Portfolio 2007-2019 by Yin-Yu

YINYU FONG PORTFOLIO

2007 â&#x20AC;&#x201C; 2019

YIN-YU FONG

STAGE ⁄ ARCHITECTURE ⁄ URBAN DESIGN yinyufong.com

yinyufong.usa@gmail.com

+1 (434) 227-9923

2007 â&#x20AC;&#x201C; 2019

CONTENTS

SCHOOL PROJECTS Training and Accommodation Center Collective Ground Thermal Threshold Baltimore Public Library Public Housing in Art District Hybrid Port Lands Phototropic Studio Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

01-18 19-34 35-52 53-62 63-72 73-86 87-92 93-100

PROFESSIONAL PROJECTS Proposal of Interior Architecture Heart Sutra Foreplay, or, The Art of The Fugue Echo Echo Xue Canteen Taipei Dad, New York Mom Show On APP Absente: Rendez-Vous Avec Sophie Calle Butterfly Glasses

101-104 105-108 109-112 113-126 127-130 131-134 135-138 139-150

TRAINING AND ACCOMMODATION CENTER ARCHITECTURE

ERUTCETIHCRA

TRAINING AND ACCOMMODATION CENTER

YEAR LOCATION AREA PROGRAM

INSTRUCTOR

2019 Santa Monica, Los Angeles 20,275 m2 Training Center, Healthcare Center, Accommodation, Exhibition Venue, Ballroom/Prayroom, CafÃ©, Pop-up shop Luis Pancorbo

Los Angeles is a city where having serious nature catastrophes such as wildfire, earthquake, flood, and mudslides. The natural catastrophe always hurts human life; however, the human itself is also the catastrophe. Homeless and gang are two big social issues in Los Angeles. It is the relationship of economic, cultural, and social connections. Because the living expenses are getting higher and higher, the average year of homeless tends to be younger; some of the young people do not have money to go higher education, so they would not have the better job. Due to the races and territory, gangs are still growing in different areas. The gang causes safety problems spreading in the city. A lot of News tells about the gunshots and the drug dealing of gangs. In order to keep their business and interests, they have to have more people engaging. So, these young people start to do these criminal things to make money. A Mexican pop music band, CafĂŠ Tacvba, has one famous song called â&#x20AC;&#x153;La Ingrataâ&#x20AC;?. The lyric describes a couple broke up, and the man is suffering, so he is going to hurt her by the bullets and staying with her at the funeral. The melody and tempo are happy, in contrast, the lyric is full of hates. It seems a real scene in Los Angeles that hates are covered by the entertaining atmosphere, and it is the analogy of social issues. To sum up the situation, violence is a serious catastrophe in Los Angeles. To deal with the social issues and to help the health of the megacity, the project creates a system to train and help people; the concept is to provide the resources to bridge homeless and gang to the real society. 02

ARCHITECTURE

Training and Accommodation Center

The C Ange the N

Gang in Lo

ARCHITECTURE

Training and Accommodation Center

County and City of Los The County and City of Los eles are the are “Gang Capital” Angeles the “Gang Capital”of of Nation.the Nation. - LAPD - LAPD The County and City of Los Angeles are the “Gang Capital” of the Nation. - LAPD

Tele TheThe Telegraph

Los Angeles 'compete to sho Los gangs Angeles gangs '

The Telegraph

Los Angeles gangs 'compete to sho

Gang borders create invisible walls in Los Angeles. Police in Los Angeles are on alert amid threats that two gangs are competing to be the first to shoot 100 people during what they have called “100 days of homicides”.

The boundaries that mark gang territory are invisible but are known to people who live in those communities, because going to the wrong gas station or shopping mall could mean life or death. The boundaries that mark gang territory The boundaries that are invisible but are that The boundaries knowngang to people mark territory mark gang territory who live in those are invisiblebecause but are are are invisible but communities, known to people going toto thepeople wrong gas known station or in shopping who live those who those malllive couldin mean life communities, because or death. communities, because

g borders create invisible walls Gang borders create invisible walls os Angeles. in Los Angeles.

going going to to the the wrong wrong gas gas station or shopping station or shopping mall mall could could mean mean life life or death. or death.

Alleged gang members have been fuelling calls for violence on social media by posting pictures of guns and insignia under the label #100daysand100nights.

According to unverified p on social media the violen sparked by the murder of of the Rollin 100s Crips.

One post read: “Word is t made a bet to see who can 100 kills first, and the othe they’re going to be shooti 100 days straight. Be caref they don’t care who they

It follows a series of shootings over Police are taking the threa the weekend in the city’s 77th Street seriously and have sent m Police in Los Angeles alert Police in Los Angeles alert According to unverified Police ininon Los Angeles are on alert p Division, scene of riotsare 1992 after to theare area.on amid threats that two gangs arethat two on social mediaare the violen the police beating of black motorist amid threats gangs threats that gangs competing toamid be the first to shoot 100 two sparked byheld theare of Rodney King. Residents amurder peace100 ral be first to people duringcompeting what they haveto of the Rollin 100s competing tocalled be the the first to shoot shoot 100 Monday night andCrips. called “100 days of homicides”. people during what they have called At the weekend one man was killed people during whatOne they have called “Word is t following an “100 argument at aof gang One post man read: told the crowd: days homicides”. “100 days of homicides”. Alleged gang members been made a betstreets. to see who cann member’s funeral and 12have people, owns any So it’s fuelling calls for violence on social 100 kills first, and the Ano othe including a four-year-old boy, were turf gang members.” media picturesgang of they’re going tobeen betoshooti injuredby byposting gunfire. described having leave Alleged members have Alleged gang been guns and insignia under the labelmembers 100 dayshave straight. Be caref fuelling calls calls for for violence violence on social #100daysand100nights. they don’t on care social who they fuelling

media by posting pictures of

media by posting of the threa It follows a series of shootings over pictures Police are taking guns and77th insignia under the labelsent m and insignia label the weekend guns in the city’s Street under seriouslythe and have Division, scene of riots in 1992 after to the area. #100daysand100nights. #100daysand100nights. the police beating of black motorist Rodney King. Residents held a peace ral It shootings Monday night andover called It follows follows aa series series of of shootings over At the weekend one man was killed the weekend in the city’s 77th Street weekend city’s 77th following an the argument at a gangin theOne man told theStreet crowd: Division, scene riots in 1992 Division, scene of of owns riotsany instreets. 1992 after after member’s funeral and 12 people, So it’s n including a four-year-old boy, were of turfblack gang members.” Ano the police beating motorist the police beating of black motorist injured by gunfire. described having to leave Rodney King. Rodney King.

At the the weekend weekend one one man man was was killed killed At following an an argument argument at at aa gang gang CAFE following member’s funeral funeral and and 12 12 people, people, member’s including aa four-year-old four-year-old boy, boy, were were including injured injured by by gunfire. gunfire.

POP

SHOP

ARCHITECTURE

Training and Accommodation Center

PRAY ROOM

TRAINING D AY LAUNDRY L I V I N G CLASSROOM GATHERING CARE KITCHEN S T U DY CLASSROOM AUDITORIUM NEGOTIATION ADMINITRATION PSYCHOLOGICAL BRIDGE STORAGE EXHIBITION LIBRARY THERAPY B A R OFFICE PERFORMANCE LECTURE CLINIC FOOD

FABRICATION

URBAN MARKET

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Ground Floor Plan

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

Second Floor Plan

Fourth Floor Plan

Third Floor and Roof Garden Plan

Fifth Floor and Roof Plan

ARCHITECTURE

Training and Accommodation Center

Contructive Section

Slab and Column Joint

Accesible Slope

Bubble Con

ncrete Slab

ARCHITECTURE

Training and Accommodation Center

Roof Garden

On-site Cast Foundation

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

I. Site Preparation / Excavation

IV. On-site Cast Bubble Slab

II. Foundation and Core Structure

V. Curtain Wall Installation

III. Round Metal Column Installation

VI. Curve Glass Installation 13

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

ARCHITECTURE

Training and Accommodation Center

ACCOMMODATION /əˌkäməˈdāSH(ə)n/ noun Definition: 1. (British) A room, group of rooms, or building in which someone may live or stay. 2. (North American) - Lodging; room and board. - The available space for occupants in a building, vehicle, or vessel. - The provision of a room or lodging. 3. A convenient arrangement; a settlement or compromise. 4. The process of adapting or adjusting to someone or something.

