Portfolio 2019

PORTFOLIO yann beuzit

Landscape

Art

Technical

Architecture

Projects

2015/2018

«À LA CROISÉE» // Architecture and ecology

FRANCE, PARC RÉGIONAL DES BOUCLES DE LA SEINE NORMANDE TOWN: HAUTOT-SUR-SEINE

This project consisted to create, in a natural park in Normandy, along the Seine, an environment house presenting the surrounding biotope, a restaurant, a belvedere allowing to understand the organization of the distant landscape and 5 houses of modest size to accommodate some tourists. Our project takes place at the crossroads of these three elements and at the crossroads of two draining ditches. The house of the environment and the restaurant are on the edge of the forest and the wet zone benefiting from a clear panorama while the houses for tourist and the belvedere are located in the slope in clearings already present, the belvedere going look for the view at the treetops.

à

l a

c r o i s é e

d e s

e a u x

Rouen Hautot-sur-SEINE

Paris

Le Havre

Schéma de situation

Bois: chataîgner

Val de la haye

Site du projet

Hautot sur Seine

Coupe du chemin longeant le fossé drainant du côté de Val de la Haye

Hautot sur Seine

Etat initial

Coupe du chemin dans la forêt du côté de Hautot sur Seine

Boucle de Hautot sur Seine

Val de la Haye

Acier corten

Projet

La place au croisement des deux axes

Schéma d’implantation

6

À la croisée // projects

Bois: chataignier

À la croisée // projects

3

8

À la croisée // projects

«UN CARRÉ DE CULTURE» // public equipement FRANCE, LACROIX ISLAND CITY OF ROUEN

Coupe paysagère a Travail séquence d’entrée:

in frontdevant of thel’entrée entrance 1 outside A l’extérieur

2

In thel’entrée entrance Dans

3

Vers l’espace de lecture to the adult reading space adulte

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The stairs to theespace child reading L’escalier vers espace de lectu lectu L’escalier vers de

A

Axonométrie A N

A Plan masse masse Plan

Axonométrie B

10 UN CARRÉsur DE l’ile CULTURE // projects Bibliothèque Lacroix, Rouen Yann BEUZIT

Coupe BB BB Coupe

Professeur: J. ROTBART

Semestre n°4

Année 2016

Coupe CC

areaenfant ure

exhibition space 5 The Espace d’exposition

C

child 6 the Espace dereading lecturearea enfant

space adulte 7 Adult Espacereading de lecture

6

B

B

7

5

4

3 2

Plan 1er étage 1

C

Plan RDC

Bibliothèque sur l’ile Lacroix, Rouen

Yann BEUZIT

This project exercise was conducted experimentally starting Cet fromexercice a general of aa été 30x30m de shape projet, mené square de façonworking expérimentale partant d’une forme with and then the interior spaces starting générale d’un carré de 30X30m puis trathe entrance towardsenthe interior vaillant and les progressing espace intérieurs comof the library.parFor those, aet perspective mençant l’entrée progressantwork verswas la perspective, bibliothèque. done,l’intériieur with for the defirst onlyPour a post, a ceux, un travail en perspective a été réwall, alisé, a flooravec and pour a ceiling and then, for the other la première perspective, spaces, adding un architectural This seulement poteau, uneelements. paroi, un sol work, et par la spaces suite, by pour les them allowsun toplatfon create puis the interior giving autres espaces, en ajoutant des éléments own architecturaux. qualities withoutCeworrying thede overall travail,about permet espace shapecréer of theles building andintérieurs facades. en leurs donnant desofqualités sans soucier The interest work in propres perspective is se to be able to de la forme globale du bâtiment et des fareflect directly to the contributions of perspective natural light çades.

L’intérêt du travail en de pouvoir réflechir directement aux in a est square of 30X30m.

