Ylva Lund Bergner
321 - vid midnatt har jag fallit klart for Piano Quartet (Violin, Viola, Violoncell & Piano)
Duration: 6-7 minutes
Written for the Danish ensemble Copenhagen Piano Quartet with support from the Danish Art Council
- 2018 -
3 2 1 / vid midnatt har jag fallit klart --------------------------Instruments
Violin Equipment:
Fm/mp3-radio & 3 elastic rubber bands (3 different sizes)
Viola Equipment:
Fm/mp3-radio & 3 elastic rubber bands (3 different sizes)
Violoncell Equipment:
Fm/mp3-radio & 3 elastic rubber bands (3 different sizes)
Piano Equipment:
Industrial elastic rubber bands (wrapped around the piano), silver spoons (several on a long twine under the piano & 1 spoon on a short twine to play with inside the piano) & 2 ebows
_________________________________________________________________________
EXPLANATIONS In general
Grades of the accidentals.
The LED-light on the fm-radio can be turned on with a button. Hold as long as the notes says.
The fm-radio can play soundfiles from an usb . Have the volume turned down before and push the button with the soundfile number. Turn the volume up. Whisper the text above the staff. The text is in Swedish but if you want to do an English version, contact the composer for a translation.
The light on the note stand. Turn on the light in a specific rhythm. The light is off before.
Use a dimmer for the note stand light and dim out.
Speak and make sounds without the instrument. The sounds are 'psch', 'ah' & 'sh'.
Each part ends with a free part where the notation is written in seconds.
Technique in general - 3 instruments are using a fm-radio with led light & a possibility to play soundfiles from a usb stick: violin, viola & cello.
- In the last part of the piece the musicians are whispering. The fragmented text is picked from a poem by the Swedish poet Sara Falkstad.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - -
Piano 6 industrial elastic rubber bands are wrapped over the end part of the grand piano. Play with your fingers on them. 1-6 (left to right).
Take your hand underneath the piano and make the spoons to tangle and move. Let them ring afterwards.
Blow on the elastic rubber bands from the side to let the friction create a sound that is audible.
Let the nails make a pearly sound on the front side of the keys. Play smoothly.
1st time played in the repetition it is only a rest. 2nd time you play on the 1st elastic rubber band, the most left band. Create a short accelerando and ritardando.
Blow air on the keys. For a stronger sound you can blow on the black keys.
Blow on the elastic rubber bands from left to right and then back again, right to left. Find a way to do it with a good effect without fainting.
Play on the most left band.
Use your relaxed hand and move it in circles over the bands. 'Paint' circles.
Variation/ Melody. Find out how to play when you play on many different bands. Which hand & order.
In the 2nd part of the piece, the technique of silent keys are used. The overtones will ring when you play other tones.
Put a wedge (door stopper) between the 2 notated tones. When you hit the wedge (inside of the piano) with the pedal down, a mellow low sound will be created. This sound and technique will only be used in the 4th part of the piece.
Play pizzicato in the piano. The whole last part includes pizzicato. Mark the tones to make sure you easily can find them. Sometimes you shall play 2 strings of the same tone.
Play harmonics. You can choose to either use your right hand fingers to find the harmonics on the strings while playing on the keys with the left hand. Or, use blutack or other material and put on the strings so that
Piano technique Industrial elastic rubber bands Industrial elastic rubber bands are used and wrapped around the front part of the grand piano. So, under the keys and in front of the note stand. If it is not allowed to wrap the piano, a big cardboard box (for moving) can be used instead. But the impression and practicality is not the same. When you play on the bands inside of the piano, the sound will be naturally amplified with a pedal. You need to keep the bands together underneath the piano. While doing that you can attach silver spoons (or similar, silver has a better sound) on the bands. Moving box size
Industrial elastic rubber bands
Silver spoons
Smaller size
Nails on keys
Ebows
You will be playing nails on the keys in this piece and you might wonder exactly what sound is prefered. In this case, the 'nails on the front side of the keys' is the right sound. It is both bright and smooth. And, easy to play.
You will use 2 ebows at the end. Use the switch to turn it on. To the left is normal tone. To the right is with harmonics and without base tone. Use normal setting.
Strings sP
Sul pont/On the bridge
MaP
Molto al pont/Near the bridge
P
al Pont/Towards the bridge
MsT
Molto sul tasto/ High up on the fingerboard
T
sul Tasto/Towards the fingerboard
ord pos
Ordinary bow position
LTr
Legno tratto/play in ordinary way with wood part of bow
LB
Legno battuto/strike with wood part of bow
MLTr
Mezzo legno tratto/play in ordinary way with the side of the bow (half hair-half wood)
MLB
Mezzo legno battuto/strike with the side of the bow (half hair-half wood)
ord
Ordinary bow style
Roll the elastic rubber band back and forward on the neck of the instrument. Make as much noise as possible but follow the dynamics.
Play on the band wrapped over the shoulders, but in the waist/armpit. - 1st example is on the left side of the body; Left Armpit: LAp - 2nd example is on the right side of the body; Right Armpit: RAp
Put the elastic rubber band in position. Where the neck meet the body on an harmonic. The sound will be a 5th up.
Blow air on the instrument, on the strings. Try to make as much friction as possible. That creates more sound.
Roll the elastic rubber bandback and off the neck. Leave it after the nut, close to the nutpegs.
Tap on the body with your finger.
Play on band wrapped over the tail piece. - 1st example is on the right side of the tail piece: RS - 2nd example is on the left side of the tail piece: LS Play on the band wrapped over the tail piece. Use left hand to tighten and lift the band while the right hand plays pizzicato on the band. The tone will change.
Play on the band wrapped over the shoulders, close to the neck. - 1st example is on the left side of the body; Left Shoulder: LSh - 2nd example is on the right side of the body; Right Shoulder: RSh
Play a pizzicato on the elastic rubber band wrapped over the tail piece, but on the backside of the instrument. That creates a very strong hitting sound. You don't need much effort to get a strong sound.
Play a pizzicato arpeggio with your left hand over all open strings as a grace note and then play on the elastic rubber band wrapped over the tail piece, on the right side (RS).
Play on the tail piece with a bow.
Natural harmonics. The staff above shows the result. Underneath the notation shows the position.
Play pizzicato arpeggios with both hands in a tremolo. Left hand in fingerboard position and the 2nd action with the right hand in a position closer to the bridge. All strings in both positions.
Play battuto with mezzo legno bow (MLB). Damp all strings while playing. The bow is playing molto al pont (MaP).
Play legno battuto on double stops during a glissando. Go from fingerboard to bridge and then change strings and repeat the pattern.
Damp all strings & move the bow in vertical direction, along the strings.
Play legno battuto. 1st action is static on two strings. In 2nd action the upper note glides down while the lower tone is an open string.
Move the bow in circles. Mezzo legno.
Play mezzo legno tratto on an artificial harmonic, then quickly legno battuto and back to mezzo legno tratto and a glissando.
Damp all strings & play on the bridge in circles.Whisper a text at the same time.
1st example shows a glissando going a quarter tone up. Next one shows a small change in intonation.
Play in an ordinary, normal way with the bow and play a left hand pizzicato on a string up at the nutpeg.
Play a vibrato close to the bridge. Follow the graphics. Then change to legno battuto and go from ordinary position towards the bridge.
Play a pizzicato arpeggio on all strings: 1st ex: left hand 2nd ex: behind bridge
Start playing on the bridge in circles.
1st example: Pizzicato using two fingers for more power. 2nd example: Nail pizz where you get a thinner pizzicato. Play with your finger (not nail) on the right side of the fingerboard where it ends.
Play a trill between a normal tone and an artificial harmonic. Change the speed of the bow at the same time. Go from normal speed to slow. At the end, stop trilling and play hard pressure.
Glide a bit of the bridge and play hard pressure. Change position and play a natural harmonic. First in an ordinary way the with a circular motion. Then whisper gently: 'suddiga skuggor'. Exaggerate the consonants.
String technique [c1 = middle c] Three elastic rubber bands are used, but of 2 kind: 1 short, 2 longer: 1.
Pitches on the violin:
Thin band is placed around the neck a fifth up on the string. The band is rolled up and down to make a sound. When placed on the fifth, the sounding tones are different than the one written in the score (one octave plus 5th up in normal position & two octaves plus augmented 4th up behind the bridge). Double fold the band.
