An Annual Tradition in Texas Art Since 1996
DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 24, 2015 at 1:00 PM
An Annual Tradition in Texas Art Since 1996
DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, January 24, 2015 at 1:00 PM
DAVID DIKE FINE ART, L.L.C. Presents an Auction of Texas Art • Saturday, January 24, 2015 Auction bidding starts at 1pm CST
PREVIEW EVENT and ART TALK Thursday, January 22, 5:30-8:00pm at Wildman Art Framing Katie Robinson Edwards, Ph.D., curator at the Umlauf Sculpture Garden & Museum and author of the book: Midcentury Modern Art in Texas , 2014, UT Press and editor of Texas Modern, The Rediscovery of Early Texas Abstraction (1935-1965) , 2007, TexasArt Books; will give a talk on Texas Art and its History, from the 1930’s to 1970’s .Edwards will also discuss some of the artists and pieces in the auction.
AUCTION TO BE HELD AT WILDMAN ART FRAMING 1715 Market Center Boulevard • Dallas, Texas 75207 Auction Preview: The art may be viewed at Wildman Art Framing Monday-Friday, January 19-23, 9am-5pm
ONLINE BIDDING Online internet bidding available via LiveAuctioneers.com and Invaluable.com. Absentee and live phone bidding available. For the absentee/phone bid form and online internet bidding access, please visit: www.daviddike.com.
2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 Email: ddfa@swbell.net • Website: www.daviddike.com Hours: Monday – Friday 10:00AM – 5:00PM • Saturday 11:00AM – 4:00PM Please contact the gallery for more information. AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS
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LOUIS MURAD TXS 13362
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TERMS AND CONDITIONS of AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions. 1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 17.5% of the hammer price (or 20.5% if bidding via LiveAuctioneers.com online, or 22.5% if bidding via Invaluable.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser. 2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing. 3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale. 4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid
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from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects. 5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages. 6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve. 7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored. THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so. 9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit with Murad Auctions by calling (214) 720-4044 no later than noon on Saturday, January 24,
2015. There will be no exceptions. Bank card purchases will be honored at our option. 10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas. 11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable. 12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever. 13. As a convenience to our clients, we furnish presale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed. 14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.
A HISTORY OF RECORD AUCTION SALES at David Dike Fine Art Texas Art Auction: Since the David Dike Fine Art Texas Art Auction started in 1996, auction sales have achieved the highest recorded auction prices for specific Texas artists. Below are a few of the record-breaking sales that still hold as the record to date: *
2002: Alexander Hogue, Pulliam Bluffs, Chisos Mountains, sold for $65,000.
2012: Reveau Bassett, End of Day, Palo Duro Canyon (The Wagon), sold for $71,700.
2014: Ben L. Culwell, New Testament, sold for $24,675. 2005: Charles T. Bowling, Trees, sold for $40,250.
2013: Ed Bearden, Rail Yard in Snow, sold for $47,000.
2008: Kelly Fearing, Untitled, Lifters, sold for $34,500.
2013: Otis Dozier, Goat in a Flower Garden, sold for $47,000.
2014: Alexandre Hogue, Swindletop and Spindletop, the pair sold for $50,250. A record sale for the lithographs. 2008: H.O. Kelly, Sunday Morning, sold for $57,500. 2013: William L. Lester, Alley, sold for $41,125.
2014: Julius Woeltz, Peregrination, sold for $23,500.
2011: Paul Schumann, Harvesting Oysters, sold for $44,813.
*It is noted that there have been private sales that have surpassed these sales.
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Lot 2 PORTFOLIO: EVERETT SPRUCE Everett Spruce. A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art. 1958 19 x 17 $400 - $800
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Lot 1 BOOK: Lot 3 BOOK/PORTFOLIO: TOM LEA
Painting in Texas, The Nineteenth Century, by: Pauline A. Pickney, introduction by Jerry Bywaters © 1967
Tom Lea A Picture Gallery: Paintings & Drawings, 1968
Inscribed by the author: “For President and Mrs. Johnson with best wishes, Pauline A. Pickney 12/7/67”
$250 - $500 3
$150 - $300
Lot 4 PORTFOLIO: OTIS DOZIER Otis Dozier. A Portfolio of Six Paintings, II Blaffer Series of Southwestern Art, University of Texas Press. 1952. Forward by: John Palmer Leeper. Prints of paintings include the following: Hopi Snake Dance Landscape with Sun & Rain Indian Corn, Walpi, Swamp Night and Passage to the Sea 22 x 18 Inscribed by the artist: “To Eleanor & Karl Oviatt, My Friends, Otis Dozier May 19, 1961” $200 - $300
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D AV I D D I K E F I N E A R T
Lot 5 JOSE CISNEROS (Am. 1910-2009) 6 ITEMS IN THIS LOT: 1) The Black Experience in the American West original print 23 x 15 ¼, signed lower right: Jose Cisneros 2) A hand written letter on the artist’s letterhead and dated Sept. 16, 1971 accompanies the single print. It reads: “Dear Mrs. White: Carl Herzog forwarded me your request and your check. I wish to thank you for your patronage and hope that the drawing I have chosen will be to your satisfaction. I thought this would please you. The other is a gift. It’s a print from the special edition of the forthcoming book from Liveright Pub. Co. of New York “The Black Experience in the American West” edited by John Carroll. It depicts two Seminole-Negro Scouts in West Texas in the late 1870s. Most cordially yours, Jose Cisneros.” Four Original Prints: 3) Trailing the Longhorns 4) Goodnight – Loving Trail, 1866-1886 5) Chisholm Trail 1867-1884 6) Western Trail 1897 edition 61/250, 15 x 20 each original print is signed and numbered in pencil by Jose Cisneros.
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$500 - $1,000
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Lot 7 TOM LEA (Am. 1907-2001) Santa Fe Bronze House, 1931 6
Lot 6 DOEL REED (Am. 1895-1985)
woodblock print 6 3/4 x 9 1/2 signed lower right: Tom Lea 1931 $800 - $1,200
Villa de Santiago Mexico, (The Bells) edition 21/50 lithograph 10 3/4 x 12 1/2 signed lower right: Doel Reed $800 - $1,000 TEXAS ART AUCTION
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FRANK KLEPPER
FLORENCE McCLUNG
FRANK REAUGH EVERETT SPRUCE 8
Lot 8 BOOK – ROBERT HENRI The Art Spirit by: Robert Henri © 1923 by J.B. Lippincott Company. In addition to the book are three loose leaf sketches as follows: Frank Klepper 6 x 9 5/8 Florence McClung 5 x 8 Everett Spruce 4 1/2 x 6 Frank Reaugh, letter to Florence McClung $200 - $300
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Lot 9 TOM LEA (Am. 1907-2001) The Shining Plain print on paper 12 x 14 signed lower right: Tom Lea, El Paso 10
$400 - $800 Lot 10 PETER HURD (Am. 1904-1984) Sermon from Revelations lithograph 10 x 13 1/2 signed lower right: Peter Hurd $800 - $1,200 6
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Lot 11 TOM LEA (Am. 1907-2001) Trail Herd print on paper 10 1/2 x 14 signed lower right: Tom Lea $400 - $800
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Lot 12 MERRITT MAUZEY (Am. 1897-1973) Lot 13 MERRITT MAUZEY (Am. 1897-1973) Memories edition 25 lithograph 10 x 12 signed lower right: Merritt Mauzey
The Invasion lithograph 9 1/2 x 11 3/4 signed lower right: Merritt Mauzey $800 - $1,200
$800 - $1,200 13
Lot 14 MERRITT MAUZEY (Am. 1897-1973) Cotton Oil Mill edition 40 lithograph 9 1/2 x 11 3/4 signed lower right: Merritt Mauzey $800 - $1,200
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Lot 15 MERRITT MAUZEY (Am. 1897-1973) Post Cutter, 10 Ed. lithograph 14 x 11 signed lower right: Merritt Mauzey $800 - $1,200 TEXAS ART AUCTION
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Lot 16 PETER HURD (Am. 1904-1984) The Sentinel, Santa Fe Trail lithograph 13 x 19 1/4 signed lower right: Peter Hurd $1,000 - $2,000
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Lot 17 REVEAU BASSETT (Am. 1897-1981) Ducks, 1929 etching 4 x 6 3/8 signed lower right: Reveau Bassett 18
$200 - $300
Lot 18 DOEL REED (Am. 1895-1985) Village edition 13/25 etching with aquatint 11 1/2 x 18 signed lower right: Doel Reed $1,000 - $2,000
Lot 19 GENE KLOSS (Am. 1903-1996) Late Sunlight on the Cliffs etching 13 3/4 x 10 7/8 signed lower right: Gene Kloss
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$700 - $900
Lot 20 CHARLES TAYLOR BOWLING (Am. 1891-1985) Docks engraving 2 7/8 x 3 15/16 signed across bottom: Chas. T. Bowling $600 - $1,200
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Lot 23 OTIS DOZIER (Am. 1904-1987) Coal Chute etching on paper 5 3/4 x 7 $800 - $1,000 21
Lot 21 OLIN TRAVIS (Am. 1888-1975) Midnight Hour charcoal on paper 7 3/4 x 10 1/4 signed lower left: Olin Travis - 1920
Lot 24 FLORENCE MCCLUNG (Am. 1894-1992)
$3,000 - $5,000
Taos, New Mexico woodcut 14 x 17 signed lower right: Florence McClung $600 - $1,200
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Lot 25 FLORENCE MCCLUNG (Am. 1894-1992) Back of the Bull Ring
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Lot 22 CHARLES TAYLOR BOWLING (Am. 1891-1985)
lithograph 10 x 12 1/2 signed lower right: Florence McClung $500 - $1,000
Dallas, Little Mexico lithograph 8 x 10 signed lower right: Chas T. Bowling
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$800 - $1,200
TEXAS ART AUCTION
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Lot 28 COREEN SPELLMAN (Am. 1905-1978) Texas Oil Company lithograph 3 3/4 x 4 3/4 $300 - $600
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Lot 26 FLORENCE MCCLUNG (Am. 1894-1992)
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Cripple Creek, 1941 lithograph 8 1/4 x 11 signed lower right: Florence McClung $500 - $1,000
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Lot 29 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) The Open Gate, Dallas, 1933 27
edition 39/50, lithograph 8 x 10 signed lower right: Edward G. Eisenlohr
Lot 27 JERRY BYWATERS (Am. 1906-1989)
$600 - $1,200
Ranch Hand and Pony lithograph 9 1/2 x 13 3/8 signed lower right: Jerry Bywaters $1,000 - $2,000 Lot 30 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) Rural Homes edition 11/35 lithograph 7 x 11 signed lower right: Edward G. Eisenlohr $600 - $1,200 30
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Lot 31 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) North Texas Pastoral lithograph 8 x 11 7/8 signed lower right: Edward G. Eisenlohr $800 - $1,200
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Lot 34 EDWARD GUSTAV EISENLOHR (Am. 1872-1961)
Lot 32 EDWARD GUSTAV EISENLOHR (Am. 1872-1961)
Winter in the Brakes
Live Oaks & Cabin, Marlin, November 2, 1932 lithograph 6 x 8 signed lower right: E.G. Eisenlohr
edition 35 lithograph 8 x 11 7/8 signed lower right: Edward G. Eisenlohr
$600 - $1,200
$800 - $1,200
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Lot 33 EDWARD GUSTAV EISENLOHR (Am. 1872-1961)
Lot 35 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) Chapel at Borne, March 1938
The Barnyard, Dallas
etching 10 x 13 signed lower right: E.G. Eisenlohr
edition 42/50 lithograph 8 x 10 signed lower right: Edward G. Eisenlohr
$1,000 - $2,000
$600 - $1,200 TEXAS ART AUCTION
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Lot 38 MARY ANITA BONNER (Am. 1887-1935) Riders & Roosters, 1925 hand colored etching 9 1/2 x 9 1/2 signed lower right: Mary Bonner ‘25 $4,000 - $6,000
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Lot 36 MARY ANITA BONNER (Am. 1887-1935)
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Untitled – Boat with red sail hand colored etching 6 3/4 x 5 signed lower right: Mary Bonner $600 - $1,200
Lot 39 EVERETT SPRUCE (Am. 1908-2002) Wild Place edition 10/13 lithograph 9 x 11 3/4 signed lower right: Everett Spruce $1,500 - $3,000 39
Lot 40 BERNHARDT WALL (Am. 1872-1956) Rose Window, Mission San Jose, 1927
Lot 37 MARY ANITA BONNER (Am. 1887-1935)
etching 8 3/4 x 6 3/4 inscribed across bottom: To Maridel with best wishes, Bernhardt Wall, Nov. 14, 1937
The Aloha edition 11/25 etching 13 1/2 x 5 3/4 signed lower right: Mary Bonner; stamped lower left
$400 - $600
$600 - $1,200 37
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Lot 43 CLINTON B. KING (Am. 1901-1979) Storm edition 43/50 etching with mezzotint 7 x 9 signed lower right: Clinton King $600 - $1,200
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Lot 41 JOSE ARPA (Am. 1858-1952) Puenta de Sevilla en Carmona Spain etching 12 x 9 inscribed bottom right: For my Friend Mrs. E. Raba, Jose Arpa, San Antonio, TX 11/25 $1,500 - $2,500 45
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Lot 44 MICHAEL FRARY (Am. 1918-2005)
Lot 45 JANET TURNER (Am. 1914-1988)
Buildings
Snowy Owl, Tundra Series, NA Imp ‘98-‘99
edition 2/8 lithograph 10 x 13 1/2 signed lower right: Frary
serigraph, linocut, woodcut 29 x 22 1/4 signed lower right: Janet Turner, NA Imp ‘98-‘99
$400 - $600
$500 - $1,000
Lot 46 BLANCHE MCVEIGH (Am. 1895-1970)
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Lot 42 KELLY FEARING (Am. 1918-2011)
Furrows edition 50 etching with aquatint 6 7/8 x 8 7/8 signed lower right: Blanche McVeigh
The Lifters, 1944 lithograph 6 7/8 x 6 signed lower right: Kelly Fearing 1944 $600 - $1,200
$300 - $600 46 TEXAS ART AUCTION
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Lot 49 ALEXANDRE HOGUE (Am. 1898-1994) Flower Lover edition 4/25 lithograph 13 x 14 signed lower right: Alexandre Hogue $4,000 - $8,000 From the Josephine Shannon Estate, Fort Worth, TX.
