10 58MC murcut t maste r class - application daniel marshall cv / portfolio A selection of works, from the early to the recent. Awards & publications listed alongside projects. Related interests included.
projects 1999 - villa bathroom 2000 - piha bach 2003 - church bay house 2005 - corinth st 2007 - waikopua 2010 - korora unbuilt - wilde house & bukit bali personal interests - travel & artwork
daniel marshall architect +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
villa alteration
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Precondition: …black sand, relentless ocean, jagged basalt and a sky that dances be-
maintaining a dialogue with the language of the villa… Kitchen: a limited palette and pro-
Regeneration: the concept was to anchor a modernist pavillion upon the existing concrete
nounced rebates create a spacial play whereby the cabinetry appears to hover within the surrounding enclosure.
+64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
2000
Bathroom: functional nodes were placed within an historical pre-condition, almost as
found objects. the aesthetic was consistent with subsequent stages of alteration whilst
daniel marshall architect
piha bach
tween fiery white and violent seething black. fire destroyed most of the original bach…
block ‘template’, but rotated on its axis 90 degrees so that the living areas project out seaward, poised over the dunes.
Award
2001 Commendation Kitchen of the Year
Award
2001 NZIA Auckland Branch Award Finalist
Published
1999 Kitchens & Bathrooms, pg.73
Published
2000 Architecture New Zealand, May/Jun, pg.92-96
1999 NZ Kitchens & Bathrooms Awards, May/June, pg.20
2000 Interstices 5 (University of Auckland), pg.124-127
church bay
2002
The design of this Waiheke house was based around 3 distinct courtyard areas which provide protection from the predominant winds and provide zones for contemplation and
socialising. Views were an important consideration as the site is adjacent to a vineyard and looks down towards 3 bays.
daniel marshall architect +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
Award
2005 NZIA Auckland Branch Award
Published
2005 Home & Entertaining, Apr/May, pg.86-92
2004 Progressive Building, Feb/March, pg.39
2006 Architecture New Zealand, Mar/Apr, pg.33
corinth st
2005
This addition to a classic modernist 1960’s house by Vlad Cacala sought to leave the original intact while fulfilling the changing needs of the owners. The design was conceived as a separate form touched down next to the original house with a section of the original conceptually recreated within the addition.
daniel marshall architect +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
Award
2007 NZIA National Award
2006 NZIA Auckland Branch Award
Published
2006 Urbis Issue 34, p132
2007 Architecture New Zealand 3, pg.69
2007 Architecture New Zealand 2, pg.28-29
2009 Habitus 03, colour & light; a house recrafted, cvr & pg99-108
waikopua
2007
A stand of Nikau, an idyllic private bay and a building platform defined by ridges either side set the architectural program of the design of this family beach house. The concept evolved from the idea of a family group camping, creating space between the functional nodes. This was particularly important in allowing space for the boats and water to move through the valley to the bay below. This space was utilised to give physical separation to the guest house. It was important to activate the spaces around the house giving a progression to enjoy. From the lawn overlooking the sea soaking up the morning light, to the private courtyard, framed by the Nikau grove, catching the last rays in the evening whilst enjoying the out- door fire.
daniel marshall architect +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
korora
2006
A ridge stretching between the Hauraki Gulf and the pastoral landscape of Waiheke Island provided a stunning, and challenging, context in which to design a home. Our approach was to work within the contour of the ridge, as an attempt to minimise the impact on the
landscape. The plan form of the house is spaced between two courtyards, which are bridged by a gabled roof stretched across the long axis. The courtyards provide the op-
portunity to shelter from either of the two dominant winds.The materiality of the house
draws on two architectural conditions of Waiheke, the masonry forms were inspired by the gun emplacements of Stoney Batter. The use of cedar and plywood reflect precarious weekenders of the island’s past.
daniel marshall architect +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
unbuilt
interests
Wilde House - additions to a piece on New Zealand heritage.
Photographs taken on my recent visit to Brazil, later published alongside a self written article in Architecture NZ.
Bukit - clif top home in Bukit, Bali.
One of my artworks.
