portfolio of wenyu wu by wenyu wu

PORTFOLIO OF WENYU WU

PART 1- WORKS IN MASTER PROGRAM Computation in Architecture, KADK

2013-2015

THESIS-A DESIGN-LED ENQUIRY INTO TECHNIQUES OF PERFORMATIVE FOLDING Type:Independent Tutor:Phil Ayres Date:02/2015-06/2015 This project investigates varieties of techniques of perfomative folding which will be applied on pop-up architecture.The reason why i want to investigate is folding has both structural and aethestic capacity.Pop-up architecture has deep architecture quality and it is radical in design even though it is temporary. It gives the oppotunity to apply the techniques of perfomative folding on.The methods of investigation will be in these aspect: material, physical model, computation simulation, architecture content .

COMPUTATION SIMULATION Grasshopper plug-in Kangroo could simulate the behavior of folding as long as we have the unfolded plan. Further exploration is to give load to it to get the ideal shape we want.

top

perspective

side

top

perspective

side

unfolded plan

ORIGINAL FOLDING

ONE SCALE OF FOLDING TRANSFOMING TO ANOTHER SCALE

ONE SCALE OF FOLDING TRANSFORMING TO ANOTHER SCALES IN DEFFERERENT LEVEL OF FOLDING

COMPUTATION SUMULATION

perspective

unfolded plan

side

top

PHISICAL MODEL EXPLORATION

D E P L O YA B L E PLAN

SCENE OPENING

SCENE CLOSED

DEPLOYABLE PLAN

LIGHT EXPERIMENT

3 TYPE OF STAGE

chinese shadow puppet

string puppet

puppet

JUNCTION EXPLORATION

100 mm

200 mm

insert into the cut

junction

REDUCE the scale of fold REDUCE the thickness of the paper REDUCE the size of junction

cut

EASY to fold EASY to break KEEP aestheticity

material: paper 270 gsm

DIFFICULT to fold EASY to break KEEP aestheticity

material: paper 240 gsm

100 mm

insert into the cut

junction

REDUCE the scale of fold REDUCE the thickness of the paper REDUCE the size of junction

100 mm

cut

100 mm

200 mm 100 mm

REDUCE the scale of fold

cut

EASY to fold EASY to break KEEP aestheticity

material: paper 270 gsm

JUNCTION EXPLORATION

holes for string to go through

string

EASY to fold NOT EASY to break KEEP aestheticity

material: paper 270 gsm

EASY to fold NOT EASY to break KEEP aestheticity SAVE TIME to stich

material: paper 270 gsm

EASY to fold NOT EASY to break KEEP aestheticity

material: paper 80 gsm

holes for string to go through

string

LENGTHEN the stich length

holes for string to go through

string

0 5 / t e st # 1

0 5 / t e st # 2

05/test #2

05/test #1

-pressure: 1 bar -no plastic bag containing

-pressure: 1 bar -plastic bag containing the clay

-pressure: 1 bar -no plastic bag containing the clay

By making variety of tests on the extruder, we realize where the problems the tool have and start to upgrade the tool.

UPGRADE THE TOOL 2ND TIME

UPGRADE THE TOOL 1ST TIME 6mm holes attachment to robot

160MM

Gripper

70MM DIM steel cylinder Rock.It attached to stand using bolts

Clay Rock.It

Converter for air compressor attachment 210MM

Container Barrel

30MM

Pusher

Steel ‘L’ stand

Nuts welded onto ‘L’ brackets for securing changeable profiles Screw to guide pusher to and act as stopper

Changeable profile designs

6MM bolts to attach profile

ROBOT ARM MOVING PATH

THE CLAY ROCKIT Tutor: Phil Ayres, Paul Nicolas Date: 09/2014-10/2014 Partner: 3 person

Profile

Leg clamped to table surface

C L AY R O C K . I T V # 2 (DISPENSER MODE)

