Bank of New Zealand Art Collection, September 2022 by Webb's Auction House

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Lalique: Single-vendor Sale Shatters Records

From historical material culture to earlyEuropean antiques, mid-20th century modernist design to the all-encompassing variety of popculture pieces, the Webb’s Decorative Arts department hosts an array of auctions brimming with eclectic and highly-specified items. At Webb's, we are seeing the market for decorative arts continue to grow with no signs of slowing down with the consistent achievement of excellent results for our diverse auctions. High returns are seen across our department as clients and both seasoned and emerging collectors look to the secondary market to sell and acquire unique pieces. This was particularly evident in the exceptionally successful à la poursuite de la beauté: The Jack C. Richards Collection of Lalique Glass. The single-vendor live sale saw glass works by French Art Nouveau designer René Lalique reach new heights with new records set for individual pieces. One such, Palestre (Palaestra), with the high estimate of $35,000, reached the unfathomable height of $73,455. The sale was the finest singleowner decorative arts auction ever offered in New Zealand. Fervent international interest and sensational figures attest to this; at over $1 million, the sale total surpassed its estimated value by 170%. À la poursuite de la beauté: The Jack C. Richards Collection of Lalique Glass now holds the Australasian record for a Lalique collection.

of Decorative

Ben Erren Director Arts

Earlier in the year, we saw success for niche items such as a complete set of the three official publications of Cook’s Voyages in First Editions that sold for a breath-taking total of $133,403 and the sale of Campana Brothers 'Celia' Dining Suite achieving $28,440. Our team of Decorative Arts specialists has a breadth of knowledge and sector experience, including handling estates, sourcing and selling vintage, antique and specialty pieces such as ceramics, artefacts and taonga. If you are considering bringing your decorative arts items to market, please contact our specialist team.

ben@webbs.co.nz +64 21 191 9660 Leah Morris Specialist, Decorative Arts leah@webbs.co.nz +64 22 574 5699

Webb's 2022 19

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The Collectors' Cars team of professionals are available for complimentary auction appraisals of classic, collectable, and vintage motors. Should you wish to discuss selling your vehicle, please contact our specialist team.

Caolán McAleer Head of Collectors’ Cars, Motorcycles & Single Owner caolan@webbs.co.nzCollections +64 27 929 5603 Ian Nott Specialist, MotorcyclesCars,& Automobilia ian@webbs.co.nz 21 610 911

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Webb's 2022 25 Webb’s held its first Collectors' Cars auction in November 1990. In the decades since, our Collectors' Cars department has evolved into a mainstay of the secondary market for luxury and collectible vehicles. All areas of our business outperform the market, though our Collectors' Cars department is truly peerless. We source, market, and sell the finest vehicles in New Zealand with a level of expertise and marketing flair that none can match. With unparalleled industry knowledge, we are here to offer our services. The market for collectors' cars has surged recently, with top prices paid for rare examples in good condition. The market growth is evident in the success of our auctions. Recent highlights include contemporary and classic collectors’ cars such as the 2002 Ferrari 550 Barchetta, which realised a price of $430,500, the 1998 Aston Martin Vantage V600 achieving $454,725, the 1960 Jaguar XK150, which sold for $278,750, and the 1973 Porsche 911S Targa 2.4S reaching $328,500. We are interested in consigning quality collectible vehicles from reputable European marques including, but not limited to, Jaguar, Porsche, Ferrari, Mercedes, Maserati and RollsRoyce. We also seek American, Australian and British classics, Mustang, Cadillac, Ford, MG and LandOurRover.experience and expertise in classic car auctions are unsurpassed in New Zealand.

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Centred in the thriving artistic and cultural environment of Wellington’s central city, Webb’s Wellington gallery is open six days a week. Located at 23 Marion Street, the premises features a 450 square metre state-of-the-art gallery space, private meeting and viewing rooms, and secure storage facilities. This magnificent space has been designed by award–winning interior designer Rufus Knight. The Wellington gallery offers an extension of Webb’s services as well as a collaborative space for the company to engage with the capital's arts and culture community. Earlier in the year, Webb’s worked with art writer and curator Robert Leonard to present his curated project, John Lethbridge: Divination Performance Photographs 1978-82.

Wellington:

The space is an excellent exhibition platform allowing Webb’s to showcase the latest auction catalogues to its nation-wide client base. In June, Webb’s launched Goods and Services: Modern and Contemporary Art from a Private Collection to celebrate the sites grand opening. With this event, the space came into its own as a premier Wellington venue for showcasing modern and contemporary art. Goods and Services presented a single-vendor collection of notable artworks from some of New Zealand’s most distinguished artists. In July, the company continued its trend of championing single-vendor collections by previewing and exhibiting highlights from à la poursuite de la beauté: The Jack C. Richards Collection of Lalique Glass. The catalogue presented a range of the finest glassware by leading Art Nouveau designer, René Lalique. The remarkable 20th century glassware on display featured varied design motifs; many inspired by antiquity and Japonisme, and adorned with intricate impressions of flora and fauna. Over many decades, this exquisite selection was collected by world–renowned educator and linguist Dr. Jack C. Richards. By selecting pieces from around the world, Richards assembled one of the finest Lalique collections in the world. Looking forward, the Wellington gallery is primed and ready to exhibit showstopping pieces from upcoming auctions, including those from this catalogue and the Bank of New Zealand Art Collection catalogue. Come by and visit to see the latest exhibitions. Webb’s offer obligationfree appraisal services in Wellington across all aspects of the business. Our Wellington team would love to hear from you.

Webb's Making Waves in the Capital

Webb's September 30

wellington Mark Hutchins-Pond Specialist, mark@webbs.co.nzArt +64 4 555 6001 Karen Rigby Business karen@webbs.co.nzManager +64 22 344 5610 à la poursuite de la beauté: The Jack C. Richards Collection of Lalique Glass, installation view in Wellington.

The Cellar: Home to the Finest Champagne

Webb's 2022 31 The Cellar contains an incredible selection of world–leading fine wines and speciality spirits. Nestled in Webb’s Mount Eden gallery, this in–house retail store presents some of the best Champagne in the world. From our strong relationships with producing houses, distributors, and private consignors, we have sourced a curated selection of the rarest vintages ready for you to take home and enjoy. At The Cellar, our recently appointed Head of Champagne & Retail Rémy Jaboulet is here to help, offering his recommendations and expertise. Rémy brings an extraordinary international pedigree to the Webb’s team. Born in France’s Rhône Valley and raised in the majestic region of Bordeaux, viticulture is in his DNA. Along with his international appointments, Rémy has proudly served as the Champagne & Cognac ambassador for GH Mumm, Perrier–Jouët, and Martell in New Zealand. He was also the face of Mumm Champagne for the 36th America’s Cup in Auckland in 2021. At The Cellar, we provide the elite service of sourcing the highest quality Champagnes in the world. We have reliable classics such as Bollinger and Dom Perignon available. Additionally, to satiate your desire for discovery, Rémy recommends our excellent grower’s Champagnes, such as the Maison André Clouet. Their ‘Grande Réserve’ or the ‘V6’ are all Blanc de Noirs from the Grand Cru of Bouzy, with a low dosage and aged respectively for three to six years. In Rémy’s opinion, it is the most authentic expression of its terroir.Alongside these offerings, The Cellar brings you the oncein-a-lifetime opportunity to purchase what we believe to be the last Magnum of 2002 Krug Clos d’Ambonnay for sale in New Zealand.

Rémy Jaboulet Head of Champagne & Retail remy@webbs.co.nz +64 22 539 7613

Rémy tells us that scarce quantities of the very best vintage of this century were produced, especially in large format. This Magnum of Krug Clos d’Ambonnay is almost impossible to find globally today. You can be one of the very few owners in the world for $10,000. Come by and visit Rémy at 33a Normanby Road. He is available from 9am – 5.30pm, Monday to Friday, to assist with any sales inquiries. The Cellar is your home of beverage indulgence and experience. With seasonal tasting events and expert assistance, look no further for the most exquisite fine wines and speciality spirits.

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Rita Angus, Central Otago, 195356/1969, oil on canvas, 523 × 635mm. Collection of Te Papa Tongarewa

Webb’s Contributes to Conservation at Te Papa

Paul Evans Managing +64paul@webbs.co.nzDirector21866000 Ninow Director of Art

Earlier this year, Webb’s collaborated with the Te Papa Foundation to enable a key equipment purchase. Thanks to a donation of $50,000 by Webb’s, the foundation was able to acquire a new stereo-microscope and specialist camera attachment for Te Papa Tongarewa. The foundation had a long set fundraising goal to make this acquisition, and this contribution by Webb’s made it possible.

Webb's 2022 37

Thesaid.stereo-microscope is the main tool for analysing the paintings in Te Papa’s national collection of art. With this microscope, Te Papa’s art conservators are able to discern individual layers that are not visible to the eye. This allows insight into the paints that were used during the painting process, where the artist changed subject matter, and how the painting has been previously affected by its environment. The microscope will allow Te Papa’s art conservators to selectively tailor conservation treatments to each layer in every painting. The enduring impact of the microscope is that it will extend the reach of Te Papa’s wider conservation team’s work, enabling them to record and share observations of works of art with the wider community. The imaging capability of the new microscope will allow Te Papa’s significant collection to be shared in new ways with colleagues, historians, academics, artists and those curious members of the public who look at a work of art and wish they knew more. The microscope will enable an excellent step forward in art conservation at Te Papa, which we are proud to support. We look forward to continuing to work with our national museum in the future.

The acquisition has been exciting for the team at Webb’s, allowing us to directly engage with the preservation of art and the wider community. According to Webb’s Managing Director, Paul Evans, this is core to Webb’s corporate practice. “This acquisition aligns well with Webb’s company values and philanthropic goals,” he

Charles

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Tongue Valuations Specialist +64 22 406 5514 valuations@webbs.co.nz Webb's Valuations Webb's September 42

Established in 1976, Webb’s has a long and rich history of valuing New Zealand’s finest art and luxury collectibles. Valuations have been a core aspect of our business from the beginning, and over the decades Webb’s has successfwully completed valuations for countless astute collectors and public institutions. Collectors, institutions, and insurers trust Webb’s valuations because we are independent and highly experienced. Webb’s has a range of departments, and the specialist experience to value all manner of objects. Webb’s departments include Art, Decorative & Asian Arts, Fine Wines & Whiskies, Fine Jewels, Watches & Luxury Accessories, and Collectors’ Cars, Motorcycles & Automobilia. As you may be aware, the past two years have seen significant increases in the value of cultural assets across the board. This boom has swiftly altered the value of artworks. Right now, more than ever, it is important update your valuation. Our goal is to make it easier for you to place an accurate value on your specialist assets in order to accurately manage risk.