ARCHITECTURE

Training and Accommodation Center

COLLECTIVE GROUND ARCHITECTURE

ARCHITECTURE

ERUTCETIHCRA

Training and Accommodation Center

COLLECTIVE GROUND YEAR LOCATION AREA PROGRAM

TEAM INSTRUCTOR CO-TEACH

2018 Broadway Junction, New York City 50,000 m2 Human Resources Administraton Museum Collection Municipal Archive Yin-Yu Fong, Anna Morrison, Zazu Swistel Seth McDowell SHoP | Gregg Pasquarelli, Andrew Daley

This project responds to the tension at Broadway Junction between the livelihood of its activity and the disorganization of its material presence. It traces an ecology of the neighborhood and seeks to expose, curate, and clarify the relationships that exist. By introducing the HRA program to the neighborhood, the project forms a public hub, drawing employees and other publics to the site. A park and a museum exhibition and collection program extend the public resources and extend qualities of the site -- its spontaneous vegetation and the material production of the industrial zone. The building is almost entirely sunken underground to maximize open space and highlight the elevated train infrastructure above, suggesting a new agenda for development alongside aging infrastructure. 20

ARCHITECTURE

Collective Ground

Broadway Junction is a New York City Subway station complex shared by the elevated BMT Canarsie Line and BMT Jamaica Line, and the underground IND Fulton Street Line. The structure of the elevated station still contains the ironwork for the trackways used by the old Fulton Elevated. The station has a single exit and entrance through a fare control building located at the eastern end of the Fulton Street Line station.

ARCHITECTURE

Collective Ground

ARCHITECTURE

Collective Ground

This metabolic position on the city extends to the program of the building, where the history and activity of the neighborhood are reframed. The neighborhood consists of a thriving IBZ employment center and the edges of low income residential areas.

The massive metro structure contains the industrial history of New York City, as well as occupys many ground spaces. Therefore, keep and emphasize the structure is the vision of the project. In order to decrease the safty concern and have more new developement around this area, the strategy is to sell FAR to developer to create a park and public space for the neighborhood.

ARCHITECTURE

Collective Ground

ARCHITECTURE

Collective Ground

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Collective Ground

SHADY

PARTIAL SHADY

SUNNY 26

ARCHITECTURE

Collective Ground

B1 Floor

B2 Floor

B3 Floor

B4 Floor

ARCHITECTURE

Collective Ground

ARCHITECTURE

Collective Ground

Atlantic Avenue

ARCHITECTURE

Collective Ground

ARCHITECTURE

Collective Ground

Broadway Junction

ARCHITECTURE

Collective Ground

ARCHITECTURE

Collective Ground

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Collective Ground

THERMAL THRESHOLD ARCHITECTURE

ARCHITECTURE

ERUTCETIHCRA

Collective Ground

THERMAL THRESHOLD YEAR LOCATION AREA PROGRAM TEAM INSTRUCTOR AWARD

2017 Minto, Alaska 50,000 ft2 School: Gym, Library, Classrooms, Playground Yin-Yu Fong, Anna Morrison, Katie Kelly Matthew Jull ASLA Honor Award (Student Collaboration) AZURE A+ Finalist

This project creates a new school and learning landscape for Minto, a 250-person Athabascan community in interior Alaska. By using seasonally dynamic landscape and architectural strategies, the design challenges the conventional building threshold used in Arctic climates and connects native Alaskan children to their surrounding environment. The design considers the extreme climate as a programmatic opportunity, creating play and learning spaces out of thoughtful spatial layers. The collaboration between landscape architecture and architecture students allowed this principle to manifest in the design of plantings, play structures, topography and ground manipulations, as well as wall sections and building design, generating new relationships between building and landscape. 36

ARCHITECTURE

Thermal Threshold

Barrow

Kutchin Koyukuk Han Tanana Tanacross Upper Tanana Holikachuk Upper Kuskokwim Ingalik Tanaina Ahtna

Minto Shishmaref

Shish

Minto

Minto 34%

Kutchin Koyukuk Han Tanana Tanacross Upper Tanana Holikachuk Upper Kuskokwim Ingalik Tanaina Ahtna

Kutchin KutchinKutchin Koyukuk Koyukuk Koyukuk Shishmaref Han Han Han Tanana TananaTanana Tanacross Tanacross Tanacross Upper Tanana Upper Tanana Upper Tanana Holikachuk Holikachuk Holikachuk Upper Kuskokwim Upper Kuskokwim Upper Kuskokwim Ingalik Ingalik Ingalik Tanaina TanainaTanaina Ahtna Ahtna Ahtna

39% 34% 34%

39%

258 39% 39%

258

92% / 7.5% / 0.5%

Yukon-Koyukuk (Minto) 92% / 7.5% /92% 0.5%/ 92% 7.5%//7.5% 0.5%/ 0.5%

Yukon-Koyukuk Yukon-Koyukuk Yukon-Koyukuk (Minto) (Minto) (Minto) 15% 15%

40% 52% 52%

40%

562 40% 40%

562

93% / 5% / 2%

Nome (Shishmaref) 93% / 5% / 2% 93% / 93% 5% //2% 5% / 2%

Nome NomeNome (Shishmaref)(Shishmaref) (Shishmaref) 9% 9%

North Slope

North SlopeNorthNorth Slope Slope (Barrow) 13%(Barrow) (Barrow) 13%

MintoMinto 34%

Shishmaref Shishmaref Shishmaref 52%

52%

Athabascan Culture

Barrow

Barrow 56%

Barrow Barrow 56%

28% 56% 56%

28%

4,21228%

The Athabascan people of the lower Tanana once lived a namadic lifestyle, migra�ng the Minto Flats along with 28% 4,212 4,212 61% / 16% / 8% 4,212 the seasons, hun�ng various games and gathering berries. % 2+

Alaska

Alaska 42%

42%

25%

741,834 25% 25%

741,834

% native alaskan

% native alaskan % native % alaskan native alaskan

741,834 741,834

8.9% community/social service 11% production 14% management

Yukon-Koyukuk (Minto) 78%15%

Caucasian 15%

Caucasian 78%

78%

Nome Native Alaskan Nome (Shishmaref) (Shishmaref) 9%

Nome (Shishmaref) 57%9%

Native Alaskan Native Alaskan 9%

57%

57% graduation rate

9.4% personal care

10.1% management 10.1% management

10.1% management

Caucasian

North Slope 13%

5.9% construction5.9% construction 8.2% management 8.2% management

10% transportation 25% administrative

Caucasian Barrow 41%

41%

w/ akeup Diabetes Racial Makeup

th re

2.4% janitor

Culture

percentage oyukuk There region of is aofgreater percentage of astofpercentage childeren Alaska. Forinof athe state of Alaska. For a apeople) ype town II diabetes this of its is asize in (258 people) this is a n. aging thesigniﬁcant popula�on. outdoor percent of the popula�on. t diabetes and

Native Alaskan Native Alaskan

Alaska 7%10%

10%

Fourth% Grade Reading % Population w/ Population Diabetes w/Proficiency Diabetes % Population w/ Diabetes