The pitches on the viola and cello is a 5th down in viola and a 5th plus an octave down on the cello. The pitches of the elastic bands around the body is more difficult to know but try to have these written pitches in mind while wrapping the band. -------------------------------------------------------------------2.
Two medium thin band are wrapped around the body on two places: a: around the shoulders b: around the bottom a & b: The musician will play tones on the bands on the shoulders, armpit & bottom on both sides of the instrument. Percussive sounds are played on the backside of the instrument. The tones that will be created should be as close to the following as possible: LEFT; Shoulder: g Armpit: f Bottom: own choice RIGHT;
Shoulder: Armpit: Bottom:
d c c
The percussive sounds that will be created should be as following: MIDDLE BACK; Armpit Bottom b. Picture of the band over the tail piece
321 q = 60
[Gasping for breath] Play at least 2 times
Û. . . . . .
Play like a cello
& 34 .. Œ
Violin
Œ
Play with finger (RH) on the ending edge of the fingerboard
qn
B 3 .. 4
Viola
∑
2 4
6:4
P
? 3 .. 4
2 4
Play with finger (RH) on the ending edge of the fingerboard
∑
6:4
qn
F
6:4
3:2
qn
Piano
3 4
qn
..
p
6:4
6:4
qn
2 4
6:4
qn
6:4
P 6:4
qn
qn
F
f
6:4
Vln.
Vla.
Vlc.
&
1
FM-MP3
3 4
p
√
& 34 Pno.
4 4
Roll elastic rubber band back & forward along the neck. TEMPO:
[RS]
Ó. . . . . . . . . . . . qn P œ
tap on body
‰.
fast
norm.
6:4
1
π
norm.
tap on body
‰
. . .
P 1
1
1
2 4
F
≈.
œœ œœ œ
3:2
‰ . . . . p P 1 1
1
1
1
1
6 5 4 3 2 1
f
1
1
2
3
4
6
5
f
>œ >œ >œ ≈ ≈ ≈
p5:4 ≈ ≈ ≈ Œ
6
‰
œœ œœ œ
6 5 4 3 2 1
F
‰
3 4
6
3 4
3:2
°
Roll the double folded elastic rubber band in position, a 5th up.
TEMPO:
(on an harmonic at the thumb position where neck is attached w. the body.)
π p
!¿ ≈ < P
FM-MP3
!
o
(on an harmonic at the thumb position where neck is attached w. the body.)
Ó 1
Π. . . . . . . p
‰
3 4
Roll the double folded elastic rubber band in position, a 5th up.
norm. fast norm. ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ . ≈ ≤≤≤≤≤≤≤≤≤ .¿ ¿. ¿. ¿¯ ≈ π p 3:2 P
4 4 œ.
3 4
1
norm.
Roll band [back/forw] TEMPO:
4 4
3 4
q = 92
fast
4 4
Blow air on the bands (on bands)
6 5 4 3 2 1
Œ
tap on body
pizz
œœ œœ œ
1
Roll band [back/forw] TEMPO:
norm.
3 4
qn
≈ ≈ ‰. œ œ œ â â â ƒ
4
tap on body
3:2
6:4
4 ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ Œ 4 ¿. ¿. ¿. ¿. ¿. ¿. <¿ π P
Blow air on the bands
œ. . . . . . . .
π
6:4
fast
Elastic rubber band
3:2
Elastic rubber band
4 4
! 2 ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ Œ 4 ...... !¿≈ π ∏ ¿¿¿¿¿¿ < 6:4 P qn
‰ Œ
ƒp
norm. fast norm. norm. fast 4 ‰ ≤≤≤≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≤≤≤≤≤≤≤≤‰
Roll the elastic rubber band back & forward along the neck of the instrument. TEMPO:
norm.
≈
3 4
[RS]
norm.
~~~~~
Œ
‰
o
!
Ó
4 4
Roll elastic rubber band back & forward along the neck. TEMPO:
~~~~~
©Ylva Lund Bergner
!
o
~~~~~
3 4
tap on body
! ≈ <¿ P !3:2
‰ ‰
2 4
norm.
4
4
1
2 ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ 4 π ∏ ¿. ¿. ¿. <¿ P qn
B3 Œ
?3
≈
tap on body
6:4
FM-MP3
[RS]
B 5
Œ
Ó. . . . . . . . . . . . F . . . . . . Û> . . . . . . . e q ≈ 6:4 6:4 3:2 Ó . . . . ...... . . . ƒp qn P 3:2
6:4
f
6:4
qn
1
. . . Û> . . . . . . .
6:4
f
6:4
Û> . . . . .
ƒp
4 4
Û. . . . . . . . . . . .
..
6:4
6:4
Û. . . . . . . . . . . .
..
. . . . . . Û. . . . . .
Play with finger on the edge of a key. From down and up with flesh of the finger upwards.
& 34 ..
F
4 4
Û. . . . . . . . . . . .
..
6:4
f
6:4
qn
Û. . . . . . . . .
‰
2 4
Û. . . . . . . . . . . . Û. . . . . .
F
6:4
accel.
Û. . . . . . . . . . . .
..
Û. . . . . . . . . . . .
Play like a cello Play with finger (RH) on the ending edge of the fingerboard
A
. . . . . . Û. . . . . .
qn
Cello
Ylva Lund Bergner
- vid midnatt har jag fallit klart -
p5:4 ‰ Œ
≈ < . . . . . P p ° 1
1
>œ >œ >œ ≈ ≈ ≈
3 4
3 4
3 4
-321-
C 1
9 Vln.
&
‰
3 4
B3
! o 1
FM-MP3
Vla.
4
?3 ‰
p
&
pizz I
Vlc.
4
œ
& 34
≈
2 4
œ. . . . . . . . .
Œ
6:4
3:2
.œ . . . . .
‰.
Œ
Roll band in position
2 4
Vla.
fast norm. ≈ ≤≤≤≤≤≤≤≤ Œ B 3 ≤≤≤≤≤≤≤
Ord Bow
4
π ∏ p
fast norm. ? 3 ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≤≤≤≤≤≤≤≤≤
2 4
4
π
p
& 34 Pno.
3 4
2 4
2 4
‰
≈ ‰ Œ < . . . . . P p 1
1
π
& 2 4
°
1
‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
¿≈ < P
Œ
Ord Bow
œ œœ
MaP
&
6 5 4 3 2 1
≈.
3:2
. p
π
œœ œœ œ ≈ ≈ + + π
œ mœ œ
m œ m œœ ..
1
1
œœ œœ œ
6 5 4 3 2 1
1
1
œœ œœ œ
‰
6 5 4 3 2 1
tap on body
‰
?
2
œ œ œ
Legno Battuto
≈Œ œ œœœœ œ œ. œ. œ. œ. . . . . . . . . p qn P 3:2
4 4
jeté
F
qn
œ. . . . . . . . 1
π
3 4
≈ œ œ. . . . . . . . qn P
3 4
[RS]
3:2
œ. œ. œ. qn p
≈ ‰ Œ œ. . . . . . . . . Ó . . . . ...... . . P qn p qn
Legno Battuto
4 4
jeté
œ œ œ œ œ œ F
II
‰
‰
. . . P P
4 4
œ œ
œ. F
mœ
III
‰ ≤≤≤≤≤ 34 !¿≈ < P Roll band TEMPO: [back/forw]
norm.
norm.
fast
Blow air on the bands
IV
‰ œœ œ ≈ ≈ œœ. + +π π P mœ ord
TEMPO:
D
III
F Œ
≈
œœ œœ œ
< PF
œœ ≈ œ . œ œ ≈ œœ œ + + π P π mœ
III
4 4
œ
œ
Roll band [back/forw]
(on bands)
‰
œ. . . . . . . .
&
Roll band in position
Vlc.
II
3 4
pizz
Elastic rubber band
1
π
tap on body
norm.
Blow air on the bands
œ
tap on body
Roll band in position
tap on body
Œ
norm.
norm. fast
~~~~~
‰.
‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
TEMPO:
Roll band [back/forw] TEMPO:
q ! ! ≈ ‰ ‰ ¿ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. < Ó. . . . .. . . . . 3:2 6:4 P qn P qn
œ-
¿ < P
≈‰
~~~~~
fast norm.
