YINYU FONG PORTFOLIO
2007 – 2019
YIN-YU FONG
STAGE ⁄ ARCHITECTURE ⁄ URBAN DESIGN yinyufong.com
yinyufong.usa@gmail.com
+1 (434) 227-9923
2007 – 2019
CONTENTS
SCHOOL PROJECTS Collective Ground Thermal Threshold Baltimore Public Library Public Housing in Art District Phototropic Studio Dimitris Pikionis’s Pavement Study
01-16 17-34 35-44 45-54 55-60 61-68
PROFESSIONAL PROJECTS Proposal of Interior Architecture Heart Sutra Foreplay, or, The Art of The Fugue Echo Echo Xue Canteen Taipei Dad, New York Mom Show On APP Absente: Rendez-Vous Avec Sophie Calle Butterfly Glasses
69-72 73-76 77-80 81-94 95-98 99-102 103-106 107-118
COLLECTIVE GROUND ARCHITECTURE
ERUTCETIHCRA
COLLECTIVE GROUND YEAR LOCATION AREA PROGRAM
TEAM INSTRUCTOR CO-TEACH
2018 Broadway Junction, New York City 50,000 m2 Human Resources Administraton Museum Collection Municipal Archive Yin-Yu Fong, Anna Morrison, Zazu Swistel Seth McDowell SHoP | Gregg Pasquarelli, Andrew Daley
01
This project responds to the tension at Broadway Junction between the livelihood of its activity and the disorganization of its material presence. It traces an ecology of the neighborhood and seeks to expose, curate, and clarify the relationships that exist. By introducing the HRA program to the neighborhood, the project forms a public hub, drawing employees and other publics to the site. A park and a museum exhibition and collection program extend the public resources and extend qualities of the site -- its spontaneous vegetation and the material production of the industrial zone. The building is almost entirely sunken underground to maximize open space and highlight the elevated train infrastructure above, suggesting a new agenda for development alongside aging infrastructure. 02
ARCHITECTURE
Collective Ground
Broadway Junction is a New York City Subway station complex shared by the elevated BMT Canarsie Line and BMT Jamaica Line, and the underground IND Fulton Street Line. The structure of the elevated station still contains the ironwork for the trackways used by the old Fulton Elevated. The station has a single exit and entrance through a fare control building located at the eastern end of the Fulton Street Line station.
03
ARCHITECTURE
04
Collective Ground
ARCHITECTURE
Collective Ground
This metabolic position on the city extends to the program of the building, where the history and activity of the neighborhood are reframed. The neighborhood consists of a thriving IBZ employment center and the edges of low income residential areas.
The massive metro structure contains the industrial history of New York City, as well as occupys many ground spaces. Therefore, keep and emphasize the structure is the vision of the project. In order to decrease the safty concern and have more new developement around this area, the strategy is to sell FAR to developer to create a park and public space for the neighborhood.
05
ARCHITECTURE
06
Collective Ground
ARCHITECTURE
Collective Ground
07
ARCHITECTURE
Collective Ground
SHADY
PARTIAL SHADY
SUNNY 08
ARCHITECTURE
Collective Ground
B1 Floor
B2 Floor
B3 Floor
B4 Floor
09
ARCHITECTURE
10
Collective Ground
ARCHITECTURE
Collective Ground
Atlantic Avenue
Atlantic Avenue
11
ARCHITECTURE
12
Collective Ground
ARCHITECTURE
Collective Ground
Broadway Junction
C
Broadway Junction
C
13
ARCHITECTURE
14
Collective Ground
ARCHITECTURE
Collective Ground
15
ARCHITECTURE
16
Collective Ground
THERMAL THRESHOLD ARCHITECTURE
ARCHITECTURE
ERUTCETIHCRA
Collective Ground
THERMAL THRESHOLD YEAR LOCATION AREA PROGRAM TEAM INSTRUCTOR AWARD
2017 Minto, Alaska 50,000 ft2 School: Gym, Library, Classrooms, Playground Yin-Yu Fong, Anna Morrison, Katie Kelly Matthew Jull ASLA Honor Award (Student Collaboration) AZURE A+ Finalist
17
This project creates a new school and learning landscape for Minto, a 250-person Athabascan community in interior Alaska. By using seasonally dynamic landscape and architectural strategies, the design challenges the conventional building threshold used in Arctic climates and connects native Alaskan children to their surrounding environment. The design considers the extreme climate as a programmatic opportunity, creating play and learning spaces out of thoughtful spatial layers. The collaboration between landscape architecture and architecture students allowed this principle to manifest in the design of plantings, play structures, topography and ground manipulations, as well as wall sections and building design, generating new relationships between building and landscape. 18
ARCHITECTURE
M
Thermal Threshold
Barrow
Kutchin Koyukuk Han Tanana Tanacross Upper Tanana Holikachuk Upper Kuskokwim Ingalik Tanaina Ahtna
Minto Shishmaref
Shish
Ba
Minto
Minto 34%
Kutchin Koyukuk Han Tanana Tanacross Upper Tanana Holikachuk Upper Kuskokwim Ingalik Tanaina Ahtna
Kutchin KutchinKutchin Koyukuk Koyukuk Koyukuk Shishmaref Han Han Han Tanana TananaTanana Tanacross Tanacross Tanacross Upper Tanana Upper Tanana Upper Tanana Holikachuk Holikachuk Holikachuk Upper Kuskokwim Upper Kuskokwim Upper Kuskokwim Ingalik Ingalik Ingalik Tanaina TanainaTanaina Ahtna Ahtna Ahtna
39% 34% 34%
39%
258 39% 39%
258
258
258
92% / 7.5% / 0.5%
Yukon-Koyukuk (Minto) 92% / 7.5% /92% 0.5%/ 92% 7.5%//7.5% 0.5%/ 0.5%
Yukon-Koyukuk Yukon-Koyukuk Yukon-Koyukuk (Minto) (Minto) (Minto) 15% 15%
40% 52% 52%
40%
562 40% 40%
562
562
562
93% / 5% / 2%
Nome (Shishmaref) 93% / 5% / 2% 93% / 93% 5% //2% 5% / 2%
Nome NomeNome (Shishmaref)(Shishmaref) (Shishmaref) 9% 9%
North Slope
North SlopeNorthNorth Slope Slope (Barrow) 13%(Barrow) (Barrow) 13%
MintoMinto 34%
Shishmaref Shishmaref Shishmaref 52%
52%
Athabascan Culture
Barrow
Barrow 56%
Barrow Barrow 56%
