Architecture Portfolio by Yasaman Deylami

Yasaman Deylami, M.Arch Australian English, Persian Basic German and Spanish yassi.deylami@gmail.com +61 449 039212 212/ 25 Leonard St, Waitara NSW 2077

I am a graduate architect from University of Sydney; with five years professional design experience in Australia, Netherlands, Spain and Germany and a background in multiple scales of architecture. I am intrigued by design approaches that arise from different cultures and their influence on the urban city life.

Relevant Projects

Technical Skills

Experience

Qualification

References

Overseas Projects

3D CAD Design and Modelling Software

Philipp Mainzer Office for Architecture Graduate Architect

University of Sydney Master of Design in Architecture

Philipp Mainzer

Flores Prats Architects Architectural Intern

Eindhoven of Technology Master of Architecture

Ricardo Flores

Perumal Pedavoli Architects Technical Junior

University of Sydney Bachelors of Design in Architecture

Studio [R] Architecture Junior Architect

Insearch, University of Technology Sydney Diploma in Design

Nationality Language E-mail Phone Address

Monkey 47 Distillery, Germany CLOSED main Headquarters, Germany CLOSED clothing stores , Europe ‘The Joan Miró Arts Foundation’, Spain ‘Espai FoodCultura’, Spain

Correctional Centers:

Yatala Labour Prison Northfield Prison Infrastructure Update Cessnock Correctional Center

Educational:

Tamworth Tafe, Aboriginal Center Lake Cathie Public School

Hospitality and Residential: Pocket Bar, Stitch Bar High Street Bowral Killara Residence Satori Residence Wakeup Cafe

Competitions:

Gosford Arts Centre World War II Museum Competition

Bentley Microstation V8i (advanced level) Vectorworks (advanced level) Rhinoceros 3D (advanced level) Revit (intermediate level) Autocad (intermediate level) Google SketchUp Pro (intermediate level)

Adobe Creative Suite

Photohshop, InDesign, Illustrator (advanced level)

Model Making

Hand made, Lasercut, 3D print, Casting

Architectural Hand Rendering and Drafting, Watercolour Photography

I have an artistic and creative approach to design, and enjoy creating the architectural elements, paying attention to unique spatial qualities and characteristics of each space. I am interested in architectural organisation, to achieve efficient planning, challenging maximum flexibility and practicality. I am looking to take the next big step in my career focusing on technical detailing in design and its effect on spatial and environmental qualities of a building.

Frankfurt, Germany / Dec 2014 - Oct 2015

Barcelona, Spain / Aug 2014 - Oct 2014

Sydney, Australia / Jan 2011 - Jul 2014

Sydney, Australia / Jul 2010 - Jul 2013

Sydney, Australia / Completed 2014

Eindhoven, Netherlands / Exchange Sem 2012

Sydney, Australia / Completed 2011

Sydney, Australia / Completed 2008

Principal architect at Philipp Mainzer Office for Architecture and Design Principal architect at Flores and Prats Arquitectes

Mark Szczerbicki

Principal architect at Mark Szczerbicki Design Studio

Yasaman Deylami Architecture Portfolio

Monkey 47 Distillery, Black Forest Philipp Mainzer Office for Architecture and Design

3.2

In this project I have been a part of the design, documentation and construction The Black Forest Distillers project is the production factory for spirits, where the architecture becomes a part of a story line for Monkey 47â&#x20AC;&#x2122;s commercial identity. The new site is an existing farmhouse that has been rebuilt and renovated as a Gin Distillery. Also housing a restaurant, museum and hosting gin tasting.

3.1

CAD Vectorworks Graphic Photoshop

1. Herbs Preparation 2. Herbs Maceration 3.1 Mixing Tank 3.2 Gin tasting Washing, Peeling, Softening by soaking Grinder, Freezer in a liquid Graphics; Yasaman Deylami

4. Museum / Gallery Previously a grain storage

5. Gin Distillery

Monkey 47 Distillery, Black Forest

Philipp Mainzer Office for Architecture and Design Construction Documentation Gin Distillery The architecture is a mix of the old and new, keeping the traditional wooden structure of the local area for the restaurant, and modern materials for the factory. CAD Vectorworks Photos Yasaman Deylami

Monkey 47 Distillery, Black Forest

Philipp Mainzer Office for Architecture and Design Construction Documentation Gin Distillery / Short Section Viewing bridge detail

