Portfolio

Page 1

master portfolio 2013-2015

Wenyu Wu

The Royal Danish Academy of Fine Arts, School of Architecture,Computation in Architecture


THESIS-A design-led enquiry into techniques of performative folding Type:Independent Tutor:Phil Ayres Date:02/2015-06/2015 This project investigates varieties of techniques of perfomative folding which will be applied on pop-up architecture.The reason why i want to investigate is folding has both structural and aethestic capacity.Pop-up architecture has deep architecture quality and it is radical in design even though it is temporary. It gives the oppotunity to apply the techniques of perfomative folding on.The methods of investigation will be in these aspect: material, physical model, computation simulation, architecture content .




computation simulation Grasshopper plug-in Kangroo could simulate the behavior of folding as long as we have the unfolded plan. Further exploration is to give load to it to get the ideal shape we want.

top

top

perspective

perspective

perspective

side

side

side

top

top

perspective

side

unfolded plan

original folding

one scale of folding transfoming to another scale

one scale of folding transforming to another scales in deffererent level of folding


COMPUTATION SUMULATION

perspective

unfolded plan

unfolded plan

side

top


PHISICAL MODEL EXPLORATION

d e p l o ya b l e plan

d e p l o ya b l e plan

d e p l o ya b l e plan

d e p l o ya b l e plan

d e p l o ya b l e plan

d e p l o ya b l e plan

SCENE OPENING

SCENE closed

DEPLOYABLE PLAN


LIGHT EXPERIMENT

3 TYPE OF STAGE

chinese shadow puppet

string puppet

puppet


Junction exploration

100 mm

200 mm

insert into the cut

junction

REDUCE the scale of fold REDUCE the thickness of the paper REDUCE the size of junction

cut

easy to fold EASY to break KEEP aestheticity

material: paper 270 gsm

difficult to fold EASY to break KEEP aestheticity

material: paper 240 gsm

100 mm

100 mm

insert into the cut

junction

REDUCE the scale of fold REDUCE the thickness of the paper REDUCE the size of junction

cut


Junction exploration

100 mm

100 mm

200 mm 100 mm

REDUCE the scale of fold

cut

easy to fold EASY to break KEEP aestheticity

material: paper 270 gsm

+

holes for string to go through

+

+

easy to fold NOT EASY to break KEEP aestheticity

string

material: paper 270 gsm


Junction exploration

+ holes for string to go through

+

+ string

Lengthen the stich length

easy to fold NOT EASY to break KEEP aestheticity SAVE TIME to stich

material: paper 270 gsm

easy to fold NOT EASY to break KEEP aestheticity

material: paper 80 gsm

holes for string to go through

+

string


the clay rockit Tutor: Phil Ayres, Paul Nicolas Date: 09/2014-10/2014 Partner: 3 person


THE PRESSURE

0 4 / CA L I B R AT I N G T H E P R E S S U R E

0 5 / t e st # 1

0 5 / t e st # 1

-pressure: 1 bar -plastic bag containing the clay

-pressure: 1 bar -plastic bag containing the clay

upgrade the tool

0 5 / t e st # 2

0 5 / t e st # 2

-pressure: 1 bar -no plastic bag containing the clay

-pressure: 1 bar -no plastic bag containing the clay

By making variety of tests on the extruder, we realize where the problems the tool have and start to upgrade the tool.


0 2 / S P EC U L AT I V E E N Q U I R E S

Path Speed

200 g

00

249 g

Pressure

01

416 g

02

412 g

03

0 2 / S P EC U L AT I V E E N Q U I R E S

I N T E RC O N N E X I O N B E T W E E N E L E M E N TS 01

VS

0 2 / S P EC U L AT I V E E N Q U I R E S

400 g

QUIRES

05

258 g

06

401 g

I N T E RC O N N E X I O N I N A C O R N E R 01

I N T E RC O N N E X I O N I N A C O R N E R 02 I N T E RC O N N E X I O N B E T W E E N E L E M E N TS 02

SPECULATIVE digital model

physical model

07

385 g

08


0 8 / D ES IG N I N T E N T

VS

ag g r e gat io n t e s t s ( m a n ua l )

SPECULATIVE digital model

physical model

C O N TROLLED S HA P E S DE S I G N I N TE N T


C O N TROLL I N G THE OUT C O M E S HA P E

DE S I G N I N TE N T


constructing structure Tutor: Mark West, Phil Areys, Paul Nicolas Date:11/2014 Partner: 8 person This is a three week workshop. The focus will be on strategies for the design and construction of thin-shell masonry spanning and boundary elements. The primary purpose of the workshop is to develop a critical appreciation of the ways in which the consideration of construction influences design methods and proposition.


starting from two parallels lines(red), the two main arches (black),i.e. catenaries, are generated by relating the endpoints of each lines,and by parameters that allow the control of scale, hight and gravity.

starting from two a. parallels starting linesfrom two parallels lines (red), the two main arches (red), (black), the two main arches (black), i.e. catenaries, are generated i.e. catenaries, by are generated by relating the endpoints of relating each lines, the endpoints of each lines, and by parameters thatand allow by parameters the that allow the control of scale, hight and control gravity. of scale, hight and gravity. for optimizations, we subdivided the surface in longitudinal sections, generating a set of curves to be analysed and optimized, one by one.