28% 56% 56%
28%
4,21228%
The Athabascan people of the lower Tanana once lived a namadic lifestyle, migra�ng the Minto Flats along with 28% 4,212 4,212 61% / 16% / 8% 4,212 the seasons, hun�ng various games and gathering berries. % 2+
Alaska
Alaska 42%
42%
25%
741,834 25% 25%
741,834
% native alaskan
% native alaskan % native % alaskan native alaskan
741,834 741,834
8.9% community/social service 11% production 14% management
Yukon-Koyukuk (Minto) 78%15%
Caucasian 15%
Caucasian 78%
78%
Nome Native Alaskan Nome (Shishmaref) (Shishmaref) 9%
Nome (Shishmaref) 57%9%
Native Alaskan Native Alaskan 9%
57%
57% graduation rate
9.4% personal care
10.1% management 10.1% management
10.1% management
Caucasian
North Slope 13%
5.9% construction5.9% construction 8.2% management 8.2% management
10% transportation 25% administrative
Caucasian Barrow 41%
41%
w/ akeup Diabetes Racial Makeup
th re
2.4% janitor
Culture
percentage oyukuk There region of is aofgreater percentage of astofpercentage childeren Alaska. Forinof athe state of Alaska. For a apeople) ype town II diabetes this of its is asize in (258 people) this is a n. aging thesignificant popula�on. outdoor percent of the popula�on. t diabetes and
Native Alaskan Native Alaskan
Alaska 7%10%
10%
Fourth% Grade Reading % Population w/ Population Diabetes w/Proficiency Diabetes % Population w/ Diabetes
Health Educa�on Health
Health
In 2016, the A Yukon-Koyukuk complicated In 2016, the history Yukon-Koyukuk regionof ofracism In 2016, region andtheofYukon-Koyukuk region of Alaska had the colonialism Alaska highesthad percentage has theset highest Na�ve of percentage Alaska Alaskanhadof the highest percentage of the popula�on children the withpopula�on type up to II diabetes dras�cally with type in underperthe II diabetes popula�on in with type II diabetes in the state.form Encouraging the in school. state. outdoor Encouraging A built environment outdoor the state. Encouraging outdoor ac�vity can combat designed ac�vity diabetes can specifically combat and diabetes for this ac�vity andcan combat diabetes and
7%
Barrow
Minto $32,250
$32,250
$32,250
Shishmaref $29,375
$29,375
$29,375
Barrow $76,902
$76,902
$76,902
$73,355 Alaska
$73,355
$73,355
2.1% retail 2.3% secretary
2.4% janitor
2.4% janitor
2.7% misc. manager 2.7% misc. manager
2.7% misc. manager
2.7% teacher 10%
2.1% retail
2.3% secretary 2.3% secretary
2.4% janitor
Alaskan Alaska Native Alaska
Barrow
$76,902 2.1% retail
2.3% secretary
15% / 66% / 7%
Health
8.2% management
10% transportation 10% transportation
2.7% misc. manager
laskan
Health
6.2% sales
25% administrative 25% administrative
2.1% retail
% 2+
Shishmaref
10% transportation
Caucasian
Culture Culture
5.9% construction
6.2% sales
25% administrative
41%
ucasian
Shishmaref
$29,375 6.2% sales
8.2% management
13% 41%(Barrow)
Minto
9.4% personal care 9.4% personal care
6.2% sales
North SlopeCaucasian North Slope (Barrow) (Barrow) 13%
10%
16.5% education16.5% / training education / training 16.5% education / training Native Alaskan Shishmaref 57%
5.9%graduation construction rate graduation rate
graduation rate
Culture
AlaskaAlaska
% Population w/ Diabetes% Population %w/ Popula Diab %P
11.5% cleaning/maintenance 11.5% cleaning/maintenance11.5% cleaning/maintenance 12.2% administrative 12.2% administrative 12.2% administrative
16.5% education / training
/ 7%
Racial Makeup RacialRacial Makeup Makeup
Minto
$32,250
10.1% management
61% / 16% / 8%
Racial Makeup
Alaska 10%
19% education /19% training education / training 19% education / training Caucasian 78%Minto
11.5% cleaning/maintenance 12.2% administrative
/ 8%
15% / 66% / 15% 7% / 15% 66% // 66% 7% / 7%
Culture
9.4% personal care
93% / 5% / 2%
15% / 66% / 7%
H
There is a greater percentage There of is a greater Therepercentage There is a greater is a greater ofpercentage percentage of of In 2016, the Yukon-KoyukukInregion 2016,ofthe Yukon-Koyukuk In 2016, In the 2016, Yukt childeren in the state of Alaska. childeren For a in the childeren state childeren ofinAlaska. the in state the Forof state a Alaska. of Alaska. For a For Alaska a had the highest percentage Alaska had of the Alaska highest Alaska hadperce the ha town of itsconstruction size (258 people)town this isof aits size town (258 of town people) its size of its (258 this sizeispeople) (258 a people) this is athis isthe a popula�on with type II diabetes the popula�on in thewith popula�on the type popul II dw 8.9% construction 8.9% construction 8.9% significant percent of the popula�on. significant percent significant of significant the percent popula�on. percent of the of popula�on. the popula�on. the state. Encouraging outdoor the state. Encouraging the state. the En ou st 8.9% community/social 8.9% community/social service service 8.9% community/social service ac�vity can combat diabetesac�vity and can combat ac�vityac�vity diabet can c 11% production 11% production 11% production other health issues other health other issues 14% management14% management 14% management
8.9% construction
19% education / training
/ 2%
% 2+ % 2+
Alaska 25% 42% 42%
bascan Athabascan Culture Athabascan Culture Culture
92% / 7.5% / 0.5%
% 2+
% caucasian % caucasian % caucasian
AlaskaAlaska
scan Thepeople Athabascan The Athabascan of thepeople lowerpeople of the of lower the lower Tanana lived aTanana namadic once lived once lifestyle, alived namadic a namadic lifestyle, lifestyle, hemigra�ng Mintomigra�ng Flats thealong Minto thewith Minto Flats along Flats with along with , the hun�ng seasons, the various seasons, hun�ng games hun�ng variousvarious gamesgames gatheringand berries. gathering and gathering berries. berries.