Charles

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Webb's 2022 47 Selected Highlights from This Year Robin White Michael at Julie's Place watercolour on paper 650 x 500mm price realised $116,304 Bill Hammond And the Seven Seas acrylic on canvas 910 x 1510mm price realised $485,100 Michael Smither Rockpools oil on board 890 x 675mm price realised $145,530 Rita Angus Lake Wanaka watercolour on paper 230 x 290mm price realised $116,304 Colin McCahon Small Landscape oil on board 535 x 410mm price realised $159,153 Gretchen Albrecht Threefold acrylic on canvas 1820 x 1210mm price realised $127,339 Philip Clarimont Country Carnival Carnivore oil on jute 1445 x 915mm price realised $224,359 Frances Hodgkins Pansies in a Vase watercolour on paper 229 x 279mm price realised $72,765

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Webb's 2022 49 Webb's Fine Wines & Whiskies department has led the New Zealand auction market since the early 1980s. We offer clients the opportunity to buy and sell a wide range of wines and speciality spirits through our live, online, buy now and retail platforms. We also provide advice on cellar management and recommendations on wines and speciality spirits for building and maintaining a collection. The demand for fine wines has increased substantially in the last 18 months, with prices soaring for rare bottles and vintages. Our recent sale of an original wooden case of 1996 Penfolds Grange achieved the price of $11,376, exceeding its high estimate of $800 per bottle. This is no different for whiskies with Laphroaig as a star that shone brightly in the sale of a 1940s bottle of Single Malt Whisky that realised a total of Our$42,660.FineWines & Whiskies department is seeking consignments of notable labels and rare vintages. Ever-popular wines include those from Bordeaux, Burgundy, Champagne, Rhone, and iconic wines from New Zealand, Australia, Italy and Spain. Whiskies and rare spirits from Scotland and Japan are sought-after such as the Macallan, Springbank and Hibiki. For our consignors, we will maximise the value of your wine and whiskies through private sales or at auction. Once consigned, we can ship your wine to our temperature-controlled cellar, where it will be complimentarily stored.

Webb’s takes pride in providing our purchasers with the highest quality products and services. All wines offered are carefully inspected by our experienced specialists, enabling us to provide information on condition and provenance. Our specialist team offer free and confidential valuations for everything from a single bottle to an entire cellar. Contact our specialist team for advice on selling, buying or valuing your wine and spirits.

+64 27 929 5601 Marshell Wan Specialist, Fine Wines & Whiskies marshell@webbs.co.nz +64 22 061 5612 Top Shelf: Fine Wines & Specialty Spirits

Fine

Marcus Atkinson DipWSET Head of Wines & marcus@webbs.co.nzWhiskies

Webb's September 50 Webb’s is at the forefront of the auction market as demand for luxury items increases. Whether through live auction or private sales, Webb’s offers a unique and effective method of buying and selling jewellery, watches and luxury accessories at a range of price points to suit the needs of every collector and enthusiast. Across the market, we are seeing dazzling adornments continue to climb in popularity and price. This was exemplified in the sale of the 18ct Chopard Happy Diamonds Collier that achieved $14,998 and the 18ct Cartier Love Ring selling for $3,061 - above its high estimate of $2,000. However, the Omega Speedmaster Cal. 321 Ultraman wristwatch steals the spotlight of an excellent price released for a luxury accessory. A classic from 1968, the Speedmaster sold for the spectacular price of $77,617. Demand for high quality leather pieces is steadily growing on the secondary market, as we have seen with the sale of a Hermès Birkin 30 bag in Rose Togo leather selling for a deserving but staggering total of $29,995. Webb’s Fine Jewels, Watches & Luxury Accessories are always seeking items like the Birkin and luxury accessories in all wonderous forms from international Maisons Louis Vuitton, Givenchy, Bulgari, Cartier, Prada, Gucci, Burberry, Chanel, and Christian Dior. All are tremendously desired. With a team of refined expertise in gemology and fine watches, Webb’s Fine Jewels Watches & Luxury Accessories department is here to help you buy and sell your luxury items. If you are considering bringing your pieces to market, please contact our specialist team. Christine Power AJP (GIA) Head of Fine Jewels, Watches & Luxury christinep@webbs.co.nzAccessories +64 27 929 5607

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Webb's is delighted to announce that The Bank of New Zealand Art Collection catalogue is now available to order. Co-edited by Hamish Coney, Robert Leonard and Julian McKinnon, this sumptuous, hardcover publication features stunning photographs and rich editorial content from leading New Zealand art writers, curators and art historians, including Peter Simpson, Jill Trevelyan, Tina Barton, Ian Wedde, Linda Tyler, Martin Edmond, Paula Morris and Leonard Bell. It contains the full catalogue of artworks to be auctioned by Webb’s in partnership with BNZ. At 214 x 279mm, with a spine over 26mm, it contains more than 350 pages of bespoke content, including stunning photographic material that captures works from the collection at their finest. Printed on superior paper stocks, this is a limited edition publication that will enhance the bookshelf of art lovers across the nation.

E A V E N L Y E I N G S

Webb's 2022 57 PublishingColophon Contacts Paul Evans Managing +64paul@webbs.co.nzDirector21866000 Christine Kearney General christine@webbs.co.nzManager +64 27 929 5604 Holly Hart Jenkins Advertising holly@webbs.co.nzManager +64 27 557 5925 Olivia Woodgate Head of design@webbs.co.nzCreative +64 9 529 5604 Harry Goldie Design & Marketing marketing@webbs.co.nzAssistant +64 9 529 5604 head advertisingoffice + pr creative direction Publishing Details printer Crucial Colour 24 Fairfax Avenue Penrose Auckland 1061 Edition of 6,000 Offset printed, 128 pages 120gsm Laser Uncoated 150gsm Matt Art Freely distributed to subscribers or available at select public art spaces and hospitality venues. Karen Rigby Business karen@webbs.co.nzManager +64 22 344 5610 Art Department Charles Ninow Director of Art charles@webbs.co.nz +64 21 053 6504 Adrienne (AD) Schierning Head of Art ad@webbs.co.nz +64 27 929 5609 Julian McKinnon Content & julian@webbs.co.nzResearch +64 21 113 5001 Lucinda Brown Cataloguer, lucinda@webbs.co.nzArt +64 9 529 5609 Olivia Taylor Editor & editor@webbs.co.nzCopywriter +64 9 529 5600 Hannah Crichton Registrar, Art registrar@webbs.co.nz +64 9 529 5609 Charles Tongue Valuations valuations@webbs.co.nzSpecialist +64 22 406 5514 Mark Hutchins-Pond Specialist, mark@webbs.co.nzArt +64 4 555 6001 Connie Dwyer Registrar, Art connie@webbs.co.nz +64 9 529 5609 Jo Bragg Administrator, Art art@webbs.co.nz +64 9 529 5609 Tasha Jenkins Specialist, tasha@webbs.co.nzArt +64 22 595 5610 wellingtonauckland

Webb's 2022 59 Programme 60 Introduction 62 Plates 73 Catalogue 105 Part I 106 Part II 110 Terms & Conditions 121 Index of Artists 125 Absentee Bid Form 127 Contents

Webb's September 60 Part I christchurch preview Wednesday 17 August 6pm – 8pm christchurch viewing Thursday 18 – Friday 19 August 10am – 5pm Saturday 20 – Sunday 21 August 10am – 4pm wellington preview Thursday 25 August 6pm – 8pm wellington viewing Friday 26 August 10am – 5pm Saturday 27 – Sunday 28 August 10am – 4pm Monday 29 August – Friday 2 September 10am – 5pm Saturday 3 September 10am – 4pm auckland preview Wednesday 7 September 6pm – 8pm auckland viewing Thursday 8 – Friday 9 September 10am – 5pm Saturday 10 – Sunday 11 September 10am – 4pm Monday 12 – Friday 16 September 10am – 5pm Saturday 17 September 10am – 4pm auckland viewing on request Sunday 18 September 10am – 1pm auction Sunday 18 September 2pm

Webb's 2022 61 Part I auckland 33a Normanby Rd Mount Eden Auckland 1024 wellington 23 Marion Street Te Aro Wellington 6011 viewingchristchurchlocation 66CoCAGloucester St Christchurch Central City Christchurch 8013 wellington preview Thursday 8 September 6pm – 8pm wellington viewing Friday 9 September 10am – 5pm Saturday 10 – Sunday 11 September 10am – 4pm Monday 12 – Friday 16 September 10am – 5pm Saturday 17 September 10am – 4pm auckland preview Wednesday 21 September 6pm – 8pm auckland viewing Thursday 22 – Friday 23 September 10am – 5pm Saturday 24 – Sunday 25 September 10am – 4pm Monday 26 September 10am – 5pm auckland viewing on request Tuesday 27 September 10am – 5pm auction Tuesday 27 September 6.30pm

Webb's 2022 63 Introduction

The collection in situ: Ian Scott, Fly-Away Girl, 1969–70, from the BNZ Archive.

Established in 1982, it was developed under the stewardship of legendary art dealer, Peter McLeavey. This collection is a storehouse of artistic treasures; it contains works that are among the most important ever created in this country, by many of the nation’s most revered artists including Colin McCahon, Rita Angus, Robin White, and Gordon Walters. Ensuring that these works pass into the hands of their new caretakers smoothly is a duty that requires considerable care. This is a responsibility that we have taken very seriously at every step here at Webb’s. We have taken every measure to ensure that these artworks are catalogued, transported, and exhibited with great care, as they make their way around New Zealand. By touring the collection to three centres, and releasing a wide range of video content exploring the artworks, we will ensure that it is available to the broadest possible audience throughout the country.

