square SW. Jan. 3. 7 p.m. Free. (202) 488-3867.
For entire schedule go to Birchmere.com Find us on Facebook/Twitter! Tix @ Ticketmaster.com 800-745-3000
ASHLEY McBRYDE
THE GIRL GOING NOWHERE TOUR
LEYLA McCALLA SAT, JAN 12
RAYLAND BAXTER SUN, JAN 13
AN EVENING WITH LEE CHILD AND NAKED BLUE EXPLORING JACK REACHER THROUGH MUSIC FRI, JAN 18
TOWN MOUNTAIN SUN, JAN 20
RARE ESSENCE W/ BE’LA DONA
15&16
ANGIE STONE 22&23 TOMMY EMMANUEL, CGP & JOHN KNOWLES, CGP “The Heart Songs Tour”
KYLE CEASE
24
of "Baked", From Here" TOM PAPA "Live 26 ATLANTIC STARR 27 THE KINGSTON TRIO 29&30 GAELIC STORM
25
Feb 1&2
THE BRIDGE
WILL DOWNING Carly 5 KASEY CHAMBERS Burruss
SUN DEC 30 W/ RON HOLLOWAY BAND
6
CELEBRATE NEW YEAR’S EVE WITH FEATURING CRIS JACOBS
MON, DEC 31 W/ THE TRONGONE BAND +MOONSHINE SOCIETY IN THE LOFT DEC 31
An Evening with
DREW & ELLIE HOLCOMB "The You & Me Tour"
7
MUSIQ SOULCHILD
8&9
THEHAMILTONDC.COM
ARLO GUTHRIE "Alice's Restaurant" Tour with Sarah Lee Guthrie
ESTELLE
10 washingtoncitypaper.com december 28, 2018 23 “Experience Lover’s Rock Live!”
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MICROCINEMA: THE FILMS OF KAREN YASINSKY
There’s an adolescent wonder to the films of Karen Yasinsky. The Baltimore-based artist and filmmaker’s work has been exhibited and shown all over the world, from the Mori Art Museum in Tokyo and Museum Folkwang in Essen, Germany, to New York’s Museum of Modern Art and D.C.’s own National Gallery of Art. Her work is alluring, beguiling, and altogether brilliant. Her films are terse and awkward, with kitschy, silent stop-motion animated vignettes that tend to explore a feeling or a mood rather than a straightforward story or theme. Take, for instance, her 1999 short No Place Like Home #1, in which the disembodied legs of Dorothy from The Wizard of Oz prance around before encountering a strange man. If that doesn’t make much sense to you, her own statement about the film doesn’t offer much help: “Inspired by all the strangeness and mystery surrounding Dorothy’s predicament in The Wizard of Oz: What happened to her parents? Why has she no friends her own age? Why does her fantasy consist of all those middle aged farm hands? These questions are not part of this animation but things I thought about.” That’s perhaps the clearest insight into Yasinsky’s work. Great art doesn’t need to be explained. The event begins at 7 p.m. at Rhizome DC, 6950 Maple St. NW. $10. rhizomedc.org. —Matt Cohen To Dec. 31. $49–$149. (202) 467-4600. kennedy-center.org.
IF BEALE STREET COULD TALK A pregnant young woman in Harlem—and her mother—desperately try to prove her fiancé innocent of a sexual assault. Starring KiKi Layne, Stephan James, and Regina King. (See washingtoncitypaper.com for venue information)
Film
MARY POPPINS RETURNS Magical nanny Mary Poppins returns to the Banks home decades after her first visit to help the now adult Banks children through hardship. Starring Emily Blunt, Lin-Manuel Miranda, and Ben Whishaw. (See washingtoncitypaper.com for venue information)
AQUAMAN Jason Momoa stars as Arthur Curry, who learns he is the true heir and future king of the underwater kingdom of Atlantis and must lead. Co-starring Amber Heard and Patrick Wilson. (See washingtoncitypaper.com for venue information) BUMBLEBEE Bumblebee, a Transformer now on the run in the 1980s, hides out in a beach town and befriends a teenage girl named Charlie. Starring Hailee Steinfeld, John Cena, and Dylan O’Brien. (See washingtoncitypaper.com for venue information) CAPERNAUM In Lebanon, a hardened 12-year-old boy sues his abusive parents for their negligence. Starring Zain Al Rafeea, Yordanos Shiferaw, and Boluwatife Treasure Bankole. (See washingtoncitypaper. com for venue information) HOLMES & WATSON Will Ferrell and John C. Reilly star as detective Sherlock Holmes and Dr. John Watson, respectively, in this humorous take on the classic Sir Arthur Conan Doyle books. Co-starring Ralph Fiennes and Kelly Macdonald. (See washingtoncitypaper.com for venue information)
24 december 28, 2018 washingtoncitypaper.com
ON THE BASIS OF SEX Felicity Jones stars as Supreme Court Justice Ruth Bader Ginsburg in this biopic about her fight for equal rights and all she had to overcome to ascend to the highest court in the land. Co-starring Armie Hammer and Justin Theroux. (See washingtoncitypaper.com for venue information) SECOND ACT A superstore assistant manager sets out to prove street smarts can be as valuable as book smarts when she loses out on a promotion and must reinvent herself. Starring Jennifer Lopez, Milo Ventimiglia, and Vanessa Hudgens. (See washingtoncitypaper.com for venue information) WELCOME TO MARWEN A man, after suffering a brutal attack, creates his own fantasy world art installation to help him heal. Starring Steve Carell, Leslie Mann, and Janelle Monae. (See washingtoncitypaper. com for venue information)
SAVAGELOVE I’m a thirtysomething straight woman married for 16 years. Eighteen months ago, I met a man and there was an immediate attraction. For the first 15 months of our relationship, I was his primary sexual and intimate partner, as both sex and intimacy were lacking in his marriage. (My husband knew of the relationship from the start and is accepting for the most part.) After my lover’s wife found out about me, she suddenly became very responsive to my lover’s sexual and emotional needs. My lover has told his wife that he will not let me go. He has also told me that he is not willing to let his wife go. She isn’t happy about being in a triad relationship, but she allows him to continue seeing me with limitations. I am no longer his primary sex partner, and I have been relegated to the back seat. He claims to love us both, yet his wife and I both struggle knowing the other exists. Recently while out shopping, my lover asked me to help him pick out a Christmas gift for his wife. I got upset because I am in love with him, and I have made him my priority (over my husband), but I am not his priority. I love this man, and we feel we are soul mates. My lover has said that if we fall apart, he will have to find a new secondary partner because his wife can never give him the soulful fulfillment he needs. Should I continue in this relationship? —Soul Mate Avoids Choice Knowingly You complain about being relegated to the back seat, SMACK, but it’s your husband whose existence only comes up in parenthetical asides. You also describe this relationship as a triad when there are four people involved (you, your lover, your lover’s wife, and your husband), which technically makes this a quad. And from the sound of things, only one member of this messy quad seems happy—your lover, the guy who refuses to make you a “priority” over his wife. And while you’ve convinced yourself that your lover feels as strongly for you as you do for him—“we feel we are soul mates”—it kindasorta sounds to me like you may be projecting, SMACK. Because in addition to asking you to pick out Christmas gifts for his wife, your lover and alleged soul mate regards you as expendable and replaceable. And he’s told you as much: He intends to “find a new secondary partner” if you two part because his wife doesn’t “give him the soulful fulfillment he needs.” That’s not how people talk about their soul mates, and it’s certainly not something a guy says to someone he regards as his soul mate. Soul mates are typically told they’re special and irreplaceable, but your guy sees you as one of many potential seconds out there, and therefore utterly replaceable. Here’s what you ought to do: You aren’t interested in being your lover’s secondary partner (nor are you much interested in being your
husband’s wife), so you’ll have to call your lover’s bluff. And the only card you have to play— and it’s a weak hand (all hands with just one card are)—is to dump your lover unless he leaves his wife for you. Success rests on the outside chance your lover was bluffing when he said he’d replace you, but I suppose it’s possible he regards you as the irreplaceable one, and only said those hurtful things to make you think he wouldn’t choose you when you are the one he would’ve chosen all along. If it turns out that this was the case, SMACK, you’ll wind up with your soul mate … who happens to be kindasorta cruel and manipulative. Calling your lover’s bluff—ending a relationship that, in its current form, brings you no joy—is your only hope of having this guy to yourself. But the likelier outcome is that you’ll be left alone (with, um, your husband). —Dan Savage
Soul mates are typically told they’re special and irreplaceable, but your guy sees you as one of many potential seconds out there, and therefore utterly replaceable. My boyfriend and I met at a bondage party a year ago. He’s not into bondage (he tagged along with a kinky friend). We hit it off in the chill-out room and started seeing each other. He told me it was okay for me to keep going to bondage parties and seeing some guys I play with one-on-one. Then right after we moved in together, he said he doesn’t want me playing with anyone else because we are in love. Which means I can’t get tied up at all anymore because he has zero interest in bondage. He can’t see why I’m upset, and I’m not sure what to do. —Boy In New Drama So now that you’re in love, and now that you’ve signed a lease, and now that you’re trapped, BIND, now—NOW—your vanilla boyfriend yanks back the accommodation that convinced you to date him in the first place? There’s only one thing you can do: DTMFA. —DS I am 30 and male, and I have been with my girl-
friend for five years. For a slew of reasons (we have almost no interests/hobbies in common, our personalities are completely different, we aren’t sexually compatible), I have decided to end it. She’s a good, smart, well educated person for whom I wish only the best. I’m thinking of breaking up with her sometime this week— or halfway through next year. I know you believe someone should tell a partner about these sorts of feelings ASAP to avoid robbing them of time they could have spent fixing the situation or moving on. Something inside me tells me that my case is different. My girlfriend is a graduate student in a non-tech/STEM field (read: hard to find jobs) and has a decent amount of school debt. We also have a dog. We live in a city where the rents are high and it’s harder to find a place that will allow dogs. (She will definitely be taking the dog.) The thing is, she would almost certainly want to move out immediately if we broke up. I’m worried that if she tried to absorb the financial hit of a breakup, it might torpedo her education and life plans. I am at a loss for what to do. She’s leaving in a week to visit her family for a month—should I dump her before then so she can lean on them? Should I wait until she graduates but dodge questions about where I’m willing to move if she gets a job offer somewhere else? —Deciding Ultimately Means Pain As a general rule, one should never drag out an inevitable breakup. We should break up with people promptly to spare our exes the humiliation of thinking back over the last few months or (God forbid!) the last few years and recalling every painfully ambiguous or deceitfully upbeat conversation about Our Shared Future. Another good reason to break up with someone promptly: A person (not the person) your ex could spend the rest of their life with might cross their path two months from now—and if they’re still with you then or still reeling from a very recent breakup, they won’t say yes (oldfashioned) or swipe right (newfangled). But there are exceptions to every rule, DUMP, and I think your case qualifies. And as with many exceptions to many rules, your exception honors the spirit of the rule itself. Both reasons I cite for breaking up with someone promptly—to spare your soon-to-be ex’s feelings, to get out of the way of your soonto-be ex’s future—are about being considerate of your soon-to-be ex. And that’s just what you’re doing: You want to end this relationship now, but you’re going to wait six months because you don’t want to derail your soon-tobe-ex girlfriend’s education or career prospects. So out of consideration for her, DUMP, you should coast for a bit longer. —DS Email your Savage Love questions to mail@savagelove.net.