/ 0.5%
61% / 16% / 61% 8% / 61% 16% // 16% 8% / 8% (Barrow)
% caucasian
% of Households with 18 & %under of Households % % of of Population Households with % of 18 Households & under under with 18with & % under of 18 Population & under %Population of under Population % of 18 Population size under under 18 Population 18 size Population Population size size
Yukon-Koyukuk Yukon-Koyukuk (Minto) Caucasian (Minto) 15%
Ala
2.7% teacher
2.7% teacher
2.7% teacher
Native Alaskan 7%Alaska
7%
$73,355
Alaska
Alaska
Fourth Grade Fourth Reading Grade Proficiency Fourth Proficiency Grade Reading Proficiency Five MostReading Common Occupations Five Most Occupations Common Occupations Five Most Common Occupations Median Household IncomeFive Most Common Median Household Median Income Household Income Median Household Income
Educa�on Educa�on
Employment Educa�on
A complicated history A complicated of racism history and ofAracism The complicated most and common historyoccupa�on of racism and in colonialism hascolonialism set Na�ve Alaskan has set Na�ve colonialism Minto Alaskan is in educa�on has set Na�ve and training, Alaskan children up to dras�cally children upunderperto dras�callychildren which underperspeaks up to to dras�cally the importance underperof form in school.form A built in environment school. A built environment form educators in school. in A the built community. environment A designed specifically designed for this specifically disparity for designed this between specifically high cost for this of living
Employment Employment
Employment
The most common The most occupa�on common in occupa�on The most in common occupa�on in Minto is in educa�on Minto is and in educa�on training, andMinto training, is in educa�on and training, which speaks towhich the importance speaks to the of importance which speaks of to the importance of educators in the educators community. in the A community. educators A in the community. A disparity between disparity high cost between of living high cost disparity of living between high cost of living
19
ARCHITECTURE
Thermal Threshold
TRAIL NETWORK
NEW MIN FOUR CABINS
MINTO FLATS
20
ARCHITECTURE
Thermal Threshold
ALASKA PIPELINE
ELLIOT HIGHWAY
NTO
FOUR CABINS
FAIRBANKS CACHE GRAVEYARD OLD MINTO
21
ARCHITECTURE
Thermal Threshold M OV E M E N T
Mobil is sk idoois / Sn ow Mac hin e
I ditar odis c an is f am il iaris / D og Sl eddin g
L e pu s am eric an u s / Sn ow shoe Har e
Em p et r um ni gr um / C r o w b er r y
H ed y sa r um a l p i num / Esk i m o Potatoes Al c es al c es g igas / Al ask an Moose Al c ipen n is c an aden is / Gr ou se
Esox luci us / No r t he r n P i ke
C astor c an aden sis / Bea ver
S U B S I S TA N C E S E A S O N S
H y l o c o m i u m sp l en d en s / S p l en d i d Fea t her M oss P i c ea m a r i a n a / Bl a ck S p r uce P i c ea gl a u c a / W hi te S pr uce Populus tr emuloi des / Quak i ng A spen
SUN HOURS
FA L L
WIN TE R
“Fall was the time to get ready for the winter - the start of another yearly cycle” september
22
october
“Mid-winter meant a slowing down of activity and a temporary settling down for a few months” november
december
january
february
ARCHITECTURE
Thermal Threshold
Engi nus d i eseli i / Tr uck M aritimu s sputteris / Fishi ng Bo a t
Vehi c u l a a l l - t er r a n i a / A T V
Va cci ni um v i t i s- i d a ea / L ow -bu sh C ran ber r y O ndatra z ibethic u s / M u skrat L a g o p u s l ag o pu s / W i l l ow P t a r m i ga n
A lces a lce s gi ga s / A o ckeye Sa lm o n
Sten odu s n el m a / Sheef ish
Equisetum sylvaticum / Woodland Horsetail Calamagr ostis canadensis / Bluejoint Grass Betula nana / Dwarf Bir ch
S PR I N G
S U M M ER
“A pattern of hunting and trapping subsistence activities by day, often followed by riddle telling at night, continued until just before ice-melt.”
“As summer approached they moved to their fish camps on the small rivers where they fished and hunted water fowl until the fall.”
march
april
may
june
july
august
23
ARCHITECTURE
24
Thermal Threshold
ARCHITECTURE
Thermal Threshold
Volumes
Classroom Gym Communal Space Kitchen + Library
Programs
Trail Extension
Fall
Winter
Summer
Spring
Seasonal Play
Classroom Circulation Kitchen
Gym
Thermal Transfer 25
ARCHITECTURE
26
Thermal Threshold
ARCHITECTURE
Thermal Threshold
27
ARCHITECTURE
Thermal Threshold
INTERIOR INTERIOR INTERIOR INTERIOR
VEGETATIONS VEGETATIONS VEGETATIONS VEGETATIONS
PLAY PLAY STRUCTURES PLAY STRUCTURES PLAYSTRUCTURES STRUCTURES
protected protected protected protected insulated insulated insulated insulated sheltered sheltered sheltered sheltered
Forest Forest classroom Forest Forest classroom classroom classroom
Play Play caches caches Play Playcaches caches
blackblack spruce spruce black black spruce spruce
dovetail-joined dovetail-joined dovetail-joined dovetail-joined aspen logslogsaspen aspen aspen logs logs
Heat He
2x4 2x4 stiltsstilts 2x42x4 stilts stilts metal siding metal siding metal metal siding siding
horsetail horsetail horsetail horsetail mossmoss
GRO G
moss moss
Scavenging Scavenging Scavenging Scavenging Groundcover Groundcover Groundcover Groundcover
lichen lichen
lichen lichen
mossmoss
moss moss
salmonberry salmonberry salmonberry salmonberry
Hun�ng Hun�ng Hun�ng tent Hun�ng tent swingset swingset tent tentswingset swingset
Amp Am
aspen logslogsaspen aspen aspen logs logs charred cedar planks charred cedar charred charred planks cedar cedar planks planks fireweed fireweed fireweed fireweed horsetail horsetail horsetail horsetail
Edible Edible Berry Edible Edible Berry Fence Berry Fence BerryFence Fence
Fish Fish trap trap Fish Fish climbing climbing trap trapclimbing climbing structure structure structure structure
Snow Sn
bentbent spruce spruce bent bent spruce spruce low low bushbush cranberry low cranberry low bush bush cranberry cranberry