The Bank of New Zealand Art Collection has a long history as one of New Zealand’s most significant corporate art collections.

The collection in situ: Colin McCahon, Is There Anything of Which One Can Say Look This Is New?, 1982, from the BNZ Archive.

Webb's September 64

One of the remarkable things about this collection is its depth. Along with key works by high profile artists, there is a mesmerising variety of high-quality art from across the spectrum of practice: the New Zealand landscape is captured in works by Leo Bensemann, Toss Woollaston, Brent Wong, Laurence Aberhart and many others; the international language of abstraction is spoken in works by Gretchen Albrecht, Milan Mrkusich, Geoff Thornley and Stephen Bambury; there is an extraordinary range of photographs of diverse subject matter by many of the nation’s finest photographers. Something that stands out on this last point is the inclusion of works by younger artists, for instance Fiona Pardington – who was in her twenties at the time the collection was Theassembled.Bankof New Zealand hired Peter McLeavey as its art advisor in 1982. Under his advice, the bank then went about assembling the finest corporate art collection in this country’s history. Between 1982 and 1988, McLeavey purchased over five hundred works on behalf of the bank, most of which were works by modern and contemporary New Zealand artists. The collection included paintings, sculptures, artist’s prints, photographs, ceramics, weaving, and a small number of historical works. Until 1984, when the BNZ Centre opened, McLeavey was not acquiring works with a specific location in mind. But, from 1984 onward, he was able to match acquisitions with particular sites in the newly completed BNZ Centre on Willis St in Wellington’s CBD. The most important works were displayed

Webb's September 66 on the top two levels of the tower, in the boardroom and senior executives’ offices. But other areas of the building were not neglected. McLeavey wanted the collection to enhance the working environment of the bank’s employees and he relished installing contemporary works in spaces to arouse comment and discussion. This approach proved effective, winning over many of the office workers.

One guiding principle established by McLeavey at the outset was that the collection should reflect New Zealand identity and contain works by a broad range of New Zealand artists. In acquiring works by young and emerging artists, the Bank of New Zealand Art Collection bolstered the local art community while amassing a collection of historical weight. Alongside astute acquisition of contemporary works, the collection also grew to represent earlier developments in New Zealand art. Works by figures such as Charles Tole and Evelyn Page were added. McLeavey explained his desire to explore the Bank's historical roots, reflected in the acquisition of mid-late nineteenth-century paintings of the New Zealand landscape by Nicholas Chevalier and Charles Blomfield. Though these paintings differ visually and contextually from the majority of the collection, they represent the dawn of New Zealand art history. In this, one can appreciate the scope, ambition and vision of a collection like no McLeaveyother. compiled a comprehensive collection that reflected the full spectrum of art practice in New Zealand at the time – even including works that sat outside of his own preferences and tastes. Acquisitions

Peter Webb brings down the hammer on a Goldie, c1980, from the Webb's Archive.

Overleaf: Michael Smither, Sarah Cleaning Knives and Forks, 1969, from the BNZ Archive.

Webb's 2022 67 were made from many sources, though many of the works were purchased from Webb’s, including Colin McCahon’s Kauri, Tony Fomison’s Icon of Fra Angelico No. 1, and Philip Clairmont’s Kidney Table. BNZ have been distinguished stewards of these works and have now created the opportunity for the next generation of custodians to take up the mantle of preserving and enjoying them.

There is so much about this collection that is fascinating. For one thing, it captures a unique window in time, offering a glimpse of the New Zealand art scene in the 1980s. This is a theme that many viewers of the work will interpret through their own memories. An intriguing fact about McCahon’s Kauri stands out. The bank bought this work at auction at Webb’s – it was lot 1 of an auction that took place on May 30, 1984 – and the hammer came down at around $40,000. This was a heavyweight price for that era, and it demonstrates that the bank were seriously investing in the collection, picking up important works with historic value.The fact of that acquisition, and a few others like it, helps demonstrate the bank’s rationale for building this collection. It wasn’t a furnishing collection, nor was it assembled in the interests of speculative investment. This was a collection built with the intention of engaging with art of historic significance and enriching our cultural discourse. In that sense, it was an extraordinarily ambitious project, taken on by a banking institution that took its role in society seriously. This role is echoed in BNZ’s intended use of proceeds from the auction – to continue to support New Zealand communities.

“The Peter Webb Galleries, Auckland, would be my recommendation. They have the taste and organisation to mount a twoday sale with the required high quality catalogue.”2 The sale didn’t proceed then, though McLeavey’s recommendation now seems prophetic. These works will take on new meanings as they are added to public and private collections throughout the country – though the significance of their inclusion in the Bank of New Zealand Art Collection will be with them forever. Bringing this collection to market is an extraordinary opportunity for Webb’s, and it has required an equally extraordinary effort. It has taken countless hours of work from a dedicated team of art handlers, registrars, logistics managers and technicians. This effort has been ably led by Webb’s talented art team, who have seen to it that this complex process has run like a dream. Webb’s wider team have also done an excellent job of bringing the campaign together. Their efforts have been vital to the realisation of thisBringingproject.the Bank of New Zealand Art Collection to auction is a crowning moment in the development of Webb’s. It sits right up there with the most important milestones in the company’s history. This event has presented the company with a rare opportunity to reflect on who we Marti Friedlander, Gordon Walters, Christchurch , 1978, image courtesy of Gerrard and Marti Friedlander Trust.

2 Letter from Peter McLeavey to Hamish McKenzie, Manager Change Management, 25 July 1997, Alexander Turnbull Library, Peter McLeavey Gallery Records, MS-Papers 12553-136.

Webb's September 70 1

Letter to Peter McLeavey from Hamish McKenzie, Manager Change Management, 27 June 1997, Alexander Turnbull Library, Peter McLeavey Gallery Records, MS-Papers 12553-136.

It is fitting that these works have come full circle and returned to Webb’s. In June 1997, McLeavey received a letter from BNZ seeking his advice on the possible sale of the collection.1 McLeavey recommended its sale by auction. “I feel that the collection is best disposed of by auction,” he wrote.

Order the BNZ Book Now $65 webbsboutique.com Webb's 2022 71 are and where we have come from –just as the works in the collection offer compelling insight into the development of art in this country. Without doubt, this is a watershed moment for Webb’s and the New Zealand art market, and it is a pleasure to present art collectors with the extraordinarily rich offerings this collection contains. Charles Ninow Director of Art charles@webbs.co.nz +64 21 053 6504 Marti Friedlander, Rita Angus, 1970, image courtesy of the Gerrard and Marti Friedlander Charitable Trust. Marti Friedlander, Allen Maddox and Philip Clairmont, Painters, Auckland , 1978, image courtesy of Gerrard and Marti Friedlander Trust.

specialist enquiries Charles Ninow Director of Art charles@webbs.co.nz +64 21 053 6504 wellington office Mark Hutchins-Pond Specialist, mark@webbs.co.nzArt +64 4 555 6001 Adrienne (AD) Schierning Head of Art ad@webbs.co.nz +64 27 929 5609 Karen Rigby Business karen@webbs.co.nzManager +64 22 344 5610 Lucinda Brown Cataloguer, lucinda@webbs.co.nzArt +64 9 529 5609 condition reports Tasha Jenkins Specialist, tasha@webbs.co.nzArt +64 22 595 5610 Plates Webb's 2022 73

Webb's 2022 75 Charles Tole, Kaisei Maru, 1967–75, oil on board, 460 × 580mm (lot 2). Overleaf: Michael Smither, Sarah Cleaning Knives and Forks, 1969, oil on board, 890 × 600mm (lot 21).

Webb's September 76

Overleaf: Gordon Walters, Black White Ochre No.1., 1985, gouache on paper, 755 × 570mm (lot 29); Gordon Walters, Makora, 1979, acrylic on canvas, 1530 × 1140mm (lot 43).

Webb's 2022 79 Gordon Walters, Makora, 1979, acrylic on canvas, 1530 × 1140mm (lot 43).

Webb's September 82 Gordon Walters, untitled, 1979, acrylic on canvas, 915 × 740mm (lot 30). Overleaf: Ian Scott, Fly-Away Girl, 1969–70, oil on board, 1280 × 1690mm (lot 8); Brent Wong, Town Boundary, 1969, acrylic on board, 975 × 1220mm (lot 14)

Webb's 2022 83

Webb's September 86 Julian Dashper, Russian Cruise Ship, Princes Wharf, 1987, oil on canvas, 1470 × 1800mm (lot 17). Overleaf: Philip Clairmont, Kidney Table, 1979, oil on jute, 1810 × 930mm (lot 24).

Webb's September 92 Previous: Philip Clairmont, Still Life, 1982, acrylic, 1200 × 790mm (lot 48) Tony Fomison, The Fugitive, 1982–83, oil on jute on board, 1230 × 1830mm (lot 38).

Webb's September 94 Milan Mrkusich, Painting Grey, 1976, acrylic on canvas, 1800 × 1727mm, (lot 32).

Webb's 2022 95

Webb's September 96 Milan Mrkusich, Golden Centre with Two Elements, 1965–72, oil on canvas, 1170 × 1770mm, (lot 34).

Webb's 2022 97

Webb's September 98

Webb's 2022 99 Milan Mrkusich, Painting 61 No 8, 1961, oil on canvas, 800 × 851mm, (lot 33).

Overleaf: Colin McCahon, O Let Us Weep, 1969, acrylic on board, 627 × 627mm (each panel), (lot 45); Colin McCahon, Is There Anything of Which One Can Say Look This is New?, 1982, acrylic on canvas, 1940 × 1780mm, (lot 44); Colin McCahon, Kauri, 1953, oil on card, 870 × 1180mm, (lot 16).