The work in perspective apports de lumiere un carof the sequence of entrynaturelle then the dans interior spaces ré de 30X30m. Le travail en perspective makes it possible to think a building starting from de la séquence d’entrée puis des espaces de penser un step bâtiment insideintérieurs and going permet outwards.

The final is the dede l’intérieur et allant sign en of partant the facades after determining the vers natural l’extérieur. light requirements of each space.

CARRÉ DE Semestre CULTURE n°4 // projects 11 Professeur: UN J. ROTBART Année 2016

«HABITER LA COLLINE» // Housing

orientation coinciding with the unobstructed view of the city.

For this house the choice was made to put the building in direct contact with the street but to minimize the nuisance it was chosen to orient the house the most possible to the south. In order to put the living rooms in contact with the garden it was decided to put them at level -1, so these rooms are mono-oriented to the south to create a necessary intimacy. For the rooms, a southern orientation has also been chosen, pushing the distributions to the north in contact with the street.

A space in double height makes the connection between the two levels and to induce the visitor to descend to the level -1 and to discover the living spaces.

For materiality, concrete was chosen for its ability to work with shadows, it captures the shadow, as could the impressionists (in Normandy), in order to magnify it.

Concrete can therefore be compared to the painters' canvas, xing the moods during the day.

FRANCE, CITY OF DARNÉTAL

Forthis thishouse house project, project, we we had aa site For site with with an an important slopeoverlooking overlooking the the town town of important slope of Darnétal.

Darnétal.The The only access was through a street at the top of the eld. only access was through a street at the top of the eld.

This site was veryinteresting interestingbecause because it This site was very it had had aasouthern southern orientation coinciding with the unobstructed orientation coinciding with the unobstructed view viewofof the city. the city.

For this house the choice was made to put the For this house the choice was made to put the building in direct contact with the street but to building inthe direct contact with the street minimize nuisance it was chosen to orient the but houseto minimize the nuisance it was chosen to orient house the most possible to the south.

In order to put the the living therooms mostin possible thethe south.

In order put thetoliving contactto with garden it wasto decided put rooms in contact with the garden it was decided to them at level -1, so these rooms are mono-oriented put to them at level -1, so these rooms are mono-oriented the south to create a necessary intimacy. For the rooms,to thea south to create a necessary For the rooms, southern orientation has alsointimacy. been chosen, pushing the distributions to thehas north in contact with thepushing street. orientation also been chosen, a southern A space intodouble height makes the the distributions the north in contact withconnection the street. between theintwo levelsheight and tomakes inducethe theconnection visitor to A space double descendthe to the level -1 and to discover thethe living spaces. between two levels and to induce visitor to For materiality, concrete was chosen for its ability descend to the level -1 and to discover the living spaces. to work with shadows, it captures shadow, as could For materiality, concrete was the chosen for its ability the impressionists (in Normandy), in order to magnify it. to work with shadows, it captures the shadow, as could Concrete can therefore be compared to the painters' the impressionists (in Normandy), in order to magnify it. canvas, xing the moods during the day.

Concrete can therefore be compared to the painters' canvas, xing the moods during the day.

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UN CARRÉ DE CULTURE // projects

View from

Outside view

living room

the entrance to the living room Ground floor

Section

level -1

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Prof.

Prof.

Arch.

Fabrizio Finucci.

Collaboratori: Arch.

GuiaGuia Prof. Arch.

Arch. Luigi Luigi Franciosini, Franciosini,Prof.

Prof.Arch.

Arch.Laura LauraCalcagnini, Calcagnini, Prof.

Arch.

Fabrizio Finucci.

Collaboratori: Arch.

Baratelli, Baratelli, Arch.