for optimizations, c. we subdivided for optimizations, the we subdivided the surface in longitudinal sections, surface in longitudinal sections, generating a set of curves generating to be a set of curves to be analysed and optimized,analysed one by one. and optimized, one by one.

first brick model of the "flipped" surface, in 1:5. for it was used two cardboards sheets as falsework, hdf blocks as bricks and a mixture of white glue and corn starch as mortar. no guide was used. except eyes and intuition.

by projecting the two arches on ground, we have a centered crosspoint, in which a vertical straight line raises, connecting both arches and working as reference to the surface be constructed through sweeping.

b.

by projecting the two b. arches by projecting on the two arches on ground, we have a centered ground, we have a centered building the vault: after the three first brick lines, we realized that would be falsework materials: set of three plywood arches, fixed on ground, using ropes as bricks guides. crosspoint, in which a vertical crosspoint, straight in which a vertical straight better to have more guides. silvertapes were added to solve this problem. line raises, connecting both line raises, archesconnecting both arches and working as reference andtoworking the as reference to the surface be constructedsurface throughbe constructed through sweeping sweeping

using Galapagos Evolutionary Solver, each curve is optimized to best fit bending (fiberglass rods). in detail, we can see the differing curvatures, with the original curve in red and the optimized in green.

d.

using Galapagos Evolutionary d. using Galapagos Solver, Evolutionary Solver, each curve is optimizedeach to best curve is optimized to best fit bending (fiberglass rods). fit bending (fiberglass rods). in detail, we can see the in differing detail, we can see the building differing the vault: as the bricks length doesn't fits the curvature very well, some critical points start to appear. curvatures, with the original curvatures, curve with in the original curve in red and the optimized inred green. and the optimized in green.

building the vault: ...and going up...

the bricks were oriented from the base line, perpendicular to the higher curvature, to the top, and directed from the higher to the lower one. as we can see in the picture, the bricks that reach the lower curve are not parallel to this one.

first brick model of the "flipped" surface, in 1:5. for it was used two cardboards sheets as falsework, the brickshdf were blocks oriented from the base line, perpendicular to the higher curvature, to the top, and directed from the as bricks and a mixture of white glue and corn starch as mortar. no guide was used. except eyes higher and to intuition. the lower one. as we can see in the picture, the bricks that reach the lower curve are not parallel to this one.

building the vault: on top, the two arches need to overlap each other.

building the vault: improving the surface to optimize the overlapping with more defined edges.

building the vault: overlapping completed.

building the vault: ...last line of bricks...

this means that the tangent length of each brick on the lower curve is bigger then on the higher one. since both arches has the same length, we can realize that there will be a gap on the bottom of the vault. AND THAT IS A PROBLEM, MAN!!! this means that the tangent length of each brick on the lower curve is bigger then on the higher one. since both arches has the same length, we can realize that there will be a gap on the bottom of the vault. AND THAT IS A PROBLEM, MAN!!!


architecture condition

variety of surface

cobination of variety of surface

concrete bean

concrete bean

concrete colunm

concrete colunm


Infinite Methods of treating clay Tutor: Phil Ayres, Paul Nicolas Date: 09/2014 Partner: 3 person

1 Tile

3x5 Tiles

5x8 Tiles

9x15 Tiles

1 Tile

3x5 Tiles

5x8 Tiles

9x15 Tiles

reapetting

reapetting + scaling

one tool

one tool 120 mm

120 mm

60 mm

60 mm

60 mm

60 mm

30 mm

30 mm 120 mm

15 mm

15 mm

30 mm

120 mm

15 mm

60 mm

30 mm

15 mm

7.5 mm 7.5 mm

60 mm

7.5 mm

15 mm

60 mm

30 mm

15 mm

7.5 mm 120 mm

30 mm

60 mm

120 mm


1

reapetting + scaling + different arrangement

2

3

reapetting + scaling + different distribution

120 mm

different size of tools

different size of tools

60 mm 60 mm

30 mm 120 mm

15 mm 60 mm

30 mm

15 mm

7.5 mm 7.5 mm

30 mm

15 mm

60 mm

120 mm

120 mm

120 mm 15 mm

60 mm

60 mm

60 mm

60 mm

30 mm 120 mm

15 mm

15 mm

60 mm

30 mm

15 mm

7.5 mm 7.5 mm

30 mm

30 mm 53 mm

5 mm 4 mm

7.5 mm 120 mm

120 mm

15 mm 18 mm

60 mm

7.5 mm

9 mm

15 mm

15 mm 30 mm

30 mm

3 mm

60 mm

13 mm

60 mm

2 mm

120 mm


Material DYNAMIC

tutor: Martin Tamke Date: 10/2013 -12/2013

two types of hinge

comparing two types of component

diamond shape

straight line shape

TYPE 1: same level of opening and closing

TYPE 2: DIFFERENT level of opening and closing

moving path

moving path

VS

I start to think how to let the hinge move a little but get a big opening.

advantage:

disadvantage:

1.All the thing are symetric,it makes the mechenical system simpler and it is more suitable for modular use.