Health Educa�on Health

Health

In 2016, the A Yukon-Koyukuk complicated In 2016, the history Yukon-Koyukuk regionof ofracism In 2016, region andtheofYukon-Koyukuk region of Alaska had the colonialism Alaska highesthad percentage has theset highest Na�ve of percentage Alaska Alaskanhadof the highest percentage of the popula�on children the withpopula�on type up to II diabetes dras�cally with type in underperthe II diabetes popula�on in with type II diabetes in the state.form Encouraging the in school. state. outdoor Encouraging A built environment outdoor the state. Encouraging outdoor ac�vity can combat designed ac�vity diabetes can speciﬁcally combat and diabetes for this ac�vity andcan combat diabetes and

Barrow

Minto $32,250

$32,250

Shishmaref $29,375

$29,375

Barrow $76,902

$76,902

$73,355 Alaska

$73,355

2.1% retail 2.3% secretary

2.4% janitor

2.7% misc. manager 2.7% misc. manager

2.7% misc. manager

2.7% teacher 10%

2.1% retail

2.3% secretary 2.3% secretary

2.4% janitor

Alaskan Alaska Native Alaska

Barrow

$76,902 2.1% retail

2.3% secretary

15% / 66% / 7%

Health

8.2% management

10% transportation 10% transportation

2.7% misc. manager

laskan

Health

6.2% sales

25% administrative 25% administrative

2.1% retail

% 2+

Shishmaref

10% transportation

Caucasian

Culture Culture

5.9% construction

6.2% sales

25% administrative

41%

ucasian

Shishmaref

$29,375 6.2% sales

8.2% management

13% 41%(Barrow)

Minto

9.4% personal care 9.4% personal care

6.2% sales

North SlopeCaucasian North Slope (Barrow) (Barrow) 13%

10%

16.5% education16.5% / training education / training 16.5% education / training Native Alaskan Shishmaref 57%

5.9%graduation construction rate graduation rate

graduation rate

Culture

AlaskaAlaska

% Population w/ Diabetes% Population %w/ Popula Diab %P

11.5% cleaning/maintenance 11.5% cleaning/maintenance11.5% cleaning/maintenance 12.2% administrative 12.2% administrative 12.2% administrative

16.5% education / training

/ 7%

Racial Makeup RacialRacial Makeup Makeup

Minto

$32,250

10.1% management

61% / 16% / 8%

Racial Makeup

Alaska 10%

19% education /19% training education / training 19% education / training Caucasian 78%Minto

11.5% cleaning/maintenance 12.2% administrative

/ 8%

15% / 66% / 15% 7% / 15% 66% // 66% 7% / 7%

Culture

9.4% personal care

93% / 5% / 2%

15% / 66% / 7%

There is a greater percentage There of is a greater Therepercentage There is a greater is a greater ofpercentage percentage of of In 2016, the Yukon-KoyukukInregion 2016,ofthe Yukon-Koyukuk In 2016, In the 2016, Yukt childeren in the state of Alaska. childeren For a in the childeren state childeren ofinAlaska. the in state the Forof state a Alaska. of Alaska. For a For Alaska a had the highest percentage Alaska had of the Alaska highest Alaska hadperce the ha town of itsconstruction size (258 people)town this isof aits size town (258 of town people) its size of its (258 this sizeispeople) (258 a people) this is athis isthe a popula�on with type II diabetes the popula�on in thewith popula�on the type popul II dw 8.9% construction 8.9% construction 8.9% significant percent of the popula�on. significant percent significant of significant the percent popula�on. percent of the of popula�on. the popula�on. the state. Encouraging outdoor the state. Encouraging the state. the En ou st 8.9% community/social 8.9% community/social service service 8.9% community/social service ac�vity can combat diabetesac�vity and can combat ac�vityac�vity diabet can c 11% production 11% production 11% production other health issues other health other issues 14% management14% management 14% management

8.9% construction

19% education / training

/ 2%

% 2+ % 2+

Alaska 25% 42% 42%

bascan Athabascan Culture Athabascan Culture Culture

92% / 7.5% / 0.5%

% 2+

% caucasian % caucasian % caucasian

AlaskaAlaska

scan Thepeople Athabascan The Athabascan of thepeople lowerpeople of the of lower the lower Tanana lived aTanana namadic once lived once lifestyle, alived namadic a namadic lifestyle, lifestyle, hemigra�ng Mintomigra�ng Flats thealong Minto thewith Minto Flats along Flats with along with , the hun�ng seasons, the various seasons, hun�ng games hun�ng variousvarious gamesgames gatheringand berries. gathering and gathering berries. berries.

/ 0.5%

61% / 16% / 61% 8% / 61% 16% // 16% 8% / 8% (Barrow)

% caucasian

% of Households with 18 & %under of Households % % of of Population Households with % of 18 Households & under under with 18with & % under of 18 Population & under %Population of under Population % of 18 Population size under under 18 Population 18 size Population Population size size

Yukon-Koyukuk Yukon-Koyukuk (Minto) Caucasian (Minto) 15%

Ala

2.7% teacher

Native Alaskan 7%Alaska

$73,355

Alaska

Fourth Grade Fourth Reading Grade Proficiency Fourth Proficiency Grade Reading Proficiency Five MostReading Common Occupations Five Most Occupations Common Occupations Five Most Common Occupations Median Household IncomeFive Most Common Median Household Median Income Household Income Median Household Income

Educa�on Educa�on

Employment Educa�on

A complicated history A complicated of racism history and ofAracism The complicated most and common historyoccupa�on of racism and in colonialism hascolonialism set Na�ve Alaskan has set Na�ve colonialism Minto Alaskan is in educa�on has set Na�ve and training, Alaskan children up to dras�cally children upunderperto dras�callychildren which underperspeaks up to to dras�cally the importance underperof form in school.form A built in environment school. A built environment form educators in school. in A the built community. environment A designed specifically designed for this specifically disparity for designed this between specifically high cost for this of living

Employment Employment

Employment

The most common The most occupa�on common in occupa�on The most in common occupa�on in Minto is in educa�on Minto is and in educa�on training, andMinto training, is in educa�on and training, which speaks towhich the importance speaks to the of importance which speaks of to the importance of educators in the educators community. in the A community. educators A in the community. A disparity between disparity high cost between of living high cost disparity of living between high cost of living

ARCHITECTURE

Thermal Threshold

TRAIL NETWORK

NEW MIN FOUR CABINS

MINTO FLATS

ARCHITECTURE

Thermal Threshold

ALASKA PIPELINE

ELLIOT HIGHWAY

NTO

FOUR CABINS

FAIRBANKS CACHE GRAVEYARD OLD MINTO

ARCHITECTURE

Thermal Threshold M OV E M E N T

Mobil is sk idoois / Sn ow Mac hin e

I ditar odis c an is f am il iaris / D og Sl eddin g

L e pu s am eric an u s / Sn ow shoe Har e

Em p et r um ni gr um / C r o w b er r y

H ed y sa r um a l p i num / Esk i m o Potatoes Al c es al c es g igas / Al ask an Moose Al c ipen n is c an aden is / Gr ou se

Esox luci us / No r t he r n P i ke

C astor c an aden sis / Bea ver

S U B S I S TA N C E S E A S O N S

H y l o c o m i u m sp l en d en s / S p l en d i d Fea t her M oss P i c ea m a r i a n a / Bl a ck S p r uce P i c ea gl a u c a / W hi te S pr uce Populus tr emuloi des / Quak i ng A spen

SUN HOURS

FA L L

WIN TE R

“Fall was the time to get ready for the winter - the start of another yearly cycle” september

october

“Mid-winter meant a slowing down of activity and a temporary settling down for a few months” november

december

january

february

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Thermal Threshold

Engi nus d i eseli i / Tr uck M aritimu s sputteris / Fishi ng Bo a t

Vehi c u l a a l l - t er r a n i a / A T V

Va cci ni um v i t i s- i d a ea / L ow -bu sh C ran ber r y O ndatra z ibethic u s / M u skrat L a g o p u s l ag o pu s / W i l l ow P t a r m i ga n

A lces a lce s gi ga s / A o ckeye Sa lm o n

Sten odu s n el m a / Sheef ish

Equisetum sylvaticum / Woodland Horsetail Calamagr ostis canadensis / Bluejoint Grass Betula nana / Dwarf Bir ch

S PR I N G

S U M M ER

“A pattern of hunting and trapping subsistence activities by day, often followed by riddle telling at night, continued until just before ice-melt.”

