Tough Jewel-E by Ylva Lund Bergner

Ylva Lund Bergner

Tough Jewel-E for Flute, Clarinet, Percussion (including Electronics), Piano, Violin, Viola & Violoncell

Duration: 18-20 minutes

Written for the Swedish ensemble Norrbotten Neo with support from the Danish Art Council

- 2018 -

Tough Jewel-E --------------------------Instruments Flute (alt. alto flute) Equipment:

Radio (with usb input & led light) & Usb memory stick (with 4 sound files in mp3-format).

Clarinet in Bb (alt. bass clarinet) Equipment:

Radio (with usb input & led light) & Usb memory stick (with 4 sound files in mp3-format).

Percussion (also electronics): Instruments: Objects:

Crotales, Sand paper & Bass Drum Tin can with 2 elastic rubber bands across, Tin cans & Kitchen equipment (forks, knives...), Office lamp, Tube (w. balloon over opening)

Electronics:

5 Music boxes, Lightbulb and Autovan with built-in speakers on both & 3 Smartphones

Equipment:

Leaning surface to put the autovan on, mallets (super ball, soft & hard) & bows

Piano Equipment:

Industrial elastic rubber bands (wrapped around/over the piano), silver spoons (on a string under the piano) & 2 ebows

Violin Equipment:

Radio (with usb input & led light) & Usb memory stick (with 4 sound files in mp3-format). 3 elastic rubber bands (3 different sizes)

Viola Equipment:

Radio (with usb input & led light) & Usb memory stick (with 4 sound files in mp3-format). 3 elastic rubber bands (3 different sizes)

Violoncell Equipment:

Radio (with usb input & led light) & Usb memory stick (with 4 sound files in mp3-format). 3 elastic rubber bands (3 different sizes; 1-2 of them need to be industrial big ones.)

_________________________________________________________________________

Form Important numbers: 3 5 7 9 3 sound sources, 5 parts, 7 soundfiles & 9 minutes long Proportional length of the parts comes from 3, 5 7, 9. Since there are 5 parts the order will be: 5, 7, 9, 3 & 5 Part Part Part Part Part

I (x5) II (x7) III (x9) IV (x3) V (x5)

1'33''1 2'10''3 2'47''6 0'55''9 1'33''1

1'20 1'50 2'20 0'50 1'20

Total length proportions: 5+7+9+3+5 = 29 Total lenght in seconds; 9x60 = 540 540/29 = 18,620689

[+13 seconds of improvisation at the end] [+20 seconds of improvisation at the end] [+28 seconds of improvisation at the end] [+6 seconds of improvisation at the end] [+13 seconds of electronics at the end]

1: 1'20

2: 1'50

3: 2'20

4: 0'50

PLAYFULOOOOOOO

ETHERICOOOOOOOOOOO

GASPING FOR BREATHOOOOOOOO

OOO

DYNAMICOOO

WARMTHOOOOOOOO

OOO

OOOOOOO

fm-radio: 1 2 3 4 speakers in the back: !!!!!!!!!!!!!!

Piece Impro 1-4 Part I-V

! ! 3

! ! autovan:

! Electronics 1-7 (number 7 is played on both lightbulb & autovan)

5: 1'20

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â&#x2020;&#x2018;music boxes

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autovan & lightbulb: !!!

EXPLANATIONS In general

Grades of the accidentals.

The LED-light on the fm-radio can be turned on with a button. Hold as long as the notes says.

The fm-radio can play soundfiles from an usb . Have the volume turned down before and push the button with the soundfile number. Turn the volume up. Whisper the text above the staff. The text is in Swedish but if you want to do an English version, contact the composer for a translation.

The light on the note stand. Turn on the light in a specific rhythm. The light is off before.

Use a dimmer for the note stand light and dim out.

Speak and make sounds without the instrument. The sounds are 'psch', 'ah' & 'sh'.

Each part ends with a free part where the notation is written in seconds.

Technique in general - 5 instruments are using a radio with led light & a possibility to play soundfiles from a usb stick: flute, clarinet and the string trio.

- In the last part of the piece the musicians are whispering. The fragmented text is picked from a poem by the Swedish poet Sara Falkstad.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - -

Wind Play a bisbigliando in an accelerando.

Play accentuated air tones: breath tones.

Play air tones with soft character.

Blow on the keys of the instrument to get a friction sound.

Play frullato on a half air tone. The second tone is with a sound in the back of the throat.

1. Tongue ram 2. Slap tongue 3. Flautando

Change of timbre. Half air tone to air tone & back to half air tone.

Play whistle tones following the graphics.

Play fast using double tounguing.

Play a transmission in air sounds. Thereafter a slap tongue tone.

Different action first and second time in a repeat box. 1st time: rest 2nd time: bending a half air tone

Variation of techniques. Slap tongue & then vibrato.

CLARINET, special technique

Removing the mouthpiece from the clarinet and play on it.

Play harmonics while playing flutter tongue.

Play harmonics. High thin tone.

Play harmonics and change timbre with air tones.

The three lines are defining the range so keep track on the tones to know where to go.

Play harmonics and end with air tone. Whisper: 'skuggor'

Make a trill using the hand to cover and un-cover the opening.

Percussion Play with bow on the lampshade. The 1st picture without tone. The 2nd with a noisy tone.

Play with a finger (not nail) on the spring steels. You might need to hold on to the lamp stand with your other hand for making sure it doesn't move while playing.

Tap with finger on the lampshade.

Play with a stick on the lamp stand. For making the fast tones you might want to move the stick between to parts of the stand to make it jump faster.

Play with a steel brush in circles inside of the lampshade. Fast.

Play with a bow on the saucepan lid. Choose a lid with a good sound, interesting and with a long sustaining tone. Usually the best ones are with a curvy surface. If it is possible to remove the handle, you can play on the lid as a cymbal and even use that kind of stand for it.

Different ways of playing on the office lamp. Spring steels (with finger or stick) and on the lamp stand, with a stick. Sometimes it is easier to play an accelerando on the lamp stand between two parts.

Variation in instrumentation. 1. Tap on lampshade, then use bow. 2. Tap on saucepan lid, then use bow.

Play on the sandpaper in small circles.

Blow on the skin of the big drum. If you blow a bit from the side, the friction will work better.

Play on a tube with a part from balloon covering the opening. 1st snap it, then tap more softly.

Play on the big drum with a friction drum (super ball mallet). 1st hit and damp and then play with the mallet in circles. Try to find harmonics and a voice like sound.

Play on the tin can where 2 elastic rubber bands are put in a cross over the opening. Be careful not to cut yourself.

Play on the big drum with soft mallets. No accents, very very soft. Just a low murmur.

Play with fingers on the bands on the tin can and then blow air into it from the side. Friction sound.

Play on the big drum with sticks on the rim. Tight and intense but not sharp. Should be more wood sound than metal.

Metal things like forks, knives, spoons, tin cans & saucepan lids. Make noise in a rhythm. You could have a bin where you throw it in.

1. Start the autovan. The light will be turned on. --------2. Start the sound file from either a usb or a sd-card. Choose & start. --------3. Lift the autovan when it is indicated in the score. Turn the volume down. Put it back the first time.

Start soundfile on a computer or other equipment that works. Just press play and let it be. There is extra silence afterwards so there is no need to stop it. Start soundfile and play it through the bluetooth light bulb. Turn up the volume and light at the same time with a controller. Crossfade with the ensemble. Ends with only sound through bulb. 5 greeting cards in big format with pre-recorded soundfiles on them. Open the card and the file starts playing til the end. Since there is no volume control it might be necessary to amplify the cards. It is easy to rerecord the soundfiles again if necessary.

Close the card and the file stops playing. Put it in a way so it doesn't fall when closed.

Percussion technique There are 6 elements in the piece that are different and needs to look closer into: 1. 2. 3. 4. 5. 6. 1.

Autovan playing 2-3 mp3-files through bluetooth. Model: Wster WS-267BT. 5 wooden boxes with sound box with light sensor (alt. 5 Greeting cards, 120 seconds of recording each). 2 Smartphones or Computer/Pad playing 2 soundfiles through bluetooth. Lightbulb controlled with bluetooth playing 1 mp3-file. Tin can with 2 elastic rubber bands wrapped around it (like a cross over the open top). Tube with balloon covering the opening end. 2.

1. The autovan will be playing 2 mp3-files, or 3 if you choose to play the last sound file both through the lightbulb and the autovan. The brand is Wster and the model is called WS-267BT. The one used in this piece is also called crystal led and have a light playing all over the surface while playing. Play the soundfiles through bluetooth (or through usb/sd-card, but this means that you have to press play on the autovan at the same time as you manage the autovan down the ramp). Put the phone in flight mode before using bluetooth. If you do it in the opposite way the bluetooth will be disconnected. Try it out before so you know how it works. Be careful with the volume. Keep the autovan on after dress rehearsal and don't switch the bluetooth of either. When you connect the phone/computer through bluetooth, there will be a load voice saying: 'Bluetooth connected'. That can not happen at the concert. So practise and be careful with this. Put the van with the front towards the audience on the ramp before the ensemble start playing. When the autovan is playing, the percussionist will follow it on its way down the ramp so it doesn't fall down. Let it roll twice and then leave it at the end of the ramp. 2. In the 3rd and 5th part, 5 wooden jewelry boxes are used to play soundfiles. Put a device with light sensor (PIR, Passive InfraRed sensor) inside of every box. The device should be able to play soundfiles through a sd-card. The sound will start when the lid is opened. There are two settings. Setting A, where the same sound will play every time the box opens. Setting B, plays a new sound every time you open the box. A smart thing to save space with the boxes can be to choose 5 different sizes & put them inside of each other. Make the boxes look personal and beautiful. Another solution to play these soundfiles is to use greeting cards with a possibility to record & play 120 seconds. Open to play and close to stop the sound. Every time you open the card, it plays from the beginning. Keep track on which card is which. Put numbers or other on them & make the cards big with stiff paper. Make the cards personal with messages on them.

3. You need equipment to play soundfiles in the big speakers on stage. You choose computer, pad or smartphone. There will only be played 2 soundfiles through this controller. Connect the device with cables. 4. At the end of the piece a lightbulb with built-in speakers will be lit and will play a soundfile that is a shadow of what the ensemble is playing. When the ensemble plays a diminuendo, the lightbulb will make a crescendo and take over the soundscape. The light on stage will be fading out at the same time. The only action on stage at the end will be the lightbulb playing the last soundfile while it is lit. When the sound is played, the light is fading out and ends the piece. The lightbulb is controlled from a distance with a controller. The lightbulb should be inside of an old fashioned lamp. If you only have a normal cord for the lamp, then you can fixate it inside of the big lamp at the concert venue. That might be easier. 5. Use an empty tin can and wrap 2 elastic rubber bands around it. The 2 bands should look like a cross over the open top. When you play on it, you can use 2-3 fingers to get a better grip. Be careful not to cut yourself when you play. 6. Find a tube made out of cardboard. They are usually used for posters and deliveries. Take of the plastic covers and leave the endings open. One of them will be covered with a part of a ballon to make the skin to be played on. Cut the bottom of a balloon and stretch the remaining piece over the opening. To keep it there you can use either duct tape or elastic rubber band. But sometimes you don't need that. The cardboard tube can be in different sizes to have different tones. Make the balloon skin tight but not too much It should still be possible to snap/grab the balloon. In the serie of pictures below, it is a tin can instead of a tube but the technique is the same as with a tube.

––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––

Piano 6 industrial elastic rubber bands are wrapped over the end part of the grand piano. Play with your fingers on them. 1-6 (left to right).

Take your hand underneath the piano and make the spoons to tangle and move. Let them ring afterwards.

Blow on the elastic rubber bands from the side to let the friction create a sound that is audible.

Let the nails make a pearly sound on the front side of the keys. Play smoothly.

1st time played in the repetition it is only a rest. 2nd time you play on the 1st elastic rubber band, the most left band. Create a short accelerando and ritardando.

Blow air on the keys. For a stronger sound you can blow on the black keys.

Blow on the elastic rubber bands from left to right and then back again, right to left. Find a way to do it with a good effect without fainting.

Play on the most left band.

Use your relaxed hand and move it in circles over the bands. 'Paint' circles.

Variation/ Melody. Find out how to play when you play on many different bands. Which hand & order.

In the 2nd part of the piece, the technique of silent keys are used. The overtones will ring when you play other tones.

Put a wedge (door stopper) between the 2 notated tones. When you hit the wedge (inside of the piano) with the pedal down, a mellow low sound will be created. This sound and technique will only be used in the 4th part of the piece.

Play pizzicato in the piano. The whole last part includes pizzicato. Mark the tones to make sure you easily can find them. Sometimes you shall play 2 strings of the same tone.

Play harmonics. You can choose to either use your right hand fingers to find the harmonics on the strings while playing on the keys with the left hand. Or, use blutack or other material and put on the strings so that

Piano technique Industrial elastic rubber bands Industrial elastic rubber bands are used and wrapped around the back or front part of the grand piano. If it is not allowed or possible to wrap around the piano, try inside of the piano. Yet another solution is to use a big cardboard box (for moving). But the impression of it and the practicality would not be the same. When you play on the bands inside of the piano, the sound will be naturally amplified with a pedal. You need to keep the bands together underneath the piano. While doing that you can attach silver spoons (or similar, silver has a better sound) on the bands. Preparations for the piano

Large industrial elastic rubber bands.

Luggage straps to fixate the elastic rubber bands under the piano.

1. Wrap over front part, over pin blocks

Positive: Close to keys. Easy to manage & looks great. Best alternative. Negative: Have to stretch the bands a lot. Probably you need to cut the bands so they will just be like a string and then tie it to a luggage strap or other solution.

2. Wrap over the back, the tail & soundboard

Positive: Don't have to stretch the bands so much. Will look nice when pianist move around. Negative: Far away from the keys. Too far to walk to play in part 3.

3. Fixate band over bolts & stress bars

Positive: Could be reached while standing up. Middle close to the keys. 2nd best alternative. Negative: Isn't always easy to find bolts or places to fixate the bands. Depends on the model.

Picture of elastic rubber bands fixated on bolts and stress bars (number 3).

Silver spoons put on a stick. with small elastic rubber bands. Might fall off. Safer way is to drill small holes in the spoons & then put them on the stick with bands.

Other solutions for elastic rubber bands

Silver spoons

Moving box size This is another solution to make it possible to play the technique on elastic rubber bands if you are not allowed to wrap them around the piano. It takes a lot of time Small box size

to prepare & is not practical

Equipment used to put silver spoons on a stick. You can also drill holes in

but sounds good.

them. Place the stick underneath the piano where it is easy to reach.

Nails on keys

Ebows

You will be playing nails on the keys in this piece and you might wonder exactly what sound is prefered. In this case, the 'nails on the front side of the keys' is the right sound. It is both bright and smooth. And, easy to play.

You will use 2 ebows at the end. Use the switch to turn it on. To the left is normal tone. To the right is with harmonics and without base tone. Use normal setting.

Strings sP

Sul pont/On the bridge

MaP

Molto al pont/Near the bridge

al Pont/Towards the bridge

MsT

Molto sul tasto/ High up on the fingerboard

sul Tasto/Towards the fingerboard

ord pos

Ordinary bow position

LTr

Legno tratto/play in ordinary way with wood part of bow

Legno battuto/strike with wood part of bow

MLTr

Mezzo legno tratto/play in ordinary way with the side of the bow (half hair-half wood)

MLB

Mezzo legno battuto/strike with the side of the bow (half hair-half wood)

ord

Ordinary bow style

Roll the elastic rubber band back and forward on the neck of the instrument. Make as much noise as possible but follow the dynamics.

Play on the band wrapped over the shoulders, but in the waist/armpit. - 1st example is on the left side of the body; Left Armpit: LAp - 2nd example is on the right side of the body; Right Armpit: RAp

Put the elastic rubber band in position. Where the neck meet the body on an harmonic. The sound will be a 5th up.

Blow air on the instrument, on the strings. Try to make as much friction as possible. That creates more sound.

Roll the elastic rubber bandback and off the neck. Leave it after the nut, close to the nutpegs.

Tap on the body with your finger.

Play on band wrapped over the tail piece. - 1st example is on the right side of the tail piece: RS - 2nd example is on the left side of the tail piece: LS Play on the band wrapped over the tail piece. Use left hand to tighten and lift the band while the right hand plays pizzicato on the band. The tone will change.

Play on the band wrapped over the shoulders, close to the neck. - 1st example is on the left side of the body; Left Shoulder: LSh - 2nd example is on the right side of the body; Right Shoulder: RSh

Play a pizzicato on the elastic rubber band wrapped over the tail piece, but on the backside of the instrument. That creates a very strong hitting sound. You don't need much effort to get a strong sound.

Play a pizzicato arpeggio with your left hand over all open strings as a grace note and then play on the elastic rubber band wrapped over the tail piece, on the right side (RS).

Play on the tail piece with a bow.

Natural harmonics. The staff above shows the result. Underneath the notation shows the position.

Play pizzicato arpeggios with both hands in a tremolo. Left hand in fingerboard position and the 2nd action with the right hand in a position closer to the bridge. All strings in both positions.