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Lot 47 ALEXANDRE HOGUE (Am. 1898-1994) Prairie Dog, 1938 edition 45/150 lithograph 7 3/4 x 5 1/2 signed lower right: Alexandre Hogue 1938 $800 - $1,500
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Lot 48 ALEXANDRE HOGUE (Am. 1898-1994) Liberators, 1943 lithograph 11 1/2 x 15 signed lower right: Alexandre Hogue 1943 $1,500 - $3,000
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Lot 50 ALEXANDRE HOGUE (Am. 1898-1994) 48
Aquaforms, 1956 edition 10/10 lithograph 11 x 14 signed across bottom: Alexandre Hogue, 1956 $1,000 - $2,000
Lot 51 ALEXANDRE HOGUE (Am. 1898-1994) On the Back Stretch, 1939 edition 1/150 serigraph 9 1/2 x 18 signed lower right: Alexandre Hogue $2,000 - $4,000 51
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Lot 52 ALEXANDRE HOGUE (Am. 1898-1994)
Lot 53 ALEXANDRE HOGUE (Am. 1898-1994)
Korallion Triglyphs, 1962
Cryptonymous, 1957
edition 11/12 serigraph 16 x 21 3/4 signed across bottom: Korallion Triglyphs 11/12, Alexandre Hogue – Imp – 1962
edition 6/16 screenprint 14 x 18 signed across bottom: Cryptonymous 6/16, Alexandre Hogue 1957, Imp.
$1,000 - $2,000
$1,000 - $2,000
Lot 55 FLORENCE MCCLUNG (Am. 1894-1992) Portrait charcoal on paper 25 1/2 x 19 signed lower right: F McClung $1,500 - $3,000
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Lot 56 EMILIO GARCIA CAHERO (Am. 1897-)
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Lot 54 KATHLEEN BLACKSHEAR (Am. 1897-1988)
El Paso, Plaza watercolor on paper 4 x 6 signed lower right: Cahero, El Paso
Portrait of Woman charcoal on paper 10 1/2 x 9 1/4
$1,000 - $2,000
$1,000 - $2,000 This drawing is from the Kathleen Blackshear Estate. 56 TEXAS ART AUCTION
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Lot 57 JESSIE DAVIS (Am. 1887-1969) Court House, Hillsboro, Texas watercolor on paper 16 1/2 x 12 1/2 signed lower right: Jessie Davis $1,000 - $2,000
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Lot 58 HAROLD MAPLES (Am. 20th Cent.) 57
Windmill & Bluebonnets, 1975 watercolor on paper 11 1/2 x 16 signed lower right: Maples ‘75 $600 - $800
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Lot 59 MELVIN CHARLES WARREN (Am. 1920-1995) Four Sixes Ranch graphite on paper 20 x 35 signed lower right: Melvin Warren © 1980 $1,000 - $2,000
Lot 60 OTIS DOZIER (Am. 1904-1987) Goat pen and ink on paper 7 1/2 x 9 3/4 signed lower right: Dozier ‘52 $800 - $1,200
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Lot 61 OTIS DOZIER (Am. 1904-1987) Owl, 1987 lithograph 14 x 10 signed lower right: Otis Dozier 87 $800 - $1,200
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Lot 62 OTIS DOZIER (Am. 1904-1987)
Lot 64 OTIS DOZIER (Am. 1904-1987)
Bahana from Reno, 1956
Rooster
watercolor and encaustic on paper 10 3/4 x 8 signed lower right: Dozier 56
hand colored lithograph 21 x 29 1/2 signed lower right: Otis Dozier
$600 - $1,200
This is the only hand colored version of this lithograph that is known to exist.
$3,000 - $6,000
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Lot 63 OTIS DOZIER (Am. 1904-1987) Seagulls, 1958
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ink, watercolor on paper 14 1/2 x 21 signed lower right: Otis Dozier ‘58
Lot 65 OTIS DOZIER (Am. 1904-1987)
$1,000 - $2,000
Lobsters ink, watercolor on paper 12 1/2 x 18 signed lower right: Otis Dozier $1,000 - $2,000 TEXAS ART AUCTION
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Lot 66 FRANK HILL CALDER (Am. 1890-1968) Old House watercolor on paper 11 x 13 1/2 signed lower right: Frank Calder $200 - $300
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Lot 67 FRANK HILL CALDER (Am. 1890-1968) Landscape watercolor on paper 11 x 13 1/2 signed lower right: Frank Calder $200 - $300 68
Lot 68 EDNA GERTRUDE COLLINS (Am. 1885-1968) Lot 69 EDNA GERTRUDE COLLINS (Am. 1885-1968)
Early Spring, Austin, Texas, c. 1940 watercolor on paper 9 1/2 x 13 1/2 signed lower right: E. Collins
Mural Study, Oil Field Workers
$300 - $600
watercolor on paper 10 x 8
Born in Toronto, Canada, Collins lived in Germany as a child before moving to Austin in 1901. She studied under Robert Jerome Hill and attended the University of Texas, Austin. She also attended Sophie Newcomb College, New Orleans, where she received instruction from Ellsworth Woodward. Moving to New York, Collins became a student of Kenneth Hayes Miller, Dimitri Romanowsky and Allen Tucker at the Art Students League of New York. She spent two years in Europe. Collins returned to Austin where she worked thereafter, save for a short period when she maintained a studio in Dallas (1925-26).
$600 - $1,200 Collins oil field mural painted in the Texas State Capitol, Austin, was destroyed in the course of a remodeling project. Source: Big Spring Daily Herald, Big Spring Texas, August 10, 1944, page 13. This painting may have been a study for that mural.
Collins taught privately in Austin. Her articles on art topics appeared in Art Digest and Texas Outlook. Collins died in Berkeley, California, while visiting her sister. Source: Texas Painters, Sculptors and Graphic Artists, John and Deborah Powers. 69
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Lot 70 POMPEO LUIGI COPPINI (Am. 1870-1957) Kleberg Sisters – 3 items in this lot Photographs of Lulu & Lillie Kleberg 5 x 8 Graphite drawing of Lulu Kleberg (Am. 1876-1953) 11 x 7, signed lower right: PL Coppini Graphite drawing of Lillie Kleberg, (Am. 1883-1968) 11 x 7, signed lower right: PL Coppini $2,500 - $5,000 (for the set of 3) Pompeo Luigi Coppini was born and raised in Italy. He studied at the Technical Institute and the Academy of Fine Arts, Italy; and had a successful career in Italy. He immigrated to New York in 1896 where he worked for the sculptor Alexander Doyle. He moved to San Antonio and executed the monument to the confederacy that now hangs in the Texas State Capitol in Austin. He also executed the Littlefield Fountain and associated sculptures located at U.T. Austin. He was the founder of the Coppini Academy of Fine Arts. Lillie and Lulu Kleberg were the daughters of Robert Kleberg, Jr. who managed and later owned the King Ranch in Burnett, Texas.
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Lot 72 MAURINE CANTEY (Am. 1901-1982) Portrait of Farmer oil on board 16 x 12 signed lower right: Maurine Cantey $1,500 - $3,000 71
Lot 71 CHARLES HARVI ALTHEIDI (Am. 1874-1951) Still Life 1922 oil on canvas 15 1/2 x 20 signed lower right: Harvi Altheidi
Born in Fort Worth, TX Cantey studied at the Dallas Art Institute and under George Luks in New York, NY. She exhibited at the Annual Texas Artists Exhibition in the 1920s and 30s; at the Southern States Art League Annual Exhibition. Her art can be found in the Dallas Museum of Art’s permanent collection. She executed the Auditorium curtain mural and Acoustic Shell at Fair Park Auditorium in Dallas, TX. Source: Texas Painters, Sculptors & Graphic Artists, by: John and Deborah Powers
$4,000 - $6,000 TEXAS ART AUCTION
19
73
74
Lot 73 MAX BACHOFEN (Am. 1903-1987)
Lot 74 JON FLAMING (Am. 1964-)
Landscape
Abilene, Texas – Early Morning
oil on canvas 14 x 10 1/4 signed lower left: Max Bachofen
oil on masonite 10 x 13 signed lower left: Jon Flaming
$1,500 - $3,000
$1,500 - $3,000
75
Lot 75 WILLIAM ELLIOTT (Am. 1909-2001) White Rock Lake, 1940
20
76
This painting was exhibited in the William C. Elliott: Works from 1931-1981, exhibition in Dallas, April 4-29, 2000.
Lot 76 JON FLAMING (Am. 1964-) Barber Shop
watercolor on paper 14 x 19 signed lower left: William Elliott
oil on masonite 13 x 10 signed lower right: Jon Flaming
$750 - $1,500
$1,500 - $3,000
D AV I D D I K E F I N E A R T
Lot 77 FRED DARGE (Am. 1900-1978) Rider on Horseback oil on canvasboard 12 x 16 signed lower right: F Darge $3,500 - $5,500
Lot 79 FRED DARGE (Am. 1900-1978) End of the Day oil on canvasboard 12 x 16 signed lower right: F Darge
77
$1,000 - $2,000
79
78
Lot 78 FRED DARGE (Am. 1900-1978) In the Shade, Possum Kingdom oil on canvasboard 12 x 16 signed lower right: F Darge $2,000 - $4,000
Lot 80 OLIN TRAVIS (Am. 1888-1975) Palo Duro Canyon oil on canvas 12 x 16 signed lower right: Olin Travis $2,000 - $4,000 80 TEXAS ART AUCTION
21
83
Lot 83 REVEAU BASSETT (Am. 1897-1981) Old Barn 81
Lot 81 H.J. ALBRITTON (Am. 20th Cent.)
oil on canvasboard 12 x 16 signed lower right: Reveau Bassett $2,000 - $4,000
Texas Landscape with Prickly Pear Cactus, 1932 oil on canvas 20 x 16 signed lower right: HJ Albritton 1932 $2,500 - $5,000 Aransas Pass and Corpus Christi painter. Exhibited: Annual Southeast Texas Artists Exhibition, Houston (1937); South Texas Art League (1940); Corpus Christi Art Guild (1940); Corpus Christi Art Guild/South Texas Art League Joint Exhibition (1940). Source: Texas Painters, Sculptors & Graphic Artists, by: John & Deborah Powers Š 2000, Woodmont Books.
Lot 84 KATHRYN K. BACKSTROM (Am. 20th Cent.) Southwest Landscape oil on board 20 x 12 1/2 $600 - $1,200
Lot 82 REVEAU BASSETT (Am. 1897-1981) House with Red Roof watercolor on paper 4 1/2 x 6 7/8 signed lower left: Reveau Bassett $300 - $600 82
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84
Lot 85 RALPH WHITE (Am. 1921-2004) Landscape oil on board 22 x 30 signed lower right: R White $1,000 - $2,000
85 86
Lot 86 CYNTHIA BRANTS (Am. 1924-2006) Boats watercolor on paper 6 1/2 x 8 signed lower right: C Brants $600 - $1,200
88
87
Lot 87 ED CURRY (Am. 1918-)
Lot 88 MAYZE BECKER (Am. 20th Cent.)
Grain Silos
Farm Scene, 1946
oil on board 28 x 22 signed lower right: E Curry
oil on masonite 19 1/2 x 23 signed lower right: Mayze Becker 46
$1,000 - $2,000
$600 - $1,200 TEXAS ART AUCTION
23
89
Lot 89 HUGO ALBERTO HERBECK (Am. 1923-2009) Bluebonnets oil on canvas 24 x 30 signed lower left: Hugo Herbeck $3,000 - $5,000
90
Lot 90 CHARLES TAYLOR BOWLING (Am. 1891-1985) Turtle Creek oil on canvasboard 14 x 18 signed lower right: Chas.T. Bowling $15,000 - $20,000
Lot 91 DAWSON DAWSON-WATSON (Am. 1864-1939) Prickly Pear Cactus oil on canvas 7 x 10 signed lower right: Dawson-Watson $10,000 - $15,000
91
24
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92
Lot 92 INEZ STAUB ELDER (Am. 1849-1991) Dapple Path oil on board 8 1/2 x 14 signed lower right: Inez Staub Elder $600 - $1,200
93
Lot 93 OLIN TRAVIS (Am. 1888-1975) Arkansas Landscape oil on canvas 25 x 30 signed lower right: Olin Travis $6,000 - $12,000
94
Lot 94 VELMA DAVIS DOZIER (Am. 1901-1988)
Lot 95 OTIS DOZIER (Am. 1904-1987)
West Texas Ranch House
Owl on Egg
pastel 10 x 12 unsigned - a letter from the estate will be included
solid plaster 5 x 4 x 4 signed lower right: Otis Dozier
$800 - $1,200
$300 - $400
95 TEXAS ART AUCTION
25
Lot 96 ETHEL SPEARS (Am. 1903-1974) Male Model oil on canvas 28 x 24 $1,000 - $2,000 This painting is from the Ethel Spears Estate.
