David Dike Fine Art, 2013

DAVID DIKE FINE ART

TEXAS ART AUCTION

S AT U R D AY, J A N U A R Y 1 9 , 2 0 1 3

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4:00 PM

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DALLAS, TEXAS

DAVID DIKE FINE ART

TEXAS ART AUCTION DAVID DIKE FINE ART, L.L.C. Presents an Auction of Texas Art • Saturday, January 19, 2013 Auction bidding starts at 4 PM CTS 50 YEARS OF COLLECTING – PRESENTATION BY EDWARD DENARI WWII Veteran and Texas Art Collector for over 50 years, Edward Denari speaks on his lifelong passion in collecting Texas Art. He has rubbed elbows with the Who’s Who in the art world of both Texas and American art. Denari once owned an art gallery in Fort Worth.

Please join us to hear the stories of a collector, dealer and lover of Texas Art. AUCTION TO BE HELD AT: WILDMAN ART FRAMING 1715 Market Center Boulevard • Dallas, Texas 75207 Valet Parking will be available.

Auction Preview Information: Monday, January 14 – 18, the art may be viewed at Wildman Art Framing.

2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 Email: ddfa@swbell.net • Website: www.daviddike.com Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday 11:00 AM – 4:00 PM Please contact the gallery for more information.

AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS LOUIS MURAD TXS 13362

FRONT COVER (Detail): Page 72, Lot 203 – Porfirio Salinas • INSIDE FRONT COVER (Detail): Page 58, Lot 182 – Ed Bearden INSIDE BACK COVER (Detail): Page 32, Lot 114 – Reveau Bassett • BACK COVER: Page 23, Lot 86 – William Lester GALLERY DIRECTOR: Anne Kelly, ISA • CATALOGUE DESIGN: WinshipPhillips.com • PHOTOGRAPHY: PaulLara.com

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TERMS AND CONDITIONS of AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions.

1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 17.5% of the hammer price (or 20.5% Buyer’s Premium for anything purchased online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser.

2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing.

3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale.

4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid

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from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages.

6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve.

7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.

THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so.

9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit with Murad Auctions by calling (214)

720-4044 no later than noon on Saturday, January 19, 2013. There will be no exceptions. Bank card purchases will be honored at our option.

10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas.

11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.

12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever.

13. As a convenience to our clients, we furnish presale estimates for all lots included in the catalogue.

These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed.

14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.

DAVID DIKE FINE ART

TEXAS ART AUCTION

DAVID DIKE FINE ART, L.L.C. Presents an Auction of Texas Art • Saturday, January 19, 2013 AUCTION TO BE HELD AT: WILDMAN ART FRAMING Located at 1715 Market Center Boulevard • Dallas, Texas 75207

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3 EDMUND DANIEL KINZINGER (Am. 1888-1963) Two Women with Basket, Taxco, 1941 1

1 HENRY ZIEGLER (Am. 1889-1968) Dawn on the Range

stone lithograph 9 3/4 x 14 inches proof print signed lower right: Edmund Kinzinger 1941 $300 - $600

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5 DOROTHY AUSTIN (Am. 1911-2012) Spaces and Faces, Dorothy Austin, Photographs 1947-2007, By: Dorothy Austin, 2008

etching 7 x 8 3/4 inches signed lower right: Henry Ziegler $300 - $600

Edition One Studios, CA Ed. 52/150 signed and hand numbered copy $100 - $200

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2 DON BROWN (Am. 1898-1958) Landscape lithograph 8 1/4 x 11-1/4 inches signed lower right: Don Brown

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$300 - $600 4 OLIN TRAVIS (Am. 1888-1975) Caricatured Otis Dozier charcoal on paper 12 x 9 inches signed lower right: Caricatured Otis Dozier

by Olin Travis $500 - $1,000

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6 CHARLES BOWLING (Am. 1891-1985) Meadow Wind, 1942 lithograph 9 3/8 x 11 7/8 inches edition 25 signed lower right: Chas. T. Bowling $600 - $1,200

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9 PAUL MAXWELL (Am. 1925-) Reclining Figure, 1957

7 JERRY BYWATERS (Am. 1906-1989) Set of Three Prints Smoking Cowboy, Indian and Goucho with Gun

ink and watercolor on paper 15 x 18 1/2 inches signed lower left: Paul Maxwell 57

Each: woodcut on paper 11 x 8 1/2 inches estate stamped: from the estate of Jerry Bywaters 1906-1989

$400 - $800

$600 - $1,200

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10 REVEAU BASSETT (Am. 1897-1981) Two Bookends painted and glazed clay on wood base 6 1/2 x 6 1/2 x 5 inches both signed on wood base: Reveau Bassett $300 - $600 8

8 PORFIRIO SALINAS (Am. 1910-1973) Bluebonnets and Cactus, an Album of Southwestern Paintings, By: Porfirio Salinas

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11 REVEAU BASSETT (Am. 1897-1981) Ducks in Flight lithograph 12 x 14 inches signed lower right: Reveau Bassett $500 - $1,000

Prepared for Fine Arts Corporation by: The Pemberton Press, Austin 1967. Preface: Dewey Bradford. $100 - $200

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13 JERRY BYWATERS (Am. 1906-1989) Spudder in the Panhandle, 1950

12 CHARLES BOWLING (Am. 1891-1985) Sun Rays

print 11 x 16 inches signed lower right: J Bywaters 1950

lithograph 8 x 10 inches signed lower right: Chas T Bowling

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$750 - $1,500 14 JERRY BYWATERS (Am. 1906-1989) Mexican Mother, 1936

$500 - $1,000

lithograph 16 x 11 inches; edition 50 estate stamped: from the estate of Jerry Bywaters 1906-1989 $250 - $500

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16 TOM LEA (Am. 1907-2001) A Picture Gallery: Paintings and Drawings, By: Tom Lea, 1968 15

15 JERRY BYWATERS (Am. 1906-1989) Election Day In West Texas (Balmorhea), 1940 lithograph 12 x 16 inches edition 37/50 inscribed: To Velma & Oats – Sept. 1940 signed lower right: Jerry Bywaters $5,000 - $10,000

Includes the book, 12 color prints & 23 monochromatic prints. Published: Little, Brown and Company; Boston, Toronto; 1968.

Prefatory Note, page vii: “All I have tried to do here is to write it as if I might be walking with a friend in this picture gallery recalling the times when and describing the places where the work was done, offering such recollections not to expound but simply to examine whatever of life was caught and continues to reside in the pictures themselves.”

– Tom Lea $250 - $500

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20 OTIS DOZIER (Am. 1904 – 1987) Jack rabbits, 1938 oil on canvas 24 x 24 inches edition 28/28 signed lower right: Otis Dozier 1938 $1,500 - $3,000

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17 JERRY BYWATERS (Am. 1906-1989) Country Store 20

lithograph 8 x 13 inches; edition 17/25 signed lower right: Jerry Bywaters $1,000 - $2,000

21 JERRY BYWATERS (Am. 1906-1989) House in Taos, 1939 lithograph 9 x 14 inches edition 25 signed lower right: Jerry Bywaters $1,000 - $2,000

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22 ALEXANDRE HOGUE (Am. 1898-1994) Snake & Cactus

18 WAYNE BAIZE (Am. 1943-) Remuda, 1969

lithograph 14 x 15 inches signed lower right: Alexandre Hogue

lithograph 13 x 18 inches signed lower right: Wayne Baize 1969

$3,000 - $6,000

$500 - $1,200

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19 JOHN A. STRYKER Herding Cattle photograph 22 x 30 inches signed lower right: John A. Stryker $300 - $600 19

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23 JERRY BYWATERS (Am. 1906-1989) West Texas RR Station, 1938 lithograph 8 1/2 x 11 1/4 inches; edition 50 signed lower right: Jerry Bywaters 1938 24

$750 - $1,500 This print was included in the Lone Star Printmakers exhibition at the Dallas Museum of Fine Arts in 1938.

24 TOM LEA (AM. 1907-2001) Downtown El Paso in the 1860s, Corner of El Paso and San Francisco Streets, 1962 lithograph 12 1/4 x 18 1/4 inches edition 95/100 signed lower right: Tom Lea 1962 $1,000 - $2,000

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25 ALEXANDRE HOGUE (Am. 1898-1994) Prairie Dog, 1938 lithograph 7 x 5 1/2 inches edition 12/140 signed lower right: Alexandre Hogue 1938 $1,000 - $2,000

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26 ROBERT JENKINS ONDERDONK (Am. 1852-1917) Pasture, 1879 graphite and opaque white on paper; 7 x 11 1/2 inches; signed lower left: RJ Onderdonk $2,500 - $5,000

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27 FLORENCE MCCLUNG (Am. 1894-1992) New Colt lithograph 13 x 17 inches signed lower right: Florence McClung $500 - $1,000

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28 ROBIN ARTINE SMITH (Am. 1903-1991) Shells watercolor on paper 12 x 16 inches signed lower left: Artine $300 - $600

29 SCOTT GENTLING (Am. 1942-2011) STUART GENTLING (Am. 1942-2006) BOOK: Of Birds and Texas, Fort Worth, 1986 Number 484/500 of a Limited Edition of 500 copies plus 25 artists’ copies signed by painters Scott and Stuart Gentling and author John Graves. Designed and printed by David Holman at the Wind River Press, Austin. Illustrations printed by offset lithography, text printed by letterpress with Centaur monotype on Mohawk Superfine paper.

The book consists of two portfolios containing the fifty offset lithographic color plates of Texas birds and landscapes painted by artists Scott and Stuart Gentling, of Fort Worth with commentary by the artists preceding each plate. Texas author John Graves’ essay is included in this book: Recollections of a Texas Bird Glimpser. This was created in memory of John James Audubon. The book is crafted by Jensen Bindery, Austin.

Portfolio One consists of Texas landscape plates. Preliminary sheets, including the forward written by Harry Tennison and the introduction by Stuart Gentling. Portfolio Two consists of an assortment of Texas fowl set in seasonal Texas backgrounds.

This is an original signed edition in excellent condition. $2,000 - $4,000 9

33 BLANCHE MCVEIGH (Am. 1895-1970) Commissary lithograph 10 3/4 x 14 3/4 inches signed lower right: Blanche McVeigh $2,000 - $4,000

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30 CYNTHIA BRANTS (Am. 1924-2006) Quasar, A.P.

34 BLANCHE MCVEIGH (Am. 1895-1970) Unfinancial

serigraph 9 3/4 x 8 3/4 inches; artists proof; signed lower right: C Brants

aquatint 10 1/4 x 6 3/4 inches signed lower right: Blanche McVeigh

$400 - $800

$1,000 - $2,000

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31 CYNTHIA BRANTS (Am. 1924-2006) Dawn in the Desert, A.P.