Play battuto with mezzo legno bow (MLB). Damp all strings while playing. The bow is playing molto al pont (MaP).

Play legno battuto on double stops during a glissando. Go from fingerboard to bridge and then change strings and repeat the pattern.

Damp all strings & move the bow in vertical direction, along the strings.

Play legno battuto. 1st action is static on two strings. In 2nd action the upper note glides down while the lower tone is an open string.

Move the bow in circles. Mezzo legno.

Play mezzo legno tratto on an artificial harmonic, then quickly legno battuto and back to mezzo legno tratto and a glissando.

Damp all strings & play on the bridge in circles.Whisper a text at the same time.

1st example shows a glissando going a quarter tone up. Next one shows a small change in intonation.

Play in an ordinary, normal way with the bow and play a left hand pizzicato on a string up at the nutpeg.

Play a vibrato close to the bridge. Follow the graphics. Then change to legno battuto and go from ordinary position towards the bridge.

Play a pizzicato arpeggio on all strings: 1st ex: left hand 2nd ex: behind bridge

Start playing on the bridge in circles.

1st example: Pizzicato using two fingers for more power. 2nd example: Nail pizz where you get a thinner pizzicato. Play with your finger (not nail) on the right side of the fingerboard where it ends.

Play a trill between a normal tone and an artificial harmonic. Change the speed of the bow at the same time. Go from normal speed to slow. At the end, stop trilling and play hard pressure.

Glide a bit of the bridge and play hard pressure. Change position and play a natural harmonic. First in an ordinary way the with a circular motion. Then whisper gently: 'suddiga skuggor'. Exaggerate the consonants.

String technique [c1 = middle c] Three elastic rubber bands are used, but of 2 kind: 1 short, 2 longer: 1.

Pitches on the violin:

Thin band is placed around the neck a fifth up on the string. The band is rolled up and down to make a sound. When placed on the fifth, the sounding tones are different than the one written in the score (one octave plus 5th up in normal position & two octaves plus augmented 4th up behind the bridge). Double fold the band.

The pitches on the viola and cello is a 5th down in viola and a 5th plus an octave down on the cello. The pitches of the elastic bands around the body is more difficult to know but try to have these written pitches in mind while wrapping the band. -------------------------------------------------------------------2.

Two medium thin band are wrapped around the body on two places: a: around the shoulders b: around the bottom a & b: The musician will play tones on the bands on the shoulders, armpit & bottom on both sides of the instrument. Percussive sounds are played on the backside of the instrument. The tones that will be created should be as close to the following as possible: LEFT; Shoulder: g Armpit: f Bottom: own choice RIGHT;

Shoulder: Armpit: Bottom:

d c c

The percussive sounds that will be created should be as following: MIDDLE BACK; Armpit Bottom b. Picture of the band over the tail piece

Stage

––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––-––––– This is my personal suggestion for a setup on stage. It fits the music. But everything depends on the concert hall and the rest of the program. The piece has been performed with both the pianist and the percussionist on the right side. The pianist in the back. It wasn't optimal since you couldn't see the pianist playing. But that was the only solution in that concert hall. There are some things in the setup that need to be looked at in good time: the leaning surface for the autovan, the podium and the lamp stand. These things are something that the stage manager can help with but you need to actually have a leaning surface. And perhaps a lamp too. My solution to the leaning surface was to buy two very cheap metal shelf with 4 removable shelves in each package at a hardware store. I used all parts of it to make the leaning surface. The construction stand was a help to keep the shelves in place. It has to be a smooth surface so that the autovan doesn't stop rolling. So, put 2 shelves together and fixate them to each other with one of the high stands with some screws. Try to estimate how you should make it a fit before you start. It is hard to re-do it. It will look cool and silvery on stage. You need a very long surface if you want it to roll for 15 seconds. And, now is the tricky part. You need to calculate the angle of the surface. How steep should it be to make the autovan roll for about 15 seconds? You have to find some boxes or similar to make a stable ground for the ramp. And try it out. A tip: It should not be steep at all. Try almost flat first and then take it up a bit. You need to be 2-3 people to do this. When you have the angle, then make sure everything is stable and put a nice dark fabric over it and then the metal surface on top of it. Of course you are free to find your own solution, but keep in mind that it should look impressive on stage and should also be smooth for the autovan to roll down on. If you don't make a very safe construction on the sides of the ramp, you need to follow it down so it doens't fall of. Make a stop at the end so that the camper can stay there after the last trip. The podium should just be to see the percussionist behind the winds. And you can probably borrow an oldfashioned lamp from somewhere just for the concert. It should be a shade with warm colours.

Start electronics before the audience enters the hall: - 5 Radios/Smartphones with application (put the volume on lowest) - 3 Smartphones; A, B & C (bluetooth on B & C) - Sound equipment inside of the 5 music boxes/Greeting cards - Autovan & Light bulb with bluetooth (keep it on lowest sound & light)

Part I:V

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Bass Clarinet in Bb

Ylva Lund Bergner

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Pizz Arp

3 16

œ ≈ œœ ≈ œ P

Pizz Arp

2 16

~~~~~~~

[RS]

3:2

~~~~~~~

Vlc.

‰

6 8

ä¿ J

6 8

SANDPAPER

F 1

3 16

left hand

≈Œ

∑

, >œ œ. . . . ‰ ≈

body

6 8

[LSh]

3 8

f P 3:2

+ œœ œ≈ œ P

Blow air on the strings

6 8

¬. P

Pizz Arp

body

[LSh]

behind bridge

3 8

[RSh]

left hand

[LS]

~~~~~~~

3 16

behind bridge

2 16

+ >œ . . œ. . . . . . œ® œœ œ 3:2 Ó. . . . . . . . . . . . . P P qn f π P Pizz Arp + >œ œ. . . . . . . . . œ ≈ ® œœ ≈ ® ≈ œ Ó. . . . . . . . . . P f π3:2 P π P + >œ œ. . . . . . . , œ. e x Pizz Arp œ œœ ®® ≈ æJ œ Ó. . . . . . . P f P qn π π P ~~~~~~~

2 œœ ® & 16 œ œ P âfÓ

q œ̄ ≈ œ. œ. . . . . . ® ä¿ ä¿ J J 3:2 P f P

body

Pizz Arp

Vla.

warm tone

6 8

Hand through the bands underneath the piano. The spoons will tingle.

pizz

[RSh]

[LS]

behind bridge

Vln.

‰

π P

¬ J π

Play with a loose hand over the bands in circles

Blow air on the bands

b¬

TIN CAN [Elastic rubber band, fingers]

LAMPSHADE

¬ J π

3 8

left hand

∑

œ. œ. 3 æ 8 J æJ P

+ œ œœ ≈ Œ œ P

6 8

Pizz Arp

‰

left hand

~~~~~~~

A. Fl.

T.R.

~~~~~~~

6 8

- tough jewel-e -

C 16

~~~~~~~~~~~~~ Ÿ ~~~ .. ¬ ≈ . ¿ ≈ b ¬ .. ( m ¿)m œ œ œ ( m œ ) F ƒ qn F π o fr

T.R.

A. Fl.

B. Cl. in Bb

Prc.

& 68

V 68 .. Œ

6 8

breath tone 3:2

soft 3:2 slap tongue

≈ ≈‰ ® œ œ œ â¬ (m œ) m < ƒ qn F ƒ

Œ.

‰

6 8

> ≈. ¬ ≈ œ.

6 8 .

Œ .

bisbigliando

5 8

œ.

. . . . . . . . . . . F

3:2

∑

5 8

6 8

‰.

3 8

Œ.

3 8

LAMPSHADE [Bow]

TIN CAN [Elastic rubber band, fingers]

®œ̄œ. . . ‰ œ- ≈ Œ

slap tongue

≈m ‰ < F f œ

ƒ o

SAUCEPAN LID [Bow]

TUBE [snap]

.. ‰

5 8

norm

breath tone

œ̄ ‰

œ.

3 8

≈Œ

Œ.

3 8

œœ@

œ@ œ p

Blow air on the bands

pizz

(on bands)

Pno.

?6 . 8 .

œœ œœ œ

6 5 4 3 2 1

Vln.

Vla.

6 8

B 6 .. 8

Mezzo Legno Tratto

Vlc.

¬ o

[RAp]

(bow)

? 6 ..bow‰ . 8

3:2

≈ ‰ ≈ œ@ œ 3:2 π ƒp

Tail piece

œ. â ƒ

@ @ œœ œœ

5 8

≈

â ƒ 1

3:2

6 5

4 3

6 5

4 3

6 5

4 3

gliss

6 8

Mezzo Legno Tratto

>œ . .

Blow air on the strings

Œ.

‰

3:2

bow

œ@ œ f

≈

Tail piece

5 8

(bow)

œ œ œ â â â F

>œ . . . . . . . . .

[RAp]

œ. â ƒ

œ@ œ@ @ @ . œ œ œœ œ . œ π f

5 8

≈

‰.

≈

6 8

e e

ƒπ F

‰

MLTr

œœ@.. π

œœ p 4

3 8

Roll elastic rubber band back & forward along the neck. TEMPO:

3 . ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ . 8

norm.

6 8

fast

MLTr

5 8

j œœ@ ∏

6 8

œœ@ F

≈

[RAp]

‰

≈

>œ f

norm.

>œ . . . qn

3 8

- tough jewel-e -

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ≈ mœ œ ‰ œ œ P qn

rit.

(throat)

& 38 Œ

19 A. Fl.

œœ

V 38 Œ

≈ Œ < f

norm

B. Cl. in Bb

œ œ œ. ≈. leak more & more

s.t.

œœ

≈ ®œ . œ < F o

norm

Pno.

3 8

œ.

∑

[LAp]

Vln.

3 8

≈

≈.

¬ p f

[Tap] [Bow]

x x e

3:2

≈

‰ (n œ ) œ b œ < P p π

∑

œ J π

â P œ1

(bow)

∑

œ< P

. . . . . . .

∑ .

≈

® ‰ Ó Ó. . . . . . . . . . . . â p F qn

≈

+ >œ MsT œ ‰ ® ≈ œœ œ F

Tail piece (bow)

∑

≈

Pizz Arp

≈‰

[LAp]

MaP trem

œ œœ Œ œ

~~~~~~~

≈

~~~~~~~

Vlc.

B3 Œ

+œ œ œ œ R

~~~~~~

Vla.

Pizz Arp

3 4

≈

3 4

Tail piece

[RS]

nail pizz

3 4

bend

∑

soft slap tongue

fi ≈ ®œ̄≈ œ J œ p P qn

3 4

œ p

damp

≈ mœ.

norm

BIG DRUM [Friction mallet]

.œ . . . . . . . 3:2 ® ‰ œ‰ œ â â F qn p F

>œ . . . œ. . . . . . . . . .

3:2

≈

x x

∑

œ ‰ ≈ . œ< ≈ œ ≈ J œ< œ œ qn F p Fo

œ.

SAUCEPAN LID

[Bow]

[Tap]

≈ ≈ < P s.t.

s.t.

LAMPSHADE

Prc.

norm

‰ ®b <œ œ Fo

≈

3:2

slap tongue

Tail piece (bow)

≈

œ > p

œœ p>

j ,j

œœ œ p> p> , , j j

œ œ œ œ > > p p

3 4

- tough jewel-e -

D a tempo

slap tongue 3:2

25 A. Fl.

B. Cl. in Bb

& 34

3 4

≈

s.t. 3:2

‰ ‰ ‰ < p qn

≈b ≈ <

≈Œ

‰ < p

soft slap tongue

3 8

s.t. 3:2

œœ

‰ Œ

‰

(n œ ) p<

keyclicks

≈ ≈

3:2

¿. . . . . . . . . . . . π qn

3 16

≈ ≈m ≈ < P

s.t.

¿. . . . . . . . . . . . π qn

3 8

3 4

fi ≈Œ

œ ‰

∑

3 8

Pno.

?3 4

â p œ1

‰.

‰

3:2

3 16

â œ1

‰

3 8

3 16

≈

3:2 œ

â P

≈

œœ

≈ ® ≈ < P

s.t.

3 8

-œ ≈ ≈

∑

3 16

‰

‰ ® œœ ≈ ≈ œ œ R

∏

âpÓ

[LAp]

Vlc.

B3 4

?3 4

Ó. . . . . . . . . . . . ∏ qn

>œ .œ . . . ≈

∏

3 8

[RS]

∏3:2 qn

3:2

‰ ∏

≈ œœ ®

Pizz Arp

3 8

≈

3 8

∑

3 16

œ π

œ̄ ≈ Œ

6 8

‰

â 1

≈ ‰

6 8

π ®≈ ≈ .

3 8

e q Û. . . . . . . . .

[RS]

[LAp]

Ó Ó. . . . . . . . . . . . â p qn ∏

œ R

≈ ‰

. . . œ. . . . . . . . . . e

~~~~~~

Vla.

3 8

>œ .

3:2

® >œ

3 ® 16 Pizz Arp

+œ œ œ œ R

[RAp]

~~~~~~

3 4

≈

Play with finger (RH) on the ending edge of the fingerboard

~~~~~~

Vln.

‰

norm

6 8

TIN CAN [Elastic rubber band, fingers]

[RS]

Pizz Arp

3:2

LAMPSHADE [Tap]

Prc.

norm

3:2

keyclicks

3 8

> ≈¬≈œ

breath tone

3 16

≈

3:2

Ó Ó. . . â Pπ

. . . 3:2

>œ ≈ ®

3 8

[RAp]

3:2

3 8

‰

P qn

6 8

. . . . . .

6 8

3:2

. . . 3:2

6 8

- tough jewel-e -

A. Fl.

‰ ≈¿ Œ (m ¿) 3:2 F

air tone

& 68 ¬ p

5 8

soft slap breath tongue tone 3:2 3:2

B. Cl. in Bb

Prc.

® ¿. .

5 8

‰ ®œ. ‰ ‰ ≈ œ̄ œ. . . [Snap]

F p 3:2

‰

5 16

j ≈ œ m ¯ .

norm

5 16

s.t.

‰ Œ.

~~~~~

Pno.

6 5 4 3 2 1

5 8

œ̄ ≈ ‰ ¿

5 8

¿. J P

5 16

Vln.

Vla.

& 68

B6 8

F p

. . . . . . p

+ ? 6 œœ .. 8 œ. œ. ∏

‰

5 8

œ .. œœ . œ. p

3:2

MaP

trem

Œ.

Pizz Arp

5 8

s.t. 3:2

3 16

q ‰ ≈œ̄≈œ. . . . . . . . ≈

3:2

3 16

(on bands)

3:2

≈ ≈ â P ƒ 1

3:2

5 8

≈ ‰ Œ. â

3 16

[RSh]

‰ ‰

5 16

>œ ..

5 16

5 8

[RSh]

>œ ‰ ® ƒ

[RS]

[LS]

‰

≈

®≈ âÓ Ó. . . âÓ . . . .. ƒ ƒ qn

5 8

œ. . . 3:2

[LSh]

3:2

[RS]

3 16

‰ ≈. ≈ Ó Ó. . . . . â ƒ qn

q >œ ®≈‰ ≈ ≈ ≈ ƒ âÓ Ó. . . .ÿ ƒ qn ƒ

3 16

[LS]

~~~~~~~

+ œ œœ ≈ Œ œ P

5 8

MsT

® ≈ ‰ ≈. < < ( œ ) qn ƒ

3:2

3 16

pizz

6 5 4 3 2 1

5 16

.œ . . . . . . . . >œ ≈ ≈‰

5 8

Pizz Arp

Vlc.

6 5 4 3 2 1

>œ œ. . . . . . . ≈. ≈

MsT

‰

[LSh]

‰ Œ.

‰

[LSh]

[RAp]

‰.

≈ . < ‰ ¬

air tone

TUBE [snap]

>œ œ. . . . . .

5 8

f o

Blow air on the bands

œœ œœ œ

5 8

TIN CAN [Elastic rubber band, fingers]

[Tap]

6 8

. . . . . . . . . . P

TUBE

SAUCEPAN LID [Bow]

keyclicks

≈ ≈‰ ® ≈ Œ ¬ â < ( œ ) F

6 8

≈. m ¿ ‰ ( ¿ ) œo f

slap tongue

j j œ œ. P

T.R.

5 16

∑

5 8

3 16

- tough jewel-e -

E U¯

slap tongue

3 ≈ ≈ & 16 Ï

32 A. Fl.

U j 3 ≈ V 16 œ

norm

6 8

¯ norm ≈ ≈ ®œ .

µœ.

o P

slap tongue 3:2

6 8

3 16

≈ ≈ œ̄ ≈ Ï

∑

3 16

3 8

T.R.

Œ s.t.

s.t. 3:2

TIN CAN [Elastic rubber band, fingers]

Prc.

3 8

œ ≈ ® ≈ ≈‰ < œ (œ) < qn Ï o Ï

œ p

∑

s.t.

Ïo p Ï

norm

B. Cl. in Bb

¯ ® ‰

s.t.

∑

3 8

∑

3 16

3 8

m¿ ≈ (¿) f

≈ .m Œ < ƒ

6 8

SANDPAPER TIN CAN

≈ œ̄ . . . . ‰ .