[RS]
tap on body
‰
4 4
Roll band [back/forw]
! norm. fast norm. norm. ≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ 4 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ 4 4 π <¿ P
o
e
Œ
!
Roll elastic rubber band back & forward along the neck. TEMPO:
‰
<¿ P
2 4
& Ord Bow
o
≈
2 4
≈ ≤≤≤≤≤≤≤≤‰ & 34 ≤≤≤≤≤≤≤≤≤≤ !¿ ≈ π p < P
!1 ≈ <¿ P
tap on body
~~~~~
6:4 P
TEMPO:
norm.
2 4
F
3 4
13
2 4
1
Pno.
Vln.
p
≈
œ
qn
√
1
FM-MP3
tap on body
3 4
Roll band [back/forw] TEMPO:
Legno 3:2 Battuto
norm. fast 3 œœœœ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 œ. œ. œ. œ. . . . . . . . . ! ¿ ≈ p qn P π < P
4 4
jeté
qn
tap on body
Drag the nails along the side of the keys.
P m œœ
4 4
‰
Elastic rubber band
! ‰ œ. . . . . . . . ‰ . . . P π 3:2
4 4
1
1
1
1
3 4
-321-
E
Roll band [back/forw]
17 Vln.
&
3 4
1
Roll band off the neck of the instrument. Free strings.
! norm. fast fast norm. norm.‰ norm. 2 ≈ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≤≤≤≤≤ 44 Œ ≤≤≤≤≤≤≤≤≤ 4 ∏ !¿ ≈ π p ! π ¿ < P < P ! ! fast fast norm. norm. norm. norm. ‰ 2 ‰ ≈ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ Œ 4 ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 4 ¿ π ∏ <¿ π < P P tap on body
Œ
TEMPO:
‰
TEMPO:
o
tap on body
tap on body
Vla.
Vlc.
B
3 4
?
Roll band [back/forw]
!3:2
‰ ≤≤≤≤≤≤≤≤≤ ∏ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. tap on body
norm.
3 4
Roll band [back/forw]
tap on body
TEMPO:
6:4
Blow air on the bands
fast
.... p P f
1
1
1
1
‰
6 5 4 3 2 1
2 4
F
‰ ‰
... p
1 1 1
6 5 4 3 2 1
f
o
‰ ‰
(on bands)
œœ œœ œ
3:2
... p
1 1 1
6 5 4 3 2 1
~~~~~
6 5 4 3 2 1
œœ œœ œ
3:2
3 4
o
!
≈
p
4 4
f
‰ Œ
1
3 4
√ >œ >œ >œ äœ ≈ ≈ ≈ ‰.
&
!
pizz
(on bands)
~~~~~
‰
œœ œœ œ
FM-MP3
Pizzicato & Blow air on the bands
! ~~~~~
F
≈.
4 4
!
pizz
œœ œœ œ
~~~~~
~~~~~
6 5 4 3 2 1
! 34
3:2
1
1
FM-MP3
Pizzicato & Blow air on the bands
(on bands)
Pno.
norm.
Blow air on the bands
pizz
œœ œœ œ
p
1
≈ ≤≤≤≤≤≤≤≤≤≤≤≤ Œ ¿ π < P norm.
qn
3 4
TEMPO:
Roll band [back/forw] TEMPO:
2 4
≈
1
FM-MP3
°
p Ó
3 4
3:2
? 3 4
F
1
FM-MP3
Vla.
4
p
≈
Œ
‰.
âÓ f
® Óâ Ó. . . . . . . . . . f π P
j Pizz Arp œ ‰ Œ œœ ≈ œ o P Ó. . . . . . . . . π P
1
3:2
2 4
& 34 Pno.
?3 4
o
√. . . . . . œ P 6:4
Ó
2 4
Œ
œ ‰ œ ‰ œ œ P
2 4
π
4 4
body
left hand
· œ· œ œ· ÿÿ p
∏
4 4
gliss
≈‰
( œ· )
3 4
¬ P
qn
Arp + >œ œ. . . . . . . . . Pizz œ ≈ ≈ ‰ œœ ≈ Œ œ f π3:2 P P LH
œ. . . . . . .
U
+ œ ≈ œ ‰. œ œ P
œ. œ. .
3 4
LH
U
Pizz Arp
‰ æ æ π P qn
P
U
3 4
Play with a loose hand over the bands in circles
Blow air on the bands
[LSh]
œ·
[RSh] body
Pizz Arp
Elastic rubber band
6 5 4 3 2 1
+ œ ® œœ ≈ œ . P left hand
~~~~~~~
4
‰ Ó
[RS]
behind bridge
~~~~~~~
?3
FM-MP3
Vlc.
4 4
> +œ œ œ≈ ≈ œ Ó. . . . . . . œ πP P f
3:2
Pizz Arp
‰
Pizz Arp
[LS]
behind bridge
~~~~~~~
B3
o
2 4
Blow air on the strings
5:4
~~~~~~~
& 34
Mezzo Legno Tratto
~~~~~~~
21 FM-MP3 1 Vln.
[LS]
~~~~~~~
[LS]
pizz
!
(on bands)
6 5 4 3 2 1
≈
6 5 4 3 2 1
â p f
P
1
3
pizz
6 5 4 3 2 1
6:4
(on bands)
≈ ® â f 1
4 4
4 2 3
Pizzicato on the bands underneath the piano. The spoons will tingle.
5
6
P πp 1
1
Hand through the bands underneath the piano. The spoons will tingle.
≈ ≈ ≈ ≈‰
1
1
1
6
F 1
U
? 3 4
-321-
G Blow air on the strings
Œ
25 Vln.
&
3 4
¬
¬ π
Blow air on the strings
Vla.
Vlc.
B3
?3 Œ
3 4
ΠBlow air on the strings
‰
œ π-
? 3 ˙. ˙. 4!
2 4
p
‰
2 4
2 4
Silently pressed
°
Vln.
Vla.
& 34
# ‰. ¿ < P
tap on body
Œ
‰
4
MaP hp
Vlc.
II
#3:2
&
2 4
?3
4
F 1
o
!
‰ œœ ≈ ¿. ¿. ¿. + p π
&
III ord
‰ Ó °
p
p
o
!
o
Œ
π
œœ œœ œ- ! œ " œ
2 4
œœ
2 4
III
œ œ F
P
& 2 4
œ≈ œœ œ œ + Pπ mœ
œ œ ∏
(on bands)
≈
6 5 4 3 2 1
4 4
â p f
œœœ œ. œ. œ. P
6 5 4 3 2 1
6:4
‰
Legno Battuto
4 4
jeté
4 2 3
Pizzicato on the bands underneath the piano. The spoons will tingle.
5
6
P πp 1
1
≈
1
≈
3 4
≈Œ œ œ. . . . . . . . . qn P
≈
4 4
‰
jeté
Legno
œœ œ œœ ≈œ ≈ œ + + π
œ œ
œ. . . . . . . . qn F
≈‰
3:2 Battuto
3 4
Ó. . . . . . . . . . . . P qn
œ œ œ œ 44 ‰ œ Œ œ. œ. œ. œ. . . . . . . . . œ. . . . . . . . . jeté
F πP
œ œ mœ œ œ
≈Œ œ œ. . . . . . . . qn F [RS]
œ œ. œ. œ. œ. . . . . . . F P qn P
II
π
#
pizz
3:2
Legno
m œ m œœ œœ
On the bridge (sP)
# fi ≈ ≈ ¿ ¿ ¿ ¿ ¿ < qn o P
.
1
3:2 Battuto
MaP
‰
3 4
I
œ œ ≈ œœ œ P π+
III
tap on body
Play with a loose hand over the bands in circles
6:4
˙˙ ˙ !
mœ
&
WHISPER
.œ . . . . .
P
3:2
IV
2 4
p
tap on body
p
3 4
[yet another thing I didn't know about you]
4 4
√ >œ >œ >œ äœ ≈ ≈ ≈ ‰.
œ.
