Y
H
A N N I S U
N I V E R I S T Y
Y
E A R
1 S
F
A J I G E O R G I S O F
I N A L
T U D I O
W
E S T M I N S T E R
P
O R T F O L I O
D S 2 0
S T R
-
A N A L Y S I S MASTERPLAN
REGIONAL
SUB REGIONAL
U C T U
SITE
R E
STILL
FRAME
THE ‘OBLIVIOUS
MAN’
SHORTCUT - BATTERSEA MIGRANT FINAL -
SUSPENDED REALITY
REFLECTION CRITICAL
T C E J O
P
R
MOTION MATCHING TOOL FOR DESIGN
APPENDICES
O N T E N T S
SUBSTANTIATION
DOC
C
TECHNICAL
THE DESIGN
THEORETICAL PRECEDENTS
3 D A D
, 2 T
1
THE PROPOSAL
R
S
S E
E
N
A
R
N
H C
R
D
THE MEDICAL PROCESS
PROJECT
PLAY CORRELATING FILM
T H E
‘
O B L I V I O U S An attempt to encapsulate the spirit of today’s life.
M A N
’
MY
We compose and construct a large scale, 1:1 image that captures a moment in time in an instant single frame. Seen from a moving car, through the window of a train, from a crash helmet the image will incorporate technology , transparency, place, reflection, colour , content, day and night. The image will be supported by a measured four-dimensional drawing that describes the experience of the space within the image.
BRIEF ADAPTATION
Themes taken from Brief: - Captures a moment in time - Technology - Colour - Social - Economical - Historical context - Time-based experience Personal themes: - Complexity of modern life - Contradictions in society today - Political and social division - Duality in society
S
T I L L
F
R A M E
01 STILL FRAME:
‘Two ways of Life’ - Gustav Oscar Rejlander (Precedent Image)
BRIEF: Double Standard, Dennis Hopper 1961 is a photographic image that captures the spirit of its age. It’s highly composed, considered and full of associations and meaning Construct an image that captures the reality of contemporary urban life in a single STILL FRAME. One image that reflects our age and illustrates its complexity in terms of viewpoint, author, subject, transparency, reflection. Elements should reveal the
social, context
economical
and
historical
indicate the timebased experience of the space in the frame. The double A0 image will be supported by a measured four-dimensional drawing that describes the space within the image and how it is experienced in time. as
will
as
In amalgamating the themes above along with my own research I have looked produced a response to the outlines of this brief. In researching and observing the climate at the time of creating this piece, I looked to evaluate what I saw (and didn’t see) in everyday life. The connectivity of technology and open access to information seems not to effect the tragic realities that inflict us outside of our immediate vicinity. The concept of the ‘world shrinking’ with technological advancements and connectivity does not effect our daily lives, we have simple become observes from a far. I looked to create this image, not to condemn, but to reflect these realities and realisations as a critical comment on the observation of cultural obliviousness.
THE
‘OBLIVIOUS
MAN’
THE ‘PEACEFUL’ WORLD
THE
‘OBLIVIOUS
MAN’
THE ‘TROUBLED’ WORLD
THE ‘OTHER
THE
‘OBLIVIOUS
SIDE’
MAN’
THE ‘PEACEFUL’ WORLD
OF
THE
WORLD
The ‘sinful’
The ‘virtuous’
THE ‘OTHER
SIDE’
OF
THE
THE
WORLD
‘OBLIVIOUS
MAN’
THE ‘TROUBLED’ WORLD
4
‘OBLIVIOUS
MAN’ DIMENTIONAL COMPOSITION
THE
B
A T T E R S E A
M
I G R A N T
How can architectecture form a critical reflection on the issues of today’s world. Continued response to the considerations within the ‘Oblivious Man’.