Webb's September 106 Abstract Painting with Polynesian Motifs oil1953on signedboardKnight and dated 1953 in brushpoint lower edge 300 × 400mm est $15,000 – $25,000 Charles2. Tole Kaisei Maru signedoil1967–75onboardCHARLES TOLE in brushpoint lower left 460 × 580mm est $40,000 – $70,000 3. Rita Angus Orchid c1948 watercolour on paper signed Rita Angus in brushpoint lower right 380 × 265mm est $45,000 – $65,000 Helen4. Stewart Stable and Woolshed signedoilc1970onboardHELEN STEWART in brushpoint lower right 730 × 910mm est $5,000 – $8,000 Helen5. Stewart Hanmer Riverbed signedoilc1970onboardHELEN STEWART in brushpoint lower right 750 × 920mm est $5,000 – $8,000 Helen6. Stewart The Horse Paddock c1980 oil on signedboardHELEN STEWART in brushpoint lower right 750 × 920mm est $5,000 – $8,000 Part I A.7. Lois White Design watercolourc1944 on card signed A. Lois in graphite verso 349 × 290mm est $40,000 – $70,000 Ian8. Scott Fly-Away Girl signedoil1969–70onboard Ian Scott, dated 1969–70 and inscribed FLY–AWAY GIRL in ink verso 1280 × 1690mm est $80,000 – $160,000 Colin9. McCahon Small Bush Covered Hillside acrylic1966 and sand on board signed McCahon and dated Jan, Oct ‘66 in brushpoint upper left; signed Colin McCahon, dated Jan–oct. 1966 and inscribed Small bush covered hillside in brushpoint verso 315 × 315mm est $60,000 – $90,000

Webb's 2022 107 Colin McCahon Kauri oil1953on signedcardMcCahon, dated Nov ‘53 and inscribed KAURI in brushpoint lower left 870 × 1180mm est $350,000 – $550,000 17. Julian Dashper Russian Cruise Ship, Princes Wharf 1987 oil on canvas 1470 × 1800mm est $60,000 – $90,000 Allen18. Maddox untitled oil1977on canvas 1700 × 2650mm est $80,000 – $160,000 Dick19. Frizzell On the Forest Road to the Headwaters of the Tarawera River 1987 oil on signedboardFRIZZELL, dated 16/2/87, and inscribed ON THE FOREST ROAD TO THE HEADWATERS OF THE TARAWERA RIVER in brushpoint upper left 1200 × 1170mm est $35,000 – $65,000 20. Richard Killeen House Trap 1987 oil and collage on 900polystyrene×1210 × 45mm (widest points) est $16,000 – $22,000 Michael21. Smither Sarah KnivesCleaningandForks oil1969on signedboard M D Smither and dated 67 in bushpoint left edge 890 × 600mm est $120,000 – $220,000 Leo10. 1983TakakaBensemannStonehenge oil on board signed LEO BENSEMANN and dated 83 in brushpoint lower right 630 × 775mm est $30,000 – $60,000 Don11. 1981–83VRI/TokatokaBinney oil on board signed DON BINNEY and dated 1981–83 in ink upper right 570 × 945mm est $40,000 – $60,000 Charles12. Blomfield The Pink Terraces 1889 oil on signedcanvas C. BLOMFIELD and dated 1889 in brushpoint lower left 410 × 555mm est $40,000 – $70,000 Charles13. Blomfield The White Terraces 1889 oil on signedcanvas C. BLOMFIELD and dated 1889 in brushpoint lower left 400 × 555mm est $40,000 – $70,000 Brent14. Wong Town Boundary acrylic1969 on board signed BRENT WONG and dated 69 in brushpoint lower left; signed Brent Wong, dated 1969 and inscribed "Town Boundary" "48 × 38 1/8" copyright Brent Wong 1969 in brushpoint verso 975 × 1220mm est $120,000 – $220,000 Bill15. Hammond It's the Lay of the Land My Son 1985 acrylic and graphite on signedboardw. hammond in brushpoint lower left; dated 1985 and inscribed IT'S THE LAY OF THE LAND MY SON in brushpoint upper left 1200 × 1600mm est $80,000 – $160,000 Michael22. Illingworth Self Portrait oil1962on signedcanvas MHI and dated 62 in brushpoint lower left 560mm × 805mm est $80,000 – $160,000 Evelyn23. Page Girl at a Coffee Bar oil1971on signedcanvasEVELYN PAGE in brushpoint lower edge 880 × 685mm est $200,000 – $400,000 Philip24. Clairmont Kidney Table oil1979on signedjute P. CLAIRMONT, dated 1979 and inscribed K. Table in brushpoint lower right 1810 × 930mm est $200,000 – $400,000 25. Ralph Hotere Towards Aramoana (Black Window) 1981–82 oil on signedboardHotere, dated ‘81–82 and inscribed BLACK ‘81–82TowardsWINDOWAramoanaPortChalmers in brushpoint lower edge 995 × 1010mm est $150,000 – $250,000 Gordon26. Walters Onepu 1981–82 acrylic on canvas signed Gordon Walters, dated 81/82 and inscribed 'ONEPU' in ink verso 1210 × 980mm est $350,000 – $550,000 Theo27. Schoon Basic Arawa Pattern and Bird Motif oil1957on signedboardTheo Schoon in brushpoint verso 1210 × 1490 mm est $220,000 – $320,000

Ochre No.1. 1985 gouache on paper signed Gordon Walters, dated 85 and inscribed Black White Ochre No.1 in graphite lower edge; inscribed 29.5.85 in graphite upper right 755 × 570mm est $30,000 – $60,000 Gordon30. Walters untitled acrylic1979 on canvas signed Gordon Walters and dated 79 in ink verso 915 × 740mm est $60,000 – $80,000 Milan31. Mrkusich Segmented Arc on Dark Grey 1982 acrylic, coloured pencil and crayon on board signed Mrkusich and dated 82 in ink verso 1550 × 1230mm est $45,000 – $65,000 Milan32. Mrkusich Painting Grey acrylic1976 on canvas 1800 × 1727mm est $120,000 – $180,000 Milan33. Mrkusich Painting 61 No 8 oil1961on signedcanvasMRKUSICH, dated '61 and inscribed No 61 in brushpoint lower right 800 × 851mm est $70,000 – $140,000

Untitled Canvas Relief No 17 c1986 oil on canvas 1240 × 1680mm (widest points) est $14,000 – $26,000 Bill36. Hammond Making a Move for the Good of the Soul 1982 acrylic on board signed W.D Hammond, dated 1892 and inscribed Making a Move for the Good of the Soul in ink verso 355 × 325mm est $20,000 – $30,000 Toss37. Woollaston Taramakau oil1965on signedboardWoollaston in brushpoint lower right 9050 × 1220mm est $65,000 –

board signed Robin

oil on jute on board 1230 × 1830mm est $600,000 – $900,000 39. Robin

1978 oil

and dated

Tony38. Fomison The Fugitive

in brushpoint lower left

Glenda

× 1180mm est $250,000 – $350,000 Gordon28. Walters untitled acrylic1955 on paper signed Gordon

Black

Webb's September 108 Tony40. Fomison Christ in the Desert: Crossing the Pass 1982 oil on jute on board signed Fomison, dated 1982 and inscribed "Christ in the Desert Crossing the Pass" in ink verso 380 × 500mm est $70,000 – $140,000 Leo41. Bensemann Figures in a Vineyard, Bacharach 1980 oil on signedcanvasboard LEO BENSEMANN and dated ‘80 in brushpoint lower left 860 × 600mm est $40,000 – $80,000 Tony42. Fomison Icon by Fra Angelico No. 1 oilc1970onjute on board 460 × 460mm est $100,000 – $200,000 Gordon43. Walters Makora acrylic1979 on canvas signed WaltersGordon and dated 1979 in ink verso 1530 × 1140mm est $600,000 – $850,000 Colin44. McCahon Is There Anything of Which One Can Say Look This is New? 1982 acrylic on canvas signed C.McC and dated '82 in brushpoint lower right 1940 × 1780mm est $1,500,000 –$2,500,000 Milan34. Mrkusich Golden Centre with Two Elements signedoil1965–72oncanvas m. mrkusich, dated 1965 and inscribed GOLDEN CENTER WITH 1965/RetouchedELEMENTS/MRKUSICHTWO and worked over 1972 in brushpoint verso 1170 × 1770mm est $180,000 – $320,000 Don35. Peebles $95,000 1982–83 White at Tahakopa on canvas on White 1978 1180 Walters Walters White

and dated '55 in graphite lower right 220 × 290mm est $35,000 – $45,000 Gordon29.

Webb's 2022 109 Pat47. Hanly Shining Garden 1983 watercolour on paper signed Hanly, dated '83 and inscribed Shining garden in graphite lower edge 580 × 620mm est $12,000 – $18,000 Philip48. Clairmont Still Life 1982 acrylic, signedongraphitewatercolour,andpastelpaper CLAIRMONT and dated 1982 in ink right edge 1200 × 790mm est $16,000 – $24,000 Gavin49. Chilcott Memento Mori (Dead kings) 1981 acrylic on canvas signed Gavin Chilcott, dated 1981 and inscribed Memento Mori (Dead kings) in graphite verso 1380 × 1410mm est $2,000 – $4,000 Gavin50. Chilcott I'm Yours Alone 1982 acrylic on canvas signed Gavin Chilcott dated 1982 and inscribed I'm 'YOURS ALONE' in graphite verso 1380 × 1390mm est $2,000 – $4,000 Colin45. McCahon O Let Us Weep acrylic1969 on board signed McCahon and dated April '69 in brushpoint lower left, inscribed O LET US WEEP. I. in brushpoint upper left; signed Colin McCahon, dated 1969 and inscribed

Grey

The April Paintings/No. 2 of a series of 4 in brushpoint verso; signed McCahon and dated April '69 in brushpoint lower right, inscribed O LET US WEEP. III. in brushpoint upper left; signed Colin McCahon, dated 1969 and inscribed

The April Paintings/ No. 4 of a series of 4 in brushpoint verso 627 × 627mm (each panel) est $800,000 –$1,600,000 McCahon Sky, Red Earth sand on board signed McCahon in brushpoint lower right 760 × 610mm est $80,000 – $120,000

The April Paintings/No. 3 of a series of 4 in brushpoint verso; signed McCahon and dated April '69 in brushpoint lower right, inscribed O LET US WEEP. IV in brushpoint upper left; signed Colin McCahon, dated 1969 and inscribed