Arch. Giulia GiuliaCervini Cervini

Giovanni Angot YannYann Beuzit Beuzit

Studenti:: Laboratorio Laboratorio di di Progettazione ProgettazioneArchitettonica Architettonica3 3A.A. A.A.2017-2018 2017-2018Studenti:: Giovanni Angotti

Contesto 1/1000 «LE L DI ALESSANDRINO» // collective housing Contesto 1/1000 ITALY, NEIGHBORHOOD ALESSANDRINO CITY OF ROME

A A

Planimetria Planimetria

Sezione AA AA Sezione Scala: 1/1000 Scala: 1/1000

Scala: 1/1000 Scala: 1/1000

aree semi-private, private areepubbliche, pubbliche, semi-private, private

LE L DI ALESSANDRINO // projects

Spazi Spazi verdi verdi

i

Viste aeree

1

Prima dal progetto

Prima dal progetto

Prima dal progetto

A

progetto dal lato della piazza

A

A

Vie carrabili / pedonali

Vie carrabili / pedonali

For this project of collective housing in a neighborhood on the outskirts of Rome, we had to realize 87 housing, offices, shops and services of proximities. The site is slightly sloping towards the west and has a view of a large public park to the north, while to the south there are other buildings. At the northern edge of the site the remains of an aqueduct are present and to the west a public square, one of the aims of the project was to give it more qualities. For the project we chose to work with a system progetto of open courses creating dal lato della piazza a neighborhood life while not enclosing these spaces, the buildings are organized around these courses while leaving views and access between theprogetto street todal thelato south andpiazza the della park North. A tower located at the highest point of the site progetto dal lato del parco makes it possible to signal from the square in the west and the surroundings. For housing, we tried as much as possible to organize houses in double height to promote natural sunlight and give better spatial qualities to apartments. To serve the apartments, an open corridor system, designed as streets connecting the entire length of the buildings, was chosen to reduce the number of stairs and elevators. For materiality, the raw white concrete was chosen to capture the shadows on the facades but also reduce the heat absorption of the buildings.

progetto dal lato del parco

LE L DI ALESSANDRINO // projects

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Contesto urbano:

0.0

0.0

A

Planivolumetria Scala 1/500

Sezione AA Scala 1/500

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LE L DI ALESSANDRINO // projects

3.0

2

Vista da via Pietro Castelli

5.0

7.0

A

Vista da piazza dell’acquedotto

Vista dalla corte verso al parco

Vista dalla corte verso la torre

Alessandrino

Area di progetto:

4

Prospetto dal parco Scala: 1/200

Prospetto dalla piazza Scala: 1/200

A

Sezione BB

Scala: 1/200

Sezione CC

Scala: 1/200

Pianta terra globale Scala: 1/200

Sezione AA

Scala: 1/200

B

B

A

B

B

LE L DI ALESSANDRINO // projects

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«RÉ-AMÉNAGER UN CENTRE» // urban project FRANCE, CITY OF DARNÉTAL

The town of Darnétal is located at the periphery of Rouen, an old industrial city in the 19th century and 20th centur concentrating a commercial area in connection with the metropolis. But the city remains mainly a dormitory town, not very at place of the car is important in the city center due to pendular movements because Darnétal is the gateway east of Rouen to reac We left from observation to think this project. First we chose to create a gentle circulation along a river between Rouen and Darn ling the industrial heritage and the landscape between the two cities. Our project also seeks to revitalize the city center, for this make this city one of the major points of culture in the city by the implementation of important cultural facilities. This choice is that Darnétal already hosts two schools related to art: the fine arts and the National School of Architecture of Normandy. To ac chosen to establish a regional fund of contemporary art (FRAC) instead of a supermaket and housing instead of a car park to att A library takes place along the town hall and park instead of an another car park. Another building of housing and commerce co tooth.