0 1 / S P E C U L AT I V E C O N N E X I O0 2N : EC U L AT I V E /SP

Path

ENQUIRES

Speed

200 g

kink

249 g

Pressure

416 g

412 g

+ rotation 15*

I N T E RC O N N E X I O N B E T W E E N E L E M E N TS 01

kink

0 2 / S P EC U L AT I V E E N Q U I R E S

profile

defined path 0 2 / S P EC U L AT I V E E N Q U I R E S

0 2 / S P E C U L AT I V E C O N N E X I O N : LOCKING I N T E RC O N N E X I O N I N A C O R N E R 01

400 g

258 g

401 g

385 g

kink

+ rotation 15*

kink

I N T E RC O N N E X I O N B E T W E E N E L E M E N TS 02

I N T E RC O N N E X I O N I N A C O R N E R 02

SPECULATIVE DIGITAL MODEL

At the At the beginning beginning At the At of the beginning extrusion, of beginning extrusion, of extrusion, of extrusion, clay clay begins thebegins the clay to clay be to begins depositbe begins to to depositbe- deposit- depositbe Atthe thethe beginning of extrusion, t hed e con l a y on beg i n son t otop btable etop dtable e gener-the ed top top ed of ed the of on the of of - generthe -table table gener- generposited on top of the table ating ating a circular aating circular ating a geometry.This circular a geometry.This circular geometry.This geometry.This g-enerating a circular geometry. is caused is caused by is caused height by is caused height difference by height difference by height difference difference T hbetween i s between i s c athe u sbetween ethe d b y h e i g h t rocket between rocket the the rocket rocket difference between thethe rocket andand the the table. and table. and the table. table. and the table.

The speed speed The movement of The speed movement speed ofthe of movement ofthe of movement the of the of the TheThe speed of of movement of -the robot robot does does robot not robot not influence does influence does not not influence in influence in -the -the in in robot does not influence the-the itial itial form form of extruded itial ofform extruded form ofclay, extruded ofclay, extruded thisthis clay, clay, thisthis initial form ofitial extruded clay, - first - the - first - conhappens happens only happens only after happens after only thefirst only the first after after conconthe first conthis happens only after the tact tact with with the tact the tact surface with . surface with . the the surface . surface . contact with the surface.

DESIGN INTENT

CONTROLLED SHAPES DESIGN INTENT

T E S T R E S U LT

CONSTRUCTING STRUCTURE

FORM FINDING

Tutor: Mark West, Phil Areys, Paul Nicolas Date:11/2014 Partner: 8 person

3 fixed points & 2 arches

1 fixed edge & 2 arches

2 fixed edges & an arch

3 fixed edges

This is a three week workshop. The focus will be on strategies for the design and construction of thinshell masonry spanning and boundary elements. The primary purpose of the workshop is to develop a critical appreciation of the ways in which the consideration of construction influences design methods and proposition.

If the bending rods are used as construction method - there have to be 2 layers of bricks. One possible solution for the construction then is an overlapping zone in the middle.

If the bending rods as 1. are If used the bending rods are used as construction method -construction there have tomethod - there have to be 2 layers of bricks. be One2 possible layers of bricks. One possible solution for the construction then is solution for the construction then is an overlapping zone in the middle.

If the twisted plane runs in the center of the bricks - half a brick lies on and half a brick under the surface - one continuus surface is possible.

- one continuus surface

an overlapping zone in the middle.

building the vault: after the three first brick lines, we realized that would be better to have more guides. silvertapes were added to solve this problem. building the vault: as the bricks length doesn't fits the curvature very well, some critical points start to appear.

starting from two parallels lines(red), the two main arches (black),i.e. catenaries, are generated by relating the endpoints of each lines,and by parameters that allow the control of scale, hight and gravity.

building the vault: ...last line of bricks...

starting from twoa.parallels starting lines from two parallels lines (red), the two main arches (red),(black), the two main arches (black), i.e. catenaries, are generated i.e. catenaries, by are generated by relating the endpoints relating of each the lines, endpoints of each lines, and by parameters that and allow by parameters the that allow the control of scale, hight control and gravity. of scale, hight and gravity.