open open open open connected connected connected connected dynamic dynamic dynamic dynamic
EXTERIOR EXTERIOR EXTERIOR EXTERIOR
28
blueberry blueberry blueberryblueberry leather leather ties ties leather leather tiesties
ARCHITECTURE
oined dovetail-joined s aspen logs 2x4 stilts
Thermal Threshold
GROUND GROUND
WALL WALL SYSTEMS SYSTEMS
HeatedHeated hopscotch hopscotch hearth hearth
Buried Buried earth wall earth wall
concrete chimney concrete chimney hollow hollow concrete blocks concrete blocks
ngmetal siding
insulated lowinsulated e window low e window wood window wood frame window frame
concrete blocks concrete blocks concrete floor concrete slab floor slab with radiantwith floorradiant systemfloor system
active layer active layer 4" thick concrete 4" thick retaining concrete wall retaining wall 8" thick reinforcd 8" thick reinforcd rammed earth rammed bricks earth bricks reinforced concrete reinforced footing concrete footing
Amphitheatre Amphitheatre scramble scramble
Double-insulated Double-insulated arc�c wall arc�c wall
concrete stairs concrete stairs
s aspen logs
edar charred plankscedar planks
ce bent spruce
earth
gypsum wallgypsum board wall board
earth
structural sheathing structural sheathing concrete floor concrete slab floor slab with radiantwith floorradiant systemfloor system
exterior membrane exterior membrane rigid foam board rigid foam board charred cedar charred plankscedar planks reinforced concrete reinforced footing concrete footing
Snow play Snow mound play mound
Seasonal Seasonal Firewood Firewood Insula�on Insula�on 3" spruce beams 3" spruce beams
snow
insulated low-e insulated window low-e window 1" spruce shelves 1" spruce shelves
snow
firewood
firewood
es leather ties earth moundearth mound
concrete floor concrete slab floor slab
29
ARCHITECTURE
30
Thermal Threshold
ARCHITECTURE
Thermal Threshold
31
ARCHITECTURE
32
Thermal Threshold
ARCHITECTURE
Thermal Threshold
33
ARCHITECTURE
34
Thermal Threshold
BALTIMORE PUBLIC LIBRARY ARCHITECTURE
ARCHITECTURE
ERUTCETIHCRA
34
Thermal Threshold
BALTIMORE PUBLIC LIBRARY YEAR LOCATION AREA PROGRAM INSTRUCTOR
2017 Baltimore, Maryland 29,000 ft2 Auditorium, Stacks, Discossion, Classroom, Exhibition, Reading Carrel, Offices Jeana Ripple
35
LIBRARY
/ˈlīˌbrerē,ˈlīb(ə)rē/ noun noun: library; plural noun: libraries Definition: A building or room containing collections of books, periodicals, and sometimes films and recorded music for people to read, borrow, or refer to.
Nowadays, the library has multiple functions. The library itself is not only a space to store books, but it also provides many resources for people. Individuals can use the space to read, do research, and to use other technologies to find information. However, because the Internet is accessible from the home, all the traditional functions of the library have become irrelevant. New definition of Library: A public space serves as an idea sharing center, which provides public lecture, conversations, and inspirations. 36
ARCHITECTURE
Baltimore Public Library
37
ARCHITECTURE
Baltimore Public Library
Location
Double-height Ground Floor
Double Heigts
3 Entrances
Entrances
38
Intersection
Intersection
Circulations
Circulation
Auditorium room engages the neighborhood
Auditorium Room
ARCHITECTURE
Baltimore Public Library
39
ARCHITECTURE
40
Baltimore Public Library
Ground Floor
Fourth Floor
Second Floor
Fifth Floor
Third Floor
Roof
ARCHITECTURE
Baltimore Public Library
41
ARCHITECTURE
42
Baltimore Public Library
ARCHITECTURE
Baltimore Public Library
43
ARCHITECTURE
44
Baltimore Public Library
PUBLIC HOUSING IN ART DISTRICT URBAN DESIGN ARCHITECTURE
ARCHITECTURE
Baltimore Public Library
NGISED NABRU ERUTCETIHCRA
URBAN DESIGN ARCHITECTURE
44
PUBLIC HOUSING IN ART DISTRICT YEAR LOCATION AREA PROGRAM URBAN DESIGN HOUSING INSTRUCTOR
2016 Charlottesville, Virginia 440,000 ft2 Residential, Public Space Yin-Yu Fong, Nicholas Grimes, Mark Meiklejohn Yin-Yu Fong Esther Lorenz, Inés Maria Martín Robles
45
Charlottesville has a significant arts and cultural scene, both in terms of existing venues for expression and display, as well as potential, with its hilly topography creating a series of natural stages and viewing platforms. With several community-level organizations in place to support the display of public art in and around the city, there is clearly interest in nurturing creative expression. What the city lacks, however, is a coherent city-scale organizational network that unifies its creative capacity. The project aims to extend the walking experience southward, serving as an extension of the downtown pedestrian mall but with a focus on growing the city’s inventory of arts spaces and creating not only an Art District on the micro scale, but leveraging the creativity of its residents to foster a sense of community at the micro scale, with a commitment to increasing access to affordable housing without displacing residents. 46
ARCHITECTURE
Public Housing in Art District
47
ARCHITECTURE
Public Housing in Art District
The decision to daylight the Pollock’s Branch stream alleviates flooding concerns in low-lying areas of the site and further stitches the site to its larger context, adding onto a growing greenway network and offering the residents a more intimate connection to the land by exposing the flows that had been hiding beneath their feet.
48
ARCHITECTURE
Public Housing in Art District
The iteraions we made were trying to develope the massing strategies by following the urban context. The first one is to connect the Downtown Mall from Northwest point of Friendship Court; the second one is to follow the topography; the final one is to extend the size of massing from site context, as well as considering the urban circulations.