96
98
Lot 98 EMILY GUTHRIE SMITH (Am. 1909-1986) Lisa oil on canvas 16 x 12 signed lower right: Emily Guthrie Smith $1,000 - $2,000 This painting was exhibited at the 18th Annual Texas Painting and Sculpture Exhibition in 1956.
Lot 97 ALTIE SLIMP (Am. 1896-1966) Peeling Apples oil on canvas 20 x 16 signed lower right: Altie Slimp $1,500 - $3,000 97
26
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Lot 99 RUTH DUNCAN (Am. 1908-2002) Sketch of Arneson River Theatre, San Antonio oil on board 8 x 10 signed lower left: Ruth Duncan $400 - $800
99
101
Lot 101 JOHN WILLIAM ORTH (Am. 1889-1976) Taxco Mexico oil on canvas 30 x 22 signed lower right: JW Orth, Taxco Mexico $2,500 - $5,000 100
Lot 100 PEGGY COOLON PETERS (Am. 20th Cent.) San Antonio oil on canvas 24 x 20 signed lower right: Coolon Peters $4,000 - $6,000 TEXAS ART AUCTION
27
Lot 103 OLIN TRAVIS (Am. 1888-1975) Gold Tooth, Laughing Negress oil on canvas 16 x 12 signed lower right: Olin Travis $1,500 - $3,000
103
102
Lot 102 MARIE HAINES BURT (Am. 1881-1979)
105
Viewing the Gift oil on board 35 x 22 signed lower right: Marie Haines Burt $20,000 - $25,000
Lot 105 LEWIS TEEL (Am. 1883-1960) Spring in the Sacramento’s oil on board 12 x 18 signed lower left: Lewis Teel $2,000 - $4,000 This painting was exhibited in the 2003 exhibition titled Neighbors: Texas Artists in New Mexico. The exhibition opened at Panhandle-Plains Historical Museum and then traveled to the Tyler Museum of Art. The painting was illustrated in American Art Review August 2003, page 125.
Lot 104 ELMER L. BOONE (Am. 1883-1952) Superstition Mountains & Cottonwood Trees oil on canvas 12 x 16 signed lower left: EL Boone $1,000 - $2,000 104
28
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Lot 106 TOM BROWN (Am. 1859-1891) Along the San Antonio, River, c. 1900 oil on board 8 1/2 x 16 signed lower right: Tom Brown $6,000 - $10,000 This painting was exhibited in Texas Impressionism: Branding with Brushstroke & Color, 1885-1935 at Panhandle-Plains Historical Museum.
106
Lot 107 ADRIAN BREWER (Am. 1891-1956) Bluebonnets oil on board 14 x 17 signed lower right: Adrian Brewer 1925 $10,000 - $15,000
109
107
Lot 109 ALICE CHILTON (Am. 1891-1978) Prickly Pear Cactus in Bloom oil on canvas 12 x 24 signed lower right: Alice Chilton $1,500 - $3,000
Lot 110 MINNIE HALTOM (Am. 1887-1976)
108
Lot 108 BILL WARDEN (Am. 1927-1991)
Texas Spring oil on board 10 x 12 signed lower right: Hollis Haltom
Yellow Wildflowers oil on masonite 12 x 16 signed lower right: B. Warden $600 - $1,200
$1,000 - $2,000 110 TEXAS ART AUCTION
29
111
112
Lot 111 JOSEPH WILLIAM DAWLEY (Am. 1936-2008)
Lot 112 JOSEPH WILLIAM DAWLEY (Am. 1936-2008)
Hoffbrau
Moet, Still Life
oil on canvas 19 1/2 x 20 signed lower right: J Dawley
oil on board 24 x 30 signed lower right: J Dawley
$1,000 - $2,000
On Reverse: Untitled, Bull with Banderillas signed lower right: J Dawley $1,000 - $2,000
113
Lot 113 JOSEPH WILLIAM DAWLEY (Am. 1936-2008) Abstract Figures, paintings front and back oil on board 36 x 21 (A) signed lower right: J Dawley (B) signed lower left: J Dawley $1,000 - $2,000 Dawley is exhibited in many collections across the U.S. and Canada. Dawley was invited by the White House to create the official 1994 Christmas card. In 1977, Dawley opened his own gallery: The Joseph Dawley Gallery in Cranford, New Jersey. Five full-color books have been published about his art, the latest having been published in 1987 and titled: Seeing and Painting the Colors of Nature.
114
Lot 114 CARL BENTON COMPTON (Am. 1905-1981) The White Haired Beast watercolor on paper 17 x 21 signed lower right: C Compton $7,000 - $12,000 This painting was exhibited at the Witte Museum.
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115
Lot 115 FREDERICK CARTER (Am. 1925-2010) Shrimpers at Graymas oil on canvas 20 x 30 signed lower right: Frederick Carter $1,000 - $2,000 Galveston, TX native, Frederick Carter was a prolific artist, commissioned to illustrate several book covers and paintings for collectors across the country. He served in WWII, attended A&M University and graduated from the Franklin School of Professional Art in New York, 1949. He lived in El Paso for over 40 years, and during that time was commissioned to paint across the state. He was drawn to return to the ocean and painted coastal subject matter that reminded him of his Galveston upbringing. His paintings have been exhibited in the Dallas Museum of Fine Arts; Houston Museum of Fine Arts; Witte Memorial Museum, San Antonio; Isaac Delgado Museum of New Orleans; National Arts Club of New York; the National Academy Galleries of New York.
117
Lot 117 E.M. BUCK SCHIWETZ (Am. 1895-1984) Davis Ruins, 1960 ink and watercolor on paper 13 x 17 signed lower right: EM Schiwetz 60 $2,500 - $5,000 This lot includes the book: Paintings and Drawings by E.M. Schiwetz, introduction by: Leon Hale.
Lot 116 EVERETT SPRUCE (Am. 1908-2002) West Texas mixed media on paper 16 x 19 1/2 signed lower right: Spruce $2,000 - $4,000
116 TEXAS ART AUCTION
31
120 118
Lot 118 ELEMBER TOMASH (Am. 1914-1977)
Lot 120 DAVID ADICKES (Am. 1927-) The Wall oil on canvas 12 x 15 1/2 signed lower left: D Adickes
Two Figures oil on canvas 36 x 36
$1,500 - $3,000
$1,500 - $3,000
119 121
Lot 119 MARY CRANFILL CURTIS (Am. 1925-) Night Haven, High Port Bay – Boat Docks & Tanglewood, 1964
Lot 121 STELLA SULLIVAN (Am. 1924-) Queen of Hearts, 1977 serigraph 21 3/4 x 17 3/4 signed lower right: Stella Sullivan
$1,000 - $2,000
$1,000 - $2,000
32
oil on masonite 18 x 24 signed lower left: Mary Curtis 64
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Lot 122 DAVID ADICKES (Am. 1927-) Still Life with Leaves oil on masonite 30 x 13 1/4 signed lower right: Adickes $750 - $1,500 This painting was in the Mr. and Mrs. O’Neil Ford Collection. O’Neil Ford (Am. 1905-1982) was a renowned American architect and was the leading mid-20th century builder in Texas and in the Southwest.
122
124
Lot 124 DAVID ADICKES (Am. 1927-) Eagle oil on canvas 24 x 21 signed lower right: Adickes $4,000 - $6,000 Lot 123 CLINTON B. KING (Am. 1901-1979) Gladiolus, 1957 oil on canvas 43 x 20 signed lower right: Clinton King 57 $2,000 - $4,000 123 TEXAS ART AUCTION
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Lot 125 LUCIE HARRIS LOCKE (Am. 1904-1989) Smoke Stacks, Corpus Christi, TX oil on canvasboard 12 x 16 signed lower right: Lucie Locke 1940 $1,500 - $3,000
125
126
Lot 126 ELLA K. MEWHINNEY (Am. 1891-1962) Bluebonnet Landscape oil on canvas 13 x 17 signed lower left: Ella K Mewhinney $8,000 - $12,000 34
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Lot 127 FRANZ STRAHALM (Am. 1879-1935) Texas Landscape oil on canvas 20 x 30 signed lower right: Franz Strahalm $2,000 - $4,000
127
129
128
Lot 128 ELOISE POLK MCGILL (Am. 1868-1939)
Lot 129 CARL HOPPE (Am. 1897-1981)
Mission Scene
Untitled – Field of Pinks & Oaks, 1954
oil on board 13 x 15 signed lower right: EP McGill
oil on canvas 20 x 24 signed lower right: Hoppe 54
$1,000 - $2,000
$2,000 - $3,000
TEXAS ART AUCTION
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Lot 131 ELOISE POLK MCGILL (Am. 1868-1939) Prickly Pear Cactus, San Antonio, TX oil on board 11 x 17 signed lower right: EP McGill $3,000 - $6,000
131
130
Lot 130 ELOISE POLK MCGILL (Am. 1868-1939) Bluebonnet oil on board 12 3/4 x 14 signed lower right: EPM $1,000 - $2,000
133
Lot 133 FORREST C. BESS (Am. 1911-1977) 132
Lot 132 EMMA RICHARDSON CHERRY (Am. 1859-1954) Magnolia Blossoms, c. 1930 oil on canvasboard 16 x 20 signed lower right: E. Richardson Cherry $2,500 - $5,000 36
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Untitled Still Life oil on board 20 x 16 signed lower left: FB $10,000 - $20,000
134
Lot 134 DONALD VOGEL (Am. 1917-2004) Park Scene oil on board 18 x 24 signed lower right: Vogel $2,000 - $4,000 135
Lot 135 ETHEL SPEARS (Am. 1903-1974) School House oil on canvas 22 x 24 $2,000 - $4,000 This painting is from the Ethel Spears Estate.
Lot 136 ETHEL SPEARS (Am. 1903-1974) Church oil on canvas 22 x 24 signed lower left: Ethel Spears $2,500 - $5,000 This painting is from the Ethel Spears Estate.
136 TEXAS ART AUCTION
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137
Lot 137 KATHRYN HAIL TRAVIS (Am. 1894-1972) Calipso Serenade, New Orleans, LA oil on canvas 24 x 30 signed lower right: Kathryn Hail Travis $4,000 - $8,000
Lot 138 MAURIN MOON (Am. 20th Cent.) Wind Machine encaustic on paper 16 x 24 signed lower right: Maurin Moon $3,500 - $5,500 138
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139
Lot 139 FLORENCE MCCLUNG (Am. 1894-1992) Spanish American Cemetery, Oct. 1946 – Jan. 1947 oil on masonite 24 x 30 signed lower left: F McClung $18,000 - $25,000 Written on Reverse: Spanish American Cemetery, Oct – Jan 1947; Solo Show – April 1947.
TEXAS ART AUCTION
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Lot 140 PAUL RODDA COOK (Am. 1897-1972) Bluebonnets oil on canvas 12 x 18 signed lower left: Paul Rodda Cook $5,000 - $8,000 Exhibited in the exhibition “Neighbors: Texas Artists in New Mexico” in 2003 opening at the Panhandle-Plains Historical Museum then traveling to the Tyler Museum of Art. 140
Lot 141 PAUL RODDA COOK (Am. 1897-1972) Evening off the Babcock Road oil on canvas 16 x 21 signed lower left: Paul Rodda Cook $5,000 - $8,000 141
Lot 142 ROBERT WOOD (Am. 1889-1979) Spring Hues oil on canvas 25 x 30 signed lower right: Robert Wood $25,000 - $35,000 142
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143
Lot 143 PAUL RODDA COOK (Am. 1897-1972) Texas Landscape oil on canvas 25 x 30 signed lower left: Paul Rodda Cook $20,000 - $30,000
Paul Rodda Cook was a Borne, TX native and attended the University of Texas. He studied painting with Hugo David Pohl in San Antonio and later in Taos under Walter Ufer and Leon Gaspard. After that time he traveled to New England and studied with Hermann Dudley Murphy, Charles Rosen, Lowell Birge Harrison and Henry Lee McFee. He lived and worked in San Antonio until the 1940s and later lived in Taos, NM; Houston, TX and San Miguel de Allende, Mexico. Cook’s paintings can be found in the following collections: Stark Museum of Art, Orange, TX; Witte Museum, San Antonio; San Antonio Art League. This painting was acquired by Minnie Bryant and Britain Rice Webb of San Antonio in 1916 and has remained in the same family since that time; and is from Mr. and Mrs. Britain Webb’s grandson’s collection, current. Britain Rice Webb was a lawyer and wrote for the Fort Worth Star Telegram before moving the family to San Antonio in 1916. The Webbs purchased this painting, along with the Julian Onderdonk, Spanish Oaks, Medina Valley, Lot 164 in this auction while living in San Antonio’s Laurel Heights neigborhood. Britain was a banker, oil man and rancher before he retired to Arizona and passed away. Minnie Webb retained the remaining collection and passed away in San Antonio in 1970.
TEXAS ART AUCTION
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144
Lot 144 PAUL R. SCHUMANN (Am. 1876-1946) Cross Mountain oil on canvas 16 x 22 signed lower right: Paul R. Schumann $14,000 - $18,000 This painting was exhibited in Texas Impressionism: Branding with Brushstroke & Color, 1885-1935 at Panhandle-Plains Historical Museum.