first brick model of the "flipped" surface, in 1:5. for it was used two cardboards sheets the bricks were oriented from the base line, perpendicular to the higher curvature, to the this means that the tangent length of each brick on the lower curve is bigger then on the as falsework, hdf blocks as bricks and a mixture of white glue and corn starch as top, and directed from the higher to the lower one. as we can see in the picture, the higher one. since both arches has the same length, we can realize that there will be a mortar. no guide was used. except eyes and intuition. bricks that reach the lower curve are not parallel to this one. gap on the bottom of the vault.

for optimizations, we subdivided the surface in longitudinal sections, generating a set of curves to be analysed and optimized, one by one.

first brick model of the "flipped" surface, in 1:5. for it was used two cardboardsthe sheets bricks aswere falsework, oriented hdffrom blocks the base line, perpendicular to the higher curvature,this to the top,that and the directed fromlength the of each brick on the lower curve is bigger then on the higher one. since both arches means tangent as bricks and a mixture of white glue and corn starch as mortar. no guide was used. higherexcept to theeyes lowerand one. intuition. as we can see in the picture, the bricks that reach the lowerhas curve notlength, parallel this one. that there will be a gap on the bottom of the vault. AND THAT IS A PROBLEM, MAN!!! the are same wetocan realize

for optimizations,c.we subdivided for optimizations, the we subdivided the surface in longitudinal surface sections, in longitudinal sections, generating a set of curves generating to be a set of curves to be analysed and optimized, analysed one by one. and optimized, one by one.

If the twisted plane runs 2. inIfthe the twisted plane runs center of the bricks - half acenter brick lies of the bricks - hal on and half a brick under the onsurface and half a brick under - one continuus surface is possible.

by projecting the two arches on ground, we have a centered crosspoint, in which a vertical straight line raises, connecting both arches and working as reference to the surface be constructed through sweeping.

by projecting the b. two arches by projecting on the two arches on ground, we have a centered ground, we have a centered crosspoint, in which a vertical crosspoint, straight in which a vertical stra line raises, connecting line bothraises, archesconnecting both arche and working as reference and to working the as reference to the surface be constructedsurface through be constructed through sweeping sweeping

using Galapagos Evolutionary Solver, each curve is optimized to best fit bending (fiberglass rods). in detail, we can see the differing curvatures, with the original curve in red and the optimized in green.

using Galapagos Evolutionary d. using Galapagos Solver, Evolutionary Solve each curve is optimizedeach to best curve is optimized to best fit bending (fiberglass fit rods). bending (fiberglass rods). in detail, we can see the in detail, differing we can see the differing curvatures, with the original curvatures, curvewith in the original curv

ARCHITECTURE CONDITION

VARIETY OF SURFACE

COBINATION OF VARIETY OF SURFACE

CONCRETE BEAN

CONCRETE COLUNM

MATERIAL DYNAMIC

Tutor: Martin Tamke Date: 10/2013 - 12/2013

TWO TYPES OF HINGE

COMPARING TWO TYPES OF COMPONENT

DIAMOND SHAPE

STRAIGHT LINE SHAPE

TYPE 1: SAME LEVEL OF OPENING AND CLOSING

TYPE 2: DIFFERENT LEVEL OF OPENING AND CLOSING

MOVING PATH

I start to think how to let the hinge move a little but get a big opening.

ADVANTAGE:

DISADVANTAGE:

1.All the thing are symetric,it makes the mechenical system simpler and it is more suitable for modular use.

1.It is too complicated and have too much possibilities.It is hard to find a pringciple to develp in the next step. 2.There is no reason to make the level of opening in a single component different .

MATERIAL TEST

PLASTIC 0.1 mm

TOO SOFT

PLASTIC 0.1 mm

STAND BY ITSELF

GLASS FIBER PLASTIC

PLASTIC 0.2 mm

GLASS FIBER PLASTIC

MORE STABLE AND STRONGER

The glass fiber plastic helps the compounent automaticlly go back to be flat when there is not ay force to pull it. Because the glass fiber plastic has elasticity.

5 TYPES OF COMPOUNENT FACADE

ILLUMINANCE ANALYSIS IN 5 TYPES OF COMPOUNENT FACADE IN JUNE 21

9:00

12:00

15:00

18:00

COMPOUNENT TYPE A:

I set 5 types of compounent .They are in the same size and all opaque but with different level of opening.I use these compounet in 5 facades ,including the roof.Then i will make tests to see how much illuminace this space will have in every type of comounent facade in four times during a day.