LIVE MUSIC | BOURBON | BURGERS
DECEMBER FR 28 ELI LEV & THE FORTUNES FOUND w/ HAYLEY FAHEY BAND MO 31 A ROCKABILLY & BLUES NEW YEAR’S EVE EXTRAVAGANZA w/ ROCK-A-SONICS, LINWOOD TAYLOR
JANUARY FR 4
SOUL CRACKERS “BETTER LATE THAN NEVER” NEW YEAR’S DANCE! FEATURING TOMMY LEPSON & THE TOO MUCH SISTERS
SA 5
THE ALL-STAR “GRACELAND” TRIBUTE BAND w/ BAKITHI KUMALO & RYAN TENNIS
SU 6
SWELLTUNE RECORDS “BOSTON TO AUSTIN” SHOWCASE w/ JITTERY JACK AND MISS AMY, SEAN MENCHER AND SHAUN YOUNG (OF HIGH NOON), AND SPECIAL GUESTS
TU 8
HAPPY BIRTHDAY ELVIS! A BENEFIT FOR THE LOVE HOPE STRENGTH FOUNDATION FEATURING VANILLA FUDGE + BUCK DHARMA (OF BLUE OYSTER CULT)
TH 10 AMERICANA NIGHT FEATURING DREW GIBSON (FULL BAND) w/ NICOLE BELANUS TRIO FR 11 BOBBY THOMPSON TRIO, THE RON HOLLOWAY TRIO SA 12 AN ALL-STAR 70s YACHT ROCK TRIBUTE FEATURING MEMBERS OF PSYCHO KILLERS, THE BRIDGE, YELLOW DUBMARINE, ELECTRIC LOVE MACHINE AND MORE! SA 19 NEW ORLEANS FUNK & SOUL NIGHT FEATURING FUNKY MIRACLE w/ THE VOYAGE TH 24 ROCK N’ SOUL NIGHT FEATURING MITCHELL FERGUSON (OF THE VOICE), BRYAN CHERRY (OF THE VOICE) F 25
THE WALKAWAYS w/ ROOF BEAMS
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FORe PROPOSAL ter School-Collegiate plusgns twono years’ Ga a F endsh p des a e experihan Marketplace .ac . . c .y .Cha . .site . e . .in . ward . . 42 ALL CLAIMS WILLelemenBE BARRED Friendship PublicedChar- . . . . Pub Academy ence teaching RFP o Au oma Schoo Oc obe 2019 oLegals heTO UNLESS A1 students; PROCEEDING ter School is seeking 7-DC. Friendship has tary aged Me a Community Ga e DC nv .es . . . . Sou y 2019 2020 yea . . . heas . . . . E . .emen . . . .a 42 ENFORCE THE schoo CLAIM IS COMbids from prospective engaged an Architect Successful completion w en p oposa s s e n wa d 8 Anacos MENCED WITH IN 3 YEARS OF NOTICE IS HEREBY GIVEN of the ink Employment . . . . . a . DC . . . F . .endsh . . . . p . .has 42 om qua fied fi ms The u Praxis scope oTHIS woNOTICE PUBLICATION OFExam THAT: Elementary Education; IN ACCORDANCE WITH n e es ed ep ac ng engaged an A ch ec w be pos ed n a SECTION TRAVISA OUTSOURCING, INC. Health/Mind . . . . .o .deve . . . op . . .cons . . . .uc . . . . Highly Qualified Teach29-312.07 OF DISTRICT OF (DISTRICT OF COLUMBIA and au oma ed DC s compe veTHE Reques oDEing Status. Resumes COLUMBIA PARTMENT OFORGANIZATIONS CONSUMER ex e na d veway ga e . . . . on P oposa ha can be to: Body & Spirit . . . documen . . . . . . .s .and . . 42 ACT. AND REGULATORY AFFAIRS Human Resources, 1017 To come v ew he ga e spec fica ons o mee ound on FPCS webs e FILE NUMBER 271941) HAS new Jersey Ave. SE .he . .p . og . . amma . . . . . c . . 42 p easeHousing/Rentals come o he a h Rivers p www Two PCS isend soliciting DISSOLVED NOVEMWashington, proposals toEFFECTIVE provide pa k ng o en ance o needs The se ec ed sh pschoo s o DC g project p20003 ocumane Legal Notices . . . . . . . . . . . . . . . . 42 BER 27, 2017 AND HAS FILED Indicate Code: agement services for Eagle assmall ou bu d ng @ 9 am con ac o s w be men POF oposa a e conARTICLES DISSOLUTION OF Elementary struction project. For a copy of the on Thu sday anua y Row .equ due no a FOR-PROFIT e han 4 00 Music/Music . . . ed . . .o .cons . . . . uc . 42 DOMESTIC CORemail procurement@ 3 d The pa k ng o he app oved des gns PRFP, M please ESTWITH ThuTHE sday PORATION DISTRICT tworiverspcs.org. Deadline for WASHINGTON LATIN Pets . . .ed . .a . . . . . . no . . .a .e . . han . . . .u . y . 31 . 42 en ance s oca anua y 31 hCORPORATIONS 2019 No OF COLUMBIA submissions is December 6, 2017. DIVISION he co ne o 14 h S 2020 n me o he pPUBLIC oposa sCHARTER w be ac Real Estate . . . . . . . . . . . . . . . . . . 42 SCHOOL NW and Aspen S NW 2020 2021 schoo yea cep ed a e he NOTICE INTENT TO Adead CLAIM AGAINST TRAVISA P easeShared ema b dHousing o p@ ne OF Ques ons . * . .Gene . . . .a . Con . . . .ac . .o 42 OUTSOURCING, INC. ENTER A SOLE SOURCE dc n e na ona schoo Cons uc on Company can be add essed oMUST INCLUDE THE NAME OF THE CONTRACT . . . . . . se . . v . ces . . .w . .hto . expe .provide: . . . ence 42 o g PServices . oposa s a e .due Pto ocu emenconstruction nqu y@ candidates develop DISSOLVED CORPORATION, Echo Hillpschoo Outdoor Adult Phone no a e han 12 00PM bu d ng ooContractor/ ba endsh sspecifioSchool * General documents INCLUDE THE and NAME OFg THE Entertainment on F day anua y 11 h fie ds The fie Comd wou d be Construction cations toINCLUDE meet CLAIMANT, Athe SUMMAAdult . . . . . . . . . . . . . . . . . . . . . . . 42 Pursuant to the School app ma e y to 73build 625 a E emen a y Lead DC International panyox services programmatic needs. RY OF THE FACTS SUPPORTING Reform 38Livelinks -Act, Chat Lines. Flirt, chat FRIENDSHIP PUBLIC squa oo c Teache o D.C. Eag e School Middle The selected contractors THE CLAIM, AND BE MAILED TO Auto/Wheels/Boat . .e .School, . . . . syn . . .he . 42 and date! Talk to sexy real singles 1802 (SRA) and the 1600 INTERNATIONAL DRIVE, CHARTER SCHOOL u ac y a Academy Pub Cha Invitation for Bid approximately 35,594 will be required c to conin your area. Call now! (844) D.C. Public Charter Buy, Sell, Trade . .Fsquare . .endsh . . . foot .p . Pub . multi-level . . c . .Cha . . . . SUITE 600, MCLEAN, NOT CE OF REQUEST e Schoo MasVAe22102 s Automated Driveway struct the approved 359-5773 Schools FOR e Schoo Co eg a e pdesigns us wo no yealater s expe GatePROPOSAL facility than Marketplace . . . .Academy . . . . .at . s .Friendship . e . .nSchool .wa . . d42 ALL CLAIMS BARRED procurement policy, FRFP endsh p Pub c Cha ence each ng eBE emen for Automated Public Charter October 1,WILL 2019 for the Legals UNLESS A PROCEEDING TO Washington Latin e Schoo ng . . . . .7Southeast a y aged s school uden sPCS Metal Gate:s seek DCI invites 2019/2020 year. Community . DC . . . F . .endsh . Elementary . . . p . .has . 42 ENFORCE THE CLAIMthis IS COMhereby submits Nobwritten ds om p ospec ve engaged an A ch ec Success u comp e on proposals site in ward 8- AnacosNOTICE WITH IS HEREBY GIVEN MENCED IN 3 YEARS OF ticehe of to Employment . . . . tia . . DC. . . . Friendship . . . . . . . .has 42 oThe PIntent ax sOFExam n from qualified firms full scope ofaward work THAT: PUBLICATION THIS NOTICE candidates to provide: to develop the following E emen aOUTSOURCING, y Educa on INC. interested replacing engaged anconstruction Architect will be posted in aSECTION TRAVISA IN ACCORDANCE WITH Health/Mind . . . . . . . . . . . . . . . . . . . . Adult Phone Legals * General Contractor/ documents and specifiSole Source Contract: (DISTRICT OFTHE COLUMBIA DEH gh y Qua fied Teachfor and automated DCI’s to develop construccompetitive Request 29-312.07 OF DISTRICT OF Entertainment the Vendor: Echo Hill OutPARTMENT OF CONSUMER ng S a us Resumes COLUMBIA ORGANIZATIONS external tion Proposal that can be o Body & . .Spirit . . . . documents . . to . . meet . . . .and . . 42 . . . . . . Construction . . . .services . . driveway . . .Com . .gate. 42a . . . cations DC SCHOLARS PCS - REQUEST AND REGULATORY AFFAIRS pany to build programmatic needs. door School. ACT. Human Resou ces 1017 To come view the gate, specifications to meet foundPROPOSALS on FPCS website FOR – ModuLivelinks chat FILEhttp://www.friendNUMBER HAS . . .programmatic . . - . Chat . . .Lines. . . . Flirt, . 42 Middle The selected contractors Description of271941) Service els/Boat . .Housing/Rentals .School, . . . .to . .the . . 42 new e seyPCS Ave please come the at lar Contractor Services - DC Two Rivers isSE soliciting and date! Talk to sexy to realconsingles DISSOLVED EFFECTIVE NOVEMapproximately 35,594 will be required Procured: Echo Hill Wash ng on DC 20003 parking lot entrance of needs. The selected shipschools.org/procureScholars Public Charter School proposals to provide project manin . .your area. Call now! (844) Legal Notices . . . . . . . . . . . . . . 42 BER 27, 2017 AND HAS FILED Trade . . . . . . . . . . . . . . . . . . y square foot multi-level struct the approved Outdoor School nd ca proposals e Proposals Code Eag e conour building @ 9 am contractors will be ment/. solicits a are modular agement services forfor ahosts small 359-5773 ARTICLES OF DISSOLUTION OF at Friendship an academic learning contractor to provide E emen a y For struction aprofessional copy of the on required to construct due noproject. later than 4:00 . . . . .no . .later . . . than . . 