Roll band in position
#3:2 # ≈ ‰ ännu en sak jag inte visste om dig ¿. ¿. ¿. <¿ p P
tap on body
4 4
‰ ≤≤≤≤≤≤≤≤≤≤≤≤
1
FM-MP3
mœ
œ
Ord # Bow ≈ ≈‰ Œ ¿ œ ¿ œ ¿ < p π P
6
œ
œœ ≈ + π
œ
≈
1
# ≈ ‰. <¿ oP
.
4 4
p
FM-MP3
œ
tap on body
tap on body
Hand through the bands underneath the piano. The spoons will tingle.
Pno.
&
Ord Bow
B3 Œ
?
o
!
Silently pressed
H 29
FM-MP3
1
2 4
œ-
tap on body
1
1
Œ
‰
œ-
2 4
p
¬ π
¬ π F
4
& Pno.
¬ πP
4
1
F
qn
Drag the nails along the side of the keys.
‰
qn
f
#
‰
tap on body
¿. ¿. ¿. ¿. ¿. ¿.
qn
?œ
P
4
3 4
6:4
‰ Œ P 4 ‰ Œ m œœ ‰ 4 4 4
3 4
‰
3 4
-321-
J tap on body
!
& Ord Bow
≈ ≤≤≤≤≤≤≤≤≤≤≤≤Œ π norm. fast TEMPO:
33 Vln.
Roll band back/forward. End in position
& 34
<¿ P
norm.
2 4
II
Roll band back/forward. End in position
‰ B 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ TEMPO:
norm.
Vla.
œ
Ord Bow
fast
4
2 4
π
Roll band back/forward. End in position
norm. norm. fast ? 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 2 4 4 ¿. ¿. ¿. ¿¯ ≈ π
&
˙œ ≈ + π &
Vlc.
3:2
P
Pizzicato & Blow air on the bands
Elastic rubber band
(on bands)
‰
3 4
Pno.
!
pizz
œœ œœ . . . œ 3:2
6 5 4 3 2 1
P f 1
1
1
2 4
pizz
(on bands)
≈.
3:2
.... F 1
1
1
1
‰
2 4
œ
Vln.
& œœ ∏
Vla.
B3 4
. . . . . . . . F
qn
Pno.
‰
!œœ
œœ œ
6 5 4 3 2 1
2 4
~~~~~
4
‰
2 4
Œ
Drag the nails along the side of the keys.
& 34 P ?3 ‰
II
f
Pizzicato & Blow air on the bands
‰
œœ œ
œœ ≈ ≈ + P + π π
œœ
Œ
∑
&
4 4
œ œ
mœ
p
m œ m œœ
‰
f
œœ
4 4
? 4 4
˙ F
3:2
œ ∏
œ œ
œ œ
F ˙ ˙
P ˙
3:2
œ. œ. œ. œ. œ. œ. F P
œ œ
œ œ
3 4
,
3 4
∏
Drag the nails along the side of the keys.
m ˙˙
3 4
3 4
3
FM-MP3
‰
2 4
‰
1
4 4
F
o
!
4 4
F
o
!
Œ
√> œ
. .... . . π °
3 4
3
FM-MP3
‰
3 4
3
FM-MP3
Œ
2 4 œ.
4 4
F
o
!
3
3:2
mœ
mœ
& Ord Bow III
3
‰ Œ
? 3 œœœœœœ Œ 4 œ. œ. œ. œ. œ. œ. F P Legno 3:2 Battuto
Vlc.
2 4
≤≤≤≤≤≤≤
œ.
4 4
3
Roll band off the neck of the instrument. Free strings.
Legno Battuto
, Battuto
K
Battuto ≤≤≤≤≤≤≤ , Legno 3:2 3:2 œœœœœœ ‰ œ. œ. œ. œ. œ. œ. F P
3 4
3 4
Legno
œ≈ œœ œ œ + Pπ
∑
Roll band off the neck of the instrument. Free strings.
37
˙ ˙ F
IV
‰ œœ œ ≈ + π
°
˙ ˙
4 4
mœ
III ord MaP
F
III
œ œœ œ ≈ œœ œ + P qn π
œ
TEMPO:
œ
f
≈
‰
>œ
≈‰ ∑
5
>œ p
≈
3 4
∑
4 4
4 4
Ó
?
b œ-
p
3:2
œ-
F œ-œ
3 4
3 4
-321-
L
U œ 2 œ ‰.
o
Ó
œ œ P
4
o
?3 4
o
& 34 ΠPno.
‰
?3
Œ
œœœ -
4
P
&
‰
√-œ
p œ œœ 3:2
≈
‰
+œ œ ‰. œ œ Ó. . . . . . . π P P
Pizz Arp
[RS]
left hand
U
·œ ·œ ·œ
Vln.
Vla.
& 34
p
(√) œ & 34 œ p
Vlc.
gliss
4
Pno.
Hand through the bands underneath the piano. The spoons will tingle.
6
3 4
F 1
‰
p
pizz
œœ œœ œ
(on bands)
6 5 4 3 2 1
2 4
·œ ≈ Œ
π
2 4
..
¬ π
Blow air on the strings
œ œ
‰.
Œ
B 2 4
..
¬ π
Blow air on the strings
f
2 4
..
¬ π
Blow air on the keys
Blow air on the keys
h
h
¬ > π
f
j mœ œ œ œ œ 3:2 F π
œ
Put blutack/other on the harmonic. Then just press the keys to play it.
& 4 4
1
(on keys)
N
2 4
2 4
..
>¬ π .. Œ .
body
œ. œ. æ æ
b ··
◊>
..
Œ
œ. œ. œ. ‰ æ æ æ
[LSh]
..
.
&.
6
..
π P
√
œœœ
>œ ‰.
f °
Œ
‰.
ΠF
&‰
3 4
3 4
√ä ‰
r
mœ
œ œ
P
qn
‰.
? 3 4
3:2 3:2
‰ Œ
m œ m œœ œœ
3 4
[LSh]
>œ . . œ. . . . . . >œ œ. . . . œ. œ. 4 æ æ ‰ ‰ ≈ 4 3:2 3:2 P f P qn f P
3 4
4 4
3 4
[RSh]
>œ œ. . . . . . . . . ≈ ≈
œ. æ ‰ Œ
[RSh] body
f π3:2 P
Pizz Arp + œ. œ. œ. œ ‰ æ æ æ ‰ œ≈Œ œ œ P π P LH
body
πP
œ œ œ œ œ œ
œ mœ œ
body
body
f
f
Π[LSh]
f
Nails along keys
? 4 4
œ. ‰ æ π
[LSh]
f
f
norm.
1
..
( m œœ )
3 4
3:2
j 3:2 œ œœ ≈ ˙ + qn π
F
≈ ≈ ® ‰. & ‰. mœ â â â f f °
1
Repeat freely
qn
¬ π
?3 Œ
œœ ≈ + π
œ ∏
·œ
π
F
I
II
4 4
Blow air on the bands
Blow air on the strings
4
III
Elastic rubber band
qn
?3 Œ
mœ
Blow air on the strings
gliss
& 4 4
·œ ..
œ
If that is not possible: Find the position of the harmonics on the strings. Put a mark on it so that you can find it quickly.
M 45
+œ œ ‰. œ œ P
&
Pizz Arp
left hand
2 4
~~~~~~
p
œ œœ
U
Œ
œ ® œœ ≈ Œ œ Ó. . . . . P P
MLTr
~~~~~~~
4
‰.
Œ
2 4
~~~~~~~
Vlc.
U
B3
behind bridge
~~~~~~~
Vla.
∏
√
Arp
[LS]
‰
4 4
œ œ
MLTr
II
4 4
~~~~~~~
& 34
behind bridge
~~~~~~~
Vln.
≈ ≈ œœ ‰. œ œ Ó. . . . . . . . . . . . P π P Pizz
Pizz Arp
~~~~~~~
41
Pizz Arp
[LS]
behind bridge
œœœ
4 4
4 4
>œ
F Œ
‰.
pizz
(on bands)
6:4
π 1
3 2
4
¯ ¯ ≈ ≈ ≈ ‰.
ä ¯
5
6
1
f
1
3:2
1
3 4
1
p
3 4
-321-
O
P [LS]
& 34 ≈
≈
49 Vln.
Ó. . . . . . . . . . . . Ó. . . . . . . π p πP [LS]
Vla.
B 3 ‰. [RS]
Vlc.