T U C
02 SHORT CUT :
MY
You’ve produced a still and have identified an initial area of interest and territory for exploration. Create a sixty-second film that fuses urban context with architectural proposal in a moving, choreographed spatial sequence. Expand on the meaning, complexity and critique in your single frame with realworld footage to move within or through a space, or progress through a series of spaces. Use time- based collage and compositing techniques, super-impose and motion-match camera paths with inventive models, 1:1 mock-ups and CGI imaginings. Consider the following when planning your film:
Themes taken from Brief: - Critique - Collage - Who does it concern - identified social needs? - Time-lapse - Layer real and virtual - At what point is the intervention revealed - Intervention transform or disrupt the existing conditions - Illicit delight
S
H
O
R
T
BRIEF
:
CONTEXT - where and when is it set, who does it concern, are you responding to identified social needs? NARRATIVE STRUCTURE POINT OF VIEW - singular, first person, or multiple converging or diverging viewpoints? CAMERA MOVEMENT & ANGLE – what is the spatial relationship between camera, subject and context, what route does the camera path take and what is it’s target. SPEED OF EXPERIENCE - fast, slow, varied, smooth, steady or unsettling, real-time or time-lapse ACTIVITY - what activity takes place on site, how do you best capture this ? HYBRIDS – layer real and virtual, physical and projected, digital and material, permanent and fleeting TIMING - At what point is the intervention revealed or introduced? ATMOSHPERE - As well as spatial and material qualities, capture transitory, ephemeral and emergent qualities of the spaces TRANSFORMATION – how does your intervention transform or disrupt the existing conditions, illicit delight
BRIEF ADAPTATION
Personal themes: - What an Iconic? The extremes. - Symbolism - Societal extremes - Today’s society (duality) - Intervention - Time & Impact - Dystopia futures
BRIEF
:
From the ICONIC to the SYMBOLIC. Battersea power station is an iconic part of the London skyline and history. The new regeneration programme will provide hundreds of top spec apartments along the Thames at ‘London’ Prices. At a point in time when humanitarian issue loom over the Europe the question of what is truly Iconic is tested and explored. This short 60 sec film follows on from some of the themes in the STILL FRAME project, by looking at the issues faced today from the point of reflecting the scale, proportion and societal significance of the refugee migrations from the middle east. As the UK is physically disjointed from mainland Europe the effect have not directly been felt, however, in countries as near as France the problem of migrant ‘Jungles’ have emerged. In researching the iconic scale of the situation, humanitarian question have been raised about how resources should be shared on the world stage. The project and film look to reflect on how a an icon can become a symbol, by enforcing an alternative (distopian) reality at battersea power station in place of the idyllic proposals of today.
[ image on dolly - pan around.]
[ 3D text troughout still shot.]
[ futuristic utopian image.]
Opening
Setting one of the dual cultutal
Setting
realities. (Those without)
cultutal
scene
-
setting
the
distopia context
the
other
of
realities.
the
[ walking pan hand held.] dual
(Those
Scenes
of
mass
migration
symbolic experience of migration
without)
[ timelapse.]
[ timelapse.]
Before the arrival - uninhabited
Begining
the
[ timelapse.] arrival
-
minor
inhabited
Establishment inhabited
BATTERSEA
MIGRANT
INITIAL PROPOSAL
[ Long vertical pan upwards.] of
a
scale
-
or
The power station has
THE
ICONIC
BATTERSEA MIGRANT
HOROLOGY A DAPTATION
IN
CONCEPT
OF THE
PURE FORM
DECONSTRUCTING THE
PURE FORM
SIGNIFICANCE TIME
O PENING
THE
PURE
FORM
COMBINING THE PURE FORM
T ESTING
THE
CONCEPTUAL
PURE FORM
STRATEGY
ARCHITECTURAL RESPONSE
P
E T E R
C
O O K
’
S
‘ V
E G
H
O U S E
’
Looking toward the film itself, the concept of showing change over time throughout the course of the film is poinient in explaining the take over of the structure. As a short film this process has to be rapid and capture the magnitude of the proposal. Peter Cook’s ‘Veg House’ drawing series are composed to represent a similar principle, for this reason the study of the large scale chosen is useful in defining an appropriate camera path for my film.