CAD Vectorworks Documentation Yasaman Deylami for PMO Photos Yasaman Deylami

Monkey 47 Distillery, Black Forest

Philipp Mainzer Office for Architecture and Design Construction Documentation Black Forest Restaurant First Floor Detail

CAD Vectorworks Documentation Yasaman Deylami for PMO Photo http://www.monkey47.com

Monkey 47 Distillery, Black Forest

Philipp Mainzer Office for Architecture and Design Photos http://www.monkey47.com

Joan Mir贸 Arts Foundation

Flores and Prats Architects, Barcelona In this project I have done on site measurements of the exterior, hand drawn site analysis and documentation of existing building and landscape, graphic representation, and model making of various new proposals The most important step in creating site specific architecture is understanding the elements that make the building special. The hand drawn documentation of the existing site inspires for the next step of design. The Joan Miro Arts Foundation designed by Louis Sert sits elegantly atop the Montjuic hill in Barcelona. An initial detailed study of the museum with Flores and Prats, looks at potential expansion of the building with minimum effect on its surrounding while respecting the style and language of the existing architecture and landscape. Medium

Hand drawn; Yasaman Deylami for Flores and Prats Architects, Scale 1:100

Joan Mir贸 Arts Foundation, Barcelona Hand drawn; Yasaman Deylami for Flores and Prats Architects, Scale 1:100

Gosford Regional Performing Arts Centre and Conservatorium

Perumal Pedavoli Architects

U VA

For this competition entry I have been involved in the planning of the theatre and conservatorium and responsible for the graphics management to coordinate various graphic outputs; setting up perspective views, detailing main render and panel layout.

EN AV

B B

B A

C E S T H IG H W A Y

ARTS CENTRE

The second component is the ribbon facade at first floor level. The facade is intended to be clad in local sandstone and unite the building, wrapping from the highway around and up Vaughan Avenue. The fenestration of this element has been devised as an overlay between the view corridors and the regular rhythm of a sound wave. The resultant ratio of solid to void provides a balance between the solid – that projects the beauty of the material, and the void – which allows views to the water and park. The third element is the volume of the softly illuminated auditorium itself. Projecting through the roof of the foyer, this becomes a beacon of light at night, instantly recognisable with the precinct and assisting in making the building a local landmark. In addition, the illumination will provide a level of lighting to the park at the upper level, improving safety and security at night. FUNCTION The functionality of the spaces has been considered in a very detailed manner to inform the design stage. Foyer – This is split over three levels, spaces can double up as performance, exhibition and function areas. Access to bars is provided at the ground and first floor levels, with the cafe occupying part of the ground floor space. Front of House – Utilising a compact design that ensures efficiency, the front of house the box/ cloak facilities are located with the administration office. The public amenities are located under the auditorium to again maximise the available space. Auditorium – Hosting 1000 seats in a “shoe box” configuration, split between the stalls and the dress circle, the auditorium is designed as a multipurpose venue with a focus on musical performances. The stage has wings which are well connected to an upper level of catwalks and technical spaces. Back of House – The facilities have been designed to be on one level to facilitate easy access and negate the need for a second lift. The circulation is generous and a direct path from the loading dock is provided to the stage and studio via the appropriate sound and light locks.

ARTS CENTRE

SECOND FLOOR PLAN

Civil / Structural Screw pile technology has been investigated and found to be an appropriate economical footing system, with the major advantages of eliminating the need for removal of fill material, minimising noise of installation and avoiding problems associated with water-charged ground. The site of the Gosford Regional Performing Arts Centre appears to straddle a spur of higher-level rock, which will again suit the proposed system as the length of the screw piles can readily be altered without cost premium. Precast wall systems have been investigated to address both structural and acoustic concerns. Mechanical It is proposed to utilise a displacement type air-conditioning system for the auditorium and “blackbox” studio. Studies have demonstrated that displacement ventilation saves energy as compared to standard mixing ventilation. Further benefits to this project as a result of utilising displacement ventilation will be a reduction in heavy plant/mechanical ductwork at high level. This reduction in weight will assist in the goal of incorporating a lightweight roof structure.