49
ARCHITECTURE
50
Public Housing in Art District
ARCHITECTURE
Public Housing in Art District
51
ARCHITECTURE
52
Public Housing in Art District
Green Spaces
Ground Connection
Skylight
Traffic Circulation
ARCHITECTURE
Public Housing in Art District
Ground Floor Plan 53
ARCHITECTURE
Second Floor Plan 54
Public Housing in Art District
PHOTOTROPIC STUDIO ARCHITECTURE
ARCHITECTURE
ERUTCETIHCRA
Second Floor Plan 54
Public Housing in Art District
PHOTOTROPIC STUDIO
YEAR LOCATION AREA PROGRAM INSTRUCTOR
2018 Baltimore, Maryland 21,000 ft2 Office, Studio Ted Jones
55
The project targets to new start-up. The feature for this the building is only two sizes of spaces with shared amenities. The concept is to encourage these startups to share and work together. The site condition is a South-North orientation space, so the tallest massing is on the north, and the shortest one on the south, to allow sunlight for most of the space. The faรงade panel is a dual-function panel. Firstly, it provides more sunlight for rooms; secondly, it is a secondary structure and creates two faรงade faces. The most interesting point is when you see from the north side, it would look like a stone building, but when you look at the building from the south side, it becomes a light glazing building to reduce the visual heaviness. 56
ARCHITECTURE
Phototropic Studio
57
ARCHITECTURE
58
Phototropic Studio
ORIENTATION
CIRCULATION
SUNLIGHT CONDITION
SOLUTION
MATERIALS
MODULE PANEL
S Re i M
as on ry
7"
2'
ARCHITECTURE WEST ELEVATION 1/8”=1’-0”
Materials
Phototropic Studio
Panel Module
7"
Sunlight Condition
11'-3"
1'
1'
2'
3 in
3"
3/4
2'
2 in
3 in 11'-3"
1'
1'
6 in Rei 4" 3"
2'
6"
3"
4" 11'-3"
1'
2'
WINDOW PANEL 1’=1’-0” WINDOW PANEL
2'
1'
3 inch Pre-cast Concrete Module
11'-3"
1'
2'
1'
WINDOW PANEL JOINT 3”
Double Pane Insulated Glazing
3"
3"
3/4 inch Limestone 2 inch Insulation
3 inch Pre-cast Concrete Module Aluminium Frame
3 inch Pre-cast Reinforced Concrete 3/4 inch Limestone Brass Separater 2 inch Insulation 3 inch Pre-cast Reinforced Concrete
1'
6 inch Site Cast Reinforced Concrete6 Floor inch Site Cast
1'
1'
Reinforced Concrete Floor
The combination of concrete floor inch Limestone and the3/4 wall panel create the thickness of Insulation the edge, as well as it 2 inch becomes the function of the 1'beams. 3 inches Concrete Also, the framing system repeats The combination of concrete floor by the size ofwall thepanel wallcreate module, and the the which the dimension is 11’ 3”,asit it thickness of the edge, as well 3/4 inch Limestone becomes the function of the itself beams. not too wide, and the panel is Also, the framing system repeats secondary structure system. by sizeInsulation of the wall module, 1/2the inch
Do
Alu
3/4
Bra
which the dimension is 11’ 3”, it
not too wide, and the panel is The construction process willitself build secondary structure system. the reinforced concrete frame first, and then the will wallbuild Thepre-fabricate construction process reinforced concrete frame first, panels,the and the pre-fabrication will and then pre-fabricate the wall be bolted on and thethe site cast concrete panels, pre-fabrication will floor. be bolted on the site cast concrete floor.
3"
3"
6"
6"
3"
3" 1'
1'
WINDOW PANEL JOINT 3”=1’-0”
FLOOR SLAB AND COLUMN MODULE
WINDOW PANEL JOINT 3”=1’-0” 3/4 inch Limestone 2 inch Insulation 1'
Double Pane 3/8 inch Glass
WINDOW PANEL 1’=1’-0”
Aluminium Frame
3 inches Concrete
3/4Glass inch Limestone Double Pane 3/8 inch 1'
3/4 inch Limestone 1/2 inch Insulation
Aluminium Frame
Brass Separate
3/4 inch Limestone
BALCONY PANEL 1’=1’-0” 3/4 inch Limestone with 45-degree-cut 3 inches Concrete
3/4 inch Limestone with 45-degree-cut 3 inches Concrete
Brass Separate
BALCONY PANEL 1’=1’-0”
59
BALCONY PANEL 1’=1’-0”
4" 11'-3"
1'
WINDOW PANEL 1’=1’-0”
ARCHITECTURE 2'
1'
WINDOW P
Phototropic Studio
Double Pane Insulated Glazing 11'-3"
1'
3/4 inch Limestone 2 inch Insulation 1'
3 inches Concrete
Aluminium Frame
3/4 inch Limestone
Brass Separater
1/2 inch Insulation
2'
1'
3 inch Pre-cast Concrete Module
3"
3/4 inch Limestone 2 inch Insulation 3 inch Pre-cast Reinforced Concrete
1'
6 inch Site Cast Reinforced Concrete Floor
The combination of concrete floor and the wall panel create the thickness of the edge, as well as it becomes the function of the beams. Also, the framing system repeats by the size of the wall module, which the dimension is 11’ 3”, it not too wide, and the panel itself is secondary structure system. The construction process will build the reinforced concrete frame first, and then pre-fabricate the wall panels, and the pre-fabrication will be bolted on the site cast concrete floor.
3"
6"
WINDOW PANEL
WINDOW PANEL 1’=1’-0”
BALCONY P
3"
1'
WINDOW PANEL JOINT 3”=1’-0”
stone Double Pane 3/8 inch Glass
on 1'
crete
stone
Aluminium Frame
3/4 inch Limestone with 45-degree-cut
3/4 inch Limestone
3 inches Concrete
Brass Separate
ation
BALCONY PANEL 60
BALCONY PANEL 1’=1’-0”
DIMITRIS PIKIONIS’S PAVEMENT STUDY LANDSCAPE ARCHITECTURE
4" 11'-3"
1'
WINDOW PANEL 1’=1’-0”
ARCHITECTURE 2'
1'
WINDOW P
Phototropic Studio
Double Pane Insulated Glazing 11'-3"
1'
3/4 inch Limestone 2 inch Insulation 1'
3 inches Concrete
Aluminium Frame
3/4 inch Limestone
Brass Separater
1/2 inch Insulation
2'
1'
3 inch Pre-cast Concrete Module
3"
3/4 inch Limestone 2 inch Insulation 3 inch Pre-cast Reinforced Concrete
1'
6 inch Site Cast Reinforced Concrete Floor
The combination of concrete floor and the wall panel create the thickness of the edge, as well as it becomes the function of the beams. Also, the framing system repeats by the size of the wall module, which the dimension is 11’ 3”, it not too wide, and the panel itself is secondary structure system. The construction process will build the reinforced concrete frame first, and then pre-fabricate the wall panels, and the pre-fabrication will be bolted on the site cast concrete floor.
3"
6"
WINDOW PANEL
WINDOW PANEL 1’=1’-0”
BALCONY P
3"
1'
WINDOW PANEL JOINT 3”=1’-0”
ERUTCETIHCRA EPACSDNA L
stone
on
Double Pane 3/8 inch Glass
1'
crete
stone
Aluminium Frame
3/4 inch Limestone with 45-degree-cut
3/4 inch Limestone
3 inches Concrete
Brass Separate
ation
BALCONY PANEL 60
BALCONY PANEL 1’=1’-0”
DIMITRIS PIKIONIS’S PAVEMENT STUDY YEAR LOCATION PROGRAM INSTRUCTOR
2016 Charlottesville, Virginia Hiking Pavement Leena Cho, Montserrat Bonvehi Rosich
CASE STUDY HYBRIDIZE TRANSLATE SITUATE
Yin-Yu Fong Yin-Yu Fong , Ziyu Wan Yin-Yu Fong , Kirk Gordon, Colin Gilliland, Ziyu Wan Yin-Yu Fong , Kirk Gordon, Colin Gilliland, Ziyu Wan
61
The project started from the idea of a Greek architect Dimitris Pikionis’s pavement in Athens. The landscaping around the Acropolis was executed with absolute respect for the historical landscape and ancient topography. The work is organized into five main architectural “themes”: the beginning and end of the ascent to the Acropolis, and the beginning, middle and end of the walk on Philopappos Hill. We developed the project by four steps: Case Study, Hybridize, Translate, and Situate. The philosophy is the language of material; the color, the pattern, the density, and the gaps in between all represent the quality of material’s language.
