Yannis hajigeorgis | portfolio | undergraduate collection

Page 1

P O R T F O L I O : Y A N N I S

Ba (Hons)

H A J I G E O R G I S _

A R C H I T E C T U R E

&

P L A N N I N G _


C O N T E N T S

T H E ‘E N D

A N G L E R S O F

T H E

L I N E’

R O D

P A G E _

A R S E N A L:

T E N S I L E

A D D I T I O N A L

M A N U F A C T U R I N G

Brief – Letter of Appointment Sharpness Development 01.09.2014 Client: Angling Trust Project: Fishing rod Manufacture and Craft

Statement of requirements: The provision of space for the ‘high tech’ production of carbon fibre and fibreglass fishing rods. The provision of space for the ‘Low tech’ production of specialist bamboo fishing rods. Additionally: The future provision of educational facilities for: Navigation, Health and Safety, Entomology and Fly craft. The future provision of limited docking facilities to act as a ‘drop off/ pick up’ point for small scale fishing vessels of the Severn Estuary.

S T R U C T U R E :

An

W O R K

exploratory

project the

_

research studying

properties

capabilities

of

structures.

The

and tensile self

developed brief advocated the use of minimal elements to span maximum distance. The use of only a single length of nylon thread .


C A S C I N A ‘E N D

A

T H E

L I N E’

time-worn

and A

of

with

the

modern

composed

R O D

context

culture

heart ‘

O F

R I A Z Z O L O:

day

of

both

full

of

Cascina

history Riazzolo

dictated the use of an (a

model represents a design

number of) human organs

tailored to a variety of

to

briefs

is

man-made

of the cascina. The project looked to culture

in

order to find a solution to incorporate the

cascina

of

the

into

wider

the

modern

Lombardia

_

projects completed. Each

natural

of

W O R K

the human form. The brief

that

elements

A D D I T I O N A L

the

at

understanding the cultural significance these

_

P R O J E C T S :

A selection of additional

structures. The regional scale is key in

consider

W O R K

O T H E R

A concept developed from

eco-museum’ and

C O N C E P T :

A D D I T I O N A L

M A N U F A C T U R I N G

tradition

area.

A S T H M A

Italy region.

represent

treatment

a ,

medical either

physical or psychological.

and

Projects 2-6

weeks

‘clients’.

ranging in

from

duration.


S I T E K E Y

Potential green connections _

A N A L Y S I S: E L E M E N T S _

Views to exploit _

Vital nodes to connect community _

M A S T E R P L A N N I N G: A

Establishment of a green corridor. A reduction in the ‘wieght’ of the current industry. Introduction of a ‘Hub’.

M O V E

T O

C H A N G E _

Re-establishment an re-routing of the existing road. Pahse 1 of housin 9 2 hectares). Introduction of a cycle and pedestrian coastal path. Establishment of a green boundary.

Landscaping and development of now established green corridor. Phase 2 housing (to reach green boundary). The allocation for potential industrial expansion to the south (to reach green boundary).


Angling Trust _ Project:

Fishing rod manufacture and education centre at Sharpness _

The

Regional

Client:

Sub Regional

site

D & A Statement

ANAL Y S I S Masterplan

Document Structure

P r o c e ss

The proposed project looks to regenerate and re-establish the unique connection that Sharpness has with the Severn Estuary that it was established from. The development also looks to enhance the connections that the coastal community has with the southern coastal towns of Wales, the northern coastal towns of Devon and all those others that edge the perimeter of the Estuary further in-land. This aim is to be achieved through the promotion and advancement of the sustainable rod fishing industry in the region. The creation of a ‘stop-off’ or ‘Anchor-point’ at Sharpness, due to its vital central point along the estuary. The project will enable more accessibility further in-land for fisherman travelling from the Severn’s mouth to the south west. Within Sharpness itself, the development looks to reduce the weight of the current industry through encouraging new ‘lighter’ industry. With the intention of establishing a stronger community that is connected and participates with the port and the industry, encouraging controlled expansion and desirability through the community itself.