B A T T E R S E A
BATTERSEA
M I G R A N T
MIGRANT
FINAL FILM
CRITICAL SELF ANALYSIS
Strengths -
challenging
with
greater
a
current
issue
implications
than
Weaknesses
Improvements looking forward
- a not fully defining the purpose
- to take the idea further
of the intervention
the local scale
-
-
Conceptually
understanding
and a
practically building
of
prestige
not
utilising
within
the
more
techniques
shortcut
film
(admittedly limited knowledge at
more and
continue, than
just
through a
intervention
designing
symbolic but
a
gesture
piece
of
architecture
this stage) - take longer to consider the site
-
relevant
and
consistent
in
-
the
architectural
continuing from previous work in
lacking
the STILL FR A M E p r o j e c t
length of project
- Transitioned well from initial proposal symbolism
with
research
into
in
output
complexity
due
is
and its significance to the UK not
to
mealy a vessel to make a statement
GRAVELY
HILL
A&E
Emergency care where it is needed. The hospital offers a symbolic and practical simplicity to a complicated and extensive system. Based upon a primitive geometry, the equilateral triangle, epitomises the tripartite of care offed by the NHS; emergency, short term and rehabilitation. Manipulation of the geometry The design’s readability on the skyline enforces its strength in communicating its purpose as a beacon from which to head to in times of emergency. The three towers, each offering a different level of care, are characterised by their multi-storey garden wards. They offer green space at every level of the building and improve on the current research developed in care models. The garden wards also offer a ‘buffer’ from the roads with green walls, gardens and shrubbery establishing a level of comfort from a more conflicting site.
T O H
S G N O
L
03 LONG SHOT:
MY
Your major project is a complex, time-based architectural proposal sited at spaghetti junction. It will be explored, developed and described in a three-minute film, layering real-time experiences, daily transitions and seasonal changes with long-term strategies and speculations. The film will communicate your critical point of view, conceptual, spatial and experiential elements of your proposal and how it changes over time.
- contextual observations - address current issues - time-based building proposal - anticipate future social, economic and cultural shifts and technological advances - evolving architecture
The first part of the project is THE PITCH. This is a presentation of an initial proposal before we visit the site to test the idea.The PITCH will be in the format of PETCHA KUCHA with slides that describe your previous work, your project brief and a one-minute film of a sketch model. The filmed model will demonstrate a conceptual and formal response and will be further augmented to illustrate your ideas. Early explorations and new-found techniques will be tested on a complex, time-based building proposal in and around Spaghetti Junction. Combining critical contextual observations with imaginative proposals that identify and address current issues, projects will anticipate future social, economic and cultural shifts and technological advances. Real-time experience, daily transitions and seasonal changes will be layered with longterm strategies and speculations for dynamic, transformative and evolving architecture. Students will film and model the site collectively before producing individual three-minute films that communicate their critical point of view, the conceptual, spatial and experiential elements of their proposal and how it changes over time. The film will be supported with time-based architectural drawings.
BRIEF
BRIEF
ADAPTATION
:
:
- Connectivity - both physical and societal - Social and Historical Vernacular - use and improve the current environment. - Cinematic design influence - Symbolic architecture - through geometric manipulation With acciedents in the UK having again risen, and the need for fast response times (for an ambulance under 30 minutes), the importance of easily accessible emergency care is vital. With Birminghams longstanding medical history and the infrastructural marvel that is Spaghetti Junction a site, the opportunity for an Accident and Emergency Centre is available. Alongside this, the future changes in automotive technology and the way in which the road infrastructure along with many industries and professions built around the car will change drastically. The self-drive car will revolutionise the way that road infrastructure is used. Boasting the drastic reduction in accidents by the time that all vehicles are changed, the number of motor related accidents is set to dimish greatly. This offers a time-based opportunity for a piece of architecture to adapt to its diminishing need.