42 ce . . . . facility . . Thursday, . .Music/Music .Charter . . . . January .School . . . 42Row .designs DOMESTIC FOR-PROFIT CORPublic October 1, 2019 for the environment on the management and construction RFP, please email procurement@ 3rd. The parking lot the approved designs P.M., EST,WITH Thursday, Legals PORATION THE DISTRICT services to 31th, construct aestuary modular . . . . . . 2019/2020 . . later . . . .than . .school . July . . . 31, .year. 42 tworiverspcs.org. Deadline for vites Chesapeake Bay y . . . . . Southeast . . . .Pets . . is . Elementary .located . . . . . . . . . .at42 WASHINGTON LATIN entrance no January 2019. No OF COLUMBIA CORPORATIONS building to house four classrooms submissions iswill December 6, 2017. site in wardof8-14th Anacoswith immediate PUBLIC CHARTER DIVISION HEREBY the corner St 2020 in IS time for theGIVEN proposals beaccess ac . . . . . NOTICE .The . . . . . . . . . . . . 42 and one faculty offi ce suite. The ent . . . . tia .NW . DC. .and .Real . Friendship .Aspen . . Estate . . St . . NW. .has 42 full scope of work to farmland, wetlands, THAT: SCHOOL 2020/2021 school year. cepted after the Request forAGAINST Proposals (RFP) Adeadline. CLAIM Architect marshlands and a TRAVISA mile TRAVISA INC. NOT CE OFQuestions TO on Please to * . .General .be . .posted .OUTSOURCING, . Contractor/ . . .in . a . . 42 nd . . . . engaged . .develop . .Shared .email . an . .construc .bid . .Housing . . rfp@ . . . . will specifi cations canNTENT beINC. obtained OUTSOURCING, (DISTRICT OF COLUMBIA DE’s to competitive Request for of coast line on thetoMUST ENTER A SOLE SOURCE dcinternationalschool. Construction Company canafter be addressed and Monday, November 27, INCLUDE THE NAME OF THE PARTMENT . . . . . . Proposal . . . . . .with . .OF . experience . .CONSUMER . be . 42 ate. . . . tion that can Chesapeake irit . . . . documents .Services . . . . . . . are .and . . .due 42 CONTRACT org. Proposals services ProcurementInquiry@ 2017 from Emily Bay. Stone The via comDISSOLVED CORPORATION, AND REGULATORY AFFAIRS ate, specifications to meet found onfootball FPCS website staff provides academic, Echo H Ou doo Schoo no later than 12:00PM building friendshipschools.org munityschools@dcscholars.org. INCLUDEonTHE NAME OF THE FILE NUMBER 271941) HAS Rentals the . . .programmatic . . . . January . . . . . .11th. 42 at http://www.friendhands classes All questionsINCLUDE should Abein sent in on Friday, fields. TheEFFECTIVE field would be CLAIMANT, SUMMADISSOLVED NOVEMe of needs. The selected shipschools.org/procureecology and writing by e-mail. No phoneand calls Pu suan o history he Schoo approximately Elementary Lead RY OF THE FACTS SUPPORTING ces . . . . . . . . . . . . . . . . 42 BER 27, 2017 AND73,625 HAS FILED regarding this RFP will be acm contractors will be ment/. Proposals are human interactions Re o m Ac D C 38 FRIENDSHIP PUBLIC square foot, (syntheticOF Teacher THE CLAIM, for AND Eagle BE MAILED TO ARTICLES OF DISSOLUTION cepted. Bids must be received by ry Row . required construct due nofacility later than with the environment sic . . . . . to . .SCHOOL . . . . . 42 1802 SRA and he 1600 INTERNATIONAL DRIVE, CHARTER turf), at 4:00 Academy Public CharDOMESTIC FOR-PROFIT COR5:00 onthe Thursday, December the approved designs P.M., EST,WITH Thursday, through lens the SUITE 600, MCLEAN, VA 22102 PORATION THE DISTRICT D C PM Pub c Cha eof NOTICE OF REQUEST Friendship Public Charter School. Masters 14, 2017 at DC Scholars Public . . . . . . . . . . . . . . . . . . . 42 at no later than July 31, January 31th, 2019. No Chesapeake Bay. EHOS OF CORPORATIONS Schoo s years’ FOR PROPOSAL ter COLUMBIA School-Collegiate plus two experiCharter School, ATTN: Sharonda ALL CLAIMS WILL BEcy BARRED DIVISION St proposals will in beward acconducts team/ palso ocu emen po Friendship Academy site ence teaching elemene . . . . . 2020 . . . .in . .time . .Public . for . . the .Char .year. 42 Mann, 5601 E. Capitol St. SE, UNLESS A PROCEEDING TO W. 2020/2021 school cepted after the community building Wash ng on La n PCS ter School is seeking 7-DC. Friendship has tary aged DC students; Washington, 20019. Any bids ENFORCE THE CLAIM IS COMAdeadline. CLAIM AGAINST TRAVISA rfp@ Contractor/ Questions exercises as a part of using . *bids . .General . from . . . .prospective . . . . . . 42 he eby subm s h s No engaged an Architect Successful completion not addressing all areas as outMENCED WITH IN 3 YEARS OF OUTSOURCING, INC. MUST ol. Construction Company can be addressed to their They o program. nRFP enOF oTHIS awa lined in the specifi cations ofcethe Praxis Exam ind will PUBLICATION NOTICE INCLUDE THE NAME OF THE . . . . . .candidates . . . . . .with . .to . experience . . . . 42 due services ProcurementInquiry@ also provide constant not befollowing considered. Elementary Education; provide: to develop construction the IN ACCORDANCE WITH SECTION DISSOLVED CORPORATION, PM building football friendshipschools.org care and supervision for Adult Phone Legals Highly Qualified Teach* General Contractor/ documents specifiSole Source Contract: 29-312.07 OF THE DISTRICT OF INCLUDE THE and NAME OF THE 11th. fields. The field would be visitors/students on a to: Apartments Rent Entertainment ing Status. Resumes COLUMBIA ORGANIZATIONS Comcations toINCLUDE meet the Vendor: Echo Hillfor OutCLAIMANT, A SUMMA . . . . . . Construction .pany . . . . . . . . . . . . 42 DC SCHOLARS PCS - REQUEST approximately 73,625 Elementary residential campus caACT. RY OF THE FACTSLead SUPPORTING Human Resources, 1017 services to build a programmatic needs. door School. FOR PROPOSALS – ModuLivelinks - Chat Flirt, chat LIC square foot, Teacher for Eagle pable of accommodating THE CLAIM, ANDLines. BE MAILED TO new Rivers Jersey Ave. Middle The selected contractors Description of Service els/Boat . . .School, . . . .(synthetic . . . . 42 Two PCS isSE soliciting lar Contractor Services - DC and date! Talk toPublic sexy to realCharsingles 1600 DRIVE, L turf), facility at35,594 Academy and feeding aDC large Washington, 20003 approximately will beINTERNATIONAL required conProcured: Echo Hill proposals to provide project manScholars Public Charter School in your area. Call now! (844) SUITE 600, MCLEAN, VA 22102 ST Friendship ter School. Masters number of students/ Trade . . square . . . . . foot . . .Public . . . .Char . . . . Indicate Code: Eagle y multi-level struct the approved Outdoor School hosts agement services for a small consolicits proposals for a modular 359-5773 ter School-Collegiate plus two years’ experiguests, well over 100. Elementary struction project. For professional a copy of the at Friendship designs no later than an academic learning contractor to provide ce . . . . facility . . . . .Charter . .site . . .inSchool . ward . . 42 ALL WILLelemenBE BARRED harAcademy enceCLAIMS teaching Amount of Contract: RFP, please email procurement@ Public October 1, 2019 for the environment on the management and construction UNLESS A students; PROCEEDING TO Legals g 7-DC. tary aged $30,000 tworiverspcs.org. Deadline for services to construct aestuary modular WASHINGTON LATIN vites 2019/2020 year. Chesapeake Bay y . . . . . Southeast . . . . .Friendship . . Elementary . . . . .has . 42 ENFORCE THE school CLAIM IS COMsubmissions is December 6, 2017. ve engaged an 8Architect Successful completion Selection Justification: building to house four access classrooms PUBLIC CHARTER site in ward Anacoswith immediate MENCED WITH IN 3 YEARS OF NOTICE IS HEREBY GIVEN of the Praxis Exam in The Echo Hill Outdoor and one faculty offi ce suite. The nt . . . . tia . . DC. . . . Friendship . . . . . . . .has 42 SCHOOL The full scope work to farmland, wetlands, PUBLICATION OF of THIS NOTICE THAT: Request forOF Proposals (RFP) Elementary Education; School the only IN ACCORDANCE WITH NOTICEis INTENT TO will be posted in aSECTION marshlands and a mile TRAVISA OUTSOURCING, INC. nd . . . . engaged . . . . . . an . . Architect . . . . . . . . specifi cationsSOLE can beoffers obtained on Highly Qualified Teachoperation that 29-312.07 OF DISTRICT OF (DISTRICT OF THE COLUMBIA DEENTER s to develop construccompetitive Request for of coastAline on SOURCE the and after Monday, November 27, Must see! Spacious semi-furing Status. Resumes academic level COLUMBIA ORGANIZATIONS PARTMENT OF CONSUMER CONTRACT ate. . . . tion Proposal that can be to: Chesapeake Bay. The irit . . . . documents . . . . . . . .and . . 