The April Paintings/ No. 1 of a series of 4 in brushpoint verso; signed McCahon and dated April '69 in brushpoint lower left, inscribed O LET US WEEP. II. in brushpoint upper left, signed Colin McCahon, dated 1969 and inscribed

Colin46.

oilc1969and

Webb's September 110 51. Adele Younghusband Puriri Berries N.Z. linocut1933 on paper signed YounghusbandAdele, dated 1933 and inscribed Puriri berries N.Z. in graphite lower edge 235 × 180mm est $1,500 – $3,500 52. Adele Younghusband Tree Strawberry linocut1936 on paper signed YounghusbandAdele, dated 1936 and inscribed Tree Strawberry in graphite lower edge 265 × 220mm est $1,500 – $3,500 53. John Drawbridge Woman with Matisse II mezzotint1983 on paper, signed14/100 John Drawbridge, dated 1983 and inscribed WOMAN WITH MATISSE, NO II in graphite lower edge 285 × 190mm est $1,000 – $2,000 Philip Clairmont Large Still-Life with 1985Objects linocut on paper, 3/15 signed P Clairmont, dated 1982 and inscribed 'Large Still-life with objects' Linocut 3/15 in graphite lower edge 960 × 770mm est $6,000 – $9,000 55. John Drawbridge Sleeping Woman 1959. printed 1984 etching on paper, 10/50 signed John Drawbridge and dated 1959 (IMP 1984) in graphite lower edge 525 × 600mm est $1,000 – $2,000 56. Adele Younghusband Workers linocut1947 on paper signed YounghusbandAdele, dated 1947 and inscribed Workers in graphite lower edge 185 × 250mm est $1,500 – $3,500 57. John Drawbridge The Concert (Vermeer) with Matisse mezzotint1983 and drypoint on paper, signed14/100 John Drawbridge, dated 1983 and inscribed THE MATISSE(VERMEER)-WITHCONCERTin graphite lower edge 270 × 180mm est $800 – $1,600 58. Roland Hipkins Deserted Homestead woodcutc1932 on paper signed Roland Hipkins and inscribed Deserted Homestead in graphite lower edge 310 × 390mm est $300 – $600 59. Adele Younghusband Kauri Stumps N.Z. linocut1934 on paper signed YounghusbandAdele, dated 1934 and inscribed Kauri Stumps N.Z. in graphite lower edge 180 × 225mm est $1,500 – $3,500 Part II

Webb's 2022 111 Nigel60. Brown Sandes St, Thames 1983 woodcut on paper, 2/10 signed N R Brown, dated 1983 and inscribed 'SANDES ST THAMES' in graphite lower edge 440 × 450mm est $1,200 – $1,800 Philip61. Clairmont Nude linocut1979 on paper, 9/30 signed P Clairmont, dated 1979 and inscribed 9/30 'Nude' in graphite lower edge 740 × 495mm est $1,500 – $2,500 62. Robin White This is Brigid woodcut1985 on paper, 28/30 signed Robin White, dated '85 and inscribed This is Brigid in graphite lower 240edge× 150 mm est $2,500 – $4,500 Colin63. McCahon Kauri Tree lithograph1954 on paper, edition of 55 signed Colin McCahon in graphite lower right 330 × 245mm est $6,000 – $9,000 64. Robin White Paekakariki Hotel II screenprint1970 on paper, artist's proof signed Robin White, dated 1970 and inscribed Paekakariki Hotel II in graphite upper edge 445 × 315mm est $3,000 – $6,000 Gretchen65. Albrecht N.Y.C. 1983 woodcut on paper, 1/1 signed Albrecht, dated '83 and inscribed Woodcut N.Y.C in graphite lower 455edge× 610mm est $2,000 – $4,000 Colin66. McCahon North Otago Landscape screenprint on paper 420 × 580mm est $8,000 – $11,000 Philip67. Clairmont Black Crucifixion screenprint1979 on paper, 5/90 signed P Clairmont, dated 1979 and inscribed 'Black Crucifixion' 5/90 in graphite lower edge 820 × 550mm est $2,000 – $4,000 Pat68. Hanly Life 1985 screenprint on paper, signed27/30 Hanly, dated 85 and inscribed 'Life' in graphite upper edge 490 × 615mm est $3,000 – $6,000 Pat69. Hanly Pacific Hope 1985 screenprint on paper, signed23/40 Hanly and dated 85 in graphite lower edge 810 × 860mm est $2,500 – $3,500 Jeffrey70. Harris untitled 1983 oil and graphite on paper signed Jeffrey Harris and dated 1985 in graphite lower edge 1200 × 800mm est $6,000 – $9,000 Philip71. Trusttum Blackboard oil,1962–79inkand graphite on board 1820 × 1210mm est $10,000 – $18,000 John72. Reynolds & Julian Dashper Omaha Beach No 3 oil on paper 980 × 1260 mm est $10,000 – $20,000 73. Richard Killeen Looking is Not Seeing 1985 acrylic and watercolour on signedpaperKilleen, dated 8.3.85 and inscribed Looking is not Seeing in brushpoint lower edge 905 × 705mm est $5,000 – $8,000 74. Richard Killeen Pawns and Tools and the Politics of Difference 1984 acrylic and watercolour on signedpaperKilleen, dated 21.5.84 and inscribed Pawns & Tools & the Politics of Difference in brushpoint lower right 905 × 705mm est $5,000 – $8,000 Jeffrey75. Harris untitled pastel1979 on paper signed Jeffrey Harris, dated 79 and inscribed for Judith in ink upper edge 630 × 890mm est $3,000 – $6,000

Webb's September 112 Jeffrey76. Harris untitled pastel1979 on paper signed Jeffrey Harris and dated 79 in ink upper edge 640 × 870mm est $3,000 – $6,000 77. Julian Dashper Affco Mural 1987 pastel and acrylic on signedpaper JULIAN DASHPER, dated 1987 and inscribed AFFCO MURAL in ink verso 250 × 455mm est $6,000 – $9,000 Don78. Peebles Untitled Drawing No 6 1984 charcoal on paper signed Don Peebles, dated 1984 and inscribed Untitled Drawing No 6 in graphite verso 575 × 755mm est $1,000 – $3,000 Frank Hofmann Blind Road Auckland silver1945 bromide print signed Hofmann and dated 1945 in graphite lower edge 290 × 375mm est $3,000 – $6,000 80. Laurence Aberhart Family Church, Epikauri, Herekino, Northland 5 May 1982 1982 gold and selenium toned gelatin silver print dated 1982 and inscribed Family Church, Epikauri, Herekino, Northland in ink lower edge 195 × 240mm est $3,000 – $6,000 Patrick81. Reynolds The Structure of the Universe 1 1988 silver bromide print 470 × 470mm est $1,500 – $2,500 Patrick82. Reynolds The Structure of the Universe 3 1988 silver bromide print 470 × 470mm est $1,500 – $2,500 Patrick83. Reynolds The Structure of the Universe 2 1988 silver bromide print 470 × 470mm est $1,500 – $2,500 Peter84. Peryer Zoo Music 1983 silver bromide print, 14/20 190 × 290mm (each panel) est $2,000 – $3,000 Peter85. Peryer Kawa Kawa 1984 silver bromide print 285 × 200mm est $2,500 – $4,500 Peter86. Peryer Kiokio 1984 silver bromide print 280 × 205mm est $2,500 – $4,500 Peter87. Peryer Piupiu 1984 silver bromide print 285 × 200mm est $2,500 – $4,500 Annie88. Baird Landscape 1 1984 watercolour on paper signed Annie Baird and dated 84 in brushpoint lower right 575 × 760mm est $1,000 – $2,000 Barbara89. Tuck South the Tuning 1985 oil on signedcanvasBarbara Tuck, dated '85 and inscribed SOUTH THE TURNING in brushpoint lower edge 1270 × 1870mm est $2,000 — $3,000 Dick90. Frizzell LOOK 1981 enamel on board signed FRIZZELL, dated 18 11 81, and inscribed "LOOK" in brushpoint 1010centre× 1010mm est $25,000 – $35,000

Webb's 2022 113 91. Ralph Hotere Drawing for a Church Window at Mitimiti 1982 pastel on paper signed Hotere, dated '82 and inscribed Drawing for a church window at Mitimiti in pastel lower 750edge× 550mm est $15,000 – $25,000 92. John Drawbridge Red Sky View 1985 watercolour on paper signed John Drawbridge and dated 1985 October in graphite lower left 740 × 560mm est $4,000 – $8,000 Geoff93. Fairburn untitled 1982 dye on gourd 220 × 400 × 200mm (widest points) est $1,000 – $2,000 Geoff94. Fairburn untitled dye1982on gourd, flax 210 × 590 × 210mm (widest points) est $1,000 – $2,000 Geoff95. Fairburn untitled dye1982on gourd, flax 240 × 500 × 240mm (widest points) est $1,000 – $2,000 Geoff96. Fairburn untitled dye1982on gourd, flax 190 × 460 × 190mm (widest points) est $1,000 – $2,000 Gordon97. Walters Arahura 1982 screenprint on paper, signed112/125 Gordon Walters, dated 1982 and inscribed Arahura in graphite lower edge 560 × 760mm est $15,000 – $25,000 Gordon98. Walters Kura screenprint1972 on paper, artist's proof signed WaltersGordon , dated 1972 and inscribed "Kura" in graphite lower edge 585 × 465 mm est $15,000 – $25,000 Gordon99. Walters Tamaki 1983 screenprint on paper, 1/50 signed Gordon Walters, dated 1983 and inscribed "Tamaki" in graphite lower edge 755 × 565 mm est $15,000 – $25,000 Gordon100. Walters Karaka screenprint1979 on paper, 5/50 signed Gordon Walters, dated 1979 and inscribed Karaka in graphite lower edge 510 × 405mm est $15,000 – $25,000 Gordon101. Walters Rauponga 1983 screenprint on paper, 1/50 signed Gordon Walters, dated 1983 and inscribed rauponga in graphite lower edge 560 × 755mm est $6,000 – $9,000 Gordon102. Walters Then 1980 screenprint on paper, signed119/125 GordonWalters , dated 1980 and inscribed "then" in graphite lower edge 565 × 760mm est $6,000 – $9,000 Geoff103. Thornley Study for the Alba Group 1984 gouache on paper 335 × 265 mm est $3,000 – $6,000 Gretchen104. Albrecht Indian Pairing 1981 oil on signedpaperAlbrecht, dated '81 and inscribed Indian Pairing in graphite lower edge 1120 × 700mm est $8,000 – $16,000 Ian105.Scott Asymmetrical Lattice No 2 oil on canvas 1830 × 1380mm est $30,000 – $60,000 Stephen106. Bambury No 50 1983 acrylic on canvas signed BAMBURY, dated 1983 and No 50 in brushpoint verso 925 × 1450mm est $10,000 – $20,000 Milan107. Mrkusich Violet Light with Blue, Yellow and Red (Linear) 1981 acrylic and crayon on 500paper×404mm est $8,000 – $16,000 Milan108. Mrkusich Achromatic with Vermillion 1981 acrylic and crayon on 509paper×406mm est $8,000 – $16,000