“As summer approached they moved to their fish camps on the small rivers where they fished and hunted water fowl until the fall.”

march

april

may

june

july

august

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Thermal Threshold

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Thermal Threshold

Volumes

Classroom Gym Communal Space Kitchen + Library

Programs

Trail Extension

Fall

Winter

Summer

Spring

Seasonal Play

Classroom Circulation Kitchen

Gym

Thermal Transfer 43

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Thermal Threshold

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INTERIOR INTERIOR INTERIOR INTERIOR

VEGETATIONS VEGETATIONS VEGETATIONS VEGETATIONS

PLAY PLAY STRUCTURES PLAY STRUCTURES PLAYSTRUCTURES STRUCTURES

protected protected protected protected insulated insulated insulated insulated sheltered sheltered sheltered sheltered

Forest Forest classroom Forest Forest classroom classroom classroom

Play Play caches caches Play Playcaches caches

blackblack spruce spruce black black spruce spruce

dovetail-joined dovetail-joined dovetail-joined dovetail-joined aspen logslogsaspen aspen aspen logs logs

Heat He

2x4 2x4 stiltsstilts 2x42x4 stilts stilts metal siding metal siding metal metal siding siding

horsetail horsetail horsetail horsetail mossmoss

GRO G

moss moss

Scavenging Scavenging Scavenging Scavenging Groundcover Groundcover Groundcover Groundcover

lichen lichen

mossmoss

moss moss

salmonberry salmonberry salmonberry salmonberry

Hun�ng Hun�ng Hun�ng tent Hun�ng tent swingset swingset tent tentswingset swingset

Amp Am

aspen logslogsaspen aspen aspen logs logs charred cedar planks charred cedar charred charred planks cedar cedar planks planks fireweed fireweed fireweed fireweed horsetail horsetail horsetail horsetail

Edible Edible Berry Edible Edible Berry Fence Berry Fence BerryFence Fence

Fish Fish trap trap Fish Fish climbing climbing trap trapclimbing climbing structure structure structure structure

Snow Sn

bentbent spruce spruce bent bent spruce spruce low low bushbush cranberry low cranberry low bush bush cranberry cranberry

open open open open connected connected connected connected dynamic dynamic dynamic dynamic

EXTERIOR EXTERIOR EXTERIOR EXTERIOR

blueberry blueberry blueberryblueberry leather leather ties ties leather leather tiesties

ARCHITECTURE

oined dovetail-joined s aspen logs 2x4 stilts

Thermal Threshold

GROUND GROUND

WALL WALL SYSTEMS SYSTEMS

HeatedHeated hopscotch hopscotch hearth hearth

Buried Buried earth wall earth wall

concrete chimney concrete chimney hollow hollow concrete blocks concrete blocks

ngmetal siding

insulated lowinsulated e window low e window wood window wood frame window frame

concrete blocks concrete blocks concrete floor concrete slab floor slab with radiantwith floorradiant systemfloor system

active layer active layer 4" thick concrete 4" thick retaining concrete wall retaining wall 8" thick reinforcd 8" thick reinforcd rammed earth rammed bricks earth bricks reinforced concrete reinforced footing concrete footing

Amphitheatre Amphitheatre scramble scramble

Double-insulated Double-insulated arc�c wall arc�c wall

concrete stairs concrete stairs

s aspen logs

edar charred plankscedar planks

ce bent spruce

earth

gypsum wallgypsum board wall board

earth

structural sheathing structural sheathing concrete floor concrete slab floor slab with radiantwith floorradiant systemfloor system

exterior membrane exterior membrane rigid foam board rigid foam board charred cedar charred plankscedar planks reinforced concrete reinforced footing concrete footing

Snow play Snow mound play mound

Seasonal Seasonal Firewood Firewood Insula�on Insula�on 3" spruce beams 3" spruce beams

snow

insulated low-e insulated window low-e window 1" spruce shelves 1" spruce shelves

snow

firewood

es leather ties earth moundearth mound

concrete floor concrete slab floor slab

ARCHITECTURE

Thermal Threshold

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BALTIMORE PUBLIC LIBRARY ARCHITECTURE

ARCHITECTURE

ERUTCETIHCRA

Thermal Threshold

BALTIMORE PUBLIC LIBRARY YEAR LOCATION AREA PROGRAM INSTRUCTOR

2017 Baltimore, Maryland 29,000 ft2 Auditorium, Stacks, Discossion, Classroom, Exhibition, Reading Carrel, Offices Jeana Ripple

LIBRARY

/ˈlīˌbrerē,ˈlīb(ə)rē/ noun noun: library; plural noun: libraries Definition: A building or room containing collections of books, periodicals, and sometimes films and recorded music for people to read, borrow, or refer to.

Nowadays, the library has multiple functions. The library itself is not only a space to store books, but it also provides many resources for people. Individuals can use the space to read, do research, and to use other technologies to find information. However, because the Internet is accessible from the home, all the traditional functions of the library have become irrelevant. New definition of Library: A public space serves as an idea sharing center, which provides public lecture, conversations, and inspirations. 54

ARCHITECTURE

Baltimore Public Library

ARCHITECTURE

Baltimore Public Library

Location

Double-height Ground Floor

Double Heigts

3 Entrances

Entrances

Intersection

Circulations

Circulation

Auditorium room engages the neighborhood

Auditorium Room

ARCHITECTURE

Baltimore Public Library

ARCHITECTURE

Baltimore Public Library

Ground Floor

Fourth Floor

Second Floor

Fifth Floor

Third Floor

Roof

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Baltimore Public Library

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Baltimore Public Library

ARCHITECTURE

Baltimore Public Library

ARCHITECTURE

Baltimore Public Library

PUBLIC HOUSING IN ART DISTRICT URBAN DESIGN ARCHITECTURE

ARCHITECTURE

Baltimore Public Library

NGISED NABRU ERUTCETIHCRA

URBAN DESIGN ARCHITECTURE

PUBLIC HOUSING IN ART DISTRICT YEAR LOCATION AREA PROGRAM URBAN DESIGN HOUSING INSTRUCTOR

2016 Charlottesville, Virginia 440,000 ft2 Residential, Public Space Yin-Yu Fong, Nicholas Grimes, Mark Meiklejohn Yin-Yu Fong Esther Lorenz, Inés Maria Martín Robles

Charlottesville has a significant arts and cultural scene, both in terms of existing venues for expression and display, as well as potential, with its hilly topography creating a series of natural stages and viewing platforms. With several community-level organizations in place to support the display of public art in and around the city, there is clearly interest in nurturing creative expression. What the city lacks, however, is a coherent city-scale organizational network that unifies its creative capacity. The project aims to extend the walking experience southward, serving as an extension of the downtown pedestrian mall but with a focus on growing the cityâ&#x20AC;&#x2122;s inventory of arts spaces and creating not only an Art District on the micro scale, but leveraging the creativity of its residents to foster a sense of community at the micro scale, with a commitment to increasing access to affordable housing without displacing residents. 64

ARCHITECTURE

Public Housing in Art District

ARCHITECTURE

Public Housing in Art District

The decision to daylight the Pollockâ&#x20AC;&#x2122;s Branch stream alleviates flooding concerns in low-lying areas of the site and further stitches the site to its larger context, adding onto a growing greenway network and offering the residents a more intimate connection to the land by exposing the flows that had been hiding beneath their feet.

