bonus: BEHIND THE SCENES @
bonus : BEHIND THE SCENES STEP #1 Aagerstoun, Mary Jo. 2004. Cultural intervention, activist art and discourses of opposionality in the US, 1980-2000. Ph.D. Thesis. University of Maryland. Banes, Sally. 2008. Equality celebrates the ordinary. In The Everyday. Stephen Johnstone, Ed. Whitechapel: London. 113-119. Bishop, Claire. 2004. Antagonism and Relational Aesthetics. October 110: 51–79. Bourriaud, Nicolas, 2002. Relational Aesthetics. Dijon: Les Presses du RÊel Bridges, Steven L. 2009. Making the invisible visible: socially engaged, collaborative public art in the city. Thesis submitted in partial fulfilment of requirements for the degree of Master of Arts in Art History, Theory & Criticism, The School of the Art Institute of Chicago. Giunta, Andrea. 2013. Activism.In Contemporary art: 1989 to the present. A. Dumbadze and S. Hudson, eds. West Sussex:Wiley-Blackwell. 234-45. Hoffmann, Jens, and Aranda, Julieta. 2008. Art as curating curating as art. Art Lies. Available: http://www.artlies.org/article.php?id=1654 [2013, October 27]
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how to do things with curatorship Kortun, Vsif. 2001. Whatever I say fades faster than the pages of the book you are holding. In Words of wisdom: curator's vade mecum on contamporary art. Corin Kuoni, ed. New York: ICI. Lippard, Lucy R. 1973. Six Years: the dematerialization of the art object from 1966 to 1972. California: University of California Press. Morgan, Stuart. 1994. Art as idea as idea: An interview with Joseph Kosuth. Frieze 16. May. Available: http://www.frieze.com/issue/article/art_as_idea_as_ idea/ [2013, October 27]. Norton Luise, 1917. Buddha of the bathroom. In Marcel Duchamp in perspective (1975). Ed. Joseph Masheck. New Jersey: Prentice-Hall. 70-72. Schimmel, Paul. 2008. Only memory can carry it into the future. In Allan Kaprow: Art as Life. Eva Meyer-Hermann, Ed. Los Angeles: Getty. 8-20. Thea, Carolee. 2009. On curating: interviews with ten international curators. California: Distributed Art Publishers. Paz, Octavio. 1975. The ready-made. In Marcel Duchamp in perspective. Joseph Masheck, Ed. New Jersey: Prentice-Hall. 84-89. von Hantelmann, Dorothea. 2010. How to do things with art. Zurich: JRP|Ringier.
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bonus : BEHIND THE SCENES STEP #2 Projects: Abstract speaking / Mika Kuraya/ 2013.veneziabiennale-japanpavilion.jp/projects/statement.html Before I Die / Candy Chang / beforeidie.cc Face 2 Face / JR and Marco / jr-art.net/projects/face-2-face I’m at the bank, be right back / Asaf Kliger / cargocollective.com/ asafkliger/I-m-at-the-bank-be-right-back The Obs Academy of Inspiration Officers / Valeria Geselev and Zime Keswa Precarious tasks / Koki Tanaka / 2013.veneziabiennale-japanpavilion.jp/projects/statement.html When Attitudes Become Form / Germano Celant / prada.com/en/ fondazione/cacorner#exhibition! Woodstock murals residency / Ricky Lee Gordon / Inspiration talk with the author, 2013 January
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Readings: Aagerstoun, Mary Jo. 2004. Cultural intervention, activist art and discourses of opposionality in the US, 1980-2000. Ph.D. Thesis. University of Maryland Counter-Smith, Graham. 2007. Sophie Calle, Take care of yourself. Art intelligence. Available: http://artintelligence.net/review/?p=147 [2013, October 27]. Neri, Louise. 2009. Sophie Calle. Interview magazine. Available: http://www. interviewmagazine.com/art/sophie-calle. [2013, October 27]. Thea, Carolee. 2009. On curating: interviews with ten international curators. California: Distributed Art Publishers. Thorn, Sophie Alexandra. 2010. The abuse of power and indiscretion: identuty, mourning and control in the work of Sophie Calle. M.A. Thesis. University of Canterbury.