1.It is too complicated and have too much possibilities.It is hard to find a pringciple to develp in the next step. 2.There is no reason to make the level of opening in a single component different .

material test

plastic 0.1 mm

too soft

plastic 0.1 mm

stand by itself

glass fiber plastic

plastic 0.2 mm

glass fiber plastic

more stable and stronger

The glass fiber plastic helps the compounent automaticlly go back to be flat when there is not ay force to pull it. Because the glass fiber plastic has elasticity.


5 TYPES OF COMPOUNENT FACADE

ILLUMINANCE ANALYSIS IN 5 TYPES OF COMPOUNENT FACADE IN JUNE 21

9:00

12:00

15:00

18:00

COMPOUNENT TYPE A:

I set 5 types of compounent .They are in the same size and all opaque but with different level of opening.I use these compounet in 5 facades ,including the roof.Then i will make tests to see how much illuminace this space will have in every type of comounent facade in four times during a day.

COMPOUNENT TYPE A 263 LUX /DAY

299 LUX /HOUR

520 LUX/HOUR

121 LUX/HOUR

112 LUX/HOUR

534 LUX /HOUR

335 LUX/HOUR

868 LUX/HOUR

178 LUX/HOUR

COMPOUNENT TYPE B:

403 LUX /DAY COMPOUNENT TYPE C:

COMPOUNENT TYPE B 3403 LUX /DAY

4266 LUX/HOUR

4155 LUX/HOUR

4365 LUX/HOUR

COMPOUNENT TYPE A

826 LUX/HOUR

COMPOUNENT TYPE D:

COMPOUNENT TYPE C

9:00 10506 LUX /DAY

868 LUX/HOUR

17715 LUX/HOUR

13329 LUX/HOUR

12:00

18:00

15:00

2350 LUX/HOUR

COMPOUNENT TYPE E:

55 LUX

85 LUX

145 LUX

24715 LUX /DAY

final model

21071 LUX/HOUR

44192 LUX/HOUR

28371 LUX/HOUR

5227 LUX/HOUR

88 LUX

130 LUX

305 LUX

65 LUX

70 LUX

130 LUX

30 LUX

37 LUX

65 LUX


bachelor portfolio 2006-2010

Wenyu Wu

Shenzhen University


4

Cartographic survey Site:Nanshan district,Shenzhen,P.R.China Type:Independent Tutor:Rao Xiaojun Date:10/2007-12/2007 2

3

Back Elevation

A-A Section

4

2

B

3

Side Elevation

A

Front Elevation

A 1

B

Ground Floor Plan

2

B-B Section

Node Detail Plan 1

Node Detail Plan 2

Node Detail Plan 3

Node Detail Plan 4


MATERIAL SPACE DESIGN

ways of stacking

Type:Independent Tutor:Yin Ziyuan Date:09/2008-10/2008 This is a 3m×3m×3m box.I use diffrent ways on stacking the red bricks to make different facades.Every elecation is different.When sun shines in,we could see different shapes of shadow.The exterior facades are flat but the interior facades are concavoconvex.

steel plate

joist steel

roof stacking way

The roof is supported by the joist steel and a steel plate. The size of the brick is 115mm×240mm×53mm. 115mm

240mm

53mm

3


4


residencial studio of artist design Site:Wenshan Lake,Shenzhen University,P.R.China Type:Independent Tutor:Yin Ziyuan Date:10/2008-11/2008

N

N

The site is located in the Wenshan Lake of Shenzhen university.The surrounding environment is so good.There are many trees and it is always so quiet.I want the building is very concise,which looks very outstanding among the surrounding buildings.So i make its shape is only a cube and its facade is covered by aluminum mesh.Besides,The building is built on the lake,which looks like a box floating on the lake.

Secondary Entrance

Secondary Entrance

Main Entrance

Main Entrance

Master Plan

5


up

N

exhibition hall

swimming pool

1.90 down down

8.65

down

up

living room

down studio

down

2.35

B

-0.05

secondary entrance

Second Floor Plan

up

0.10

Fourth Floor Plan

main entrance

reception room

A

A

up down up

Âą0.00 platform

0.25

up exhibition hall down

up

5.50

down

Wenshan lake

B

Ground Floor Plan

6

Third Floor Plan

5.05


Studio and exhibition hall

4F residence

Residence

The line of sight between layer and layer can connect.

3F exhibition hall

perspective section

11.90 11.60 8.65

5.50 5.05 2.35 1.90 Âą0.10

South Elevation

West Elevation

A-A Section 7


1F Reception Room

3F exhibition hall

2F studio and exhibition hall

11.90 11.25 8.65 8.30 5.50 5.15 2.35 2.00 0.25 -0.35

East Elevation 8

North Elevation

B-B Section


O.C.T COMMUNITY CENTER DESIGN Site:Nanshan district,Shenzhen,P.R.China Type:Independent Tutor:Wu Xiangyang Date:04/2010-06/2010 The site is located in the O.C.T ecological square.The surrouding environment is very good.The surrounding resedents like to visit there.You could always see a lot of people in O.C.T. I let the building grow from the ground to the Yanhan mountain.It helps people to get to the Yanhan mountain more quickly and conviniently.And this building connects the mountain very naturally.