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monoprint 8 1/4 x 12 inches; artist proof signed lower right: Brants $600 - $1,200

32 BLANCHE MCVEIGH (Am. 1895-1970) Taos Valley lithograph 11 1/4 x 14 3/4 inches; edition 50; signed lower right: Blanche McVeigh $1,500 - $2,000

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35 BLANCHE MCVEIGH (Am. 1895-1970) I Got Yo Chicken and Now We Renegotiate aquatint 10 x 8 inches unsigned $750 - $1,500

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36 BLANCHE MCVEIGH (Am. 1895-1970) Adobe Houses

38 DOEL REED (Am. 1895-1985) New Mexico aquatint 12 x 17 1/2, edition 8/25, signed lower right: Doel Reed $1,500 - $3,000

lithograph 9 1/2 x 13 3/4 inches edition 50; signed lower right: Blanche McVeigh $600 - $1,200

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37 BROR UTTER (Am. 1913-1993) Dancer monoprint 9 x 6 inches signed lower right: Bror Utter $200 - $400

39 CHARLES BOWLING (Am. 1891-1985) Mexican Business District, 1935 lithographic crayon on paper 10 x 12 inches; signed lower left: Chas T. Bowling 1935 $4,000 - $8,000 This piece was exhibited in the 7th Annual Dallas Allied Arts Exhibit, March 24 – April 21, 1935 11

42 EDMUND DANIEL KINZINGER (Am. 1888-1963) Our Maid in Taos Serigraph 14 3/4 x 11 inches signed lower right: Edmund Kinzinger $500 - $1,000

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40 OTIS DOZIER (Am. 1904-1989) Texas Windmill

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lithograph 14 x 11 1/2 inches edition 27/29 signed lower right: Otis Dozier $1,000 - $2,000 The Dallas Morning News in October of 1938 covered the first exhibition by Texas Printmakers. It noted Dozier’s Texas Windmill lithograph as part of the Lone Star Printmakers Exhibition.

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41 TOM RYAN (Am. 1922-2011) Passing By lithograph 13 1/2 x 16 3/4 inches signed lower right: Tom Ryan $500 - $1,000 12

43 OTIS DOZIER (Am. 1904-1987) Texas Landscape lithograph 10 x 14 inches signed lower right: Otis Dozier $1,000 - $2,000

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45 LLOYD GOFF (Am. 1908-1982) Reynalda

44 MERRITT MAUZEY (Am. 1897-1973) Another Glimpse of Oak Creek Valley, with Star as Colt hand colored lithograph 11 x 18 inches; signed lower right: Merritt Mauzey

lithograph 12 x 10 inches edition 7/10 signed lower right: Lloyd Goff $400 - $800

$1,000 - $2,000

47 DOUGLAS CLARK (Am. 20th Cent.)

Mother & Child bronze 12 x 9 1/2 x 8 inches edition 5/35 signed on bottom: DB Clark 5/35 $1,500 - $2,500

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46 CHARLES BOWLING (Am. 1891-1985) Hill-top Cabin 47

lithograph 8 x 10 inches signed lower right: Chas. T Bowling $500 - $1,000

48 JACK BOYNTON (Am. 1928-2010) Boot serigraph 30 x 29 1/2 inches signed lower left: Jack Boynton annotation lower right: HGI II $1,000 - $2,000

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50 MERRITT MAUZEY (Am. 1897-1973) Bolin Ranch lithograph 10 3/4 x 17 inches; edition 20 signed lower right: Merritt Mauzey $750 - $1,500

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49 DARYL HOWARD (Am. 20th Cent.)

When the heart breathes‌ Shadows turn into light

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original hand pulled woodblock print 13 x 10 inches; edition 24/50 signed lower right: Daryl Howard

51 DOUGLAS CLARK (Am. 20th Cent.)

Horned Frog

$1,500 - $3,000

bronze 3 1/3 x 9 x 5 inches edition 9/100 signed on bottom: DB Clark

This image was sketched on the Pedernales River at Sunset Near Marble Falls, TX. It has been said, second to Gustave Baumann, Austin artist, Daryl Howard is one of few American artists whose woodblock practice is authentic. For the last 30 years, Howard has been creating her work under the traditional Japanese method of woodblock print making which she studied in Japan under Master Hodaka Yoshida. Being a native Texan, many of her subjects include Texas wildlife and history.

$800 - $1,600

52 HOWARD COOK (Am. 1901-1980) River Baptism, 1937 lithograph 10 x 7 inches; edition 50 inscribed: for Otto Medellen signed lower right: Howard Cook imp. 37 $500 - $1,000 52

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54 MARY BONNER (Am. 1887-1935) Two Dogs etching 21 x 14 inches unsigned $2,500 - $5,000

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53 REID CROWELL (Am. 1911-1991) Loading Bundles #2 linoleum block print on paper 5 x 6 3/4 inches signed lower right: Reid Crowell

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$400 - $800 This piece was exhibited at the Dallas Museum of Fine Arts. The exhibition sticker is attached to the back.

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56 REID CROWELL (Am. 1911-1991) Pair of Prints: Old Mexican Woman #2, 1935 linoleum block print on tissue 11 1/2 x 7 1/4 inches; signed lower right: Reid Crowell 55

55 PETER HURD (Am. 1904-1984) The Shepherds Christmas, New Mexico lithograph 6 x 8 inches inscribed on bottom: The Shepherds Christmas – New Mexico; For Mr. John R. Athrus from his friend Peter Hurd

Suspicion #2, 1934 linoleum block print on tissue 8 x 6 inches signed lower right: Reid Crowell $400 - $800

$500 - $1,000 15

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57 JOSEPHINE MAHAFFEY (Am. 1903-1982) Still Life watercolor on paper 29 x 20 inches signed lower right: JM

59 JOSEPHINE MAHAFFEY (Am. 1903-1982) View of Downtown Fort Worth, TX oil on canvas 18 x 24 inches; signed lower right: JM

$1,000 - $2,000

$2,000 - $4,000

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58 JOSEPHINE MAHAFFEY (Am. 1903-1982) Floral & Figure

60 JOSEPHINE MAHAFFEY (Am. 1903-1982) Floral

61 JOSEPHINE MAHAFFEY (Am. 1903-1982) Floral Still Life

watercolor on paper 17 x 11 inches signed lower right: JM

watercolor on paper 29 x 19 inches signed lower right: JM

watercolor on paper 29 x 20 inches signed lower right: JM

$600 - $1,200

$1,000 - $2,000

$750 - $1,500

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64 MARJORIE JOHNSON LEE (Am. 1911-1997) Sea and Sand oil on canvas 9 x 16 inches; signed lower left: M Johnson

62 JOSEPHINE MAHAFFEY (Am. 1903-1982) Crane and Pheasant

$1,500 - $3,000

watercolor on paper 30 x 20 inches signed lower right: JM $1,200 - $2,400

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66 DONALD VOGEL (Am. 1917-2004) Field of Orange

63 JOSEPHINE MAHAFFEY (Am. 1903-1982) Boat Ride Forest Park, Fort Worth, TX watercolor on paper 12 x 16 inches signed lower right: JM

oil on canvas 40 x 40 inches signed lower right: D. Vogel

$750 - $1,500

$3,000 - $6,000 65 PATTIE EAST (Am. 1894-1994) Sunflower & Cactus oil on canvas 36 x 30 inches signed lower right: East $2,000 - $4,000 65

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70 BROR UTTER (Am. 1913-1993) Two Abstract Figures, 1955 mixed media on board 15 x 18 inches signed lower right: Bror Utter 4/55 $2,500 - $5,000

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67 DICKSON REEDER (Am. 1912-1970) Young Girl with Book, 1964 oil on canvasboard 24 x 18 inches unsigned $1,000 - $2,000

68 DAVID BROWNLOW (Am. 1915-2008) Cathedral oil on masonite 48 x 12 inches signed lower left: David Brownlow $2,000 - $4,000

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71 PATTIE EAST (Am. 1894-1994) Texas Cotton oil on canvas 16 x 20 inches signed lower right: East $4,000 - $8,000 This painting was exhibited in the Lone Star Still Lifes exhibition at Panhandle-Plains Historical Museum, Canyon, TX, March 24 - July 15, 2009.

69 JOSEPHINE MAHAFFEY (Am. 19031982) Crucifixion oil on board 48 x 36 inches signed lower right: JM $2,500 - $3,500 68

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72 BETH CLARDY (Am. 1919-2004) Untitled

73 CYNTHIA BRANTS (Am. 1924-2006) The Juggler

gouache on paper 8 1/2 x 6 inches signed lower right: Clardy

oil on canvas 40 x 28 inches signed lower left: C Brants $3,000 - $6,000

$600 - $1,200 View across the old lawn at Kimbell Art Museum with Sardine’s Italian Restaurant in distance, Fort Worth, TX 72

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“Cynthia Brants is described by longtime friend and author, John Graves as a versatile artist with a ‘lifelong compulsion to experiment radically with forms. subjects and materials.’ He further describes her as somewhat of a ‘maverick’ in her approach to the arts and to life. Influenced early by the artwork of Cezanne and later

by Braque, Klee and Picasso, Cynthia’s quest was to take a brave step further in her work as she continued a lifelong dialogue with Cubism in contributing to the history of art.”

– The Cynthia Brants Trust.

74 BILL BOMAR (Am. 1919-1990) Lake Mineral Wells, 1945 oil on board 12 x 16 inches signed lower left: Bill Bomar 45 $7,500 - $12,500 74

75 GEORGE GRAMMER (Am. 1928-) Riding for the City, 1953 mixed media on paper 18 x 24 inches signed lower right: Grammer 1953 $5,000 - $10,000 75

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76 CLARA CAFFREY PANCOAST (Am. 1873-1959) Still Life oil on canvas 18 x 24 inches; signed lower right: CC Pancoast $4,000 - $6,000

79 KELLY FEARING (Am. 1918-2011) Monk Holding Plant, 1961 mixed media on paper 14 1/2 x 10 inches signed lower right: Kelly Fearing 1961 $600 - $1,200 76

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77 ELLAMARIE WOOLLEY (Am. 1913-1976) Rooster glazed ceramic tile 12 x 20 inches signed lower center: EM Woolley $750 - $1,500 80

80 ERIK SPROHGE (Am. 1932-) Trois Enfants, 1968 oil on masonite 18 x 24 inches; signed lower left: Erik Sprohge $1,500 - $3,000

78 MARY ELEANOR WITHERSPOON (Am. 1904-1999) Still Life oil on board 24 x 30 inches; signed lower right: Mary E. Witherspoon $1,500 - $3,000 This painting was exhibited in the Lone Star Still Lifes exhibition at PanhandlePlains Historical Museum, Canyon, TX, March 24 - July 15, 2009.