‰

6 8

TUBE [snap]

3:2

®œ̄ ≈ Ï

3:2

3 8

¿ J π

3 16

¿ ä¿ J R

3 8

ä¿ ‰ J F

≈ œ̄ f

6 8

Play with a loose hand over the bands in circles

! Pno.

3 16

≈‰

3:2

< Ï

≈.

[RS]

Vln.

3 & 16 æ‰ Ó fl Ï

tap on body

6 8

[RS]

Vla.

3 16

æ‰ flÓ Ï [LS]

Vlc.

3 16

æ‰ Ó fl Ï

Œ.

3 8

3:2

TEMPO:

norm.

Roll band back & forward on neck. TEMPO:

norm.

Roll band back & forward on neck. TEMPO:

fast norm.

tap on body

3 8

[RSh]

3:2

3 8

≈

3 8

< ƒ

.ÿ

≈

>œ ≈. ‰ ƒ

3:2

®≈ âÓ ƒ ‰

3 8

>œ ≈ ≈‰ ƒ

3:2

≈Œ

6 8

Blow air on the strings

3 16

∑

3 8

‰

¬¬ ¬ >> > P f

6 8

¬¬ ¬ >> > P f

6 8

¬¬ ¬ >> > P f

6 8

Blow air on the strings

3 16

∑

3 8

‰

[LSh]

[LS]

3:2

. . . . .

‰

[RS]

norm. fast 6 ≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≈ 8 J J J !¿ f qn Ó . . . ≈ â Ï < Ï

3 16

6 5 4 3 2 1

[RS]

‰ ≈ ≈ ≤≤≤≤≤≤≤≤≤ J J Ó . . . . . <¿ qn f â Ï qn Ï norm.

≈

< ƒ π

[RS]

Roll band back & forward on neck.

fast norm.® ≈ ≈ . ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤ J J J Ó ¿< qn f â âÓ Ï Ï Ï

tap on body

6 8

6 5 4 3 2 1

Blow air on the strings

‰

3 16

∑

3 8

‰

- tough jewel-e -

F 37

A. Fl.

B. Cl. in Bb

Play 2 times

& 68 .. Œ . V 68 .. Œ .

soft slap tongue

6 8

≈ ¿≈ (m ¿ ) m œ o 3:2 f

5 8

‰ Œ < ( œ ) f 3:2

5 8

≈ ≈ >¬ ≈m ‰ . ¬ œ < 3:2 F p

.. -¬ Œ J P

f P

5 8

4 8

s.t. 3:2

œœ

3:2

norm

SAUCEPAN LID [Bow]

œ̄ ≈ œ. . . . . ≈

‰ ≈ ≈ ‰ ≈ ≈‰ .. < ¬ â F

breath tone

TUBE [snap]

TIN CAN [blow air]

Prc.

breath slap tongue tone

T.R.

4 8

s.t. ¯ ‰ ≈b ≈

∑

3 8

3:2

j ¬ π

s.t.

œœ

‰ ≈ < P

3 8

œ o

TIN CAN [Elastic rubber band, fingers]

LAMP SHADE

TIN CAN [Elastic rubber band, fingers]

SAUCEPAN LID

‰ œ- ≈ ≈ . œ̄ Œ

4 8

[Tap]

3:2

≈ <œ ≈ ≈ P œ≈ < P

[Bow]

3 8

≈ ‰ ≈ œ< p œ â π

Blow air on the bands

5 8

>œ . . . . .

[LSh]

Vln.

& 68 .. ‰

>œ

[RAp]

≈‰ ‰

B6 8

? 6 .. Œ 8

5 8

3:2

π Œ

[RSh]

>œ . . . . . . .

‰ 3:2

3:2

5 8

>œ . . .

[LAp]

≈ ‰ ≈. >œ

5 8

>œ . . .

F 3:2

3:2

4 8

4 3

2 1

3:2

≈ œ ≈ ‰ π Pâ 4 3

2 1

4 3

2 1

3 8

3:2

< p 1

3:2

≈

4 3

2 1

3:2

4 3

[RS]

3:2

® ..

4 8

∑

3 8

‰ ® œœ ≈ ‰ Pizz Arp

œ œ R

[RS]

+œ œ œ œ R

® ≈ .. âÓ F

≈

≈≈

3:2

3:2 Pizz Arp

[RAp]

≈

gliss

. . . .

[RAp]

3:2

Vlc.

3:2

>œ . . . . . . . . . . .. ‰ ≈ ≈ ‰ [LSh]

Vla.

‰ ‰ ‰ â F p

(on bands)

~~~~~~

Œ.

3:2

pizz

[LAp]

>œ

≈ . .. F

4 8

∑

[LAp]

3 8

‰

âÓp

>œ

p [RS]

4 8

∑

3 8

+œ

≈ . œœ Œ

Pizz Arp

~~~~~~

6 5 4 3 2 1

~~~~~~

?6 . 8 .

œœ œœ œ

~~~~~

Pno.

œ R

Ó pâ

≈‰

2 1

4 3

- tough jewel-e -

FREE PART

41 0''

A. Fl.

B. Cl. in Bb

3''

6''

9''

≈

Prc.

Hand through the bands underneath the piano. The spoons will tingle.

Pno.

Vln.

≈ p 6

& &

fast bow

Play with bow in a circular motion on the string. Always played with a light pressure.

˙ B ˙

II III Vla.

I II

Tail piece

(bow)

Vlc.

œ > p

œ œœ

œ œ

œ œ qn

· ·

normal pressure

III

I II

Blow air on the strings

‰

(bow)

¬ â j

¬ â

Tail piece

Blow air on the strings

œ > p

‰

Play with bow in a circular motion on the string. Always

œ œ

˙ ˙

II played with a light pressure. III

- tough jewel-e -

H 44 9''

A. Fl.

12''

13''

3 16

≈

¿ > f j ≈ >¿ f

4 16

Speak: Psch

B. Cl. in Bb

3 16

4 16

>¿ ≈ J

4 16

j ≈ >¿

4 16

j ≈ >¿

4 16

? 3 16

3 16

+j I II · œœ III · œ · œ < p qn3:2

~~~~~

Vla.

Pizz Arp

ƒ &

œ ? œ

fast bow

· ·

normal pressure

I II

Vlc.

œ œœ

œ œ qn

I II

III

II III

· I

3 16

>¿ . π >¿ . J

>¿ . π

≈

Psch

I II

4 16

3:2

≈

. >¿ π

I II

3 16

≈

Psch

Speak: Psch

≈

Psch

Speak: Psch

Vln.

¿. > π

Psch

Speak: Psch

Pno.

≈

Psch

Speak: Psch

Prc.

· · · ·

√œ

& gliss

√· &

Ø œ œ

gliss

· ·

- tough jewel-e -

Part II:V

q = 60 [Etheric]

48 0''

5''

10''

15''

A. Fl.

FM-MP3

5 4

1 B. Cl. in Bb

FM-MP3

5 4

COMPUTER

Soundfile

Prc.

5 4

Elctr.

5 4

& Pno.

2'10

5 4

?5 4

Silently pressed

œ>

≈ ‰ Œ F

˙ !

Ó. ˙ !

√ >œ >œ >œ ‰. ‰. ‰. Ó f

œ ˙ ! !

˙. !

CROTALES [bow]

m ˙˙ !

œœ !

‰. Œ œ mœ â P

m œ>œ

‰. Œ

F ‰

œ-

Vln.

5 4

FM-MP3

! o

Vla.

5 4

FM-MP3

! o 1

?5 4

Vlc.

FM-MP3

- tough jewel-e -

I 51 15''

A. Fl.

B. Cl. in Bb

20''

25''

BIG DRUM [Sticks on the rim/side]

30''

BIG DRUM [Friction mallet] CROTALES [bow]

Prc.

Elctr.

¿ æ π

œ œœ 3:2

Pno.

¿ æ

œ œ. mœ œ œ .

Drag the nails along the side of the keys.

3:2

≈

P & ‰ mœ mœ œ

>œ

≈

˙.

Vla.

∑

&‰ mœ

‰ Œ

â p

mœ œ mœ œ œ ? œ Ó

5:4

3:2

Vln.

5:4

p F Œ œJ œœ 5:4

p ? j œ. œ œ.

≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤

Roll the elastic rubber band back & off the neck of the instrument.

? Vlc.

Œ j œ. œ œ.

√. . œœ

œ. œ.

‰ ≈ ≈Œ

3:2

‰ ≈ ≈Œ

j œ. œ œ.

∑

3:2

- tough jewel-e -

J 54 30''

35''

40''

45''

A. Fl.

FM-MP3

! 3

B. Cl. in Bb

Prc.

Elctr.

FM-MP3

CROTALES [bow] 15

‰. Ó

œ â P

& Œ Pno.

& Œ

√

œ œœ œ œ mœ œ œ 3:2

3:2

≈

‰ mœ mœ œ 3:2

?œ

ä ‰ ‰ mœ Œ

m ˙˙

3:2

√ 3:2

SAUCEPAN LID [bow]

m œ mœœ m œ œ ≈œ œ œ

‰ œ ? mœ œœ

œœ

3:2

‰ . -œ

‰. œœœ

m œœœœ

√ >œ f

Œ œ

œœœ !

Vln.

FM-MP3

Vla.

FM-MP3

Vlc.

- . - . - . œ‰ œ‰ œ‰ Œ π

>œ

‰.

>œ

‰.

>œ p

‰. Œ Œ

- tough jewel-e -

K 57 45''

A. Fl.

B. Cl. in Bb

50''

Prc.

Elctr.

55''

BIG DRUM [soft mallet]

CROTALES [bow]

& ‰ œ ≈Œ pâ

Ó.

Pno.

Vln.

Vla.

? Vlc.

b œ- œ-œ œœœ ˙˙˙ ... - . 3:2

-̇

‰

¿ @

3:2

& Ó

BIG DRUM [soft mallet]

¿ @ P

œœ œ œœ

1'00

≈ œœ

œœ œ

p P

œ œ

œ b œœœ ≈ Œ

œœœ Ó œ !

œ>

‰

3:2

œ>

¿ @

>œ œr œ> œr >œ r r r r œœ œœ œœ œœ ‰ ≈ ≈ ‰. Œ ‰. ‰. ≈ ≈ r

˙ ˙

˙ !

o 15

¿ ‰ Œ @

˙. ˙.

3:2

- tough jewel-e -

L 60 1'00

A. Fl.

B. Cl. in Bb

1'05

1'10

BIG DRUM [Sticks on the rim/side]

Prc.

Elctr.

¿ @ π

& Œ Pno.

¿ ‰ Ó @

Vla.

√3:2 œ

‰mœ œ 3:2

¿ @

¿ @ ∏

Œ ∑

œ m ˙˙

? ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ Roll the elastic rubber band back & off the neck of the instrument.

Vlc.

CROTALES [mallet/stick] 15

Drag the nails along the side of the keys.

œ œœ b œ œ ≈ œœ œ 3:2

œ !

Vln.

1'15

‰.

‰. Œ

Ó.

m œ. p

œœ

mœ œ œœ m œ œ mœ œ œ œ bœ œ Œ nœ œ

p P Ó

√

9:8

œ n œ œ bœ œ

π F ≈ œ mœ œœ Œ œ 3:2

3:2

- tough jewel-e -

63 1'15

1'20

1'25

1'30

A. Fl.

FM-MP3

! 5

B. Cl. in Bb

FM-MP3

! o

BIG DRUM [Blow air on skin] SAUCEPAN LID [bow]

Prc.

Elctr.

- .- .- .- œ ‰ œ‰ œ ‰ œ ≈ œ ≈ Ó

3:2

P ? j

3:2

œ m œœ .. œ !œ!.

Add silently pressed tone

˙˙ .. ˙. !

lift the pedal slowly

Œ ˙˙ ˙ !

‰.

mœ

◊ f<

˙˙ .. ˙. !

¿ ¿ 3:2

(√) œ> œ> œ> œ> œ> & ‰. ‰. ‰. ≈ ≈ Ó Pno.

‰ . m œœ ˙˙ - ! p F 3:2 ‰ ‰Œ œ œ < <

˙ !

œ ‰. & ! œ

‰ ‰ ≈& œ . œ < < ° 3:2

Vln.

FM-MP3

Vla.

FM-MP3

? Vlc.

FM-MP3

- tough jewel-e -

M 66 1'30

1'40

1'35

1'45

A. Fl.

FM-MP3

! 7

B. Cl. in Bb

FM-MP3

BIG DRUM [Friction mallet]

BIG DRUM [Friction mallet] CROTALES [bow]

Prc.

Elctr.

÷ ÷

Ó.

œ ‰ Œ

3:2

n œ mmœœ n œœœ œ œœœ œ œœœ œœ œ ‰ œ œ Œ J & mœ J

Pno.

&œ

√ 3:2

œ m œ nœœœ Œ œœ &‰m œ m œ J œ Œ 3:2

π P f 3:2 f√3:2 3:2 3:2 r r Œ m œ n œœ Œ m œ n œœ Œ ? m œœœ ... m œœœœœ œœœœœ & œ Ó J J 3:2

3:2

œ ≈‰

bœ nœ

3:2

‰. Ó

√3:2

Blow air on the keys

3:2 œ œœ b œ n œœ ≈ œœ ‰. Ó

¿ > ƒ

√œ P œ ‰mœ œ ®? 3:2 ˙ F ƒ œ. ! ◊

Vla.

FM-MP3

! o

∑

≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ Roll the elastic rubber band back & off the neck of the instrument.

∑

? Vlc.

FM-MP3

‰. Œ

˙ !

Vln.

- tough jewel-e -

N FREE PART light

A. Fl.

B. Cl. in Bb

1'45

1'50

1'55

2'00

o BIG DRUM [Sticks on the rim/side]

Prc.

Elctr.

÷ >¿ ‰ . Ó ÷

Knock on the side

Pno.

Vln.

" & ‰. Ó ¿ > fP ? ≈ œ. ˙ ◊ ! ° &

√3:2

3:2

œ ‰ mœ œ

˙ !

œ œœ 3:2

m œ mœœ m œ ≈ œœ

œ œœ b œ ≈ œœ 3:2

‰

3:2

œ œœ

≈

m œ m œœ

‰

3:2

œ mœ œ 3:2

3:2

œ œœ b œ ≈ œœ

& ‰ mœ œ

3:2

√3:2 ¤ 3:2

3:2

Vla.

? Vlc.

FM-MP3

mœ

Mezzo ord Legno I Tratto

o 19

mœ

œ m œ m œ œœ œ n · œ œ œ m·

π P

MaP

ord

∏p

·œ

ord

MaP

- tough jewel-e -

no light

72 2'00

A. Fl.

B. Cl. in Bb

Prc.

Elctr.

√ &

œ œœ

œ ‰ œœ

mœ ‰mœ œ

Vln.

Vla.

3:2

¤m œ

ord · &b œœ œœœ œ m œ œ MaP

π3:2 3:2 P

3:2

¤3:2

œ mœ œ

m œm œœ m œ ≈œ œ

Pno.

Vlc.

2'10

2'05

3:2

œ nœœ

≈

bœ

3:2

≈ œœ

p nœ mœ œ ‰

3:2

ord

œm œ œ· œ· mœœ œm œ œ 3:2

∏ p

MaP

o 20

- tough jewel-e -

III

Part III:V

q = 60 [Gasping for breath]

& ..

FM-LED

A. Fl.

V ..

3 4

FM-LED

B. Cl. in Bb

3 4

Play at least 2 times

2 4

accel.

no light 1

∑

4 4

FM-MP3

! 1

∑

4 4

∑

4 4

3 4

FM-MP3

3 4

LAMPSHADE [Bow]

Prc.

Elctr.

÷ ..

3 4

¿h ..

2 4

Electronical equipment

Û. .. . . . . . . . . . Û. . . . . .

Play with finger on the edge of a key. From down and up with flesh of the finger upwards.

& .. Pno.

Vln.

& ..

3 4

qn 3 4

6:4

Play like a cello

Play with finger (RH) on the ending edge of the fingerboard

3 4

Vla.

B ..

3 4

∑

6:4

Û. . . . . . qn

2 4

6:4

Play like a cello Play with finger (RH) on the ending edge of the fingerboard

2 4

¿h π

Vlc.

? ..

3 4

∑

2 4

. . . . . . Û. . . . . . P 6:4

qn F 6:4

. . . . . . Û. . . . . . P

6:4

qn F 6:4

‰

6:4

3:2

6:4

4 4

Û> . . . . . ƒp

& 3 4

>œ >œ >œ ≈ ≈ ≈

≈ ≈ ‰. œ œ œ â â â ƒ

6:4

p5:4 ≈ ≈≈Œ

ƒp 3:2

3:2

FM-MP3

6:4

ƒp

6:4

3 4

[RS]

≈

Ó. . . . . . . . . . . . qn F

. . . . . . Û> . . . . . . . 6:4

3 4

. . . Û> . . . . . . . 3:2

6:4

Elastic rubber band

6:4

Û. . . . . . . . . . . . 6:4

4 4

Û. . . . . . . . . . . .

6:4

Û. . . . . . . . . . . .

Û. . . . . . . . . qn

Û. . . . . . . . . . . .

Û. . . . . . . . . . . . qn

Play with finger (RH) on the ending edge of the fingerboard

∑

3:2

[RS]

≈

Ó. . . . . . . . . . . . qn P

3 4

- tough jewel-e -

light

P q = 92

78 A. Fl.

FM-MP3

& 34

3 4

& 34

√ & 34 Pno.

‰. œ mœ â P äœ

≈

Vlc.

B3 Œ 4

?3 4

1 1 1

œœ œœœ ≈ . ‰ . . . . F p P

6 5 4 3 2 1

1 1 1 1

! ‰ ‰ ≈ ¿ o < P

2 4

Roll elastic rubber band back & forward along the neck. TEMPO:

4 4

œœ œ œœœ ‰ œœœœ ‰ F f

3:2

tap on body

4 4

Blow air on the bands (on bands)

œ. . . . . . . ‰ . . . π P

tap on body

Vla.

∑

pizz

Elastic rubber band

4 4

tap on body 3:2

slap tongue

6 5 4 3 2 1

‰ œ̄ ≈ Ó P

Ó. . . . . . . . . . qn P

‰ Œ

p5:4 œ. . . . . . . . ‰ < ≈ . . . . . ‰ Œ p P p 1

3 4

Roll the double folded elastic rubber band in position, a 5th up.

TEMPO:

(on an harmonic at the thumb position where neck is attached w. the body.)

3 4

tap on body

6:4

norm.

tap on body

>œ >œ >œ ≈ ≈ ≈

norm. fast norm. norm. ‰ 4 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ ≈ ≤≤≤≤≤≤≤ ≤≤≤≤≤≤≤≤≤ 4 π !¿ ≈ π p < P Roll band [back/forw] TEMPO:

! 2 ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ Œ 4 ...... !¿≈ π ∏ ¿¿¿¿¿¿ 6:4 < P qn fast

& 3 4

norm. fast

Roll the elastic rubber band back & forward along the neck of the instrument. TEMPO:

norm.

3 4

TIN CAN [Elastic rubber band, fingers]

norm. fast norm. norm. 4 fast norm.Œ 2 ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 4 ¿< ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ π π ∏ . . . . . . . . .< P P qn

[RS]

3 4

∑

Roll elastic rubber band back & forward along the neck. TEMPO:

norm.

< ®œ œ œ P qn p

Alto Flute