Lot 145 DAWSON DAWSON-WATSON (Am. 1864-1939) Prickly Pear Cactus 1938 oil on canvas 21 x 16 signed lower right: Dawson-Watson 38 $18,000 - $25,000
145
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Lot 146 PORFIRIO SALINAS (Am. 1970-1973) Fence Line at Bandera oil on board 12 x 16 signed lower right: Porfirio Salinas $13,000 - $18,000
146
147
Lot 147 ROBERT WOOD (Am. 1889-1979) Bluebonnet Landscape, 1938 oil on board 12 x 24 signed lower right: Robert Wood 38 $12,000 - $18,000 TEXAS ART AUCTION
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Lot 148 ROBERT WOOD (Am. 1889-1979) Spring in Texas Hills, 1940 oil on canvas 28 x 36 signed lower left: Robert Wood 1940 $25,000 - $35,000
148
Lot 149 PORFIRIO SALINAS (Am. 1910-1973) Landscape with Yucca oil on canvas 12 x 16 signed lower left: Porfirio Salinas $5,000 - $8,000
149
Lot 150 PAUL R. SCHUMANN (Am. 1876-1946) Morning Mist oil on canvas 16 x 20 signed lower right: Paul R. Schumann $15,000 - $20,000 150
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Lot 151 ROBERT WOOD (Am. 1889-1979) Colorful Cottonwood oil on canvas 24 x 36 signed lower right: Robert Wood $6,000 - $12,000
151
152
Lot 152 ROBERT WOOD (Am. 1889-1979) Bluebonnet Landscape at Sunset oil on canvas 12 x 8 signed lower right: Robt Wood $12,000 - $18,000 TEXAS ART AUCTION
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153
Lot 153 ROBERT WOOD (Am. 1889-1979) Mission Espada oil on board 7 x 9 signed lower left: R Wood
Lot 154 ROLLA S. TAYLOR (Am. 1871-1970)
$1,500 - $3,000
Mission Concepcion oil on canvasboard 8 x 10 signed lower right: Rolla Taylor $1,000 - $2,000 154
156
155
Lot 155 ROLLA S. TAYLOR (Am. 1871-1970)
Lot 156 ROLLA S. TAYLOR (Am. 1871-1970)
Mission Concepcion
Mission in Mexico, 1925
oil on canvas 12 x 16 signed lower right: Rolla Taylor
oil on canvas 20 1/2 x 16 signed lower right: Rolla Taylor, Mexico 1925
$8,000 - $12,000
$6,000 - $12,000
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157
Lot 157 AUDLEY DEAN NICOLS (Am. 1885-1941) Desert Road oil on canvas 12 1/4 x 20 signed lower left: Audley Dean Nicols $10,000 - $20,000
Audley Dean Nicols was a native of Pittsburgh, PA but his love of the desert landscape eventually drew him to settle later in El Paso, TX. Nicols studied at the Art Students League of New York and at the school of the Metropolitan Museum of Art under Edwin Howland Blashfield, Kenyon Cox and Henry Siddons Mowbray. He first traveled to the El Paso desert after suffering health problems. From there he painted the deserts of Texas, New Mexico and Arizona. After these visits, he returned to El Paso as a permanent resident. The following writing is from a piece written by the Guyens Printing Company of El Paso, TX: “From his El Paso base, Nicols launched a prolific production of desert landscapes which brought him world fame and fortune, which he never really sought. He came particularly well-known for the exact portrayal of the strong clear light peculiar to the desert southwest. Experts insist that no other artist has even approached him in this category. At the height of his career when his work was in great demand, he made a practice of working on three paintings at once in a given locale in order to catch the exact lighting he wanted for each. He claimed that the illumination he wanted for each of his paintings existed for perhaps no more than 15 minutes during the day. Therefore, he would work on an early morning scene, a mid-day scene and evening scene simultaneously. And he captured the myriad and detailed colors of the desert as no other artist has been able to, probably because his love made them more visible. Nicols once wrote: ‘The so-called gray of the desert is a mistake. The desert is everything but gray. There are clean fresh blues in the skies, pinks and yellows in the sunset, opalescent purple, rose and lavender in the distant mountains, dull greens of every shade in the vegetation, and reds and yellows in the rocks and earth… but never gray. And there is no flower more vivid in color than the gaudy, waxen blossom of the cactus… pale lemon, pink, bright yellow, violent magentas.’” This painting is an excellent example of Nicols great attention to the atmosphere, light and color of the natural earth, flora and the bright blue desert sky.
TEXAS ART AUCTION
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158
Lot 158 JULIAN ONDERDONK (Am. 1882-1922) Spring Morning oil on panel 5 x 7 signed lower left: Julian Onderdonk
159
$6,000 - $12,000
Lot 159 JULIAN ONDERDONK (Am. 1882-1922) Bridge to the Woods oil on canvas 13 3/4 x 20 signed lower right: Julian Onderdonk $15,000 - $25,000
Lot 160 JULIAN ONDERDONK (Am. 1882-1922) Sunset Landscape 160
oil on board 6 x 9 signed lower right: Julian Onderdonk $10,000 - $15,000 This lot also includes a title page of a book from Julian Onderdonk’s personal library collection. The title page: Selections from Confucius & Mencius, by: Dr. Legge. The page is signed by: Julian Onderdonk.
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161
Lot 161 PORFIRIO SALINAS (Am. 1910-1973)
Bastrop, TX native Porfirio Salinas is one of Texas’ most prolific and renowned early Texas impressionist painters. He lived in San Antonio and painted the surrounding Texas hill country throughout his lifetime.
Bluebonnets, c. 1940
This particular painting is an excellent example of his early work, painted circa 1940. In the book The Life of Porfirio Salinas, written by: Mrs. Porfirio Salinas she states: “Porfirio was considered unconventional because he painted landscapes in their natural form and color, just as he saw and felt them.” Salinas does just that in this painting. The bluebonnets are painted in different blue and violet tones due to the dappled sunlight breaking through the trees and undulating hill shadows. There are also varying shades of green in the tree leaves from the natural light shining through. This painting shows Salinas’ early hand through the delicate brushwork.
oil on canvas 25 1/4 x 30 1/4 signed lower left: P Salinas $25,000 - $45,000
Salinas was an acclaimed artist in his lifetime and many collectors including: Congressman Sam Rayburn, J. Frank Dobie, President Lyndon Johnson and Governor John Connally owned his landscape paintings.
TEXAS ART AUCTION
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Lot 162 ANNA KEENER (Am. 1895-1982) Down on the Rita Blanca oil on board 12 x 14 signed lower right: Anna Keener $5,000 - $8,000 Exhibition History: Anna Keener: Southwest Regionalist, Panhandle-Plains Historical Museum, September 13, 2014 – February 1, 2015. The Lost Colony: Texas Regionalist Paintings, Museum of the Big Bend, Sul Ross University, Alpine, Texas, September 10, 2011-January 29, 2012. Celebrating Early Texas Art: Treasures from Dallas-Ft. Worth Private Collections, Fort Worth Community Arts Center, February 14-March 26, 2005. Women Artists of Santa Fe, Panhandle-Plains Historical Museum November 6, 2004-February 20, 2005. 162
Lot 163 FRANK E. KLEPPER (Am. 1890-1952) Washday, c. 1930 oil on canvas 24 x 24 signed lower right: Klepper $10,000 - $20,000 Provenance: Collection or Mr. and Mrs. George Palmer, Dallas, TX, current. 163
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164
Lot 164 JULIAN ONDERDONK (Am. 1882-1922) Spanish Oaks, Medina Valley, Southwest Texas, 1915 oil on canvas 25 x 30 signed lower right: Julian Onderdonk $200,000 - $300,000
This painting was acquired by Minnie Bryant and Britain Rice Webb of San Antonio in 1916. The Webbs were neighbors of Onderdonk in the Laurel Heights neighborhood and visited Onderdonk’s home and acquired this, and several other paintings by him. This painting has remained in the same family since that time; and is coming out of Mr. and Mrs. Britain Webb’s grandson’s collection, current. Britain Rice Webb was a lawyer and wrote for the Fort Worth Start Telegram in Fort Worth, TX before moving the family to San Antonio in 1916. The Webbs purchased this painting, along with the Paul Rodda Cook, Texas Landscape in this auction (Lot 143). Britain was a banker, oil man and rancher before he retired to Arizona and passed away. Minnie Webb retained the remaining collection and passed away in San Antonio in 1970. In 1915, when this painting was executed, Onderdonk was responsible for assisting in acquisitions for the Dallas Museum of Arts American Holdings, art chosen from the State Fair. This role was necessary for Onderdonk to support his family, he longed to paint: “I wish that I could have time to devote one month to doing nothing [but] work out of doors with a free mind…” This painting must represent a vital release for Onderdonk. Spending time in a different area, exercising himself to paint a refreshing landscape.
TEXAS ART AUCTION
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165
Lot 165 CARL G. IWONSKI (Am. 1830-1912) Pair of Portraits: Portrait of Woman in Blue oil on canvas 11 x 8 1/2 signed lower right: CG Iwonski 1855/7 Portrait of Girl in Pink oil on canvas 11 x 8 1/2 signed lower right: CG Iwonski 1854 $8,000 - $12,000
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Iwonski was born in Germany in 1830 and moved to the Unites States via Galveston in 1845 with his family and became a naturalized citizen. He lived in New Braunfels and later San Antonio. During the Civil war he sketched troops in the south Texas area. From 1866-1970 Iwonski and artist, Herman Lungkwitz ran a photography studio in San Antonio. In 1871 he took a sabbatical and studied art at the Berlin Academy of Art. These two portraits, likely mother and daughter, are excellent examples of Iwonksi’s adept skills as a painter.
Lot 165-A JULIAN ONDERDONK (Am. 1882-1922) Bluebonnets, San Antonio, Texas 1921 oil on panel 8 x 10 signed lower right: Julian Onderdonk $60,000 - $80,000
165-A
Lot 166 ROBERT JENKINS ONDERDONK (Am. 1852-1917) Market at Cuernevaca, Mexico, 1911 oil on board 8 x 11 signed lower left: RJ Onderdonk $40,000 - $50,000
166
Lot 167 ROBERT JENKINS ONDERDONK (Am. 1852-1917) Landscape, 1900 oil on canvas 16 x 20 signed lower right: RJ Onderdonk 1900 $15,000 - $25,000 Exhibited at the Dallas Museum of Art, March 23-July 20, 2008. Discovering Texas: The Works of Robert Jenkins Onderdonk. This exhibit was presented as a complement to Bluebonnets and Beyond: Julian Onderdonk, American Impressionist.
167 TEXAS ART AUCTION
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Lot 168 MICHAEL FRARY (Am. 1918-2005) Still Life Bouquet oil on masonite 24 x 18 signed lower right: Frary $6,000 - $8,000
170
Lot 170 SARAH SHANNON STEEL (Am. 1920-1996)
168
Still Life, c.1940 watercolor on paper 15 x 17 signed lower left: Sarah Shannon $600 - $1,200 Sara Shannon Steel (1920-1996), a member of the Ft. Worth Circle, exhibited in the Ft. Worth local show in the 1940s where she won Honorable Mention in 1943. Accepted for the Texas General in 1945. More recently the Ft. Worth Library Centennial show in 2001 and the Amon Carter Intimate Modernism show in 2008. Gave up painting after the 1940s. In later years devoted herself to fiber arts and jewelry making.
Lot 169 WADE LYTTON JOLLY (Am. 1909-1976) Floral Still Life oil on canvas 20 x 24 signed lower left: Jolly $3,000 - $6,000 169
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Lot 171 KELLY FEARING (Am. 1918-2011) Jitterbuggers, 1939 watercolor on paper 20 3/8 x 16 1/2 signed lower right: K Fearing $4,000 - $6,000 Exhibited at the Amon Carter Museum of American Art exhibition: Intimate Modernism: FW Circle Artists in 1940s, February – May , 2008.
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Lot 173 JOSEPHINE MAHAFFEY (Am. 1903-1982) Still Life watercolor on paper 28 x 19 signed lower right: JM $800 - $1,200
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Lot 172 JOSEPHINE MAHAFFEY (Am. 1903-1982) Still Life watercolor on paper 29 x 19 signed lower right: JM $800 - $1,200 172 TEXAS ART AUCTION
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Lot 174 JOSEPHINE MAHAFFEY (Am. 1903-1982) Portrait of Betsy Collier
Lot 175 BETSY COLLIER (Am. 20th Cent.)
oil on canvas 28 x 22 signed lower right: JM
oil on canvas 42 x 36 signed lower right: Betsy Collier
$1,500 - $3,000
$1,500 - $3,000
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Portrait of Josephine Mahaffey
Lot 176 JOSEPHINE MAHAFFEY (Am. 1903-1982) Interior Scene watercolor on paper 30 x 22 signed lower right: JM $1,000 - $2,000
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Lot 177 JOSEPHINE MAHAFFEY (Am. 1903-1982) Montgomery Ward, Fort Worth, TX watercolor on paper 30 x 22 signed lower right: JM $1,000 - $2,000
Lot 178 JOSEPHINE MAHAFFEY (Am. 1903-1982)
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Fort Worth Viaducts watercolor on paper 21 1/2 x 29 signed lower right: JM $1,000 - $2,000
Lot 179 JOSEPHINE MAHAFFEY (Am. 1903-1982) Basket of Tomatoes oil on canvas 22 x 30 signed lower right: JM $1,500 - $3,000
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Lot 180 BILL BOMAR (Am. 1919-1990) Still Life watercolor on paper 22 x 14 signed lower right: Bill Bomar $1,500 - $3,000
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Lot 182 PAT STEEL (Am. 1920-2014) Sunset # 1, 1955 oil on canvas 16 x 12 signed lower right: Pat Steel $600 - $1,200 180
Lot 183 PAT STEEL (Am. 1920-2014) Untitled, 1955 acrylic on paper 29 x 23 $600 - $1,200
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Lot 181 BROR UTTER (Am. 1913-1993) Tulips, 1974 watercolor on paper 30 x 22 signed lower right: Bror Utter 74 $2,000 - $4,000 181
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Steel first started painting while attending classes with Samuel P. Zeigler at T.C.U. in the ‘30s. He continued producing paintings, sculpture and photography throughout his life while pursuing a career in advertising as a copywriter in N.Y.C., and after his retirement in Dallas. Lifelong friends with several of the Ft. Worth Circle artists including his wife Sara Shannon Steel. Largely unexhibited but won a 3rd place prize in the 1946 Ft. Worth Art Association local show.