Webb's September 114 Milan109. Mrkusich Achromatic with Green 1981 acrylic and crayon on signedpaperMrkusich, dated 81 and inscribed Achromatic with Green 1981 in ink verso 500 × 404mm est $8,000 – $16,000 Stephen110. Bambury Drawing (for a painting) c1987 pastel on paper signed BAMBURY and inscribed Drawing (for a painting) in graphite lower edge 295 × 235 mm est $1,200 – $1,800 Stephen111. Bambury Drawing (for a painting) 1986 pastel on paper signed BAMBURY, dated 86 and inscribed Drawing (for a painting) in graphite lower edge 290 × 225 mm est $1,200 – $1,800 Guy112. Ngan Papa 11 aluminium and wood 1045 × 520mm (each panel) est $10,000 – $20,000 Deadhead 1983 oil on signedcanvas RM, dated 31.1.83 and inscribed 'Deadhead' in brushpoint verso 1095 × 1245mm; 190 × 1710mm; 1280 × 1280mm (widest points) est $5,000 – $8,000 Jacqueline Fraser untitled PVC1988tubing and plastic rope string 1680 × 710mm est $4,000 – $6,000 115. Jacqueline Fraser untitled 1986 fabric, ribbon, wire and 1420string× 320mm est $4,000 – $6,000 Gordon116. Crook Scission on the Home Front 1984 screenprint, cotton thread and paper collage, 5/10 signed GC, dated '88 and inscribed SCISSION - ON THE HOME FRONT in graphite lower edge 1045 × 740mm est $500 – $800 Gordon117. Crook Lookin up Legs 1988 screenprint on paper, 2/10 signed GC, dated '88 and inscribed 'Lookin Up Legs' in graphite lower edge 1040 × 745mm est $500 – $800 Philip118. Trusttum Bed oilc1979oncanvas 2440 × 1870mm est $5,000 – $8,000 Rudolf119. Gopas Dawn oilc1960oncanvasboard 960 × 870mm est $7,000 – $16,000 Hariata120. Ropata–Tangahoe Painting No.2 1987 oil on signedcanvasHariata Ropata Tangahoe and dated '87 in brushpoint lower edge 950 × 950mm est $2,000 – $4,000 Trevor121. Moffitt Stan Graham 1986 oil on signedboardMoffitt and dated 86 in brushpoint lower left 600 × 600mm est $14,000 – $22,000 Trevor122. Moffitt 8th Oct 1941, Bert Cooper being Threatened by Graham 1987 oil on signedboardMoffitt and dated 86 in brushpoint lower right; inscribed 8th Oct 1941, Bert Cooper being Threatened by Graham in ink 600verso×600mm est $15,000 – $25,000 Trevor123. Moffitt 9th Oct 1941, The Police Search Begins 1987 oil on signedboardMoffitt and dated '87 in brushpoint lower right; inscribed 9th Oct 1941, The Police Search Begins in ink verso 580 × 580mm est $14,000 – $24,000 Trevor124. Moffitt Eating Lunch 1980 oil on signedboardMoffitt and dated 80 in brushpoint lower right 580 × 590mm est $10,000 – $20,000 Melvin125. Day Wellington Heads c1982 oil on signedboard Day in brushpoint lower left 520 × 720mm est $12,000 – $18,000

Margaret Paul Stanza 4/5/6 1983 oil on inscribedboardStanzas 4/5/6 final in graphite verso 270 × 600mm est $3,000 – $6,000 Dick134. Frizzell Backyard Painting (Detail) 1981 oil on signedboardFRIZZELL, dated 15/1/81 and inscribed BLACKYARD PAINTING (DETAIL) in brushpoint lower edge 880 × 660mm est $10,000 – $20,000 Dick135. Frizzell Back Yard Painting (Detail) 1981 oil on signedboardFRIZZELL, dated 9/2/81 and inscribed BLACKYARD PAINTING (DETAIL) in brushpoint lower edge 850 × 635mm est $10,000 – $20,000 Patricia136. France Figures in Landscape 1983 oil on signedboardPatricia France in ink 400verso×440mm est $6,000 – $9,000 Robin137. Morrison Higher Thought Temple 1980 cibachrome print 240 × 350mm est $2,000 – $4,000 Robin138. Morrison Ratana Church Te Kao 1980 cibachrome print 236 × 355mm est $3,000 – $6,000 Margaret139. Dawson Woman Outside the House With Flowers C-type1986 print 1270 × 990mm est $2,000 – $4,000 140. Laurence Aberhart Dargaville 1982 1982 gold and selenium toned gelatin silver print 195 × 240mm est $3,000 – $6,000 141. Laurence Aberhart A distant view of Taranaki from the mouth of the Wanganui River at Dusk 3 February 1986 1986 gold and selenium toned gelatin silver print 195 × 240mm est $5,000 – $8,000 Frank Hofmann Portrait of Valmai Moffatt silver1947 bromide print signed Hofmann and dated 1947 in graphite lower edge 290 × 290mm est $4,500 – $7,500 143. Ans Westra Auckland Community Centre silver1962 bromide print signed A.W in graphite lower edge 470 × 255mm est $3,000 – $6,000

Webb's 2022 115 Melvin126. Day untitled 1982 oil on signedboard Day and dated 82 in brushpoint lower left 522 × 700mm est $4,000 – $7,000 Trevor127. Moffitt Rakaia River Series No 9 1982 oil on signedboardMoffitt and dated 82 in brushpoint lower right 890 × 590mm est $8,000 – $16,000 128. Louise Henderson Water Series oilc1965onboard 865 × 1335mm est $20,000 – $40,000 Joanna129. Margaret Paul Stanza 7/8 1983 oil on signedboard JMP, dated 83 and inscribed STANZA 7/8 in graphite verso 270 × 600mm est $3,000 – $6,000 Joanna130. Margaret Paul Stanza 9/10 1983 oil on signedboard JMP, dated 83 and inscribed STANZA 9/10 in graphite verso 270 × 600mm est $3,000 – $6,000 Joanna131. Margaret Paul Stanza 1/3 1983 oil on inscribedboardStanza 1-3 in brushpoint lower right; signed JMP, dated 83 and inscribed STANZA 1/3 in graphite verso 270 × 600mm est $3,000 – $6,000 Joanna132. Margaret Paul Stanza 11/12 1983 oil on signedboard JMP and dated 83 in graphite lower edge; inscribed Stanza 11/12 final in graphite verso 225 × 465mm est $3,000 – $6,000 Joanna133.

Webb's September 116 144. Ans Westra Auckland Community Centre silver1962 bromide print signed A.W in graphite lower edge 275 × 275mm est $3,000 – $6,000 John145. B Turner Garden Party Guest, Kemp House, Kerikeri gelatin1975 silver print signed J.B.Turner, dated 1975 and inscribed Garden Party Guest, Kemp House, Kerikeri in ink verso 285 × 180mm est $500 – $1,000 John146. B Turner Wellington at Night gelatin silver print 370 × 250mm est $500 – $1,000 John147. B Turner Symonds Building, Broderick ChristmasJohnsonville,StreetEve gelatin1966 silver print 290 × 365 mm est $500 – $800 John148. B Turner Turner's Bedroom, Lower Hutt 1968 gelatin silver print 280 × 280mm est $500 – $1,000 John149. B Turner Turner's Living Room, Lower Hutt 1968 gelatin silver print 280 × 280mm est $500 – $1,000 George150. Chance Evening Light, Lake Taupo gelatin1979 silver print signed Geo. Chance and inscribed Evening Light – Lake Taupo. N.Z. in ink lower edge 220 × 280mm est $300 – $600 George151. Chance The Resting Team 1982 toned gelatin silver print signed Geo. Chance and inscribed The resting team lower left 400 × 565mm est $300 – $600 George152. Chance Sunshine and Shadow, Dunedin NZ 1982 gelatin silver print signed Geo. Chance and inscribed Sunshine and Shadow – Dunedin – NZ. in ink lower edge 220 × 280mm est $300 – $600 153. Laurence Aberhart Angel over Whangape Harbour, Northland 6 May 1982 1982 gold and selenium toned gelatin silver print dated 6 May 1982 and inscribed Angel over Harbour,WhangapeNorthland in ink lower edge 482 × 444mm est $5,000 – $8,000 154. Laurence Aberhart Disused Anglican Church, NorthlandWhangapePawarenga,Harbour,10May1982 1982 gold and selenium toned gelatin silver print dated 1982 and inscribed Disused Anglican Church, Pawarenga, Whangape Harbour, Northland in ink lower edge 195 × 240mm est $2,000 – $4,000 155. Laurence Aberhart Exterior Ripeka Tapu, Rangipoint, Hokianga Harbour 3 May 1982 1982 gold and selenium toned gelatin silver print dated 1982 and inscribed Exterior Ripeka Tapu, Rangipoint, Hokianga Harbour in ink lower edge 195 × 240mm est $2,000 – $4,000 Marie156. Shannon Thomas Shannon, Sydney 1987 gelatin silver print signed MARIE SHANNON, dated 1987 and inscribed THOMAS SHANNON, SYDNEY in ink verso 275 × 1210mm est $2,500 – $4,000 Robert157. Percy Moore 80 Manners St Wellington gelatin1925 silver print signed R P Moore, dated 22.8.1925 and inscribed 80 Manners St Wellington in ink lower edge 200 × 950mm est $300 – $600