~~~~~

∑

~~~~~

& 34

‰ Œ

∑

÷ 2 4

3:2

4 4

Blow air on the bands

FM-MP3

Vln.

∑

~~~~~

‰.

‰ Œ

2 4

CROTALES [bow]

Prc.

2 4

FM-MP3

B. Cl. in Bb

tap on body

Roll band [back/forw] TEMPO:

4 4

FM-MP3

3 4

Roll the double folded elastic rubber band in position, a 5th up.

norm. fast norm. ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ . ≈ ≤≤≤≤≤≤≤≤ ¿. ¿. ¿. ¿¯ ≈ π p 3:2 P

(on an harmonic at the thumb position where neck is attached w. the body.)

3 4

- tough jewel-e -

≈

keyclicks

82 A. Fl.

& 34

¿ o .. qn

B. Cl. in Bb

& 34

√ & 34 Pno.

. . . . . . . . . . . . . p

‰. œ mœ â P

äœ

œ. . . . . .

2 4

œ- ‰ p 2 4

! o

FM-MP3

Vla.

p &

Vlc.

FM-MP3

≈

2 4

. .. . . . . . . ? 3 pizz‰ I œ Œ 4

6:4

3:2

∑

2 4

∑

!1 ≈ ¿ < P

3 4

Blow air on the bands (on bands)

‰

≈

œœ œœ œ

6 5 4 3 2 1

< PF

≈.

3:2

œœ ‰ œœ ‰ . . . pP P

4 4

1 1 1

6 5 4 3 2 1

4 4

œœ œœ œ

6 5 4 3 2 1

‰

œ. . . . . . . .

Roll band [back/forw]

! norm. fast norm.‰ ‰ ≈ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ¿ π < P tap on body

Roll elastic rubber band back & forward along the neck. TEMPO:

TEMPO:

3 4

Roll band [back/forw] TEMPO:

! norm. fast norm. fast norm. ‰ ≈ ≤≤≤≤≤≤≤≤≤≤≤ 4 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 4 ¿ π < P

‰

o e

[RS]

! q ! ≈ ‰ ‰ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. <¿ Ó. . . . . . . . . . 3:2 6:4 P qn P qn

tap on body

∑

pizz

tap on body

≈

3 4

4 4

Elastic rubber band

œ. . . . . . .

<¿ P

‰ Ó

Blow air on the bands

3 4

~~~~~

6:4 P

4 4

~~~~~

& 34 ‰

∑

4 4

FM-MP3

÷ 2 4

Vln.

∑

~~~~~

‰.

∑

3 4

CROTALES [bow]

Prc.

2 4

tap on body

Roll band [back/forw] TEMPO:

4 4

‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤

norm.

¿≈ < P

fast

norm.

Roll band [back/forw] TEMPO:

norm. ‰ ≤≤≤≤≤ 34 !¿ ≈ < P tap on body

- tough jewel-e -

A. Fl.

B. Cl. in Bb

Prc.

slap tongue

3 4

< ®œ œ œ P qn p

2 4

≈. ‰ Œ < P

‰ œ̄ ≈ œ. . . . . ‰ Œ P p

≈ ≤≤≤≤≤≤≤‰ & 34 ≤≤≤≤≤≤≤≤≤ !¿ ≈ π p < P TEMPO:

& 2 4

2 4

norm. ≈ ≤≤≤≤≤≤≤ Œ B 3 ≤≤≤≤≤≤

Roll band in position

π ∏p

fast norm. ? 3 ≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≤≤≤≤≤≤≤≤

2 4

Roll band in position

Vlc.

¿.

2 4

‰

œ mœ œ

œ œ

‰.

. . . . . . p. . . . .

‰.

3 4

∑

4 4

Drag the nails along the side of the keys.

Elastic rubber band

m œ m œœ ..

Legno

œœ ≈ œ . œœœ œœ ≈ + + π P π mœ

œœ

4 4

ord MaP

mœ

œ. F

mœ

œœ œœ œ ≈ ≈ + + π

III

œœ œœ œœ œœ œœ ≈Œ . . . . . ... . . p qn P jeté

1 1 1

œœ ≈ . . ... . . qn P

3 4

[RS]

‰ œœ œ ≈≈ œœ. + +π πP Ord Bow

3:2 Battuto

3 4

‰ P 3:2 4 œ m œœ ‰ ‰ 4 . . .... . . . . . P π

III

∑

Ord III Bow

. . . . . . . . p. . . . . . 4 4

¿.

‰. œ mœ â F

F Œ

4 4

keyclicks

œ œœ

tap on body

Vla.

keyclicks

CROTALES [bow]

Ord norm. fast norm. Roll band in position Bow

Vln.

∑

& 2 4

2 4

‰ ≈ ‰ Œ < ... . . P p

& 34 Pno.

2 4

TIN CAN [Elastic rubber band, fingers]

3 4

‰ Œ

slap tongue

V 34 Œ

norm.

3:2

œ. œ. œ. qn p

œœ œœ œœ F

≈ ‰ Œ œ. . . . . . . Ó . . . . ..... . . P qn p qn

Legno Battuto

4 4

jeté

Roll band [back/forw] TEMPO:

norm. fast 3 œœ œœ œœ œœ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 . . . . . . .... . ! ¿≈ π p qn P < P Legno 3:2 Battuto

4 4 qn

3 4

jeté

tap on body

- tough jewel-e -

S 1

∑

90 A. Fl.

B. Cl. in Bb

Prc.

3 4

∑

3 4

Blow air on the bands

2 4

œœ œœ œ

6 5 4 3 2 1

‰ ‰

œœ œœ œ

3:2

. . . p

1 1 1

6 5 4 3 2 1

Vln.

3 4

‰

. . . p

1 1 1

4 4

Roll band off the neck of the instrument. Free strings.

! norm. fast norm. norm.‰ 2 ≈ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ≈ ≤≤≤≤ ≤≤≤≤≤≤≤≤ 4 ∏ !¿ ≈ π p π ¿ < P < P TEMPO:

œœ œœ œ

3:2

6 5 4 3 2 1

4 4

Vla.

B3 4

Roll band [back/forw]

‰ ≈ ≤≤≤≤≤≤≤≤≤≤≤≤≤ π ∏ <¿ P TEMPO:

fast

norm.

? 3 ≤≤≤≤≤≤≤≤ ‰

tap on body 3:2

Vlc.

norm.

6:4

2 4

‰ Œ

√ >œ >œ >œ äœ ≈ ≈ ≈ ‰.

p Ó

3:2

3 4

FM-MP3

≈

3 4

TEMPO:

≈ ≤≤≤≤≤≤≤≤≤≤ Œ norm. fast

¿ < P

÷ 3 4

! norm. fast norm. ‰ Œ 4 ‰ ≈ ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 4 ¿ π < P Roll band [back/forw] TEMPO:

∏ ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. ¿. qn

2 4

Roll band [back/forw]

tap on body

‰. œ mœ â P

tap on body

CROTALES [bow]

Roll band [back/forw]

tap on body

(on bands)

3 4

Pizzicato & Blow air on the bands

‰ ‰

3 4

~~~~~

‰ ≈. ‰ .... F p P f 6 5 4 3 2 1

FM-MP3

pizz

(on bands)

~~~~~

œœ œœ œ

1 1 1 1

& 4 4

~~~~~

3 4

Pno.

6 5 4 3 2 1

∑

pizz

3:2

. p

4 4

Pizzicato & Blow air on the bands

(on bands)

∑

Blow air on the bands

pizz

œœ œœ œ

∑

2 4

4 4

∑

2 4

∑

3 4

∑

2 4

FM-MP3

norm.

FM-MP3

3 4

1 FM-MP3

4 4

≈

3 4

- tough jewel-e -

T 1

A. Fl.

‰ Œ

FM-MP3

& 34

FM-MP3

B. Cl. in Bb

3 4

2 4

‰ Œ

2 4

‰

T.R.

norm.

œ œ o p

® 4 ≈ m ¿ ®‰ Œ œ. ¬ 4 (¿) P π f

mœ π o

4 4

3 4

œ ¬. ¬ Pπ p

Make noise with tin cans put together with a string. Throw into a bin or sim.

Pno.

3 4

2 4

Vln.

3 4

( )

2 4

≈

6 5 4 3 2 1

âfÓ

Vla.

≈

[LS]

3:2

‰ Œ

2 4

œ ‰ œœ ‰ œ P

Pizz Arp

behind bridge

~~~~~~~

FM-MP3

Vlc.

>¿ ‰ .

3 4

[RS]

4 4

4 2 3

Pizzicato on the bands underneath the piano. The spoons will tingle.

P πp 1

Hand through the bands underneath the piano. The spoons will tingle.

≈ ≈ ≈ ≈‰

F 1

+ œœ ® œ≈ œ . P

Mezzo Legno Tratto

4 4

> +œ œ œœ ≈ ≈ œ

4 4

body

Pizz Arp left hand

Ó. . . . . . . πP P f

∏

œ· œ· œ· ÿÿ p

gliss

4 4

( œ· )

≈‰

Arp + >œ œ. . . . . . . . . Pizz œ ≈ ≈ ‰ œœ ≈ Œ œ f π3:2 P P

[RSh] body

left hand

[LSh]

œ·

5:4

¬ P

œ. . . . . . .

œ. œ. . ‰ æ æ P qn π P

+ œ ≈ œœ ‰ . œ P

? 3 4

Blow air on the strings

j Pizz Arp œœ ‰ Œ œ ≈ œ o P Ó. . . . . . . . π P

2 4

‰ ® âfÓ Ó. . .... . . . π P

behind bridge

≈ ® â f

6 5 4 3 2 1

[LS]

‰.

6:4

(on bands)

6 5 4 3 2 1

â p f

~~~~~~~

≈Œ

pizz

(on bands)

œœ œœ œ

3:2

FM-MP3

pizz 6 5 4 3 2 1

¿.

4 4

Play with a loose hand over the bands in circles

Blow air on the bands

œœ œœ œ

¿q

[LS]

FM-MP3

Elastic rubber band

~~~~~~

3 4

∑

3 4

Pizz Arp

~~~~~~~

P 6:4

~~~~~~~

& 34

√. . . . . . œ

2 4

~~~~~~~

∑

3 4

~~~~~~~

3 4

LAMPSHADE [Bow]

Prc.

®‰ .

3 4

- tough jewel-e -

U 1

98 A. Fl.

B. Cl. in Bb

3 4

FM-MP3

2 4

4 4

‰. o

Elctr.

3 4

& Pno.

3 4

∑

œ- ‰ œ- ‰ œ- ‰ π

? 3 ˙. ˙. 4!

2 4

¬ π p

B3 4

¬ πP

2 4

?3 Œ 4

3:2

œœ œœ œ- ! œ " œ

P 6:4

˙˙ ˙ !

(on bands)

¬ π p

¬ π F

≈

4 4

2 4

6 5 4 3 2 1

â p f 1

FM-MP3

4 4

≈

6 5 4 3 2 1

2 4

tap on body

4 4

# ‰. <¿ P

6:4

‰

4 2

p 27

3 4

4 4

P πp 1

≈ ≈ 1

en sak jag inte visste

Roll band in position

‰

# fi ≈ ≈¿ ¿ ¿ ¿ ¿ < o P qn

3 4

tap on body 3:2

¿. ¿. ¿. p

tap On the WHISPER on bridge samma dag. body

3 4

WHISPER

(sP)

& 3 4

Pizzicato on the bands underneath the piano. The spoons will tingle.

WHISPER ännu en sak jag inte visste om dig.

FM-MP3

# ‰ ≈ ‰ . ≤≤≤≤≤≤≤≤≤≤ <¿ oP p

‰

Voice & Kitchen noises

pizz

tap on body

FM-MP3

‰ ¿ ¿ J qn p

Play with a loose hand over the bands in circles

Blow air on the strings

Vlc.

1œ

√ .œ . . . . . >œ >œ >œ äœ ≈ ≈ ≈ ‰.

Music Box

Blow air on the strings

Vla.

÷ 4 4

BIG DRUM [Steel brush]

OPEN

‰. Œ œ mœ â P

Silently pressed

Blow air on the strings

& 34

CROTALES [bow]

∑

2 4

Silently pressed

Vln.

3 4

V 34

h q

Prc.

3 4

- tough jewel-e -

W WHISPER i det kattgrå halvmörkret

∑

102 A. Fl.

& 34

WHISPER i det kattgrå halvmörkret

∑

2 4

∑

3 4

Prc.

∑

2 4

Elctr.

CROTALES [bow]

& 34 Ó

œ‰ â P

3 4

2 4 2 4

œ œœ

mœ âp

WHISPER det är idag, du har glömt att ringa.

& Hand through the bands underneath the piano. The spoons will tingle.

Pno.

Vln.

Vla.

& 34

! ‰. ¿ < P

tap on body

Ord Bow

B3 Œ

‰

‰ Ó

det är idag.

Vlc.

MaP

¿.

. . . . . F

!3:2

& 2 4

m œ m œœ œœ

2 4

‰

4 4

Ord Bow

œ . œœœ œœ ≈ P π+

œœ F

2 4

MaP

œ≈ œœ œ œ + Pπ mœ

2 4

œœ œœ œœ œœ ... ∏P

4 4

jeté

œ œ. œ. œ. œ. . . . . . . F P qn P

mœ

‰ Œ

‰

œœ ≈Œ . . ... . . qn P

œœ ≈Œ . . ... . . qn F

≈

4 4

‰

œœ

3:2 Battuto

œœ œœ œœ œœ 44 ‰ œœ Œ . . . . . . . .. . . . . . .... . jeté

F π P qn 28

3 4

≈‰ ‰ œ. . . . . . . Ó. . . . . . . . . . . P qn qn F

Legno

3 4

[RS]

jeté

œœ ≈œœœ≈ œœ + + π

III

‰

Legno Battuto

3:2

Legno 3:2 Battuto

3 4

4 ‰ Œ 4

m œœ

mœ

III ord

Drag the nails along the side of the keys.

III

‰ œœ ¿. ¿. ¿. + ≈ p π

! . ≈ ¿¿ œœ ‰ <¿ p πP

œœ mœ œ œ

œœ ≈ + π

3 4

4 4

‰

2 4

∑

4 4

‰. Œ

tap on body

WHISPER mitt fel

keyclicks

3 4

WHISPER det är mitt fel att du glömt

B. Cl. in Bb

∑

4 4

tap on body

¿. ¿. ¿. ¿. ¿. ¿.

6:4

3 4

- tough jewel-e -

A. Fl.

slap tongue

norm.

& 34 < ® œœ œ P qn p

106

slap tongue

B. Cl. in Bb

Prc.

Elctr.

≈. ‰ Œ < P

V 34

2 4

∑

2 4

∑

& 2 4

3 4

2 4

œ‰ â P

Pizzicato & Blow air on the bands

Pno.

pizz

3 4

‰

tap on body

2 4

pizz

(on bands)

œœ œœ . . . œ

≈. ‰ .... P f F

(on bands)

3:2

1 1 1

3:2

6 5 4 3 2 1

Roll band back/forward. End in position

≤≤≤≤≤≤≤≤≤≤Œ

norm.fast ≈ TEMPO:

Vln.

& 34

<¿ P

2 4

1 1 1 1

norm.

‰ B 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤ norm.

Vla.

fast

Roll band back/forward. End in position

2 4

Vlc.

3:2

¿.

∑

2 4

œ mœ œ

m œ m œœ œœ

. . . . . . . . . . . P

4 4

? 4 4

˙ ˙

Drag the nails along the side of the keys.

P ˙

m ˙˙

˙˙

˙˙ F

4 4

mœ

‰ œœ œ ≈ + π ∑

œ≈ œœ œ œ + Pπ

Ord Bow

mœ

4 4

mœ

œœ≈ œœœ ≈ + + πP π

III

3 4

, Battuto Legno

3 4

œ œ œœœ œœ ≈ + P qnπ

ord MaP

3 4

III

‰.

4 4

˙œ ≈ + π

Ord Bow III

norm. norm. fast ? 3 ‰ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 2 4 4 ¿. ¿. ¿. ¿¯ ≈ π TEMPO:

4 4

‰. Œ

Roll band back/forward. End in position

TEMPO:

mœ âp

œœ

& Ord Bow

. Œ

CROTALES [bow]

3 4

keyclicks

Elastic rubber band

∑

4 4

˙ F œœ

œ ∏ œœ

œœ

3:2

œ. œ. œ. œ. œ. œ. F P œœ

∏

3 4

- tough jewel-e -

Y 3

∑

110 A. Fl.

3 4

‰

FM-MP3

2 4

Prc.

Elctr.

∑

3 4

Œ.

Pizzicato & Blow air on the bands

~~~~~

6 5 4 3 2 1

& œœ ∏ 3 4

≤≤≤≤≤≤

Legno Battuto

4 4

œ.