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81 KARL UMLAUF (Am. 1939-) Big Bend Flash Flood oil on board 18 x 29 1/2 inches signed lower right: K. Umlauf $1,500 - $3,000

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82 HIRAM DRAPER WILLIAMS (Am. 1917-) West of Austin, 1962 oil on linen 29 x 39 inches signed lower right: HD Williams 62 $1,500 - $3,000

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83 HIRAM DRAPER WILLIAMS (Am. 1917-) Landscape, 1959 oil on canvas 25 1/4 x 30 inches signed lower right: HD Williams 59 $1,500 - $3,000

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84 EVERETT SPRUCE (Am. 1908-2002) Untitled oil on board 24 x 20 inches signed lower left: Spruce $5,000 - $10,000

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85 EVERETT SPRUCE (Am. 1908-2002) Untitled oil on paper 15 x 17 inches signed lower left: Spruce $2,000 - $4,000

85

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86

86 WILLIAM LESTER (Am. 1910-1991) Alley, 1947 oil on masonite 20 x 24 inches signed on reverse: WM Lester – Alley 1947 $15,000 - $25,000

WILLIAM LESTER is known as one of the great Texas Regionalist painters. He was included in the Exhibition of Young Dallas Artists at the Dallas Public Art Gallery at Fair Park in 1932. The Art Digest, a national art magazine, gave notice to nine emerging and notable artists in that show and coined the group with the name Dallas Nine. Lester was one of the Nine along with Jerry Bywaters, Otis Dozier, Alexandre Hogue and Everett Spruce to name a few. Lester’s art career included teaching at the Dallas Museum of Fine Arts as well as being part of the faculty at the University of Texas, Austin, where he remains an important influence on the legacy of Texas Art. His paintings are in the permanent collections of: Dallas Museum of Art, Modern Art Museum of Fort Worth; Whitney Museum of American Art, New York; Pennsylvania Academy of Fine Arts, Philadelphia and the U.S. Embassy, Paris to name a few.

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87 HARI KIDD (Am. 1899-1964) Decorations for a Married Woman, c. 1935 oil on canvas 31 1/2 x 22 1/4 inches signed lower right: Hari Kidd $5,000 - $10,000

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88 HARI KIDD (Am. 1899-1964) Indian Lyric watercolor on paper 17 x 23 inches signed lower right: Hari Kidd titled lower left: Indian Lyric $2,500 - $3,500

88

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89 BARNEY DELABANO (Am. 1926-1997) Firecracker Junction, 1951 oil on masonite 18 x 24 inches signed lower left: Barney Delabano 51 $5,000 - $10,000

The original note attached to verso states: “The Old Firecracker Junction was located on Fort Worth Avenue in Dallas. They sold firecrackers on the 4th of July and other holidays and the rest of the time told fortunes.”

This painting was exhibited in the artists’ solo exhibition: The Art of Barney Delabano at The Museum for East Texas Culture in Palestine, Texas in 2006. It was also shown in the Urban Texas: Changing Images of an Evolving State exhibition at Panhandle Plains Historical Museum in 2007-2008.

90 REYNOLD ARNOLD (Fr. 20th Cent.)

Les Footballers du Texas – Dallas, 1949 oil on masonite 24 x 18 inches signed lower right: Reynold Arnold $2,000 - $4,000 REYNOLD ARNOLD, a Rouen, France native, served as guest Chairman of the Art Department at Baylor University for two years around 1951. During that time he had a solo exhibition: Frescos, Drawings and Paintings by: Reynold Arnold which opened at the Dallas Museum of Fine Arts. The show then traveled to Austin, Houston and ended in New York City. This show included some of his Football series like this painting. In his painting career Arnold had solo shows at the Durand-Ruel Galleries, NY; Oxford Arts Club and Maison Francaise in Oxford; the Galerie Gimpel Fils, London; Art Museum of Princeton, N.J and Galerie Billiet Caputo in Paris. Arnold’s football series reflect his feeling on the game as only a foreigner at that time could. He noted: “it is a kind of mass festivity, almost like a pagan religious celebration.” The players are: “among the few kinds of popular idol existing in this country.” He saw them as medieval knights in armor going forth to battle.

90

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92 FRANK GERVASI (Am. 1895-1986) Davis Mountains, TX oil on canvas 20 x 24 inches signed lower left: F Gervasi $2,500 - $5,000

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91 ROLLA TAYLOR (Am. 1871-1970) Spring in Texas oil on canvasboard 9 x 12 inches signed lower right: Rolla Taylor $1,500 - $3,000

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93 WESLEY FREDERICK JARVIS (Am. 1868-1966) Bluebonnet Landscape oil on canvas 16 x 24 inches signed lower left: W Frederick Jarvis $1,000 - $2,000

94 CLARA CAFFREY PANCOAST (Am. 1873-1959) Bluebonnet Landscape oil on canvas 9 1/2 x 11 inches signed lower right: CC Pancoast $1,000 - $2,000 94

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95 IRA D. SHEPLER (Am. 1876-1944) Creek Bed oil on canvas 24 x 30 inches signed lower right: Ira Shepler $1,500 - $3,000

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96 PORFIRIO SALINAS (Am. 1910-1973) Mission San Jose, San Antonio oil on board 7 1/2 x 9 1/2 inches signed lower right: Porfirio Salinas $5,000 - $8,000 96

97

97 ROBERT WOOD (Am. 1889-1979) Bluebonnet Landscape oil on canvas 24 x 36 inches; signed lower right: Robert Wood $24,000 - $28,000 27

98

98 ANNETTE HODGES (Am. 20th Cent.)

Rancho Santa Rosita acrylic on canvas 24 x 30 inches signed lower right: Hodges

99

$2,500 - $5,000 99 PORFIRIO SALINAS (Am. 1910-1973) Fall Near San Antonio oil on canvas 25 x 30 inches; signed lower left: P Salinas $15,000 - $25,000

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100 HUGO D. POHL (Am. 1877-1960) Close of Day oil on board 9 x 12 inches signed on back: HD Pohl $2,000 - $4,000

101 PORFIRIO SALINAS (Am. 1910-1979) Landscape with Creek and Horse oil on canvas 20 x 25 inches signed lower left: Porfirio Salinas $5,000 - $10,000 101

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103 ELMER BOONE (Am. 1883-1952) El Capitan oil on canvas 18 x 24 inches signed lower left: EL Boone $5,000 - $10,000

103

102

104 DOUGLAS RICKS (Am. 1954-2003) Trail Smoke, 1984

102 HORST SCHRECK (Am. 1885-1967) The Searcher

oil on paper 16 x 12 inches signed lower left: Douglas Ricks 1984

oil on masonite 18 1/2 x 13 1/4 inches signed lower right: H Schreck

$2,000 - $3,000

$1,000 - $2,000 HORST SCHRECK was born in Herisau, Switzerland. He moved to the US by way of Great Britain and then Canada, finally arriving in the US where he then graduated from Indiana Veterinary College in 1916. Schreck was active in the Veterinary Corps of the U.S. Army. He created posters of horses and other veterinary illustrations during WWI. He also created the Join the Calvary series of war posters. He was released from the service in El Paso, where he remained to paint. A brief stint took him to New York, where he attended Beaux-Arts Institute of Design, choosing to return to El Paso until his death.

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105

105 WOODROW WILSON “WOODY�

CRUMBO (Am. 1912-1989) Indian on Horseback gouache on paper 14 x 19 inches signed lower right: Crumbo $750 - $1,500

106 JAMES BOREN (Am. 1921-1990) Untitled, 1966 watercolor 13 x 19 inches signed lower left: James Boren 1966 $3,000 - $4,000 106

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108 LISA ALDERSON (Am. 20th Cent.)

Prickly Pear Cactus, 2010 oil on masonite 14 x 11 inches signed lower left: LC Alderson 10 $400 - $600 107

107 MAX BACHOFEN (Am. 1903-1987) Landscape watercolor on paper 11 1/2 x 18 1/4 inches signed lower right: Max Bachofen

108

$4,000 - $6,000

109 DAWSON DAWSON-WATSON (Am. 1864-1939) Cactus in Bloom, 1939 oil on canvas 21 x 16 inches signed lower right: Dawson-Watson 39 $18,000 - $25,000

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110 LLOYD ALBRIGHT (Am. 1896-1950) Near the Four Corners oil on board 18 x 24 inches signed lower right: Albright $2,500 - $5,000 109

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111

111 RONALD CROOKS (Am. 1925-2006) Bottom Deal oil on board 24 x 30 inches signed lower right: R Crooks 112

$600 - $1,200

112 FRED DARGE (Am. 1900-1979) Cowboy of the Plains Panhandle, Texas oil on canvasboard 16 x 12 inches signed lower right: F. Darge $4,000 - $6,000

113 FRED DARGE (Am. 1900-1979) Evening Shadows, Palo Duro Canyon oil on canvasboard 12 x 16 inches signed lower right: F Darge $2,000 - $4,000 113

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114 REVEAU BASSETT (Am. 1897-1981) White Rock Lake at Dawn, Marshland, c. 1920 oil on canvas 40 x 48 inches signed lower right: Reveau Bassett $22,000 - $32,000 John E. Mitchell of Dallas commissioned Reveau Bassett to paint this scene of ducks flying over the marshes of White Rock Lake around 1920. Mr. Mitchell’s home at the time was on White Rock Lake.

This painting has been in the same family in Dallas since this was painted, and is still in the original frame. This is an early, excellent work by the Dallas painter, of his most coveted subject matter, ducks in flight. His use of color and the brushwork in this painting are exceptional.

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116 115

115 HAROLD DOW BUGBEE (Am. 1900-1963) Old Coyote Hunter, c. 1925

116 HAROLD DOW BUGBEE (Am. 1900-1963) On the Chupadero Ranch, 1942

oil on canvas 20 x 14 inches; signed lower right: HD Bugbee

oil on canvasboard 10 x 14 inches; signed lower right: HD Bugbee 42; on reverse: On the Chupadero Ranch

$12,000 - $18,000

$5,000 - $10,000

HAROLD BUGBEE was an illustrator artist and painted historical portraits and images of ranching life. His education included graduating from Clarendon High School, he then attended Clarendon College, Texas A&M and graduated from the Charles Cummings School of Art, Des Moines, Iowa in 1921. Making art his career, his work appeared on the covers of Panhandle-Plains Historical Review, Country Gentleman, Quarter Horse Journal, Progressive Farmer, The Cattleman and Field and Stream magazines. He also illustrated J Evetts Haley’s book: Charles Goodnight, Cowman & Plainsman. Bugbee’s paintings were exhibited at the Annual Texas Artists Exhibition, Fort Worth in 1937; Findler Gallery, Chicago; Feragil Art Galleries, New York; the Museum of the Big Bend, Alpine, TX 1997 and Panhandle-Plains Historical Museum for many years where he was also the part time curator.

The proceeds of the sale of Lot 115 and Lot 116 will benefit the Panhandle-Plains Historical Museum, Canyon, Texas.

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117 FRANK REAUGH (Am. 1860-1945) October, Near Terrell, TX January 4, 1895 pastel on paper 5 13/16 x 8 7/8 inches inscribed lower right: Near Terrell, Jan 4 95 $6,000 - $12,000

The proceeds of the sale for Lot 117 and Lot 118 will benefit the Panhandle-Plains Historical Museum, Canyon, Texas.