William Wells “Bill” Bomar was born in Fort Worth in 1919, he died in Clovis, NM in 1990. This particular painting came out of a private collection in New Mexico. Bomar was a prominent Fort Worth School artist, known for his abstract, semi geometric compositions that incorporate natural elements in dramatic landscapes and surrealistic worlds. Bomar received instruction from Sallie Blythe Mummert and in watercolors from Joseph G. Bakos in Santa Fe. He studied at the Cranbrook Academy of Art and studied with John Sloan (1942) while he was there. He also received instruction from Amedee Ozenfant and Hanz Hofmann. Bomar has an impressive exhibition history including: Annual Fort Worth Local Artist Show in the 1940s; a solo show at the Dallas Museum of Art in 1948; Texas Contemporary Artists Show in 1952 at M. Knoedler & Co. in New York; a solo show at the Laguna Gloria, Austin in 1952; Whitney Museum of American Art, 1958; and a solo retrospective at the Old Jail Center, Albany, TX in 1999. His works are found in the following public collections: Dallas Museum of Art; Guggenheim Museum; Modern Art Museum, Fort Worth; Museum of Fine Arts, Houston and The University of Texas at Austin. Source: Midcentury Modern Art in Texas, by Katie Robinson Edwards, © 2014, UT Press.
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Lot 184 BILL BOMAR (Am. 1919-1990) Still Life oil on canvas 38 x 21 1/2 signed lower right: BB $4,000 - $8,000 186
Lot 186 BILL BOMAR (Am. 1919-1990) Taos, New Mexico c, 1940 watercolor on paper 18 x 24 signed lower left: Bill Bomar $3,000 - $6,000 This painting was purchased from Dutch Phillips in Fort Worth in 1995 by the present owner.
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Lot 185 BROR UTTER (Am. 1913-1993) Flora and the Satyr watercolor on paper 13 1/4 x 9 signed lower right: Bror Utter $1,500 - $3,000
Lot 187 EMILY GUTHRIE SMITH (Am. 1909-1986) The Bug Cage pastel on paper 7 x 10 signed lower right: Emily Guthrie Smith $600 - $1,200 187 TEXAS ART AUCTION
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Brownlow started creating art at the age of five in Fort Worth, TX. He studied art under Margaret Littlejohn and Patti East. He experimented with knives and wire as painting tools which lead to his thick textured and exacting lines. Henry B. Caldwell, former director of the Fort Worth Art Center commented: “Brownlow’s painting has vigor and a precious of touch that separates it sharply from the contemporary happenchance school. His work has strength with an underlying appeal for order; his concern with space and color holds fascination to both the traditional as well as abstract painting.”
Lot 188 DAVID BROWNLOW (Am. 1915-2008) Women Trying on Hats oil on masonite 36 x 24 signed lower left: David Brownlow $4,000 - $8,000
Jerry Bywaters, the director of the Dallas Museum of Art, had the following to say about Brownlow’s work: “Colors, however subtle, play a greater part; the cool and calculated designs of the past give way to greater freedom in the act of execution and a direct form of expressionism is in command….”
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Brownlow’s work has been collected by: Bob Hope, Winthrop Rockefeller, Edward Marcus, Charles Tandy, Angus Wynn and Ralph Bellamy. His paintings can be found in the following permanent collections: Smithsonian Institute, Dallas Museum of Art, Modern Art Museum of Fort Worth, the Beaumont Art Museum and The Worchester Museum, Massachusetts.
Lot 189 DAVID BROWNLOW (Am. 1915-2008) Waterfall oil on masonite 35 x 47 signed lower left: David Brownlow $4,000 - $8,000 From the Josephine Shannon Estate, Fort Worth, TX
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Lot 190 KELLY FEARING (Am. 1918-2011) Untitled – Monk, 1962 pastel on paper 22 x 14 1/2 signed lower right: Kelly Fearing $3,000 - $6,000
Lot 191 KELLY FEARING (Am. 1918-2011) I Know From What Distant Time, 1958 oil on canvas 18 x 28 signed lower left: Kelly Fearing $3,000 - $5,000 191
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This lot is accompanied by the book: Robert Gordy, Lot 192 ROBERT P. GORDY Paintings & Drawings 1960-1980, by Gene Baro, New Orleans Museum of Art, 1981. (Am. 1933-1986) Study for Desert Nights, 1973 ink on paper 12 x 17 signed lower left: R Gordy 73 $1,000 - $2,000
Gordy studied at Louisiana State University. He exhibited the Institute of Contemporary Art, Philadelphia, PA; the Isaac Delgado Museum of Art; the New Orleans Museum of Art; Whitney Museum of American Art; Phyllis Kind Gallery, Chicago; Fine Arts Gallery of San Diego and the Brooklyn Museum to name a few. He was greatly influenced by Matisse; this painting lends itself to the Matisse cut-outs. Also influenced by Picasso, his rendering of the figure is reminiscent of the figures in Picasso’s famous painting, Bathers by a River, 1916-17. This work executed in 1973 conveys the cutting edge pop-art style of the period.
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Lot 193 XAVIER GONZALES (Am. 1893-1993) Rooftops oil on canvas 16 x 20 signed lower right: XG $3,000 - $6,000 193
Lot 194 STEPHEN THOMAS RASCOE (Am. 1924-2008) Iron Bridge, 1959 oil on masonite 22 x 24 3/4 signed lower right: S Rascoe $1,000 - $2,000 This painting was part of “Last of the Iron Bridge” series. It was also part of the Dallas Museum of Fine Arts’ rental program. Rascoe studied at the University of Texas and received his BFA and MFA in painting from the Chicago Art Institute 1951. He exhibited his work at Knoedler Gallery: Texas Contemporary Artists, 1952 among many other Southwestern regional art shows. His paintings can be found in the following collections: Houston Museum of Fine Arts and the Dallas Museum of Art. 194
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Lot 195 BILL REILY (Am. 1930-) West Texas Mountain oil on masonite 30 x 40 signed lower right: Bill Reily $2,000 - $4,000
Lot 196 DICKSON REEDER (Am. 1912-1970) Abstraction oil on masonite 26 x 20 $800 - $1,200
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Lot 197 WILLIAM LESTER (Am. 1910-1991) Landscape Interior, 1971-1972 oil on canvas 38 x 48 signed on reverse: WM Lester 1971-1972, Landscape Interior $12,000 - $18,000 This painting is illustrated on page 13 of Midcentury Modern Art in Texas, by Katie Robinson Edwards © 2014; University of Texas Press. Edwards comments on this piece: “One of the chronologically latest works here, this image represents Lester’s continued evolution as he merges interior with exterior in a brightly hued palette characteristic of his 1960s and 1970s work.”
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Lot 199 RALPH WHITE (Am. 1921-2004) Lot 198 ZANNE HOCHBERG (Am. 1921-2001) Abstraction No 1, 1960 oil on canvas 50 x 40 signed lower right: Z Hochberg $1,500 - $3,000 Provenance: Zanne Hochberg estate. 198
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Sky watercolor on paper 21 x 29 signed lower right: R White $1,000 - $2,000
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Lot 200 FRANCES NAIL (Am. 20th Cent.)
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Golden in the Heydays, 1973 acrylic on canvas 58 x 48
Lot 201 ZANNE HOCHBERG (Am. 1921-2001)
$1,000 - $2,000
Abstraction No 2, 1971 oil on canvas 60 x 70 signed: Z Hochberg $2,000 - $4,000
Zanne Hochberg was born in Rochester, NY and studied at the University of Florida. She then came to Dallas and was one of the first women to graduate from Southern Methodist University with a Masters in Fine Art. She was most influenced by the abstract expressionist painters of the mid-20th century like Jackson Pollock, Willem de Kooning, Franz Kline, Robert Motherwell and Helen Frankenthaler. Her paintings can be found in the permanent collections of the Dallas Museum of Art; the National Museum of Women in the Arts, Washington, D.C; Blanton Museum of Art, Austin, TX; Winthrop University Gallery, Rock Hill, SC; and the Mulvane Art Museum, Washburn University, Topeka, KS.
Lot 202 ZANNE HOCHBERG (Am. 1921-2001) Untitled, 1970 mixed media on tinted paper 12 x 9 signed lower right: Z Hochberg $600 - $1,200
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Lot 201-A ZANNE HOCHBERG (Am. 1921-2001) Abstraction No 3, 1975 oil on canvas 48 x 36 signed upper right: Z Hochberg $1,500 - $3,000
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Lot 203 OTIS DOZIER (Am. 1904-1987) Texas House and Barn, 1937 graphite on paper 11 x 8 signed lower right: Dozier 1937 $1,000 - $2,000
Otis Dozier played a major roal in the Dallas art scene in the 1930’s to his death. He studied and later taught painting and drawing at Southern Methodist University. He also taught at the Dallas School of Creative Arts and at Dallas Museum of Fine Arts. He was a prolific artist; he painted the Texas landscape, most prominently the West Texas landscape. This could be attributed to the influence of his early art studies under Frank Reaugh who often took his students on sketching trip to paint plein air landscapes in the plains of West Texas. His subject matter also includs the critters of Texas, be it the goat, turkey or owl. He also frequently traveled to New Mexico to paint landscape and culture. He was widely exhibited in his lifetime across the Southwest. His art can be found in the following permanent collections: Blanton Museum, Austin, TX; Panhandle-Plains Historical Museum, Canyon; Dallas Museum of Art; the Modern Art Museum of Fort Worth; Museum of Fine Arts Houston; McNay Museum, San Antonio; Witte Museum, San Antonio; Metropolitan Museum of Art, New York and the Whitney Museum of American Art, New York. 203
Lot 204 OTIS DOZIER (Am. 1904-1987) Run Turkey, Run, 1968 oil on canvas 30 x 40 signed lower right: Otis Dozier ‘68 $12,000 - $18,000
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Lot 205 OTIS DOZIER (Am. 1904-1987) West Texas Landscape, 1984 oil on canvas 30 x 36 signed lower right: Otis Dozier ‘84 $9,000 - $12,000
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Lot 206 OTIS DOZIER (Am. 1904-1987) Village on Hill, 1964 oil on canvas 30 x 36 signed lower right: Otis Dozier $15,000 - $25,000
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Lot 207 JAMES STOVALL MORRIS (Am. 1898-1973) Some People Like Small Paintings oil on canvas 34 x 16 signed lower left: Morris $1,000 - $2,000 Morris is the illustrator of two books written by Aurora LuceroWhite Lea who wrote folklore in Southwest. This painting is from the Estate of James Stovall Morris.
Lot 208 JAMES STOVALL MORRIS (Am. 1898-1973) Untitled 207
oil on masonite 18 x 24 $1,500 - $3,000 This painting is from the Estate of James Stovall Morris. 208
Lot 209 ED BEARDEN (Am. 1919-1980) Summer Rainstorm, 1951 oil on masonite 25 x 32 signed lower left: Ed Bearden 51 $10,000 - $15,000
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Lot 210 DEFORREST JUDD (Am. 1919-1993) Stump Caddo Lame 1954 oil on masonite 20 x 28 signed lower right: DeForrest Judd $12,000 - $18,000 This painting was part of the art rental program at the Dallas Museum of Fine Art in 1954. The original sticker is on the back of the painting.
Lot 211 BARNEY DELABANO (Am. 1926-1997) Plant in Orange, 1956 oil on masonite 24 x 16 signed lower left: Delabano 56 $2,000 - $4,000 This painting is directly from the Barney Delabano Estate. 211 TEXAS ART AUCTION
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Lot 212 DEFORREST JUDD (Am. 1919-1993) Acoma oil on masonite 24 x 30 signed lower left: DeForrest Judd $4,000 - $8,000
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DeForrest Judd’s children took music lessons at an instructor’s home here in Dallas. The instructor exchanged lessons for Judd’s paintings. This painting came directly from the music instructor’s collection.
Lot 213 WILLIAM LESTER (Am. 1910-1991) Primitive Fantasy, 1955 oil on canvas 34 x 44 signed on reverse: WM Lester, Primitive Fantasy, 1955 $5,000 - $10,000
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Lot 214 WILLIAM LESTER (Am. 1910-1991) White Fence, 1944 oil on masonite 24 x 30 signed on reverse: WM Lester 1944 $10,000 - $15,000
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Lot 215 WARD LOCKWOOD (Am. 1894-1963)
This painting was exhibited in the 1968 Ward Lockwood Retrospective at the Amon Carter Museum of American Art. The exhibition sticker is on the back of the painting.
Golden Passage, 1958
Studying at Pennsylvania Academy and in Paris, Lockwood developed a talent for several forms of modernist painting. Moving to Taos in 1926, Lockwood, along with his friends Kenneth Adams, John Marin and Andrew Dasburg, began to take the painting of the region in a more modernist direction. Lockwood himself painted in Cubist, Expressionist, Surrealist and Constructivist style while in Taos.
oil on canvas 38 x 48 signed lower right: Lockwood $15,000 - $25,000
His paintings can be found in the following collections: Amon Carter Museum of American Art; Dallas Museum of Art; the DeYoung Museum, San Francisco; Delaware Art Museum; Denver Art Museum; Fine Arts Museums of San FranciscoLegion of Honor; the Blanton Museum; McNay Art Museum; Metropolitan Museum of Art; Museum of Modern Art, New York; New Mexico Museum of Art and the San Francisco Museum of Modern Art to name a few. 72
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Lot 216 ROSALIND B. LOGUE (Am. 20th Cent.) Prairie Fire oil on canvas 32 x 38 signed mid right: Rosalind Logue $600 - $1,200 Exhibited at the Dallas Museum of Fine Art.