H O S P I T A L
V E R N A C U L A R
Birmingham has one of the countries oldest medical traditions, hosting one of the f i r s t e v e r t e a c h i n g h o s p i t a l s. Birmingham General Hospital, inside the city, was founded in 1779 by Distinguished English Physician John Ash and still functions as a working hospital today. Since then the medical profession has grown in significance and prestige hosting a number o f o t h e r i n s t i t u t i o n s a r o u n d t h e c i t y .
TRIPARTITE
OF
EMERGENCY CARE _ REHABILITATION
However, emergency aid itself is said to be one of the o l d e s t d i s c i p l i n e s within the medical profess i o n , h o s t i n g r o u t e s b a c k t o t h e s t o n e a g e , a n d being drastically r e f o r m e d i n A m e r i c a d u r i n g t h e c i v i l w a r .
TREATMENT SHORT TERM RESIDENCE
BIRMINGHAM SOCIAL VERNACULAR
ACCIDENT AND EMERGENCY RESPONSE AND SURGERY
0
15
MINS
MINS
TIME
0
30
MINS
15
MILES
DISTANCE
5
MILES
10
MILES
MILES
NOTTINGHAM
NORTH WALES
BIR MI NG HA M
TRE AT ME NT
CEN TR E
B
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AN
DW
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LL
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T PI
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RM
IN
GH
AM
HE
AR
TL
AN
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HO
SP
IT
AL
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COVENTRY
BIRMINGHAM
REGIONAL HOSPITAL MAPPING
15 11a
32
15
Depot
11a
11
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158
28
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14
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151
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112 .2m
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118 .0m
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Neighbourhood
12
4
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87
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RO
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FB
10
ETL
129
Unit 1
2
SP
Unit 2
2d 2c
60
Unit 3
51
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23
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Slade Junior and Infant School
5
107.9m
Water
DE
97 .8m
30
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72
123
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27
32
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111
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111
TCP
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Tower
11
122 110
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33
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130
HILL
110a
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12
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52 50
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63
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El Sub Sta
Junction 6 Industrial Park
58
21
60
102
9
2
Witton Turnover Bridge
8
16 25
71
35
104
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54
43
29
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El Sub Sta
14
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4
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49
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HIL
15
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va
105.5m
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TCP
7 to 12
20
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TCP
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29
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Station
85
ad
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31
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8
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bw
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Su d
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115 .8m
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ROAD
112 .0m
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& Wa
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(M
rd Bdy
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53
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91 .4m
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97 .6m
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95 .4m
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harf 58 58
Salford Bridge
51
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son
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ping
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55
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164 128
132
5
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3 to
52
150
136
52
92 .5m
515
to
75
519
to
97 .1m
89
Warehouse
Cable
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Bridge
Garage
TYBURN
105 Works
B
92 .0m
.4m
El Sub Sta
159
92
Birm
ingh
am
250
92 .4m
Depot
and
Warehouse
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Unit 2
Bo
Unit 4
PCs
ro
Co
ns
CR
t an
d
Wa
rd
Bd
y
W O R K SPGHETTI
133 to 155
zele
nal
th
w
To
Fa
y Ca
9
49
L I V E
ROAD
96 .4m
111
TC
JUNCTION
CONNECTIVITY
P L A Y
Beverley House
to 171
T H E
C A N A L
T H E
B O A T I N G
JUNCTION
T H E
PHYSICAL VERNACULAR
SPAGHETTI
J U N C T I O N
L A K E
T H E
R A I L W A Y
L I N E
TYPICAL UPPER FLOOR: DEPRATMENTS: - Oncology - Pharmacy
T Y P I C AL G R O U N D F L O O R :
- Reseach Centre - EMERGANCY UNIT
- 1,215 patient beds
- A & E
- 30 operating theatres
- TEMPORARY HOUSING WARD
- 100 critical care beds
- R E C EP T I O N / I N T A K E
- Six MRI depratment - Eight ultrasound rooms,
- 1,000 beds
five
- 1 0 0 c ritical care beds
- Fluoroscopy rooms
- 6,900 staff
- Radiology suites
- provides adult services
- 36-bed trauma ward
- p r o v i des child services
- A multi-faith centre
TYPICAL GROUND FLOOR
TYPICAL UPPER FLOORS
VOLUMETRIC HEALTHCARE
TESTING AT
SCALE
M O D E L
CRAFTING
M A T C H
DESIGNING OBSERVING
TRYPTYCH
IN
FILM
EXPRESSION OF FORM
FILM
STUDY
CINEMATIC EXPLORATION
REVIEW OUTCOMES FILM - Production
Po s t p i t c h a n a l y s i s led to some design also shed light on facing the proposals
o f t h e f i lm has e x p l o r a t i on and s o m e c h a l lenges made.