View next to the library

Section 1 of the FRAC

Section 2 of the FRAC

Section 3 of the FRAC 20

RÉ-AMMÉNAGER UN CENTRE // projects

view from the town hall square

View next to artists reside the FRAC

ry, it is today a city ttractive, where the ch public transport. nĂŠtal, a walk reveas we have chosen to justified by the fact chieve this we have tract new residents. omes to fill a hollow

ences to

General ground plan

«FONTANA BOCCA DI LEONE» // restoration ITALY, VIA BOCCA DI LEONE CITY OF ROME

Elevation right

Main elevation

Plan

Elevation left

Section

FONTANA BOCCA DI LEONE // projects

23

pathology diagnosis:

Main elevation

Plan

Elevation ancient sarcofage

Elevation left

Elevation right

The fountain Bocca di Leone, was built in 1842, consists of several elements: an ancient sarcofage turned into a basin, a lion’s head from which water comes, 2 carved lions surrounding the family’s coat of arms having commanded the fountain . For this restoration we first carried out a scientific survey of the fountain then we made a precise statement of the degradations and pathologies, to finish we suggested prescriptions to restore the fountain as well as a project of re-ammagement of the place where the fountain is.

FONTANA BOCCA DI LEONE // projects

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Identification of materials

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FONTANA BOCCA DI LEONE // projects

restoration project:

FONTANA BOCCA DI LEONE // projects

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«LIBERTAD» // naval architecture

ITALY

LIBERTAD // projects

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FONTANA BOCCA DI LEONE // projects

Media

2015/18

ÂŤCONCRETE PODÂť // micro-space pavilion JAPAN, NAGOYA

ARCHITECT: KAZUYA MORITA ARCHITECTURE STUDIO

Concrete pod is a pavilion designed as a haven of peace conducive to contemplation, it can be installed in a forest, a park with the function of shelter but also promoting the opening on the context by creating frames on the surrounding landscape. Its interest is also its finesse and its lightness due to the thickness of the concrete (15mm) forming the hull of the pavilion. This finesse is synonymous with strength because it can support the weight of a person at the top. This strength comes from its shape derived from that of an egg, which has a very important thickness strength ratio.

Model 1/20

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MODEL // Media

Source: http://morita-arch.com

«MODEL OF A FRAGMENT OF THE VARDØ WITCH MEMORIAL» // Norway, ARCHITECT: PETER ZUMTHOR

Located at the northern end of Norway, in an area with a harsh climate with extreme temperatures and violent winds. This building, while respecting the context perfectly, stands out against the elements while having a light structure reminiscent of the fish driers present in this region. This memorial pays tribute to women accused of witchcraft and burned in the seventeenth century in the form of long corridor presenting the victims and their accusations. This route is isolated from the outside world by a black painted stretched canvas on the inside setting up a monastic atmosphere imposing respect. The stretched fabric constituting the envelope of the building also participates in the inner astmosphere since with the wind this undulating fabric creates a presence reminding the women killed.

Model 1/20 38

MODEL // Media

«MODEL OF THE UNITÉ D’HABITATION (HOUSING UNIT) OF BERLIN» // Germany, Berlin, ARCHITECT: LE CORBUSIER

Large 53-meter building, standing on top of a hill, near the Olympic Stadium and the train station. It highlights the qualities and benefits of a housing unit in nature, contrasting with the family houses below.

The project includes 557 housing units of 4 different types with a dual orientation, as well as a ground floor post office and a youth hostel.

MODEL // media

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«LE L DI ALESSANDRINO» // collective housing ITALY, NEIGHBORHOOD ALESSANDRINO CITY OF ROME

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MODEL // Media

«UNITÉ D’HABITATION (HOUSING UNIT) OF BERLIN» // Germany, Berlin, ARCHITECT: LE CORBUSIER

MODEL // media

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«PARENTHÈSE» // Collectif Lucien

PLURIDISPLINARY ARTS FESTIVAL, INDUSTRIAL WASTELAND ROUEN, FRANCE

The Lucien collective has been working since its beginnings to promote art in its widest form. No limit of gender, distinction or ranking, Lucien wants to be plural and multidisciplinary. Through its events, the association seeks to surround itself with artists advocating the same values of sharing. The group seeks to create meetings and the link between public and artist and thus establishes a real mission of cultural mediation. The association creates its own events and also provides lighting or scenography for public and private structures.