COMPOUNENT TYPE A 263 LUX /DAY

299 LUX /HOUR

520 LUX/HOUR

121 LUX/HOUR

112 LUX/HOUR

534 LUX /HOUR

335 LUX/HOUR

868 LUX/HOUR

178 LUX/HOUR

COMPOUNENT TYPE B:

403 LUX /DAY COMPOUNENT TYPE C:

COMPOUNENT TYPE B 3403 LUX /DAY

4266 LUX/HOUR

4155 LUX/HOUR

4365 LUX/HOUR

COMPOUNENT TYPE A

826 LUX/HOUR

COMPOUNENT TYPE D:

COMPOUNENT TYPE C

9:00 10506 LUX /DAY

868 LUX/HOUR

17715 LUX/HOUR

13329 LUX/HOUR

12:00

18:00

15:00

2350 LUX/HOUR

COMPOUNENT TYPE E:

55 LUX

85 LUX

145 LUX

24715 LUX /DAY

FINAL MODEL

21071 LUX/HOUR

44192 LUX/HOUR

28371 LUX/HOUR

5227 LUX/HOUR

88 LUX

130 LUX

305 LUX

65 LUX

70 LUX

130 LUX

30 LUX

37 LUX

65 LUX

PART 2- WORKS IN BACHELOR PROGRAM Shenzhen University

2006-2010

WAYS OF STACKING

MATERIAL SPACE DESIGN Type:Independent Tutor:Yin Ziyuan Date:09/2008-10/2008 This is a 3m×3m×3m box.I use diffrent ways on stacking the red bricks to make different facades.Every elecation is different.When sun shines in,we could see different shapes of shadow.The exterior facades are flat but the interior facades are concavoconvex.

steel plate

joist steel

The roof is supported by the joist steel and a steel plate.The size of the brick is 115mm×240mm×53mm. roof stacking way

115mm

240mm

53mm

RESIDENCIAL STUDIO OF ARTIST Site:Wenshan Lake,Shenzhen University,P.R.China Type:Independent Tutor:Yin Ziyuan Date:10/2008-11/2008 The site is located in the Wenshan Lake of Shenzhen university.The surrounding environment is so good.There are many trees and it is always so quiet.I want the building is very concise,which looks very outstanding among the surrounding buildings.So i make its shape is only a cube and its facade is covered by aluminum mesh.Besides,The building is built on the lake,which looks like a box floating on the lake.

Secondary Entrance

Main Entrance

Master Plan

exhibition hall

swimming pool

1.90 down down

8.65

down

living room

down studio

down

2.35

-0.05

secondary entrance

SECOND FLOOR PLAN

0.10

FOURTH FLOOR PLAN

main entrance

reception room

up down up

Âą0.00 platform

0.25

up exhibition hall down

5.50

down

Wenshan lake

GROUND FLOOR PLAN

THIRD FLOOR PLAN

5.05

Studio and Exhibition Hall

4F Residence

Residence

The line of sight between layer and layer can connect.

3F Exhibition Hall

PERSPECTIVE SECTION

11.90 11.60 8.65

5.50 5.05 2.35 1.90 Âą0.10

SOUTH ELEVATION

WEST ELEVATION

A-A SECTION 7

1F Reception Room

3F Exhibition Hall

2F Studio And Exhibition Hall

11.90 11.25 8.65 8.30 5.50 5.15 2.35 2.00 0.25 -0.35

EAST ELEVATION 8

NORTH ELEVATION

B-B SECTION

CINEMA TRANSFORMATION DESIGN - CITY GARDEN Tutor: Song Mingdi Date: 02/2010-06/2010

car park

up down

4.350

cafe

1.050

4.350

up down

down up electricity transformation and distribution Room

sound control projection room room

stage

5.950

0.900

W.C. W.C.

THE SECOND FLOOR PLAN

multi-function room

0.450

secondary entrance

0.450

office

main entrance

MASTER PLAN

office

W.C. W.C.