ARCHITECTURE

Public Housing in Art District

The iteraions we made were trying to develope the massing strategies by following the urban context. The first one is to connect the Downtown Mall from Northwest point of Friendship Court; the second one is to follow the topography; the final one is to extend the size of massing from site context, as well as considering the urban circulations.

ARCHITECTURE

Public Housing in Art District

ARCHITECTURE

Public Housing in Art District

ARCHITECTURE

Public Housing in Art District

Green Spaces

Ground Connection

Skylight

Traffic Circulation

ARCHITECTURE

Public Housing in Art District

Ground Floor Plan 71

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Second Floor Plan 72

Public Housing in Art District

HYBRID PORT LANDS URBAN DESIGN

ARCHITECTURE

Public Housing in Art District

NGISED NABRU

URBAN DESIGN ARCHITECTURE

Second Floor Plan 72

HYBRID PORT LANDS

YEAR LOCATION AREA STUDY URBAN DESIGN INSTRUCTOR

2019 Port Lands, Tornonto, Canada 715 Acres Memoial Abandon Infrastructure Yin-Yu Fong, Ziqing Ye, Zhuoya Zhou Mona El Khafif

The Port Lands is known as an industrial and recreational neighborhood located about 5 kilometers south-east of downtown Toronto, located on the former Don River delta and most of Ashbridgeâ&#x20AC;&#x2122;s Bay. The Port lands is a man-made area created by infilling what was once one of the largest wetlands on Lake Ontario. Beginning in the 1880s, the area was gradually filled in to make more land available for industry and shipping. The southern infill land is the Tommy Thompson Park where connects the east of the Port Lands, as well as known as a recreational use for sailing and urban natural park. The Port Lands is situated on the fringe of the densest public transportation area, including the Gardiner Expressway, Street Car, and Buses. Therefore, the site has the potential to build an extension of public transportation on the existing infrastructure and connect to the regional and urban mobility routes. The City Planning Division has been advancing the development of a City-wide transit network that includes many new higher-order transit corridors. A number of these planned corridors are located within close proximity to the Port Lands. It will definitely provide a higher level of transit service into the Port Lands and benefit the development of the area in the future. In addition, in order to provide a more bike and pedestrian-friendly environment as well as encourage various transportation modes, bicycle network and pedestrian routes should be improved. 74

URBAN DESIGN

Hybrid Port Lands

SWOT ANALYSIS STRENGTHS The rich and diverse history as the shipping gateway and industrial hub for Toronto is one of the most important strengths of the Port Lands. The Port Lands has a confluence of active port and shipping activities that serve the city, substantial hydro infrastructure that powers downtown Toronto, and it is home to numerous film production studios and other media industries.

WEAKNESSES The Port Lands is situated on the fringe of regional and urban mobility routes, including expressway, subway and other transit network. Lack of urban mobility is a major weakness which results in bad connectivity to the urban area. Within the Port Lands, there are limited connections between the north and south parts. The transportation network in the Port Lands should be improved. A large amount of industrial land also results in a series of disadvantages, such as air and water pollution, noise as well as visual impact of large industrial facilities.

OPPORTUNITIES The City Planning Division has been advancing the development of a City-wide transit network. A number of these planned corridors are located within close proximity to the Port Lands. Within the Port Lands, a series of new vehicular, pedestrian, cycling, and transit routes are possible that connect to the regional and urban mobility routes. There is the potential to take advantage of flooding protection strategy or other water-related infrastructure to create green infrastructure. Another key feature in the Port Lands is the network of railway tracks that provided rail access and service for industries in the Port Lands.

THREATS In Toronto, the impacts of climate change are apparent. Extreme weather events are more frequent and severe, and changes in weather patterns more prevalent. It will be a large threat to the Port Lands as a reclaimed island. Water drain outfalls and the water treatment facility in Port lands may have higher pressure during extreme weather events. Enhancing the resilience of infrastructure facility would be a challenge. To tackle these issues, approaches to reduce the vulnerability of human and natural systems and promote safe resilient communities are required.

URBAN DESIGN

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

6 Core Strategies CORRIDOR + IDENTITY Three key corridors are proposed based on their locations and identities. A wide, landscaped, green corridor along the Leslie Street will create a welcoming gateway to Tommy Thompson Park and serve as a natural corridor that will provide key wildlife connections. A film friendly corridor connecting the north and south part of the Port Lands will support various film-related events and activities. Another corridor that passes through the residential area is proposed for diverse functions, such as commercial waterfront.

MOBILITY The Port Lands used to be situated on the fringe of regional and urban mobility routes. Based on three main corridors , new transit stations and streetcar will add to the area’s complement of mobility routes. In addition to the main loop, a small waterfront loop which is more bike and pedestrian friendly will be built. Within the Port Lands, a series of new vehicular, pedestrian, cycling, and transit routes are possible that build upon and improve the area’s existing infrastructure and connect to the regional and urban mobility routes.

LANDMARKS Significant and iconic heritage resources in the Port Lands will be conserved, repurposed and appropriately leveraged to contribute to placemaking and to celebrate the Port Lands’ industrial heritage. The adaptive reuse and integration of various heritage resources will contribute to the City’s growth and evolution, and help define what is unique and distinctive about the Port Lands. These landmarks also serve as a identity of the Port Lands and memories for Torontonians.

URBAN DESIGN

Hybrid Port Lands

RAILWAY AND DESTINATION The rail network in the Port Lands is a significant feature. Based on the rail track network, a number of new destinations and special places are to be developed which promote walking and taking transit, provide opportunities for social interaction and contribute to an interesting urban life. The destinations will build on industrial heritages, park and open space. Although rail access no longer be required, a series of inventive approaches to revive rail tracks for public use are further explored.

ECOMONY Film industry will play an important role in revitalizing urban areas in need of regeneration and contributing to Torontoâ&#x20AC;&#x2122;s economy. More and more film-related sectors and film friendly environment in the Port Lands will support Torontoâ&#x20AC;&#x2122;s vibrant film, television and digitawl media industries. Complementary production, innovation and creative uses will also be encouraged, further enhancing the vibrancy and longevity of the district. With ferry and boat access, the Port Lands also has great potential for developing a vibrant waterfront commercial area.

ECO-SYSTEM The Port Lands is situated at the convergence of a hard urban edge and a natural environment. To the north is the city edge of Toronto and to the south is the natural landscape of Tommy Thomson Park and Lake Ontario. Taking an advantage of green space, blue and green infrastructure, the Port Lands transformation will bridge the divide between the urban and natural landscapes, and restore the Port Lands geological roots as the mouth of the Don River.