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118 FRANK REAUGH (Am. 1860-1945) Untitled – Cattle Down a Rise, c. 1910 pastel on paper 5 5/16 x 8 5/16 inches unsigned $8,000 - $12,000

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120

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119 ROBERT WOOD (Am. 1889-1979) West Texas

120 ROBERT PUMMILL (Am. 1936-) Bosque County

oil on canvas 24 x 30 inches signed lower left: Robt. Wood

oil on canvas 24 x 36 inches signed lower left: Pummill

$7,000 - $10,000

$8,000 - $10,000 33

121 ROBERT PUMMILL (Am. 1936-) Old Blue oil on canvas 26 x 50 inches signed lower left: Robert Pummill $20,000 - $25,000

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123 HUGO D. POHL (Am. 1878-1960) Last of the Longhorns 122

oil on board 10 x 14 1/2 inches signed lower left: HD Pohl $1,500 - $3,000

122 BEN CARLTON MEAD (Am. 1902-1986) Untitled, 1936 oil on canvas 22 x 17 inches signed lower left: Ben Carlton Mead 36 $3,000 - $4,000

124 JIM REY (Am. 1878-1960) Hermosa Creek oil on board 10 x 14 1/2 inches signed lower right: Jim Rey $1,000 - $2,000 124

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125 FRANK REAUGH (Am. 1860-1945) Knickerbocker, 1926 pastel on paper 4 x 7 inches unsigned $4,000 - $6,000

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126 FRANK REAUGH (Am. 1860-1945) Longhorns on Plains pastel on paper 1 1/2 x 3 1/4 inches authentication note on reverse: “I hereby certify this pastel sketch was made by Frank Reaugh – Reveau Bassett, Sept. 25, 1970” $4,000 - $6,000 126

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127 FRANK REAUGH (Am. 1860-1945) Landscape with Longhorns, 1933 pastel on paper 4 x 6 7/8 inches signed lower right: 33 $3,000 - $5,000 This painting includes a letter of authentication written by Michael Grauer, of Panhandle-Plains Historical Museum.

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128 FRED MASON (Am. 20th Cent.)

Takin’ a Break oil on canvas 24 x 18 inches signed lower right: Fred Mason $750 - $1,500 35

129 NATALIE ERWIN (Am. 20th Cent.)

West Texas Landscape mixed media on birch wood panel 47 1/2 x 42 inches signed lower right: Natalie Erwin $6,500 - $12,500 NATALIE ERWIN, a Fort Worth native, creates her works with an original approach using natural elements and a burning technique. Erwin comments, “I started the Ranch Series in 2007 when I became inspired to paint my family’s historic ranch photos.” The family ownership of the ranch spans six generations. The West Texas Landscape is inspired by a photograph taken at the turn of the century.

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130 JON FLAMING (Am. 20th Cent.)

The Saloon oil on masonite 40 x 30 inches signed lower left: Jon Flaming $4,000 - $8,000

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131 JON FLAMING (Am. 20th Cent.)

Peggy Sue BBQ, Dallas, TX oil on canvas 36 x 48 inches signed lower left: Jon Flaming $5,000 - $10,000

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132 MARGARET FLY (Am. 20th Cent.)

North Texas Hill Country, Near St. Joe oil on canvas 22 x 28 inches signed lower right: Margaret Fly $1,000 - $2,000

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133 TONY EUBANKS (Am. 1939-) The Hay Wagon oil on canvas 30 x 24 inches signed lower right: Eubanks $9,500 - $11,500 133

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134

134 WILLIAM LESTER (Am. 1910-1991) Winter Landscape watercolor on paper 22 x 28 inches unsigned $1,500 - $3,000

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135 OCTAVIO MEDELLIN (Am. 1907-1999) Mazanticutli, 1989 stone 45 x 24 x 20 inches signed on bottom: Medellin 1989 $20,000 - $30,000 This sculpture came from the Octavio Medellin Estate, Texas.

OCTAVIO MEDELLIN professionally studied as an artist under Xavier Gonzalez and Jose Arpa while a the San Antonio School of Art; and later studied at the Art Institute of Chicago in 1928. Upon his return to San Antonio, he taught sculpture at the Witte Memorial Museum art school and Villita Art Gallery, San Antonio.

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136 WARD LOCKWOOD (Am. 1894-1963) Rock Forms india ink and earth from spot on paper 18 x 24 inches signed middle left: Lockwood $2,500 - $5,000 This piece was exhibited at the University of Texas Art Museum as well as the Ward Lockwood Retrospective at the Amon Carter Museum in Fort Worth, TX: November 22, 1967 - January 14, 1968

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In the late 1930s, Medellin spent time in Mexico studying Mayan and Toltec art; this Mayan influence is evident in this “Deer Hunter� stone piece, which is a desirable style for his work. From the 1940s on Medellin maintained and influential and active roll in the Dallas art community; while he taught art at both the Dallas Museum of Fine Arts School and students of Southern Methodist University. Finally in 1966, he established the Medellin School of Sculpture, Dallas. The Octavio Medellin Collection was established at the Jerry Bywaters Collection of Art at SMU, and he also received a legend award from the Dallas Visual Art Center in 1996.

His work is currently in the following collections: Dallas Museum of Art, Witte Museum, San Antonio, Museum of Science and Industry, Chicago to name a few. To this day his sculpture and reliefs can be found in numerous churches across Dallas, Fort Worth, Las Colinas, and Denton areas.

137 JAMES MORRIS (Am. 1898-1973) Man and Child oil on board 18 x 24 inches signed lower left: Morris $3,000 - $6,000

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139 JAMES MORRIS (Am. 1898-1973) Abstract oil on canvas 35 x 26 inches signed lower right: Morris $6,000 - $12,000

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138 JAMES MORRIS (Am. 1898-1973) Figures oil on masonite 24 x 18 inches signed lower left: Morris $3,000 - $6,000 139

JAMES STOVALL MORRIS was part of a small group of artists who established the first art colony in Santa Fe, NM in the late 1920s. James Morris was born in Marshall, MO in 1898. He received a BA degree from Washington and Jefferson College in Pennsylvania before 1925 and also studied at the Art Institute in Cincinnati, OH and Pennsylvania Academy of the Fine Arts.

The Southwest state of New Mexico was his calling and his love in creating his art. Arriving in Santa Fe and not having much money for food or supplies, he and a few others set up makeshift living quarters outside. His fist painting was sold to John Sloan, an artist in his own right. Sloan was so impressed with Jim Morris he made special arrangements for him to study at the Art Students League in New York under a scholarship.

During his study at the Art Students League in NY and to help make ends meet, he taught art in some of the nearby private high schools and painted and sold lush landscapes of the northeastern countryside. He also was an illustrator of a history book used in the New York public school system. Tiring of that part of the county, in 1935 he made his way to Florida with his friend Louis Stone where they co-founded the Stone-Morris School of Fine Arts. A few years later Morris left the East coast and made his way back to New Mexico.

By the 1940s Morris was commissioned by the government, like many others in the WPA project, to create artwork and paint murals in Federal Buildings. Many of these paintings have been lost.

In 1944, Morris served in the Navy in WWII, and was stationed in the Aleutian Islands, Alaska. It was dismal there and he was too busy to paint, but he did sketch the surrounding area. When his service ended he returned to Santa Fe, marking a time when his painting took a more modern flavor of modern impressionism. He was recognized as one of the five leading artists in the country. His residence was located on Canyon Road with his art studio and gallery a few doors down at 616 Canyon Road. For over 30 years he lived and sold his work from Canyon Road.

Morris used basic bold colors in oil while he painted his watercolors in soft, delicate colors. Many times he would sketch an idea and put it away, sometimes for months, before working on it again to refine it. Some of his works were painted several times.

When asked what is the story behind his paintings, he would respond by asking, “what story does this painting tell you?�

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140 BILL FRANCIS (Am. 1929-2000) House watercolor on paper 18 x 24 inches signed lower right: Francis $750 - $1,500

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141 BILL FRANCIS (Am. 1929-2000) Class Portrait watercolor on paper 16 x 22 inches signed lower right: Bill Francis $600 - $1,200

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142 WILLIAM ELLIOT (Am. 1909-2001) Old Twisted Olive Tree, c. 1960 gouache on paper 21 x 27 inches signed lower right: W Elliot $1,500 - $3,000

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143

143 KELLY FEARING (Am. 1918-2011) Egret and Swamp oil on canvas 10 1/2 x 13 inches unsigned $400 - $800

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144 BOYER GONZALES (Am. 1864-1934) Stream Bed, 1954 oil on panel 24 x 30 inches signed lower right: Boyer Gonzales $4,000 - $8,000

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146 BARNABY FITZGERALD (Am. 1953-) Fatso’s Tuesday oil on canvas 6 1/2 x 10 inches signed on frame: Barnaby $1,000 - $2,000

145 DAVID ADICKES (Am. 1927-) Untitled, Eagle oil on canvas 25 x 21 inches signed lower right: Adickes $5,000 - $10,000 145

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147 OCTAVIO MEDELLIN (Am. 1907-1999) Old Man, 1927 Red cedar 16 1/2 x 7-1/8 x 8 inches signed on base: Octavio Medellin 1927 $3,000 - $6,000 This sculpture came out of the Octavio Medellin Estate, Texas.

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148 OCTAVIO MEDELLIN (Am. 1907-1999) Flower, 1967 glass and metal 13 x 10 inches signed lower right: Octavio Medellin $1,000 - $2,000

149 ROBERT PREUSSER (Am. 1919-1992) Trees oil on masonite 20 x 30 inches signed lower right: Preusser $3,000 - $6,000 ROBERT ORMEROD PREUSSER, a Houston based artist was a skilled and widely exhibited artist from his youth. He was heavily involved in the Houston art scene in the 1940s and early 1950s. In 1935, the New York Times described Preusser as “by all odds the most interesting of any Houston painter – who’s abstractions are distinguished by taut lines and color planes, transparent and of pleasing vitality” – much like this painting. Preusser’s painting and teaching career warrant him as one of the great Texas Modernists.

149

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151 CHARLES UMLAUF (Am. 1911-1994) Nude bronze with green patina 25 x 6 x 9 inches signed on leg of bronze: C Umlauf $14,000 - $18,000 Gibson Danes comments on Umlauf’s feminine sculptures in The Sculpture and Drawing of Charles Umlauf: “It is as difficult as it is surprising to see that an artist has something new to say about one of art’s oldest themes. Umlauf loves to choreograph bodily movement…The forms are never static. The lithe and lovely radiant shapes… with rhythmic contrapposto.” This piece embodies that form. The Sculpture and Drawing of Charles Umlauf, University of Texas Press, 1980.

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150 EDMUND DANIEL KINZINGER (Am. 1888-1963) Two Taxco Women pastel on paper 24 x 18 inches estate stamped lower left $1,500 - $3,000 EDMUND D. KINZINGER was recognized in the fall of 2012 by the Baden-Wurttemberg Seminar at the Heidelberg Center for American Studies in Germany. He was recognized as a German born artist, who had a successful painting career and artistic influence in the U.S. The seminar noted Kinzinger for his renderings of Southwest motifs.