T h e f i l m u s e s a s c a l e d m o d el to r e f l e c t t h e a r c h i t e c t u r e . T h is is g o o d i n b i r d s e y e v i e w a n d a l l o ws for flexibility when manipulating the m o d e l a n d v i e w s o f i t i n i t s e n t irety. H o w e v e r , t h e l a c k o f c o n t e x t d i s joints t h e p r o p o s a l f r o m t h e v e r n a c u l ar. As a k e y p r i n c i p l e a n d t h e m e t h i s is not h i g h l i g h t e d w i t h i n t h e f i l m i t se l f .
CONNECTIVE
CONCEPT
EXPLORATIONS
IDEAS
FOR
ON
CENTRED
SITE
MAP
PINCHPOINT
FILM
STUDY
CINEMATIC EXPLORATION
evaluation
D R E A M S P A C E
DREAMSPACE CINEMATIC EXPLORATION FILM
NODES
FORMAL
MANIPULATION
GEOMETRIC STUDY
S U S P E N D E D
R E A L I T Y
MODELLING
AND
MANIPULATION
FORM FROM FILM
SUSPENDED
REALITY
FINAL FILM - MOTION MATCHING
TRACKING PRIMARY
PROCESS
RESOLVING SECONDARY
MOTION
PROCESS
MATCHING
C4D TECHNIQUE
RECONSTRUCTING TERTIARY
PROCESS
111 7
97.8m
84
27
LB
2
109
11
4
122
110a
32
110
96
108
130
15
30
15
HIL
LSID
22
4
11
E R O
AD
124
5
12
2
116
83
12
18
3
16
KEG W
OR TH
1
RO
27
6
12
AD
95
5
25
11
37
15
96.0m 102
G
2
ROAD
9
TLEY CHAR 2
12
50
El Sub Sta
18
20
10
24
63
26
Y
25
25
35 VE RO
GRESLE
23
MP 1
43
5
104
45
3
71
106
47
67
1
Chy
24
7
44
18
40
30 18a
54
8
44
57
15
Subw ay
51
TCP
45
34
29
56
39
20
30
15
5
MA
17
DA
48
CL
28
10
5
OS E
11
AR
9
27
15
11
1
2
35
14
24
22
49
15
ROAD
Dra kes Cou rt
47
L
LB
HIL
LLY
E AV
GR 11
L
8
51a
4
POW
36
1 to
12
53
ICK
14
38
16
44
6
Y LL
43
HIL
E AV
5
GR
86
24
28
31
22
76
y
COPE
LEY
M
TCP
rd Wa
The Armada
6
HILL
Bd
(PH)
TCP
64
TCB
Shelter
54
AY SW
CIRCUS
ORD
P
N TO
Subw
ay
SALF
S RE
EX
Shelter
AS
42
32
2 DW
Subway
1
14
100.9m ay
Trees
bw
24
13
Su
36
23 TCP
107.9m
33
SA
LF
D
CIRC
US
MINSTEAD 43
Depot
Subway
OR
51
Shelter
51a
51b
Warehouse
44
Salfo
97.6m
rd B
ridge
58
Wha
rf
95.4m
TY 51
TY
BU
BU
RN
RO
AD
RN
War eh
ouse
RO
AD
60
Works
Salford Bridge
98.1m
e
Pip
Bor
Pip e Lin e
Aq
l
na
5
55
Tam
CR
e
onst
&W ard
min
Bdy
Tow
gha
5
Fa
Pa
th
ma
nd
Fa
zele
yC
ana
l 97.8m
a
Warehouse
ing