Yanhan Mountain

bicycle parking basement car cargo park entrance entrance entrance

secondary entrance

secondary entrance

secondary entrance

main entrance

-0.050

SITE

secondary entrance

9


site analysis firm ground

Green land

original Pedestrian flow

SITE SITE

SITE

SITE

current Pedestrian flow

Ecological square rises gradually from the south to the north and transformes from artificial square to natural mountain. In order not to break the original planning rules, the community center should merge into Yanhan mountain as far as possible. Besides,it should be open, otherwise it will seem to be very congestion. people activity at night

people activity in daytime

SITE

strong middle low

Now,there are tow pedestrian flow in the site.People can go to Yanhan moutain by passing through the community center or using its roof,which is more convinient to surrounding residents.

original Pedestrian flow

current Pedestrian flow

SITE

People profer to stay in the places which have shelter.

People prefer to walk in the firm ground and mountanin.

There are not so many people in the site no matter in day time or at night.Most people just pass through the site but do not want to stay.

In order to keep the original pedestrian flow, i devide the community center into several parts around them.As a consequence,it attracts poeple to stay and add vigor to the community center.

function distribution

SITE entertainment

10

office

study

public and auxiliary


Function analysis

planted roof

multi-function room

Lobby

network room classroom library bicycle parking office chess room

table tennis room coffe shop billiard room children play room

hard court square

chess-poker room

west Elevation

East Elevation 11


bicycle parking entrance basement car park entrance

cargo entrance

down bicycle parking up w.c

sencondary entrance

up

w.c office office

sencondary entrance

chess room up w.c

Âą0.000

w.c -0.050

lobby main entrance -0.050

table tennis room

cafe billiard room children play room

up

-0.550

up up up sencondary entrance -1.000

Ground Floor Plan up up down multifunction room

down

up down platform

4.050

w.c

w.c

network room

classroom

classroom down

up up

9.700 8.600

9.700 8.600

7.250

7.250

4.050

4.050

3.500

3.500

0.050

0.050

section 12

section

library


GRADUATION THESIS: Cinema transformation DESIGN-city gaRDEN Site:Luohu district,Shenzhen,P.R.China Type:Independent Tutor:Song Mingdi Date:02/2010-06/2010 The site is located in the intersection of Honglingnan Road and Jinguanghua Road.Most of the surrouding buildings are offices , commerce and residence.But the equipment of the cinema are obsolete and there are always a lot of noise.Hence, the cinema has been closed for a long time.I need to do a lot of reserch in order to improve the environment of the site, which could help to bring so much benifit to the surrounding residents.I think this site is like a garden in the city. The concept is came from the senaries of nature,terrace,which would atrract more people to visit.

site

13


GOAL

SITE ANALYSIS

SITE

SITE

SITE

residence commerce office

There are a lot of people around the site.But in the site,there are less people.My goal is to atrract more people to come to the site,which could bring more benifit to the old building. SOLUTION

N

The seneries of the nature are alaways beatiful and charming.For example,trerrace.I extract the curves of the terrace and use them as the element of my design.It is used in my landscape,facade and interior decoration.

secondary entrance

After transformation, the new building will attract more people to consume.The main pedestrian flow seperate the site into several parts.Then, i would plant more trees and grass in the site,which make the eviroment better .

main entrance

structural diagram

jalousie 14

glass

windowsill

wall

facade

Master Plan


ceiling projected plan

The ceiling looks like several hand upside down hills.The multi-function room can be used as conference hall and cenima. multi-function room

14.730

14.730

1.118

1.118

14.730

14.730

13.05

1.118 9.450 7.620

7.620 7.620 5.950

1.050

1.050

±0.000

±0.000

1.950 1.050 ±0.000

A-A Section

±0.000

B-B Section

15


car park

1.050

cafe

stage

up

up

up

0.900

W.C. W.C.

multi-function room 0.450

secondary entrance

up

0.450

0.450

up

down

down 1.350

1.350

1.350

down

down

up

up

Lobby 1.950

up Âą0.000

main entrance

Ground Floor Plan

office

office

4.350

office

down

office

office 11.180

W.C. W.C. down

4.350

up down

down up

sound control projection room room

electricity transformation and distribution Room

air

conditioner

The Second Floor Plan

room

roof down

down 5.950

16

office

W.C. W.C.

7.620

up down

13.050

9.450

The Third Floor Plan

The Fourth Floor Plan

corridor


detail design

coffee shop

The element of curves are used in the wall, ground and celing.The deskes and tables look like cobbles.

People could sit on the white board.

lobby

North Elevation

east Elevation

South Elevation

West Elevation 17


job portfolio 2010-2013

Wenyu Wu


West Bund 2013 A Biennial of Architecture and Contemporary Art Date:03/2013-05/2013 Leader: Meng Yan, Liu Xiaodu Partner: Rao Enchen, Li Xiaoling, Zhang Tao, Chen Hui Contribution: concept design, section & plan drawing, analysis drawing, model


elevation

construction diagram


ECONOMY SYMBIOSIS: PORTS Shenzhen&Hongkong Bi-city Biennale of Urbanism/Achitecture Type:Cooperation Leader:Zhu Xiongyi,Zeng Guansheng Date:08/2011-12/2011 Partner:Wang Xue,Wang Wei,Zhu Qiuru,Yang Jianwei,Chen ruoyu,Zhang Dandan Contribution:concept design,section&plan drawing,analysis drawing,model,rendering