?3
√ &
®‰ ≈
3 4
>œ p
Pno.
[LS]
∑
[LS]
≈
≈≈
m˙
‰.
? 2 4
‰ œœœ !
pizz
(on bands)
œ. . . . . . . . 1
°
P
Œ
b œ- œ- œœ œœ - œ-
◊ p
Play with a loose hand over the bands in circles
P π
Vln.
Œ
(
Vla.
Vlc.
2 4
P)
B3
3
4
P
4
3 4
f
o
!
√
œœœ
ä ¯ ¯ ¯ ≈ ≈ ≈ ‰. 1
FM-MP3
& 34 Ó
1
3:2
1
1
p
2 4
4 4
o
4 4
qn
6 5 4 3 2 1
F
Œ
‰
>œ p
Œ
‰.
œœœ
Œ
Œ
4 4
pizz
(on bands)
2 4 œ.
1
6:4
π 1
4 2
6
>œ ®
3 4
[LAp]
Ó
‰ ≤≤≤≤≤≤≤≤≤≤≤≤
‰.
f
3 4
Roll band in position
p o
œ œœ ..
5
3
Œ
4 4
P
(on bands)
≤≤≤≤≤≤≤≤≤≤≤≤ ‰
p
3 4
3 4
pizz
rit.
Roll band in position
MaP
>œ
‰. P
3
2 4
Legno Battuto
ord
>œ . . . . . . p qn
œ
3
?3 Ó
Pno.
∑
o
4 4
π
MaP
‰. F
& 4 4
6 5 4 3 2 1
3
& 34
!
>œ
œœœ
3 4
o
˙ ˙ F
√
Q 53
FM-MP3
Vibr.
4 4
∏
(on keys)
Ó
ord
m˙ ˙
P
qn
!
4 4
3 4
P
o
3
≈
MLTr
2 4
FM-MP3
4 4
[RS]
norm.
Œ
3 4
≈
Ó. . . . . . . . . . . . . Ó. . . . . . . . . . . . Ó. . . . . . . π F π p π p
Ó. . . . . . . Ó. . . . . . . . . . . . π p π p
œœœ
Ó. . . . . . . . . . . π P
2 4
≈
4
≈
2 4
[LS]
Ó. . . . . p
4
3
[LS]
[RS]
bœ. œ œ.
Ó
œ œ
3 4
3 4
Œ
∏ œ œP mœ œ œ ? 4 ‰ ‰ 4 π f ° Nails along keys
. . . . . . . œ. . . . . . . . P F
œ. . . . . . . .
1
1
7
P
Œ
&
3 4
-321-
R
S
57 Vln.
& 34
e
p
3:2
qn [RS]
+œ
~~~~~~
. .
f
‰
2 4
trem
~~~~~~
Vlc.
p
3:2
qn [RS]
2 4
LH/RH-pizz Arpeggio
[LAp]
. . . œ. . . . . . . . . . . e
‰
‰ ≈
œ. . . . . . .. . . . . . . . .
x e e
4 4
p
qn
+œ
≈ œœ ® Œ œ R Ó Ó. . . . . . . . . . . . . . â F qn p MsT + >œ ord +œ ˙ ˙ ‰ ®≈‰ œ ≈ ˙ ˙ œ ˙ ˙ œ ˙ ˙ RÓ F F â p qn
Pizz Arp
˙ ˙ ˙ ˙ p
2 4
Pizz Arp
4 4
trem
∑
2 4
∑
T
Vln.
& 34 Œ
Vla.
3:2
>œ œ. œ. P œ ‰. œ
B 3 œœ 4 π
qn
hard pressure hp
4 œ 4 œ
Ó â F
œ R
Pno.
4
?3 4
3:2
b œ- ≈‰ π
π
b œ-
hp
‰ ≈.
œ >œ f
Œ
2 4
[RS]
2 4
hp
≈ œ- ≈‰ œ- ≈‰ œ- . p P qn p
3:2
œ-
P œ-œ
œ œœ
pP
œœœ -
+œ œ œ œ R
≈
3:2
1
U
‰
> ‰ ≈ . œœ
Blow air on the strings
U
‰ ¬ âÓ Ó. . . Ó. . .. . . . . . P qn p F Legno MsT+ MaP Battuto fi U U œ œ ‰ ®≈‰ œ œ ‰ ‰ ‰ œ œ œ œ œ >œ p qn F
Pizz Arp
2
U
2 4
& 2 4
‰
√-œ
4 4
U
¬
p > œ œœ π
‰
4 4
III
Œ
3:2
8
‰ ‰
>œ
P
Œ
.
≈‰
œœœ
Ó
‰ Œ >œ p
≈‰
3 4
œœœ
>œ
π
≈ ? 3 4
°
ord fi , . . . œ. . . . . . e. . . . . . bow fi ‰ ‰ ‰ œ œœ3:2 F p qn fi 3:2 MsT Legno +œ Battuto II œ ≈ ‰ . ‰ . III œœ œœ ≈ œœ ≈ ‰ œ œ << < RÓ f p â Ó. . ..p.. . F qn Move bow in a vertical direction. Along the strings, away from the bridge
3 4
4 4
œ
œ P
qn
œ œœ
‰ √
¤-œ
P œ œœ p 4 ‰ 4 °
fi ≈œ œ œ < P f
3 4
II III
Legno Tratto MsT
& 4 4
U
3 4
[RS]
Pizz Arp
Blow air on the keys
≈
‰
œœœ
x x e
f
trem
2 4
√
â . . ... . . Fp P 4œœ 4 œ
U
‰ ≈œ œ œ. . . œ. . . . . . . . . . P qn p 3:2
Ó. . . . . . . . . . . p qn
Œ
3
LH/RH-pizz Arpeggio
3:2
&‰
œ œ. . . . . . . . . . qn p
U
œ
≈®
(on bands)
Elastic rubber band
Rubato
~~~~~~
Vlc.
?3
‰
Legno Battuto
~~~~~~
Mezzo Legno Battuto
61
3 4
~~~~~~
∑
LB LTr
‰ ‰ œœ ‰ œœ>œœ. œœ. œœ ‰ œœ>œœ. œœ. œœ p π Pœ &
+œ
Pizz Arp
pizz
3 4
Legno LB LTr Tratto
œœœ œ œ. œ. >
[RS]
MaP
& 4 4
Pno.
√œ œ
&
Tratto œ. . . . . . . . . . . Legno ‰ œœ œœ œœ œœ œœ qn P qn p qn qn p
LH/RH-pizz Arpeggio
[LAp]
Legno Battuto
[LAp]
~~~~~~
B 3 ≈ œœ ® 4 œ R Ó Ó. . . . . . . . . Fâ qn p + >œ MsT ˙ ? 3 ‰ ®≈ ˙ 4 ˙ ˙ F qn Pizz Arp
Vla.
‰ ‰ ≈.
>œ
x x e
~~~~~~
x x e
~~~~~~
. . . œ. . . . . . .. . . . .
[LAp]
~~~~~~
q = 68
3:2
œ
qn
‰.
Ó
3 4
3 4
-321-
V
Vla.
Pizz Arp
+œ œ œ œ R
~~~~~~
LH
~~~~~~~
Vln.
Pizz Arp
œ. . .
Ó Fâ
‰.
‰ ≈
2 4
p
p
P
3:2
3:2
qn [RS]
‰
2 4
Ó. . . . . . . . . . . . qn p MsT + 3:2 œ 2 œ≈œ≈‰ Œ œ 4 œ< œ œ œ < p qn
qn
œ. . . œ. . . . . . . . . . ≈ ≈
. .
.
Œ
LH/RH-pizz Arpeggio
?3 4
&2 4
on the keys
pizz
Elastic (on bands) rubber band
3œ 4 œœ
â . . .. . . . Fp P
Pno.
3
2
1
‰ Œ
69
Vla.
Vlc.
&
3 4
B3 4
Ó
œ
?3 ≈ 4
& 34 Pno.