The parenthèses event, initiated three years ago, takes place in a former industrial wasteland and is designed as a public square serving as a place of experimentation for artists but also for spectators and visitors.

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COLLECTIF LUCIEN // Media

The site by day

And by night

The modalisation of the scenography

COLLECTIF LUCIEN // media

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BUILDING SURVEYING // restoration ITALY, VIA GUISEPPE ZANAEDELLI N°23 AND 28 CITY OF ROME

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surveying // Media

surveying // media

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FIGURE DRAWING: Nude drawings are an exercise, a very important experience in artistic discovery. They allow to become familiar with the accuracy of human curves while developing skills in the representation and understanding of the human and their bodies. This understanding is indispensable to the practice of architecture, one of whose interests is the meeting of bodies with architectural space. Drawing is also an outlet, for a moment, to break free of established social rules.

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drawings // Media

drawings // media

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ROADTRIP IN SCANDINAVIA: AUGUST 2017 // 5300KM // NORWAY SWEDEN FINLAND

The Viewpoint by Snøhetta

After a walk, facing the elements where the cold, the wind and the rain incited us not to reach the point of view, we discover the building, this box of corten steel enclosing a wooden bench with organic forms. When we approach the entrance we do not distinguish the landscape, it’s only after entering and having circumvented the wall that we discover the landscape through these large windows which seem to o oat alone without structure allowing the entrance landscape inside. The oor also allows you to feel integrated in the landscape since it reeects the lights, the clouds inside. This building can appear, from the outside, as being a box posed on a mountain but when we enter, this box is transformed into screen which magniies the landscape.

Trondheim

Bergen

Oslo

Sauda

Paris

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The museum of Allmannajuvet zinc mines by Peter Zumthor

travel // Media

After taking a winding road along a stream appears, ha of mine Allmannajuvet next to the city of Sauda. The rst buildings are like suspended in the void, maintained b associated with the mine while integrating in the prese rectangles covered with burlap coated in black giving the the landscape. The result of this intervention is a real te suspended in the void and the visitor exploring the site.

Vardø

anging on the mountain, 3 frail silhouettes: the museum t surprise element is the implantation of buildings, the 3 by wood assemblages reminiscent of the industrial past erved site with wood. The buildings have simple forms: em a strange material reinforcing the desire to punctuate ension between the context of this valley, the buildings

The Steilneset Memorial by Peter Zumthor

On the fourth day, in the morning we arrive at Vardø, a shing village on the edge of Norway, we came to see the witches' memorial. For that we cross the village and next to the fortress and the church we saw an extremely long silhouette installed in front of the sea. We had studied this building before choosing to go there to visit it but when we arrived in front of it, we discovered its monumentality due to its dimensions and not to its materials. Then we enter to discover a path shaped as a corridor in the darkness where only a few light bulbs illuminate us, bulbs symbolizing women accused of witchcraft. The bulbs and the fabric forming the building envelope wave with the wind and create a presence allowing the building to assume its role as a memorial. This building is a strong architectural experience but also a mystical experience.

The Oslo Opera by Snøhetta

Last stage: the city of Oslo and its opera. The Oslo opera appears along the bay like an iceberg blocked by the coast.

This image of the iceberg is enhanced by its shape and color: it takes the shape of a white and bluish top. The interest of this building lies in the fact that it fulllls several objectives namely a contemporary opera room but also a high quality public space in the city center overlooking the bay of Oslo. This makes the Oslo Opera not only a place of entertainment where there is a certain part of the population but also a public space for all. It therefore has a social role promoting cohesion among the population of the Norwegian capital.