INTERGRATED SHORELINE+MOBILE COMMUNITY Port is a window for goods transfer and distribution between lands. For centuries, the form of port grows from fishing port to city mega infrastructure, and the port industry becomes an important driving force for local and hinterland’s economy. However, inevitably, port also imposes negative effect on space for public use, since its occupation of high-quality waterfront areas.Meanwhile, sea level rise caused by global warming is incrementally invading port areas, as well as threatening port operation. Therefore, with the world growing ever closer through globalization and resources growing ever more in demand, the future of the port lies in efficient and sustainable living. As the land use efficiency of the ports increase, more space becomes available for multi-purpose programs, and port industries are transformed to multiple industries related to the human scale with complex functions. The new industry itself is rich in experience, high in output, but low in input and consumption. The development of the third industry will be a gradually penetrating process to utilize the natural resources along the coastline. Mobile Culture, Creative Community proposes that logistics, business, living and recreation along the shoreline become more closely inter-connected and interdependent, creating a new and robust port economy. Furthermore, to meet the demand of communication and integration between industries in the new port economy, a new “mobile industry” forms a globally productive network of different industries and communities which allow for effective communication and creative cooperation. Wherever the mobile industries stop, not only do they promote and market themselves, but also they learn from the crash and confluence of different industries to realize self-regeneration and self-promotion.