42 2017 from Emily Stone via comnished 1 on BR/1 BA basement ACT. AND REGULATORY AFFAIRS Human 1017 classes a campus Echo Hill Outdoor School ate, specifications to meet found onResources, FPCS website staff provides academic, munityschools@dcscholars.org. apt, Deanwood, $1200. Sep. enFILE NUMBERPCS 271941) HAS new Jersey Ave. with immediate access entals the . . .programmatic . . . . . . . . . . 42 at http://www.friendhands on classes Two Rivers isSE soliciting All questions should W/D, bein sent in trance, W/W carpet, kitchDISSOLVED NOVEMWashington, DCproject 20003 to working farmland, proposals to EFFECTIVE provide manPursuant to the School of needs. The selected shipschools.org/procureecology and history and writing by e-mail. No phone calls en, fireplace near Blue Line/X9/ ces . . . . . . . . . . . . . . . . 42 BER 27, 2017 AND HAS FILED Indicate Code: swamplands, marshagement services for Eagle a small conReform Act, D.C. 38regarding this RFP will be acm contractors will be ment/. Proposals are human interactions V2/V4. Shawnn 240-343-7173. ARTICLES OF DISSOLUTION Elementary lands, and a and significant struction For a copy of OF the cepted. Bids must be received 1802the (SRA) the by ry Row . required due no project. later than 4:00 with environment sic . . . . . to . .construct . . . . . 42 DOMESTIC FOR-PROFIT CORRFP, please email procurement@ stretch of shoreline on 5:00 on Thursday, December D.C.PM Public Charter the approved designs P.M., EST,WITH Thursday, through the lens of the PORATION THE DISTRICT Rooms for Rent tworiverspcs.org. Deadline for 14, 2017 at DC Scholars Public WASHINGTON LATIN the Chesapeake Bay, . . . . . . . . . . . . . . . . . . . 42 Schools at no later than July 31, January 31th, 2019. No Chesapeake Bay. EHOS OF COLUMBIA CORPORATIONS submissions is December 6, 2017. Charter School, ATTN: Sharonda PUBLIC CHARTER who also has facilities to DIVISION procurement policy, St proposals will be acalso conducts team/ Holiday SpecialTwo fure . . . . . 2020 . . . .in . .time . . . for . . the . . 42 Mann, 5601 E. accommoCapitol St. SE, SCHOOL comfortably Washington Latin nished rooms for shortPCS or long W. 2020/2021 school year. cepted after the community building Washington, DC 20019. Any bids NOTICE INTENT TO date and feed the numAdeadline. CLAIM OF AGAINST TRAVISA term rental ($900 $800 per hereby submits this rfp@ Questions exercises asalla and part ofNousing . * . .General . . . . . Contractor/ . . . . . . 42 not addressing areas as outOUTSOURCING, ENTER A SOLEINC. SOURCE ber of students/teachers month) with access to W/D, tice in of toThey award ol. Construction Company can be addressed toMUST their program. lined theIntent RFP specifi cations will INCLUDE THE NAME OF THE WiFi, Kitchen, and Den. UtiliCONTRACT (nearly 100) attending, .ue . . . . . services .candidates . . . . .with . .to . experience .provide: . . . 42 ProcurementInquiry@ also provide not considered.constant to develop construction thebefollowing DISSOLVED CORPORATION, ties included. Best N.E. location Echo Hill Outdoor School while alsosupervision providing 24 PM building football friendshipschools.org care for Adult Phone Legals * General Contractor/ documents specifiSole and Source Contract: INCLUDE THE and NAME OF THE along H St. Corridor. Call Eddie hour supervision and 11th. fields. The field would be visitors/students on a visit Entertainment Apartments for Rent Construction Comcations toINCLUDE meet Vendor: Echo Hill OutCLAIMANT, Athe SUMMA202-744-9811 for info. or . . . . . .approximately .pany . . .services . . . . . .to . . . 42 Pursuant to the School care for visitors. DC SCHOLARS PCS REQUEST 73,625 Elementary Lead residential campus cabuild a programmatic needs. door School. RY OF THE FACTS SUPPORTING www.TheCurryEstate.com FOR further PROPOSALS – ModuReform Act, 38For informaLivelinks - Chat Lines. Flirt, chat LIC square Teacher for Eagle pable of accommodating THE ANDD.C. BE MAILED TO Middle School, TheCLAIM, selected contractors Description of Service els/Boat . . .foot, . . . (synthetic . . . . . 42 lar Contractor - DC 1802 (SRA) the tion regarding this and Talk Public to and sexy to real singles 1600 INTERNATIONAL DRIVE, L turf), facility at 35,594 Academy Charand feeding aServices large approximately willdate! be required conProcured: Echo Hill Scholars contact Public Charter School in your area. Call now! (844) D.C. Public Charter notice Geovanna SUITE 600, MCLEAN, VA 22102 Trade . .Friendship . . . . . foot . . Public . multi-level . . . .Char . . . . T ter School. Masters number of students/ y square struct the approved Outdoor School hosts solicits proposals for a modular 359-5773 Schools Izurieta at gizurieta@ ter plus two no years’ guests, well over 100. facility designs laterexperithan an academic learning contractor to provide professional ce . . School-Collegiate . . .at . site .Friendship . . in .School .ward . . 42 ALL CLAIMS WILL BE BARRED procurement policy, latinpcs.org ar- . . . .Academy ence teaching elemenAmount of Contract: Public Charter October 1, 2019 for the environment the management andonconstruction Legals UNLESS A PROCEEDING TO Washington Latin PCS no latertothan 4:00 PM g tary aged students; $30,000 services construct aestuary modular vites Southeast 2019/2020 school Chesapeake Bay y . . . . .7-DC. . . . . Friendship . . . Elementary . . . . .has . 42 ENFORCE THE CLAIM ISyear. COMhereby submits this NoJanuary 7,Justification: 2019. ve engaged an Architect Successful Selection building to house four access classrooms site in ward 8- Anacoswith immediate NOTICE IS completion HEREBY GIVEN MENCED WITH INto3 award YEARS OF tice of Intent Washington Latin Public and one faculty offi ce suite. ent . . . . tia . . DC. . . . Friendship . . . . . . . .has 42 of the Praxis in The Echo Hill wetlands, Outdoor The The full scope of work to farmland, THAT: PUBLICATION OFExam THIS NOTICE Request Proposals (RFP) Elementary Education; School isforthe onlya mile g engaged an Architect will be posted in aSECTION marshlands and TRAVISA OUTSOURCING, INC. IN ACCORDANCE WITH nd . . . . . . . . . . . . . . . . . . . . specifi cationsthat can be obtained on Highly Qualified Teachoperation (DISTRICT COLUMBIA DE29-312.07 OFOFTHE DISTRICT OF ’s to develop construccompetitive Request for of coast line onoffers the and after Monday, November 27, Must see! Spacious PARTMENT OF CONSUMER ing Status. Resumes academic level semi-furCOLUMBIA ORGANIZATIONS ate. . . . tion Proposal that can be to: Chesapeake The irit . . . . documents . . . . . . . .and . . 42 2017 from Emily Bay. Stone via comnished 1 on BR/1 BA basement AND AFFAIRS ACT. Human Resources, 1017 classes a campus ate, specifications to meet foundREGULATORY on FPCS website staff provides academic, munityschools@dcscholars.org. apt, Deanwood, $1200. Sep. enFILE NUMBERAve. 271941) HAS Rentals the . . .programmatic . . . . . . . . . . 42 new Jersey with immediate access at http://www.friendhands on classes Two Rivers PCS isSE soliciting All questions shouldW/D, bein sent in trance, W/W carpet, kitchDISSOLVED EFFECTIVE NOVEMWashington, DCproject 20003 to working farmland, e of needs. The selected shipschools.org/procureecology and history and proposals to provide manwriting by e-mail. No phone calls en, fi replace near Blue Line/X9/ ces . . . . . . . . . . . . . . . . 42 BER 27, 2017 ANDEagle HAS FILED Indicate Code: swamplands, marshagement services for a small conregarding this RFP will be acm contractors will be ment/. Proposals are OF human interactions V2/V4. Shawnn 240-343-7173. ARTICLES OF DISSOLUTION Elementary lands, and a significant struction For a copy of the cepted.the Bids must be received by ry Row . required due noproject. later than 4:00 with environment sic . . . . . to . .construct . . . . . 42 DOMESTIC FOR-PROFIT CORRFP, please email procurement@ 5:00 PM on Thursday, December stretch ofthe shoreline on t the approved designs P.M., EST,WITH Thursday, through lens for of the PORATION THE DISTRICT Rooms Rent tworiverspcs.org. Deadline for 14, 2017 at DC Scholars Public . . . . . . . . . . . . . . . . . . . 42 WASHINGTON LATIN the Chesapeake at no later than July 31, January 31th, 2019. No Chesapeake Bay.Bay, EHOS OF COLUMBIA CORPORATIONS submissions is December 6, 2017. Charter School, ATTN: Sharonda PUBLIC CHARTER who also has facilities to DIVISION St 2020 in time for the proposals will be acalso conducts team/ Holiday SpecialTwo e . . . . . . . . . . . . . . . . . . 