SECTION B-B

ACTIVITY

WRAPPING

ARTS CENTRE

DESIGN CONSIDERATIONS

GLOWING BOX

GOSFORD REGIONAL PERFORMING

FIRST FLOOR PLAN

Acoustics There are two separate spaces which require great acoustics that do not compete with one another. The first one is the audience area and the second is the stage area. These issues are addressed by the use of reflectors to contribute to the sense of clarity, intimacy and loudness. The volume of the auditorium is designed to cater for musical performance while at the same time allowing it to function as a true multipurpose venue. The proposed concept has also considered external noise conditions associated with traffic on the Central Coast Highway and external plant areas.

SECTION A-A

Graphics; Yasaman Deylami for PPA

GOSFORD REGIONAL PERFORMING

GOSFORD REGIONAL PERFORMING GROUND FLOOR PLAN

PERFORMING ARTS CENTRE Foyer Cafe Bar Store Box Office Cloak Room Administration Stalls Stage Wings Sound/Light Lock Studio Preparation Kitchen Cross Over Loading Dock & Workshop Access Dressing 2 Person Dressing Room 4 Person Dressing Room 6 Person Dressing Room Stage Door Office Comms Rooms Main Switch Board Room Green Room Cleaner 18 Person Dressing Room First aid Wig/Makeup Room Laundry Car park Public Stair

Studio – The black box studio is designed to utilise a retractable seating system. The space can cater for up to 208 seats in a number of configurations. The studio is located to share both the front of house and back-of-house facilities. The studio has four-sided access with a generous congregation and storage area at the rear.

In response to the corner location the building wraps around the site, forming a continuous sandstone ribbon, highlighting the glowing theatre. CAD Microstation Graphics Photoshop

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CONSERVATORIUM Foyer Director Administration Administration / Box Office Performance Space Woodwind Video Conference Library Classroom Strings Guitar Rehearsal Percussion Store Recording Room Vocal Piano Brass Child minding

The first is the transparent base: the glazing to the foyer and the public spaces at ground level. This level of transparency will project the vibrant activity of the theatre to the passersby. Particularly at night, the glazed base will ensure that the ‘buzz’ of the theatre will be visible to both pedestrians walking past to the stadium, for instance, as well as passengers in the many vehicles that drive past this site each day and night.

FORM The form of the building is a strong singular gesture along the facade that provides an iconic landmark for Gosford City. The building can be described as having three main elements.

Firstly, major consideration is given to retaining the integrity of the War Memorial Park. Given its cultural and community significance, it was important the design retained select views from the Memorial towards Gosford City Park and The Broad Water. The provision of a stepped, landscaped amphitheatre space, facing back to the cenotaph, creates a sense of enclosure and respect for the monument; while at the same time providing a well-defined space for the ceremonies that take place in the park. The second principle is the creation (or re-creation) of a public stair as a link between the War Memorial Park and Vaughan Avenue. Lastly, the entry points to the Theatre foyer are set back from Vaughan Avenue to create a wide public plaza that will be strategically located to take advantage of the future closure of this street and the realignment of Baker Street.

URBAN DESIGN Key Urban Design Strategies

The design aims to accentuate the corner, ensure high visibility of the site from the Central Coast Highway, and, to appreciate the site as a waterfront location. The main entrance to the Theatre is located away from the highway via a shared public space, engaging pedestrians. This design guarantees a strong visual presence along the highway providing a new iconic landmark for Gosford City.

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GOSFORD REGIONAL PERFORMING

ARTS CENTRE

CONCEPT

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GOSFORD REGIONAL PERFORMING

The Regional Performing Arts Centre and Conservatorium falls within the Gosford waterfront site and is a part of the “Our City Our Destiny” Masterplan.

In one of few rare opportunities , architecture can create a public space and bring life to a city.

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Layout and background; Yasaman Deylami for PPA GOSFORD REGIONAL PERFORMING ARTS CENTRE

GOSFORD REGIONAL PERFORMING ARTS CENTRE

SECTION C-C

Stitch Bar Studio [R]

For this project I have been involved in the documentation and later for graphics in Publications. CAD Microstation for Studio [R] Graphics Photoshop, Illustrator for Studio [R]

SECTION THROUGH BAR

Stitch Bar

Studio [R], Sydney Photos http://www.studior.net.au

Urban Heterodoxy: Creative Residence Market

M.Arch Graduation Project / USYD Mentioned in University of Sydney Architecture Annual 2014 urban: adj. of, or living or situated in a town or a city heterodoxy: adj. not conforming with accepted or orthodox standards or beliefs. orthodox: adj. holding usual or currently accepted views; generally approved, conventional The design aims to create an opportunity to grow for low-income residents of Liverpool; primarily providing security within the residential complex, and further pushing for a creative community. 3D Modelling Graphic