Technical Substantiation

Future C o mm u n i t y

Appendices

Design

The Proposal

The

Who is the Angling Trust? A new, single organisation to represent all game, coarse and sea anglers and angling in England. They seek to develop programmes with clubs to increase participation, particularly amongst groups who have yet to discover the joys of going fishing. They lobby government, campaign on environmental and angling issues endeavouring to fight pollution, commercial over-fishing at sea, over-abstraction, poaching, unlawful navigation, local bans and a host of other threats to angling.

Theoretical Precedents

Date: April 2015 _


STATE OF THE ART _ The manufacturign process is both a technical and mechanical process, requiring soley expertise for machine control. A sharp blade cuts around the template, the shape varies with the type of rod being made, but generally resembles a tapering rectangle. One edge of the cut sheet is heated in order to attach it to a tapered steel mandrel. The sheet is oriented so that the fibers line up along the length of the mandrel. The mandrel is rolled between two heated metal rollers, known as platens, that apply pressure. A thin film of a synthetic polymer is wrapped around the layers of fiber. The wrapped mandrel is heated in an oven to about 150-180째 C for about 30-60 minutes. The mandrel is removed from the hardened fiber by using a pressurized ram. The polymer film is removed. The blank is lightly sanded. It is then coated to give it a smooth finish.

TRADITIONAL _ The craft of rod making has been passed from generation to generation over the centuries, from rodsmith to apprectice. Rods are recieved in the form of hollow canes. The canes are split in half lengthwise with a heavy knife. The interior of the split cane contains thin partitions. They are removed with a chisel or cutting tool. The bamboo may then be heated briefly to harden. Canes are then cut into long strips. An accuracy is necessary to ensure that the strips will fit together properly then used to make a hexagonal blank. Some craftsmen use five strips to make a pentagonal blank. The strips are glued together under heavy pressure. Strong thread is wrapped around the strips to maintain pressure at the points where they meet. The glue is allowed to dry, the string is removed, and the blank is lightly sanded to remove excess glue and to provide a smooth surface.


S T A T E

O F

T H E

A R T (High Tech) requirements table _

Frequency High

Medium

Performance Low

High

Medium

Low

Circulation Acoustic Privacy

T H E O R E T I C A L R E S P O N S E

Adaptability

A R C H I T E C T U R A L R E S P O N S E

Visual Privacy

Blackout Ability AV Equipment Intergration Storage

T H E

Security

H I G H

R O A D

A R C H I T E C T U R E C O N T R O L

O F

Furniture Vehicular Access

F O R M F O L L O W S F U N C T I O N T R A D I T I O N A L (Low Tech) requirements table _

Frequency High

Medium

Performance Low

High

Medium

Low

Circulation Acoustic Privacy

Blackout Ability AV Equipment Intergration

T H E O R E T I C A L R E S P O N S E

Adaptability

A R C H I T E C T U R A L R E S P O N S E

Visual Privacy

Storage T H E

Security Furniture

Vehicular Access

L O W

R O A D

A R C H I T E C T U R E A D D I T I O N

O F


E P Y P H Y T I C : A R C H I T E C T U R E _

Both inperfect and free from constraint the archiecture refelct the rods produced. Though seemingly inperfect, they are functional and fit for purpose, moulded by the use for the use. The design infromed in this way, exactly and presciently satifies the requirments. The freedom of the ‘Low Tech’ evokes adaptation.

The concept seeks to mimic the immaculate nature of the process to reflect the pristine process of state of the art rod manufacture. Mechanical aesthetic that is perfect in from and earganomics as a machine is for its purpose. Both effective and efficient, the form ‘perfect’ for use.


MANUFACTURING PROCESS Sequential process

Semi-sequential process Connectied sequential process

Circulated semisequential process

CRAFT PROCESS

Semi-sequential process with internal freedom Combination of the two processes Adapting through introducing theory of freedom of movement

Re-alightnment of the traditional units to suit both the solar attributes of the loaction along with the occupant’s requirments. A ‘personalisation.’

Re-adjustment of traditional units in line with the state of the art unit.

Cranking of the structure to reflect the site topography .

The conflict of the two worlds to create a dynamic

Combining both to enhance interation.

Stacking of traditional craft workshop units enhancing relationship amoungst occupants.

Duplication of the state of the art manufacturing unit.

Exploration to the arrangement of the traditional craft workshop units to establish a connection to the landscape.

Duplication of the state of the art manufacturing unit.