irm
B
Pip
RO
e e Lin
D
IEL
m ha
49
AD
HF
Ca
River
ze
nd
El Sub Sta
ley
Bir
oC
t
uc
d ue
LIC
Works 7
3 to
53
Pipe Line
53
92.4m 91.4m 5
91.4m
3 to
52
52
Cable Bridge 92.5m
5 to
Birm
9 51
ing
51
Garage
Works
Bor
B
TC
oC
m
.4 92
CR
Depot 9
49
Warehouse
250
PCs
MASTERPLAN GRAVELY HILL A&E 1:2500
th
w To
Pa
Unit 2
Unit 4
92.4m
onst
ham
37
24
1
47 45
3
5
E
OV
GRESLEY
GR
9
Chy
2
10
50 44
TCP
53
51a
M 6
GRAVELY
HILL
THREE TOWERS
A&E
49
28 29 30 31
15
32
16
33
3 4 5
6 7
23
41
2
18 19 20
21 22
39 40
1
17
34 35 36 37 38
8
24
9
25
10
26
11
27
12 13 14
14 13 12
27
11
26
10
25 41
9
24 40
8
23
39
7
22
38
6
21
37
5
20
36
4
19
35
3
18
34
2
17
33
1 16
32
15
31 30 29
28
REHAB
WARD
PLAN
GROUND FLOOR 1:500
28 29 30 31
15
32
16
33
3 4 5
21
6
22
7
23
8
24
9
25
1
40 41
2
18 19 20
37 38 39
1
17
34 35 36
10
26
2
11
27
11
3
12 13
9
6
4
5
10
4
7
14
3
6
8
5
7
2 1
6
10
5 4
9
10
9
8
7
6
5
4
3
2
9
8
7
6
5
4
3
2
1
15
11
10
14
3
12
11
1
2 3
11
7
14
4
10
4
6
9
3
8
5
2
1
1
12
7
2
13
8
16
17
11
12
1
5
13 12
27
6
11
26
10
25
8
23
7
22
6
21
5
20
4
19
2
17
33
1
1
3
18
3
30
1
15
28
4
2
29
3
31
2
16
32
5
34
4
35
6
36
5
37
7
38
6
39
7
9
24 40
7
41
REHAB
WARD
FIRST FLOOR 1:500
PLAN
PRIVATE
PUBLIC
GARDEN
PRIVATE
WARD
STRUCTURAL DEFINITION & LAYOUT
RE
E
N
CH
IO
TR
PT
EA
CE
TH
AP
EL
DAT
ACCOMODATION
ION
ART
MEN
ACCOMODATION
DEP
TOWER
TO A&E
ROUTE
CARE D EPART
AB
ACCOMODATION
WARD
T
DEPARTMENTAL LAYOUT
REHAB
ROU TE SHO RT STA Y TOW ER
ION
ACCOMODATION
CARE D EPART
PHASE C ARE DEP ART
PHASE
ION
DAT
TO
OMO
ION
REH
DAT
SECOND
ION
FIRST
OMO
ACC
ACC
DAT
PHASE
THIRD P HASE CA RE DEPA RT
OMO
DAT
OMO
OMO
ACC
ACC
ACC
THIRD
ACCOMODATION
REFLECO LOGY DEPART
COMPOSITION
-
REHAB
AXONOMETRIC
WARD
LONG SECTION
Gridline
section AA 1:25
Glulam Column connection
300mm diameter 15000mm length Piles
75mm Binding
Concrete Pile cap
Reinforcement bars
Weather barrier raised footing
Construction grout
Steel base plate
Fastening bolt
CLT Structure
Glulam Column
profile section BB 1:25
Glulam Column connection
structure around built up with the same method, floor by floor.