42 Mann, 5601 E. accommoCapitol St. furSE, SCHOOL comfortably W. 2020/2021 school year. cepted after the community building nished roomsDCfor short Any or long Washington, 20019. bids Adeadline. CLAIM OF AGAINST NOTICE INTENTTRAVISA TO date and ($900 feed the numterm rental $800 per rfp@ Questions exercises asallaand part of outusing . * . .General . . . . . Contractor/ . . . . . . 42 not addressing areas as OUTSOURCING, ENTER SOLE INC. SOURCE ber students/teachers month) with to W/D, ol. Construction Company can be Aaddressed toMUST their They linedof inprogram. the RFPaccess specifi cations will INCLUDE THE NAME OF THE . . . . . . services . . . . . .with . . . experience . . . . 42 WiFi, Kitchen, Den. UtiliCONTRACT (nearly 100)and attending, due ProcurementInquiry@ also constant not be provide considered. DISSOLVED CORPORATION, ties included. Best N.E. location Echo Hill Outdoor School while also providing 24 PM building football friendshipschools.org care and supervision for INCLUDE THE NAME OF THE along Hsupervision St. Corridor. Call Eddie hour and 11th. fields. The field would be visitors/students on Rent a Apartments for CLAIMANT, INCLUDE A SUMMA202-744-9811 for info. or visit 26 december 28, 2018 Pursuant washingtoncitypaper.com to the School care for visitors. approximately 73,625 Elementary Lead residential campus caRY OF THE FACTS SUPPORTING www.TheCurryEstate.com Reform Act, 38- TO For further informaLIC square foot, (synthetic Teacher for Eagle pable of accommodating THE CLAIM, ANDD.C. BE MAILED 1802 (SRA)Public and the tion this 1600 INTERNATIONAL DRIVE, L turf), facility at Academy Charand regarding feeding a large D.C. Public Charter notice contact Geovanna SUITE 600, MCLEAN, VA 22102 ST Friendship Public Charter School. Masters number of students/ Schools Izurieta at gizurieta@ ter School-Collegiate plus two years’ experiguests, well over 100. ALL CLAIMS WILL BE BARRED
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guests, an academ c over eaprofessional n100. ng contractor towell provide Amount of and Contract: env onmen onconstruction he management $30,000 services to construct Chesapeake Bay aesmodular ua y Selection Justification: building to house classrooms w h mmed afour e access The Echo Hilloffi Outdoor and one ce ands suite. The o a mfaculty and we Request for Proposals School is the only ma sh ands and a m (RFP) e specifi cations that can beoffers obtained on ooperation coas ne on he and after Monday, November 27, Must see! Spacious semi-furacademic level Chesapeake Bay The 2017 from1 on Emily Stone via comnished BR/1 BA basement a campus sclasses a p ov des academ c munityschools@dcscholars.org. apt, Deanwood, $1200. Sep. enwith immediate access hands on ccarpet, assesW/D, All questions should ben sent in trance, W/W kitchto working farmland, eco and hNo s o y and writing by e-mail. phone calls en, fiogy replace near Blue Line/X9/ swamplands, marshregarding thise RFP will be achuman n ac ons V2/V4. Shawnn 240-343-7173. lands, and a significant cepted. Bids must be received by w h he env onmen stretch shoreline on 5:00 PM onofhe Thursday, December h ough ens o he Rooms for Rent 14, at DC Bay Scholars Public the2017 Chesapeake Bay, Chesapeake EHOS Charter School, Sharonda who also hassATTN: facilities to a so conduc eam Holiday SpecialTwo furMann, 5601 E. accommoCapitol St. SE, comfortably nished rooms for short or long commun y bu d ng Washington, DC 20019. Any bids date and feed the numterm crental and $800 per exe ses ($900 asalla areas pa o outnot addressing as ber month) with access to W/D, he inofpthestudents/teachers og They lined RFPam specifi cations will WiFi, Kitchen, and Den. Utili(nearly 100) attending, a so p ov de cons an thebefollowing not considered. ties Best vN.E. location while alsosupe providing 24 Legals ca eincluded. and s on o Sole Source Contract: along Hsupervision St. Corridor. Call Eddie hour and vVendor: s o s sEcho uden s for on a visit Hill OutApartments 202-744-9811 for info. orRent DC SCHOLARS PCS REQUEST care for visitors. es den a campus ca door School. www.TheCurryEstate.com FOR PROPOSALS – ModuFor e further informapab o accommoda Description of Serviceng lar Contractor Services - DC tion regarding and eed ngEcho aCharter athis ge School Procured: Hill Scholars Public notice contact Geovanna numbe oSchool s uden Outdoor solicits proposals forhosts a smodular Izurieta at gizurieta@ gues s we ove 100 an academic learning contractor to provide professional latinpcs.org Amoun o Con ac environment the management andonconstruction no later than 4:00 PM $30 000to construct services modular Chesapeake Bay aestuary January 7,us 2019. building to house four classrooms Se ecimmediate on fica on with access Washington Public and one faculty offi ce doo suite. The The Echo H Latin Ou to farmland, wetlands, Request Proposals (RFP) Charter School Schoo sfor he on ya mile marshlands and specifi cations can be obtained Construction/Labor 5200 nd Street ope a 2on ha eNW s on of coast line ono the and after November 27, Washington, DC 20011 Must see!Monday, semi-furacadem cSpacious eve Chesapeake Bay. The 2017 from Emily Stone via comnished 1 on BR/1 BA basement cmunityschools@dcscholars.org. asses a campus staff provides academic, apt, Deanwood, Sep. enKIPP DC PUBLIC w h mmed a$1200. e access hands on classes All questions should bein sent in trance, carpet, W/D, kitchCHARTER o wo W/W k ng ahistory m and ecology andSCHOOLS and writing by e-mail. No phone calls en, fi replace near Blue Line/X9/ REQUEST FOR PROPOSswamp ands ma shbe acregarding this RFP will human interactions V2/V4. Shawnn 240-343-7173. ALS cepted. Bids must received ands and a s be gn fican POWER DESIGN NOW HIR-by with the environment Management 5:00 on Thursday, December ING ELECTRICAL sProject e PM ch othe sholens e APPRENne on through of the for Rent 14, 2017 at Rooms DC Scholars Public TICES OF ALLBay. SKILL LEVServices he Chesapeake Bay Chesapeake EHOS Charter School, ATTN: Sharonda ELS!aconducts KIPP DC is soliciting who so has ac es o also team/ Holiday SpecialTwoSt. furMann, 5601 E. Capitol SE, proposals qualified com o ab from y building accommo community nished short or long Washington, DCfor 20019. Any bids aboutrooms the for position… vendors Project da erental and ($900 eed he$800 num exercises asalla part of term and per not areas as outDoaddressing you love working with Management Services. be oinprogram. swith uden eache s month) tointerW/D, their lined the RFPaccess specifi cations will your hands? Ares They you The RFP can be found WiFi, Kitchen, and Den. Utilinea y 100 a end ng also provide constant notested be considered. in construction and on KIPP DC’s website ties N.E. location wh ebecoming a so pBest ov d ng 24 care and supervision for inincluded. an electrician? along Hsupe St.electrical Corridor. Call at www.kippdc.org/ hou v s onapprentice and Then the visitors/students on Eddie a Apartments for Rent 202-744-9811 for info. or visit procurement. Proposals position could for ca e o v s campus obes perfect residential cawww.TheCurryEstate.com should beaccommodating uploaded you!u of Electrical Fo he n oapprentices ma to pable arewebsite able ah paycheck the no later on egatodearn ng s and feeding a large andcefull benefi ts EST, while learnthan 5:00 on no con ac Geovanna number of PM students/ ing the trade throughQuesfirstJanuary zu e a well a9, g2019. zu e 100. a@ guests, over hand can experience. tions be addressed a npcs oofgContract: Amount to kevin.mehm@kippdc. no ae 4 00 $30,000 what we’rehan looking for…PM org. anua y 7D.C. 2019 Selection Justification: Motivated residents who Wash ng on nelectrical Pub c The HillLa Outdoor wantEcho to learn the SUPERIOR trade and have aonly high school School is theCOURT Charter School OF THE DISTRICT diploma or GED as wellOF as Construction/Labor operation offers 5200 2 nd that Street NW reliable transportation. COLUMBIA Must see! Spacious semi-furacademic level Washington, DC 20011 PROBATE DIVISION nished BR/1 BA basement classes1 on a campus a little bit about us… Name apt, Deanwood, $1200. Sep. en2018 ADM 00397 with immediate access KIPP DC PUBLIC Power Design is one of kitchthe trance, W/W