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152 CHARLES UMLAUF (Am. 1911-1994) Head of Saint, 1950 aluminum 18 x 12 x 11 inches signed lower left, sculpture base: C Umlauf stamped: Roman Bronze Works Inc. $3,000 - $6,000 This piece was exhibited in the Tom Slick, International Art Collector Exhibition at the McNay Art Museum, San Antonio in 2009 and was illustrated in the exhibition catalogue. Head of Saint was also illustrated on page 48, plate 48 in Charles Umlauf, Sculptor; forward by: Gibson A Danes, introduction by: Donald B Goodall, University of Texas Press, 1967

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153 HANNA WALKER (Am. 1876-1945) Oklan St, San Antonio oil on canvasboard 16 x 20 inches signed lower right: Hanna Walker $1,000 - $2,000

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154 KIM D. WIGGINS (Am. 1960-) Winter at San Patricio oil on canvas 10 x 14 1/2 inches signed lower left: Wiggins $750 - $1,000

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155 BEN KONIS (Am. 1935-) Winter Adobe oil on canvas 16 x 20 inches signed lower left: Konis $1,000 - $2,000

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156 ROLLA TAYLOR (Am. 1871-1970) Shrimp Boats, Rockport oil on canvasboard 16 x 20 inches signed lower right: Rolla Taylor $2,000 - $4,000

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157 R. JEROME HILL (Am. 1878-1942) White Rock Shores, 1926 oil on canvasboard 12 x 18 inches signed lower left: R Jerome Hill 1926 $1,500 - $3,000

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158 ROBIN ARTINE SMITH (Am. 1903-1991) Canal Locks watercolor on paper 14 x 20 inches estate stamp, lower right: Estate of Robin Artine Smith $500 - $1,000

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159

159 KELLY FEARING (Am. 1918-2011) Rural Landscape, 1941 oil on canvasboard 16 x 20 inches signed lower right: Fearing 41 $10,000 - $15,000

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This is an excellent example of Fearing’s early work. 1941 is the year he finished his education at Louisiana Polytechnic Institute. He later earned his masters at Columbia University. Fearing went on to become one of the foremost surreal painters in Texas art. He was part of the Fort Worth Circle of painters, a group of avant-garde artists. He was professor emeritus at University of Texas in the Art and Art History Department. He taught there from 1947-1987.

While this painting does not embody Kelly’s later surrealism, this reflects his roots as a great regional artist. It has an American Regionalist style; embracing rural life and the American heartland. A time when the country was rapidly advancing and faced with WWII; this painting reflects a static rural farmland landscape, which was often depicted during that major movement in American art.

160 ANCEL NUNN (Am. 1929-1999) Boy on Sidewalk, 1967 acrylic in egg tempera on board 12 x 16 inches signed lower right: Ancel Nunn 1967 $4,000 - $8,000

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161 ANCEL NUNN (Am. 1929-1999) Boy in Sand with Hand, 1985 acrylic in egg tempera on board 30 x 36 inches signed lower right: Ancel Nunn 85 $10,000- $12,000

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ANCEL EDWARD NUNN, acclaimed artist, is known for his super-realism style and acrylic in egg tempera technique. When he was just 15, Nunn began his career in art by studying at the Dallas Art Institute. After spending time in the military he began rededicating his focus to art. Nunn experimented with different painting styles between 1964 and 1967, during which time he destroyed many of his pieces. In 1969 he re-focused and set up a studio called The Foundry in Palestine, TX where he worked for many years. Then in 1980 he moved his studio just outside of Palestine, it was the Morningtown Studio. Nunn’s work has been exhibited at the following museums: Tyler Museum of Art, Lyndon B. Johnson Library, Museum of East Texas, and University of Texas at Tyler. Source: Ancel E. Nunn Papers, Briscoe Center for American History.

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162 PORFIRIO SALINAS (Am. 1910-1973) Surf and Sunlight, 1966 oil on canvas 12 x 16 inches signed lower left: Porfirio Salinas 1966 $8,000 - $12,000

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163 CARL HOPPE (Am. 1897-1981) Mid-Day at Marble Falls oil on board 10 x 20 inches signed lower right: C Hoppe $500 - $1,000

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164 PORFIRIO SALINAS (Am. 1910-1973) Creek Scene oil on canvas 9 x 12 inches signed lower left: Porfirio Salinas $4,000 - $6,000

165 PORFIRIO SALINAS (Am. 1910-1973) Hill Country Landscape

164

oil on canvas 12 x 16 inches signed lower left: Porfirio Salinas $6,000 - $9,000

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166 OLIN TRAVIS (Am. 1888-1975) Late Evening, Ozarks oil on board 12 x 16 inches signed lower left: Olin Travis $3,000 - $6,000

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OLIN TRAVIS first traveled to the Ozarks in 1913, where he continued to visit on sketching and painting trips for many years to follow. After his studies at the Art Institute of Chicago he took a position there as an instructor, and then later a position at the Chicago Commercial Art School. In 1927 Olin Travis opened the Travis Ozark Summer Art School near Cass, Ark. The school remained open for three years. The Dallas based artist and founding member of the Southern States Art League, painted in this region off and on for about twenty years.

Travis painted in other regions of the country and was heavily exhibited in the Dallas-Fort Worth area as well as New York, San Francisco and Chicago.

His paintings can be found major collections including: Elisabeth Ney Museum and Texas Fine Art Association, Austin; Dallas Museum of Art; Torch Collection, Torch Energy Advisors, Houston; and McNay Art Museum, San Antonio.

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167 OLIN TRAVIS (Am. 1888-1975) Markhams Cabin, Arkansas oil on canvas 18 x 24 inches signed lower left: Olin Travis $3,000 - $6,000

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168 OLIN TRAVIS (Am. 1888-1975) Creek Scene oil on canvas 22 x 28 inches signed lower right: Olin Travis $2,500 - $5,000

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169 CARYL PRICE WOOD (Am. 20th Cent.)

California Landscape, Sierras, 1963 oil on canvas 16 x 20 inches signed lower right: Caryl Wood 63 $1,500 - $2,500 Robert Wood and Caryl Price met in the 1950s in California and wed in 1954. Caryl was an armature artist at the time, but quickly learned from Robert. He took her on numerous sketching trips throughout the west in the late 1950s and early 60s. They moved to Bishop, CA, at the foot of the Sierra Mountains in the 1960s.

After painting around the National Parks and some travels they settled home in Bishop. Caryl is a known as a California plein-air painter.

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170

170 JULIAN ONDERDONK (Am. 1882-1922) E. Cleveland watercolor on paper 10 x 16 inches titled lower left: E. Cleveland signed lower right: Julian Onderdonk $3,000 - $5,000

171 JULIAN ONDERDONK (Am. 1882-1922) Landscape lithograph 7 x 8 inches signed lower right: J Onderdonk $2,500 - $5,000 171

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172 JULIAN ONDERDONK (Am. 1882-1922) Springtime Meadow oil on board 5 1/2 x 8 1/2 inches signed lower right: Julian Onderdonk $8,000 - $12,000 JULIAN ONDERDONK is perhaps Texas’ most notable Early Texas painter and is an eminent American Painter. San Antonio native, Julian started painting at a young age, under his father, Robert Jenkins Onderdonk, who was also a celebrated artist in Texas. At 19, Julian moved to New York to study painting at the Art Students League under Keyon Cox. In the summer he studied at Shinecock, NY under William Merritt Chase. His masterful

skill as a plein-air painter and his great understanding of nature is evident in his paintings, such as this depiction of the New York landscape. In 1909, Onderdonk returned to Texas where he continued to paint until his death in 1922.

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173 JULIAN ONDERDONK (Am. 1882-1922) San Antonio River watercolor on paper 10 x 12 inches signed lower left: Julian Onderdonk $10,000 - $15,000

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174 LLOYD GOFF (Am. 1908-1982) Colorado Store Fronts mixed media on paper 15 x 22 inches signed lower left: Lloyd Lozes Goff $6,000 - $12,000

175 ROLLA TAYLOR (Am. 1871-1970) San Antonio River Walk oil on canvasboard 9 x 12 inches signed lower right: Rolla Taylor $1,500 - $3,000 175

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176 ROLLA TAYLOR (Am. 1871-1970) West Side, San Antonio oil on canvasboard 12 x 16 inches signed lower right: Rolla Taylor $1,500 - $3,000 ROLLA TAYLOR originally from Galveston, Texas, began painting at 14. His family moved to San Antonio in 1889 and then to Cuero, Texas. Taylor studied in San Antonio with Robert Jenkins Onderdonk, Jose Arpa and Theodore Gentilz.

His 60 year painting career included exhibitions across Texas and nationally. He was a member of some of the most notable art leagues of his day, including San Antonio Art League, Southern States Art League, American Federation of Arts and the Chicago Society of Artists.

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177 ROLLA TAYLOR (Am. 1871-1970) Streets of Santiago, Mexico oil on canvasboard 16 x 20 inches signed lower right: Rolla Taylor $1,500 - $3,000 177

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178 XAVIER GONZALEZ (Am. 1898-1993) Mexico, 1924 watercolor on paper 6 1/4 x 11 inches signed lower left: Xavier Gonzalez 1924 $1,000 - $2,000

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179

179 ROLLA TAYLOR (Am. 1871-1970) Street of Guanajuato oil on canvasboard 16 x 20 inches; signed lower left: Rolla Taylor $2,000 - $4,000 56

180

180 JOSE VIVES-ATSARA (Am. 1919-2004) Pueblo en la Montana, Catalonia, Spain oil on canvas 96 x 60 inches signed lower right: Vives-Atsara $20,000 - $30,000

57

181 JESSE JAY MCVICKER (Am. 1911-2004) Arborescent Rhythms watercolor on paper 15 x 22 inches signed lower right: J. Jay McVicker $2,000 - $4,000 J. JAY MCVICKER followed Doel Reed as chair of the Department of Art at Oklahoma State University.

Reed’s influence on McVicker’s early art is evident in this painting with the focus on nature and use of broad brushstrokes. He eventually moved away from this regional style for a more abstract approach.

181

182

182 ED BEARDEN (Am. 1919-1980) Rail Road Yard in Snow, 1951 oil on masonite 20 x 30 inches signed lower right: Ed Bearden 51 $3,000 - $6,000 58

ED BEARDEN received his BA in art from Southern Methodist University and went on to play significant roll in the art community both in fine art, and as a graphic designer for the advertising agency he owned.

Bearden served as the assistant to Jerry Bywaters, Director of the Dallas Museum of Fine Arts, and his work is still in their private collection. Bywaters and Bearden’s painting styles yield similarities as many associated artists do. Bearden also taught art at his alma mater, SMU. He was one of the founding members of the Dallas Museum for Contemporary Arts. He traveled for years to New Mexico, Colorado and Arkansas whose landscapes are the subject matter of many of his paintings.

183 OTIS DOZIER (Am. 1904-1987) Still Life, 1981 oil on canvas 24 x 36 inches unsigned $10,000 - $15,000

183

184 OTIS DOZIER (Am. 1904-1987) Young Owls, 1963 oil on canvas 24 x 24 inches signed lower right: Otis Dozier 1963 $8,000 - $15,000 184

59

185

185 ED BEARDEN (Am. 1919-1980) Study for Mural, 1943 watercolor on paper 28 x 20 inches signed lower right: Ed Bearden 43 $5,000 - $10,000

60

186

186 FLORENCE MCCLUNG (Am. 1894-1992) Old Homestead oil on canvas 20 x 30 inches signed lower right: F McClung $15,000 - $25,000 This painting was exhibited at the Denver Art Museum’s 39th Annual Exhibition and the Texas Fine Arts Jury Show.