3 4

‰

3:2

≤≤≤≤≤≤

‰ Œ . . . . . . F

4 4

2 4 œ.

‰

3 4

≈

‰

>œ

≈‰ ∑

>œ p

≈

3 4

∑

4 4

b œ-

3:2

œ-

œ-œ

3 4

‰

FM-MP3

2 4

√> œ

. ... . . π °

Roll band off the neck of the instrument. Free strings.

œœ œœ œœ œœ œœ œœ ...... F P 3:2

2 4

Roll band off the neck of the instrument. Free strings.

Vla.

2 4

‰ & 34 P !œ ? 3 ‰ ‰ œœœ ‰ œ 4 f

œ̄ ≈œ. . . . . P p

Vln.

4 4

TIN CAN [Elastic rubber band, fingers]

Drag the nails along the side of the keys.

Pno.

‰

FM-MP3

2 4

B. Cl. in Bb

4 4

3 4

‰

FM-MP3

2 4

4 4

3 4

? 3 œœœœœœ Œ 4 œ. œ. œ. œ. œ. œ. FP Legno 3:2 Battuto

Vlc.

3:2

‰

FM-MP3

2 4

o 30

4 4

3 4

- tough jewel-e -

A. Fl.

B. Cl. in Bb

& 34

∑

114

∑

3 4

2 4

‰

T.R.

norm.

œ p

∑

2 4

œ qn

4 4

®≈m ¿ ®‰ Ó œ. ¬ P π f

3 4

mœ œ ¬. ¬ π o Pπ p

3 4

OFFICE LAMP

3 4

2 4

& 34 Œ Pno.

‰

œœœ -

œœœ

‰

√-œ

œ œœ

3:2

p ‰

≈

If that is not possible: Find the position of the harmonics on the strings. Put a mark on it so that you can find it quickly. Elastic rubber band

œœ œœ œ

6 5 4 3 2 1

2 4

behind bridge

Vlc.

2 4

+œ œœ ‰ . œ

Pizz Arp

2 4

pizz

(on bands)

left hand

norm.

(on keys)

≈ ≈ ® ‰ .& ‰ . â â â mœ f f °

? 4 4

( m œœ )

≈ ≈ œœ ‰. œ œ Ó. . . . . . . . . . P π P

œ ® œœ ≈ Œ œ Ó. . . . . P P left hand

‰

MLTr

4 4

‰ ‰.

? 3 4

3:2

œ œ

∏

œ ∏

mœ

+œ œœ ‰ . IIIœœ ≈ Ó. . . . . . . œ + π P P π Pizz Arp

[RS]

œ mœ œ r

3:2

MLTr

4 4

& 4 4

√ä

‰. & ‰ mœ œ ‰ Œ mœ œ œ > ◊

Pizz Arp

behind bridge

œ mœ œ

b ··

behind bridge

‰.

Œ F

Pizz Arp

[LS]

2 4

œœ ‰ . œ P

~~~~~~~

Vla.

& 34

Arp U Pizz œ

~~~~~~~

Vln.

& 4 4

Blow air on the bands

3 4

Put blutack/other on the harmonic. Then just press the keys to play it.

ä¿ ≈ ¿. f π

LAMP STANDS [Stick]

4 4

~~~~~~

4 4

~~~~~~~

3 4

~~~~~~~

Elctr.

~~~~~~~

Prc.

SPRING STEELS

j mœ œ œ œ œ 3:2 F π I

j 3:2 œ œœ≈ ˙ + qn π

·œ ..

·œ

3 4

3:2

œ œ œ œ œ œ

3 4

- tough jewel-e -

BB Repeat freely

A. Fl.

B. Cl. in Bb

3 4

2 4

®‰ . Ó

2 4

∑

FM-MP3

4 4 3

∑

4 4

∑

4 4

FM-MP3

Prc.

Elctr.

÷ ÷

3 4

¿. . . . . . . . . ‰ . P qn

2 4

Hand through the bands underneath the piano. The spoons will tingle.

‰ F 6

& 34

Blow air on the keys

¬ > π

2 4

Vln.

.. ¿h æ

3 4

?3 Œ Pno.

LAMPSHADE [Steel brush]

>¬ π .. Œ .

Nails along keys

>œ

œœœ

2 4

¬ π

œ & 34 œ

œ. ‰ æ π

gliss

B 2 4

?3 Œ 4

¬ π

2 4

¬ π

œ. œ. æ æ

πP

œ. œ. œ. ‰ æ æ æ

[LSh]

Blow air on the strings

Vlc.

¬ π

body

3 4

‰.

F Œ

pizz

(on bands)

6:4

3 2

ä¯ ¯ ¯

π 1

6 1

≈ ≈ ≈ ‰. 1

3:2

3 4

[LSh]

>œ . . œ. . . . . . >œ œ. . . . œ. œ. 4 æ æ ‰ ‰ ≈ 4 3:2 3:2 P f P qn f P 4 4

œ. æ ‰ Œ

[RSh]

>œ œ. . . . . . . . ≈ ≈

3 4

[RSh] body

f π3:2 P

Pizz .œ œ. œ. Arp + œ ‰ æ æ æ ‰ œœ ≈ Œ œ P π P

3 4

body

πP

>œ

body

Blow air on the strings

. œ‰ Œ œ

4 4

[LSh]

Vla.

3 4

∑

œœœ

‰. Œ

Blow air on the strings

gliss

[LSh]

·œ ·œ ·œ ·œ ≈ Œ p

4 4

~~~~~~~

∑

118

3 4

- tough jewel-e -

CC q

122 A. Fl.

B. Cl. in Bb

3 4

V 34

2 4

∑

2 4

∑

4 4

Prc.

3 4

√ &

œœœ

3 4

Pno.

3 4

>œ ‰. p

? 2 4 pizz

(on bands)

Œ œ. . . . . . . . P

Ó. . . . . . . . . . . Ó. . . . . . π p πP

B 3 ‰. 4

[RS]

P π

& 4 4

π 6 5 4 3 2 1

4 4

>œ ‰. F

6 5 4 3 2 1

4 4

≈≈ ≈ Ó. . . . . . . . . . . Ó. . . . . . . . . . . Ó. . . . . . π π p F π p

Ó. . . . . . . Ó. . . . . . . . . . . πp π p

MLTr

m˙ qn

3 4

kvar finns din utsträckta kropp. den svettas skuld och skam.

‰ Œ

>œ ‰. P

œœœ

3 4

pizz

(on bands)

6:4

π 1

4 2

3 4

m˙ ˙

∏ 33

3 4

4 4

FM-MP3

ord

4 4

˙˙ F

3 4

Vibr.

2 4

‰ Œ

[RS]

2 4

≈

FM-MP3

[LS]

≈

5 Voice & Noises

œœœ

∑

[LS]

®‰ ≈

Music Box

œ /////////////// p

3 4

≈ ≈ Ó. . . . . . . . . . . π P

2 4

[LS]

Ó. . . . . p

‰ œœœ !

√

[LS]

≈

[LS]

Vlc.

◊ p

[RS]

& 34 ≈

b œ- œ- œœ œœ - œ-

OPEN

4 4

Play with a loose hand over the bands in circles

[LS]

Vla.

∑

(on keys)

° Vln.

∑

norm.

˙ h q

2 4

double tonguing

3:2

SAUCEPAN LID [bow]

-œ ‰ . p

3 4

MaP

œ qn

Legno Battuto ord

MaP

4 >œ .. . . . . p qn 3

- tough jewel-e -

A. Fl.

3 4

B. Cl. in Bb

V 34

double tonguing

rit.

2 4 ‰. 4 ////// ¬ ˙ //////////////////////////////////////////////// 4 ////////////////////////////////////////////////////////////////////////////////////////////////////////////// o p qn

126

( p)

2 4

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

4 4

˙ π

3 4

/////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////

≈Œ

3 4

BIG DRUM [soft mallet]

Prc.

¿ @

3 4

qn Elctr.

3 4

2 4

3 4

ä ¯ ¯ ¯ ≈ ≈ ≈ ‰.

Pno.

Vln.

3 4

3:2

œœœ

>œ p

‰.

pizz

(on bands)

2 4 œ.

& 34

B3 4

2 4

3 4

bœ. œ œ.

œ œœ ..

œ œ

∏ œ œP mœ œ œ ? 4 ‰ ‰ 4 π f ° Nails along keys

. . . . . . œ. . . . . . . P F

œ. . . . . . .

2 4

¿ ‰ Ó. @

4 4

∑

(

Vla.

√

4 4

≤≤≤≤≤≤≤≤≤≤ ‰

‰ ≤≤≤≤≤≤≤≤≤≤

Roll band in position

‰.

>œ ®

3 4

[LAp]

3 4

Roll band in position

3 4

Vlc.

?3 Œ 4

FM-MP3

2 4

4 4

P 34

3 4

- tough jewel-e -

q = 68

A. Fl.

& 34 Ó

B. Cl. in Bb

‰ mœ

Prc.

Elctr.

Œ.

3 4

3 2œ 4

≈.

leak more & more

2 4

œ p

norm

3:2

norm

®b < œœ œ œ Fo π

slap tongue

s.t.

œœ

4 4

norm

≈≈ ®œ œ . œ œ < π F o

4 4

LAMPSHADE

OPEN

‰ Ó

Music Box

2 4

[Tap]

2 4

Kitchen noises

∑

3 4

3:2

‰ ‰ ≈.

>œ f

. . . œ. . . . . . . . . . . x x e e

2 4

[RS]

® ‰ Ó Ó. . . . . . . . . . â F qn p

+ ˙ ˙˙ ˙

2 4

4 4

LH/RH-pizz Arpeggio

MsT

F qn

trem

˙ ˙˙ ˙ p

+œ œ œ œ R

>œ ‰ ®≈‰

4 4

2 4

+ ˙ ˙˙ ˙

LH/RH-pizz Arpeggio

MsT

[LAp]

Pizz Arp

+œ œ œ œ R

≈

Ó â F

˙ ˙˙ ˙ p

ord

trem

>œ

œœœ

≈‰

>œ p

œœœ

≈‰

>œ

2 4

≈ ? 2 4

√œ œ

Legno Legno LB LTr Battuto Tratto

LB LTr

‰ ‰ œœ ‰œœ>œœ. œœ. œœ ‰ œœ>œœ. œœ. œœ p π P œœ œ œ œ. œ. >

œ. . . . . . . .. . .

[LAp]

≈ ® Œ âÓ Ó. . . . . . ... .. . . . p F qn

Pizz Arp

‰

œ. . . . . . . .. . . . . . .

x e e

~~~~~~

>œ ‰ ®≈ [LAp]

~~~~~~

Vlc.

+œ œ œ œ R

œœœ

â . .... . . FpP 3

[RS]

~~~~~~

Vla.

‰ ≈

√

4œœ 4 œ

(on bands)

Elastic rubber band

~~~~~~

B3≈

Pizz Arp

3:2

‰

2 4

‰ -œ ≈ ‰ -œ ≈ ‰ -œ ≈

4 Voice 3 4

∑

SAUCEPAN LID [bow]

2 4

œ œ

& Legno Tratto

‰ œœ œœ œœ œœ œœ p qn P qn p qn

2 4

[RS]

MaP

Pizz Arp

+œ

≈® ‰ Œ œ Ó. . . . . . . . . . RÓ â F qn p

4 œ 4 œ

~~~~~~

& 34

. . . œ. . . . . . . . . . . x x e e

∑

2 4

Music Box

4 4

3:2 Fo p

~~~~~~

Vln.

œ ‰ Ó

OPEN

[Tap] [Bow]

pizz

[LAp]

SAUCEPAN LID

& 4 4

Pno.

≈œ̄œ œ œ ‰ .

≈®œ̄‰

‰ Ó

h q

2 4

V 34 Œ

h q

~~~~~~~~~~~~~~~~~

(throat)

130

2 4

- tough jewel-e -

HH & 24

∑

V 24

∑

134 A. Fl.

B. Cl. in Bb

air tone

2 8

air tone

2 8

Rubato

¬ π

3 8

∑

3 8

∑

¬ p

‰

4 4

‰. ¬ ¬ ‰. ≈ ¬ ¬ ¬ .. . . . p πP

‰

4 4

‰

‰ Œ ¬. ¬. ¬. ¬. p π

3 4

PREPARE to play on the autovan

Pno.

∑

2 4

Vla.

?2 4

3:2

& 24 Œ

B 2 œœ 4 π

∑

3 8

3:2

>œœ. œ. P

‰

œœ ‰ .

œœœ √-œ ‰ ‰ ≈

∑

4 4

on Even though it says ON in the instructions you should start the van before the concert. Keep it on. Just make sure it is in order before you start playing.

pP œ p œœ ‰ œœœ & 3:2 -

>¬ π

‰ ≈.