ACROSS THE BOARD 4.2009
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CONCRETE UTOPIA
pavilions to the Auditorium, completed in 2005. As
a space for people to perambulate. On weekends
can be understood as an interaction between two
“fifty years of progress in five”. So, by necessity
so the tactic was often successful. This time I was
Since I was an architectural student, the images
it turns out, the Niemeyer structures I had come to
the walkway is full of people.
forces: the modernist discourse and the Brazilian
the detailing was simplistic but insitu concrete
stopped by a guide, who spoke perfect English, a
and virtuoso freeform planning of Oscar Niemeyer
Brazil to experience were not at their best either.
In Ibirapuera Park I saw my first Niemeyer dome,
milieu (see David Underwood, Oscar Niemeyer
construction and inexpensive labour allowed
beautiful, intelligent girl classically Brazilian – part
have captured my imagination and I was
The passage of time had spooled the concrete and
the Lucas Nogueira Garcez Pavilion (1954). I was
and the Architecture of Brazil, Rizzoli, 1994). The
freeform and highly engineered solutions.
black, part Indeo, part white. She took pity on me
determined to one day go to Brazil.
revealed the rudimentary qualities of the detailing.
always a little sceptical about the domes, but there
Ministry of Education and Health building (1945)
Architecture operates on multiple levels, it exists
and gave me a private tour of the Congress and
Earlier this year, I landed in Sao Paulo in the
However, I was interested in the spatial qualities of
is a cultural precedent in Brazil: the oca (or ‘hut’),
in Rio, a collaboration between Lúcio Costa, Le
in various densities, and I think once I understood
Senate, through the meeting rooms and into the
early evening on a Sunday. I was over-awed by the
the linking walkway in Ibirapuera Park. In a movie
a traditional Indian structure covered in leaves. I
Corbusier and a young Niemeyer, represents an
the context both geopolitically and topographically,
administration block. As she came across people
scale of the city, and the mass of humanity. The
Niemeyer was interviewed walking through the
ate lunch at the Kilo restaurant, a buffet where they
amazing turning point in world architecture.
Niemeyer’s work became overwhelmingly beautiful
in the corridors, senators and cleaners, they talked
density created a tactile feeling of excitement. My
space – he could have been in a carpark, and the
weigh the food, in the centre of the walkway.
for what it is. His buildings are symbols, marquettes
and laughed and joked, and she showed me that
first night in Brazil ended at dawn outside a club
low concrete roof looked oppressive. But it isn’t:
It was in Niteroi, across the harbour from Rio,
designs were sketched out in hotel rooms on
for a future utopia.
these cleaners had taken vacuuming to an art form
called Heaven, samba drums echoing in my head.
the structural gymnastics eliminate most columns
that I suddenly understood Niemeyer’s work: the
the nights before presentations. This approach
On my last day in Brazil I visited Niemeyer’s
– in the Senate dome the form of the Brazilian flag
Later that day, somewhat the worse for wear,
and the curvilinear forms and tapered structure
angle of the Contemporary Art Museum ‘flying
precludes a thorough analytical approach to
National Congress building in Brasilia. My approach
has been vacuumed into the pile of the carpet.
I walked to Ibirapuera Park. There, the work by
lend a lightness to the edges that absorb the
saucer’ (1996) exactly complements the angle
program and relies heavily on the virtuosity of the
to entering buildings was to use my lack of
I waved goodbye and wandered back up the
Niemeyer – a collection of pavilions connected
fecund green surroundings. It felt good to walk
of Sugar Loaf mountain. It is an architecture that
architect. Everything was always in a rush, the
Portuguese as a weapon, and to charge as far into
monumental axis, thinking that maybe Utopia
by a freeform pedestrian walkway within the park
along there. The low roof provides vital shade
closely references the forms of the Rio landscape
Sambadomo took four months to construct and
a building as I could before someone physically
wasn’t so unattainable.
he designed – spanned 50 years from the first
and keeps the tropical rainfalls at bay, providing
but is inherently other-worldly. Niemeyer’s work
the mantra for the development of Brasilia was
stopped me. Usually no one could speak English,
Daniel Marshall
d a n i e l m a r s h a l l a r c h i t30e carchitecturenz t 4.2009 +64 9 3543587 marshall-architect.co.nz daniel@marshall-architect.co.nz
Niemeyer has repeatedly recalled how various
4.2009 architecturenz
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