STEP #3 Projects: Conversations on Creativity / Creative Nestlings / creativenestlings.com/conversations/
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bonus : BEHIND THE SCENES Israel love Iran / Rony Edry / thepeacefactory.org World Press Photo / worldpressphoto.org/foundation
Inspiration talks: Fraddy Sam (Ricky lee Gordon), Cape Town, January 2013 Know Hope, Cape Town, January 2013 Maya Gelfman, Skype, April 2013
Readings: Borland, Ralph. 2004. Private public space. In Public space. Julia Marrett, Ed. Cape Town: CircusLabs. 37-8. Farias, Gabriela. 2011.Everyday Aesthetics in Contemporary Art. Rupkatha Journal on Interdisciplinary Studies in Humanities 3(3): 440-7. Available: http:// rupkatha.com/V3/n3/09_Everyday_Aesthetics_in_Contemporary_Art.pdf [2013, October 27]. Foam. 2007. JR - Face 2 Face. Foam. org. Available: http://www.foam.org/ press/2007/jr-–-face-to-face. [2013, October 27]. Hernandez Chong Cuy, Sofia. 2013. Publicity and Complicity in Contempo-
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how to do things with curatorship rary art. In Contemporary art: 1989 to the present. Ed. Alexander Dumbadze and Suzanne Hudson. Wiley-Blackwell: West Sussex. 224-232. Hoffmann, Jens, and Aranda, Julieta. 2008. Art as curating curating as art. Art Lies. Available: http://www.artlies.org/article.php?id=1654 [2013, October 27] Marrett, Julia. 2004. Private public space. Cape Town: CircusLabs. Obrist, Hans Ulrich. 2008. Abrief History of Curating. Zurich: JPR. Rabens, Tye. 2011. Rethinking the museum. The state Press. Available: http://www.statepress.com/2011/05/03/rethinking-the-museum/ [2013, October 27]. Read, Herbert. 1945. Art and society. London: Faber and faber. Rosler, Martha. 2005. London garage sale. Institute of contemporary arts: London. Thea, Carolee. 2009. On curating: interviews with ten international curators. California: Distributed Art Publishers. von Hantelmann, Dorothea. 2010. How to do things with art. Zurich: JRP|Ringier.
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bonus : BEHIND THE SCENES Warburton. Nigel. 2003. The art question. Routledge: London. Weingarten, Gene. 2007. Pearls before breakfast. The washington port. Available: http://www.washingtonpost.com/wp-dyn/content/ article/2007/04/04/AR2007040401721.html [2013, October 27].
STEP #4 Projects: Dreamcatcher / Sebastian Moldovan / Szalai, Borbala. 2013. Sideworks: sanitary installation. In Reflection center for suspended histories/ an attempt catalogue. Romanian National Participation at the 55th Venice Biennale. 26-29. Bang / Ai Wei Wei / German pavilion. 2013. Press release of the German pavilion at the 55th Venice Biennale. Also available at: deutscher-pavillion.org The Activist Origami / Valeria Geselev Readings: Aagerstoun, Mary Jo. 2004. Cultural intervention, activist art and discourses of opposionality in the US, 1980-2000. Ph.D. Thesis.
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how to do things with curatorship University of Maryland. Calle, sophie. 2003. M’as-tu vue. London: Prestel Gamarekian, Barbara, 1989. Crowd at Corcoran protests. New York Times. Available: http://www.nytimes. com/1989/07/01/arts/crowd-at-corcoran-protests-mapplethorpe-cancellation.html Masheck, Joseph. 1975. Marcel Duchamp in Perspective. New Jersey: Prentice-Hall. Thea, Carolee. 2009. On curating: interviews with ten international curators. California: Distributed Art Publishers. [2013, October 27]. von Hantelmann, Dorothea. 2010. How to do things with art. Zurich: JRP|Ringier.
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HOW TO DO THINGS WITH CURATORSHIP SELF-HELP HANDBOOK FOR SOCIALY ENGAGED CURATORS By Valeria Geselev Hounours In Curatorship Michaelis School Of Fine Art University Of Cape Town 2013
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