URBAN DESIGN

Existing Rail Road Condition

Design Potentiality Category

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

URBAN DESIGN

Hybrid Port Lands

Phases

Timeline

2000

2004

2008

2012

2016

202

URBAN DESIGN

2024

Hybrid Port Lands

2028

2032

2036

2040

URBAN DESIGN

Hybrid Port Lands

PHOTOTROPIC STUDIO ARCHITECTURE

URBAN DESIGN

ERUTCETIHCRA

Hybrid Port Lands

PHOTOTROPIC STUDIO

YEAR LOCATION AREA PROGRAM INSTRUCTOR

2018 Baltimore, Maryland 21,000 ft2 Office, Studio Ted Jones

The project targets to new start-up. The feature for this the building is only two sizes of spaces with shared amenities. The concept is to encourage these startups to share and work together. The site condition is a South-North orientation space, so the tallest massing is on the north, and the shortest one on the south, to allow sunlight for most of the space. The faรงade panel is a dual-function panel. Firstly, it provides more sunlight for rooms; secondly, it is a secondary structure and creates two faรงade faces. The most interesting point is when you see from the north side, it would look like a stone building, but when you look at the building from the south side, it becomes a light glazing building to reduce the visual heaviness. 88

ARCHITECTURE

Phototropic Studio

ARCHITECTURE

Phototropic Studio

ORIENTATION

CIRCULATION

SUNLIGHT CONDITION

SOLUTION

MATERIALS

MODULE PANEL

S Re i M

as on ry

ARCHITECTURE WEST ELEVATION 1/8”=1’-0”

Materials

Phototropic Studio

Panel Module

Sunlight Condition

11'-3"

3 in

3/4

2 in

3 in 11'-3"

6 in Rei 4" 3"

4" 11'-3"

WINDOW PANEL 1’=1’-0” WINDOW PANEL

3 inch Pre-cast Concrete Module

11'-3"

WINDOW PANEL JOINT 3”

Double Pane Insulated Glazing

3/4 inch Limestone 2 inch Insulation

3 inch Pre-cast Concrete Module Aluminium Frame

3 inch Pre-cast Reinforced Concrete 3/4 inch Limestone Brass Separater 2 inch Insulation 3 inch Pre-cast Reinforced Concrete

6 inch Site Cast Reinforced Concrete6 Floor inch Site Cast

Reinforced Concrete Floor

The combination of concrete floor inch Limestone and the3/4 wall panel create the thickness of Insulation the edge, as well as it 2 inch becomes the function of the 1'beams. 3 inches Concrete Also, the framing system repeats The combination of concrete floor by the size ofwall thepanel wallcreate module, and the the which the dimension is 11’ 3”,asit it thickness of the edge, as well 3/4 inch Limestone becomes the function of the itself beams. not too wide, and the panel is Also, the framing system repeats secondary structure system. by sizeInsulation of the wall module, 1/2the inch

Alu

3/4

Bra

which the dimension is 11’ 3”, it

not too wide, and the panel is The construction process willitself build secondary structure system. the reinforced concrete frame first, and then the will wallbuild Thepre-fabricate construction process reinforced concrete frame first, panels,the and the pre-fabrication will and then pre-fabricate the wall be bolted on and thethe site cast concrete panels, pre-fabrication will floor. be bolted on the site cast concrete floor.

3" 1'

WINDOW PANEL JOINT 3”=1’-0”

FLOOR SLAB AND COLUMN MODULE

WINDOW PANEL JOINT 3”=1’-0” 3/4 inch Limestone 2 inch Insulation 1'

Double Pane 3/8 inch Glass

WINDOW PANEL 1’=1’-0”

Aluminium Frame

3 inches Concrete

3/4Glass inch Limestone Double Pane 3/8 inch 1'

3/4 inch Limestone 1/2 inch Insulation

Aluminium Frame

Brass Separate

3/4 inch Limestone

BALCONY PANEL 1’=1’-0” 3/4 inch Limestone with 45-degree-cut 3 inches Concrete

3/4 inch Limestone with 45-degree-cut 3 inches Concrete

Brass Separate

BALCONY PANEL 1’=1’-0”

4" 11'-3"

WINDOW PANEL 1’=1’-0”

ARCHITECTURE 2'

WINDOW P

Phototropic Studio

Double Pane Insulated Glazing 11'-3"

3/4 inch Limestone 2 inch Insulation 1'

3 inches Concrete

Aluminium Frame

3/4 inch Limestone

Brass Separater

1/2 inch Insulation

3 inch Pre-cast Concrete Module

3/4 inch Limestone 2 inch Insulation 3 inch Pre-cast Reinforced Concrete

6 inch Site Cast Reinforced Concrete Floor

The combination of concrete floor and the wall panel create the thickness of the edge, as well as it becomes the function of the beams. Also, the framing system repeats by the size of the wall module, which the dimension is 11’ 3”, it not too wide, and the panel itself is secondary structure system. The construction process will build the reinforced concrete frame first, and then pre-fabricate the wall panels, and the pre-fabrication will be bolted on the site cast concrete floor.

WINDOW PANEL

WINDOW PANEL 1’=1’-0”

BALCONY P

WINDOW PANEL JOINT 3”=1’-0”

stone Double Pane 3/8 inch Glass

on 1'

crete

stone

Aluminium Frame

3/4 inch Limestone with 45-degree-cut

3/4 inch Limestone

3 inches Concrete

Brass Separate

ation

BALCONY PANEL 92

BALCONY PANEL 1’=1’-0”

DIMITRIS PIKIONISâ&#x20AC;&#x2122;S PAVEMENT STUDY LANDSCAPE ARCHITECTURE

4" 11'-3"

WINDOW PANEL 1’=1’-0”

ARCHITECTURE 2'

WINDOW P

Phototropic Studio

Double Pane Insulated Glazing 11'-3"

3/4 inch Limestone 2 inch Insulation 1'

3 inches Concrete

Aluminium Frame

3/4 inch Limestone

Brass Separater

1/2 inch Insulation

3 inch Pre-cast Concrete Module

3/4 inch Limestone 2 inch Insulation 3 inch Pre-cast Reinforced Concrete

6 inch Site Cast Reinforced Concrete Floor

WINDOW PANEL

WINDOW PANEL 1’=1’-0”

BALCONY P

WINDOW PANEL JOINT 3”=1’-0”

ERUTCETIHCRA EPACSDNA L

stone

Double Pane 3/8 inch Glass

crete

stone

Aluminium Frame

3/4 inch Limestone with 45-degree-cut

3/4 inch Limestone

3 inches Concrete

Brass Separate

ation

BALCONY PANEL 92

BALCONY PANEL 1’=1’-0”

DIMITRIS PIKIONISâ&#x20AC;&#x2122;S PAVEMENT STUDY YEAR LOCATION PROGRAM INSTRUCTOR

2016 Charlottesville, Virginia Hiking Pavement Leena Cho, Montserrat Bonvehi Rosich

CASE STUDY HYBRIDIZE TRANSLATE SITUATE

Yin-Yu Fong Yin-Yu Fong , Ziyu Wan Yin-Yu Fong , Kirk Gordon, Colin Gilliland, Ziyu Wan Yin-Yu Fong , Kirk Gordon, Colin Gilliland, Ziyu Wan

The project started from the idea of a Greek architect Dimitris Pikionis’s pavement in Athens. The landscaping around the Acropolis was executed with absolute respect for the historical landscape and ancient topography. The work is organized into five main architectural “themes”: the beginning and end of the ascent to the Acropolis, and the beginning, middle and end of the walk on Philopappos Hill. We developed the project by four steps: Case Study, Hybridize, Translate, and Situate. The philosophy is the language of material; the color, the pattern, the density, and the gaps in between all represent the quality of material’s language.

LANDSCAPE ARCHITECTURE

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

LANDSCAPE ARCHITECTURE

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

LANDSCAPE ARCHITECTURE

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

LANDSCAPE ARCHITECTURE

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

LANDSCAPE ARCHITECTURE

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

LANDSCAPE ARCHITECTURE

100

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

PROPOSAL OF INTERIOR ARCHITECTURE PROFESSIONAL ARCHITECTURE

LANDSCAPE ARCHITECTURE

LANOISSEFORP ERUTCETIHCRA

100

Dimitris Pikionisâ&#x20AC;&#x2122;s Pavement Study

PROPOSAL OF INTERIOR ARCHITECTURE YEAR LOCATION AREA PROGRAM

2014 Taipei, Taiwan 232 m2 Resedential

101

The first proposal is specific to newlyweds living with their parents: There are two independent suites with built-in bathrooms on the second floor. This option offers a sense of family living as well as privacy. The rooms are spacious and suitable for preparing for a newborn. On the first floor, both the dining room and the kitchen are next to floor length windows and are situated to face the back garden. When friends drop by the house, the host can allow the children to play in the open space of the garden while keeping an eye on them. Additionally, behind the living room on the first floor, there is an independent study room where one may read in peace. In the basement, there is not only a garage and a storage/laundry room, but also a space for reading. The basement’s lack of sunlight and great sound insulation also ensures that it’s good for audio and visual entertainment.