carpet, W/D, of Decedent, Roderick totop working farmland, CHARTER SCHOOLS electrical contractors in en, fireplace near Blue Line/X9/ Michael Scott. Notice of swamplands, REQUEST FORmarshPROPOSthe U.S., committed to our V2/V4. Shawnn 240-343-7173. Appointment, Notice to lands, a significant ALS values,and toDESIGN training and toHIRgivPOWER NOW Creditors Notice to stretch of shoreline Project Management ing back toand the communities ING ELECTRICAL APPRENRooms for on Rent Unknown Sandra in which live and work. the Chesapeake Bay, TICES OFweHeirs, ALL SKILL LEVServices Gordon, whose addressto ELS! also who has facilities KIPP DC Specialis soliciting Holiday Two furmore details… is 1403 Montana Avenue comfortably accommoproposals from qualified nished rooms for short or long Visit powerdesigninc.us/ about the position… NE, Apt 2, Washington, date andfor feed the$800 numvendors Project term rental ($900 and per careers or email careers@ Do youstudents/teachers lovewas working with DC 20018 appointber of Management Services. month) with access to W/D, powerdesigninc.us! your hands? Are you ed Personal RepresenWiFi, Kitchen, and Den.interUtili(nearly 100) attending, The RFP can be found ested in the construction and tative of estate of ties included. Best N.E. location while also providing 24 on DC’s in KIPP becoming anwebsite electrician? along Hsupervision St. Michael Corridor. Call Eddie Roderick Scott hour and at www.kippdc.org/ Then the electrical apprentice 202-744-9811 for info. or visit who died on January Financial Services care for could visitors. procurement. position beProposals perfect for www.TheCurryEstate.com 7, 2018, a Will For further informashould bewithout uploaded to you! Electrical apprentices Denied Credit?? to Reand will serve arewebsite able to earn aWork paycheck tion regarding this the nowithout later pair Credit With Court Supervision. All The andYour full benefi tsReport while learnnotice contact Geovanna than 5:00 PM EST, on Trusted Leader inthrough Credit Repair. ing the trade fi rstunknown heirs and heirs Izurieta 9, at 2019. gizurieta@ January QuesCall Lexington Law for a are FREE hand experience. whose whereabouts latinpcs.org tions can be addressed credit report summary & credit unknown shall4:00 enter nokevin.mehm@kippdc. later than PM to repair consultation. 855-620what we’re looking for… their appearance in thisat January 7, 2019. org. 9426. John C. Heath, Attorney Motivated D.C. residents who proceeding. Washington Latin Public Law, dbaObjections Lexington Law wantPLLC, to learn the electrical to such appointment Firm. SUPERIOR trade andSchool haveCOURT a high school Charter shall be filed with the OF THE DISTRICT OF diploma or GED as well as Construction/Labor 5200 2 nd Street NW Register of Wills, D.C., reliable transportation. COLUMBIA Washington, DC Services 20011 Home 515 5th Street, N.W., PROBATE DIVISION a littleADM bit about us… Building 3rd Floor, 2018 00397 Name KIPPNetwork-Satellite DCA,PUBLIC Dish Power Design is one of Telethe Washington, D.C. of Decedent, Roderick CHARTER SCHOOLS vision Services. Now Over in190 top electrical contractors 20001, on or before Michael Scott. of REQUEST FOR PROPOSchannels for ONLYNotice $49.99/mo! the U.S., committed to our 6/27/2019. Appointment, Notice to HBO-FREE for Claims one year, FREE ALS POWERtothe DESIGN NOW values, training and to HIRgivagainst decedent Creditors and Notice to Installation, FREE Streaming, Project Management INGback ELECTRICAL APPRENing to the communities shall beOF presented FREE HD. Add Internet forto $14.95 Unknown Heirs, Sandra ALL SKILL LEVinTICES which we live and work. Services undersigned with a athe month. 1-800-373-6508 Gordon, whose address ELS! KIPP DC is soliciting copy to the Register of more details… is 1403 Montana Avenue proposals from qualified about position… Visit powerdesigninc.us/ NE, Aptthe2, Washington, vendors for Project Do20018 you orlove working with careers email careers@ DC was appointManagement Services. your hands? RepresenAre you interpowerdesigninc.us! ed Personal The RFP be found ested in can construction and tative of DC’s the estate of onin KIPP becoming anwebsite electrician? Roderick Michaelapprentice Scott atThen www.kippdc.org/ the electrical who died on January Financial Services procurement. position could beProposals perfect for 7, 2018, a Will should bewithout uploaded to you! Electrical apprentices Denied Credit?? Work to Reand will serve arewebsite able to earn alater paycheck the nowithout pair Your Credit Report and full benefi ts EST, whileWith learnCourt Supervision. All than 5:00 PM on The Trusted Leader inthrough Credit Repair. ing the trade firstunknown heirs andQuesheirs January 9, 2019. Callhand Lexington Law for a are FREE experience. whose whereabouts tions can be addressed credit report shall summary & credit unknown enter to kevin.mehm@kippdc. repair consultation. 855-620what we’re looking for… their appearance in thisat org. 9426. John C.D.C. Heath, Attorney Motivated residents who proceeding. Law, PLLC, dbaObjections Lexington Law want to learn the electrical to such SUPERIOR Firm. trade andappointment haveCOURT a high school shall be filed with the OF THE or DISTRICT diploma GED as wellOF as Register of Wills, D.C., reliable transportation. 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COLUMBIA Washington, DC 20011 Home Services 515 5th Street, N.W., PROBATE D V S ON Building A,PUBLIC 3rd Floor, a littleADM bit about us… 2018 00397 Name KIPP DC Dish Network-Satellite TelePower DesignSCHOOLS isRode one ofck the Washington, D.C. oCHARTER Deceden vision Services. Now Over top electrical contractors in190 20001, on or before M chae Sco No ce o REQUEST FOR PROPOSchannels ONLY $49.99/mo! the U.S.,forcommitted to our 6/27/2019. Claims Appo n men No ce o ALS HBO-FREE for one year, FREE POWER DESIGN NOW HIRvalues, tothe training and to givagainst decedent C edback o sto and NoAPPRENce o Installation, FREE Streaming, Project Management ING ELECTRICAL ing the communities shall be presented to FREE HD.OF Add Internet for LEV$14.95 Unknown sSKILL Sand a TICES ALL Services in which weHe live and work. undersigned with a athe month. 1-800-373-6508 ELS! 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Dec. at 10:30AM cation: sha be 12/27/2018 fior ed w ash well heOF OF THE DISTRICT diploma GED as 1000sofS/S Tables, Carts Name reliable Reg s e transportation. oNewspaper W Kettles s D C up COLUMBIA & Trays, 2016 Home Services and/or 515 hperiodical: SGallons, ee N W PROBATE DIVISION to 5200 Urschel a little bit about us… Washington City Bu d ng A 3 d F Paper/ oo 2018 ADM Name Cutters & 00397 Shredders inDish Network-Satellite Power Design isRoderick one Law of Telethe Daily Washington Wash ng on C ofcluding Decedent, 2016D Diversacut vision Services. contractors Now Over 190 top electrical in Reporter 2110 Dicer, Chill/Freeze 20001 on o 6 be o e of Michael Scott. Notice channels forPerson ONLY $49.99/mo! the U.S., committed to our Name of RepCabs, Double Rack Ovens 6 27 2019 C a ms Appointment, Notice to HBO-FREE one and year, FREE values, to for training to giv& Ranges, (12) Braising resentative: Sandra aga he deceden Creditors Notice to Installation, FREE Streaming, ingns back2016 toand the communities Tables, (3+) Stephan Gordon sha beAdd p esen ed o Unknown Heirs, Sandra FREE HD. Internet for $14.95 in which we live and work. VCMs, TEST copyaddress he unde s 30+ gned wScales, ha Gordon, whose aTRUE month. 1-800-373-6508 Hobart 80 qt Mixers, Anne Meister copy o Montana heMachine Reg s Avenue eShop, o more details… isComplete 1403 Register ofthe Wills VisitApt powerdesigninc.us/ NE, 2, Washington, Wills or to Register and much more! View the careers or email careers@ Pub Dates: December Auctions DC 20018 appointof Wills with a copy to catalog at was powerdesigninc.us! 27, January Represen3, 10. edwww.mdavisgroup.com Personal the undersigned, on or or 412-521-5751 tative of the estateor ofbe before 6/27/2019, SUPERIOR COURT OF Roderick Michael Scott forever barred. Persons CALIFORNIA who died believed toonbeJanuary heirs or Financial Services Garage/Yard/ COUNTY OF SANTA 7, 2018, of without a Will legatees the decedent Rummage/Estate Sales CLARA Denied Work ato Reand will serve without who doCredit?? not receive In the Matter of the pair Your Credit Report With The Court Supervision. All copy of this notice by Flea Market every Fri-Sat Adoption Case No.heirs Trustedwithin Leader in Landover Credit Repair. unknown heirs and mail 25 days of Rd. 10am-4pm. 5615 Call Lexington Law for a FREE 18AD024780 Cheverly, MD. 20784. buy whose whereabouts are its publication shallCan so credit summary &ofcredit Petition Ofshall CITATION in bulk.report Contact 202-355-2068 unknown enter inform the Register repair consultation. 