Futur

currently

Past

CHOICES AND FUTURE DIRECTIONS:

I had the chance to grow in Normandy, a French region with a significant historical and artistic past. I was able to discover the antique architecture (Lillebonne theater), medieval (city of Honfleur) but also modern with the city of Le Havre rebuilt after the second world war and its auditorium built in 1982 by O. Niemeyer.

This architectural richness allowed me to form a very youthful culture. Normandy is also the birthplace of Impressionism, hence my current attachment to the work of light in my architectural approach. I also carried out a scientific baccalaurĂŠat with art option, giving me scientific bases but mainly a rigorous working method.

It is for these two reasons that I naturally chose to move towards architecture bringing together culture and scientific aspects.

From now on, as a master of architecture, my attachment to artistic and historical culture has only grown thanks to the National School of Architecture of Normandy’s teaching but also thanks to all the trips and exhibitions that I had the opportunity to visit. Architectural studies have allowed me to acquire knowledge that allows me to obtain a global vision of the world around me, and therefore educating my student vision to become one of an architect.

During my studies I had the opportunity to study with Mrs. Judith Rotbart and Mr. Laurent Salomon whose architectural approach come from the group UNO initiated by H. Ciriani. Their main interests are the creation of spaces with undeniable spatial qualities. but also a work of light and views, all taking into account the modern principles while reinterpreting them to anchor them in the contemporary context. This work also allows me to relate to architecture my attachment to the light born after my meeting with the work of the impressionists and the way they fix the light and the shadows on the canvas.

In my constant search for knowledge and culture, I chose to study at the Department of Architecture at the Roma Tre University in Italy. It was during this year abroad that I realized the importance of both environmental and historical context in the work of the architectural project. This year also opened my eyes to the interconnection of architectures around the world and the enrichment caused by the meeting of different cultures.

In the future I would like to continue to satisfy my search for discoveries in order to become a complete architect with diverse and varied knowledge allowing me to become autonomous in the work of the project and in all its subtleties. This research is not only about making me a good technical architect but rather about making me someone better, more educated about people and their interactions because the architect in my opinion is not only a builder of spaces but a builder of places of life. I see architecture now as one of the pillars of society, the architect has this responsibility and must work in connection with the latter, so he has a role of mediator. That’s why today I want to continue to discover the world, its architectures, the people who create them and those who use them.

personal notes

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CREDITS

«À LA CROISÉE» // Architecture and ecology

with Victor GENTIN Theachers: Jean-Baptiste ABBE-GOULIER / Arnaud FRANCOIS

«UN CARRÉ DE CULTURE» // public equipement Theacher: Judith ROTBAR

«HABITER LA COLLINE» // Housing

Theachers: Paola LUCAN / Laurent PROTOIS

«LE L DI ALESSANDRINO» // collective housing with Giovanni ANGOTTI Theacher: Luigi FRANCIOSSINI

«RÉ-AMÉNAGER UN CENTRE» // urban project with Victor GENTIN Theacters: Valter BALDUCCI / Remy FERRAND

«FONTANA BOCCA DI LEONE» // restoration

with Maria AGRESTINI / Rosaria BAGNATO / Rachele Colarieti / Alessio FULVI / Linxi ZHONG Theachers: Maria Margarita SEGARRA LAGUNES

«LIBERTAD» // naval architecture

with Silvia BERETTINI / Macarena MARQUEZ / Lautaro MAI Theacher: Massimo PAPERINI

«CONCRETE POD» // micro-space pavilion Theacher: Asle GONANO

«VARDØ WITCH MEMORIAL» // Model of a fragment with Victor GENTIN / Marion DUVAL Theachers: Bertrand VERNEY / Richard THOMAS

«UNITÉ D’HABITATION (HOUSING UNIT) OF BERLIN» with Alaric BRIAVOINE / Victor GENTIN / Pierre FOURNET Teacher: Pierre Antoine SAHUC

«DRAWINGS» Yann BEUZIT

«PICTURES» Yann BEUZIT

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credits

Thank you for your time and consideration