7.620

down

down 1.350

1.350

down

Lobby 1.950

SOLUTION

up Âą0.000

main entrance air

conditioner

room

down

down 9.450

After transformation, the new building will attract more people to consume.The main pedestrian flow seperate the site into several parts.Then, i would plant more trees and grass in the site,which make the eviroment better .

STRUCTURAL DIAGRAM

GROUND FLOOR PLAN

The site is located in the intersection of Honglingnan Road and Jinguanghua Road.Most of the surrouding buildings are offices , commerce and residence.But the equipment of the cinema are obsolete and there are always a lot of noise.Hence, the cinema has been closed for a long time.I need to do a lot of reserch in order to improve the environment of the site, which could help to bring so much benifit to the surrounding residents.I think this site is like a garden in the city.The concept is came from the senaries of nature,terrace,which would atrract more people to visit.

jalousie

glass

windowsill

wall

facade

THE THIRD FLOOR PLAN

ceiling projected plan

The ceiling looks like several hand upside down hills.The multi-function room can be used as conference hall and cenima. multi-function room

14.730

1.118

14.730

13.05

1.118 9.450 7.620

7.620 7.620 5.950

1.050

±0.000

1.950 1.050 ±0.000

A-A SECTION

±0.000

B-B SECTION

DETAIL DESIGN

coffee shop

The element of curves are used in the wall, ground and celing.The deskes and tables look like cobbles.

People could sit on the white board.

lobby

NORTH ELEVATION

EAST ELEVATION

SOUTH ELEVATION

WEST ELEVATION 21

PART 3- WORKS IN OFFICES 2010-2013

YI SHAN YI FANG West Bund 2013 A Biennial of Architecture and Contemporary Art Date:03/2013-05/2013 Leader: Meng Yan, Liu Xiaodu Partner: 3 Contribution: concept design, section & plan drawing, analysis drawingmodel CONSTRUCTION DIAGRAM

ELEVATION

SECTION

PLAN

ECONOMY SYMBIOSIS: PORTS

INTERGRATED SHORELINE+MOBILE COMMUNITY

Shenzhen&Hongkong Bi-city Biennale of Urbanism/Achitecture Leader: Zhu Xiongyi, Zeng Guansheng Date:08/2011-12/2011 Partner: 6 person Contribution:concept design,section&plan drawing,analysis drawing,model,rendering

Port is a window for goods transfer and distribution between lands. For centuries, the form of port grows from fishing port to city mega infrastructure, and the port industry becomes an important driving force for local and hinterland’s economy. However, inevitably, port also imposes negative effect on space for public use, since its occupation of high-quality waterfront areas.Meanwhile, sea level rise caused by global warming is incrementally invading port areas, as well as threatening port operation. Therefore, with the world growing ever closer through globalization and resources growing ever more in demand, the future of the port lies in efficient and sustainable living. As the land use efficiency of the ports increase, more space becomes available for multi-purpose programs, and port industries are transformed to multiple industries related to the human scale with complex functions. The new industry itself is rich in experience, high in output, but low in input and consumption. The development of the third industry will be a gradually penetrating process to utilize the natural resources along the coastline. Mobile Culture, Creative Community proposes that logistics, business, living and recreation along the shoreline become more closely inter-connected and interdependent, creating a new and robust port economy. Furthermore, to meet the demand of communication and integration between industries in the new port economy, a new “mobile industry” forms a globally productive network of different industries and communities which allow for effective communication and creative cooperation. Wherever the mobile industries stop, not only do they promote and market themselves, but also they learn from the crash and confluence of different industries to realize self-regeneration and self-promotion.