62
LANDSCAPE ARCHITECTURE
Dimitris Pikionis’s Pavement Study
63
LANDSCAPE ARCHITECTURE
64
Dimitris Pikionis’s Pavement Study
LANDSCAPE ARCHITECTURE
Dimitris Pikionis’s Pavement Study
65
LANDSCAPE ARCHITECTURE
66
Dimitris Pikionis’s Pavement Study
LANDSCAPE ARCHITECTURE
Dimitris Pikionis’s Pavement Study
67
LANDSCAPE ARCHITECTURE
68
Dimitris Pikionis’s Pavement Study
PROPOSAL OF INTERIOR ARCHITECTURE PROFESSIONAL ARCHITECTURE
LANDSCAPE ARCHITECTURE
LANOISSEFORP ERUTCETIHCRA
68
Dimitris Pikionis’s Pavement Study
PROPOSAL OF INTERIOR ARCHITECTURE YEAR LOCATION AREA PROGRAM
2014 Taipei, Taiwan 232 m2 Resedential
69
The first proposal is specific to newlyweds living with their parents: There are two independent suites with built-in bathrooms on the second floor. This option offers a sense of family living as well as privacy. The rooms are spacious and suitable for preparing for a newborn. On the first floor, both the dining room and the kitchen are next to floor length windows and are situated to face the back garden. When friends drop by the house, the host can allow the children to play in the open space of the garden while keeping an eye on them. Additionally, behind the living room on the first floor, there is an independent study room where one may read in peace. In the basement, there is not only a garage and a storage/laundry room, but also a space for reading. The basement’s lack of sunlight and great sound insulation also ensures that it’s good for audio and visual entertainment.
The second proposal is specific for three-generation families with hired help: The children’s bedroom is on the second floor, in which, depending on the number of children, there would be a single bed or a bunk bed. When the children are older, they could make use of the grandparent’s room. On the first floor, retired grandparents can spend their leisurely hours in the living room, reading newspapers while watching the children play in the garden through the floor length window. The open space behind the kitchen offers hired help space to rest and dine. In the basement, there is not only a garage and a storage/laundry room, but also a space for reading. The basement’s lack of sunlight and great sound insulation also ensures that it’s good for audio and visual entertainment. To ensure privacy, there is an independent room for the hired help to ensure privacy.
70
ARCHITECTURE
Proposal of Interior Architecture
THREE-GENERATION FAMILIES WITH HIRED HELP
FUNCTION SECTION
FUNCTION SECTIONSECTION FUNCTION FUNCTION SECTION
BASEMENT PLAN
BASEMENT PLANPLAN BASEMENT BASEMENT PLAN
FIRST FLOOR PLAN
FIRSTFIRST FLOOR PLAN FLOOR PLAN FIRST FLOOR PLAN
SECOND FLOOR
SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN
71
ARCHITECTURE
Proposal of Interior Architecture
NEWLYWEDS LIVING WITH PARENTS
FUNCTION SECTION
FUNCTION SECTION FUNCTION SECTION FUNCTION SECTION
BASEMENT PLAN
BASEMENT PLAN BASEMENT BASEMENT PLANPLAN
72
FIRST FLOOR PLAN
FIRST FLOOR PLAN FLOOR PLAN FIRSTFIRST FLOOR PLAN
SECOND FLOOR
SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN
HEART SUTRA PROFESSIONAL STAGE DESIGN
ARCHITECTURE
Proposal of Interior Architecture
NEWLYWEDS LIVING WITH PARENTS
FUNCTION SECTION
FUNCTION SECTION FUNCTION SECTION FUNCTION SECTION
LANOISSEFORP NGISED EGATS BASEMENT PLAN
BASEMENT PLAN BASEMENT BASEMENT PLANPLAN
72
FIRST FLOOR PLAN
FIRST FLOOR PLAN FLOOR PLAN FIRSTFIRST FLOOR PLAN
SECOND FLOOR
SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN
HEART SUTRA DATE LOCATION Author Playright Director Stage Design Lighting Design Costume Design
28-30 December, 2007 T305 Experimental Theatre Taipei National University of the Arts Eileen Chang Wei-Yuan Ma Wei-Yuan Ma Yin-Yu Fong Xin-Ping Huang Chih-Chi Fong
73
STAGE DESIGN
74
Heart Sutra
STAGE DESIGN
Heart Sutra
75
STAGE DESIGN
Heart Sutra
Heart Sutra, by Eileen Chang, depicts a story about incest. The story follows a father and daughter’s dubious feelings for one another and the changes in these feelings, which were the evils that would corrode the family over a period of ten years. Eileen Chang’s words are delicate and never directly expose the relationship. The director disengaged the mother, whose role was an observer, and placed her in and out of the script. She is portrayed as confused, helpless, oppressed, and near collapse when facing the relationship between the two greatest loves of her life. 76
FOREPLAY, OR, THE ART OF THE FUGUE PROFESSIONAL STAGE DESIGN
LANOISSEFORP NGISED EGATS
Heart Sutra, by Eileen Chang, depicts a story about incest. The story follows a father and daughter’s dubious feelings for one another and the changes in these feelings, which were the evils that would corrode the family over a period of ten years. Eileen Chang’s words are delicate and never directly expose the relationship. The director disengaged the mother, whose role was an observer, and placed her in and out of the script. She is portrayed as confused, helpless, oppressed, and near collapse when facing the relationship between the two greatest loves of her life. 76
FOREPLAY, OR, THE ART OF THE FUGUE DATE LOCATION
Author Playright Director Stage Design Lighting Design Costume Design
21-30 March, 2008 Experimental Theatre The Performing Arts Center Taipei National University of the Arts David Ives Xiao-Jie Chen Xiao-Jie Chen Yin-Yu Fong Yi-Tai Zhong Hui-Qing Yang
77
STAGE DESIGN
78
Foreplay, or, The Art of The Fugue
STAGE DESIGN
Foreplay, or, The Art of The Fugue
79
STAGE DESIGN
Foreplay, or, The Art of The Fugue
Chuck, a young man with a Don Juan reputation, brings his date to play a round of miniature golf and to seduce her. He philosophizes and jokes, slipping in as much sexual innuendo as he can. When they move to the second hole, a slightly older Chuck II appears with another date. His technique more slick, but his date is suspicious of him. Both couples continue their conversations and games, the dialogue comically interwoven. Finally a third Chuck, now in his late thirties, arrives with a young date. He is somewhat rumpled, tired and things are not going well for him. His latest date doesn’t get his jokes and, worse, she is beating him at golf. 80