The second proposal is specific for three-generation families with hired help: The children’s bedroom is on the second floor, in which, depending on the number of children, there would be a single bed or a bunk bed. When the children are older, they could make use of the grandparent’s room. On the first floor, retired grandparents can spend their leisurely hours in the living room, reading newspapers while watching the children play in the garden through the floor length window. The open space behind the kitchen offers hired help space to rest and dine. In the basement, there is not only a garage and a storage/laundry room, but also a space for reading. The basement’s lack of sunlight and great sound insulation also ensures that it’s good for audio and visual entertainment. To ensure privacy, there is an independent room for the hired help to ensure privacy.

102

ARCHITECTURE

Proposal of Interior Architecture

THREE-GENERATION FAMILIES WITH HIRED HELP

FUNCTION SECTION

FUNCTION SECTIONSECTION FUNCTION FUNCTION SECTION

BASEMENT PLAN

BASEMENT PLANPLAN BASEMENT BASEMENT PLAN

FIRST FLOOR PLAN

FIRSTFIRST FLOOR PLAN FLOOR PLAN FIRST FLOOR PLAN

SECOND FLOOR

SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN

103

ARCHITECTURE

Proposal of Interior Architecture

NEWLYWEDS LIVING WITH PARENTS

FUNCTION SECTION

FUNCTION SECTION FUNCTION SECTION FUNCTION SECTION

BASEMENT PLAN

BASEMENT PLAN BASEMENT BASEMENT PLANPLAN

104

FIRST FLOOR PLAN

FIRST FLOOR PLAN FLOOR PLAN FIRSTFIRST FLOOR PLAN

SECOND FLOOR

SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN

HEART SUTRA PROFESSIONAL STAGE DESIGN

ARCHITECTURE

Proposal of Interior Architecture

NEWLYWEDS LIVING WITH PARENTS

FUNCTION SECTION

FUNCTION SECTION FUNCTION SECTION FUNCTION SECTION

LANOISSEFORP NGISED EGATS BASEMENT PLAN

BASEMENT PLAN BASEMENT BASEMENT PLANPLAN

104

FIRST FLOOR PLAN

FIRST FLOOR PLAN FLOOR PLAN FIRSTFIRST FLOOR PLAN

SECOND FLOOR

SECOND FLOOR PLAN SECOND FLOOR PLAN SECOND FLOOR PLAN

HEART SUTRA DATE LOCATION Author Playright Director Stage Design Lighting Design Costume Design

28-30 December, 2007 T305 Experimental Theatre Taipei National University of the Arts Eileen Chang Wei-Yuan Ma Wei-Yuan Ma Yin-Yu Fong Xin-Ping Huang Chih-Chi Fong

105

STAGE DESIGN

106

Heart Sutra

STAGE DESIGN

Heart Sutra

107

STAGE DESIGN

Heart Sutra

Heart Sutra, by Eileen Chang, depicts a story about incest. The story follows a father and daughterâ&#x20AC;&#x2122;s dubious feelings for one another and the changes in these feelings, which were the evils that would corrode the family over a period of ten years. Eileen Changâ&#x20AC;&#x2122;s words are delicate and never directly expose the relationship. The director disengaged the mother, whose role was an observer, and placed her in and out of the script. She is portrayed as confused, helpless, oppressed, and near collapse when facing the relationship between the two greatest loves of her life. 108

FOREPLAY, OR, THE ART OF THE FUGUE PROFESSIONAL STAGE DESIGN

LANOISSEFORP NGISED EGATS

FOREPLAY, OR, THE ART OF THE FUGUE DATE LOCATION

Author Playright Director Stage Design Lighting Design Costume Design

21-30 March, 2008 Experimental Theatre The Performing Arts Center Taipei National University of the Arts David Ives Xiao-Jie Chen Xiao-Jie Chen Yin-Yu Fong Yi-Tai Zhong Hui-Qing Yang

109

STAGE DESIGN

110

Foreplay, or, The Art of The Fugue

STAGE DESIGN

Foreplay, or, The Art of The Fugue

111

STAGE DESIGN

Foreplay, or, The Art of The Fugue

Chuck, a young man with a Don Juan reputation, brings his date to play a round of miniature golf and to seduce her. He philosophizes and jokes, slipping in as much sexual innuendo as he can. When they move to the second hole, a slightly older Chuck II appears with another date. His technique more slick, but his date is suspicious of him. Both couples continue their conversations and games, the dialogue comically interwoven. Finally a third Chuck, now in his late thirties, arrives with a young date. He is somewhat rumpled, tired and things are not going well for him. His latest date doesnâ&#x20AC;&#x2122;t get his jokes and, worse, she is beating him at golf. 112

ECHO ECHO XUE CANTEEN PROFESSIONAL MURAL

STAGE DESIGN

Foreplay, or, The Art of The Fugue

LANOISSEFORP LARUM Chuck, a young man with a Don Juan reputation, brings his date to play a round of miniature golf and to seduce her. He philosophizes and jokes, slipping in as much sexual innuendo as he can. When they move to the second hole, a slightly older Chuck II appears with another date. His technique more slick, but his date is suspicious of him. Both couples continue their conversations and games, the dialogue comically interwoven. Finally a third Chuck, now in his late thirties, arrives with a young date. He is somewhat rumpled, tired and things are not going well for him. His latest date doesnâ&#x20AC;&#x2122;t get his jokes and, worse, she is beating him at golf. 112

ECHO ECHO XUE CANTEEN YEAR LOCATION DESIGN PAINTING ASSISTANT (Tainan Month) (Yunlin Month) (Tapei Month) (Hsinchu Month)

2010-2012 Taipei, Taiwan Yin-Yu Fong Yin-Yu Fong Shi-Cheng Yang, Chun-An Hsieh Xiao-Jue Chen, Zhi-Rui Xu Shi-Cheng Yang, Chun-An Hsieh Jiao-Hua Bao

113

Echo Echo Xue — a restaurant at the Xue Xue Institute — advocates food as a path that leads to culture. Echo Echo Xue is themed around various townships in Taiwan and is dedicated to introducing local ingredients as well as different cultural backgrounds. The menu is renewed every two to three months. The Show-Off Mural — a mural in Echo Echo Xue that is themed around the various characteristics of different areas in Taiwan. The mural, constantly renewed by different artists and designers, is the main visual attraction of the restaurant.

114

MURAL DESIGN

Echo Echo Xue Canteen

Tainan Month Tainan is the most historical city in Taiwan. During the era of Dutch colonial rule, Tainan began to flourish due to the street planning around Fort Provintia. Presently, Tainan is the prime spot for many different authentically Taiwanese snacks. In my design, I used a circle to represent the beauty of the Mean (Zhongyong). With Fort Provintia as the center of the circle, I used prints to depict the historical city of Tainan. The scattered and close arrangements of prints correspond with the imagery of the actual streets and blocks. The red of the background was inspired by the Confucius Temple; the overall visual effect aptly represents Tainan as a city of history and of delectable food.

115

MURAL DESIGN

116

Echo Echo Xue Canteen

MURAL DESIGN

Echo Echo Xue Canteen

117

MURAL DESIGN

Echo Echo Xue Canteen

Yunlin Month Yunlin is the main agricultural area in Taiwan and contains the Zhuoshui River which is Taiwanâ&#x20AC;&#x2122;s lifeline of agricultural development. The culture of Taiwanese glove puppetry is closely tied with Yunlin. Glove puppetry often employs vibrant colors to attract the audiences. Therefore, in my design I used fuchsia, a color commonly used in puppetry, to depict the Zhuoshui River. The fuchsia-colored river echos with the railroad and travels across patches of greenness on the mural.