855-620TO PARENT In the or 301-772-3341 for details or if their appearance in thisat Wills, including name, Whole Foods Commissary 9426. John C.the Heath, Attorney intrested in aAdoption vendor. Matter ofbeing Auction proceeding. address relationLaw, PLLC,and dbaObjections Lexington Law Petition ofArea Metro toDCsuch appointment ship. Date of first publiFirm. Dec. be 5 at12/27/2018 10:30AM AMELIA ORTIZ GARCIA shall filed with the cation: 1000s S/S Tables, D.C., Carts Adopting Parent Register of Wills, Name of Newspaper & Trays, 2016 Kettles up Home Services 515 5thperiodical: Street, N.W., and/or to 200 Gallons, Urschel From theA, people of the Building 3rd Washington CityFloor, Paper/ Cutters & Shredders inDish Network-Satellite State of California Washington, Daily Washington LawTelecluding 2016 D.C. Diversacut vision Services. Now Over 190 To: Latoya Shade 20001, on or Reporter 2110 Dicer, 6 before Chill/Freeze channels for ONLY $49.99/mo! Sutherland 6/27/2019. Claims Name Person Cabs, of Double RackRepOvens HBO-FREE for one year, FREE By of this court & order Ranges, (12) Braising against the decedent resentative: Sandra Installation, FREE Streaming, you are hereby advised Tables, 2016 (3+) Stephan shall be presented to Gordon FREE HD. Add Internet for $14.95 that you may appear VCMs, 30+ Scales, undersigned with a TRUE TEST copy athe month. 1-800-373-6508 Hobart 80Hon. qt Lorie Mixers, before the copy to the Register of Anne Meister Complete Machine Shop, Pegg, Judge presiding Register of the Wills Wills or to and much more!Register View the in Department 72 ofto the Pub Dates: Auctions ofcatalog Wills withDecember a copy at court located 201 27, January 3,at10. the undersigned, on N. or www.mdavisgroup.com or 1st St.,6/27/2019, San Jose, CA before or be 412-521-5751 95113, Feb 11, 2019 SUPERIOR COURT OF forever on barred. Persons at 11am then there CALIFORNIA believed to beand heirs or Garage/Yard/ to show cause, if any COUNTY OF SANTA legatees of the decedent Rummage/Estate Sales you have, why RILEY CLARA who do not receive a XAVIER TILSON should In theMarket of the copy ofMatter this notice by Flea every Fri-Sat not declared free Adoption Case No.ofRd. mailbe within 25Landover days 10am-4pm. 5615 from your parental con18AD024780 its publication shall Cheverly, MD. 20784. Cansobuy trol andContact custody for of the Petition Of CITATION in bulk. 202-355-2068 inform the Register TO PARENT or 301-772-3341 forthe details or if Wills, including name, Whole FoodsIn Commissary intrested in vendor. Matter ofbeing the arelationAdoption Auction address and Petition ofArea DC Metro ship. Date of first publiDec. 5 at12/27/2018 10:30AM AMELIA ORTIZ GARCIA cation: 1000sofS/S Tables, Carts Adopting Parent Name Newspaper & Trays, 2016 Kettles up and/or periodical: to 200 Urschel From the Gallons, people the Washington City of Paper/ Cutters & Shredders inState of California Law Daily Washington cluding 2016 Diversacut To: Latoya Reporter 2110 Dicer,Shade 6 Chill/Freeze Sutherland Name Person Cabs, of Double RackRepOvens By of this court &order Ranges, (12) Braising resentative: Sandra you are hereby advised Tables, 2016 (3+) Stephan Gordon VCMs, 30+ Scales, that you may appear TRUE TEST copy Hobart qt Lorie Mixers, before the80Hon. Anne Meister Complete Machine Shop, Pegg, Judge presiding Register of Wills and much more!72 View the in Department of the Pub Dates: December catalog at court located3, at10. 201 N. 27, January www.mdavisgroup.com or 1st St., San Jose, CA 412-521-5751 95113, on Feb 11, 2019 SUPERIOR COURT OF at 11am then and there CALIFORNIA Garage/Yard/ to show cause, if any COUNTY OF SANTA Rummage/Estate Sales you have, why RILEY CLARA
CLARA who do no ece ve a In Matter ofce the copy oMarket h s noevery by Fleathe Fri-Sat Adoption Case No.o Rd. ma w h n5615 25 days 10am-4pm. Landover 18AD024780 Cheverly, MD. on 20784. s pub ca sha Can so buy Petition Of Reg CITATION in 202-355-2068 n obulk. m Contact he se o TO In the orWhole 301-772-3341 forname details or if W sPARENT nc ud ng Foods Commissary intrested being vendor. Matter ofand the aeAdoption Auction add essin a on Petition DC sh p Metro Da of eArea o fi s pub AMELIA ORTIZ GARCIA Dec. 5 at 10:30AM ca on 12 27 2018 1000so S/S Tables, Carts Adopting Parent Name Newspape & Trays, 2016 Kettles up and o pe od ca to 200 Gallons, Urschel From theon people of the Wash ng C y Pape Cutters Shredders inState of & California Da y Wash ng Diversacut on Law cluding 2016 To: Latoya Shade Repo e 2110 Dicer, 6 Chill/Freeze Sutherland Name Pe son Cabs, oDouble RackRep Ovens By of (12) this court & order Ranges, Braising esen a ve Sand a you are2016 hereby Tables, (3+) advised Stephan Go don that you may appear VCMs, 30+ Scales, TRUE TEST copy Hobart qt Lorie Mixers, before the Anne Me s80eHon. Complete Machine Shop, Pegg, Reg s or eJudge o the Wpresiding s Wills to Register and much more! View the in Department 72 ofto the Auctions Pub Da at es of Wills withDecembe a copy catalog court located at10201 N. 27 anua y 3 the undersigned, on www.mdavisgroup.com or or 1st St., San Jose, CA before 6/27/2019, or be 412-521-5751 95113, on Feb 11, 2019 SUPERIOR COURT OF forever barred. Persons at 11am to then CALIFORNIA believed be and heirsthere or Garage/Yard/ to show cause, if any COUNTY OF SANTA legatees of the decedent Rummage/Estate Sales you have, RILEY CLARA who do notwhy receive a XAVIER TILSON n heMarket e notice o should heby copy ofMa this Flea every Fri-Sat not be declared free Adop on Case No ofRd. mail within 25Landover days 10am-4pm. 5615 from your parental con18AD024780 its publication shall Cheverly, MD. 20784. Cansobuy trol and forON the Pe onContact Ocustody C202-355-2068 TAT inform the Register of in bulk. purpose of freeing TO PARENT n he RILEY or 301-772-3341 for name, details or if Wills, including Whole Foods Commissary Miscellaneous XAVIER for on intrested being aAdop vendor. Auction Ma e in o TILSON he relationaddress and placement for adoption. DC Metro Area Pe o of first publiship.on Date NEW COOPERATIVE SHOP!A Dec.following 5Aat12/27/2018 10:30AM The AMEL ORT ZinformaGARC cation: 1000s S/S tion concerns rightsCarts and Adop ng Pa Tables, en Name of Newspaper FROM EGPYT THINGS & Trays, 2016 Kettles procedures that relateup and/or periodical: AND BEYOND to 200 Gallons, Urschel to thishe proceeding tohe F240-725-6025 om eo Washington City Paper/ Cutters &peop Shredders indeclare minor free from S aeo Ca a Law Daily Washington www.thingsfromegypt.com cluding 2016o n Diversacut your parental control To La oya Shade thingsfromegypt@yahoo.com Reporter 2110 Dicer, 6 Chill/Freeze and custody as set forth Su he and Name of Person RepCabs, Double Rack Ovens in Section SOUTH By o Ranges, deAFRICAN oCode hSandra sBAZAAR cou &Family (12) Braising resentative: Craft Cooperative 7860 seq.: Tables, 2016 (3+)adv Stephan you a et e he eby sed Gordon 202-341-0209 1. Atyou the beginning of VCMs, 30+ Scales, ha may appea TRUE TEST copy www.southafricanbazaarcraftcoo Hobart 80 qt Mixers, the proceeding the court be o e he Hon Lo e Anne Meister perative.com Complete Machine will consider whether Pegg udge p es@hotmail. d Shop, ng or Register of Wills southafricanba z a ar andthe much more! Viewthe the not interests n Depa menDecember 72of o he Pub Dates: com catalog at minor childedrequire cou oca a 10. 201the Nor 27, January 3, www.mdavisgroup.com appointment of counsel. 1s S FARM SanWOODWORKS ose CA WEST 412-521-5751 If the Creative court finds Custom Furniture 95113 on Feb 11 that 2019 SUPERIOR COURT OF interests thehe e 202-316-3372 athe 11am henof and CALIFORNIA Garage/Yard/ info@westfarmwoodworks.com minor docause require such o show any COUNTY OF SANTA www.westfarmwoodworks.com Rummage/Estate Sales protection, the Rcourt will you have why LEY CLARA appoint counsel to XAV ERMatter T LSON d In the of shou therepFlea Market every Fri-Sat 7002 Carroll Avenue resent him, whether or no be dec a ed ee Adoption Case No. Rd. 10am-4pm. 5615 Takoma Park, MDLandover 20912 not he is able to a afford om you pa en con 18AD024780 Cheverly, 11am-7pm, MD. 20784. Can buy Mon-Sat counsel. Theody minor andContact cus o will he Petition Of CITATION inobulk. 