61

187

187 LUCIE HARRIS LOCKE (Am. 1904-1989) Cinderland Cedar, 1943 oil on board 24 x 18 inches signed lower right: Lucie H Locke 1943 $15,000 - $25,000

62

LUCIE HARRIS LOCKE, native of Valdosta, GA, moved to El Paso, San Antonio, Sonora, and the Texas Hill Country before settling in Corpus Christi in 1931. She studied at Sophie Newcomb College, New Orleans under Ellsworth Woodward, Will Henry Stephens and Xavier Gonzalez. She attended San Antonio Art School and studied under Olin Travis and Charles Rosen. She was the chairman of the Corpus Christi Art Foundation from 1944-1946 and art critic of the Corpus Christi Caller-Times. She exhibited at: Southern States Art League Annual Exhibition; Annual Texas Artists Circuit Exhibition; Witte Memorial Museum, San Antonio; Texas-Oklahoma General Exhibition; Museum of Fine Arts, Santa Fe; Elisabet Ney Museum, Austin and Art Museum of South Texas, Corpus Christi. Source: Texas Painters, Sculptors and Graphic Artists, by John and Deborah Powers.

188 FLORENCE MCCLUNG (Am. 1894-1922) Cotton pastel on paper 24 x 20 inches signed lower right: F McClung $1,500 - $3,000

188

189 VERDA LIGON (Am. 1902-1970) Dream Flowers of the Desert pastel on paper 18 x 15 inches signed on reverse: Verda Ligon $6,000 - $10,000 VERDA LIGON was born in Dallas and was a student of artist, Tom Stell. She attended Southern Methodist University, as well as Detroit Institute of Arts and the Phoenix Art Institute, New York.

She taught in Dallas for forty years. She exhibited at: Annual Allied Arts Exhibition, Dallas; Dallas Museum of Fine Arts, Texas Centennial Exposition, Dallas; Meadows Museum, SMU and Library of Congress, Washington, D.C.

189

63

190

190 ROBERT WOOD (Am. 1889-1979) Texas Bluebonnets, 1943 oil on canvas 24 x 36 inches signed lower right: Robert Wood 1943 $15,000 - $25,000

64

191

191 ELOISE POLK MCGILL (Am. 1868-1939) Bluebonnet Landscape oil on canvasboard 10 x 16 inches signed lower right: EP McGill $3,000 - $6,000

192 ALTIE SLIMP (Am. 1896-1966) Bluebonnet Landscape oil on canvasboard 10 x 16 inches signed lower right: Altie Slimp $500 - $1,000 ALTIE SLIMP was a San Antonio artist and exhibited at the Coppini Academy of Fine Arts, San Antonio, TX in the early 1950s among other exhibitions. She studied art at the Robert Brackman Art School in Noank, Connecticut.

192

65

193 FLORENCE MCCLUNG (Am. 1894-1992) Three Sisters pastel on paper 16 x 22 inches signed lower left: Florence McClung $12,000 - $18,000

193

194

194 FLORENCE MCCLUNG (Am. 1894-1992) Somervel County pastel on paper 16 x 22 inches signed lower right: Florence McClung $20,000 - $25,000 66

195

195 FLORENCE MCCLUNG (Am. 1894-1992) Picnic on the Brazos Pastel on paper 16 x 22 inches signed lower left: F McClung $6,000 - $12,000

FLORENCE MCCLUNG, Dallas artist, painted with Frank Reaugh, Olin Travis, Tom Stell and others in the 1920s. She studied at Southern Methodist University and studied at Texas State College for Women, Denton Texas. She studied with Alexandre Hogue for five consecutive summers in Taos, NM. “McClung re-engaged the pastoral tradition following the urge to idealize a simple, rural environment and in so doing signaled the subdued reassertion of traditional values. With her blend of Regionalist tendencies and precisionist influences, her work was her own.” – James Haley, Texas: From Spindletop through World War II, St. Martin’s Press 1993.

67

196 JERRY MALZAHN (Am. 20th Cent.)

Back Road, Blanket Creek, TX oil on board 14 x 20 inches signed lower left: J Malzahn $2,000 - $4,000 JERRY MALZAHN is primarily known for his paintings of the diverse landscapes of Texas. He is a member of the Salmangundi Art Club of New York, whose membership has included such artists as Thomas Moran, William Merrit Chase and Childe Hassam.

Jerry regularly exhibits in galleries in Dallas, Fort Worth and New York

196

197

197 JERRY MALZAHN (Am. 20th Cent.)

After the Rain, Willow oil on board 25 x 30 inches signed lower right: J Malzahn $2,500 - $5,000 68

198 DON PARKS (Am. 20th Cent.)

The Home Place, Hill Country oil on canvas 18 x 24 inches signed lower right: Don Parks $2,000 - $3,000

198

199 JESSE DON RASBERRY (Am. 1940-) Texas Bluebonnets oil on canvasboard 20 x 24 inches signed lower right: J Rasberry $1,000 - $2,000

199

69

200 OTIS DOZIER (Am. 1904-1987) Landscape with Adobe oil on masonite 18 x 24 inches signed lower right: Otis Dozier $4,000 - $6,000

200

201 ROBERT WOOD (Am. 1889-1979) Capistrano Beach, California, Laguna Beach oil on board 16 x 20 inches signed lower right: Robert Wood $3,000 - $6,000

201

70

202

202 PETER L. HOHNSTEDT (Am. 1871-1957) New Orleans Courtyard oil on canvas 24 x 20 inches signed lower right: PL Hohnstedt $6,000 - $12,000 71

203

203 PORFIRIO SALINAS (Am. 1910-1973) Springtime oil on canvas 20 x 24 inches signed lower right: Porfirio Salinas $8,000 - $12,000 (Illustrated on the cover)

72

204

204 PORFIRIO SALINAS (Am. 1910-1973) Texas Bluebonnets oil on canvas 12 x 16 inches signed lower left: P Salinas $6,000 - $12,000

205 PORFIRIO SALINAS (Am. 1910-1973) Pastoral Scene oil on canvas 12 x 16 inches signed lower left: Porfirio Salinas $4,000 - $6,000

205

73

206 PETER L. HOHNSTEDT (Am. 1871-1957) Hill Country oil on canvas 18 x 22 inches signed lower right: PL Hohnstedt $2,500 - $5,000

206

207

207 ROLLA TAYLOR (Am. 1871-1970) Bluebonnet Landscape oil on canvas 16 x 20 inches signed lower right: Rolla Taylor $2,500 - $5,000 74

208 ROLLA TAYLOR (Am. 1871-1970) San Antonio River Walk oil on masonite 20 x 24 inches signed lower right: Rolla Taylor $4,000 - $8,000

208

209 ELOISE POLK MCGILL (Am. 1868-1939) Red Bud Tree oil on board 12 x 18 inches signed lower right: EP McGill $3,000 - $6,000

209

75

210

210 OTIS DOZIER (Am. 1904-1987) Goat in a Flower Garden, 1958 oil on canvas 24 x 40 inches signed lower right: Otis Dozier 58 $15,000 - $25,000

76

OTIS DOZIER: one of the eminent painters known as the Dallas Nine. His early art studies were in the Aunspaugh Art School, the Dallas Art Institute and with Frank Reaugh. He was at the Colorado Springs Fine Arts Center in 1938 and studied with Boardman Robinson and then worked as his assistant for the following seven years. He taught at the Dallas School of Creative Arts, Southern Methodist University and at the Dallas Museum of Fine Arts School.

Dozier’s work has been extensively exhibited across the country with his first exhibition at the Dallas Women’s Forum in 1927. His paintings can be found in the following collections: Blanton Museum of Art, Austin; Dallas Museum of Art; Meadows Museum, Dallas; Modern Art Museum, Fort Worth; Metropolitan Museum of Art and the Whitney Museum of American Art, New York.

211

211 LUCIAN ABRAMS (Am. 1870-1941) Still Life oil on canvas 30 x 25 inches signed lower right: L Abrams

LUCIAN ABRAMS, a Lawrence, Kansas native, moved to Dallas with his family when he was a small child in 1873. He graduated from Princeton University with a degree in art and continued his studies at the Art Students League, New York and later at the Academy Julian in Paris. He exhibited at the Paris Salon from 1902-1914. His paintings reflect the influence of Impressionism, Post Impressionism and Fauvism. He spent his life among Old Lyme, CT; Dallas, TX; New Orleans, LA; Charleston, SC and the Mediterranean.

$5,000 - $10,000 77

212 DAWSON DAWSON-WATSON (Am. 1864-1939) Gallager Ranch, 1935 oil on board 17 x 12 3/4 inches signed lower left: Dawson-Watson 35 $7,000 - $9,000

212

213 FLORENCE MCCLUNG (Am. 1894-1992) Early Autumn, Irving, TX oil on masonite 20 x 24 inches signed lower left: McClung $3,000 - $6,000

213

78

214 DAWSON DAWSON-WATSON (Am. 1864-1939) Grand Canyon oil on canvas 17 x 14 inches signed lower right: Dawson-Watson $8,000 - $12,000

214

215 PETER HURD (Am. 1904-1984) New Mexico Landscape watercolor on paper 9 x 12 inches signed lower left: Peter Hurd $1,000 - $2,000 215

79

216 DWIGHT C. HOLMES (Am. 1900-1986) Bluebonnet Landscape, 1936 oil on canvas 25 x 30 inches signed lower right: Dwight C Holmes $5,000 - $6,000

216

217

217 DWIGHT C. HOLMES (Am. 1900-1986) Sumac, Brownwood, Texas oil on canvas 30 x 40 inches signed lower left: Dwight C Holmes $3,000 - $6,000 80

218 REVEREND RICHARD FOX (Am. 20th Cent.)

Yellow Boat, 1953 oil on masonite 12 x 15 inches signed lower left: Fox $500 - $1,000 This painting was exhibited at the 25th Annual Dallas County Exhibition in 1954. Reverend Richard Fox was a friend, contemporary and fellow artist of Octavio Medellin. This painting came out of the Octavio Medellin Estate in Texas.

218

219

219 MICHAEL FRARY (Am. 1918-2005) Landscape watercolor on paper 17 7/8 x 24 inches signed lower right: Frary $1,500 - $3,000 81

220 JOSE ARPA (Am. 1858-1952) Untitled – Lady in Mantilla oil on canvas 25 x 20 inches unsigned $4,000 - $8,000 This painting is from the Robert L.B. Tobin Collection, San Antonio, Texas

220

221 LOUIS EYTH (Am. 1838-1889) Portrait of Bertha Annie Carter gouache on paperboard 21 x 18 inches signed lower right: L Eyth $15,000 - $20,000 LOUIS EYTH was born in Prussia and came to the US in 1852 via Galveston, Texas where he lived for a time working as an artist before and after the Civil War. He moved to Houston in 1870 and was commission by the State of Texas in 1873 to copy and recreated an early portrait of Stephen F. Austin. He later worked in San Antonio where he was commissioned to illustrate a number of works by James DeShields, a Texas historian, writer and collector. Eyth is best known as an important historical painter of figures and histories of Texas.

Source: Texas Painters, Sculptors & Graphic Artists, by: John and Deborah Powers.