future global port economy

MURMANSK

TRONDHEIM

OULU

ARKHANGEL’SK

HELSINKI

STOCKHOLM OSLO

ST. PETERSBURG

LONDON

PARIS NANTES

WARSAW

BERN

VANCOUVER

CHISINAU

SOFIA SKOPJE TIRANA ANKARA

SEVILLA

TBILISI BAKU

YEREVAN

BEIJING

TUNISIA

BEIRUT DAMASCUS AMMAN

LANZHOU

CAIRO

LASA

DAKAR

KHARTOUM

RIYADH

NIAMEY N’DJAMENA

DAKAR

CONAKRY FREETOWN

ASMERA

ADDIS ABABA

MONROVIA ABIDJAN

TOKYO

SALT LAKE CITY

LOS ANGELES

CHENGDU SHANGHAI CHONGQING HANGZHOU CHANGSHA

DJIBOUTI

NEW YORK DAYTON

ATLANTA

NEW ORLEANS

AUSTIN

TALLAHASSEE

SAN ANTONIO

NANNING

MEXICO CITY

HONGKONG

MUMBAI

ADEN

PHOENIX

DAYTON

WASHINGTON D.C

LAS VEGAS

SHENZHEN GUANGZHOU

KARACHI

OMAHA

FREDERICTOR

TORONTO

BISMARCK ST.PAUL

SAN FRANCISCO

XIAN

KUNMING

MECCA

NOUAKCHOTT

QUEBEC OTTAWA

BOISE

NANJING

BASRA

TABUK

ASYUT LUXOR ASWAN

EDMONTON CALGARY

SPOKANE PORTLAND

SHENYANG

TIANJIN

TEHRAN

ALGIERS

RABAT

SEATTLE

VLADIVOSTOK

WULUMUQI

ZAGREB

ROME

ZARAGOZA

MADRID

PRINCE

KIEV

BUCHAREST

VIENNA

LYON

THOMPSON

MINSK

AMSTERDAM BONN HAMBURG BERLIN

MARSEILLE GENOA

WHITEHORSE

MOSCOW

COPENHAGEN

MANCHESTER

BELMOPAN TEGUCIGALPA GUATEMALA SAN SALVADOR MANAGUA

COLOMBO

MANILA

LAGOS BANGUI YAOUNDE

COLOGNE

CARACAS SAN CRISTOBAL

PANAMA CITY

LIBREVILLE

SINGAPORE

NAIROBI

KINSHASA

KIGALI BUJUMBURA

DAR ES SALAAM

QUITO

JAKARTA

LUANDA

GEORGETOWN PARAMARIBO CAYENNE

BOA VISTA

TRUJILLO DARWIN

LILONGWE LUSAKA

RIO BRANCO

LIMA

CUSCO

TRINIDAD BRASILIA LA PAZ AREQUIPA ARICA BELO HORIZONTE

HARARE BULAWAYO WINDHOEK GABORONE PRETORIA MAPUTO MBABANE

LUDERITZ

MASERU

BIRDSVILLE CHARLEVILLE

DURBAN

CAPE TOWN

CURITIBA

TAMWORTH

PERTH

PORT ELIZABETH

RIO DE JANEIRO

ASUNCION

BRISBAN

ADELAIDE

SANTA FE

SYDNEY

BUENOS AIRES

CANBERRA

MELBOURNE

SAN DIEGO BAHIA BLANCA SAN CARLOS DE BARILOCBE PUERTO MONTT

WELLINGTON

present global port economy

MURMANSK

TRONDHEIM

OULU

ST. PETERSBURG

LONDON

AMSTERDAM HAMBURG BERLIN

BONN PARIS NANTES

MADRID

VANCOUVER

CHISINAU

SOFIA SKOPJE TIRANA ANKARA

YEREVAN

TBILISI BAKU

TUNISIA

BEIRUT DAMASCUS AMMAN

CAIRO

RIYADH

NOUAKCHOTT DAKAR CONAKRY FREETOWN MONROVIA ABIDJAN

LASA

KARACHI

MECCA

KHARTOUM

NIAMEY N’DJAMENA

ASMERA

ADDIS ABABA

ADEN DJIBOUTI

EDMONTON CALGARY

OTTAWA

TOKYO

SALT LAKE CITY

OMAHA

SAN FRANCISCO

XIAN

LOS ANGELES PHOENIX

SHENZHEN GUANGZHOU

DAYTON

ATLANTA

NEW ORLEANS

AUSTIN

TALLAHASSEE

SAN ANTONIO

NANNING

MEXICO CITY

HONGKONG

MUMBAI

NAIROBI

DAR ES SALAAM LUANDA

MANILA

SINGAPORE

COLOGNE

CARACAS SAN CRISTOBAL

GEORGETOWN PARAMARIBO CAYENNE BOA VISTA

QUITO

JAKARTA

TRUJILLO DARWIN

LILONGWE LUSAKA

RIO BRANCO

LIMA

CUSCO

TRINIDAD BRASILIA LA PAZ AREQUIPA ARICA BELO HORIZONTE

HARARE BULAWAYO WINDHOEK LUDERITZ

GABORONE PRETORIA MAPUTO MBABANE MASERU

CAPE TOWN

DURBAN

PORT ELIZABETH

Exchange with mainland

BELMOPAN TEGUCIGALPA GUATEMALA SAN SALVADOR MANAGUA

COLOMBO

PANAMA CITY

KIGALI BUJUMBURA

cargo+production

DAYTON

NEW YORK

WASHINGTON D.C

LAS VEGAS

NANJING CHENGDU SHANGHAI CHONGQING HANGZHOU CHANGSHA

BANGUI YAOUNDE

KINSHASA

land

Insert the local industry

FREDERICTOR

TORONTO

BISMARCK ST.PAUL

BOISE

KUNMING

LAGOS

LIBREVILLE

snack industry+living facilities

QUEBEC

SPOKANE PORTLAND

SHENYANG

TIANJIN LANZHOU

BASRA

TABUK

ASYUT LUXOR ASWAN

DAKAR

BEIJING

TEHRAN

ALGIERS

SEATTLE

VLADIVOSTOK

WULUMUQI

ZAGREB

SEVILLA

land

PRINCE

KIEV

BUCHAREST

VIENNA

ROME

THOMPSON

MINSK

WARSAW

BERN

LYON

MARSEILLE GENOA ZARAGOZA

WHITEHORSE

MOSCOW

COPENHAGEN

MANCHESTER

RABAT

ARKHANGEL’SK

HELSINKI

STOCKHOLM OSLO

BIRDSVILLE CHARLEVILLE

RIO DE JANEIRO

ASUNCION

BRISBAN

CURITIBA

TAMWORTH

PERTH ADELAIDE

SANTA FE

SYDNEY

BUENOS AIRES

CANBERRA

MELBOURNE

SAN DIEGO WELLINGTON

BAHIA BLANCA SAN CARLOS DE BARILOCBE PUERTO MONTT

culture+industry+resourses

Exchange with mobile community


the evolution of mobile culture

2020

2030

2040

2050

Cinema

Cinema

Theatre

Theatre

Integrated arts Integrated arts

Integrated arts

Integrated arts

community

Music hall

community Oil research institute

Residential

Stuff

Studio

dormitory

Popular

Stuff

painting

dormitory

community

sale

Studio

Oil painting Logistic

sale

company

Logistic

sale

company

Market

i-MART Shopping Art plaza street

i-MART

Advertising

Star hotel

Shopping

Travel

industry

Art plaza

Market

Advertising

Star hotel

Travel

street

industry

Finance

industry

Law

factory Logistic

Art gallery

Export base

Energy Business Market

Advertising Storage

Finance Law

Art museum

Boutique flagship store

company

Star hotel

Solar power

Finance

Visitor Sailing

Advertising

Leisure club

centre

Aquaculture

Broadcast Graphic

Deep-sea oil extracting

base

design

Law

Casino

YH

Cafe

YH

industry

Storage

industry SPA

design

station

Energy Business Market

Shopping Art plaza street

Travel

Bar

Broadcast

Graphic

YH

Market

i-MART

industry

Music

Oil painting

sale

company

Market

production

Media

Painting tool

Painting tool retail

Brand store

Art museum

television

newspaper

community Magazine

Art gallery