ECHO ECHO XUE CANTEEN PROFESSIONAL MURAL
STAGE DESIGN
Foreplay, or, The Art of The Fugue
LANOISSEFORP LARUM Chuck, a young man with a Don Juan reputation, brings his date to play a round of miniature golf and to seduce her. He philosophizes and jokes, slipping in as much sexual innuendo as he can. When they move to the second hole, a slightly older Chuck II appears with another date. His technique more slick, but his date is suspicious of him. Both couples continue their conversations and games, the dialogue comically interwoven. Finally a third Chuck, now in his late thirties, arrives with a young date. He is somewhat rumpled, tired and things are not going well for him. His latest date doesn’t get his jokes and, worse, she is beating him at golf. 80
ECHO ECHO XUE CANTEEN YEAR LOCATION DESIGN PAINTING ASSISTANT (Tainan Month) (Yunlin Month) (Tapei Month) (Hsinchu Month)
2010-2012 Taipei, Taiwan Yin-Yu Fong Yin-Yu Fong Shi-Cheng Yang, Chun-An Hsieh Xiao-Jue Chen, Zhi-Rui Xu Shi-Cheng Yang, Chun-An Hsieh Jiao-Hua Bao
81
Echo Echo Xue — a restaurant at the Xue Xue Institute — advocates food as a path that leads to culture. Echo Echo Xue is themed around various townships in Taiwan and is dedicated to introducing local ingredients as well as different cultural backgrounds. The menu is renewed every two to three months. The Show-Off Mural — a mural in Echo Echo Xue that is themed around the various characteristics of different areas in Taiwan. The mural, constantly renewed by different artists and designers, is the main visual attraction of the restaurant.
82
MURAL DESIGN
Echo Echo Xue Canteen
Tainan Month Tainan is the most historical city in Taiwan. During the era of Dutch colonial rule, Tainan began to flourish due to the street planning around Fort Provintia. Presently, Tainan is the prime spot for many different authentically Taiwanese snacks. In my design, I used a circle to represent the beauty of the Mean (Zhongyong). With Fort Provintia as the center of the circle, I used prints to depict the historical city of Tainan. The scattered and close arrangements of prints correspond with the imagery of the actual streets and blocks. The red of the background was inspired by the Confucius Temple; the overall visual effect aptly represents Tainan as a city of history and of delectable food.
83
MURAL DESIGN
84
Echo Echo Xue Canteen
MURAL DESIGN
Echo Echo Xue Canteen
85
MURAL DESIGN
Echo Echo Xue Canteen
Yunlin Month Yunlin is the main agricultural area in Taiwan and contains the Zhuoshui River which is Taiwan’s lifeline of agricultural development. The culture of Taiwanese glove puppetry is closely tied with Yunlin. Glove puppetry often employs vibrant colors to attract the audiences. Therefore, in my design I used fuchsia, a color commonly used in puppetry, to depict the Zhuoshui River. The fuchsia-colored river echos with the railroad and travels across patches of greenness on the mural.
86
MURAL DESIGN
Echo Echo Xue Canteen
87
MURAL DESIGN
Echo Echo Xue Canteen
Taipei Month Taipei, the capital of Taiwan, is a city that never sleeps. It is also a city that blends old architecture and new buildings. In the alleys and lanes behind newer and taller buildings, one can always find old apartment buildings. The white dots on the mural are painted with a neon paint that absorbs natural light in the day. As day progresses into night and as natural light dims, the white dots begin to glow, forming a mural full of neon dots.
88
MURAL DESIGN
Echo Echo Xue Canteen
89
MURAL DESIGN
Echo Echo Xue Canteen
Kaosiung Month Kaohsiung is the main harbor city in southern Taiwan. Metal, shipbuilding, and harbor-related production are its main industries. The city’s geographical location, south of the Tropic of Cancer, ensures an abundance in sunshine as well as a rich blueness in the sea. The sunset, as seen from Sizihwan, is the city’s most beautiful scenery. In my design, I used rectangular color blocks to represent Kaohsiung’s famed industries.
90
MURAL DESIGN
Echo Echo Xue Canteen
91
MURAL DESIGN
92
Echo Echo Xue Canteen
MURAL DESIGN
Echo Echo Xue Canteen
93
MURAL DESIGN
Echo Echo Xue Canteen
Hsinchu Month Hsinchu is one of the main Hakka settlements in Taiwan. Floral fabric, a traditional printed fabric, is an essential element of the Hakka culture. These floral fabrics are characterized by an abundance in vivid colors. The idea of my design was to represent this fabric in mosaics to enrich the sense of space. Sitting close to the mural, one is surrounded by colorful geometrical shapes; seeing it from afar, one sees the clear silhouette of the Hakka floral fabric print. 94
TAIPEI DAD, NEW YORK MOM PROFESSIONAL ART DIRECTION
MURAL DESIGN
Echo Echo Xue Canteen
LANOISSEFORP NOITCERID TRA
Hsinchu Month Hsinchu is one of the main Hakka settlements in Taiwan. Floral fabric, a traditional printed fabric, is an essential element of the Hakka culture. These floral fabrics are characterized by an abundance in vivid colors. The idea of my design was to represent this fabric in mosaics to enrich the sense of space. Sitting close to the mural, one is surrounded by colorful geometrical shapes; seeing it from afar, one sees the clear silhouette of the Hakka floral fabric print. 94
TAIPEI DAD, NEW YORK MOM YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE
2011 Taipei, Taiwan Yin-Yu Fong Baboo Liao Eiki Mori Mr. Wing Theatre Company
95
ART DIRECTION
96
Taipei Dad, New York Mom
ART DIRECTION
Taipei Dad, New York Mom
97
ART DIRECTION
Taipei Dad, New York Mom
‘Escape’ and ‘death’ are amongst the two most devastating experiences in the author’s life. He lived in an era in which gay rights were not valued, nor was being gay accepted. These conditions painted his experiences an even darker gray. In my design, I restored the background to resemble that time. The vehicle being forcefully towed away symbolizes a home as well as the conditions that forced them to flee. The family’s imported vehicle, once a symbol of wealth, became their only place of residence; an item that was once the cause of envy was reduced to a means of escape.