to the columns and beams. Firstly the two core are erected and then the
Then the glulam Columns are craned in, followed by bracketing the CLT walls
Base plates are then accurately set out, once the concrete is poured and dry.
dug out and poured.
pumping when the bit is removed. The strip foundations between can then be
a form of replacement pile then so require both boring drills and symaltanious
The piling can then begin. The grout Injection system is used to form the piles, as
The site is cleared, leveled and set out.
into three main stages: Site prep, Ground works, Construction / assemblage.
The construction sequencing for the erection of the garden ward is divided
CONSTRUCTION SEQUENCE (summary)
structure and the piling system proposed.
The details show the connection between the proposed Glulam columns, CLT
DETAILED SECTIONS
Footing Level
85
320
Gridline
300mm diameter 15000mm length Piles
75mm Binding
Concrete Pile cap
Reinforcement bars
Weather barrier raised footing
Construction grout
Steel base plate
CLT Structure
Glulam Column
A B
Stabiliser
Flight auger
SITE
Kelly bar
Hydraulic ram
Pulley suspension arm
Gridline 01
1. Site Prep
Gridline 02
Typical Pile dimention Plan
1800
1000
00
Finished Floor Level
Footing Level
Finished Floor Level
towards the piles.
trench foundations dispersing the loads
transfer them into the ground, with the
The piles receive the point loads and
run along the structural paths.
piles and trench strip foundations that
structure sits upon a combination of
The Glulam columns and attached CLT
cores.
ward along with on of the two proposed
for a structural bay within the garden
The drawing shows a foundation plan
FOUNDATION PLAN
to the lake (7 metres away) is considered.
transfer loads and ensure the close proximity
of piling and cores that support the structure,
and how it meets the ground. A combination
to specifically concentrate on the Garden ward
As highlighted on this section, this study looks
10 150 A
transfered
through
to
horizontal
rigidity
2.
3.
1.
beams at each level.
Both cores are stiffened by sets of three
additional stiffness to entire structure.
and stability of structure. This adds
Contributing
CORES:
into secure ground.
and dispersed through end bearing piles
As indicated, point loads are transfered
foundations.
with CLT wall compenets, down to pile
reinforcement pushed into wet concrete to a predetermined depth
Structural grid (see Plan) to include glazing component
5. Green wall system (mounted upon CLT)
4. CLT wall structure (see accompanying details)
GARDEN WARD
3. Top hung glazing systen
2. Concrete load bearing walls
1. Concrete insitu cast oor slabs
REHABILITATION WARD
AXONOMETRIC
WARD
3. STAGE
loads
loadbearing Glulam beams connected
Vetical
GARDEN WARD
LOAD TRANSFERS
SUBSTANTIATION
REHAB
2. Piling -
Concrete
concrete pumped into core as auger is raised
Ground works Grout Injection Pile system
2. STAGE
TECHNICAL
1. STAGE
Displaced spoil
hollow core within
Pile and footing Section 1:25
B
Singular Pile Section
500
GARDEN WARD TYPICAL FLOOR PLAN
150 1666
3. Construction / Assemblage
4.
5.