118

MURAL DESIGN

Echo Echo Xue Canteen

119

MURAL DESIGN

Echo Echo Xue Canteen

Taipei Month Taipei, the capital of Taiwan, is a city that never sleeps. It is also a city that blends old architecture and new buildings. In the alleys and lanes behind newer and taller buildings, one can always find old apartment buildings. The white dots on the mural are painted with a neon paint that absorbs natural light in the day. As day progresses into night and as natural light dims, the white dots begin to glow, forming a mural full of neon dots.

120

MURAL DESIGN

Echo Echo Xue Canteen

121

MURAL DESIGN

Echo Echo Xue Canteen

Kaosiung Month Kaohsiung is the main harbor city in southern Taiwan. Metal, shipbuilding, and harbor-related production are its main industries. The city’s geographical location, south of the Tropic of Cancer, ensures an abundance in sunshine as well as a rich blueness in the sea. The sunset, as seen from Sizihwan, is the city’s most beautiful scenery. In my design, I used rectangular color blocks to represent Kaohsiung’s famed industries.

122

MURAL DESIGN

Echo Echo Xue Canteen

123

MURAL DESIGN

124

Echo Echo Xue Canteen

MURAL DESIGN

Echo Echo Xue Canteen

125

MURAL DESIGN

Echo Echo Xue Canteen

Hsinchu Month Hsinchu is one of the main Hakka settlements in Taiwan. Floral fabric, a traditional printed fabric, is an essential element of the Hakka culture. These floral fabrics are characterized by an abundance in vivid colors. The idea of my design was to represent this fabric in mosaics to enrich the sense of space. Sitting close to the mural, one is surrounded by colorful geometrical shapes; seeing it from afar, one sees the clear silhouette of the Hakka floral fabric print. 126

TAIPEI DAD, NEW YORK MOM PROFESSIONAL ART DIRECTION

MURAL DESIGN

Echo Echo Xue Canteen

LANOISSEFORP NOITCERID TRA

TAIPEI DAD, NEW YORK MOM YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE

2011 Taipei, Taiwan Yin-Yu Fong Baboo Liao Eiki Mori Mr. Wing Theatre Company

127

ART DIRECTION

128

Taipei Dad, New York Mom

ART DIRECTION

Taipei Dad, New York Mom

129

ART DIRECTION

Taipei Dad, New York Mom

‘Escape’ and ‘death’ are amongst the two most devastating experiences in the author’s life. He lived in an era in which gay rights were not valued, nor was being gay accepted. These conditions painted his experiences an even darker gray. In my design, I restored the background to resemble that time. The vehicle being forcefully towed away symbolizes a home as well as the conditions that forced them to flee. The family’s imported vehicle, once a symbol of wealth, became their only place of residence; an item that was once the cause of envy was reduced to a means of escape.

130

SHOW ON APP PROFESSIONAL ART DIRECTION

ART DIRECTION

LANOISSEFORP NOITCERID TRA

130

Taipei Dad, New York Mom

SHOW ON APP

YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE

2012 Taipei, Taiwan Yin-Yu Fong Baboo Liao Zhi-Peng Lin Shakespeareâ&#x20AC;&#x2122;s Wild Sisters Group

131

ART DIRECTION

132

Show On APP

ART DIRECTION

Show On APP

133

ART DIRECTION

Show On APP

On the surface, to consume is to purchase merchandise. People shop and consume to satisfy their daily needs and empty hearts. However, they do not just consume objects. They also consume themselves and are, simultaneously, consumed by others. People are objectified, celebrities are gossiped about, and objects are consumed — all this to satisfy a modern person’s hollow life. I fill up space with large amounts of merchandise — humans being one of the objects — for my design’s visual language. The old and new are translated as the old-fashioned and trendy. Through the idea of “one can buy a plant or hang up a poster of forest to satisfy one’s longing for nature,” the void which consumerism wishes to fill is expressed.

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ABSENTE: RENDEZVOUS AVEC SOPHIE CALLE PROFESSIONAL ART DIRECTION

ART DIRECTION

LANOISSEFORP NOITCERID TRA

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ABSENTE: RENDEZVOUS AVEC SOPHIE CALLE YEAR LOCATION LIVE ART VISUAL PHOTOGRAPHER TROUPE

2013 Taipei, Taiwan Yin-Yu Fong + Shauba Chang Baboo Liao Eiki Mori Shakespeareâ&#x20AC;&#x2122;s Wild Sisters Group

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ART DIRECTION

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Absente: Rendez-Vous Avec Sophie Calle

ART DIRECTION

Absente: Rendez-Vous Avec Sophie Calle

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ART DIRECTION

Absente: Rendez-Vous Avec Sophie Calle

In Sophie Calle’s works, facts blend with fiction. When applied in different scenes, factual and fictional elements seem distanced from reality, although not too far away. In the work, there is a circulating conversation between words and photography that articulates a rational yet poetic aesthetic. Visually, the abstract concepts of ‘absent existence’ and ‘circulation’ are essential.

About “Absente Rendez-Vous Avec Sophie Calle” In French contemporary artist Sophie Calle’s work Exquisite Pain, she exhibits evidence of the pains she experienced due to separation. She also collected the painful experiences of others and responded to them with her own words and photography. As the story circulates, inch by inch her pain is erased away and the artist gradually becomes placid and objective. This act of convalescence and its back-and-forth movement became the main idea with which Absente: Rendez-Vous Avec Sophie Calle was created. The director wishes to converse with the artist and interpret her words.

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BUTTERFLY GLASSES PROFESSIONAL PRODUCT DESIGN

ART DIRECTION

Absente: Rendez-Vous Avec Sophie Calle

About “Absente Rendez-Vous Avec Sophie Calle”

LANOISSEFORP NGISED TCUDORP

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In French contemporary artist Sophie Calle’s work Exquisite Pain, she exhibits evidence of the pains she experienced due to separation. She also collected the painful experiences of others and responded to them with her own words and photography. As the story circulates, inch by inch her pain is erased away and the artist gradually becomes placid and objective. This act of convalescence and its back-and-forth movement became the main idea with which Absente: Rendez-Vous Avec Sophie Calle was created. The director wishes to converse with the artist and interpret her words.

BUTTERFLY GLASSES YEAR LOCATION BRAND

2012-2013 Taipei, Taiwan Xue Xue Colors

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PRODUCT DESIGN

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Butterfly Glasses

PRODUCT DESIGN

Butterfly Glasses

Vanessa Indica It is Called the Asian Admiral in the United States and the Indian Red Admiral elsewhere, is a butterfly found in the higher altitude regions of India.

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Butterfly Glasses

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Butterfly Glasses

Junonia Lemonias Aenaria The lemon pansy, is a common nymphalid butterfly found in South Asia. It is found in gardens, fallow land, and open wooded areas.

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Butterfly Glasses

PRODUCT DESIGN

Butterfly Glasses

Acraea Issoria Formosana The Yellow Coster is a small, leathery-winged butterfly.

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Butterfly Glasses

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Butterfly Glasses

Stichophthalma Howqua Formosana Stichophthalma howqua is a species of butterfly in genus Stichophthalma. It was described by Westwood in 1851, and can be found in Asia. 147

PRODUCT DESIGN

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Butterfly Glasses

PRODUCT DESIGN

Butterfly Glasses

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Butterfly Glasses

Wish to learn from nature and draw inspiration from the colorful species of Taiwan. I designed 4 types of optical glasses and 2 types of sun glasses which were inspired from native butterflies of Taiwan.

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YINYU FONG P O R T F O L I O

YIN-YU FONG