œ œ >œ œ. . . . . . . . f qn p

≈

‰

‰ √

4 4

P œp œœ 4 ‰ 4

2 8

3 8

≈œ œ Œ œ. . .œ. . . . . . . . P qn p

> ≈ . œœ f

Blow air on the strings

3:2

âÓ Ó. . . F

3:2

[RS]

+œ œ œ œ R

∑

3 8

fi 3:2 ≈ ‰ ®œ ≈ b œ- ‰ . œ- ‰ . œ ‰ . œ- . œ > π p P qn p F hp

2 8

Legno Battuto

Pizz Arp

-œ œœœ ¤

Blow air on the keys

2 8

Legno Battuto

2 8

[RS]

3 8

¬ Ó. . . . . . . . . P qn p

3 4

+ œ œœ œ

4 4

3 8

MaP

U œ œœ ‰ Œ œ p

trem

ord fi , . . . œ. . . . . . . . . . . bow fi ‰ ‰ ‰ œ œœ3:2 qn p F

fi 3:2 ≈ ≈ ‰ ‰ . œœ œœ ≈ œœ ≈‰ << < f p âÓ Ó. ..p... . F qn

+œ 4 œ 4 œ œ R

‰

Move bow in a vertical direction. Along the strings, away from the bridge

III

Legno Tratto MsT

4 4

3 4

MsT Legno Battuto

[RS]

Pizz Arp

‰. Ó

3:2

x x e e

LH/RH-pizz Arpeggio

MsT

~~~~~~

b œ- œ- œœ -

hard pressure

Vlc.

∑

2 8

Keep the van hidden. Don't show it to the audience until part 4.

Mezzo Legno Battuto

Vln.

∑

II III

~~~~~~

Elctr.

~~~~~~

Prc.

4 4

fi œ ≈ œœ < P f

3 4

II III

œ P

3 4

- tough jewel-e -

JJ & 34 ¬. ¬. ¬. ≈ ‰ . ¬. ¬. ‰ . qn p

∑

140 A. Fl.

B. Cl. in Bb

V 34 Œ

‰

¬. ¬. p

2 4

∑

4 4

norm

‰.

œ. p

mœ œ qn

2 4

‰

¬. ¬. π

∑

4 4

soft slap tongue

‰.

norm 3:2

≈

3 4

soft slap tongue

‰ ≈ ≈ ( n œ ) œ b œ œ < ( n œ ) < P p π p

3 4

bend

PLAY on the autovan

∑

3 4

& 2 4

on the keys

pizz

‰ Œ œ . . . . . . . â Fp P 3 4

+ œ≈ œœ œ P

& 34

Legno Tratto MsT

Vla.

[RS]

B3 4

+œ œ œ œ R

~~~~~~

~~~~~~~

Vln.

fi œœ

œ. . .

[RAp]

Pizz Arp

‰.

‰ ≈

Ó Fâ

-œ

2 4

Pizz LH Arp

Make the sound abrupt and non linear in the player sending sound through bluetooth.

Original file is 15 seconds. Make it about 4 7 seconds through jumping and sliding. 2 ! 4 4

Elastic (on bands) rubber band

Pno.

2 4

œ-œ

∑

œ. . . œ. . . . . . . . . . ≈ ≈ p

3:2

œœ

[RS]

‰

Ó. . . . . . . . . . . . . p qn + œ œœ œ

LH/RH-pizz Arpeggio

Vlc.

MsT

~~~~~~

? 3 œ ≈œ ≈‰ Œ 4 œ œ < < p 3:2

trem

œ œœ œ p

ord

2 4

MaP

œ ‰. œœ œ P

Ord Bow

behind bridge

4 4

-œ

Pizz Arp

Ord Bow

2 4

p m -œ

~~~~~~~

Prc.

2 4

6:4

œ. œ. œ. œ. œ. œ. qn F

P œ œ

œœ ≈ + Íp

& 3 4

4 4

Tail piece

≈

(bow)

Tail piece

≈

(bow)

œ P

4 4

œ. p>

Tail piece

≈

(bow)

3 4

Ord Bow I

mœ

œœ ≈ + Íp

-œ œ-œ

¤œ

-œ

b -œ œ

3 4

4 4

œ P

‰

3 4

œ ∏

3 4

œœ p>

œœ œ œ p> p>

3 4

∏

- tough jewel-e -

KK slap tongue

& 34 ‰ . < p

144 A. Fl.

B. Cl. in Bb

Prc.

3 4

slap tongue

2 4

∑

2 4

‰. Œ < π Œ

norm

œ bœ π ∏

slap tongue

∑

4 4

∑

4 4

bend

& 34 Pno.

& 34

∑

œœ

‰

-œ œ

-œ œ œ

-œ œ m -œ œ œ

‰

‰ Œ

? 2 4

œ ◊-

Ó.

3 4

Ó.

3 4

œ bœ π ∏ bend

∑

2 4

‰. < ∏

∑

‰

∑

4 4

∑

4 4

œ ◊-

‰ Œ

3 4

Vln.

Vla.

Vlc.

3 4

B3 4

≈ qn

?3 ≈ 4

FM-MP3

œ œ œ. > p> p

4 4

3 4

œœ œ œ p> p> ,

2 4

œœ p>

∑

2 4

FM-MP3

∏ 2 4

‰ qn

œ > π

œ 38

‰ Œ qn

4 4

‰III œ

MLTr

œ > π

p œ ‰

3 4

- tough jewel-e -

∑

148 A. Fl.

& 34 soft slap tongue

B. Cl. in Bb

‰.

V 34

< ( n œ ) P

accel.

2 4

∑

4 4

∑

3 4

2 4

∑

4 4

∑

3 4

BIG DRUM [Friction mallet]

Prc.

∑

3 4

2 4

4 4

√ä œœ

Pno.

?3 4

° Vln.

& 34

Vla.

œ ◊-

Start ebow

‰ Œ

(bow)

œ > π

œ ◊-

& 4 4

‰ Œ

‰ Œ qn

2 4

4 4

‰

Wedge

4 4

‰ ≤≤≤≤≤≤≤≤≤

‰

Roll band off the neck

ord pos

3 4

b œœ ‰ .

Tail piece (bow)

o π

‰ ≤≤≤≤≤≤≤≤≤≤

·˙

·œ .. œ mœ

Roll band off the neck

4 4

≈Œ

‰ ≈ ‰ ≤≤≤≤≤≤≤≤≤≤ Roll band off the neck

œ > π

π Ó

Place ebow

‰.

œäœ

(hit it w hand inside piano)

2 4

Tail piece

Vlc.

3 4

pizz.

œ ‰.

. >pœ

3 4

mœ œ

IVIII

œ œœ

∏

3 4

- tough jewel-e -

& 34

∑

V 34

∑

152 A. Fl.

B. Cl. in Bb

2 4

3 4

2 4

- . - . - . œ ‰ œ‰ œ‰

3 4 Pno.

Vla.

Play with left hand

?3 œ 4 p

& 34

, œ. > p

B3 Œ 4

2 4

3:2

œœ p>

‰

2 4

4 4

bend

≈

2 4

∑

Vlc.

MLTr

F ˙ ˙˙ @

√ b œ. œ œ œ œ œ π

˙˙ p

2 4

œ. π

œ p

‰

3 4

‰

3 4

j œ

MaP

4 4

Place ebow

MLTr

ord

œ p

MaP

Ord Bow

4 4

Pizzicato & Blow air on the bands

!œœ

3 4

‰ bœ· œ· .. m œ m œ· Œ

3 4

6 5 4 3 2 1

¤m œ

œ· glissœ· œ œ F ∏ II III

ord

MaP ord

œ p

gliss

3 4

3:2

nœ œ œ œ m œ ® œ bœ œ œœ qn p qn P π F π p gliss

3 4

œœ œ

œ·

4 4

3 4

œ œ bœ œ 4 gliss œ p ∏

5:4

ord

√œ

gliss

¤ä √ b œœ œœ ‰. ® ≈. ‰ p

4 4

œ glissœ œ· œ· .. ≈ œ µ œ n œ œ œ· œ· p π p o π P p qn Ord ord

œ œ . ®Œ

4 4

3:2

2 4

œ π

normal pressure

4 4

bœ

LAMPSHADE [Bow]

≈ P qn ‰ œ œ b œœ œœ @ @ ◊

ord pos

‰ œ œ ‰ Œ norm

-œ ≈ -œ ≈ Œ

‰ œ œ

≠

√ä pizz b œœ

œ̄ œ̄ ‰. ‰. ‰.

P ˙

~~~~~~

Vln.

2 4

3:2

√ œ̄

norm

SAUCEPAN LID [bow]

Prc.

o 6:4 j œ ≠ œ ≠ œ≠ œ œ ‚‚ 3:2 F qn

q = 92

gliss

3 4

- tough jewel-e -

q = 60

rit.

& 34 Œ

A. Fl.

slap tongue

norm

B. Cl. in Bb

V 34

3:2

®b ‰ ‰ Œ < F

156

‰.

∑

2 4

s.t.

œœ

Ó < F

∑

2 4

∑

2 8

∑

2 8

∑

2 16

∑

2 16

breath tone

5 4

¬. ¬. ¬. ≈ ‰ . ¬. ¬. ‰ . Œ π p

breath tone

‰

5 4

¬. ¬. π

¬. ¬. p

‰ ‰

≈¬¬¬ ... π P ¬. ¬. π

PREPARE to play on the autovan

LAMPSHADE

Prc.

≈ . œ̄≈ œ Œ [Tap]

3 4

[Bow]

∑

2 4

2 8

Pno.

≈.

>œ œ. . . . .. . . . F

œœ œœ œ

6 5 4 3 2 1

‰ ‰

Legno Battuto

œ. . . . .

œœ œœ œ

6 5 4 3 2 1

B3 œ ≈ 4

2 4

o Ó. . . . . Ó. . .. .

Vlc.

®≈

?3 4

Blow air on the strings

¬ f

®‰

. . . . . œ P o

2 4

‰

qn P qn Legno Battuto

‰ œ . . .... . . . . qn P

Legno Tratto

[LS]

Vla.

2 8

Legno Battuto

mœ œ o

Wedge (hit)

œœ .. œœ .. œ .. 6 5 4 3 2 1

2 8

œ. ≈ p qn

∑

2 16

5 4

∑

‰

∑

2 16

œ 1&2 œ ‰ π f Lift ebow

5 4

¤œœ 5 > 4b

. ·· ‰ Œ

◊

‰ ·>· ≈ Ó ◊

fi ≈ ≈ ‰ ≈‰ œ œ œ œ œ œ < < < f

5 4

Legno Tratto MsT

5 4

Legno Battuto

gliss

¤œœ

Legno Battuto MsT

fi ˙˙

j 2 œ . 16 . . . . .

Keep the van hidden. Don't show it to the audience until part 4.

2 8

F ≈ b œœ ◊>

2 ≈ ? 16

≈

œ. p

œ. . . . . . . . . 8 œ. . . . . π qn p

Legno Tratto

2 4

j œ 2 œ 16 F

~~~~~

& 34

2 4

[LAp]

Vln.

6 5 4 3 2 1

~~~~~

˙˙ ˙˙ ˙

? 2 8

~~~~~

6 5 4 3 2 1

~~~~~

3 4

œœ œœ

o ~~~~~

!œ

mœ 2

2 4

¿ @J π

2 16

Place ebow

? 3 ˙. 4 P

¿q @

BIG DRUM [Sticks on the rim/side]

5 4

Move bow in a vertical direction. Along the strings, away from the bridge

≈Œ œ œ < π

ord bow

œF

‰

fi 3:2 ≈ œœ œœ ≈ œœ << < f p

œœ œœ œœ p qn P III

Legno Tratto

‰ œ

MsT

Legno Battuto

j œ P

- tough jewel-e -

OO 3

161 A. Fl.

B. Cl. in Bb

∑

Change to Radio

∑

Change to Radio

FM-MP3

! 3

FM-MP3

PLAY on the autovan

! Prc.

∑

Vln.

Vlc.

3:2

F ? ‰. Œ ‰. Ó b œœ œœ > > ◊ ◊ ° &

œ(F)

Blow air on the strings

‰ Œ

‰ Œ B ≤≤≤≤≤≤≤≤≤ Roll band in position

Vla.

√ >œ >œ & Œ ‰. ‰.

Wedge (hit it with hand inside piano)

Pno.

Make the sound abrupt and non linear in the player sending sound through bluetooth. Original file is 15 seconds. Make it about 5 seconds through jumping and sliding.

two finger pizzicato

œ. â gliss F

>œ >œ >œ >œ >œ ‰. ‰. ‰. ≈ ≈

3:2

Ó.

F p ‰. Ó mœœœœ < ◊

Elastic rubber band

‰. ‰ œ ≈ â â F œ

‰

¬ F

FM-MP3

5 5

FM-MP3

3:2 ‰ ‰ œ ‰ ≤≤≤≤≤≤≤ â gliss π

Roll band in position

FM-MP3

- tough jewel-e -

A. Fl.

B. Cl. in Bb

Ó.

∑

Change to Alto Flute

164

∑

Change to Bass Clarinet

norm

≈ mœ. œ qn p

∑

BIG DRUM [Friction mallet]

∑

3:2

‰ œŒ â qn p F

‰

Pno.

Vln.

& ‰ ≈.

f 3:2qn p

>œ .. . œ. . . . . .. . x xe e

[LAp]

. . . . . . ≈ ‰ x x

‰ ‰ ≈.

≈ ® Œ Ó Ó. . . . . . . . . â F qn p Pizz Arp

trem

e >œ .. . œ. . . . . . . . x xe

+œ œ œ œ R

p3:2

‰ Œ

‰ ≈.

[RS]

5:4

+ œ œœ œ

Pizz Arp

MsT

p Ó

e x xe >œ .. . œ. . . . . . . .

f 3:2qn

trem

œ œœ œ p

+ œ œœ œ

Pizz Arp

œ œœ œ p

+ œ œœ œ

Pizz Arp

MsT MaP MsT

MaP

trem

+œ œ œ œ R

trem

œ œœ œ p

MaP

P ‰. Ó mœ <

x >œ .. . ‰ ≈. ≈ Ó

? ?

(bow)

≈ Legno Battuto

5:4

Tail piece

F3:2

≈ ® Œ Ó Ó. . . . . . . . . â F qn p

Pizz Arp

~~~~~~~

œ .. œœ . œ. p

MaP

3:2

>œ >œ ≈ ≈Œ

[LAp]

≈ ® Œ Ó Ó. . . . . . . . . â F qn p

Pizz Arp

~~~~~~~

>œ MsT + œ .. ‰ ®≈ œœ . œ. F qn [LAp]

~~~~~~~

? Œ

5:4

‰.

>œ >œ >œ ‰. ‰. ‰.

Fâ °

[RS]

~~~~~~~

Vlc.

B Œ

f 3:2qn

~~~~~~

Vla.

+œ œ œ œ R

œ1

[LAp]

[RS]

Pizz Arp

‰.

Fâ qn p Fâ

√ >œ >œ Œ ‰. ‰. Œ

˙ qn

~~~~~~

. . . . . .

x x

Ó.

∑

~~~~~~

Prc.

œ. p>

Tail piece

‰ œ ≈ œ . . . . > œœ œ F p> p> (bow)

Legno Battuto

Tail piece (bow)

œœ ≈ >. . . . œ . œ . œ > > > F p p p

- tough jewel-e -

QQ 167 A. Fl.

slap tongue 3:2

‰ ‰ Œ œ < qn p soft slap tongue

B. Cl. in Bb

Œ Œ

œœ

≈® ‰ Œ < P

s.t.

Prc.

Pno.

œ ‰. Ó.

? ‰. œ ˙ ˙ m œ-! ˙ ˙ ! p F 3:2 ? Œ ‰ ‰Œ Œ œ œ < <

‰

3:2

‰

‰ Ó

‰ Œ

∏

¬ F

F p3:2 π

∏

¬ F

Vlc.

‰ Œ

œ ∏

‰ ≈.

>œ . . .

P 3:2

Û. .. . . . . .

qn [RS]

3:2

+œ œ œ œ R

3:2

>œ . . .

+ . œ ‰ ≈ . ≈≈ ≈ ‰ œœ .. œ. 3:2 3:2 3:2 ∏ P P [LAp]

[RAp]

‰

‰.

MsT

MaP

trem

äœ

On the keys

‰ ‰ Œ & ‰ < < °

3:2

œ œ

bäœ ‰. ® ‰.

√ -œ

√ œ œ p

œ ·œ œ œ bow œ ‰ ‰ & ≤≤≤≤≤≤≤≤≤ ≈ ‰ F πF π

Pizz Arp LH

&‰

r œ

I fi> . . . . . . q. . . . Ord Bow II œ œ ‰ ≈ œ œ Œ

e e

œ.

œäœ

pizz

œ. !

Legno Battuto

>œ . . . . . . . . . . . .

® ≈ ≈‰ ¬ 3:2 Ó Ó. . . P > qn F P π Pizz Arp

‰.

[RAp]

Blow air on the strings

[LAp]

Blow air on the strings

≈

¬. F

TIN CAN [Elastic rubber band, fingers]

LAMP SHADE [Tap]

[Tap]

œ .. œœ . œ. p

~~~~~~~

Vla.