land

snack industry+living facilities

Insert the local industry

land

cargo+production

Exchange with mainland

culture+industry+resourses

Exchange with mobile community

THE EVOLUTION OF MOBILE CULTURE

2020

2030

2040

2050

Cinema

FUTURE GLOBAL PORT ECONOMY

Cinema

Theatre

Integrated arts Integrated arts

Integrated arts

community

Music hall

community

Oil research

Community

Residential

Studio

Popular

Stuff

painting

dormitory

community

Painting tool retail sale

Logistic

sale

company

tool retail

Oil painting Logistic

sale

company

Market Business

Market

Advertising

Star hotel

Travel

Art plaza

Market

Advertising

i-MART Shopping Art plaza street

Star hotel

Travel

industry

Finance Law

Market

Energy Business Market

Advertising Storage

Finance Law

Travel

Bar

Broadcast

SPA

design

Finance

Visitor Sailing

Leisure club

centre

Graphic

BELMOPAN TEGUCIGALPA GUATEMALA SAN SALVADOR MANAGUA

COLOGNE

CARACAS SAN CRISTOBAL

PANAMA CITY

TRUJILLO DARWIN

RIO BRANCO

LIMA

CUSCO

TRINIDAD BRASILIA LA PAZ AREQUIPA ARICA BELO HORIZONTE

HARARE

station

GEORGETOWN PARAMARIBO CAYENNE

BOA VISTA

QUITO

JAKARTA

LILONGWE LUSAKA BULAWAYO WINDHOEK GABORONE PRETORIA MAPUTO MBABANE

LUDERITZ

MASERU

CAPE TOWN

BIRDSVILLE CHARLEVILLE

DURBAN

ADELAIDE

CURITIBA

SANTA FE

SYDNEY

BUENOS AIRES

CANBERRA

MELBOURNE

Aquaculture Deep-sea oil extracting

RIO DE JANEIRO

ASUNCION

BRISBAN

TAMWORTH

PERTH

SAN DIEGO

base

BAHIA BLANCA SAN CARLOS DE BARILOCBE PUERTO MONTT

WELLINGTON

design

Law

Casino

Cafe

MEXICO CITY

MANILA

SINGAPORE

NAIROBI

PORT ELIZABETH

Broadcast

FREDERICTOR

TALLAHASSEE

BANGUI YAOUNDE

industry Advertising

NEW ORLEANS

AUSTIN

SAN ANTONIO

HONGKONG

COLOMBO

LAGOS

Solar power

Energy Business Market

QUEBEC OTTAWA

DAYTON

ATLANTA

LOS ANGELES PHOENIX

NEW YORK

OMAHA

WASHINGTON D.C

LAS VEGAS

NANNING

DAR ES SALAAM

Storage

industry

Graphic

Market

DJIBOUTI

XIAN

TORONTO

BISMARCK ST.PAUL

SALT LAKE CITY

SAN FRANCISCO

NANJING CHENGDU SHANGHAI CHONGQING HANGZHOU CHANGSHA SHENZHEN KUNMING

MUMBAI

ADEN

ADDIS ABABA

EDMONTON CALGARY

BOISE

TOKYO

GUANGZHOU

KARACHI

LUANDA

i-MART

Star hotel

CONAKRY FREETOWN

ASMERA

KHARTOUM

NIAMEY N’DJAMENA

DAKAR

KIGALI KINSHASA BUJUMBURA

company

Shopping Art plaza street

LASA

MECCA

NOUAKCHOTT

Music

Oil painting

Art museum

Boutique flagship store

industry

RIYADH

SEATTLE

SPOKANE PORTLAND

SHENYANG

TIANJIN LANZHOU

BASRA

TABUK

LIBREVILLE

Logistic

Art gallery

BEIRUT DAMASCUS AMMAN

ASYUT LUXOR ASWAN

MONROVIA ABIDJAN

sale Export base

TUNISIA

DAKAR

Media

factory

BEIJING

TEHRAN

CAIRO

Magazine

Painting tool

tool retail

company

RABAT

VANCOUVER

YEREVAN

TBILISI BAKU

ALGIERS

production

community

Waste recovery Painting

SOFIA SKOPJE TIRANA ANKARA

VLADIVOSTOK

WULUMUQI

ZAGREB

television

newspaper

painting

Studio

Brand store

Art museum

street

industry

production