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Lot 217 DAVID MCMANAWAY (Am. 1927-2010) The Constable, 1965 oil on canvas 48 x 42 signed lower right: David McManaway 65 $8,000 - $12,000
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Lot 218 CECIL LANG CASEBIER (Am. 1922-1994) Patterns, Old House, 1957 oil on masonite 30 x 48 signed lower right: C Casebier 57 $2,000 - $4,000
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Cecil Casebier was a Texas artist born March 22, 1922 in Fort Stockton, and died April 19, 1996 in San Antonio. He was known for portrait, still-life paintings and murals as well as mosaics and stain-glass designs including 18 stained glass windows for St. Luke’s Episcopal Church in San Antonio, Texas. He graduated from the University of Southern California and did graduate work at the University of Texas. He served as Faculty Chairman of the Art Center, San Antonio, Texas.
Lot 219 CECIL LANG CASEBIER (Am. 1922-1994) Reclining Dancer, 1963 oil on canvas 40 x 48 signed lower right: Cecil Casebier ‘63 $2,000 - $4,000
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Lot 220 CECIL LANG CASEBIER (Am. 1922-1994) Sea Shelter, 1964 oil on masonite 20 x 30 signed lower right: CL Casebier ‘64 $2,000 - $4,000 220
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Lot 221 ANCEL NUNN (Am. 1929-2000) The Dwellings of Naiads, 1993 acrylic on paper 26 x 36 signed lower right: Ancel Nunn, 1993
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$3,000 - $6,000
Lot 222 ANCEL NUNN (Am. 1929-2000) Bright & Early Coffee & Tea #5 oil on masonite 12 x 24 signed lower right: Ancel Nunn $3,000 - $6,000 This painting was exhibited in the Ancel Nunn’s solo exhibition at Tyler Museum in 1997. The original exhibition sticker is on the back of the painting. This painting is also illustrated in the book: Ancel E. Nunn, A Timeless World by: Ancel Nunn, published by the Tyler Museum in 1972. In the book, Nunn explains the subject matter of this painting and writes: “The traveling sign painter could paint a variety of Bright and Early signs, depending upon the locate and era. He probably referred to them by number – this one could have been #5. The painter would travel from stop to stop (perhaps in a converted Model A pickup), painting his signs in exchange for painting the rest of the farmer’s barn, or the store owner’s name on the front of the store. You can almost trace this man’s journey thirty years later as he moved across the countryside spreading his form of art.”
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Lot 223 ANCEL NUNN (Am. 1929-2000) Boy in the Sand with Hand, 1985 acrylic, egg tempera on board 30 x 36 signed lower right: Ancel Nunn 1985 $6,000 - $8,000 223
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Lot 224 ANCEL NUNN (Am. 1929-2000) Chair, 1985 oil on board 48 x 48 signed lower right: Ancel E. Nunn 1985 $8,000 - $12,000
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Lot 225 HIRAM DRAPER WILLIAMS (Am. 1917-2003) 224
Black Snake, 1962 oil on paper laid on board 29 x 25 signed lower left: HD Williams $1,500 - $3,000
Lot 226 BEN L. CULWELL (Am. 1918-1992) Just Before Sundown on a Dog Day of Summer in Love, c.1974 oil & lacquer on masonite 35 x 56 signed lower right: Blc $15,000 - $20,000 226 TEXAS ART AUCTION
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Lot 227 TOM LEA (Am. 1907-2001) Horse, 1976 watercolor on paper 18 x 17 1/2 signed lower right: Tom Lea ‘76 $12,000 - $24,000
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Lot 228 TOM LEA (Am. 1907-2001) El Guitarron, 1961 watercolor on paper 17 x 13 signed lower left: Tom Lea 1961 $3,000 - $6,000 228
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Lot 229 PERRY NICHOLS (Am. 1911-1992) Mural Study, Cattle Drive mixed media on paper 3 x 18 7/8 $1,000 - $2,000
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Lot 230 PERRY NICHOLS (Am. 1911-1992) Untitled, Horses, 1957 watercolor on paper 21 1/2 x 29 signed lower right: Perry Nichols $1,500 - $3,000
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Lot 231 POLLY HOFFMAN (Am. 1890-1949) Bluebonnet oil on canvasboard 12 x 14 signed lower left: Polly Hoffman $2,000 - $4,000
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Lot 232 ADELE BRUNET (Am. 1871-1963) Contemplation, c. 1930 oil on canvas 30 x 24 signed lower right: A Brunet $10,000 - $15,000 This painting was exhibited at the Panhandle-Plains Historical Museum show: Lone Star Still Lifes. Provenance: Collection of Mr. and Mrs. Bill Cheek, Dallas, TX; Collection of Mr. and Mrs. George Palmer, Dallas, TX, current.
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Lot 233 TOM LEA (Am. 1907-2001)
This painting is included as a full page illustration on page 185 in the book: The Art of Tom Lea, complied by Kathleen G. Hjerter, introduction by William Weber Johnson, © 1989 Texas A&M University Press.
Sierra Madre Morning, 1968
This painting depicts the landscape Lea most notably painted: “In westernmost Texas the Rio Grand cuts its way between Mount Franklin and the Juarez mountains, becomes an international boundary, and starts its way to the sea. This is a land of harsh, wild beauty, of arching skies, abrasive winds, sand and searing sun, of cottonweeds, cactus and mesquite. Here the gritty plains and stony peaks of Texas and New Mexico meet the wide deserts and high sierras of Chihuahua.” – William Weber Johnson
oil on canvas 24 x 30 signed lower right: Tom Lea $100,000 - $150,000
Provenance: Tom Lea sold directly to Mr. and Mrs. Lewis J. Moorman Collection, San Antonio, TX; Estate of Lewis J. Moorman, current.
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Lot 234 FRANK E. KLEPPER (Am. 1890 -1952) Catfish, c.1928 oil on canvas 24 x 30 signed lower left: Klepper $10,000 - $15,000 This painting is mentioned in a Dallas Morning News article: “Klepper’s ‘Scapes and some Regrets on a Newer Manner,” written by Jerry Bywaters on Nov. 17, 1933. Bywaters recalls: “We remember one of Klepper’s paintings a few years back – negroes returning from along a levee. A story picture, but one with splendid possibilities.”
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Lot 235 FRANK E. KLEPPER (Am. 1890-1952) Catfish, c.1928 etching on paper 8 x 10 $800 - $1,200 82
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Lot 236 FRANK E. KLEPPER (Am. 1890-1952) Galveston – Fisherman Pulling in Net watercolor on paper 17 x 21 1/2 signed lower left: Klepper, Galveston $2,500 - $5,000
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Lot 237 FRANK E. KLEPPER (Am. 1890-1952) Galveston etching on paper 8 x 10 $800 - $1,200
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Lot 238 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) The Last Glow oil on canvasboard 10 x 14 signed lower right: E.G. Eisenlohr $4,000 - $6,000
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Lot 239 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) Landscape pastel on paper 6 x 11 signed lower right: EG Eisenlohr $1,000 - $2,000 84
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Lot 240 PAUL R. SCHUMANN (Am. 1876-1946)
Schumann was born near Leipzig, Saxony, in the German Empire and immigrated with his family to the United States about 1879. After a brief stay in Indianola, which had been rebuilt on a smaller scale after its destruction in an 1875 hurricane, the family settled in Galveston in 1881. There he received instruction from Julius Stockfleth. According to a contemporary newspaper article, Schumann spent time in Boats at Harbor New York and the East studying and painting, a report corroborated by numerous surviving sketches of New York scenes. His Galveston studio was destroyed in the 1900 hurricane. On the same site, Schumann oil on canvasboard 12 x 16 signed lower right: Paul R Schumann rebuilt a studio in which he afterward taught privately and became a very productive painter, sometimes executing three paintings in one day amid his collection of ship models and statuary. He also worked in $6,000 - $8,000 the open air, once sketching a storm-driven sea until forced to retire by flying spray. Schumann is best known for marine and harbor scenes done in Galveston. He also produced a number of plein-air works in Louisiana, the Texas Hill Country, New Mexico, Arizona, California, and the East Coast on occasional excursions. He worked in crayon, pencil, and pen and ink as well as oils. In his oils he made extensive use of the palette knife with singular effect. Schumann died in Galveston. Had [Schumann] been an artist along the East Coast instead of the Gulf of Mexico, he would have been known all over the world. He is doing for the Gulf Coast what Winslow Homer did for Maine. [Young] Source: Texas Painters, Sculptors & Graphic Artists by John and Deborah Powers.
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Lot 242 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) Untitled, 1899 oil on canvas 12 1/4 x 9 1/2 signed upper right: Eisenlohr $12,000 - $16,000
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Lot 241 LEROY IRELAND (Am. 1889-1970) Still Life, 1920-1922 oil on canvas 17 x 15 1/2 signed lower right: Leroy Ireland ‘20
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$4,000 - $6,000
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Lot 243 HERMAN LUNGKWITZ (Am. 1913-1891) Untitled - House oil on board 7 x 8 $6,000 - $10,000
Lot 244 SEYMOUR THOMAS (Am. 1868-1956) The Theft of the Rose, Portrait of Helen M. Haskell in her Wedding Dress oil on canvas 29 x 15 signed lower right: S Seymour Thomas: To Brother Ned. Sketch for Une Rose Paris Salon $10,000 - $15,000 244
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Lot 245 HAROLD RONEY (Am. 1899-1986) Where the Bluebonnets Grow oil on canvas 30 x 36 signed lower right: Harold Roney 1948 $10,000 - $20,000
Lot 246 EUGENE THURSTON (Am. 1896-1993) Desert Shower, 1978 oil on canvas 24 x 30 signed on reverse: Eugene Thurston, Desert Shower, 1978 $5,000 - $8,000 246 TEXAS ART AUCTION
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Lot 247 LOUIS OSCAR GRIFFITH (Am. 1875-1956) Aspens in Autumn oil on canvas 24 x 30 signed lower left: L.O. Griffith $6,000 - $12,000
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Lot 248 KATHRYN HAIL TRAVIS (Am. 1894-1972) The Village oil on board 10 x 14 signed lower right: Kathryn Hail Travis $800 - $1,200
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Lot 249 EMIL HERMAN (Am. 1870-1966) Texas Bluebonnets, The Texas State Flower, 1945 oil on canvas 19 x 23 signed lower left: Emil Herman $1,000 - $2,000 249
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Lot 250 EDWARD GUSTAV EISENLOHR (Am. 1872-1961) Autumn Landscape oil on canvas 16 x 22 signed lower left: EG Eisenlohr $50,000 - $70,000
Lot 251 PETER L. HOHNSTEDT (Am. 1871-1957) Landscape oil on canvas 16 x 20 signed lower right: PL Hohnstedt $800 - $1,200 251
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Lot 253 DWIGHT CLAY HOLMES (Am. 1900-1986) Bluebonnet Landscape 252
Lot 252 PETER HOHNSTEDT (Am. 1871-1957)