& 34
œœ m -œ
≈ qn
‰ œ
œ
P
& Ord Bow IV
LH
mœ
œœ ≈ + Íp
œ
Ord Bow I
4 4
Tail piece
≈
(bow)
P
qn
,
Tail piece
≈
(bow)
œœ ≈ + Íp
œ P
4 4
œ
qn
œ. p>
œ. p>
œ. p>
Tail piece
œ
≈
(bow)
œ
œœ &
6:4
œ. œ. œ. œ. œ. œ. qn F
œœ ≈ + Íp
∑
+
¤œ
&
p m -œ
4 4
Œ
4 4
œ
4 4
-œ
œ P -œ
P œ œ
œ
qn
b -œ œ
,
,
œ
‰ ∏
Œ
Ó
3 4
œœ p>
œœ œ œ p> p> Œ
3 4
-œ œ-œ
p
3 4
∏ 3 4
& 3 4
p
4 4
5
3 4
5
-œ œ
‰ Œ
∑
2 4
∏ 2 4
œœ p>
-œ œ œ
-œ œ
œ-œ
& Ord Bow IV
œ
II
2 4
o!
œœ œ œ p> p> , ,
œ œ œ. > p> p
-œ
Œ
œ ‰. œ œ œ P
behind bridge
&
W
FM-MP3
,
MaP
2 4
5
Vln.
œ œ œ œ p
ord
~~~~~~
Vlc.
trem
Pizz Arp
~~~~~~~
+ œ & 34 œœ ≈ œ P Legno fi Tratto MsT B 3 œœ 4
65
[RAp]
[RS]
œ
‰ ? 2 4
Œ
‰ qn
Œ
œ > π
π
œ ◊-
œ
‰
FM-MP3
o!
‰ Œ
&
4 4
qn
∑
9
4 4
4 4
œ
‰ III œ
MLTr
œ > π
π
œ ◊-
œ
‰ Œ
qn
o
Ó
p œ ‰
3 4
3 4
p
3 4
-321-
X
accel.
73 Vln.
& 34
Vla.
B3
2 4
5
4
?3
‰ Œ
(bow)
4
Œ
œ > π
œ
œ > π
qn
œ
≤≤≤≤≤≤≤≤≤≤≤ ‰
‰
Roll band off the neck
Pno.
?3 4
°
œ ◊-
Start ebow
ord pos
Ó
·˙
·œ .. œ mœ
π
II
4 4
√ä œœ
‰ Œ
Œ
1
2 4
‰ Œ
œ ◊-
Place ebow
œ
Œ
1
π
‰.
Ó
4 4
,
77 Vln.
Vla.
&
3 4
œ. > p
B3 Œ
œœ p>
‰
œ
2 4
Œ
ord pos
π
qn
√œ
gliss
p
œ
œ œb œ œ 4 œ gliss p ∏ 4
o
2 4
gliss
·· · œ œ œ œ .. ≈ œ µ œ n œ œ œ œ· p π p o π P p qn
qn
Vlc.
4
MLTr
˙˙ p
& 34 ΠPno.
œ
2 4
qn
√ œ̄
Play with left hand
P ˙
3:2
‰.
œ̄
‰.
œ. π
MLTr
j œ
MaP
ord
œ
qn
ord
MaP
4 4
œ p
√ä pizz b œœ
œ̄
‰. π
2 4
o
2 4
‰. P qn ‰ œ œ
F ˙
b œœ œœ @ @ ◊
˙˙ @ 10
Ord Bow
o
4 4
ord
p
œ
3 4
b œœ ‰ .
°
F
p
· œ· gliss œ œ œ F ∏ MaP
ord
œ p
¤ä √ b œœ œœ ‰. ® ≈. ‰ pP œ
1
Œ
?
3 4
3 4
o
œ
Pizzicato & Blow air on the bands
Œ
3 4
3:2
nœ œ œœ œ œ m œ ® glissœ bœ œgliss gliss qn p qn P π F π p
Place ebow
4 4
3 4
‰ bœ· œ· .. m œ m œ· Œ
II III
3 4
¤ mœ
&
MaP ord
3 4
Œ
!œœ
œœ œ
6 5 4 3 2 1
~~~~~
?3 œ 4 p
Ord ord
œ·
4 4
normal pressure
?3
Œ
5:4
3:2
‰ œ œ
4
œäœ
Wedge
q = 92
,
∏
Œ
Y
œ. p>
œ œœ
(hit it w hand inside piano)
√ bœ. œ œ œ œ œ
(bow)
Vibr III IV mœ œ
‰.
Œ
≈
Tail piece
3 4
P
qn
& 4 4
π
≤≤≤≤≤≤≤≤≤≤≤≤ ‰
‰ ≤≤≤≤≤≤≤≤≤≤≤≤
pizz.
π
Roll band off the neck
o π
π
qn
Roll band off the neck
4 4
o
2 4
‰
4 4
2 4
Tail piece
Vlc.
5
qn
°
3 4
3 4
-321-
Z
rit. [LAp]
≈.
81 Vln.
& 34
>œ œ. . . . . . . . . . F
qn
‰ ‰
Legno Battuto
Legno Tratto
œ. . . . .
2 4
qn
[LS]
Vla.
Vlc.
Pno.
B3 œ ≈ 4
o Ó. . . . .
?3
¬ f
!
Legno Battuto
‰ œ . . .... . . . . qn P
&
œ-
o ˙˙ ˙˙ ˙
6 5 4 3 2 1
2 4
qn
Blow air on the strings
‰ Œ
¬
qn
B ≤≤≤≤≤≤≤≤≤≤ ‰ Œ Roll band in position
Vla.
Vlc.
π
?
two finger pizzicato
‰
œ. â gliss F
Pno.
œœ œœ œ
6 5 4 3 2 1
P
∑
2 8
2 16
j 2 œ . 16 . . . . .
Legno Battuto
F
mœ œ o
5 4
gliss
qn
? 2 8
5 4
j œ 2 œ 16 F
5 4
6 5 4 3 2 1
‰
¬ F
œ â gliss
. ·· ‰
œF Legno Battuto fi 3:2 ≈ œœ œœ ≈ œœ << < f p
‰
III MsT
j œ P
Legno Tratto
œ
qn
‰ >· ≈ Ó · ◊
AA 5
p
o!
‰
¤œœ
Œ
◊
FM-MP3
o
Œ
5
5
FM-MP3
p
o
!
3:2 ‰ ‰ ≤≤≤≤≤≤≤
π
π
3:2
‰. œœ > ◊
fi
œ 1&2 œ ‰ π
¤œœ 5 > 4b
6 5 4 3 2 1
qn
Œ
f
Wedge (hit)
F ? 2 ≈ 2 ≈ 8 16 b œœ π ◊> ° œœ .. œœ .. œ ..
œœ œœ œ
Ó
ord bow
Lift ebow
5
√ >œ >œ ‰. ‰. &Œ Œ
‰
fi
≈ ≈‰ ≈‰ ≈Œ œ œ œ œ œ œ œ œ < < < < π f Legno fi MsT Tratto œ œ œ ∑ 54 ˙˙ œ œ œ p qn P qn
2 16
qn
œ. . . . . π
Move bow in a vertical direction. Along the strings, away from the bridge
o
Ó
Ó
Œ
5
Roll band in position
Wedge (hit it with hand inside piano)
F ? ‰. b œœ ◊>
mœ
2 8
≈
œ. p
Legno Battuto MsT
~~~~~
fi
86
œ. p
≈
~~~~~
f
o
~~~~~
~~~~~
6 5 4 3 2 1
œ
Place ebow
2 4
,
œ. . . . . . . . . . qn p
Legno Tratto
2 4
2 8
Legno Battuto
2
~~~~~
œœ œœ œ
‰
2 4
? 3 ˙. 4 P 3 4
Vln.
®‰
Ó. . . . . F qn P qn
Blow air on the strings
4
®≈
. . . . . œ o P
∑
q = 60
5
FM-MP3
p
o
!
>œ >œ >œ >œ >œ ‰. ‰. ‰. ≈ ≈
P Ó.
3:2
Œ
11
F p ‰. Ó. mœœœœ < ◊
o
Elastic rubber band
œ
3
â F œ
2
œ
1
‰.
‰
œ
3
œ
2
⠜
1
≈
-321-
BB
& ‰ ≈.
89 Vln.
x x e e >œ .. . œ. . . . . . . .
f 3:2qn p
[LAp]
‰ ‰ ≈.
f 3:2qn
[RS]
p
[RS]
Pizz Arp
Pizz Arp
. . . . . . .
x x
3:2
‰ Œ œ â qn p F
‰
6
Pno.