Exploration to the arrangement of the traditional craft workshop units to establish a more profound connection.

Duplication of the state of the art manufacturing unit.

Exploration to the arrangement of the traditional craft workshop units to establish a more profound connection.

Duplication of the state of the art manufacturing unit.

The addition of a third traditional craft workshop unit.

The minimum spatial requirements for a single state of the art unit.

The duplication of the traditional craft workshop unit.

The minimum spatial requirements for a single state of the art unit.

The minimun spatial requirments for a single traditional craft workshop unit.

The minimum spatial requirements for a single state of the art unit.

Architectural Response: Development of Form

Duplicated process

Epiphytic connection introduced


Alejandro Aravena: Theoretical Underpinning _

User input _ (post o ccupation)

The

designs

of

Alejandro

Aravena

are

based

upon

a

s i m p l e p r i n cp l e t h a t e n a b l e s t h e a d a p t a t i o n a n d u n i q u e freedom to prosper once inhabitance have occupied the architecture.

Aravena

as

the

architect

designs

only

5 0 % o f t h e ar c h i t e c t u r e , t h e n o n c e o c c u p i e d , t h e u s e r moulds the architecture’s future.

Materiality: Pallet _

1_

2_

3_

1_ Concrete High Road Manufacture

4_

As the form follows the fuction of the processes within so too does the materiality. With the Low road constructed of accessible and easily manipulated materials and the High road set and as pre-determined materials to ensure control of the user’s visability and input.

2_ Luccon Translucent Concrete 3_ Douglas Fir (softwood) Decking 4_ Larch Cladding

Low Road Craft

Design er input _ (pre o ccupation)



E L E V A T I O N S :

P L A N S :

L O N G

G F P_

F F P _

R P _

S E C T I O N :



P R O G R E S S I O N Change and growth over time _

At point of design (pre-occupation)

At point of initial occupation

Settleing in Patterns of use begin to become established

Growth over time Clear lines of desire

T I M E T I M E


T I M E T I M E


T E N S I L E

S T R U C T U R E


An exploration into the properties and extents of tensile structures through experimentation and trial an error testing. The final structure was a single piece of plastic cord that was woven through metal uprights and fastened at two ends to a wooden base. The tensile forces of the structure hold the rods up and in position, both elements rely on eachothers properties to work.


A time-worn context full of history and culture with tradition at the heart of the area. Cascina Riazzolo ‘A modern day eco-museum’ that is composed of both natural and man-made structures. The regional scale is key in understanding the cultural significance of the Cascina. The project looked to consider these elements of culture in order to find a solution to incorporate the Cascina into the modern Italy of the wider Lombardia region.


R I A Z Z O L O 1.MILANO - CORBETTA | 29.8 KM 2. MILANO - EXPO CENTER | 17.4 KM 6. CORBETTA - CASCINA RIAZZOLO | 9.9 KM

3. MILANO - CORBETTA | 24.2 KM 4. MILANO - EXPO CENTER | 15.2 KM 5. CORBETTA - CASCINA RIAZZOLO | 7.5 KM

C A S C I N A

DISTANCES

EXPLOITATION


The project looked to re-energise a Cascina (farm estate) within its context of the historical Lombardia region of Italy. Deliberation of the Cascina, at a focused scale, highlights the key opportunities and issues available for potential development and key consideration respectively. A site visit and survey of the existing site circulation enabled detection and investigation through the use of analytical diagrams.


A N A L Y S I S : E X I S T I N G _





F I N A L C A S C I N A

M O D E L : R I A Z Z O L O_



A T H S M A

C O N C E P T

E M P A T H E T I C

M O D E L :

A R C H I T E C T U R E _

The concept, based upon the functions and abstract aesthetic of the respiratory system, was designed as a centre for Asthmatic education. The spaces and m a t e r i a l i t y designed to reflect not only the lungs and rib cage but to create a sequential sense of constriction then relief when occupied.


O T H E R

P R O J E C T S :

A D D I T I O N A L

P A R K

S T R E E T

L A N T E R N

M O D E L L I N G

_

T R A N S G R E S S I V E

H O U S E


G P

S U R G E R Y

1 : 1

C U B E

D E T A I L

F O S T E R

+

P A R T N E R S :

I N T E R N S H I P

M O D E L


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