oil on canvas 23 1/2 x 36 signed lower left: Dwight C. Holmes
Afternoon Visit
$5,000 - $10,000
oil on panel 20 x 24 signed lower right: PL Hohnstedt $5,000 - $10,000
Lot 254 PORFIRIO SALINAS (Am. 1910-1973) Creek Scene oil on canvas 16 x 20 signed lower left: P Salinas $10,000 - $15,000
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Lot 255 WESLEY FREDERICK JARVIS (Am. 1868-1966) Landscape oil on canvas 20 x 26 signed lower right: W. Frederick Jarvis $2,500 - $5,000
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Lot 256 RALPH MCLELLAN (Am. 1884-1977) San Marcos River oil on canvas 17 x 21 signed lower right: R. McClellan $3,000 - $5,000
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Lot 258 EDMUND D. KINZINGER (Am. 1888-1963)
Spanish Beauty
Women in Taxco, 1936
oil on paper 24 x 19 estate stamped lower right
oil on paper 20 x 15 signed
$3,000 - $6,000
$4,000 - $8,000
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Lot 257 EDMUND D. KINZINGER (Am. 1888-1963)
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Lot 259 HARVEY JOHNSON (Am. 1947-) Untitled oil on canvas 40 x 30 signed lower right: Harvey Johnson $18,000 - $25,000
259
“Harvey Johnson came to Houston from Port Arthur to study art at Texas Southern University under world-renowned artist, sculptor and teacher John Biggers who founded the schools’ program in 1949… Johnson recalled, “As soon as John and I met each other – our eyes met – immediately we started reading each other’s mind.” – Debbie A. Harwell. This is an excerpt from the article written by Debbie A. Harwell in her article titled: Beauty in the Eye of the Beholder: Third World Art Treasure but a Memory, published April 18, 2011 in the Houston History Magazine. Johnson is known for his narrative paintings, depicting the human condition. He is a poet and his paintings reveal emotions and the strength of the human spirit. This painting depicts African American women which “function as solid and graceful allegories of creativity, life, hope and the survival of a community and culture.” Source: from the article written by the Houston Public Library on Johnson’s exhibition Negro Spirituals: A Triple Middle Passage. TEXAS ART AUCTION
93
Lot 260 DOUG CLARK (Am. 20th Cent.) Mustang Spirit edition 2/25 bronze 6 1/2 x 11 1/2 x 4 1/2 signed: DB Clark, Ed. 2/25 $1,000 - $2,000
260
261
Lot 261 DOUG CLARK (Am. 20th Cent.) Don’t Mess with Texas edition 4/50 bronze 4 1/2 x 8 3/4 x 4 1/2 signed: DB Clark, Ed. 4/50 $800 - $1,600
Lot 262 CHARLES UMLAUF (Am. 1911-1994) Head of Model terra cotta on wood base 15 1/2 x 14 x 9 signed: Umlauf $2,500 - $5,000
262
94
D AV I D D I K E F I N E A R T
263
Lot 263 CHARLES UMLAUF (Am. 1911-1994) Male Nude stoneware 30 1/2 x 10 x 12 signed: C Umlauf $2,500 - $5,000
264
Lot 264 CHARLES UMLAUF (Am. 1911-1994) Seated Madonna and Child bronze 25 x 12 1/2 x 7 signed on sculptural base: C Umlauf $8,000 - $12,000
TEXAS ART AUCTION
95
Lot 265 EUGENE THURSTON (Am. 1896-1993) Adobes oil on canvasboard 12 x 16 signed lower left: Eugene Thurston $1,500 - $3,000
265
Lot 266 MERRITT MAUZEY (Am. 1897-1973) Untitled – Adobes oil on canvasboard 8 x 10 signed lower right: MT Mauzey $600 - $800 266
Lot 267 BERLA EMEREE (Am. 1899-1948) El Paso, Texas oil on canvas 15 x 26 signed lower left: Berla Emeree $1,000 - $2,000 267
96
D AV I D D I K E F I N E A R T
Lot 268 BERLA EMEREE (Am. 1899-1948) Organ Mountains, Las Cruces, New Mexico & El Paso, Texas oil on panel 10 x 12 signed lower left: Berla Emeree $1,000 - $2,000
268
Lot 269 BERLA EMEREE (Am. 1899-1948) Adobe in Socurro, Mexico oil on panel 7 1/2 x 10 signed lower left: Berla Emeree $1,000 - $2,000
Emeree was born in Wichita, Kansas, and moved with her family to El Paso in 1907. At age seventeen she studied in Philadelphia with Frank Benton Ashley Linton and afterward with Michael Jacobs. In Texas she was a student of Jose Arpa, Xavier Gonzalez, and Rolla Taylor. She painted and studied at various times in Paris, London, Belgium, Germany and the Netherlands. She specialized in landscapes and reportedly exhibited in France. In 1924 Emeree established the Emeree Scenic Drive Art School in El Paso, afterward named the Berla Ione Emeree School of Painting. She died in an El Paso hospital and was buried in the city. Source: Texas Painters, Sculptors & Graphic Artists by John and Deborah Powers
269
Lot 270 THOMAS L. LEWIS (Am. 1907-1978) Saguaro Desert oil on board 22 x 28 signed lower left: Thos. L. Lewis $600 - $1,200 270 TEXAS ART AUCTION
97
271
Lot 271 LEWIS TEEL (Am. 1883-1960) Landscape oil on board 9 x 12 signed lower left: Lewis Teel $2,500 - $5,000
Lot 272 LUCRETIA COKE (Am. 1917-) Double Mountain pastel on paper 11 x 14 singed lower right: LD Coke $800 - $1,200 272
98
D AV I D D I K E F I N E A R T
273
Lot 273 LEWIS TEEL (Am. 1883-1960) Giants of the Desert, c. 1925 oil on canvas 20 x 30 signed lower left: Lewis Teel $6,000 - $12,000
Teel was born in Clarksville and reared in El Paso, where his family moved in 1899. He started his business career as an engineer in Mexico and was afterward superintendent of the mechanical department for a Detroit manufacturer. During this time, he received training in commercial art. After his return to El Paso, he entered the automobile business and in 1927 began to paint full time. He painted in and around El Paso, Santa Fe, Arizona and the Trans-Pecos region of Texas including the Big Bend area. He was a resident of San Antonio in 1934 and returned to El Paso in 1937. William Hogg, a wealthy Houston oilman, once purchased Teel’s entire collection of seventeen paintings, Teel specialized in desert landscapes and pastel portraits. A columnist for the El Paso Times called him a “master in his presentation of far distances, especially noticeable in the scene of lovely quietude, far away blue shadows on the mountain, and a soft light in the foreground.” Teel died in a Long Beach, California, hospital following a short illness. Survivors include his son Lewis Woods Teel, Jr. Source: Texas Painters, Sculptors & Graphic Artists by John and Deborah Powers
TEXAS ART AUCTION
99
274
Lot 274 CLARA C. PANCOAST (Am. 1873-1959) Texas Bluebonnets oil on canvas 14 x 18 signed lower right: CC Pancoast $3,000 - $6,000
Lot 275 WALTON LEADER (Am. 1876-1966) Verbenas oil on canvas 20 x 24 signed lower left: Walton Leader $3,000 - $6,000
275
100
D AV I D D I K E F I N E A R T
Lot 276 GEORGE H. MACRUM (Am. 1870-1955) Untitled, 1908 oil on board 8 x 10 signed lower right: G.H. Macrum $1,000 - $2,000
276
Lot 277 OLIN TRAVIS (Am. 1888-1975) Chicago Industrial oil on canvas 12 x 16 signed lower right: Olin Travis $2,500 - $5,000
277
Lot 278 ETHEL SPEARS (Am. 1903-1974) Ice Skaters watercolor on paper 18 x 23 signed lower right: Ethel Spears $2,000 - $4,000 This painting is from the Ethel Spears Estate. 278 TEXAS ART AUCTION
101
Lot 279 GUSTAV LIKAN (Am. 1912-1998) Still Life oil on canvas 24 x 30 signed lower right: Likan $1,500 - $2,000
279
280
Lot 280 DOUGLAS LEON CARTMEL (Am. 20th Cent.) Portrait, 2001
reduction
oil on linen 32 x 58 signed on reverse: Douglas Cartmel $5,000 - $10,000
Lot 281 DOROTHY POULOS (Am. 20th Cent.) The Bicycle oil on Masonite 36 x 48 signed lower left: D Poulos $750 - $1,500 281
102
D AV I D D I K E F I N E A R T
This hand painted oil on linen painting was executed in 2001. Cartmel uses a technique of painting in squares of color mimicking a pixelated look. The subject appears to dematerialize as you approach the painting, but at a distance or through a camera lens, her face becomes almost photorealistic (see reduction). Graduate of University of Texas, Arlington, Cartmel is currently exhibiting his work in New York, California and across Texas. He currently lives in Dallas, TX.
Lot 282 CONNY MARTIN (Am. 1925-2010) Arkansas Boat Works, 1965 oil on canvas 30 x 40 signed lower right: Conny Martin $1,000 - $2,000
282
Lot 283 THOMAS L. LEWIS (Am. 1907-1978) Bluebonnets oil on board 12 x 16 signed lower left: Thos. L. Lewis $1,200 - $1,800
283
TEXAS ART AUCTION
103
Lot 284 JERRY MALZAHN (Am. 1946-) Texas Landscape oil on canvas 16 x 20 signed lower right: J Malzahn $1,500 - $3,000 Jerry Malzahn, born 1946, is a Texas Artist who began painting at the age of 48. He is a member of the Salmagundi Club of New York and has a painting in the US Naval Academy Museum. He recently collaborated with the Colorado Symphony Orchestra, in the exhibition of Jerry’s paintings and the performance of Two time Emmy winner Charles Denler’s “Portraits of Colorado.” Jerry exhibits regularly in Texas, Colorado and New York.
284
286
285
104
Lot 285 HARRY ANTHONY DEYOUNG (Am. 1893-1956)
Lot 286 ULRICH W. FISHER (Am. 1887-1970)
Autumn
The Old Bridge
oil on canvas 20 x 24 signed lower right: Harry Anthony DeYoung
oil on canvasboard 8 x 10 signed lower middle: U.W. Fisher
$6,000 - $9,000
$300 - $600
D AV I D D I K E F I N E A R T
Lot 287 ROBERT WOOD (Am. 1889-1979) Autumn Landscape oil on canvas 25 x 30 signed lower right: Robt Wood $6,000 - $8,000
287
288
Lot 288 HAROLD RONEY (Am. 1899-1986) West Texas Summer
289
oil on canvas 25 x 30 signed lower right: Harold Roney $10,000 - $15,000
Lot 289 DOLLIE S. NABINGER (Am. 1905-1988) East Texas Landscape oil on canvasboard 14 x 18 signed lower right: DS Nabinger
Lot 290 JOHN ELLIOT JENKINS (Am. 1868-1937)
$500 - $1,000
Landscape oil on masonite 18 x 24 signed lower right: John Elliot Jenkins $3,000 - $6,000
290 TEXAS ART AUCTION
105
291
Lot 291 FRANK GERVASI (Am. 1895-1986) Elephant Mountain, South of Alpine, Texas oil on canvasboard 12 x 16 signed lower right: F. Gervasi
292
$600 - $1,200
Lot 292 DOLLIE S. NABINGER (Am. 1905-1988) Bluebonnets oil on canvas 12 x 16 signed lower left: DS Nabinger $800 - $1,500
293
Lot 293 ULRICH W. FISHER (Am. 1887-1970) Santa Elena Canyon, Big Bend Mountain Park oil on canvasboard 18 x 24 signed lower right: U.W. Fisher $600 - $1,200 294
Lot 294 CLARA MCDONALD WILLIAMSON (Am. 1875-1976) Country Club, 1957 oil on masonite 9 x 12 signed lower right: Clara Williamson $1,500 - $2,500 106
D AV I D D I K E F I N E A R T
Lot 295 CONSTANCE FORSYTHE (Am. 1903-1987) Late Afternoon, West Texas Mesa, c. 1950 watercolor on paper 15 1/2 x 21 1/2 signed lower left: C Forsythe $1,000 - $2,000 This painting was exhibited in the 1955 University of Texas Faculty Show.
295
Lot 296 HARRY WORTHMAN (Am. 1909-1989) Sunset Over El Capitan oil on canvas 24 x 36 signed lower right: Harry Worthman $2,000 - $4,000
296
297
Lot 297 JUANITA TITTLE POLLARD (Am. 1909-1994) Pueblo Angels, 1962 oil on canvas 15 x 15 signed lower right: J. Tittle Pollard Lot 298 ODON HULLENKREMER (Am. 1888-1978)
$500 - $1,000 Pollard was born in Merkel, Texas and reared in Abilene. She graduated from Abilene Christian College and got her masters degree from Texas Womans University, Denton. Pollard studied at the Art Institute of Chicago, the University of Southern California, Los Angeles and in Colorado. Her instructors included Harry Anthony De Young, Frank Reaugh, Olin Travis, E.G. Eisenlohr, Everett Spruce, William Lester, Frederic Tauges, Abraham Rattner and Wilfred Higgins.