œ
Fâ
1
3
œ
2
œ
1
trem
~~~~~~~
? Œ
trem
~~~~~~~
Vlc.
Pizz Arp
[LAp]
LH
.
≈
. . . . . .
x x 6
qn p
qn
Œ
Ó + œ œ œ œ
Pizz Arp
œ œ œ œ p
œ œ œ œ p
F⠜1
‰.
œ
Fâ ° 3
œ
2
œ
1
‰.
+ œ œ œ œ
Pizz Arp
trem
qn
√ >œ >œ Œ ‰. ‰. Œ ‰
œ œ œ œ p
qn
π
Vlc.
Pno.
B
?
œ
œ
œ
‰ Œ
¬
∏
qn Blow air on the strings
Œ
¬
∏ œ
qn
∏
<
qn Blow air on the strings
Œ
≈
qn [RS]
3:2
+œ œ œ œ R
3:2
e
[RAp]
LH
‰
˙
œ
<
‰Œ
e
Pizz Arp
[LAp]
˙ ! 3:2
e
>œ. . . . . . . . . . . .
trem
LH
Œ
‰
F
3:2
œ
<
‰
‰. œ ˙ m œ-! ˙ pF
˙
˙ !
œ
<
‰ Œ
Œ
12
‰ œ ≈ œ> . . . . œœ F p> Tail piece Legno Battuto , ≈ œ >œ . . . . œ . œ . > > F p p (bow)
Ó
p Ó
P ‰. Ó mœ <
?
œ
<
‰
q
RH
<
‰Œ
gliss
œ œ .. F
MLTr ·œ> ·œ ≈‰
p ∏ 3:2
fi 3:2 ord MaP ord ≈ . ≈‰ ≤≤≤≤≤≤≤≤≤ œ . . . œ . œ œ > π o P qn P Roll band off the neck
œ.
œ
?
œ œ .. gliss
Legno Battuto
‰
bow
F 3:2
‰
œ œ
< <
œäœ
‰& ‰ . P
pizz
œ. ! 3:2
gliss
Roll band off the neck
œ > p
?
√ œ
q
œ > p ,
Œ
œ ·œ œ œ bow œ ‰ & ≤≤≤≤≤≤≤≤≤≤ ≈ ‰ ‰ F πF π
® ≈ ≈‰ ¬ ¬ 3:2 Ó Ó. . . P > qn F F P π qn p >œ . . . >œ . . . >œ . . . MsT+ MaP œ. œ. ‰ ≈. ≈ ‰ ‰ ≈. ≈ ≈ ≈ ‰ œ .. œ .. œ. œ. œ œ 3:2 3:2 3:2 3:2 ∏ p P P P Pizz Arp
œ. p> Tail piece ,
I fi> . . . . . . . . . . Ord Bow II œ œ ‰ ≈ œ œ Œ œ p p p
[RAp]
‰ Œ
œ
¬. F
¬
[LAp]
? ‰. œ ˙ m œ-! ˙ p F ? Œ
Œ
¬ F
e Û. . . . . . .. . . q
≈
CC Legno Battuto
~~~~~~~
Vla.
&
Blow air on the strings
(bow)
Legno Battuto
>œ >œ ≈ ≈Œ
3:2
Tail piece
(bow)
Ó
~~~~~~
Vln.
F 3:2
5:4
>œ >œ >œ ‰. ‰. ‰.
p3:2
~~~~~~~
92
[RS]
MaP
trem
Play with finger (RH) on the ending edge of the fingerboard Blow air on the strings
p
x >œ . . . ‰ ≈ . ≈Ó
≈ ® Œ âÓ Ó. ... . .p. . . F qn
MsT MaP MsT
MaP
+œ œ œ œ R
Pizz Arp
~~~~~~~
. . . . p MsT + œ œ œ œ
e x x e >œ .. . œ. . . . . . . .
f 3:2qn
~~~~~~~
≈ ® Œ ≈ ® âÓ Ó. .... .p. . . âÓ Ó. ... F qn F qn >œ MsT+ MaP œ .. œ .. ‰ ®≈ œ. œ. œ. œ. œ œ F qn p
Pizz Arp
‰ ≈.
‰ Ó
5:4
~~~~~~
B Œ
+œ œ œ œ R
5:4
~~~~~~
Vla.
+œ œ œ œ R
e x x e >œ .. . œ. . . . . . . .
[LAp]
~~~~~~
[LAp]
‰ Œ °
On the keys
r œ
äœ
&‰
‰.
√ -œ
bäœ ® ‰. !
≈‰ ‰
bäœ
3:2
-321-
DD
(√) Battuto Tail piece , , , 95 œ œ ≈ ≈Œ & ® ®≈ œ œ. . . . œ œœ œ œ œ œ œ œ. œ. >p p f p> p> p> ∏ p> ∏ ·œ ·œ µµ ·œ nn ·œ gliss III Ÿ ~~~~~~~~~~~~~~ ord pont ·œ ≈ œ (· ) ≈ B ≤≤≤≤≤≤≤≤≤ ‰ Œ & . gliss ( ·) œ 3:2 F πP ∏ π Mezzo Legno
Vln.
&
Vlc.
,
,
Tail piece
,
‰ ≈ œ œ F qn œ> œ œ>. œ . >œ . >œ p p ∏p p (bow)
ord MaP ord
Vibr.
œœ œœ
‰ œœ œ III ≈‰ ≈ ≈ + 3:2+ + Íp Íp Íp I
®œ . .
œ >œ œ œ ∏ p
qn
&
II III
ord pos
ord pos
(bow)
,
‰
P
œ p>
œ ‰
ord pos
3:2
Ord Bow
Roll band in position
?
√m œ œ
œ
(bow)
,
+ 3:2 ≈ ‰ œ ≈ ‰IIœœ ≈ œ + œ œ. œ. Íp f ∏ p> 3:2 Tail piece ‰ I œ œœ ≈ ‰ œœ œ III ≈‰ ≈ ≈ œ œ + 3:2 + Íp +f Íp p> ∏ , ‰. Œ
Tail piece
‰
Roll band in position
π
gliss
Vla.
≤≤≤≤≤≤≤≤≤ ‰
(bow)
. >pœ p>œ œ >pœ œ
‰.
œ ∏
Elastic rubber band
! Œ ‰. œ â (√) P¯ F nœ ‰. Ó &
Œ
Elastic rubber band
Elastic rubber band
1
‰
p √ -œ
P â F ¯ ä bœ nœ ≈‰ ‰ ‰. Œ 1
p P √P œ m äœ n œ¯ ?≈ ≈ ‰ ≈ ‰ ≈ ≈ ‰. Œ & ¿ œ 3:2 ƒ> ◊> Blow air on the keys
3:2
√m œ mœ
˙. ˙.
œ œ & œ œ œ
98 Vln.
&
Vla.
B
œ
œ
qn
œœ
F
o
œ œ œ œ œ
p
F
mœ mœ
Roll band in position
? Ó
œ
<
‰
˙
œ
<
‰Œ
[LAp]
f π
P
3:2
˙
˙ ! 3:2
+œ œ œ œ R
‰≈ ≈ ‰ ‰ o Ó Ó. . . 3:2f Fâ π >œ. . . >œ . . . œ œ ‰ ≈. ≈ ‰. ≈ Pizz Arp
e
˙ !
Œ
ƒ
3:2
3:2
Blow air on the keys
F ƒ ‰ ‰ ‰ ‰. œ œ >¿ < < 3:2
13
Pizz Arp
MsT
Ó
qn
°
œ ◊>
Œ
√m œ
œ
&
e
qn P
+ œ .. œ. œ. œ
P
e
‰
MaP
œ .. œ. œ. œ P
trem
‰
e
e
>œ. . . . . . . . . . . [RAp]
f
3:2
qn P
‰Œ
Ord Bow
B
œ
‰ ≈
&
3:2
œ œ. o P
œ
œ
qn
œ + + Legno & mœ Battuto 3:2 3:2 3:2 œ œ ‰ œ ≈ œ ‰. ‰ ‰ œ. œ œ œ œ œ >œ . . . œo œ P P qn F Pizz Arp
Ord Bow
~~~~~~~ ~~~~~~~
Pno.
qn
‰. œ œ m œ-! œ PF
e
?