27
2
109
11
LB
122
110a
32
4
110
96
108
130
15
30
15
SIDE
ROA
D
5
124
4
11
HILL
22
12
12
2
116
83
12
18
3
16
KEG
WOR TH
6
1
27
ROA D
95
5
11
37
15
MP 1
43
25
104
45
71
106
47
3 5
67
1
Chy
24
96.0m
35
102
7
VE
GRO
24
63
26
2
GRESLEY
D
9
Y ROA
RTLE
CHA 2
12
50
El Sub Sta
18
20
10
44 40
30
51
8
44
57
15
Subw ay
54
TCP
45
34
29
56
39
20
30
15
5
9
27
ARM
ADA
48
28
10
5
CLO SE
11
1
2
35
14
24
22
es
L
LB
15
ROA
12
4
Drak Cour
AVE
LLY
HIL
GR
t
47
L
8
49
11
36
1 to
51a
POW ICK
14
38
D
16
44
6
53
43
LY
HIL
EL
AV
5
GR
24
28
31
22
76
COPE
LEY
M
TCP
rd
The Armada
6
HILL
Bdy
Wa
(PH)
TCP
TCB
Shelter
64
54
AY SW
ES
CIRCUS
ORD
PR
N
Subw ay
SALF
EX
Shelter
TO
AS
42
32
2
DW
Subway
1
14
100.9m
Trees
ay
bw
24
13
Su
23
TCP
107.9m
33
SA
LF
D
CIRC
US
43
Depot
Subway
OR
51
Shelter
Warehouse
44
Salf
ord
97.6m
Brid
ge Wha
58
rf
95.4m
TYB
URN
TYB 51
URN RO
ROA
D
AD
Works
Salford Bridge
98.1m e
Pip
Boro
Pip
ct
e
du
Lin
ue
e
Aq
l
Bir
r Tame
CR
min
Con
st &
Rive
gha
War
d Bdy
Tow
m and
Path
y Ca
d
El Sub Sta
m
an
Warehouse
ha
549
ng
mi
e Pip
Bir
AD
RO
e Lin
D
nal
Ca
ze
Fa
IEL
HF
LIC
Works 533
to
Pipe Line
537
92.4m 91.4m
91.4m 523
to
525
Cable Bridge 92.5m
515
to
519
Garage
Works
B
TC
.4m 92
Depot 499
th
Pa Tow
Warehouse
PCs
SECTION REHAB
&
A&E
CONNECTION
Unit 2
Unit 4
92.4m
250
Faz
ele
na
ley
555
CHAPEL
PATIENT
STAFF
RESTAURANT
RESTAURANT
STAFF
ACCOM
MRI
ANAESTHETICS
RADIOLOGY
RADIOLOGY
CARDIOLOGY
PAEDIATRICS
ORTHOPEDIC
CHILDRENS
CONSULTATION
UNIT
DEPART.
ADMISSIONS
SECONDARY
MAJOR
EXAMINATION
PRIMARY
EMERGENCY
MAJOR
DEPART.
DEPART.
DEPART.
DEPART.
ASSESSMENT
UNIT
MINOR
DEPART.
COMMUNITY CENTRE
LINK
SURGERY
RAIL
ASTON A S T OEXPRESSWAY N EXPRESSWAY
ASTON A S T OEXPRESSWAY N EXPRESSWAY
ELEVATED E L E V AROAD TED ROAD
CANAL CANAL
ACUTE
WARD
GRAVELY
HILL
PROJECT RENDER
A&E
BRIDGE
LINKS
REHAB & GARDEN WARD
MODELLING C4D RENDERED MODEL
REHAB
WARD
C4D RENDERED MODEL
REHAB
WARD
C4D RENDERED MODEL
GARDEN
WARD
CONNECTION
C4D RENDERED MODEL
CRITICAL SELF ANALYSIS
Strengths -
a
good
basis
of
research
supporting t h e p r o p o s a l
Weaknesses
Improvements looking forward
- continueing with one method of
- elaborate on intentions to explore
film making
alternative filming method to inform design
-
modelling
and
testing
using
film
- further architectural modelling required
- further testing design iterations and ideas for all towers
- repetition of filming technique
- formal play partially unresloved
allowed
from cinematic approach
a
ba s i c
mastery
of
the
- furthering
other buildign designs
technique fo r f u t u r e u s e - modelling and formal design process