98
SHOW ON APP PROFESSIONAL ART DIRECTION
ART DIRECTION
LANOISSEFORP NOITCERID TRA
98
Taipei Dad, New York Mom
‘Escape’ and ‘death’ are amongst the two most devastating experiences in the author’s life. He lived in an era in which gay rights were not valued, nor was being gay accepted. These conditions painted his experiences an even darker gray. In my design, I restored the background to resemble that time. The vehicle being forcefully towed away symbolizes a home as well as the conditions that forced them to flee. The family’s imported vehicle, once a symbol of wealth, became their only place of residence; an item that was once the cause of envy was reduced to a means of escape.
SHOW ON APP
YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE
2012 Taipei, Taiwan Yin-Yu Fong Baboo Liao Zhi-Peng Lin Shakespeare’s Wild Sisters Group
99
ART DIRECTION
100
Show On APP
ART DIRECTION
Show On APP
101
ART DIRECTION
Show On APP
On the surface, to consume is to purchase merchandise. People shop and consume to satisfy their daily needs and empty hearts. However, they do not just consume objects. They also consume themselves and are, simultaneously, consumed by others. People are objectified, celebrities are gossiped about, and objects are consumed — all this to satisfy a modern person’s hollow life. I fill up space with large amounts of merchandise — humans being one of the objects — for my design’s visual language. The old and new are translated as the old-fashioned and trendy. Through the idea of “one can buy a plant or hang up a poster of forest to satisfy one’s longing for nature,” the void which consumerism wishes to fill is expressed.
102
ABSENTE: RENDEZVOUS AVEC SOPHIE CALLE PROFESSIONAL ART DIRECTION
ART DIRECTION
LANOISSEFORP NOITCERID TRA
102
Show On APP
On the surface, to consume is to purchase merchandise. People shop and consume to satisfy their daily needs and empty hearts. However, they do not just consume objects. They also consume themselves and are, simultaneously, consumed by others. People are objectified, celebrities are gossiped about, and objects are consumed — all this to satisfy a modern person’s hollow life. I fill up space with large amounts of merchandise — humans being one of the objects — for my design’s visual language. The old and new are translated as the old-fashioned and trendy. Through the idea of “one can buy a plant or hang up a poster of forest to satisfy one’s longing for nature,” the void which consumerism wishes to fill is expressed.
ABSENTE: RENDEZVOUS AVEC SOPHIE CALLE YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE
2013 Taipei, Taiwan Yin-Yu Fong + Shauba Chang Baboo Liao Eiki Mori Shakespeare’s Wild Sisters Group
103
ART DIRECTION
104
Absente: Rendez-Vous Avec Sophie Calle
ART DIRECTION
Absente: Rendez-Vous Avec Sophie Calle
105
ART DIRECTION
Absente: Rendez-Vous Avec Sophie Calle
In Sophie Calle’s works, facts blend with fiction. When applied in different scenes, factual and fictional elements seem distanced from reality, although not too far away. In the work, there is a circulating conversation between words and photography that articulates a rational yet poetic aesthetic. Visually, the abstract concepts of ‘absent existence’ and ‘circulation’ are essential.
About “Absente Rendez-Vous Avec Sophie Calle” In French contemporary artist Sophie Calle’s work Exquisite Pain, she exhibits evidence of the pains she experienced due to separation. She also collected the painful experiences of others and responded to them with her own words and photography. As the story circulates, inch by inch her pain is erased away and the artist gradually becomes placid and objective. This act of convalescence and its back-and-forth movement became the main idea with which Absente: Rendez-Vous Avec Sophie Calle was created. The director wishes to converse with the artist and interpret her words.
106
BUTTERFLY GLASSES PROFESSIONAL PRODUCT DESIGN
ART DIRECTION
Absente: Rendez-Vous Avec Sophie Calle
In Sophie Calle’s works, facts blend with fiction. When applied in different scenes, factual and fictional elements seem distanced from reality, although not too far away. In the work, there is a circulating conversation between words and photography that articulates a rational yet poetic aesthetic. Visually, the abstract concepts of ‘absent existence’ and ‘circulation’ are essential.
About “Absente Rendez-Vous Avec Sophie Calle”
LANOISSEFORP NGISED TCUDORP
106
In French contemporary artist Sophie Calle’s work Exquisite Pain, she exhibits evidence of the pains she experienced due to separation. She also collected the painful experiences of others and responded to them with her own words and photography. As the story circulates, inch by inch her pain is erased away and the artist gradually becomes placid and objective. This act of convalescence and its back-and-forth movement became the main idea with which Absente: Rendez-Vous Avec Sophie Calle was created. The director wishes to converse with the artist and interpret her words.
BUTTERFLY GLASSES YEAR LOCATION BRAND
2012-2013 Taipei, Taiwan Xue Xue Colors
107
PRODUCT DESIGN
108
Butterfly Glasses
PRODUCT DESIGN
Butterfly Glasses
Vanessa Indica It is Called the Asian Admiral in the United States and the Indian Red Admiral elsewhere, is a butterfly found in the higher altitude regions of India.
109
PRODUCT DESIGN
110
Butterfly Glasses
PRODUCT DESIGN
Butterfly Glasses
Junonia Lemonias Aenaria The lemon pansy, is a common nymphalid butterfly found in South Asia. It is found in gardens, fallow land, and open wooded areas.
111
PRODUCT DESIGN
112
Butterfly Glasses
PRODUCT DESIGN
Butterfly Glasses
Acraea Issoria Formosana The Yellow Coster is a small, leathery-winged butterfly.
113
PRODUCT DESIGN
114
Butterfly Glasses
PRODUCT DESIGN
Butterfly Glasses
Stichophthalma Howqua Formosana Stichophthalma howqua is a species of butterfly in genus Stichophthalma. It was described by Westwood in 1851, and can be found in Asia. 115
PRODUCT DESIGN
116
Butterfly Glasses
PRODUCT DESIGN
Butterfly Glasses
117
PRODUCT DESIGN
Butterfly Glasses
Wish to learn from nature and draw inspiration from the colorful species of Taiwan. I designed 4 types of optical glasses and 2 types of sun glasses which were inspired from native butterflies of Taiwan.
118
YINYU FONG P O R T F O L I O
YIN-YU FONG