202-355-2068 Sun 10am-6pm not be present court TO PARENT In the or 301-772-3341 forin details or if purpose of freeing RILEY unless he requests or intrested in being aAdoption vendor. Miscellaneous Matter of the XAVIER TILSON for Motorcycles/Scooters the court so orders. Petition of for adoption. placement 2. Iffollowing a parent ofGARCIA the 2016 Suzuki TU250X for sale. NEW COOPERATIVE SHOP! AMELIA ORTIZ The informa1200 miles. CLEAN. Justand serminor appears without Adopting Parent tion concerns rights viced. Comes with bike cover FROM EGPYT THINGS counsel andthat is unable procedures relate to and saddlebags. Asking $3000 AND BEYOND afford counsel, the court From the people oftothe to this proceeding Cash only. 240-725-6025 must appoint counsel for State ofminor California declare free from Call 202-417-1870 M-F between www.thingsfromegypt.com the parent, unless the To: Latoya Shade your parental control 6-9PM, or weekends. thingsfromegypt@yahoo.com parent knowingly Sutherland and custody as setand forth intelligently waives ByFamily order of this court in Code Section SOUTH AFRICAN BAZAAR Bands/DJs forthe Hire right to be represented Craft you Cooperative are hereby advised 7860 et seq.: by counsel. The court 202-341-0209 that appear 1. 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If private is info@westfarmwoodworks.com to show if such any minor docause, require Get Wit It Productions: Profesappointed, he or she will www.westfarmwoodworks.com you have, why RILEY protection, the court will sional sound and lightingsum availreceive reasonable XAVIER counsel TILSON to should appoint repable for club, corporate, private, 7002 Carroll Avenue for andor not compensation be declared free resent him, whether wedding receptions, holiday Takoma Park, MDamount 20912 expenses, the from parental connot heyour is much able to afford events and more. Insured, Mon-Sat 11am-7pm, of which will be detertrol and custody for the counsel. The minor will competitive rates. Call (866) 531Sun 10am-6pm mined by the court. not be in court 6612 Ext present 1,of leave message for a purpose freeing RILEY That amount must be ten-minute call back, or book unless heTILSON requests or onMiscellaneous XAVIER for Motorcycles/Scooters paid by the real parties line at: agetwititproductions.com the court sofor orders. placement adoption. in interest, but not NEW COOPERATIVE SHOP! 2. If a parent of the 2016 Suzuki TU250X for sale. The following informaby minor, in such 1200 miles. CLEAN. Just and serAnnouncements minor appears without tionthe concerns rights FROM EGPYT THINGS proportions as the court viced. Comes with bike cover counsel and that is unable to procedures relate AND BEYOND and saddlebags. Asking $3000 believes to be just. If, Announcements Hey, all afford the to court to thiscounsel, proceeding 240-725-6025 Cash only. you lovers ofthe erotic and finds bizarre however, court must appoint counsel for declare minor free from www.thingsfromegypt.com Call 202-417-1870 M-F between romantic fi ction! Visit www. that any of unless thecontrol realthe the parent, your parental thingsfromegypt@yahoo.com 6-9PM, or in weekends. nightlightproductions.club and parties interest canparent knowingly and and custody as toset forth submit your stories me Happy not afford counsel the intelligently waives the in Family Code Section SOUTH AFRICAN BAZAAR Holidays! James K. West Bands/DJs for by Hire amount will be paid right to represented Craft Cooperative 7860 etbe seq.: wpermanentwink@aol.com 202-341-0209 by counsel. The court 1. At the beginning of www.southafricanbazaarcraftcoo will not appoint the court the proceeding perative.com same counselwhether to repre-or will consider southafricanba ar @hotmail. sent both thez aminor and not the interests of the com his parent. minor child require the 3. The court may apappointment of counsel. WEST FARM WOODWORKS point public If theeither court the finds that Custom Creative Furniture defender or private the interests of the 202-316-3372 counsel. privatesuch is info@westfarmwoodworks.com minor doIfrequire Get Wit It Productions: Profeswww.westfarmwoodworks.com appointed, he she will protection, theorcourt will sional sound and lighting availreceive reasonable appoint counsel to sum repable forCarroll club, corporate, private, 7002 Avenue for compensation and resent him, whether or wedding receptions, holiday Takoma Park, MDamount 20912 expenses, the not he able to afford events andis11am-7pm, much more. Insured, Mon-Sat of which will be detercounsel. The minor competitive rates. Call (866)will 531Sun 10am-6pm mined the court. not be present in court 6612 Ext by 1, leave message for a That amount must be unless he or onten-minute callrequests back, or book Motorcycles/Scooters paid by the parties line agetwititproductions.com theat:court soreal orders. in interest, but 2. If Suzuki a parent ofnot the 2016 TU250X for sale. by minor, inwithout such 1200the miles. CLEAN. Just serminor appears Announcements viced. Comes with bikecourt cover proportions counsel andas is the unable to and saddlebags. $3000 believes to be Asking just. If, Announcements - the Hey, all afford counsel, court Cash only. you lovers of erotic and bizarre however, the court finds must appoint counsel for Call 202-417-1870 M-F between romantic fi ction! Visit www.
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The court may apappo menWOODWORKS o counse WEST n FARM point either the public he Creative cou finds ha Custom Furniture defender or private he n e es s o he 202-316-3372 counsel. private is info@westfarmwoodworks.com m no do Ifequ e such Get It Productions: Profesappointed, he she will www.westfarmwoodworks.com p o Wit ec on he or cou w sional sound and lighting availreceive reasonable appo n counse o sum ep able for club, corporate, private, 7002 Carroll Avenue for compensation and esen hm whe he o wedding receptions, Takoma Park, MDamount 20912holiday expenses, the no heands ab e more. o a Insured, o d events much Mon-Sat 11am-7pm, of which will be detercounse The no(866) w 531competitive rates.m Call Sun 10am-6pm mined by the court. no esen n cou purpose freeing RILEY 6612be Extp 1,of leave message for a That amount must be onten-minute call back, or book Miscellaneous un ess he eques s o XAVIER TILSON for Motorcycles/Scooters paid by the real parties line agetwititproductions.com he at: cou sofor o de s placement adoption. in interest, but not NEW COOPERATIVE SHOP! 2 a pa en oinformahe 2016 Suzuki TU250X for sale. The following byno the minor, 1200 miles. CLEAN. Just serAnnouncements m appea sin w such hou tion concerns rights and FROM EGPYT THINGS proportions as the court viced. Comes with bike counse and s unab ecover o procedures that relate AND BEYOND and saddlebags. $3000 believes to beAsking just. If, all Announcements - heHey, ato othis d counse cou proceeding to 240-725-6025 Cash only. you lovers ofthe and from bizarre however, court finds mus appo nerotic counse o declare minor free www.thingsfromegypt.com Call 202-417-1870 M-F romantic ction! Visit that any thecontrol realbetween he pa enfiof un ess hewww. your parental thingsfromegypt@yahoo.com 6-9PM, or in weekends. nightlightproductions.club and parties interest canpa en know ng and and custody as toy set forth submit your stories me Happy not afford the n eFamily gen ycounsel wa ves in Code Section SOUTH AFRICAN BAZAAR Holidays! James K. West Bands/DJs for he Hire amount will be esen paid by Craft Cooperative gh o be ep 7860 et seq.: wpermanentwink@aol.com ed the county. 202-341-0209 by counse The cou of 1. At the beginning Events www.southafricanbazaarcraftcoo 4. court w no appo may n the he court theThe proceeding perative.com continue the whether proceeding same counse o ep eor will consider southafricanba zthan a arSpring @hotmail. Christmas in he Silver for not more sen bo h m no and not the interests ofthirty the com days Saturday, December 2, 2017 (30) asrequire necessary h s pa en minor child the Veteran’s Plaza to appoint counsel 3 The cou may apto appointment of counsel. 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