Webb's 2022 117 Fiona158. Pardington Oracle 1987 sulphite toned silver bromide print signed Fiona Makea Pardington, dated 1987 and inscribed "ORACLE" in coloured pencil verso 490 × 415mm est $3,000 – $6,000 Terry Stringer Head of a Young Girl 1985 coloured pencil on card signed TERRY STRINGER and dated '85 in brushpoint lower right 265 × 235mm est $1,200 – $1,600 Colin160. McCahon Van Gogh – Poems by John Caselberg lithograph1957 on paper 350 × 255mm (each panel) est $15,000 – $25,000 Peter161. McIntyre The Octagon, Dunedin watercolourc1950 on paper signed PETER MCINTYRE in brushpoint lower right 380 × 490mm est $6,000 – $9,000 Peter162. McIntyre Frosty Morning, Galloway signedoilc1950onboardPETER MCINTYRE in brushpoint lower right 600 × 755mm est $18,000 – $36,000 Peter163. McIntyre Winter Lindis Pass signedoilc1950onboardPETER MCINTYRE in brushpoint lower right 660 × 820mm est $16,000 – $24,000 lower edge 695 × 1200mm est $6,000 – $9,000 signed Megan Jenkinson, dated 87 and inscribed RATIO FAILS COMPREHENDTO HOW AN UNSTABLE CHAIN RECTION CORRESPONDS WITH DETERMINISM in ink lower edge 190 × 290mm est $1,000 – $3,000 WEIGHED DOWN in ink lower edge 190 × 290mm est $1,000 – $3,000 Robert167. Procter untitled oil1902on signedcanvas R. PROCTER and dated 1902 in brushpoint lower left 590 × 435mm est $15,000 – $25,000 168. Harry Linley Richardson The Artists' Three Children oil1925on signedcanvas H RICHARDSONLINLEY in brushpoint lower left 1290 × 1670 mm est $30,000 – $60,000 Glenda169. Randerson Carole 1982 oil on signedcanvas G D Randerson and dated 82 in brushpoint lower edge 1440 × 1640mm est $8,000 – $16,000 Jenny170. Doležel The Artist and Her Model 1985–86 pastel and acrylic on signedpaper Jenny Doležel and dated 1985–6 in pastel lower edge; inscribed the artist and her model in pastel upper edge 555 × 740mm est $3,000 – $6,000 Robert171. McLeod First Out oil1974on signedcanvas RM and dated 1 oct 74 in ink verso 310 × 325mm est $1,000 – $2,000 Derek172. Cowie World Wide 1985 acrylic on canvas signed Derek Cowie, dated 1985 and inscribed WORLD WIDE in brushpoint verso 1920 × 1900mm est $2,500 – $4,500

Webb's September 118 Eion173. Stevens The Carpenters Holiday 1981 oil on signedcanvasboard E A Stevens, dated 9/81 and inscribed The Carpenter's Holiday in brushpoint verso 880 × 1750mm est $2,500 – $4,500 Helen174. Stewart The Studio signedoilc1925onboardHelen Stewart in bruhspoint lower right 435 × 520mm est $3,000 – $6,000 Gretchen175. Albrecht Eddy 1986 pastel on paper signed Albrecht, dated 86 and inscribed Eddy in graphite lower edge 1200 × 800mm est $8,000 – $16,000 Gretchen176. Albrecht Ebb and Flow 1986 pastel on paper signed Albrecht, dated 86 and inscribed Ebb and Flow in graphite lower edge 1220 × 800mm est $7,000 – $15,000 177. John Reynolds Touchstone for a Map 1985 oil pastel on paper signed JOHN REYNOLDS, dated 1985 and inscribed TOUCHSTONE for a MAP in pastel lower edge 1200 × 1570mm (overall) est $6,000 – $9,000 178. John Reynolds Firmament (with Wing) 1987 linoleum, acrylic, oil stick on canvas and plywood 1800 × 2390mm (overall) est $6,000 – $9,000 Philip179. Trusttum untitled oil1963on board 2430 × 1220mm est $8,000 – $16,000 Philip180. Trusttum Head and Shoulders oil1964on board 2425 × 1160mm est $8,000 – $16,000 181. Andrew Drummond View from the Woodcutter No.4 1987 wood, graphite, copper, lead, bronze on board signed ARD, dated 1987 and inscribed View from the Woodcutter No.4 in ink 1010verso×600 × 210mm (widest points) est $3,000 – $5,000 182. Andrew Drummond View from the Woodcutter No.10 1987 wood, graphite, copper, lead, bronze on board signed ARD, dated 1987 and inscribed View from the Woodcutter No.10 in ink 1010verso×600 × 210mm (widest points) est $3,000 – $5,000 Juliet183. Peter Blond Horse salt glazed ceramic 390 × 310 × 120mm (widest points) est $1,500 – $2,500 Juliet184. Peter Black Horse salt glazed ceramic 440 × 430 × 130mm (widest points) est $1,500 – $2,500 Len185.Castle untitled 120ceramic1979×925mm (widest points) est $300 – $600 Llewelyn186. Summers Goalie c1984 wood and granite 220 × 370 × 140mm (widest points) est $2,500 – $4,500 John187. Parker Ribbed Vase 240ceramic×115 × 115mm (widest points) est $200 – $400 John188. Parker Ribbed Vase ceramic 280 × 100 × 100mm (widest points) est $200 – $400 John189. Parker Ribbed Vase 220ceramic×100 × 100mm (widest points) est $200 – $400

Webb's 2022 119 Barry190. Brickell untitled 1982 1020ceramic×1520mm est $5,000 – $8,000 Roy191.Cowan untitled 1983 stoneware 1810 × 1780mm (widest points) est $3,000 – $6,000 Peter192. Black Portfolio of Foliage (i) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter193. Black Portfolio of Foliage (h) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter194. Black Portfolio of Foliage (q) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter195. Black Portfolio of Foliage (b) 1985 silver bromide print 340 × 235mm est $800 – $1,600 Peter196. Black Portfolio of Foliage (k) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter197. Black Portfolio of Foliage (e) 1985 silver bromide print 225 × 340mm est $800 – $1,600 Peter198. Black Portfolio of Foliage (g) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter199. Black Portfolio of Foliage (m) 1985 silver bromide print 225 × 335mm est $800 – $1,600 Peter200. Black Portfolio of Foliage (f) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter201. Black Portfolio of Foliage (c) 1985 silver bromide print 340 × 225mm est $800 – $1,600 Peter202. Black Portfolio of Foliage (d) 1985 silver bromide print 340 × 225mm est $800 – $1,600 Peter197. Black Portfolio of Foliage (e) 1985 silver bromide print 225 × 340mm est $800 – $1,600 Peter198. Black Portfolio of Foliage (g) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter199. Black Portfolio of Foliage (m) 1985 silver bromide print 225 × 335mm est $800 – $1,600 Peter200. Black Portfolio of Foliage (f) 1985 silver bromide print 220 × 340mm est $800 – $1,600 Peter201. Black Portfolio of Foliage (c) 1985 silver bromide print 340 × 225mm est $800 – $1,600

3.1. Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Webb’s nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below. The property is otherwise sold “AS IS” 3.2. Catalogue and Other

The terms and conditions of sale listed here contain the policies of Webb’s (Webb Fine Art). They are the terms on which Webb’s (Webb Fine Art) and the Seller contract with the Buyer. They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

“the insured value” means the amount that Webb’s in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Webb’s). All values expressed in Webb’s catalogues (in any format) are in New Zealand Dollars (NZD$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in New Zealand Dollars (NZD$) unless otherwise specified.

The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer. “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot. “the Buyer’s Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Webb’s has agreed with the Seller that the lot can be sold. “Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly, no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including re-painting).

2. Webb’s Auctions as Agent Except as otherwise stated, Webb’s acts as agent for the Seller. The contract for the sale of the property is therefore made between the Seller and the Buyer.

1. Background to the Terms used in these Conditions

Webb's 2022 121 Terms and Conditions

Descriptions

Neither Webb’s nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material. Images are measured height by width (sight size). Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue. An item bought “on Extension” must be paid for in full before it will be released to the purchaser or his/her agreed expertising committee or specialist. Payments received for such items will be held “in trust” for up to 90 days or earlier, if the issue of authenticity has been resolved more quickly. Extensions must be requested before the auction. Foreign buyers should note that all transactions are in New Zealand Dollars so there may be a small exchange rate risk. The costs associated with acquiring a good opinion or certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

3. Before the Sale

3.3. Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Webb’s or the Seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report. No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s

2. Webb’s Auctions as Agent

4.1. Refusal of Admission

Any prospective new buyer must complete and sign a registration form and provide photo identification before bidding. Webb’s may request bank, trade or other financial references to substantiate this registration.

4.7. Online Bidding Webb’s offers an online bidding service. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Webb’s. Webb’s accepts no responsibility for any errors, failure to execute bids or any miscommunicationsotherregarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details. Webb’s does not charge for this service.

4.2. Registration Before Bidding

“the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue.

All statements by Webb’s in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied upon as statements of fact. Such statements do not constitute a representation, warranty or assumption of liability by Webb’s of any kind. References in the catalogue entry to the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or its value for any other purpose. Neither Webb’s nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material. Images are measured height by width (sight size). Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue. An item bought “on Extension” must be paid for in full before it will be released to the purchaser or his/her agreed expertising committee or specialist. Payments received for such items will be held “in trust” for up to 90 days or earlier, if the issue of authenticity has been resolved more quickly. Extensions must be requested before the auction. Foreign buyers should note that all transactions are in New Zealand Dollars so there may be a small exchange rate risk. The costs associated with acquiring a good opinion or certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

4.4. International Registrations

3.3. Buyers Responsibility

The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows:

4.2. Registration Before Bidding

“the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot. “the Buyer’s Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Webb’s has agreed with the Seller that the lot can be sold. “Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly, no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including repainting). “the insured value” means the amount that Webb’s in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Webb’s). All values expressed in Webb’s catalogues (in any format) are in New Zealand Dollars (NZD$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in New Zealand Dollars (NZD$) unless otherwise specified.