Art gallery

Business

i-MART

industry

newspaper

Brand store

Art museum

Shopping

dormitory

Oil painting

Brand store Art museum

television

Media

Logistic

Export base

Art gallery

Export base

Art gallery

painting

Oil painting

Film and

Oil painting

THOMPSON PRINCE

KIEV

CHISINAU

BUCHAREST

VIENNA

ROME

WHITEHORSE

MOSCOW

WARSAW

BERN

LYON

ZARAGOZA

Popular

ARKHANGEL’SK

ST. PETERSBURG

MINSK

AMSTERDAM HAMBURG BERLIN

BONN

MARSEILLE GENOA

Artist village

Residential

Stuff

Magazine

factory

LONDON

SEVILLA

Film and

community

Painting tool

tool retail

Oil painting

Popular

Studio

dormitory

community

Painting

factory

Painting

factory

Stuff

painting

Studio

Painting tool

Training

OULU

HELSINKI

COPENHAGEN

MANCHESTER

MADRID

Artist village

Residential

Popular

IKEA

Library

NANTES

facility

Artist village

MURMANSK

TRONDHEIM

STOCKHOLM OSLO

Sculpture

PARIS

Community

Training

facility

Training

facility

Residential Stuff dormitory

Library

Community

community x

Labor camp

School

Training

Sculpture

institute

Sculpture

institute

Music hall Canteen Oil research institute

community

Music hall

Architecture

Insurance

centre

Expo

Service industry

Souvenir market

Service industry

Souvenir market

headquarter

Expo

Stock market

headquarter

Bank Foreign currency

Original Cartoon Show Investment and

Land development

trade fair

PRESENT GLOBAL PORT ECONOMY

Distribution Purchase

MURMANSK

TRONDHEIM

OULU

ST. PETERSBURG

AMSTERDAM HAMBURG BERLIN

BONN PARIS NANTES

SOFIA SKOPJE TIRANA ANKARA

VANCOUVER

YEREVAN

TBILISI BAKU

TUNISIA

BEIRUT DAMASCUS AMMAN

CAIRO

TRONDHEIM

ST. PETERSBURG HELSINKI OSLO STOCKHOLM COPENHAGEN

LONDON PARIS

SHANGHAI KARACHI

GUANGZHOU

MUMBAI COLOMBO SINGAPORE

TOKYO

VANCOUVER SEATTLE

GENOA BUCHAREST ROME

BEIRUT

CAIRO BASRA

KINSHASA

ADEN

NAIROBI DAR ES SALAAM

TABUK MECCA NOUAKCHOTT ASMERA DAKAR CONAKRY DJIBOUTI FREETOWN MONROVIA LAGOS ABIDJAN LIBREVILLE

MEXICO CITY COLOGNE PANAMA CITY

LUANDA

LIMA RIO DE JANEIRO

PERTH SYDNEY MELBOURNE

CAPE TOWN WELLINGTON

Cities in Europe, Australia and North America

CONAKRY FREETOWN MONROVIA ABIDJAN

DAKAR

MANILA

JAKARTA

DAKAR

BAKU

TUNISIA

SAN DIEGO

Cities in Africa and South America

BUENOS AIRES

SALINAS ENSENADA

SHANTOU ZHUHAI

JACKSORRVILLE TALLAHASSEE MIAMI

MAPUTO DURBAN PORT ELIZABETH

BRISBAN ADELAIDE

NAIROBI

DAR ES SALAAM LUANDA

DJIBOUTI

OMAHA

LOS ANGELES PHOENIX

FREDERICTOR

DAYTON

NEW YORK DAYTON

WASHINGTON D.C

LAS VEGAS

ATLANTA

NEW ORLEANS

AUSTIN

TALLAHASSEE

SAN ANTONIO

GUANGZHOU NANNING

MEXICO CITY

HONGKONG

MUMBAI

BELMOPAN TEGUCIGALPA GUATEMALA SAN SALVADOR MANAGUA

COLOMBO

MANILA

SINGAPORE

COLOGNE

CARACAS SAN CRISTOBAL

GEORGETOWN PARAMARIBO CAYENNE

BOA VISTA

QUITO

JAKARTA

TRUJILLO DARWIN

LILONGWE LUSAKA

RIO BRANCO

LIMA

CUSCO

TRINIDAD BRASILIA LA PAZ AREQUIPA ARICA BELO HORIZONTE