? ‰.
Legno Battuto
>œ . . . . . . .. . . .
3:2
Ó
fi . . . . . . . . . . Ord Bow > œ . ‰ œœ œœ ‰ ‰ œ œ o P qn p
~~~~~~~
? Œ
3:2
[RAp]
? ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ ‰ œœ œœ
π
f
qn
[RS]
Œ
&
Vlc.
‰
[RAp]
˙ ˙
qn
Ó
e q Û. . . . . . . . . .
~~~~~~
&
Œ
â F œ1
EE
Play with finger (RH) on the ending edge of the fingerboard
~~~~~~~
Pno.
œ
‰.
√m œ
œœ
‰. œ ˙ m œ- ! ˙ P f 3:2 ‰ ‰Œ œ œ < <
√
œ
œœœ b œ n œœ ? &‰ ≈ ≈œ œ
Œ
&‰
œ !
3:2
π
œ mœ œ
3:2
√œ ‰. ® F p
-321rit.
101
&
&
Vln.
√m œ
√m œ œ œ
& fi œ ≈ >œ . . . . . . ‰ LB≈ œ œ œ œ œ< â f o P qn p Legno Battuto
œ
P œ
e
q
q
e.
>œ . . >œ . . . . . . . . . . . . . . . B œ œ œ≈ &
Vla.
œ
&
[RAp]
P qn3:2ƒ Íp f œœ
? œ œœ œœ
Vlc.
P
F
qn
mœ œ
B
qn œ
+ ‰ ≈ œ. œ. œ. œ œ o f R p
pizz. 3:2
bow
3:2 œ œœ ? œ œ. œ ‰ ≈ Œ & m œ-! œ. ! œ P f œ 3:2 ? ‰ ‰ ‰m œ œ Œ Œ & & 3:2 œ œ < < π F °
Pno.
FF
.
F
‰
sT
Vln.
Vla.
Vlc.
&
MaP 3:2
≈œ œ
3:2
e q
q
Blow air on the keys
¬
√
o
√ œmœ œ œmœ œ n3:2 œœœ b œ nn œœ Œ & ‰ ≈‰ ≈‰ ≈ ≈ œ œ 3:2 √œ π
?Œ
œ mœ œ
jŒ œ < f
&‰
3:2
Blow air on the keys
e q
3:2
q
q
œ≈ œ Ó Ó > . . > . ... . . . . . .... . . . . qn F Íp P qn p .
≈ ≤≤≤≤≤≤≤≤≤≤
Roll band off the neck
¬
qn
¬ F
π
√ œ̄ œ œ mœ bœ œ mœ œ & ≈ ‰ ≈ ‰ œ œ ≈ ≈‰ √
π 3:2 p Ó.
Blow air on the keys
‰ ≈ ®
h
¿ p f>
π F
5''
π 5:4 ∏
nP
œ
HardPress
œ
p
œ
?
15''
¤
mœ
nP &
nP
HardPress
qn
F
œ
P
qn
10''
nP
Legno Battuto
œ
qn
P
œ > . . .. o p qn
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
Roll band off the neck
B
π
?
Slide ebow
Place ebow
(position from middle to quarter of string)
(high harmonic setting)
Pno.
œ œ p
+ 3:2 3:2 ‰ ≈ œ. ‰ œ œ. œ. >œ . . . ¬ o π p F qn f
¬ f
qn
Blow air on the keys
¿ p ƒ>
≈œ œ .
MaP 3:2
pizz. 3:2
œ >œ . . . ƒ¬ F qn
‰ ≈ ®
sT
Legno Battuto
3:2
q
p
œœ
e.
Ord œ ≈ >œ . . . . . . ≈Bow œ œ œœ 3:2 p qn o p qn
œ
œ œœ â o P o
3:2
œ≈ œ Ó Ó . . > . ... . . . . . .... . . qn > f Íp f qn F
œ œ o P
√ œ bœ nœ ≈œ œ √œ
œ< œ
&
Legno Battuto
√m œ
œ
FREE PART
¤m œ
&
qn p
œ
0''
104
œ ≈ >œ . . . . . . ≈ œ
Ord Bow
&œ
Legno Battuto
&
Legno Battuto
Ord Bow
√m œ œ
œ
Place ebow
? mœ 2
o
mœ
°
p
·
1
mœ
1
&
P
qn
mœ
14
mœ qn
mœ
p
∏
P
-321-
107
15''
20''
Ord Bow MaP
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
Roll band off the neck
Vln.
&
π
&
qn
mœ qn
25''
MaP
m œm œ œm œ œ œ
p π
mœ
~~~~~~~~~~~~~~~
Vibr MaP
ord
ord
30''
mœ m œ m ·œ m œ ∏ P p
Ord Bow MaP
gliss
F
F
&
qn
mœ
Vibr
~~~~~~~~~~
qn
f
mœœœ
π
Put a metal mute on
Vla.
Vlc.
B
?
Ebow
Lift ebow & switch to normal setting (left)
(position at a quarter of the string)
·
1
Pno.
110
& mœ (P) 2 ? mœ
Vla.
o
Ebow
&
mœ
?
1
œ
1
o
&
mœ
ord
œ mœ
œ ·œ
ord
?mœ
F
Wedge (hit)
40'' Vibr
Move bow in vertical direction
MaP
Ord Bow MaP
gliss
F ∏P p
?
f 3:2 ? ≈≈≈ b œœ œœ œœ ◊â â â
35''
MaP
F
œ
Lift ebow
°
30''
Nœmœ œ
Vln.
1
Place ebow
&
qn
√· mœ
Move bow in vertical direction
I
o
~~~~~~~
Ord Bow
Legno Battuto
n œ. m œ. n œ. N œ. œ. œ.
p π
œ [ ·œ ]
MaP
ord
F
o
45''
I· ··
œ· œ œ· . . . œ ord
II
qn
f
MaP
gliss
jeté
3:2
p
qn P
B
?mute on
Put a metal
Vlc.
? Pno.
?
Place ebow
1
Ebow
mœ
mœ 1
Lift ebow
mœ
2
o
Place ebow
2
°
œ
pizz
p
F 3:2 ? ≈≈≈ b œœ œœ œœ â ââ
P 3:2 ‰ ≈≈ œœ œœ ââ 15
m œ.
&
p
∏
√ œ œ
Pizzicato Arpeggio
≈
œ
Lift ebow
1
?
Place ebow
1
o
œ
nœ
Ebow
1
Lift ebow
2
œ
Place ebow
2
œ o
°
gliss
&
-321-
· ·
113 Vln.
&
5 4
gliss
p
Vlc.
B
&
Pno.
B
5 4
?
®. >œ ✠f Í
5 4
5 4
π 1&2 œ ?5œ Ebow
4
œ
?
√. pizz œ
π
∑
Put a metal mute on
5 8
Œ
qn
( )
Vla.
œœ ®‰ .
( ) ( )
˙ o
Play tremolo with the tip of the bow
j œ@ ∏ Trem with tip
Ord Bow
œ@ ‰ ‰ œ œ . o p ∏
œ o
Ord Bow
Play tremolo with the tip of the bow
œ@ ‰ >œ ®œ . â ∏ f Í
œ p
5 8
5 8
œ
‰ ® . >œ ✠f Íp
j œ@ ∏ Trem with tip
œ p j œ@ Œ ∏ Trem with tip
2 8
2 16
œ
2‰ 8
U
@ œœ p o U
® 2 @ >œ ✠16 œ œ f Íp p o
Ord Bow
2 ® 8 œ œ.
>â f Íp
U
2 16 œ
œ@
p o
Spoon
‰. Œ
Ó. œœ
Lift ebow
1&2
o Place
œ
ebow
1
o
°
Ó
(let a silver spoon on a twine vibrate against the string vibrating from the ebow)
mm mm
œ ~~~~~~~~~ p p
16
‰ Œ œ
Ebow
1
o
5 8
mm mm
œ .~~~~~~~~ π
π
Œ
∑
2 8
œ
Ebow
1
o
U
mm mm
2 16
j œ~~~ p o
π o