‰ ≈≈ ¬ â F

‰ . œ̄ œ. . . ‰ -œ ‰ . œ̄ ‰ . Œ

breath tone 3:2

[Snap]

~~~~~~~

Vln.

Blow air on the strings

œœ

≈ ® ‰ Œ < P

s.t.

TUBE

Play with finger (RH) on the ending edge of the fingerboard Blow air on the strings

3:2

‰ ≈ ≈‰ ® ≈ Ó ¬ (œ) â F <

‰ . m œœ ˙˙ ! pF 3:2 ‰ ‰Œ œ œ < <

s.t.

3:2

π P

˙ !

s.t.

-œ ‰ . œ̄ ‰ . Ó

> ≈≈m ‰ ≈ ¬≈‰ Œ < P 3:2

≈¿ ‰ Œ (m ¿) 3:2 F

TIN CAN [Elastic rubber band, fingers]

LAMP SHADE [Tap]

breath tone 3:2

breath tone

3:2

T.R.

s.t.

3:2

Ó.

V ‰ ≈Œ < ( n œ ) p

breath tone

> ≈≈m ‰ ≈ ¬≈‰ Ó < P 3:2 3:2

gliss

Roll band off the neck

Legno Battuto

gliss

≈‰ ‰

3:2

œ œ .. gliss œ œ .. F

>· MLTr œ ·œ ≈‰

p 3:2∏

fi 3:2 ord MaP ord ≈ . ≈‰ ≤≤≤≤≤≤≤≤ œ .. . œ . œ œ > π o P qn P

Roll band off the neck

bow

bäœ

- tough jewel-e -

≈¿ ‰ Ó. (m ¿) 3:2 F

& Œ

170 A. Fl.

s.t.

Ó.

3:2

B. Cl. in Bb

T.R.

V ‰ ® ≈Œ < ( œ ) F

≈ mœ. œ qn p

norm

p3:2

Elastic rubber band

≈ œ â F 1

‰

(√) Tail piece , œ œ & ® ®≈ œ œ. . . œ . œ œ p f p> p> Mezzo Legno Battuto

(bow)

Vln.

[Tap]

Œ P (√) n œ¯ & ‰.

Pno.

‰ . œ̄ œ. . . ‰ Ó [Snap]

œ œ p>

p √ -œ

P bäœ n œ¯ ≈‰ ‰ ‰. Œ 1

Vlc.

Tail piece

3:2

≈ œ œ ∏ p>

‰ ≈ œ œ F qn œ> œ œ>. œ . >œ . >œ p p ∏p p (bow)

‰

œ œ. œ. >p ∏

≈Ó (œ) F<

‰.

Elastic rubber band

Blow air on the keys

≈Œ

s.t.

œ ‰ Ó

p P √P œ m äœ n œ¯ ?≈ ≈ ‰ ≈‰ ≈ ≈ ‰. Ó & ¿ œ 3:2 > > ƒ ◊

â F œ1

P ‰. Œ œ > ◊ ° œ œ

√m œ

+ 3:2 ‰ ≈ ‰IIIII œ ≈ ‰IIœœ≈ œ + . . œ œœ œ f Íp >p p> ∏

‰ ≤≤≤≤≤≤≤≤≤ π

Tail piece (bow)

Roll band in position

Tail piece ‰ I œ œœ œœ œœ œ ‰ ‰ œœ œ ≈ ‰ œœ œ III III ≈‰ ≈ ≈ ≈‰ ≈ ≈ œ œ + 3:2+ + + + Íp Íp Íp +f3:2 Íp p> ∏ Vibr. , , , ®œ . . ‰ ‰. Œ œ >œ œ œ œ . œ œ >œ œ œ > P p p> p p ∏ qn ∏

Roll band in position

Elastic rubber band

‰. œ Fâ

¿ T.R. ‰. Œ (m¿) F

BIG DRUM [Friction mallet]

·œ ·œ µµ ·œ nn ·œ gliss III Ÿ ~~~~~~~~~~~~ ord pont ‰ Œ · · ≈ B ≤≤≤≤≤≤≤≤≤ œ ≈ œ ( ) . & gliss œ (· ) 3:2 F πP ∏ π ord MaP ord

‰ ≈‰ (nœ ) p< 3:2

œ ‰ Ó

gliss

Vla.

‰. Œ < p

BIG DRUM [Friction mallet]

TUBE

Prc.

œ. soft slap tongue

≈

slap tongue

Ord Bow

3:2

ord pos

3:2

(bow)

ord pos

- tough jewel-e -

SS & Ó

173 A. Fl.

Air tone q

blow air on the instrument 3:2

B. Cl. in Bb

¬ ¬

3:2

V Ó

3:2

s.t.

¬ ¬ qn F

breath tone 3:2

‰. ® Ó < P

œœ

s.t.

3:2

‰ ¬

3:2

Air tone q

breath tone

¬ ¬ ‰ . ≈m ‰ ≈>¬≈Ó J < F P 3:2 q

≈ ≈‰ ¬ â F

Ó. s.t.

‰. Œ (œ) F<

BIG DRUM [Blow air on skin]

? Ó

˙. ˙.

œ œ

ƒ ‰ ‰ ‰ ‰. Ó œ œ ¿ < < >

œ œœ œœ

e Û. .. . . . .. . . q

fi> . ‰ œœ p

˙˙

mœ mœ

Roll band in position

+œ

‰≈ œœ ≈ ‰ ‰ œ 3:2 R Ó Ó. . . â F π f Pizz Arp

[RAp]

f π ƒ 3:2

+ œ .. œœ . œ.

Pizz Arp

MsT

√

trem

3:2 3:2

œ .. œœ . œ.

‰

√œ

œ mœ œ

‰ ≈®

F p

3:2

√m œ

œ. . . . . . . . . . ‰ ‰ œ œ œ œ o P qn e

≈ ‰

e e

>œ . . . . . . . . . .

[RAp]

MaP

3:2

qn P

‰Œ

Ord Bow

‰ ≈ œ œ œ. o P qn 3:2

œ Battuto & m œ + + Legno 3:2 3:2 3:2 œ œ ‰ œœ ≈ œœ ‰ . ‰ œ ‰ œ. œ œ >œ . . . œo œ P P qn F Pizz Arp

Ord Bow

~~~~~~~ ~~~~~~~

>œ. . . >œ . . . œ œ ‰ ≈. ≈ ‰. ≈ [LAp]

qn P

~~~~~~~

3:2

œ ‰ Œ

Ord Bow

e e

[RAp]

3:2

Legno Battuto

>œ . . . . . . . . . .

[RS]

? ≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‰ ‰ œœ œœ

‰. œ ˙ m œ- ! ˙ P f 3:2 ‰ ‰Œ Œ œ œ < <

œœœ b œ n œœ œ & ‰ ≈ ≈œ œ ? œ !

3:2

‰

Blow air on the keys

Play with finger (RH) on the ending edge of the fingerboard

Vlc.

Ó 3:2

mœ mœ

˙ ˙ !

‰ ‰Œ Œ œ < <

Vla.

œ œ & œ œ œ &

¿ ¿ Œ J 3:2 F

3:2

√

Vln.

‰ ¿

‰. œ œ ˙ m œ-! œ ! ˙ PF

? Œ

¿ ¿ 3:2

Pno.

~~~~~~~

~~~~~~

Prc.

BIG DRUM [Friction mallet]

- tough jewel-e -

rit.

& Ó.

A. Fl.

B. Cl. in Bb

Air tone q

176

3:2

m˙

∏

3:2

‰. ‰

3:2

∏

Ó.

‰. Œ

œ œ. 5:4

‰

TIN CAN LAMPSHADE [Tap]

Prc.

Pno.

? Vlc.

√ œ b œn œ ≈œ œ √œ

√m œ

‰ ≈®

Blow air on the keys

e q

[RAp]

Pœ qn3:2ƒ Íp f œ

? œ œœ œœ

mœ œ

qn œ

bow

‰ ≈œ. œ. œ. œ œ o P qn F f R p pizz. 3:2

. & sTœ ≈œ œ œ œ F o P Legno Battuto

√ œm œ œ œ mœ œ n3:2 œœœ b œ nn œœ Œ & ‰ ≈‰ ≈‰ ≈ ≈ œ œ 3:2 √œ π

?Œ

Ord Bow

jŒ œ < f

3:2

Blow air on the keys

‰ œ >œ . . . ƒ¬ F qn

&‰

œ mœ œ

‰ ≈ ®

π F 3:2

Legno Battuto

MaP 3:2

¬ f

5:4

π 3:2p π 5:4 ∏ Ó Œ ?

Blow air on the keys

¿ p f>

œœ

≈œ œ . o

œ œ p

pizz. 3:2 + 3:2 3:2 ‰ ≈œ. ‰ œ œ. œ. >œ . . . ¬ oπp F qn f Legno Battuto

F p3:2

√m œ œ

œ≈ œ Ó Ó . . > . ... . . . . . .... . qn > f Íp f qn F

3:2 3:2

[Tap]

√

Ord œ ≈ >œ . . . . . . ≈Bow œ< œ œ œ œ œœ â qn 3:2 o P o p p

e q

œ̄ œ. . . ‰ œ. ≈ . ≈ . ≈Œ

[Snap]

√ œ̄ œ œ mœ bœ œ mœ œ ≈‰ ≈ ‰ œ œ ≈ ≈‰ &

√

& fi œ ≈ >œ . . . . . . ‰ LB≈ œ œ œ œ œ< â qn p f o P

¿ ‰ ‰.

[Elastic rubber band, fingers]

√m œ œ œ

Legno Battuto

¿ p ƒ>

>œ . . >œ . . . . . . . . . . . . . . B œ œ œ≈ &

Vla.

TUBE

[blow air]

‰ . œ. . . ‰ Œ

[Elastic rubber band, fingers]

3:2 œœ ? œ œ. œ ‰ ≈ œ Œ m œ-! œ. ! œ & P f œ 3:2 mœ œ ? Œ & Œ ‰ ‰& ‰ œ œ 3:2 < < π F °

& Vln.

‰ . -œ . . . . . . ‰ ‰ œ̄ ≈

[blow air]

Blow air on the keys

Legno Battuto

√m œ

Ord œ ≈ >œ . . . . . . ≈Bow œ œ œœ 3:2 qn p o p qn MaP 3:2

e q

œ≈ œ Ó Ó > . . > . ... . . . . . ... . . . . qn F Íp P qn p ¬

¬ F

≈ ≤≤≤≤≤≤≤≤

Roll band off the neck

- tough jewel-e -

TT FREE PART

179 0''

A. Fl.

B. Cl. in Bb

Prc.

5''

10''

œ.

≈

÷ Slide ebow

Place ebow

(position from middle to quarter of string)

(high harmonic setting)

Place ebow

? mœ mœ 2

¤m œ

& Vln.

Vla.

mœ

HardPress

mœ

& Pno.

15''

mœ qn

mœ

HardPress

Legno Battuto

≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤

Roll band off the neck

? Vlc.

œ . . .. > o p qn

∏

- tough jewel-e -

182 15''

A. Fl.

B. Cl. in Bb

Prc.

20''

Ebow

Lift ebow & switch to normal setting (left)

(position at a quarter of the string)

Pno.

& mœ (P)

2 ? mœ

Ebow

Vla.

≤≤≤≤≤≤≤≤≤≤≤≤≤≤

Ord Bow MaP

?m œ

mœ qn

m œm œ œm œ œ œ

pπ

mœ

MaP

Wedge (hit)

mœ m œm ·œ m œ ∏P p ord

? Vlc.

f ≈≈≈ b œœ œœ œœ ◊â â â 3:2

Ord Bow MaP

MaP

gliss

Vibr

ord

Lift ebow

Roll band off the neck

Vln.

mœ

Place ebow

mœ

mœœœ

f π

- tough jewel-e -

185 30''

35''

A. Fl.

B. Cl. in Bb

Prc.

Place ebow

Vla.

Ebow

mœ

mœ 1

Lift ebow

Nœmœ œ

Vln.

45''

? Pno.

40''

mœ

MaP

ord

F 3:2 ? ≈≈≈ b œœ œœ œœ â ââ

Place ebow

mœ œ ·œ œ

P 3:2 ‰ ≈≈ œœ œœ ââ

Move bow in vertical direction

ord MaP

Ord Bow MaP

gliss

F ∏P p

m œ. & ≈ p

?mute on

Put a metal

Vlc.

√· I mœ

Lift ebow

pizz

∏

√ œ œ

Pizzicato Arpeggio Place ebow

Ebow

nœ

Tr Move bow in vertical direction

Legno Battuto

Ord Bow

œ·

MaP

n œ. m œ. n œ. N œ. œ. œ. [ œ ]

p π

ord

Place ebow

Lift ebow

gliss

œ o

° œ œ· . . .

œ œ·

qn P

jeté

3:2

ord MaP gliss

· ·· I

- tough jewel-e -

188 A. Fl.

B. Cl. in Bb

Prc.

Pno.

√. pizz œ 5 4

1&2

Vln.

5 4

‰. Œ π

Vlc.

5 4

Ó.

keycklicks

LAMPSHADE [Bow]

œ ‰ Œ @ ∏

5 8

‰ Œ

5 8

œ ‰ ‰ œ @ @

5 8

¿. . . . . . qn p

(let a silver spoon on a twine vibrate against the string vibrating from the ebow)

mm mm

œœ

Lift ebow

1&2

π ··

fr ~~~ ~~ @ ‰ ‰ @ œ œ