Rhino Photoshop

Urban Heterodoxy: Creative Residence Market

M.Arch Graduation Project / USYD The site location is neighbouring Liverpool Train Station, giving it an opportunity to create the new heart of the city being central to an existing and developing educational and health sector. The complex consists of residential apartment blocks that overlook an internal plaza and a series of adaptable spaces, Live/Work, Small Office, Home Office, located on the ground level and central to a semi-public space. 3D Modelling Graphic

Rhino Photoshop

Sectional Model Vertical Staircase Scale 1:100

Site Context 01 residential market 02 primary School 03 TAFE

04 high school 05 research laboratory 06 train station

Urban Heterodoxy: Creative Residence Market

public community space studios with street access

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courtyard community spaces

apartments with rooftop space

M.Arch Graduation Project / USYD

“I think architects should be composers and not designers. They should be composers of elements. The elements are things that are entities in themselves.” - Brownlee, 1997

Urban Heterodoxy / Long Section

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Urban Heterodoxy: Creative Residence Market

M.Arch Graduation Project / USYD

Public Spaces

Entrances through Internal Courtyard - Public

Rooftop Community - Private

Rooftop Community - Semi Public

This project explores the medium of architecture as a physical element that can initiate social interactions; taking a place beyond its designated function. It pushes to create a community within the residential sector, and to change the image of Liverpool.

The building creates opportunities to meet people. All access to the apartments is through the main courtyard, filtering the residence from public.

The roofscape houses community spaces that are shared between smaller groups of residence and accessible to smaller groups of residence.

The community spaces on the southern corner of the site are semi-public and accessed through the commercial spaces and from within the complex. This allows for an adaptable space that can be used for larger gatherings.

The architectural planning encourages people to meet as they cross paths entering their apartments and within the designated community spaces. 3D Modelling Rhino Graphic Photoshop Watercolour Drawings

3D Modelling: Rhino, Graphics: Watercolour

Urban Heterodoxy: Creative Residence Market

M.Arch Graduation Project / USYD The secret to community architecture is a sense of ownership of the residence and it is through management and creativity that this sense of belonging is gained. Seeing that the majority of inhabitants in the area have recently migrated to Australia the residential market aims to ease the resettlement and provide a framework for the residence to create their own home. At a smaller scale the architecture focuses on a composition of inspiring spaces, built in a way that encourages people to work and live in each space. In return the inhabitants will feel at home and add character to the complex, making it their own. 3D Modelling Graphic

Rhino Photoshop

Urban Heterodoxy / Long Elevation

Rooftop Street Live-work maissonette

Residential midlevel

Live-work maissonette with direct access to courtyard markets

The mid levels are the solid unit that wrap around the block, allowing a canvas for future expansion. With small changes in level the roofscape draws upon the fragmented characteristics of Liverpool, creating a series of live-work spaces that protrude from the community residence. 3D Modelling Graphic Models

Rhino Photoshop Woodwork, 3D Printing

Urban Heterodoxy: Creative Residence Market Unit Detail / Ground Floor Masterplan, Unit Plans

Residential 1 - 2 Bedroom Level 2-5

Rooftop Studio Maisonette Level 5-7

Residential 1 - 2 Bedroom Level 2-5

Ground Floor Studio Apartments

SES Building : Community Center

B.Arch / USYD

form. movement . light and shadow SES Building is a community centre used as a training area for State Emergency Services. Located in Marrickville the footprint of the existing shed is used, as a perforated metal cladding. The interior contrasts the outside with a soft materiality and smooth forms. Physical Model : Powderprint Digital Modelling : Rhino Render : Kerkythea

SES Building : Community Center

B.Arch / USYD

form. movement . light and shadow The focus of the project is to design a building purely through form. The building responds to the rapidness of the State Emergency Services with the continuity of spaces. the simple forms come to life with the play of light and shadow through its external structure. Physical Model : Powderprint Digital Modelling : Rhino Render : Kerkythea

Yasaman Deylami yassi.deylami@gmail.com N: +61 449 039212

Tea for Two Pavilion - Portable pavilion for a Japanese tea ceremony / Sectional Perspective