3. Before the Sale 3.1. Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Webb’s nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below. The property is otherwise sold “AS IS”

4.1. Refusal of Admission Webb’s reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

All property is sold “as is” without representation or warranty of any kind by Webb’s or the Seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report. No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

4.3. Bidding as a Principal When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyer’s premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Webb’s before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Webb’s and that Webb’s will only look to the principal for payment.

4.5. Absentee Bids Webb’s will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Webb’s after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

4. At the Sale

Webb's September 122 permission to subject the lot to such immersion or treatment has first been obtained in writing.

1. Background to the Terms used in these Conditions

3.2. Catalogue and Other Descriptions

“the Buyer” means the person with the highest bid accepted by the Auctioneer.

All International clients not known to Webb’s will be required to scan or fax through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Webb’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Webb’s also reserves the right to request any additional forms of identification prior to registering an overseas bid. This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 cannot be charged to this card without prior arrangement. This deposit is redeemable against any auction purchase and will be refunded in full if no purchases are made.

4.6. Telephone Bids Priority will be given to overseas and bidders from other regions. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Webb’s accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Webb’s cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen. Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Webb’s of the lots in question, and you will be assumed to be a buyer at the minimum price of 75% of estimate (i.e. reserve) for all such lots. Webb’s will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals, or any other sale room notices.

4.8. Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot

Webb’s reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

Except as otherwise stated, Webb’s acts as agent for the Seller. The contract for the sale of the property is therefore made between the Seller and the Buyer.

4. At the Sale

5.2. Payment and Passing of Title

4.9. Auctioneers Discretion

4.11. Indicative Bidding Steps, etc. Webb’s reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following indicative steps:

Increment Dollar Range Amount $20 $0–$500 $50 $500–$1,000 $100 $1,000–$2,000 $200 $2,000–$5,000 $500 $5,000–$10,000 $1,000 $10,000–$20,000 $2,000 $20,000–$50,000 $5,000 $50,000 – $100,000 $10,000 $100,000–$200,000 $20,000 $200,000–$500,000 $50,000 $500,000–$1,000,000 Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

5.1. Buyers Premium

In addition to the hammer price, the buyer agrees to pay to Webb’s the buyer’s premium. The buyer’s premium is 19.5% of the hammer price plus GST (Goods and Services Tax) where applicable.

5.4. Packing, Handling and Shipping Webb’s will be able to suggest removals companies that the buyer can use but takes no responsibility whatsoever for the actions of any recommended third party. Webb’s can pack and handle goods purchased at the auction by agreement and a charge will be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

5.3. Collection of Purchases & Insurance Webb’s is entitled to retain items sold until all amounts due to us have been received in full in cleared funds. Subject to this, the Buyer shall collect purchased lots within 2 days from the date of the sale unless otherwise agreed in writing between Webb’s and the Buyer. At the fall of the hammer, insurance is the responsibility of the purchaser.

The Auctioneer has the right at his/her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he/she may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, then Webb’s sale record is conclusive.

5.6.2. to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for its recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law.

5.6.5. to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Webb’s in the event that the item(s) are sold for an amount greater than the original invoiced amount. 5.6.6. to set off against any amounts which Webb’s may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer.

Webb's 2022 123 below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

5.6.3. to cancel the sale.

4.10. Successful Bid and Passing of Risk

5.6.7. where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs.

5.7. Failure to Collect Purchases

6. Extent of Webb’s Liability Webb’s agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller, ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

5.6.4. to resell the property publicly or privately on such terms as we see fit.

The buyer must pay the full amount due (comprising the hammer price, buyer’s premium and any applicable taxes and GST) not later than 2 days after the auction date. The buyer will not acquire title to the lot until Webb’s receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received. This applies even if the buyer wishes to send items Paymentoverseas.can be made by direct transfer, cash (not exceeding NZD$5,000, if wishing to pay more than NZD$5,000 then this must be deposited directly into a Bank of New Zealand branch and bank receipt supplied) and EFTPOS (please check the daily limit). Payments can also be made by credit card in person with a 2.2% merchant fee for Visa and Mastercard and 3.3% for American Express. Invoices that are in excess of $5,000 and where the card holder is not present, cannot be charged to a credit card without prior arrangement. Bank cheques are subject to five days Theclearance.buyeris responsible for any bank fees and charges applicable for the transfer of funds into Webb’s account.

5. After the Sale

5.6.9. to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for said Buyer’s obligations to us.

5.6.10. to take such other action as Webb’s deem necessary or Ifappropriate.wedosellthe property under paragraph (4), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (5) the Buyer acknowledges that Webb’s shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

Where purchases are not collected within 2 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

5.5. Permits, Licences and Certificates Under The Protected Objects Act 1975, buyers may be required to obtain a licence for certain categories of items in a sale from the Ministry of Culture & Heritage, PO Box 5364, Wellington. 5.6. Remedies for NonPayment If the Buyer fails to make full payment immediately, Webb’s is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) 5.6.1. to charge interest at such a rate as we shall reasonably decide.

5.6.8. to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

12. Sale Results Webb’s will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.webbs.co.nz.

Webb's September 124 The warranty is subject to the itfollowing:doesnot apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Webb’s when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party. The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyer’s premium which is non-refundable. Neither the Seller nor Webb’s will be liable for any special, incidental nor consequential damages including, without limitation, loss of profits.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of New Zealand, unless otherwise stated.

11. Pre-Sale Estimates Webb’s publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Webb’s prior to auction for updated pre-sale estimates and starting prices.

The copyright in all images, illustrations and written material produced by Webb’s relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Webb’s and shall not be used by the Buyer, nor by anyone else without our prior written consent. Webb’s and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

8. Severability If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted, and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Webb’s to decide whether or not to cancel the sale under warranty. the Buyer must return the lot to Seller in the same condition that it was purchased.

9. Copyright

13. Goods and Service Tax GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not a New Zealand resident. These lots are denoted by a dagger symbol † placed next to the estimate. GST is also applicable on the buyer’s premium.

Webb's 2022 125 Index of Artists A Aberhart, Laurence 112, 115, 116 Albrecht, Gretchen 111, 113, 118 Angus, Rita 106 B Baird, Annie 112 Bambury, Stephen 113, 114 Bensemann, Leo 107, 108 Binney, Don 107 Black, Peter 119 Blomfield, Charles 107 Brickell, Barry 119 Brown, Nigel 111 C Castle, Len 118 Chance, George 116 Chilcott, Gavin 109 Clairmont, Philip 107, 109, 110, 111 Cowan, Roy 119 Cowie, Derek 117 Crook, Gordon 114 D Dashper, Julian 107, 111, 112 Dawson, Margaret 115 Day, Melvin 114, 115 Doležel, Jenny 117 Drawbridge, John 110, 113 Drummond, Andrew 118 F Fairburn, Geoff 113 Fomison, Tony 108 France, Patricia 115 Fraser, Jacqueline 114 Frizzell, Dick 107, 112, 115 G Gopas, Rudolph 114 H Hammond, Bill 107, 108 Hanly, Pat 109, 111 Harris, Jeffrey 111, 112 Henderson, Louise 115 Hipkins, Roland 110 Hofmann, Frank 112, 115 Hotere, Ralph 107, 113 I Illingworth, Michael 107 J Jenkinson, Megan 117 K Killeen, Richard 107, 111 Knight Turner, Dennis 106 M Maddox, Allen 107 McCahon, Colin 106, 107, 108, 109, 111, 117 McIntyre, Peter 117 McLeod, Robert 114, 117 Moffitt, Trevor 114, 115 Moore, Robert Percy 116 Morrison, Robin 115 Mrkusich, Milan 108, 113, 114 N Ngan, Guy 114 P Page, Evelyn 107 Pardington, Fiona 117 Parker, John 118 Paul, Joanna Margaret 115 Peebles, Don 108, 112 Peryer, Peter 112

Peter, Juliet 118 Procter, Robert 117 R Randerson, Glenda 117 Reynolds, John 111, 118 Reynolds, Patrick 112 Richardson, Harry Linley 117 Ropata-Tangahoe, Hariata 114 Ruifrok, Wilhelmus 117 S Schoon, Theo 107 Scott, Ian 106, 113 Shannon, Marie 116 Smither, Michael 107 Stevens, Eion 118 Stewart, Helen 106, 118 Stringer, Terry 117 Summers, Llewelyn 118 T Thornley, Geoff 113 Tole, Charles 106 Trusttum, Philip 111, 114, 118 Tuck, Barbara 112 Turner, John B 116 W Walters, Gordon 107, 108, 113 Westra, Ans 115, 116 White, A Lois 106 White, Robin 108, 111 Wong, Brent 107 Woollaston, Toss 108 Y Younghusband, Adele 110

Webb's 2022 127 Absentee Bid Form In order to register to bid with Webb’s please complete this form and scan or email to auction@webbs.co.nz I have read and accepted Webb’s terms and conditions as printed in the catalogue and online at www.webbs.co.nz. Bids will not be processed unless this form is signed. I authorise Webb’s to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Webb’s responsible for any errors that occur. I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 19.5% of the final bid price plus any GST payable on the buyers premium, as indicated in the catalogue. GST will be charged on the buyer’s premium. Bidder # CitySignature Date Address (PO Box not sufficient) Name (Please Print Clearly) (Office Use Only) (Please Print Auction & Title Here) Not including buyer’s premium or GST(in order) 1 2 (Please provide for invoice purposes) Email Telephone(InPostcodeOrderofPreference)Number(s) Auction # & Title Maximum BidLot Number Catalogue Description Mount33aaucklandauction@webbs.co.nzwebbs.co.nzValuationsPrivateAuctionsSalesNormanbyRoadEden,Auckland, 1024 09 529 Te23wellington5600MarionStreetAro,Wellington, 6011 04 555 6001 DigitalInteractiveVersion

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