~~~ @ ‰ Œ œ ∏ fr

~~~ fr ~~ @‰ @ œ œ

∑

2 16

2 8

∑

2 ‰ 16

œ ‰ œ @ @

2 8

∑

2 ‰ 16

¿. . . . . . qn π Œ

U fr ~~

2 8

≈@ œ

Spoon

œœ

( )

Vla.

∑

Ebow

Change to Clarinet in Bb

∑

‰ Œ œ ~~~~~~~~ p 1œ

Place ebow

Ebow

gliss

5 8

œ ®‰ . œ

Œ . œ ~~~~~~~ π

5 8

®. >œ âœ f Í

˙ o

Play tremolo with the tip of the bow

Ord Bow

œ@ ‰ ‰ œ œ . o p ∏ œ p 51

Play tremolo with the tip of the bow

œ@ ‰ ∏

j œ@ ∏ Trem with tip

5 8

œ o

Ord Bow

œ>®œ . â fÍ

5 8

∑

2 8 1

œ p j œ@ Œ ∏ Trem with tip

2 16

j œ@ ∏ Trem with tip

j œ~~~ p o

π o

‰ ® . >œ âœ f Íp

mm mm

Ebow

Put a metal mute on

( ) ( )

mm mm

Trem with tip

2 8

@ œœ p o

2 16

2‰ 8

Ord Bow

® 2 @ >œ âœ 16 œ œ f Íp p o

2 ® 8 œ œ.

>â f Íp

2 16 œ

œ@

p o

- tough jewel-e -

Part IV:V

q = 92 [Dynamic]

193

A. Fl.

Cl. in Bb

Rubato

& .. & ..

Play 2 times

∑

.. ..

∑

Remove mouthpiece - play only on that

.. ..

∑

Change to Flute

4 4

∑

4 4

Make noise with tin cans put together with a string & other metal objects like saucepan lids & Kitchen/Hardware Equipment. Different types of metal to have a variety of sound.

Prc.

Elctr.

Pno.

Vln.

Vla.

Vlc.

÷ .. ÷ ..

4 4

& ..

4 4

? ..

4 4

& ..

B ..

? ..

4 4

Speak:

LAMP STANDS [Stick]

>¿ >¿ >¿ >¿ >¿ >¿ >¿ .. .. ä¿ ≈ ¿. ¿. . . . . . . . . ‰ . @ @ 3:2 Ï f π P qn ƒ p P

∑

.. .. ( m œœ ) .. ..

b ··

◊> °

‰. Œ

j ·œ œ·

MLTr

.. .. IV‰ œ· œ· .. ∏

·˙ .. .. ∏

·˙

III

. .. Œ

˙·

∏ 52

f ..

¬ >

5:4

œ·

œ· ‰ . Œ

œ·

gliss

( )

gliss

≈Œ

œ· œ· œ· ÿÿ

·œ ·œ ·œ ·œ

œ·

>¿ π

3:2

÷ ..

Blow air on the keys

Put blutack or other material on the harmonic. Then just press the keys to play it. If that is not possible: Find the position on the strings where the harmonics are. Put a mark on it so that you can find it quickly.

Ahhh

Electronical equipment

∑

¬ > π

LAMPSHADE [Steel brush]

¿h æ

, ..

OFFICE LAMP

SPRING STEELS

4 4

air tone

( )

3:2

œ· œ· œ· œ·

gliss

· (œ) qn

‰.

- tough jewel-e -

VV breath tone

& ¬. ¬. ¬. ≈ ‰ . π

¬. ¬. ‰ . p

196 Fl.

Cl. in Bb

flutter tongue

≈¬¬¬ Œ . . . π P

breath tone

‰ ¬ ¬ ‰ ¬ ¬‰ ¬ ¬ Œ . . . . .. π p π

o zœ ‚

˙z o

±.

± J F

harmonic

œz œz zz ‚ ‚œ œ ‰

3:2

± ± ±

∏

qn air tone

‰ Œ

¬. P

norm

œœ

1 Start sound file & turn volume up

Start autovan

Prc.

Elctr.

b ·· ‰ . Œ

◊>

& œ≈œ≈‰ œ œ < < f Legno Tratto fi

ord bow

œ œ < p

≈‰

B ˙˙

? Ó

Wedge (soft tapping with fingers on the wedge inside the piano)

F ‰. Œ b œœ > ◊ fi ,

Move bow in a vertical direction. Along the strings, away from the bridge

Vlc.

MsT Vla.

Wedge (hit it with hand inside piano)

Legno Battuto MsT Vln.

( œœ )

& Pno.

" !

Place autovan on the leaning surface

Legno Tratto III MsT

‰

œœF Legno Battuto MsT

fi 3:2 œœ ≈ œœ œœ ≈ œœ ≈ ‰ << < p f p œ

œ ‰ P

@ b ˙˙ ◊

ord bow

MLTr ord

˙·

∏ ‰

MsT

MLTr

·œ ·˙

F ·œ

∏

two finger pizzicato

œ·

·œ

·˙

Œ œ 3:2 â gliss ∏ F MLTr

gliss

MsT

·œ

ord gliss

·œ ·œ .. J ≈

MsT

·œ

ord gliss

·œ ·œ ·œ ≈

·œ ·œ gliss J 3:2 P

ord

gliss œ· ≈ œ·

·œ ·œ J

3:2

œ· ≈ œ· œ·

3:2

III

ord

·œgliss J 3:2 P

- tough jewel-e -

199 Fl.

Cl. in Bb

(

¬ π

bend

fiŸ/0 )

Whistle tones

˙ ////////////////////////////////////////// ˙ /////////////////////////////////////////////// m œ n œ ‰ Œ π F P π qn

œ ‰ œ ~~~~~~~~~~~~~~~~~

‚ÿ ÿ ÿ ÿÿ ÿ follow the graphics

double tonguing

bend

p F

‰

bend

œ ∏

gliss

≈

Lift autovan & turn down the volume

Prc.

Elctr.

( œœ )

& Pno.

@ ‰ Ó œœ

@ œœ (◊)

Ÿ ~~~~~~MaP œ ( ·œ ) œ·

MaP

Vln.

· & œ

F ·œ ..

·œ

ord

Vla.

B ≈

gliss

Vlc.

MaP

·œ ·œ

≈

◊>

3:2

œ· œ· œ·

·œ

MaP

·œ

MsT

Legno Battuto

ord

œ·

gliss

œ· glissœ· œ· π

gliss

œ·

3:2

·œ ·œ ·œ ·œ

ord

3:2

F 54

gliss

3:2

·œ ·œ ·œ

III MsT IV

≈@ · œ (œ) œ qn F

ÿÿ gliss

ord

‰.

b ··

·œ ·œ ·œ ·œ ·œ ·œ gliss gliss · ÿÿ · gliss œ ·œ ·œ œ

MsT

3:2

ord

∑

·˙

ÿÿ .. gliss

II III

@. m œ ®œ@ . m œ œ gliss

MaP MsT

gliss

Legno Battuto

@ ·œ ≈ œ@ mm œœ ®œœ .. ( ) œ gliss II III qn F III MsT IV

MaP MsT

gliss

Legno Battuto

·˙

III MsT IV

gliss

@ @ @ ·œ ≈ œ mm œœ ®œœ gliss ( ) œ gliss IIIII qn F MaP MsT

- tough jewel-e -

‚ÿ ÿ ÿ ÿ ÿ ÿ follow the graphics

202 Fl.

Cl. in Bb

≈‰ Œ

bend ˙ œ œ œ gliss π ∏ P

flutter tongue

œz ‚

˙z o

œ ‰

bend

± ± ±.

± J P

harmonic

oo œz ‚ p

breath tone

œz z z ‚ œ œ ‰ ¬¬¬≈‰ . . . 3:2 ∏ π

± ± ± π

breath tone

‰

¬. ¬. ‰ π

≈¬ . p ¬. ¬. p

2 Start sound file & turn volume up

Prc.

Elctr.

Place autovan on the leaning surface

& Pno.

F ‰. b œœ ◊>

? Ó

mœ œ m & œ®œ @ @ I II

gliss

Mezzo Legno Battuto MaP MaP

MaP MsT

Vln.

Wedge (soft tapping with fingers on the wedge inside the piano)

Wedge (hit it with hand inside piano)

gliss

m œ fi œ œœœ œ œ œ ®œ̄ œ̄ œ̄ œ̄ œ̄ œ̄ ≈

pP P

MLTr ord pos

‰ I

@ b ˙˙ ◊

MaP

·œ

slow bow hard

pressure

gliss

Vla.

MLTr

mœ mœ œ ? gliss m œ®œœ ®≈ ˙· & @ @ p ∏ MaP MsT MaP

I II gliss

Vlc.

ord

j ·œ µ µ œ· nn œ· gliss

MsT

·œ œœ ≈ ≈

hard pressure

norm bow

@ ‰ œœ

@ œœ

√ œ œ

Ÿ ~~~~~~~~~~~~~~~~~~~~~ I mœ m œIIœ .gliss œ œ ˙ ( ·œ ) œ œœ B m œ®œ . ®≈& ‰. @ @ P p p qn MaP MsT

MsT

3:2

œ·

π 55

gliss

√ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ . ( )·œ ˙ œ ≈ ‰ P

gliss

·œ ·œ ..

ord

œ· ≈ œ·

œ·

Move bow in a vertical direction. Along the strings, away from the bridge

B‰

ord bow

Mezzo Legno Battuto MaP

fi œœ œœ ≈ ≈ œœ œœ œœ Œ <<< P ord bow

3:2

ord

gliss œ· ≈ œ· œ·

Ÿ ~~~~~~~~

MaP

œ ( ·œ )

- tough jewel-e -

YY & ¬. ≈ ‰ ≈ ¬. ¬. ¬. Ó π P

205 Fl.

( Cl. in Bb

Elctr.

Ÿ ˙ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Vln.

≠

‚ F

3:2

œ≈¬ ∏π

gliss

√ord MLTr · ˙ & ∏

@ b ˙˙ .. ◊

MsT

·œ glissµ µ ·œ nn ·œ J 3:2 F π

B œœ œœ œœ ≈ & ‰ <<< P

œ œ

œ P

qn MLTr LB

· & œ

3:2

MaP

œ· œ·. œ·. œ·. œ·. œ· œ· f

∑

Vlc.

≠ œ ≠œ≠œ œ

Wedge (soft tapping with fingers on the wedge inside the piano)

Legno Battuto MaP

Vla.

6:4

∑

& Pno.

fi /0 )

Prc.

o j œ œ ‚

MLTr

·œ gliss·œ ·œ J 3:2 F π ·œ ·œ ·œ ≈‰ MLTr

p 3:2∏

MLTr

·œ œ·œ·œ· ·œ ·œ · , .. . . œ LB

gliss

3:2

·œ glissµ µ ·œ J

·œ

gliss

œ·

gliss

œ·

gliss

π nn ·œ

œ·

ÿÿ

gliss

œ· ‰

( ) 3:2

III

gliss

( )

gliss

3:2

ÿÿ gliss

·œ ·œ · gliss ·œ œ ord

MaP

ord

œ· œ· gliss π

@ ‰ Ó œœ

@ œœ

‰.

≈Œ œ· ≈ œ· gliss œ· π P ∏ Œ

˙ qn

gliss

- tough jewel-e -

ZZ FREE PART

208 0''

Fl.

Cl. in Bb

Prc.

Elctr.

3''

6''

Change to Alto Flute

Put the mouthpiece back on. Play on whole instrument.

the autovan at the U Leave end of the leaning surface. Do not turn it off!

& Pno.

Vln.

Bend & tighten the elastic [RS] band to change the tone.

Vla.

? Vlc.

√ gliss œœ œ œ œ œ œ œ π

I II

Bend & tighten the elastic [RS] band to change the tone.

Tighten with left hand Play with the right hand.

. . . . Ó. P ≈

. Œ . . . . Ó. . . P

Pizzicato on the elastic rubber band – backside of instrument [Wrapped around the lower body & tail piece]

œ ∏

≈

ÒÓÒ F

- tough jewel-e -

Part V:V

e = 54 [Warmth]

AAA

210

A. Fl.

Cl. in Bb

∑

& 48 WHISPER

ännu en sak jag inte visste om dig.

samma dag. det är idag.

WHISPER

∑

6 8

∑

≈ Œ.

¬. π

ännu en sak jag inte visste om dig.

dina föräldrar fyller år. det är idag.

& 48

ännu en sak jag inte visste om dig.

air tone

∑

4 8

ännu en sak jag inte visste om dig.

6 8

Œ.

‰

blow air on the instrument

¬ p

≈

4 8

OPEN

Greeting Card h q

BIG DRUM [Steel brush]

-¿

SANDPAPER

Prc.

Elctr.

÷ ÷

4 8

WHISPER

Pno.

-¿

6 8

‰

6 8

∑

det är idag, du har glömt att ringa.

dina föräldrar fyller år på samma dag.

∑

‰

1œ Voice & Kitchen noises

4 8

det är idag, du har glömt att ringa.

6 8

Blow air on the keys

Œ.

¬.

Vln.

On the bridge (sP)

& 48 Ó

3:2

fi ¿ ¿

qn WHISPER

Vla.

On the bridge (sP)

B4 Œ 8

fi ¿ ¿

Vlc.

On the bridge (sP)

?4 8

fi ¿¿

√__œ

√·

MaP Ord hp Pos

¿ ¿

¿ ¿ p

det är idag, du har glömt att ringa.

MaP hp

¿ ¿

dina föräldrar fyller år på samma dag.

¿ ¿ p

¿¿ p 58

MaP

≈

4 8

en sak jag inte visste.

≈

Fπ

4 8

ännu en sak jag inte visste om dig.

ä· · . ·

j Ord Pos ≈ ≈ · ·. · œœ & I · â π p Fπ hp

√ä · ·. ·

œ ≈& ≈ œ π p Fπ

¿ ¿

ännu en sak jag inte visste om dig.

œ œ π

Ord Pos

3:2

qn WHISPER

en sak jag inte visste.

samma dag. det är idag.

WHISPER

4 8

det är idag, du har glömt att ringa.

4 8

- tough jewel-e -

mina naglar mot din rygg på bensinstationen.

∑

213

4 8

det är mitt fel att du glömt

Cl. in Bb

& 48 Œ

‰

norm

¬ p

≈

h q

Prc.

Elctr.

4 8

‰

Pno.

Vln.

∑

(√)

4 8

pizz

√> œ

blow air on the instrument

Music Box h q

¬ P

‰

6 8

‰

œ qn

6 8 4 Humming

‰.

·.

Vla.

& 48

mina naglar mot din rygg på bensinstationen.

·.

det är mitt fel, att du glömt

Vlc.

& 48

?≈

¿¿ ..

≈

4 8

On the bridge (sP)

‰

On the bridge (sP)

≈B‰

4 8

Music Box

‰

4 8

1œ

4 8

¿¿ P 59

4 8

talar lågt i telefon.

¿¿

¿ ¿ J π

¿¿ P j ¿¿

j ¿¿

benen utsträckta över chintzöverkast.

¿¿

i det kattgrå halvmörkret,

¿¿

‰

∑

6 8

nu sitter du i det kattgrå halvmörkret

4 8

nu sitter du i det kattgrå halvmörkret

‰

BIG DRUM [Friction mallet]

det är mitt fel, att du glömt

¬ ¬ ¬ ¬ ¬ ¬ â â â â â â P qn

OPEN

4 2œ Kitchen noises 3 Voice 8

breath tone

BIG DRUM [Steel brush]

‰

6 8

OPEN

Music Box h q

6 8

benen utsträckta över chintzöverkast.

‰

mina naglar

i det kattgrå halvmörkret

air tone

6 8

¿¿

talar lågt i telefon.

¿¿

¿ ¿ J π

¿ ¿

MaP

œ œ ≈ hp

& 4 8

- tough jewel-e -

BBB

oo œ ‚

216 din rygg

benen

∑

& 48

oo œ ‰ ‚ ¬ p

skuggor

qn tassande över surret

mumlade ord

∑

& 48

Prc.

Elctr.

Pno.

÷ ÷

4 8

1œ

‰

2œ

Voice & Kitchen noises

Vla.

¿¿

B &

Vlc.

¿ ¿

& 48

‰.

äœ

‰.

n m œ>œ

ä Ord œ ≈ Pos I ·œ ≈ ·œ ·œ .. ·œ œ

6 8

det tar flera sekunder

Œ.

Change to Bass Clarinet

V 4 8

6 8

fπ

6 8

P fπ

suddiga skuggor

6 8

¿ ¿ ≈ ¿ ‰ @J @ æ π P p

Œ.

·œ ..

·. 60

6 8

œ·

4 8

≈ ‰

4 8

·œ m m ·œ ·œ

·.

4 8

som utför ett stup.

4 8

qn flera sekunder

m m ·œ ·œ

·œ glissn n ·œ J P π

j ·œ n n œ· P π

min arm faller åt sidan.

m m œ·

n œ>œ

‰

tassande över surret från luftkonditioneringen.

suddiga skuggor över ditt ansikte

LAMP STANDS [Stick]

SPRING STEELS [finger]

6 8

MaP

Pos ä œœ Ord ≈& · ≈ · · .

MaP

‰

≈ II · · ·. · P fâ π

Ord Pos

√ >œ mœ pizz

¿ ¿ &

∑

& 48

6 8

œ J

SAUCEPAN LID [bow]

mumlande ord, tassande över surret

Vln.

œ.

4 8

Music Box

Music Box h q

≈

∑

6 8

OPEN

4 8

min arm faller åt sidan,

·œ ≈

3:2

? ·œ ≈ p

4 8

- tough jewel-e -

CCC & 48 Œ

219

V 48 Œ

œ π

OPEN

Music Box h q

Prc.

Elctr.

÷ ÷

4 8

‰

äœ

‰

6 8

≈&

j ¬

j œ

≈÷ œ

h q

Œ P

6 8

‰

6 2œ Kitchen noises 8

5 Voice & Noises

h q

4 8

Music Box h q

OPEN SAUCEPAN LID [bow]

äœ

¬ p

CROTALES [bow]

6 8

‰

flutter tongue

o zj œ ‚

3:2

‰

3 Voice

4 8

4 Humming

kvar finns din utsträckta kropp. den svettas skuld och skam.

Pno.

& 48

√ œäœ

‰.

œäœ

‰

≈

œäœ π

n n ·œ

·œ

‰.

Duet (Violin & Viola)

Vln.

& 48

·œ n n ·œ ≈ ‰ gliss

Duet (Violin & Viola)

Vla.

& 48

·œ

?MaP 4 8

·œ.. bbœ·œ·· œ· œ gliss œ œ

qn Vibr.

Vlc.

·œ

Legno Battuto ord

gliss

>œ . . . . . π

π Vibr.

MaP ord

bow

. œ

äœ œ ≈ ‰

6 8

Ÿ ~~~~~ ·œ œ b· . ( ) ≈ œ.

œäœ p

·œ ·œ

b· œ· œ· œ

b ·œ

√œ

6 8

>œ . . . . . p 61

qn light pressure

Legno Battuto ord

I II

Legno Tratto MaP

ord

6 8

π j · œ P Vibr. ord

œ. P

œäœ

≈ ‰

Ÿ ~~~~ ·œ gliss ·œ ( œ ) ·œ

6 8

≈ ‰

œäœ

·œ ..

b· b œ œ· œ· œ·

· ≈ œ

·œ ∏

œäœ ≈ ® ≈? p

œglissœ ·œ .. p

4 8

LTr MaP ord

4 8

- tough jewel-e -

222

4 8

V 48

DDD

œz z z œ z 3:2

‰

‚ ‚ œ œ p ∏ œ

¬ p

norm

‰

6 8

j bœ

j œ p

j œ

qn CLOSE

flutter tongue

o zj œ ‚

3:2

4 8

Music Box CROTALES [bow]

Prc.

Elctr.

Pno.

÷ ÷

4 8

Vla.

&‰ 15

≈

œ qn

( œœ )

& 48

?4 8

b ·· ‰ .

◊> F ·œ

√ b œäœ

‰.

‰

·œ b · . b œ.

√ bœ.

gliss

P ·œ

·œ

o gliss

·œ ..

® Œ o

MLTr ord

œ.

MLTr MaP ord

œ œ

œäœ œäœ ≈ ® ‰. π

œœœœ

œ œ p &

6 8

1œ

‰

·œ

6 8

·œ .. P

normal pressure

Ord ord

œ.

‰

œ ·œ

·œ

·œgliss·œ œ

Vibr.

4 8

‰

4 8

Vibr.

4 8

. b b ·œ .

·œ

4 8

Ord Bow

MLTr MaP ord

œ œ

®‰

ä b œäœ œœ ® ‰

œm œ mœ

‰

œ bgliss œ œ

‰

2œ

œäœ

≈

5:4

¤œ

‰

6 8

medium pressure

Vlc.

œ . ®Œ π

4 8

Vln.

b œäœ

LAMPSHADE [Bow]

ord

6 8

œ. p

MaP ord

œ œ

ord

œ.

MaP

4 8

- tough jewel-e -

EEE

œz œz z z ‚ ‚ œ œ ∏ P

225

& 48

r ≈ œ @J

‰

Pno.

4 8 4

& 48

√ä œœ

(√)

Vln.

4 8

‰.

Vla.

& 48

f œ

Pizzicato on string at the nutpeg (MsT)

Vlc.

?4 8

Vibr.

m œäœ

‰

ord

+ œ≈

‰.

œäœ P

¯œ ·>

gliss

œäœ

√ ≈

œ œœ œ

œ. F

MaP

ord

œ œ.

œ œ. F

œ o f p

œ œ œgliss œ n K n

p 3:2F ord

b œäœ ≈ ® ≈

π ord

œ. P 63

®mm ·œ ..

P h q

h q

‰

gliss

6 8

MaP

F œ

Œ.

4 8

b œäœ ≈ ® ≈Œ

6:4

œ œœ œ nn œ· ® œ π o fp II

4 8

Mezzo Legno Tratto

œ œ. p

gliss

œz œz z ‚ ‚ œ

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Legno Battuto

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OPEN

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norm

flutter tongue

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Elctr.

BIG DRUM [soft mallet]

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- tough jewel-e -

FFF 228

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mœ J P

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Vla.

COMPUTER

ord MaP ord

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- tough jewel-e -

GGG Electronic ending 0''

13''

231

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- tough jewel-e -

HHH Tail

235

A. Fl.

& œ

no light

13'' light

Note stand light

LAMP With bluetooth bulb. Play mp3 from computer or phone. For a thicker sound, play this mp3 through the autovan at the same time. But, let the autovan stand still.

Prc.

Elctr.

LAMP Let the mp3 play til the end

light & sound

[high]

[low]

vid midnatt har jag fallit klart,

alla linjer är brutna. Note stand light

Pno.

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Vln.

& œ œ

Vla.

B œ œ

Vlc.

? œ œ

œ œ

Note stand light

alla ord

30''