Nude oil on canvas 13 x 10 signed lower left: Odon Hullenkremer $1,500 - $3,000 298 TEXAS ART AUCTION
107
Lot 299 JULYA KIRKPATRICK (Am. 1917-) Mail Boxes watercolor on paper 14 x 20 1/2 signed lower left: Julya Kirkpatrick $1,000 - $2,000
299
Lot 300 JANET DOWNIE (Am. 1854-1944) Bluebonnets oil on board 9 1/2 x 14 signed lower left: J Downie $1,000 - $2,000
300
301
Lot 301 PATTIE EAST (Am. 1894-1994) Village in Mexico oil on canvasboard 16 x 20 signed lower right: East $1,000 - $2,000
Lot 302 SANTA DURAN (Am. 1909-2002) Autumn Day, Texas, 1927 oil on canvas 12 x 16 signed lower left: Santa Duran $500 - $1,000 302
108
D AV I D D I K E F I N E A R T
303
Lot 303 WARNER HOOPLE (Am. 1904-1989) Boaz Pulling Unit, 1958 304
watercolor on paper 13 x 17 signed lower right: Warner Hoople 1958
Lot 304 WARNER HOOPLE (Am. 1904-1989)
$1,500 - $3,000
Oil Refinery, 1953 watercolor on paper 15 x 21 signed lower right: Warner Hoople 1953
Lot 305 WARNER HOOPLE (Am. 1904-1989)
$1,500 - $3,000
Texas Oil Field, 1959 watercolor on paper 13 x 17 signed lower left: W Hoople ‘59 $1,500 - $3,000 305
Lot 306 HERI BERT BARTSCHT (Am. 1919-1996) Construction, Dallas Skyline, 1954 oil on canvas 30 x 40 signed lower right: Bartscht 1954 $1,500 - $2,500 306 TEXAS ART AUCTION
109
307
Lot 307 ARTHUR EARL HADDOCK (Am. 1895-1980) Cowboy on Horseback watercolor on paper 12 x 15 1/2 signed lower right: Haddock $1,000 - $2,000
308
Lot 308 R. FRED MASON (Am. 20th Cent.) Fort Worth Longhorns oil on canvas 24 x 36 signed lower left: Fred Mason $1,200 - $2,500
309
Lot 309 PETER GRAB (Am. 20th Cent.) Roping watercolor on paper 20 x 24 signed lower right: Grab $1,000 - $2,000
Lot 310 JEN PANNELL (Am. 20th Cent.) Peak-a-boo oil on canvas 36 x 24 signed lower right: Jen Pannell $1,500 - $3,000 310
110
D AV I D D I K E F I N E A R T
311
Lot 311 HENRY EINFELDT (Am. 1873-1952) Bluebonnet Landscapes (two paintings) oil on board 7 1/2 x 11 1/2 (each) $500 - $1,000
312
Lot 312 CHARLES BERKELEY NORMANN (Am. 1903-1985) Texas Capital oil on canvas 13 x 18 signed lower left: CB Normann $1,000 - $2,000
Lot 313 HERB FICKLEN (Am. 1911-1980) Grandma’s Wagon oil on canvas 20 x 30 signed lower right: Herb Ficklen $800 - $1,500 313 TEXAS ART AUCTION
111
314
Lot 314 JERRY RUTHVEN (Am. 1947-) 315
Landscape with Creek Lot 315 LYNDEN EISENLOHR (Am. 1893-1944)
oil on canvas 18 x 24 signed lower right: Ruthven $800 - $1,500
Texas Wildflowers oil on canvasboard 17 x 12 signed lower left: LL Eisenlohr $1,000 - $2,000
Lot 316 PETER L. HOHNSTEDT (Am. 1871-1957) Fall Landscape oil on canvas 16 x 20 signed lower right: PL Hohnstedt $1,000 - $2,000 316
112
D AV I D D I K E F I N E A R T
317
Lot 317 JESSIE ALINE WHITE (Am. 1889-1988) Untitled 318
oil on masonite 10 x 14 signed lower right: Jessie Aline White
Lot 318 LOLA VIVIAN PACE MUELLER (Am. 1889-1949)
$600 - $800
Cotton Gin watercolor on paper 18 1/2 x 24 1/2 signed lower right: Lola Mueller $3,000 - $3,000
Lot 319 LOLA VIVIAN PACE MUELLER (Am. 1889-1949) Plantation watercolor on paper 18 1/2 x 24 1/2 signed lower left: Lola Mueller $3,000 - $4,000 319
Lot 320 HARDY MARTIN (Am. 20th Cent.) Texas Stock Tank oil on canvasboard 16 x 20 signed lower left: Hardy Martin $600 - $1,200 320 TEXAS ART AUCTION
113
323
Lot 323 KATHRYN HAIL TRAVIS (Am. 1894-1972) Nogales Canyon watercolor on paper 10 x 13 1/2 signed lower right: K.H. Travis 321
$1,000 - $2,000 Lot 321 DWIGHT CLAY HOLMES (Am. 1900-1986) Lanford Ranch, N.W. oil on board 16 x 20 signed lower left: Dwight C. Holmes $1,000 - $2,000
Lot 322 CARL HOPPE (Am. 1897-1981) Early Fall Day, 1948 oil on canvas 20 x 24 signed lower right: C. Hoppe ‘48 $2,000 - $4,000 Exhibited at the Witte Memorial Museum, San Antonio, TX for purchased prize exhibition. 322
114
D AV I D D I K E F I N E A R T
324
Lot 324 MINNIE HALTOM (Am. 1887-1976)
Lot 325 MINNIE HALTOM (Am. 1887-1976)
Texas Hill Country
Bluebonnets
oil on board 7 x 4 signed lower right: M Haltom
oil on board 4 x 6 signed lower right: M Haltom
$500 - $1,200
$500 - $1,200 325
326
Lot 326 LISA ALDERSON (Am. 20th Cent.) Sunset pastel on paper 18 x 24 signed lower left: L Alderson $600 - $800
327
Lot 327 LISA ALDERSON (Am. 20th Cent.) Cactus, Egin, TX oil on canvas 16 x 20 signed lower right: Lisa Alderson $600 - $800 TEXAS ART AUCTION
115
Lot 328 MARCIA HUTCHISON (Am. 20th Cent.) Green McCaw oil on canvas 30 x 24 signed lower right: Marcia H. $800 - $1,200
328 329
Lot 329 BURTON WILLIAMS (Am. 20th Cent.) Donkey watercolor on paper 14 x 21 signed lower left: Burton Williams $200 - $400 Williams studied with Bud Biggs and Naomi Brotherton among other Dallas watercolorists. His work was exhibited at the Dallas Museum of Natural History.
330
Lot 330 BURTON WILLIAMS (Am. 20th Cent.) Canadian Geese in Flight watercolor no paper 10 x 14 signed lower left: Burton Williams $200 - $400 Lot 331 MARGARET FLY (Am. 20th Cent.) Landscape oil on masonite 14 x 18 signed lower right: Margaret Fly $1,000 - $2,000 331
116
D AV I D D I K E F I N E A R T
Lot 332 DON L. PARKS (Am. 20th Cent.) Davis Mountains oil on canvas 16 x 20 signed lower right: Don Parks $800 - $1,200
332
333
Lot 333 OLIN TRAVIS (Am. 1888-1975) String Quartette hand colored lithograph 8 1/2 x 15 3/4 signed lower right: Olin Travis $750 - $1,500 TEXAS ART AUCTION
117
Lot 334 RUTH MAE MCCRANE (Am. 1929-2002) Country Fair, 4/20/96 oil on board 24 x 48 signed lower middle: Ruth Mae McCrane 4/20/96 $1,500 - $3,000
334
Lot 335 HARDY MARTIN (Am. 20th Cent.) Cattle Drive oil on canvas 40 x 60 signed lower right: Hardy Martin $1,500 - $3,000
335
118
336
337
Lot 336 HARDY MARTIN (Am. 20th Cent.)
Lot 337 HARDY MARTIN (Am. 20th Cent.)
Man Plowing Field
Gathering Wheat
oil on canvas 35 x 35 signed lower left: Hardy Martin
oil on canvas 35 x 35 signed lower left: Hardy Martin
$1,500 - $3,000
$1,500 - $3,000
D AV I D D I K E F I N E A R T
INDEX of ARTISTS ADICKES, DAVID
120, 122, 124
FEARING, KELLY
42, 171, 190, 191
MCLELLAN, RALPH
256
ALBRITTON, H.J.
81
FICKLEN, HERB
313
MCMANAWAY, DAVID
217
ALDERSON, LISA
326, 327
FISHER, ULRICH W.
286, 293
MCVEIGH, BLANCHE
46
ALTHEIDE, CHARLES HARVI
71
FLAMING, JON
74, 76
MEWHINNEY, ELLA K.
126
ARPA, JOSE
41
FLY, MARGARET
331
MOON, MAURIN
138
BACHOFEN, MAX
73
FORSYTH, CONSTANCE
295
MORRIS, JAMES STOVALL
207, 208
BACKSTROM, KATHRYN K.
84
FRARY, MICHAEL
44, 168
MUELLER, LOLA VIVIAN PACE
318, 319
BARTSCHT, HERI BERT
306
GERVASI, FRANK
291
NABINGER, DOLLIE S.
289, 292
BASSETT, REVEAU
17, 82, 83
GONZALES, XAVIER
193
NAIL, FRANCES
200
BEARDEN, ED
209
GORDY, ROBERT P.
192
NICHOLS, PERRY
229, 230
BECKER, MAYZE
88
GRAB, PETER
309
NICOLS, AUDLEY DEAN
157
BESS, FORREST C.
133
GRIFFITH, LOUIS OSCAR
247
NORMANN, CHARLES BERKELEY 312
BLACKSHEAR, KATHLEEN
54
HADDOCK, ARTHUR EARL
307
NUNN, ANCEL E.
221, 222, 223, 224
BOMAR, BILL
180, 184, 186
HALTOM, MINNIE
110, 324, 325
ONDERDONK, JULIAN
BONNER, MARY A.
36, 37, 38
HENRI, ROBERT
8
158, 159, 160, 164, 165-A
BOONE, ELMER L.
104
HERBECK, HUGO ALBERTO
89
ONDERDONK, ROBERT JENKINS
166, 167
ORTH, JOHN WILLIAM
101
BOWLING, CHARLES TAYLOR
20, 22, 90
HERMAN, EMIL
249
BRANTS, CYNTHIA
86
HOCHBERG, ZANNE
BREWER, ADRIAN
107
198, 201, 201-A, 202
BROWN, TOM
106
HOFFMAN, POLLY
BROWNLOW, DAVID
188, 189
HOGUE, ALEXANDRE
BRUNET, ADELE
232
BURT, MARIE HAINES
102
HOHNSTEDT, PETER L. HOLMES, DWIGHT CLAY HOOPLE, WARNER
303, 304, 305
RASCOE, STEPHEN THOMAS
194
HOPPE, CARL
129, 322
REED, DOEL
6, 18
HULLENKREMER, ODON
298
REEDER, DICKSON
196
HURD, PETER
10, 16
REILY, BILL
195
HUTCHISON, MARCIA
328
RONEY, HAROLD
245, 288
IRELAND, LEROY
241
RUTHVEN, JERRY
314
IWONSKI, CARL G.
165
SALINAS, PORFIRIO
146, 149, 161, 254
JARVIS, WESLEY FREDERICK
255
SCHIWETZ, E.M. BUCK
117
JENKINS, JOHN ELLIOT
290
SCHUMANN, PAUL R.
144, 150, 240
JOHNSON, HARVEY
259
SLIMP, ALTIE
97
JOLLY, WADE LYTTON
169
SMITH, EMILY GUTHRIE
98, 187
JUDD, DEFORREST
210, 212
SPEARS, ETHEL
96, 135, 136, 278
KEENER, ANNA
162
SPELLMAN, COREEN
28
KING, CLINTON B.
43, 123
SPRUCE, EVERETT
2, 39, 116
KINZINGER, EDMUND
257, 258
STEEL, PAT
182, 183
KIRKPATRICK, JULYA
299
STEEL, SARAH SHANNON
170
KLEPPER, FRANK E.
163, 234, 235, 236, 237
STRAHALM, FRANZ
127
SULLIVAN, STELLA
121
KLOSS, GENE
19
TAYLOR, ROLLA S.
154, 155, 156
LEA, TOM
3, 7, 9, 11, 227, 228, 233
TEEL, LEWIS
105, 271, 273
275
BYWATERS, JERRY
27
CAHERO, EMILIO GARCIA
56
CALDER, FRANK HILL
66, 67
CANTEY, MAURINE
72
CARTER, FREDERICK
115
CARTMEL, DOUGLAS
280
CASEBIER, CECIL LANG
218, 219, 220
CHERRY, EMMA RICHARDSON
132
CHILTON, ALICE CISNEROS, JOSE
109 5
CLARK, DOUG
260, 261
COKE, LUCRETIA
272
COLLIER, BETSY
175
COLLINS, EDNA GERTRUDE
68, 69
COMPTON, CARL BENTON
114
COOK, PAUL RODDA
140, 141, 143
COPPINO, POMPEO LUIGI
70
CULWELL, BEN L.
226
CURRY, ED
87
CURTIS, MARY CRANFILL
119
PANCOAST, CLARA C.
274
PANNELL, JEN
310
231
PARKS, DON L.
332
47, 48, 49, 50, 51, 52, 53
PETERS, PEGGY COOLON
100
PICKNEY, PAULINE A.
1
251, 252, 316
POLLARD, JUANITA TITTLE
297
253, 321
POULOS, DOROTHY
281
DARGE, FRED
77, 78, 79
DAVIS, JESSIE
57
LEADER, WALTON
DAWLEY, JOSEPH WILLIAM
111, 112, 113
LESTER, WILLIAM
197, 213, 214
DAWSON-WATSON, DAWSON
91, 145
LEWIS, THOMAS L.
270, 283
DELABANO, BARNEY
211
LIKAN, GUSTAV
279
DEYOUNG, HARRY ANTHONY
285
LOCKE, LUCIE HARRIS
125
DOWNIE, JANET
300
LOCKWOOD, WARD
DOZIER, OTIS
4, 23, 60, 61, 62, 63, 64, 65, 95, 203, 204, 205, 206 94
DUNCAN, RUTH
99
DURAN, SANTA
302
EAST, PATTIE
301
EINFELDT, HENRY
311
EISENLOHR, EDWARD GUSTAV
THOMAS, SEYMOUR
244
THURSTON, EUGENE
246, 265
TOMASH, ELEMBER
118
TRAVIS, KATHRYN HAIL
137, 248, 323
TRAVIS, OLIN
21, 80, 93, 103, 277, 333
215
TURNER, JANET
45
LOGUE, ROSALIND B.
216
UMLAUF, CHARLES
262, 263, 264
LUNGKWITZ, HERMAN
243
UTTER, BROR
181, 185
MACRUM, GEORGE H.
276
VOGEL, DONALD
134
MAHAFFEY, JOSEPHINE
172, 173, 174, 176, 177, 178, 179
WALL, BERNHARDT
40
WARDEN, BILL
108
MALZAHN, JERRY
284
WARREN, MELVIN CHARLES
59
MAPLES, HAROLD
58
WHITE, JESSIE ALINE
317
MARTIN, CONNY
282
29, 30, 31, 32, 33, 34, 35, 238, 239, 242, 250
WHITE, RALPH
85, 199
MARTIN, HARDY
320, 335, 336, 337
WILLIAMS, BURTON
329, 330
MASON, R. FRED
308
WILLIAMS, HIRAM DRAPER
225
EISENLOHR, LYNDEN
315
MAUZEY, MERRITT
12, 13, 14, 15, 266
WILLIAMSON, CLARA MCDONALD 294
ELDER, INEZ STAUB
92
MCCLUNG, FLORENCE
24, 25, 26, 55, 139
WOOD, ROBERT
ELLIOTT, WILLIAM
75
MCCRANE, RUTH MAE
334
142, 147, 148, 151, 152, 153, 287
EMEREE, BERLA
267, 268, 269
MCGILL, ELOISE POLK
128, 130, 131
WORTHMAN, HARRY
296
DOZIER, VELMA
TEXAS ART AUCTION
119
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Fine Art Services
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Front cover (detail): Page 67, Lot 205 – Otis Dozier • Inside front cover (detail): Page 69, Lot 210 – DeForrest Judd Inside back cover (detail): Page 51, Lot 164 – Julian Onderdonk • Back cover (detail): Page 81, Lot 233 – Tom Lea GALLERY DIRECTOR: Anne Kelly, ISA AM • CATALOGUE DESIGN: WinshipPhillips.com • PHOTOGRAPHY: PaulLara.com
2613 Fairmount Street • Dallas, TX 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 Email: ddfa@swbell.net • Website: daviddike.com