Business

Film and

Oil painting

Popular painting

Studio

dormitory Waste recovery

Brand store

Art museum

Travel

production

Media

Brand store Art museum

television

newspaper

Oil painting Logistic

Export base

Art gallery

Export base

Market Business

Oil painting

Magazine

factory

tool retail

Oil painting

tool retail

Art gallery

Popular painting community

IKEA

Library

Artist village

Residential

Stuff

Film and

Studio

Painting tool Painting

factory

Painting

factory

Stuff dormitory

Painting tool

Painting tool Painting tool retail

Artist village

Residential

Popular painting community

Training

facility

Artist village

Artist village

Community

Training

facility

Training

facility

Training

Library

Community

community x

Sculpture

Labor camp

School

School

School Community

Residential

Sculpture

institute

Sculpture

Music hall Canteen Oil research institute

community

Music hall Oil research

Architecture

Insurance

centre

Expo

Service industry

Souvenir market

Service industry

Souvenir market

headquarter

Expo

Stock market

headquarter

mobile community prototype

Bank Foreign currency

Original Cartoon Show Investment and

Land development

trade fair

Distribution Purchase

COLLEGE CLUB HOUSE ART GALLERY 工厂 YACHT CLUB COMMERCIAL VILLA EFFICIENT PORT LOFT INNOVATIVE FACTORY AUCTION

交易中心

CASINO

ASTRONOMICAL OBSERVATION

SCULPTURE ARTS TOURISM

IT

BENEFIT INSTITUDE

THEATER

FOREST

SPORT CENTER

TRAIN

CAFE FACTORY RESIDENCE

COMMUNITY SERVICE HOTEL sea sea sea sea sea sea sea sea sea sea

ENTERTAINMENT

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

WASTE RECYCLING

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

SEASHELL MUSEUM

INFRASTRUCTURE ENERGY AQUACULTURE BOOK STORE

F1 TRACK

BOOK STORE

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

SEA VIEW HOUSE

sea sea sea sea sea sea sea sea sea sea

HOTEL

MOVIE THEATER

F1 TRACK

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

HOTEL

sealevel

below

sea sea sea sea

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

SEA FOOD RESTAURANT

SUBMARINE CENTER

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

above

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

WASTE RECYCLING

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

SHANGHAI KARACHI

GUANGZHOU

MUMBAI COLOMBO SINGAPORE

TOKYO

MARSEILLE MADRID

BONN

VANCOUVER SEATTLE

GENOA BUCHAREST ROME

BEIRUT

CAIRO BASRA

KINSHASA

JAKARTA

BAKU

TUNISIA

DAKAR

MANILA

ADEN

NAIROBI DAR ES SALAAM

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

TABUK MECCA NOUAKCHOTT ASMERA DAKAR CONAKRY DJIBOUTI FREETOWN MONROVIA LAGOS ABIDJAN LIBREVILLE

MEXICO CITY COLOGNE PANAMA CITY

LUANDA

LIMA

SEASHELL MUSEUM sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

ENERGY

RIO DE JANEIRO

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

PERTH SYDNEY MELBOURNE

CAPE TOWN WELLINGTON

OULU ARKHANGEL’SK

AMSTERDAM

QUEBEC

NEW YORK SAN FRANCISCO WASHINGTON D.C LOS ANGELES NEW ORLEANS

SHENZHEN HONGKONG

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

TRONDHEIM

ST. PETERSBURG HELSINKI OSLO STOCKHOLM COPENHAGEN

LONDON PARIS VLADIVOSTOK TIANJIN

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

F1 TRACK

ENTERTAINMENT HOTEL UNDERWATER WORK CAMP SEASHELL MUSEUM HOTEL WASTE RECYCLING

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

MURMANSK

PARK

SUBWAY STATION

SAN DIEGO

BUENOS AIRES

YANTAI LIANYUNGANG

SALINAS ENSENADA

SHANTOU ZHUHAI

TRUJILLO

DARWIN

AREQUIPA LUDERITZ

MAPUTO DURBAN PORT ELIZABETH

BRISBAN ADELAIDE

Asia

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

Cities in Europe, Australia and North America

Cities in Africa and South America

CURITIBA BAHIA BLANCA PUERTO MONTT

sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea sea

JACKSORRVILLE TALLAHASSEE MIAMI

BELMOPAN GUATEMALA TEGUCIGALPA SAN SALVADOR CARACAS MANAGUA GEORGETOWN PARAMARIBO CAYENNE

Small cities in five continents

In Shenzhen, there is a solid foundation for the cultural and creative industries. Both the artistic achievements and the market performance of the industries are convincing us of a very promising future. Here, the Dafen Oil Painting Village and its success in industrial development is a key example. As a prototype, we combine the cultural and creative industries in Dafen with a new port economy for Shenzhen and Hong Kong. Building on the model of art production in Dafen village as an anchor, Mobile Culture, Creative Community creates a large chain of industries which is diverse, integrated, complex, and influential. At the same time, the industry chain performs as a group of mobile communities. The number of its members is growing, and each member has a unique spatial form. The mobile communities float in between lands independently. Creative Communities are assembled specific to the existing conditions and available resources at hand. Being attached to or detached from the land, the mobile community group is continuously transferring and redistributing goods, information, knowledge, and technology.