221

82

222 DAWSON DAWSON-WATSON (Am. 1864-1939) Self Portrait, 1935 oil on canvas 21 x 16 inches signed lower right: Dawson-Watson 35 $6,000 - $8,000

222

223 S. SEYMOUR THOMAS (Am. 1868-1956) The Theft of the Rose – Portrait of Helen, 1943 oil on canvas 29 x 15 inches signed lower right: S Seymour Thomas inscribed lower right: To brother Ned. Sketch for “UNE ROSE THE,” Paris Salon, 1894 S. Seymour Thomas 1943 $8,000 - $12,000 223

83

224

224 ROBERT JENKINS ONDERDONK (Am. 1852-1917) Mrs. Floyd McGown oil on canvas 42 x 36 inches signed lower left: Robert Jenkins Onderdonk $15,000 - $20,000

Mrs. Floyd McGown was the daughter of Chaplain Nicholas A. Davis, who is known as the Chaplain of Colonel Hood’s Texas Brigade. The book: Chaplain Davis and Hood’s Texas Brigade, Edited by: Donald E Everett, Principia Press of Trinity Univ. San Antonio, TX 1962; is included with this lot. The book recounts Chaplain Davis’s memoirs on The Campaign from Texas to Maryland, the historic account of Hood’s a.k.a. Texas’ Brigade, which was an infantry in the Confederate States Army who fought in the Civil War. This painting is illustrated in the book: Painting in Texas on page 208, plate no. 117.

With this lot is also an author signed copy of: Painting in Texas, The 19th Century, by: Pauline A. Pinckney, Published for The Amon Carter Museum of Western Art, by the Univ. of Texas Press, Austin & London, 1967, with an introduction by Jerry Bywaters.

Father of Julian Onderdonk, Robert Jenkins Onderdonk is best known for his historical genre paintings and portraits of public figures and influential people in Texas. R.J. Onderdonk studied with William Merrit Chase while he worked at the Art Students League under Walter Shirlaw and James Carroll Beckwith. He also studied in New York at the National Academy under L.E. Wilmarth.

84

225

225 JOHN ELLIOT JENKINS (Am. 1868-1937) Autumn on the Creek oil on masonite 18 x 24 inches signed lower right: John Elliot Jenkins $3,000 - $6,000

226 URSULA LAUDERDALE (Am. 1879-1933) White Rock Lake, 1948 oil on canvas 8 x 10 inches signed lower right: U Lauderdale $600 - $1,200

226

85

227 ELLA K MEWHINNEY (Am. 1891-1962) Dove Country oil on canvasboard 10 x 10 inches signed lower right: Ella K Mewhinney $1,000 - $2,000

227

228 REVEAU BASSETT (Am. 1897-1981) Old House oil on canvas 12 x 16 inches signed lower right: Reveau Bassett $1,500 - $3,000

228

86

229 ARTHUR BISHOP JEFFREYS (Am. 1895-1970) Landscape, 1932 oil on canvas 22 x 28 inches signed lower right: AB Jeffreys 1932 $2,000 - $3,000

229

230 LAURA BUCHANAN (Am. 1872-1969) Laura’s Backyard oil on canvas 20 x 24 inches signed lower right: L Buchanan $2,000 - $4,000

230

87

231 FLORENCE MCCLUNG (Am. 1894-1992) Spring Creek Canyon oil on canvas 20 x 24 inches signed lower left: F McClung $4,000 - $8,000

231

232 VELOX WARD (Am. 1901-1994) Nothing Like It, July 1961 oil on board 16 x 20 inches signed lower left: Velox Ward 7-61 $4,000 - $8,000 This painting was exhibited at the Velox Ward exhibition in 1972 at the Amon Carter Museum, Fort Worth, Texas.

232

88

233 PORFIRIO SALINAS (Am. 1910-1979) Fall in Texas Hill Country oil on canvasboard 9 x 12 inches signed lower right: P Salinas $5,000 - $7,000

233

234 CLARA CAFFREY PANCOAST (Am. 1873-1959) Wind Blown Trees of Rockport, TX oil on masonite 18 x 22 inches signed lower right: CC Pancoast $2,000 - $4,000

234

89

235 JESSIE JO ECKFORD (Am. 1895-1941) Monterey Mexico watercolor on paper 10 1/2 x 14 1/2 inches signed lower right: J Eckford $1,000 - $2,000

235

236 WESLEY FREDERICK JARVIS (Am. 1868-1966) Las Cruces oil on canvas 22 x 30 inches signed lower left: W. Frederick Jarvis $1,500 - $3,000

236

90

237

237 OLIN TRAVIS (Am. 1888-1975) Along War Eagle River oil on board 12 x 16 inches signed lower left: Olin Herman Travis $3,000 - $5,000

238 FRANC EPPING (Am. 1910-) Untitled terra cotta 8 x 6 x 7 inches signed on base: Franc Epping $500 - $1,000

238

91

239

239 POLLY HOFFMAN (Am. 1890-1949) Bluebonnet Landscape oil on board 12 x 14 inches signed lower left: Polly Hoffman $2,000 - $4,000

240 JESSIE DAVIS (Am. 1887-1969) Texas Landscape with Pond oil on board 9 x 12 inches signed lower right: Jessie Davis $500 - $1,000 240

92

241 CARRIE MCLEAOD GREATHOUSE (Am. 1870-1944) White Magnolias oil on canvas 20 x 24 inches signed lower right: Greathouse $1,500 - $3,000

241

242 CLARA CAFFREY PANCOAST (Am. 1873-1959) Magnolia oil on canvas 19 x 14 inches signed lower right: CC Pancoast $1,500 - $3,000 242

93

243 DWIGHT C. HOLMES (Am. 1900-1986) Paisano Pass, Alpine, TX oil on masonite 20 x 24 inches signed lower left: Dwight Holmes $1,500 - $3,000

243

244 EUGENE THURSTON (Am. 1896-1993) Superstition Mountain, 1943 oil on canvasboard 18 x 24 inches signed lower left: Eugene Thurston $2,000 - $4,000

244

94

245 EUGENE THURSTON (Am. 1896-1993) Thunderheads oil on canvasboard 12 x 16 inches signed lower right: Eugene Thurston $1,000 - $2,000

245

246 LEWIS W. TEEL (Am. 1884-1960) Desert Carpet, Big Bend, TX oil on panel 24 x 32 inches signed lower left: Lewis W. Teel $2,000 - $4,000

246

95

247

247 PETER L. HOHNSTEDT (Am. 1871-1957) Creek Bed and Horse Mint (pair) oil on canvasboard 4 x 5 inches each both signed lower right: PL Hohnstedt $500 - $1,000 for the pair

96

248 C HARVI ALTHEIDE (Am. 1874-1951) Shack oil on canvas 15 1/2 x 20 inches signed lower right: C Harvi Altheide $1,500 - $3,000

248

249 WALTON LEADER (Am. 1876-1966) When Evening Sun is Low oil on canvas 26 x 32 1/2 inches signed lower right: Walton Leader $4,000 - $6,000

249

97

250

250 THEODORE CUNNINGHAM (Am. 1899-1976) Mouth of Guadalupe River, San Antonio oil on canvasboard 5 x 7 inches signed on reverse: T. Cunningham; Mouth of Guadalupe River, San Antonio $500 - $1,000 THEODORE CUNNINGHAM, born in Ennis, TX, studied at the Aunspaugh Art School in Dallas, TX, Art Institute of Chicago and National Academy of Design, New York. He received private instruction from artists Edward Eisenlohr, Harry Leith-Ross and George Bellows to name a few. He was a professor at Waco Academy of Fine Arts.

Exhibited at Annual Exhibition, National Academy of Design, New York.

251

251 ADELE BRUNET (Am. 1871-1963) Datura oil on canvas 30 x 24 inches signed lower right: Brunet $4,000 - $8,000

252 FLORENCE MCCLUNG (Am. 1894-1992) Glen Rose, Paluxy River oil on canvas 16 x 20 inches signed lower right: F McClung $2,000 - $4,000 252

98

253 BEULAH DRIVER (Am. 19/20th Cent.)

Floral Still Life oil on canvas 18 x 24 inches signed lower right: B Driver $1,000 - $2,000 Driver exhibited at the Annual Texas Artists Exhibition in Fort Worth, 1924.

253

254

254 GARY CARTER (Am. 1944-) Burnin’ Daylight, 1974

GARY CARTER has been a member of the Cowboy Artists of America since 1982, and was president in 1986. He has received a CAA Gold award for drawing and other media in both 1990 and 1997.

oil on canvas 24 x 36 inches signed lower left: Gary Carter $10,000 - $15,000

99

255 GERALD HARVEY (Am. 1933-) Study of Robert Wood Landscape oil on canvas 24 x 36 inches signed lower right: G Harvey $5,000 - $7,000

255

256 EMIL HERMANN (Am. 1871-1966) Landscape oil on canvas 22 x 32 inches signed lower right: Emil Hermann $1,500 - $3,000

256

257 AMY MIEARS JACKSON (Am. 1903-1970) Bluebonnet Landscape oil on board 20 x 24 inches signed lower left: Amy Miears Jackson $2,000 - $4,000 257

100

258

258 JOHN GUERIN (Am. 1920-2006) Hornos Beach oil on board 8 3/4 x 9 inches signed lower right: Guerin

259

$400 - $800 259 MARY ODA ELGIN (Am. 20th Cent.)

Bluebonnet Landscape oil on canvasboard 16 x 22 inches signed lower right: M. Oda Elgin $1,000 - $2,000

260

260 MICHAEL FRARY (Am. 1918-2005) Summer Surf, 1950 oil on board 24 x 48 inches signed lower right: Frary $2,000 - $4,000 101

261 ROLLA TAYLOR (Am. 1871-1970) Indian Paint Brush, San Antonio, TX oil on canvasboard 12 x 16 inches signed lower left: Rolla Taylor $2,000 - $4,000

261

262 DAN MCCAW (Am. 1942-) Little Child with Toy on Beach oil on canvas 20 x 24 inches signed lower right: McCaw $1,500 - $3,000 262

263 KENT WALLIS (Am. 1945-) Country Estate oil on canvas 30 x 40 inches signed lower right: Kent Wallis $4,000 - $8,000

263

102

264 JANE MORGAN (Am. 20th) Boat Moor pastel on paper 10 x 14 inches signed lower right: Jane Morgan $750 - $1,500

264

265 ARVA FORD (Am. 1890-1979) Watermelon oil on canvasboard 20 x 24 inches signed lower right: Arva Ford $1,000 - $2,000 ARVA FORD was a Dallas artist and exhibited at the Annual Allied Arts Exhibition, Dallas (1931-1932); the Annual Texas Artist Exhibition, Fort Worth (1932-1937) and the Texas Centennial Exposition, Dallas 1936.

265

266 JOHN GUERIN (Am. 1920-2000) Grazing Lands, 1977 oil on canvas 18 x 20 inches signed lower right: Guerin $600 - $1,200 JOHN GUERIN studied at the American Academy of Art while living in his native city of Chicago. He later studied at the Art Students League in New York, The Colorado Springs Fine Art Center and at the Escuela Bellas Artes in San Miguel, Mexico. After serving in the Air Force in the 1940s he taught at the Dallas Museum of Art and then moved to Austin where he taught at the University of Texas from 1953 – 1980. Guerin’s paintings were selected for the Smithsonian Institute Archive of American Artists. He was chosen as an Academician of the National Academy of Design in New York.