HARARE BULAWAYO WINDHOEK GABORONE PRETORIA MAPUTO MBABANE MASERU

DURBAN

PORT ELIZABETH

CURITIBA

ADEN

QUEBEC OTTAWA

SALT LAKE CITY

SAN FRANCISCO

PANAMA CITY

KIGALI BUJUMBURA

CAPE TOWN

BAHIA BLANCA PUERTO MONTT

Small cities in five continents

ASMERA

ADDIS ABABA

TOKYO

XIAN

TORONTO

BISMARCK ST.PAUL

BOISE

BANGUI YAOUNDE

KINSHASA

LUDERITZ

TRUJILLO

KARACHI

EDMONTON CALGARY

SPOKANE PORTLAND

SHENYANG

NANJING CHENGDU SHANGHAI CHONGQING HANGZHOU CHANGSHA SHENZHEN KUNMING

LAGOS

BELMOPAN GUATEMALA TEGUCIGALPA SAN SALVADOR CARACAS MANAGUA GEORGETOWN PARAMARIBO CAYENNE DARWIN

LASA

MECCA

KHARTOUM

NIAMEY N’DJAMENA

LIBREVILLE

YANTAI LIANYUNGANG

AREQUIPA LUDERITZ

RIYADH

NOUAKCHOTT

AMSTERDAM

QUEBEC

NEW YORK SAN FRANCISCO WASHINGTON D.C LOS ANGELES NEW ORLEANS

SHENZHEN HONGKONG

Asia

OULU ARKHANGEL’SK

DAKAR

BONN

LANZHOU

BASRA

TABUK

ASYUT LUXOR ASWAN

MURMANSK

MARSEILLE MADRID

BEIJING

TIANJIN

TEHRAN

ALGIERS

SEATTLE

VLADIVOSTOK

WULUMUQI

ZAGREB

SEVILLA

VLADIVOSTOK TIANJIN

THOMPSON PRINCE

KIEV

CHISINAU

BUCHAREST

VIENNA

ROME

ZARAGOZA

MADRID

MINSK

WARSAW

BERN

LYON

MARSEILLE GENOA

WHITEHORSE

MOSCOW

COPENHAGEN

LONDON

RABAT

ARKHANGEL’SK

HELSINKI

STOCKHOLM OSLO MANCHESTER

BIRDSVILLE CHARLEVILLE

RIO DE JANEIRO

ASUNCION

BRISBAN

CURITIBA

TAMWORTH

PERTH ADELAIDE

SANTA FE

SYDNEY

BUENOS AIRES

CANBERRA

MELBOURNE

SAN DIEGO WELLINGTON

BAHIA BLANCA SAN CARLOS DE BARILOCBE PUERTO MONTT

VARIATION OF MODULE

BUILDING TYPOLOGY

Hotel Art Gallery Exhibition hall Art supplies retail Artist residence + studio

Commercial Workshop Youth Hostel Creative bazaar Retail business

Residence Hotel Office Commercial Retail business Transportation hub station

Residence Venezia Hotel Artist residence + studio

Residence Office Workshop

Game city Theme restaurant Theme Hotel Fashion flagship store

Office Residence Flower Market Recycling station Manufacturing plant

Art Gallery Exhibition hall Trading Center Art Exhibition Hall

School Training Center Large commercial plaza

Casino KTV SPA Aquarium Single club

Ocean Hotel Infrastructure Energy Center Ocean park

Lnxury office Lnxury residence 360 degrees of The Seaview Tavern Hotel

TYPOLOGY

VARIATION OF COMBINATION

WORLD TOUR OF SHENZHEN MOBILE COMMUNITY

Dubai

Rio

Singapore

Port Elizabeth

Seatle

New York

Bengbu History Museum,Urban planning Museum and Archives

The Silver Minsheng Financial Tower

Contribution: section& plan drawing, analysis drawing, model, concept design

Contribution: analysis drawing, concept design

Kunming (International) Mining Trade Center and ancillary facilities Provincial Geological Museum and the provincial physical geological repositories Provincial Geology and Mineral Resources Building

Longgang Industrial Park, the core area concept plan and Headquarters Building Architectural Design

Contribution: plan drawing, analysis drawing,

Contribution: section drawing, analysis drawing, model, cocept design