output of religion

output of expo

output of heritage

output of media industry


VARIATION OF MODULE

BUILDING TYPOLOGY

Hotel Art Gallery Exhibition hall Art supplies retail Artist residence + studio

Commercial Workshop Youth Hostel Creative bazaar Retail business

Residence Hotel Office Commercial Retail business Transportation hub station

Residence Venezia Hotel Artist residence + studio

Residence Office Workshop

Game city Theme restaurant Theme Hotel Fashion flagship store

Office Residence Flower Market Recycling station Manufacturing plant

Art Gallery Exhibition hall Trading Center Art Exhibition Hall

Lnxury office Lnxury residence 360 degrees of The Seaview Tavern Hotel

School Training Center Large commercial plaza

Casino KTV SPA Aquarium Single club

Ocean Hotel Infrastructure Energy Center Ocean park

TYPOLOGY

VARIATION OF COMBINATION


Seaworld subway station

Shekou Business District Big Nan Shan Park

world tour of shenzhen mobile community

Seaworld Small Nan Shan Park

Chiwan subway station Chiwan Park

Shenzhen Bay Marina Club

Shekou subway station Nanshan Tianhou Museum

Shekou port passenger transport

Ecological Village Civic Centre Plaza

Chiwan Hill

Mawan Terminal

Shopping Mall Waterfront

Business and Recreational Area Shopping Mall

Ecological Wetland Park

Financial Tower

Dubai

Rio

Singapore

Port Elizabeth

Seatle

New York

Stock Exchange

Creative Square

Chiwan Left Fort

Business Financial District

Waterfront

Exchange Square

Business and Recreational Area Ecological Wetland Park

Mawan Terminal Ecological Wetland Park

Green leisure platform

Ecological Wetland Park

Arts Community

Openair Theatre

Concert Hall

Water City Grand Theatre Film Factory

Music Village

Central Zone Type Park Main Street of Entertainment and Commercial

Painters' village

New York Waterfront Promenade

Ecological Wetland Park

section

Art Gallery

Barcelona

Sainsbury Centre for Visual Arts

Museum of Modern Art

Paris

Convention and Exhibition Centre

0

100m

300m

500m

In addition, the Dafen prototype also inspires us that as an open platform available to the public, art becomes part of the community and is no longer restricted to those with artistic training, but becomes a livelihood for any person. As such, the platform will provide opportunities for them to learn of art, to understand art, and to live on art. The gap between art and public audience is closed, and the connection between art and its related industry will be enhanced. Our concept, “Mobile Culture, Creative Community�, is to create a point of exchange at which people from different countries or cultures, with diverse backgrounds, and varied professional skills, can think, talk, create, and work together for the production of culture. It is also a setting where all the different forces, formal or informal, vulgar or elegant, free or regular, small or large, civic or official, local or international, can co-exist and inter-inspired. The coexistence of differences is premise for diversity, and diversity promotes the emergency of new cultures and prosperity of culture industry.

1km

master plan(shenzhen chiwan)


Kunming (International) Mining Trade Center and ancillary facilities Provincial Geological Museum and the provincial physical geological repositories Provincial Geology and Mineral Resources Building Date:05/2011-06/2011 Leader: Xiongyi Zhu Partner: 5 person Contribution: plan drawing, analysis drawing,

信息综合楼

交易中心

公共平台

资料库

矿业交易中心交易大厅

矿业交易中心辅助功能

地质矿产信息综合楼

实物地质资料库

地质博物馆展厅

地质博物馆辅助功能

博物馆

公共功能

服务辅助


Bengbu History Museum,Urban planning Museum and Archives Date:06/2011-08/2011 Leader: Xiongyi Zhu Partner: 3 person Contribution: section& plan drawing, analysis drawing, model, concept design

规划馆

68

2F


历史博物馆一层 夹层平面

历史博物馆二层夹层平面

首层平面

历史博物馆二层平面

历史博物馆负一层平面

规划与档案馆四层夹层平面

规划与档案管 4.000标高夹 层平面

规划与档案馆二层平面

规划与档案馆三层平面

规划与档案馆四层夹层平面

规划与档案馆负一层平面


The Silver Minsheng Financial Tower Date:09/2011 Leader: Xiongyi Zhu Partner: 4 person Contribution: analysis drawing, concept design 交通及辅助功能 Transport and Accessibility-4-35F

共享大厅 Sharing hall1F

大堂 Lobby1-2F

自用办公 office CLC 8-19F、2235F、MSFL 16-22F

避难层 Refuge floors CLC 20F、MSFL 13F

国银报告厅 CLC Hall2-3F

商业Commercial13F

银行营业厅Banking hall1-2F

民生行长会议办公 MSFL Governors Conference Office23-24F

民生高级会所 MSFL Senior clubs25F

民生租赁办公 MSFL Leasing Office412F

餐厅 Restaurant CLC 4F5F、MSFL 14F

国银机房 MSFL Engine room6-7F

健身 GYM CLC 21F、MSFL 15F


Longgang Industrial Park, the core area concept plan and Headquarters Building Architectural Design Date:02/2012 Leader: Mingzhao Wang Partner: 3 person Contribution: section drawing, analysis drawing, model, cocept design

高级会所

VIP办公

办公

会议厅 避难层

餐厅 健身房

办公

避难层

办公

会展中心 大堂 厨房 招商引资大厅 宴会厅

会议厅

地下车库 商业

带裙楼的标准办公楼

·让出地面开敞空间 ·地下广场形成多层次活动空间 ·复合的塔楼功能

功能体块


Shenzhen National Gene Bank Date:02/2012 Leader: Xiongyi Zhu Partner: 5 person Contribution: plan drawing, analysis drawing

规划篇

47

总体功能布局

宿舍

后勤保障

静——生活区

生物样本实验楼 生物样本实验楼

动——办公区

配套

生物样本存储库

动—办公区

展示与交流中心

生物样本存储库

二期

二期

行政办公及研究中心

信息数据库

静—中央休闲区

一期

一期

动—入口广场 数据库位置

数据库位置

架空停车场

信息数据库

分期开发

数据库位置 分期开发

动静分区 数据库位置


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