266

103

268

268 RUTH DUNCAN HARRISON (Am. 1909-1996) Violet Line

267

267 CLARA MCDONALD WILLIAMSON (Am. 1875-1976) Golfer oil on board 11 x 9 inches unsigned

oil on canvas 30 x 24 inches signed lower right: Ruth Duncan Harrison $600 - $1,200 This painting is from the Mr. Edward Denari Collection.

$800 - $1,600

269 ED BEARDEN (Am. 1919-1980) Colorado Landscape, 1946 pastel on paper 10 x 13 inches signed lower right: Ed Bearden 1946 $500 - $1,000

269

104

270 LORAINE DIGINGS (Am. 1930-) Landscape with Barn pastel on paper 8 x 8 1/4 inches signed lower right: L Digings $300 - $600 This painting is from the Mr. Edward Denari Collection.

270

271 C.P. CHIPLEY (Am. 20th Cent.)

Still Life oil on canvas 17 1/2 x 23 1/2 inches signed lower right: CP Chipley $400 - $800 271

272 BILL FRANCIS (Am. 1929-2000) The Theatre – Cleopatra watercolor on paper 10 x 13 inches unsigned $400 - $800

272

105

273

273 IRA MCDADE (Am. 1857-1961) Sun Down, Fort Worth, TX oil on board 10 x 8 inches signed lower left: Ira McDade $750 - $1,500

274

274 IRA MCDADE (Am. 1857-1961) Pine Creek, PA oil on board 8 x 10 inches signed lower right: Ira McDade $750 - $1,500

275 VIVEANO LOPEZ (Am. 1906-1983) Bluebonnet Landscape oil on canvas 9 x 12 inches signed lower left: V Lopez $1,000 - $2,000

275

106

276 HUGO HERBECK (Am. 1923-2009) Bluebonnets in San Antonio oil on canvas 20 x 24 inches signed lower left: Hugo Herbeck $2,000 - $4,000 Herbeck was a student of Porfirio Salinas.

276

277

278

278 HARRY ANTHONY DEYOUNG (Am. 1893-1956) Autumn Landscape, 1929

277 DON WARREN (Am. 1935 – 2006) Landscape with Prickly Pear Cactus and Coreopsis oil on canvas 20 x 24 inches signed lower left: Don Warren $1,000 - $2,000

watercolor on paper 8 x 10 inches signed lower right: Harry Anthony DeYoung $600 - $1,200

279 HUGO D. POHL (Am. 1877-1960) Off to Seek His Fortune oil on board 10 1/2 x 14 inches signed lower right: HD Pohl $750 - $1,500 279

107

280 CARROLL COLLIER (Am. 1923-) A White House oil on canvas 24 x 36 inches signed lower right: Carroll Collier $3,000 - $6,000

280

281 DWIGHT C. HOLMES (Am. 1900-1985) Rock Springs Rose Garden, 1935 oil on canvas 16 x 20 inches signed lower left: Dwight C Holmes $1,500 - $3,000 written on frame: East end of large pool; Fort Worth, Texas

281

282 JODIE BOREN (Am. 1926-) Relics of the Old Days watercolor on paper 16 x 20 inches signed lower right: Jodie Boren $750 - $1,500

282

108

283 BOB MOLINE (Am. 1938-) Pony Chief oil on canvas 36 x 24 inches signed lower right: BM $2,500 - $5,000 A framed calligraphic and watercolor sketch of the signature by the artist is included with this lot.

283

284

284 JESSICA MCCAIN (Am. 1865-) Portrait of Girl oil on masonite 20 x 16 inches signed lower right: Jessica McCain $750 - $1,500

286

285

285 MARY BONNER (Am. 1918-2005) Outlined Landscape, 1926

286 FRANK KLEPPER (Am. 1890-1952) The Bathers

watercolor on paper 19 x 14 inches signed lower right: Mary Bonner

oil on canvasboard 12 x 15 7/8 inches signed lower left: Klepper

$750 - $1,500

$1,500 - $3,000

287 BELLE AUSTIN (Am. 1880-1980) Sunset oil on canvas 14 x 36 inches signed lower right: Belle Austin $600 - $1,200

287

109

288

288 CLARA SUSANNA COSGROVE (Am. 1884-1958) Bluebonnet Landscape, c. 1935 oil on board 8 x 10 inches signed lower right: C Cosgrove $200 - $400

289

289 TONY EUBANKS (Am. 1939-) Indian watercolor on paper 10 x 8 1/4 inches signed lower right: Eubanks $300 - $600 290

290 PAT COLVILLE (Am. 1931-) Trees, c. 1950 oil and gold leaf on board 40 x 30 inches unsigned $1,500 - $3,000 291 JOSEPH LANE (Am. 1900-) Floral Still Life oil on canvas 30 x 24 inches signed lower right: Joseph Lane $600 - $1,200 291

292 PATTIE EAST (Am. 1894-1994) Bluebonnet Landscape oil on canvasboard 8 x 10 inches signed lower left: East $500 - $1,000 292

293

293 MILES JEFFERSON EARLY (Am. 1886-1957) Winds on the Lake, Lake Michigan oil on canvas 24 x 30 inches signed lower left: Miles Jefferson Early $1,500 - $3,000

110

INDEX of ARTISTS Abrams, Lucian

211

Fitzgerald, Barnaby

146

McVeigh, Blanche

32, 33, 34, 35, 36

Adickes, David

145

Flaming, Jon

130, 131

McVicker, J. Jay

181

Albright, Lloyd

110

Fly, Margaret

132

Mead, Ben Carlton

122

Alderson, Lisa

108

Ford, Arva

265

Medellin, Octavio

135, 147, 148

Altheide, C. Harvi

248

Fox, Reverend Richard

218

Mewhinney, Ella K.

227

Arnold, Reynold

90

Francis, Bill

140, 141, 272

Moline, Bob

283

Arpa, Jose

220

Frary, Michael

219, 260

Morgan, Jane

264

Austin, Belle

287

Gentling, Scott & Stuart

29

Morris, James

137, 138, 139

Austin, Dorothy

5

Gervasi, Frank

92

Nunn, Ancel

160, 161

Bachofen, Max

107

Goff, Lloyd

45, 174

Onderdonk, Julian

170, 171, 172, 173

Baize, Wayne

18

Gonzales, Boyer

144

Onderdonk, Robert Jenkins 26, 224

Bassett, Reveau

10, 11, 114, 228

Gonzalez, Xavier

178

Pancoast, Clara Coffrey

76, 94, 234, 242

Bearden, Ed

182, 185, 269

Grammer, George

75

Parks, Don

198

Bomar, Bill

74

Greathouse, Carrie McLeaod 241

Pohl, Hugo D.

100, 123, 279

Bonner, Mary

54, 285

Guerin, John

258, 266

Preusser, Robert

149

Boone, Elmer

103

Harrison, Ruth Duncan

268

Pummill, Robert

120, 121

Boren, James

106

Harvey, Gerald

255

Rasberry, Jesse Don

199

Boren, Jodie

282

Herbeck, Hugo

276

Reaugh, Frank

Bowling, Charles

6, 12, 39, 46

Hermann, Emil

256

117, 118, 125, 126, 127

Boynton, Jack

48

Hill, R. Jerome

157

Reed, Doel

38

Brants, Cynthia

30, 31, 73

Hodges, Annette

98

Reeder, Dickson

67

Brown, Don

2

Hoffman, Polly

239

Rey, Jim

124

Brownlow, David

68

Hogue, Alexandre

22, 25

Ricks, Douglas

104

Brunet, Adele

251

Hohnstedt, Peter L.

202, 206, 247

Ryan, Tom

41

Buchanan, Laura

230

Holmes, Dwight C.

216, 217, 243, 281

Salinas, Porfirio

Bugbee, Harold Dow

115, 116

Hoppe, Carl

163

Bywaters, Jerry

7, 13, 14, 15, 17, 21, 23

Howard, Daryl

49

8, 96, 99, 101, 162, 164, 165, 203, 204, 205, 233

Carter, Gary

254

Hurd, Peter

55, 215

Schreck, Horst

102

Chipley, C.P.

271

Jackson, Amy Miears

257

Clardy, Beth

72

Jarvis, Wesley Frederick

93, 236

Clark, Douglas

47, 51

Jeffreys, Arthur Bishop

229

Collier, Carroll

280

Colville, Pat

290

Cook, Howard

52

Kinzinger, Edmund David

Cosgrove, Clara Susanna

288

Klepper, Frank

Crooks, Ronald

111

Konis, Ben

155

Crowell, Reid

53, 56

Lane, Joseph

291

Crumbo, Woody

105

Lauderdale, Ursula

226

Cunningham, Theodore

250

Lea, Tom

16, 24

Darge, Fred

112, 113

Leader, Walton

249

Davis, Jessie

240

Lee, Marjorie Johnson

64

Dawson-Watson, Dawson

109, 212, 214, 222

Lester, William

86, 134

Delabano, Barney

89

Ligon, Verda

189

DeYoung, Harry Anthony

278

Locke, Lucie Harris

187

Jenkins, John Elliot Kidd, Hari

225 3, 42, 150

Taylor, Rolla

91, 156, 175, 176, 177, 179, 207, 208, 261

Teel, Lewis W.

246

136

Lopez, Viveano

275

Mahaffey, Josephine

57, 58, 59, 60, 61, 62, 63, 69

Malzahn, Jerry

65, 71, 292

Mason, Fred

80

286

Lockwood, Ward

East, Pattie

28, 158

Sprohge, Erik

84, 85

270

253

Smith, Robin Artine

19

20, 40, 43, 183, 184, 200, 210 293

192

Stryker, John A.

87, 88

Dozier, Otis

Early, Miles Jefferson

95

Slimp, Altie

Spruce, Everett

Digings, Loraine

Driver, Beulah

Shepler, Ira D.

Thomas, S. Seymour

223

Thurston, Eugene

244, 245

Travis, Olin

4, 166, 167, 168, 237

Umlauf, Charles

151, 152

Umlauf, Karl

81

Utter, Bror

37, 70

Vives-Atsara, Jose

180

Vogel, Donald

66

Walker, Hanna

153

Wallis, Kent

263

196, 197

Ward, Velox

232

128

Warren, Don

277 154 82, 83

Eckford, Jessie Jo

235

Mauzey, Merritt

44, 50

Wiggins, Kim D.

Elgin, Mary Oda

259

Maxwell, Paul

9

Williams, Hiram Draper

284

Williamson, Clara M.

267 78

Elliot, William

142

McCain, Jessica

Epping, Franc

238

McCaw, Dan

262

Witherspoon, Mary E.

Erwin, Natalie

129

McClung, Florence

Wood, Caryl Price

169

Eubanks, Tony

133, 289

27, 186, 188, 193, 194, 195, 213, 231, 252

Wood, Robert

97, 119, 190, 201

Eyth, Louis

221

McDade, Ira

273, 274

Woolley, Ellamarie

77

Fearing, Kelly

79, 143, 159

McGill, Eloise Polk

191, 209

Ziegler, Henry

1

112

DAVID DIKE FINE ART

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